Robert Kenner Food Inc Farming
Robert Kenner: Big Food will do everything to stop you 
talking about this
Laura Sevier
9th February, 2010
Filmmaker Robert Kenner's documentary Food Inc has shocked audiences across 
the US with its stark portrayal of industrial agriculture. And that's just the 
bits the lawyers let you see...
This is not a film about food: it's a film about rights
Laura Sevier: What inspired you to make the film about the food industry?
Robert Kenner: I had read Eric Schlosser's book Fast Food Nation and Michael 
Pollan's Omnivore's Dilemma. I realised I knew so little about where food comes 
from and how much our food systems had been changed.
The illusion is that food comes from a farm with a white picket fence and barns 
but it's not. It's from huge mega factories where tens of thousands of animals 
are confined in one space. Waste used to be fertiliser - now it's a pollutant. 
The pieces of the system no longer make sense.
LS: Did you set out to listen to all sides of the story - from organic farmers 
to Monsanto?
RK: I thought it would be interesting to talk to everyone - food companies, 
industrial and organic farmers and have a conversation about how we can feed the 
world.
Little did I know how off-limits the food world would become and how much 
industry does not want you talking about this subject. I went from one company 
to the other - in the film you only see ten or so but actually there were dozens 
that did not want to talk to us.
I realised the system was off limits. Ultimately in the US food products have 
started to have more rights than we as individuals. There are laws in place to 
protect companies - known as 'veggie libel' laws - that stop you from insulting 
a product or endangering profits of a corporation. [Food libel laws or food 
disparagement laws exist in 13 US states]
LS: Can you tell me about the legal challenges you faced with this film?
RK: The irony is that it's more frightening to talk about it here than in the 
States. I didn't realise what we faced until we talked to Barbara Kowalcyck, a 
food safety advocate whose son died having contracted E-coli from a tainted 
hamburger. She mentioned what happened to Oprah Winfrey who, on a program about 
BSE in 1996, expressed concern about the safety of eating hamburgers. [Texas 
ranchers sued Winfrey under a food libel law, although in 1998 the jurors 
rejected the $11 million dollar defamation lawsuit.]
I ended up spending more legal fees on this film than the past 15 films combined 
- times three! The world of corporate food is a very litigious world. They will 
do everything to stop you from getting people to think about this subject. It 
made my life very frightening. If I'd known all this before I started out, I 
might have had second thoughts about making this film.
We went through the film and thoroughly fact-checked every single statement.
I took things out of Food Inc that I thought were true but [over which] I didn't 
want to spend time in court.
LS: Did legal opposition from various companies force you to edit out parts of 
the film?
RK: No-one forced me to but there was always the inherent threat. In our attempt 
to reach companies we'd call and say, 'We're talking about so and so. Don't you 
want to comment?'
With Carole Morison, the chicken farmer who worked for Perdue Farms - she said 
she's immune to antibiotics and that she had been feeding her chickens a feed 
additive made from arsenic (as requested by Perdue).
We spoke to Perdue who said: 'we stopped doing that [arsenic] a day or two ago 
so Carole is incorrect.' They defended the practice in the recent past! I took 
out that bit from the film to err on the side of caution.
LS: What was the most shocking aspect of making the film?
RK: There were two things. One was early on when we went to a hearing about 
whether to label cloned meat. A representative from the meat industry said it 
would be 'too confusing for the consumer'. I realised I had entered an Orwellian 
world where people are being 'protected' by not being told.
Then when I asked food safety advocate Barbara Kowalcyck what food she eats and 
she couldn't answer me or she'd be sued. I realised it was not a film about 
food: it was a film about rights. Seeing how food products now have more rights 
than individuals - that was more frightening than seeing how the food was 
produced.
LS: In the film there is a focus on the food system in the US - does the 
situation apply to the rest of the world?
RK: This is not a film about the US. I thought of filming in other countries and 
you could have been told the exact same story. It might have started in the US, 
but it is spreading. It's starting to happen here and it happens in Asia.
LS: How was Food Inc received in the US when it was released last year in June?
RK: It became one of the most successful documentaries of all time. The amount 
of press we got was really incredible. For a while we were the number one 
selling DVD on Amazon ahead of all the Hollywood movies.
It's very gratifying to see how much it played into growing food movements and 
how passionate people are and how it cuts across ideological lines. There is 
something about food that does cut across ideological lines - we all have to 
eat!
LS: In the film you tell people to 'vote with their fork'. Is consumer power 
enough to change this system? Obviously it's a matter for the regulatory 
agencies too but as Food Inc reveals, the FDA and USDA are somewhat toothless...
RK: It's a two-pronged battle. Consumers do have the power to vote three times a 
day. But you've also got to create a level playing field. Unfortunately if 
you're subsidising food that's not good for us it means that poor people are 
having to buy cheaper calories and these cheaper calories are making us sick. It 
also takes consumer consciousness to infringe this group. It's never going to 
change unless we have a movement to help us change it.
As a common movement gains strength it's able to put pressure on governments all 
over the world. Entrenched corporate power is only concerned with the very short 
term, in looking after its own bottom line. You can still make money selling 
healthy food too. We need to know how to put pressure on and pay the real costs 
of food. We all love cheap food - but we're beginning to see the hidden cost of 
it.
LS: What do you hope people will take away from the film?
RK: That the system is unsustainable. We've created a world where we're using up 
our natural resources and, in doing so, robbing our children and our 
grandchildren. We have to think about growing and producing food in a fairer 
way.
We have to return the balance of power towards individuals and away from the 
corporations. The film does show Walmart in a good light for helping to ban a 
growth hormone given to cattle to produce more milk.
We also need to figure out how to create another system. The current food system 
is all based on oil. If you believe in peak oil we're going to run out at some 
point. We need to think about how to feed the world and what's sustainable. 
People should have the right to know the consequences and the cost of the 
industrial food system.
Food Inc will be released in UK cinemas on Friday 12th February, with a special 
day of nationwide one-off screenings on Monday 15th February. For details visit
www.foodincmovie.co.uk
Laura Sevier is the Ecologist's Green Living Editor