"9" the 2009 movie, signaling the Beast agenda

Having just concluded a series of posts on one animated feature that signals the Beast agenda (The Iron Giant), I'm continuing the momentum here with another, titled, "9." That's right, simply, "9." I've written plenty about that number recently as the single-digit number representing the Beast (Revelation 13:1) and the mark of the beast / transformation of man into a serpent hybrid. If it is indeed that, we might expect to find these themes presented in a movie with such a title, and, indeed, we do!

In the series addressing The Iron Giant, I withheld the most important sign concealed and revealed in the movie until the final post. In this series, I'm going to present this movie's version of the same right here in the introductory post! To prepare yourself for what I'm about to share, assuming you're already on-board with the foundation of "The Iron Giant" series, please watch this official movie trailer video (9 - Official Trailer and this one (9 Movie Trailer - by clevver movies), which, in some media displaying this blog post you will find embedded, below.





During the "clevver movies" video (2.06-2.31) the nine consecutively numbered rag dolls were featured in an introduction sequence, one at a time, excepting the "3" and "4," which were presented together. The image on the left represents two consecutive frames I clipped from that sequence. The "three things and then four" is the sign for which I've watched. With their "creator" making the "3" and "4" at the same time, as twins, the sign is conveniently packaged for presentation.

Of all the "numbers," only these two are twins, which marks them as a special set. As twins, the aspect of time is called out to our attention because they were made at the same time. The sequence is important, with a 3 coming before a 4, and it's in this order that they appear in the movie.

The image on the right pictures the "three things and then four" sign. The movie introduces us to the twins as being shy, hiding behind an object. "3" appears first, on the right, then, a moment later, "4" appears on the left. The frame showing the image in the upper half appeared a few moments before the frame with the image shown in the lower half. (I found a clip showing this scene on YouTube - in the first three seconds of the clip.)

If this seems somehow familiar, it should! This follows "The Iron Giant" pattern presented when the signal poster is introduced! As the "camera" panned left giving us a view of Dean's domicile, we first saw the "3" appear, then the "4" with it, to the left of the "3"!

In "The Iron Giant," the scene in which I perceived the signaling cryptic visual imagery had some supporting and validating content as clues in the immediate context. There was 1) the obvious subject: the iron giant, symbolic of the Beast and 2) the dialogue accompanying the cryptic sign: "I, I, I can't hide it here" and 3) the full screen title prefacing the scene and alerting us to watch for a specific time interval. Are there supplemental clues in the context of the cryptic sign's presentation in "9" that support identifying it as such a sign? Take a close look at what "3" and "4" are flanking, the object they had been hiding behind. I know, it's dark, but that's the image from the movie.

What do you see? Does that speak to you about the Beast and the mark of the Beast? I see a display jar on a base containing two well preserved serpents that are coiled in a double helix. Each is marked with a sequence of chromosome shapes. Haven't I written somewhere about something like this? Haven't I written also about Joseph Mengele and his unrestricted experiments with twins as he seeks to discover and exploit the secrets of genetics? Haven't I written about the secret of the "twins" Cain and Abel?

There's another set of clues in the dialog accompanying the scene. "7" explains to "9" about the puzzling and inquisitive twins, "3" and "4."

"Oh, they've been here, the whole time. Twins. They've been hiding here, lost in the past. Looking for answers."

Once again, our attention is drawn to time and the passage of time. What is it of the three and four that have been hidden the whole time? What are the answers? The three and then the fourth Shemittah from 1991 will reveal what has been hidden the whole time. The reality of the Cain and Abel story will be manifest. The Nephilim long hidden in the earth will no longer be lost in the past.

At some point, someone's going to realize I'm not just making this stuff up. I'm not imagining things. I'm not seeing just what I want to see. I'm not bewitching you. Some of us, who have been bewitched, are having our eyes opened. We are being set free, delivered out from under the antichrist spell!

What does this sign mean? Have you read on TheOpenScroll.com about the Bride Theft and the sign for the Bride? Do you understand the celestial sign of 1991? Have you seen the videos or read the study about whether "no one will know" when the Lord will return? If you're not aware of and convinced of what the Lord has already revealed in preparation for this season, how are you going to effectively watch in days to come? How will you interpret the coming events? In the near future, our access to such as this blog, that the Lord provides for our instruction and encouragement, will be cut off. I'm telling you this, which some of you already know, to encourage you to focus. Focus.

Time is short. Make it count, my friend.

More notable news

TSA to Block "Controversial Opinion" on the Web
"The Transportation Security Administration (TSA) is blocking certain websites from the federal agency's computers, including halting access by staffers to any Internet pages that contain a "controversial opinion," according to an internal email obtained by CBS News."

Goldman Sachs: The Pirates of Poison in the Gulf

Surveillance system monitors conversations
"A controversial covert surveillance system that records the public's conversations is being used in Britain"

Holy Acronym, Darpa! ‘Batman & Robin’ to Master Biology, Outdo Evolution
"Darpa’s launching Biochronicity and Temporal Mechanisms Arising in Nature (BaTMAN), in an effort to better understand “the spatio-temporal universe,” and, from there, “transform biology from a descriptive to a predictive field of science.”"

Part 17 - "The Iron Giant" signaling the Beast agenda

This is the last numbered installment in the series focused on the antichrist vehicle, The Iron Giant. Heads up - this one's a keeper. At the outset of this series I referred to a particularly significant feature that "locks down" where we are on the Lord's appointment calendar. Here it comes. This feature, to most, will mean nothing. However, as on the night of Paul Revere's storied ride when two lanterns were seen in the Old North Church tower, when one has the key to interpret a signal ("One if by land and two if by sea" - Wadsworth), the message is clear. While most will pay it no heed, as it must be, I believe the Lord is granting the favor both for me to see it and to publish it plainly, so here it is for whomsoever and whensoever it's appointed to be opened.

This post builds upon a previous post, Vancouver Olympics - Part Five - "There are Three Things - Even Four", which is rooted in the "Beyond the Veil" presentation at the heart of The Open Scroll. The Iron Giant presents another instance of the "three and then four" signal for which I've been watching.

This instance compares to the "apparent technical malfunction" signal during the Olympic cauldron assembly, BC Place, 2010 Olympics in Vancouver. It also compares to the 1936 Berlin Olympics poster that signaled "three things and then four" to me using the Brandenburg Gate's quadriga imagery. (See Part 4 - What does the Olympic Rings logo really mean?) These signs are subtle among subtleties, and quite easily dismissed by those who are uneducated the way of signals and held spellbound by the cunning craft of the presentation context.

This signaling via The Iron Giant antichrist vehicle first came to my attention when what looks like a poster of abstract art appeared briefly but conspicuously through an open door, as you see in the image on the right.

In this scene, Hogarth is badgering Dean to persuade him to let the iron giant stay in his scrap yard. Dean is inside his office / domicile with the door closed and Hogarth is outside. When Dean finally opens the door, the poster is the featured interior element that comes into view. While this is the scene where it first came to my attention, some further review revealed that the poster had appeared in an earlier scene in such a way that supports my perception of it.

Just by looking at the poster, it doesn't make sense that I should perceive it as "three things and then four." The appearance of the large Arabic numeral "3" seems obvious, but does the other stuff really represent a "4"? The normal way to read numbers is left to right, so even if it is a four, wouldn't this mean, four and then three? Or, maybe it's a 413? Is this just a matter of, me, wanting desperately to see a thing, then imagining it everywhere? Call it as you see it. I do.

Prior to seeing the poster through the open door, the first view presented in the movie comes while the "camera" is panning through Dean's office / domicile, moving from right to left, giving us a survey of all sorts of junk "art" and eclectic furnishings. The abstract poster seems to fit right in. Because of the right to left motion, the "3" appears first (upper image), then the "4" (lower image), presenting us with the properly sequenced "three things and then four" sign. These two images show how the poster comes into view in this sequence, with exactly two seconds interval between the frames.

That the poster might be picturing a three and a four is difficult to discern because, if so, it's obfuscated. Yet, such is typical of the symbolic elements I've addressed continually in this blog series.  The clever means of separating the three and the four from each other actually allows for the presentation of another number, "13," which is notably a primary Beast number and the very chapter of Revelation featuring the Beast and his mark.

I will mention at this point what you should already know by way of familiarity with the above-mentioned related studies. The three and four refer to the Shemittah counted off from 1991. The "three" span 3x7 or 21 years, concluding on Yom Teruah of 2012. The "four", or, fourth "thing" is the Shemittah (a.k.a. Daniel's seventieth seven) spanning 2012-2019. The key signs testifying of "three things and then four" establish the vital connection between the celestial sign of 1991 (marking Y'shua's return in judgment) and the week of appointments that has only been revealed to me by way of relative positioning.


Carefully observe how the light from the lamp is cast upon the poster in the lower image, highlighting the "4" side. If you consider the lit area as a chart, with the arc graphing the intensity of the light over time moving right to left, it indicates an increase during the three and a peak in the four, which is an accurate picture according to how I've been led to interpret the "dark light" of antichrist in this season.

When considering the poster interpreted as a 4 and a 13, the 4 equates to the 13: Shemittah "4" features the "13" Beast.

Once I'd noticed how the sequence of the three and then four was presented via the camera pan I began to wonder about the scene during which the sign had been brought to my attention, suspecting that there might be something about it that offers clues to what was signified. There is!

Here's the scene. Dean has just been introduced to the iron giant. He and Hogarth are sitting in the scrap yard watching the iron giant eat junk and discussing the situation.

Hogarth: "He needs food and shelter."

Dean responds by quietly standing up, giving him a stern look, going inside his office / domicile and slamming the door shut. A black title screen appears full screen, with a message in white text reading, "37 minutes later." Then we see Hogarth standing at the closed front door.

Hogarth: "You got plenty of room here. This place is perfect."
Dean: "Go Away."
Hogarth: "I can have him push the door down. You know I can!"
Dean: "Hogarth!"

Dean throws open the door, briefly exposing one thing inside to our view.

Dean: "I, I, I can't hide it here."
Hogarth: "'Him' not 'it.'"
Dean: "Whatever. You don't even know where 'he' came from or, or what the hell 'he' is!"
Hogarth: "He's my friend."

Here's the way I see it. The full screen title "37 minutes later" is an alert to put us on watch. "Heads up - the subject here is the passage of a specific interval of time!" While we're on high alert, such a sign appears, precisely while Dean is stammering, "I, I, I can't hide it..." Hogarth immediately corrects him, but I see that as just a cover. Dean's chosen pronoun wasn't really referring to the iron giant, but to the featured sign. "I, I, I can't hide it..." - the signaling poster that was just then, in that moment, no longer hidden! That's when the Lord brought it to my attention!

Consider the language Dean used, "... or what the hell 'he' is!" Why is that kind of language scripted when it's a movie for kids? Because the important thing going on here is the occult signaling! Think about it. "... what the hell he is?" He, the iron giant is the "hell" Beast, right? "Whatever. You don't even know where 'he' came from or, or what the hell 'he' is!" Will most people know where the iron giant comes from or what he is by nature, whether of heaven or hell? They will not, so which way should they lean in their response? Hogarth leads us with, "He's my friend." Sly. Evil!

When will the hell Beast appear, himself no longer hidden? As the "13," accompanying the "4." "One if by land and two if by sea" -- After three have passed, in the fourth Shemittah from 1991. There it is. Thank you Lord!

Part 16 - "The Iron Giant" signaling the Beast agenda

The feature length animation The Iron Giant provides insight into Satan's programs preparing the world to receive the coming Beast of Revelation 13. Symbols conceal on the one hand and reveal on the other. The symbolic elements in this clever cartoon movie are rich with meaning. Featured in this post are the esoteric contents of a dresser drawer in Hogarth's bedroom.

The first thing I notice in the drawer is an 8 ball. Considering this object as one of the pool game variety alludes to the pyramid formed by the 15 ball rack formed at the beginning of the 8-ball game, in which the 8-ball occupies a key position. However, the context suggests a look-a-like object called the Magic 8-Ball, the meaning of which is supported in the context of the other objects in the drawer. This "toy" was about as popular as the slinky, silly putty, Frisbee and hula-hoop when I was growing up.

This ball has a clear view-port opposite the white circle with the 8 inside. If you hold the ball with the view-port up you can see a triangular face float to the top with a message on it. To use the ball, you turn the view-port down, ask it a yes/no question, then rotate the view-port up so the answer comes into view. This toy is an introductory version of an oracle used for divination. It was invented in 1946 by Albert Carter, whose father was a clairvoyant, an occult practitioner in the magical arts of divining. It compares most closely to a crystal ball.

9) When you enter the land which the LORD your God gives you, you shall not learn to imitate the detestable things of those nations.
10) There shall not be found among you anyone who makes his son or his daughter pass through the fire, one who uses divination, one who practices witchcraft, or one who interprets omens, or a sorcerer,
11) or one who casts a spell, or a medium, or a spiritist, or one who calls up the dead.
12) For whoever does these things is detestable to the LORD; and because of these detestable things the LORD your God will drive them out before you.
Deuteronomy 18:9-12

The popularity of this oracular object and its distribution as an innocent toy compares to the phenomenon of the Ouija board. These tools of divination encourage the practice of the occult arts in rebellion against the commandments given by the one true God for our protection. Giving children access to these objects is like setting a welcome mat out for the abundance of lurking demons who await such invitations. The object remains today as a cultural icon, evidenced by this Allstate Insurance commercial.

I'm going to explore this single object a little further before I move on to the other contents of the drawer because of how popular similar elements are in the entertainment media and how little regard is typically given them in our ignorance.

Why did the son of a clairvoyant choose an 8-ball as the pseudo-crystal ball object? Probably because black objects may be used as well as crystal for divining.  Also, the figure 8 on the 8-ball is also the infinity symbol that represents the transformation of man from mortal to immortal being. This is also the underlying theme of the movie!

The magic 8-ball is not the only object in the movie signaling divination. In an earlier post I presented the bathroom cabinet mirror, identifying it with the practice of scrying. That's a kind of divination where the mirror facilitates communication with spiritual entities as through a dimensional portal. The formal name for this is catoptromancy.

In popular culture the "classic" animated feature "Snow White and the Seven Dwarfs" features this practice with the question asked being, "Mirror, mirror on the wall, who is the fairest of them all?" Disney productions specialize in occult indoctrination, with another notable example being the ubiquitous Mickey Mouse as the sorcerer character with a crystal ball. As a current example, there is an electronic "learning" game called "Disney Princess, The Crystal Ball Adventure" (Ages 5-7 years).

Consider the popularity of the "Alice Through the Looking Glass" story, where the mirror is not only the communications portal but useful for full inter-dimensional travel.

In the iconic Wizard of Oz, the fortune teller named Professor Marvel divines using a crystal ball in the "real world" opening sequence, and the wicked Witch of the West does likewise in the dream/fantasy world.

Outside the context of these occult "entertainment media" productions that corrupt us from an early age, there is the catoptromancy practiced by the State Oracle of the respected Tibetan Dalai Lama. The Dalai Lama consults the State Oracle, who divines while in a trance using the object you see on the left.

The internal device responsible for the choice of answers offered by the magic 8-ball is a regular 20 sided figure called a icosahedron. A similar icosahedron is used as the die in role-playing games such as Dungeons & Dragons, which is another popular introductory "game" for occult ritual practice. I found the following comment someone posted on Wikipedia interesting, too. "Using the Coupon collector's problem in probability theory, it can be shown that it takes an average of 72 questions of the Magic Eight Ball for all 20 of its answers to appear at least once." The number 72 is the number of stars surrounding the scene of the apotheosis of George Washington on the US Capital dome, representative of the fallen demonic entities involved in the ritual magic of regeneration.

Let's consider the other contents of Hogarth's dresser drawer. In front of the 8-ball is a compass, a device used to find direction. This compares to and highlights the 8-ball divination, because advice and direction is given by the oracle. The "E" direction is the compass heading from which the Messiah will come. The capitol E is also the trident letter, a triple helix DNA signal.

There is a flashlight bulb, a source of light, symbolic of Luciferic illumination. This relates to the 8-ball divination also, from which is sought supernatural illumination.

There is a die with the three dots turned up, and three dots of what must be the "five" are exposed to our view on another face. The redundant show of 3 is another triple helix DNA cue, but don't let that be your lot in life! There's a die inside the oracle 8-ball that is marked particularly by three and five features. It has five triangular (5 and 3) faces meeting at each vertex. It can be represented by its vertex figure as 3.3.3.3.3 or 3⁵, and also by Schläfli symbol {3,5}. Coincidence, or purposefully done by the clever deceiver?

There is a pinkish flesh colored PEZ dispenser, which is a candy dispenser that became popular as a toy. In 1956-1957 the popular PEZ was a witch on a broomstick, although the one in the drawer appears to be the more generic version.

Appearing in back of the 8-ball is a button with the image of a rocket ship. This is for space travel to alien worlds, for ascending people from earth into the heavens. Think about it.

There's a horseshoe magnet, which attracts - iron. Attracts iron. Did you get that? Attracts iron. This is the iron giant, right? Iron mixed with clay, Daniel 2. Attracts iron. It seems to have worked for Hogarth.

The last item of note in Hogarth's drawer of esoteric treasure appears to be a crosswords puzzle book. Can you figure out the puzzle of what the contents of the drawer mean?

News links of interest

EXCLUSIVE! September 11th and The Gulf Oil Spill - CONNECTING THE DOTS
Marine activist alleges BP oil spill cover up

iPhone Credit Card Reader Lets You Accept Plastic Anywhere
Intuit to buy health care firm Medfusion
"Intuit added that giving patients quick access to their medical records is one of the requirements for doctors to receive a $44,000 payment funded through the American Recovery and Reinvestment Act stimulus bill."
Prepping for the Beast network, the access to which will be with the implanted chip that will become the mark of the Beast.

Chemical Concussions and Secret LSD: Pentagon Details Cold War Mind-Control Tests

IBM setting up cloud for genome research

Western Slope woman blames vampire for car crash The vampire tradition continues the Nephilim lust for blood.

Greece lightning: Ancient Parthenon lit from above as storm breaks over Athens First, Touchdown Jesus, now the Parthenon. So judgement comes, in this order.

Morphing cars and planes closer as Pentagon develops shape-shifting robot

Part 15 - "The Iron Giant" signaling the Beast agenda

The Iron Giant (1999 - Warner Brothers) features the giant iron robot as a future Beast of Revelation 13 and as an ancient god as worshiped in antiquity. In this post I'm presenting a few more features that identify the iron giant with the gods of the ancients. These various identities, as you may know, resolve to the dragon/serpent Lucifer or Satan and his near companions, the fallen.

In battle sequences, various facets and forms of the robot as a weapon are presented. Among them is the Medusa you see on the left. Medusa is among the pantheon of Greek gods many of us have begun to recognize as the agents responsible for the great flood of Noah's day.

Hogarth's house has been shown in this series to be decorated with an abundance of symbolic patterns and other elements. On one wall appears two masks.One of these resembles a traditional Malian mask, as worn in one of the cults of the Dogan. You'll notice a feature shared with the iron giant, a forehead fin. This must be a family trait that identifies them as relatives. The gods worshiped in ancient times were indeed "iron giants," the Watchers or their Nephilim spawn.

If you follow through with some historical research you will find this page on the West African tribe, The Dogan of Mali Here's an excerpt from that page, which offers some insight into why the masks are so featured in this finely crafted antichrist vehicle.


"In the late 1940’s, Dogon priests greatly surprised the French anthropologists Griaule and Dieterlen by telling them of secret Dogon myths about the star Sirius (8.6 light years from the earth). The priests said that Sirius had a companion star that was invisible to the human eye. They also stated that the star moved in a 50-year elliptical orbit around Sirius, that it was small and incredibly heavy, and that it rotated on its axis. All these things happen to be true (the actual orbital figure is 50.04 +/- 0.09 years). But what makes this so remarkable is that the companion star of Sirius, called Sirius B, was first photographed in 1970. While people began to suspect its existence around 1844, it was not seen through a telescope until 1862. The Dogon beliefs, on the other hand, were supposedly thousands of years old."


One of the most well protected mysteries of the Freemasons regards the role of the dogstar Sirius. (As related by Dr. Robert Hieronimus) These are no fabricated myths perpetuated by a merely superstitious culture of simpletons.


Continuing with another excerpt, consider the messianic, or, antiMessianic feature of the the worship system the iron giant's relatives inspired.


"The Dogon say their astronomical knowledge was given to them by the Nommos, amphibious beings sent to Earth from Sirius for the benefit of mankind. The word Nommos comes from a Dogon word meaning "to make one drink," and the Nommos are also called Masters of the Water, the Monitors, and the Teachers. The Dogon myths tell the legend of the Nommos, who arrived in a vessel along with fire and thunder. After they arrived here - they put out a reservoir of water onto the Earth then dove into the water. There are references in the oral traditions, drawings and tablets of the Dogons, to human-looking beings who have feet but who are portrayed as having a large fish skin running down their bodies. The Nommos were more fishlike than human, and had to live in water. They were saviors and spiritual guardians: "The Nommo divided his body among men to feed them; that is why it is also said that as the universe "had drunk of his body," the Nommo also made men drink. He gave all his life principles to human beings." The Nommo was crucified and resurrected and in the future will again visit the Earth, this time in human form."


Again, "The Nommo was crucified and resurrected and in the future will again visit the Earth, this time in human form."


And I stood upon the sand of the sea, and saw a beast rise up out of the sea...
Revelation 13:1


And who taught such things to those who worship their ancestors who were gods and descended from gods?


"And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways. Semjâzâ taught enchantments, and root-cuttings, 'Armârôs the resolving of enchantments, Barâqîjâl (taught) astrology, Kôkabêl the constellations, Êzêqêêl the knowledge of the clouds, Araqiêl the signs of the earth, Shamsiêl the signs of the sun, and Sariêl the course of the moon. And as men perished, they cried, and their cry went up to heaven..."
Enoch 8


"...Thou seest what Azâzêl hath done, who hath taught all unrighteousness on earth and revealed the eternal secrets which were (preserved) in heaven, which men were striving to learn: And Semjâzâ, to whom Thou hast given authority to bear rule over his associates...."
Enoch 9


The masks on Hogarth's wall are consistent with such as the oak motif symbolic of Zeus and Apollo. They expose the iron giant as something more than an innocent cartoon. The figure is a god, worshiped by the ancients and by those today who have the cunning to put such as this media production out into the world with confidence that it will perform its appointed work with stealth.


The face of another relative of the iron giant appears in a context that presents another notable feature of the Watchers and Nephilim in the earth. The appearance of this face is more subtle than the masks on the wall but is still discernible. This face appears in Dean McCoppen's scrap yard amongst the vast heaps of junk. The yard is the iron giant's hideout, and the junk is what he eats. The yard is like a graveyard for old cars, trucks, farm equipment, appliances, etc. In this graveyard is what appears to be the weathered inanimate head of another iron giant. The iron giant eats the scrap, and since the scrap happens to include another iron giant, this is what we call cannibalism.

And all the others together with them took unto themselves wives, and each chose for himself one, and they began to go in unto them and to defile themselves with them, and they taught them charms and enchantments, and the cutting of roots, and made them acquainted with plants. And they became pregnant, and they bare great giants, whose height was three thousand ells: Who consumed all the acquisitions of men. And when men could no longer sustain them, the giants turned against them and devoured mankind. And they began to sin against birds, and beasts, and reptiles, and fish, and to devour one another's flesh, and drink the blood. Then the earth laid accusation against the lawless ones.
Enoch 7


These giants devoured mankind, which was shown earlier in this series to be cryptically pictured in the serving bowl. They also devoured one another's flesh, pictured in the iron giant's feasting upon the contents of the iron giant graveyard. Is there any doubt what the iron giant agenda really is? The giants are returning in another attempt to finish what they started.


There is, of course, a messianic version of the scrapyard feast, mimicked by this evil production.


53) Then Jesus said unto them, Verily, verily, I say unto you, Except ye eat the flesh of the Son of man, and drink his blood, ye have no life in you.
54) Whoso eateth my flesh, and drinketh my blood, hath eternal life; and I will raise him up at the last day.
John 6:53-54


No such life will await those who are preyed upon by those who serve the fallen iron giant gods and fail to resist their schemes. The true messiah, Y'shua has the life you want. The banquet is set before you. Open your eyes and learn to understand symbolic language. Your life may depend on it.

Part 14 - "The Iron Giant" signaling the Beast agenda

The Iron Giant movie presents us with a remarkable series of lessons about the workings of pharmakeia, the Greek word in Revelation 18:23 translated sorcery, sorceries, magic spell or drug spells. In recent posts I presented how a particular lie was introduced with pharmakeia. Dean had told nine year old Hogarth the following while he was overstimulated with espresso: "You are who you choose to be." I've explained the lie and how it was carefully packaged and delivered. Now, consider what role it plays in the movie and whether it's worthy of the special packaging and special delivery. 

Adding some necessary back-story here, the iron giant robot's programming was damaged somewhat during an incident at a power station, where Hogarth found him and "saved his life." One facet of his programming was reset so the robot appears in kind of a child-like state where he can learn and be reprogrammed. His self-defense response remains, which betrays his purpose. The fact that the iron giant had been designed and programmed as a robotic weapon eventually becomes rather obvious to Dean and Hogarth.

When the government agent is finally able to convince the military that the robot is real and a legitimate threat that needs to be destroyed, the ensuing battle brings the movie to a climax. The military, influenced by the deranged agent, is bent on destroying the iron giant, whose self-defense program and superior weapons technology is making the ultimate outcome of the battle obvious. If it were to continue, the threatening military forces would surely be destroyed, resulting in enormous collateral damage. This doesn't appeal to Hogarth. When the military finally decides to escalate and use their weapon of last resort, a nuclear (assumed) missile is launched, targeting the iron giant's location. Hogarth and everyone else in the area appear to be doomed. The giant could easily escape and leave everyone to die while he destroys the forces of the aggressor. However, he has integrated Dean's aphorism into his programming. He had been made as a weapon to destroy mankind. He chooses to become something else. "I am not a gun!" is his testimony! So, evaluating the situation, he flies up into the heavens and intercepts the missile, saving everyone. He is blown to bits, thus sacrificing himself to save mankind.

The iron giant's sacrifice is very noble, an admirable deed associated with great love. This is an allegory pointing to the sacrifice of the only begotten Son of God. The iron giant is indeed like Christ but as a substitute; antichrist.

Y'shua, "when he suffered, he threatened not" (1 Peter 2:23) but, in stark contrast, the iron giant's self-defense program was definitely in play.

Y'shua made a key decision before his sacrifice. "Not my will but thine be done," he said as he prayed in Gethsemane. He had options and the ability to choose. The iron giant modeled this. Operating on the premise of, "You are who you choose to be," he decided, "I am not a gun." While Y'shua chose to fulfill the purpose to which he was appointed, the iron giant chose to rebel against the purpose to which he was appointed, which must have been, as "a gun," to destroy (or, perhaps, since this is never declared in the movie, through the threat of destruction merely bring mankind into subjection). The true savior of man did and does save, achieved through obedience and the subjection his own will. The false savior of man presumes to do so through disobedience, exerting his own will.

There is another angle here, looking forward instead of back in time, and this is the threat that justifies the special packaging and delivery effort that was facilitated by pharmakeia. When Y'shua returns, he'll come as "a gun," destroying the work of the enemy. When He does, he will NOT choose to not be "a gun." When he comes, the iron giant and those who side with him will suffer wrath.

19) And I saw the beast, and the kings of the earth, and their armies, gathered together to make war against him that sat on the horse, and against his army.
20) And the beast was taken, and with him the false prophet that wrought miracles before him, with which he deceived them that had received the mark of the beast, and them that worshipped his image. These both were cast alive into a lake of fire burning with brimstone.
21) And the remnant were slain with the sword of him that sat upon the horse, which sword proceeded out of his mouth: and all the fowls were filled with their flesh.
Revelation 19:19-21

The rider on the horse will come as "a gun" and will not repent of executing the sentence of judgment.

Those the Beast deceives, who take the mark, perhaps based on the premise that they can later change their minds and choose to un-mark themselves, will have taken the bait and surely swallowed and set the hook. When the line is reeled in, they'll side with the "iron giant" Beast in the campaign against the true Messiah and his forces. Will they suppose, in their delusional state, that the Messiah will show mercy in that day that is appointed for wrath?

You see, the iron giant version is a lie. It presents a false savior and a false hope of the kind that leads to destruction. Instead of promoting obedience to our Creator's "programming," which leads us to get to know Him and love Him and follow Y'shua's example of submission even unto the death of this body of flesh, it promotes the opposite. Instead of the spirit of Christ it promotes the spirit of antichrist.

If you know people who might yet be persuaded to repent of their rebellion and turn from the ways of the great city Babylon, such as this movie may be a useful example. But, all that is really necessary is the Lord's word in your mouth. Pray and do as the Lord leads. I pray that the Lord will bring forth laborers into His harvest field. Time is short. Our opportunities will soon look very different, my friend.

Misc items of note

9 Years In, U.S. Finally Tries to Get a Grip on Warzone Contractors - Which suggests that it is understood how that doesn't really matter in the bigger picture.


The Daniel 8 clock is ticking.
ME war tensions mount over Gaza-bound "enemy ships." Hizballah pledges reprisal
CIA's Panetta: Iran has enough uranium for 2 bombs


I believe this phenomenon is genuine - Ball of light Wiltshire - but beware the hoaxers. Olivers Castle Crop Circle Hoax (Is It Real) Where there's fire, there's smoke. ;)

I recommend this insightful blog post, Bitter as Wormwood, on New Wineskins by ultraguy. Some comments: Like ultraguy, I suspect the re-emergence of the Picasso was no mere coincidence. See how the BP mandala resembles the absinthe flower. Also, about the Green Goddess, I see parallels with the emerald tablet of Hermes, the holy grail, the philosopher's stone, white powder gold, etc. These all appear to reference the alchemical transformation of DNA ultimately to be fulfilled in the mark of the Beast. I think the green color theme points back to the green-skinned Osiris and the serpent-tree of knowledge of good and evil in the garden. The revival of absinthe appears to be a Nephilim sign like so many others, a portent of the coming Beast and a facilitator of his coming.


Since I've been writing about drug spells, you might appreciate this perspective.

---

Different drug problem - attributed to Randy and Melanie Bordelon

The other day, someone at a store in our town read that a Methamphetamine lab had been found in a old farmhouse in the adjoining county and he asked me a rhetorical question,“Why didn’t we have a drug problem when you and I were growing up?”

I replied, I had a drug problem when I was young:
I was drug to church on Sunday morning.
I was drug to church for weddings and funerals.
I was drug to family reunions and community socials no matter the weather.
I was drug by my ears when I was disrespectful to adults.
I was also drug to the woodshed when I disobeyed my parents, told a lie, brought home a bad report card, did not speak with respect, spoke ill of the teacher or the preacher, or if I didn’t put forth my best effort in everything that was asked of me.
I was drug to the kitchen sink to have my mouth washed out with soap if I uttered a profanity.
I was drug out to pull weeds in mom’s garden and flower beds and cockleburs out of dad’s fields.
I was drug to the homes of family, friends and neighbors to help out some poor soul who had no one to now the yard, repair the clothesline, or chop some firewood, and if my mother had ever known that I took a single dime as a tip for this kindness, she would have drug me back to the woodshed.

Those drugs are still in my veins and they affect my behavior in everything I do, say, or think. They are stronger than cocaine, crack, or heroin; and, if today’s children had this kind of drug problem, America would be a better place. God bless the parents that drugged us.

Part 13 - "The Iron Giant" signaling the Beast agenda

In this post I'm expanding on how the antichrist vehicle The Iron Giant reveals the working of pharmakeia. In the previous post I presented the lie introduced while Hogarth was in a drug induced state, one of several in the great city Babylon's arsenal of demonic weaponry as the races of men continue to fall under her spell in this season leading up to the revealing of the man of sin. There are other elements related to this scene that provide further insight into Satan's devices.

Found alongside the chemical component of pharmakeia there is often another, an audio component. Music frequently complements the drug component in the enchantments of the great city Babylon because together there is synergy. One powerfully enhances the effects of the other. (See Pharmaceuticals - The Sorceries of Babylon, Musical Enchantment section) I suspect the two scenes I've identified as exhibiting the use of pharmakeia are the only scenes with native music content. I can't say for sure without watching the whole movie again to verify it, but, regardless, both drug scenes definitely have this musical content.

There are basically two kinds of audio content in movies. One kind is native to a scene, internal, what the characters might hear. The other, characters wouldn't hear, but is added to enhance the experience for those watching the movie. When the native kind is music, one of the ways you can tell it apart from external soundtrack music is by considering the camera and microphone together as an observer's eyes and ears. If the audio and video are related as appropriate to the movement and placement of an observer, the music is native to the scene. This is how you can identify the coco-lax and espresso scenes as having music playing for the characters while the drugs are working to facilitate and cloak the gambit.

When we first see Hogarth and Kent at the Rexall Pharmacy they are inside, seated at the counter, being viewed from outside through the window. We hear some softly muted jazz. When the "observer" moves (@ 44 minutes 14 seconds into the movie, if you're searching) inside the pharmacy we hear the volume of the music jump accordingly, revealing that the music is being played inside. A similar shift takes place in the espresso scene (@ 39 minutes 0 seconds into the movie). During the set-up for the scene we're shown Dean's Hi-Fi and his extensive jazz record collection, which helps call it out to our attention.

The synergy as the drugs and music work together is really no small matter. The Iron Giant has been shown in this blog to be very finely crafted with occult symbolism. The pairing of the drugs and music accompanying the evil deed and the evil lie is consistent with the high level of craft I've pointed out in the movie's promotional poster, the naming of Hogarth, the design motifs, plot elements, etc. Satan has been working the art of deception for a very long time, and he's got it down.

You may consider that we've got the "wine" and song, but where's the women? We've got the drugs and "rock 'n roll" but where's the sex? These three are the big three in the devil's combo pack, after all. Well, the "daughters of men" are right in view! The coco-lax/jazz ploy was working Kent Mansley as the target of control. The espresso/jazz ploy was working Hogarth as the target of control.


Early in this series I showed how the name "Hogarth" had to have been carefully chosen to add layers of appropriate meaning to the character. I perceive meaning in the names of the supporting characters in the pharmakeia scenes too.

Kent Mansley signifies "Man." *Man*sley. He's the target in the coco-lax ploy as man is the target of Satan's devices. He is the movie's antagonist and the government agent, representing "The Man." Anti-establishment types beginning in the early 50s were all about "sticking it to The Man." Mansley is the unreasonable, irrational and actually deranged (insane) authority figure, a bully against whom rebellion is easily justified and encouraged. Hogarth always gets the upper hand in confrontations with Mansley.

In contrast, there's Dean McCoppen. Mc*Cop*pen. While Hogarth gives Mansley no respect, Hogarth gives Dean some respect as might be due an older brother. McCoppen as "the Cop" is accorded more authority than Mansley.

Consider some dialogue that prefaced the espresso scene.

Hogarth: "Look, you're not going to call my Mom, are you? She doesn't know I'm out."
Dean: "Don't worry, kid. Look, it's not my style to report a guy to the authorities."

McCoppen has this power over Hogarth and exercises this authority as it pleases him. He's obviously anti-establishment, against "The Man."

His first name, "Dean," alludes to the iconic actor James Dean. One of his signature movies (1955) is titled, "Rebel without a Cause." Dean Mc"Cop"pen is really all about rebellion and lawlessness. His living quarters feature a poster of Jack Kerouac, "beat poet" and immoral iconoclast.

The incongruity in naming the anti-authority figure McCoppen is consistent with how the James Dean imagery (angry and violent) clashes with the yin yang (symbol on his bathrobe) hippy artist imagery. This establishes cognitive dissonance, effectively subverting rational filters so the lies are more likely to pass with acceptance.


There's one more element to address before I conclude this post. When lies are introduced, especially with pharmakeia involved, they don't have to be rational. In fact, I believe the lie is better received if it is irrational. If you analyze the dialogue in the espresso scene, Dean dropped the big lie as an irrational response to what Hogarth had been saying. If "You are who you choose to be" was actually legitimate advice offered to Hogarth to help him solve a problem, it completely missed the mark!

Hogarth had explained his situation in detail. The problem was that his Mom moved him up a grade in school to give him a challenge, so his classmates are generally a year older and more physically mature, bigger. All the "big mooses" want to pound him and steal his lunch money. That's the problem. Hogarth reveals their perception of him when he refers to himself as, "a shrimpy dork who thinks he's smarter than them." He makes it very clear that it's not his perception of himself.

So how does it help Hogarth deal with this situation by telling him this? "Look, its really none of my business kid, but, uh, who cares what these creeps think, you know? They don't decide who you are, you do. You are who you choose to be!" Hogarth didn't care what they thought of him. He cared that they stole his lunch money. Hogarth didn't think of himself as a shrimpy dork. Deans response was a lie, delivered with the aid of pharmakeia, and, given the context, quite irrational.

Pharmakeia. This is how it works.

Part 12 - "The Iron Giant" signaling the Beast agenda

In the previous post, I presented one of two scenes from The Iron Giant animated feature that relate to pharmakeia, the Greek word for drug spells, enchantments and sorceries featured in Revelation 18:23. There was nothing particularly subtle about that drug ploy, but the scene I'm about to address is very subtle. While the drug use is obvious, the role it plays in the movie plot is not.

The scene presents nine year old Hogarth subjecting himself to the influence of a drug. The drug of choice is caffeine. While under the influence he hears a philosophical maxim and accepts it as truth. This is passed on to the iron giant and subsequently becomes the key to the salvation of the lives of men at the climax of the movie. I believe this is a lie that will induce many to accept the mark of the Beast!

As the story goes, Hogarth visits the scrap yard where he is trying to hide the iron giant. He has not yet told Dean McCoppen, the proprietor, about the iron giant. While there, Hogarth persuades Dean to make espresso for him, which Dean describes as like coffee-zilla. The effect on Hogarth as he drinks it is played up with humor as the caffeine buzz make him pace about and talk really fast. When he chatters on about how his peers at school view him, it's in this state of over stimulation that the cool and calm hipster passes on his philosophy. Hogarth stops pacing and sits down across from Dean. "Is there any more coffee?" (See image on right.) Here's Dean's response, delivered while Hogarth gives him his full attention.

"Look, its really none of my business kid, but, uh, who cares what these creeps think, you know? They don't decide who you are, you do. You are who you choose to be!"

"You are who you choose to be." Really? No. That's a presumptuous and arrogant statement that shows utter disregard for the sovereignty of God!

13) Come now, you who say, "Today or tomorrow we will go to such and such a city, and spend a year there and engage in business and make a profit."
14) Yet you do not know what your life will be like tomorrow. You are just a vapor that appears for a little while and then vanishes away.
15) Instead, you ought to say, "If the Lord wills, we will live and also do this or that."
16) But as it is, you boast in your arrogance; all such boasting is evil.
James 4:13-16

Does that support Dean's philosophy? Does vapor need to be empowered?

31) Then said Jesus to those Jews which believed on him, If ye continue in my word, then are ye my disciples indeed;
32) And ye shall know the truth, and the truth shall make you free.
33) They answered him, We be Abraham's seed, and were never in bondage to any man: how sayest thou, Ye shall be made free?
34) Jesus answered them, Verily, verily, I say unto you, Whosoever committeth sin is the servant of sin.
35) And the servant abideth not in the house for ever: but the Son abideth ever.
36) If the Son therefore shall make you free, ye shall be free indeed.
John 8:31-36

If you simply are who you choose to be, what need is there of being free, of continuing in Y'shua's word? Is there no value in knowing the truth?

Certainly, there are choices some can make in life that don't run afoul through boastful arrogance. There is at times a range of options that are fully within the Lord's will. Could Hogarth be something other than "a shrimpy dork who thinks he's smarter than them," which is the immediate context of the delivery of the aphorism. Perhaps. Extending that further, could he be a doctor or a lawyer? Eventually, possibly. Could he be Miss America? Could he be a Navajo or a Watusi? Well, no. Even where there may be options, there are still limits.

Are the children targeted as the cartoon's audience likely to analyze the statement like I've done? No, they generally just accept it at face value. They won't understand how to assess real limits, and they are encouraged to boast in their arrogance, which is evil. This same maxim, by the way, is taught in our government schools.

Given that the movie is a clever set-up for the mark of the Beast and that the ultimate goal of pharmakeia is to facilitate the serpent's procreative scheme, let's consider the maxim in that context.

If you are who you choose to be, you can accept the mark now and enjoy the perceived benefits. Then, later, if you change your mind you can reject the mark, choosing to be an unmarked person. If you really are who you choose to be, why not? The problem here that is that Hogarth couldn't choose to be a Watusi, and no one choosing to accept the mark, after receiving it can repent of it. No one so marked can choose to become an unmarked person. Will some have this philosophy in mind when they are offered the mark and make their big decision? Oh yeah.

And, that all presumes one actually has the option of rejecting the mark, which will NOT be the reality for many. If one continues in life boastfully following what is presumed to be their own "self-directed" plans, they are in truth sinning and, as a servant of sin, are therefore not free. How then will they (you?) decline the mark of the Beast when it's offered?

In the NIV, 1 John 5:19 is rendered, "We know that we are children of God, and that the whole world is under the control of the evil one." This is well put, because the Greek word keimai here means "lies in the power of the evil one, i.e. is held in subjection by the devil."

The freedom most think they have is an illusion. Of this, I am absolutely convinced. To get a better grasp of the really important subject at hand I highly recommend doing a word study on exousia, meaning, "power of choice, liberty of doing as one pleases." If you already have but it was some time ago, you may be surprised at what insight you'll glean as you take another look.

This movie is really an excellent resource for teaching about pharmakeia, and this scene in particular which really lays it out for us. The Revealer of Secrets Y'shua is so generous to open this up for us, exposing the handiwork of the deceiver!

More to follow, Lord willing!

Part 11 - "The Iron Giant" signaling the Beast agenda

In this eleventh post on the animated feature, The Iron Giant" (1999 - Warner Brothers) a very key feature of the Beast agenda is brought to the fore. According to the Bible, drugs factor significantly in how the great city Babylon deceives.

and the light of a lamp will not shine in you (the great city Babylon) any longer; and the voice of the bridegroom and bride will not be heard in you any longer; for your merchants were the great men of the earth, because all the nations (ethnos) were deceived by your sorcery (pharmakeia).
Revelation 18:23

The working of this sorcery, or, enchantment that is pharmakeia is modeled for us in two notable scenes. In one, the nine year old boy, Hogarth, drugs his opponent in a successful bid to elude him so he can carry out his activity in secret. In the other, he subjects himself to the influence of a drug, and while under the influence hears a philosophical suggestion he accepts as truth. That philosophy, which is true on one level, is later stretched into a lie that becomes the key to the salvation of the lives of men at the climax of the movie. That same lie will induce some to accept the mark of the Beast, presuming that one can repent of it when, in truth, one cannot!

If you're new to the series, what you'll read here might seem far-fetched, so, do yourself a favor and start at the beginning. You may even want to begin at the end of October 2009 and work your way forward. If you've been following the series but haven't yet read the recently updated version of Pharmaceuticals - The Sorceries of Babylon, you may find your foundation for this vital subject lacking. That study was updated and expanded as a supporting adjunct to this series and for this post in particular.

The scene where Hogarth drugs his opponent takes place in a Rexall Pharmacy, a classic 50s drugstore with a soda fountain. Hogarth is there, accompanied by Kent Mansley, a government agent who has attached himself to Hogarth in an effort to discover the whereabouts of the iron giant. Hogarth is hiding the iron giant and wants to lose Kent so he can go visit the giant at the secret hideout.

In a bid to shake Kent, Hogarth acquires the drug of choice and administers it to the agent on the sly. The drug is coco-lax, a laxative, and the plan is to get away when the effects of the laxative force the agent to use the restroom. The ploy is successful and Hogarth evades the agent to carry out his plan in secret.

Ethically, of course, this is not the kind of example you want your children to model; practicing deceit, using drugs to manipulate people. In the movie, Hogarth lies frequently, threatens and bullies to get his way, is nearly always disobedient to his mother and disrespects all those in authority. Yet, he is the protagonist and Kent, the antagonist, and so this ploy is justified. But, no, not really. This kind of presentation is how you train up people in lawlessness.

If you have read the adjunct study about pharmaceuticals you probably understand the reason why the Rx symbol is featured in the drugstore imagery. It is a silent inducement, rendered 'recipere' or 'recipe' in Latin and meaning, "take thou." This is fulfilled by the lawless Hogarth as he employs pharmakeia to exert his will.

The Rx symbol also signifies the Beast and the mark of the beast as the eye of Horus. During the scene in the pharmacy, the "camera" pans past a pyramid that reveals what's really being sold here. Attached to the capstone is a sale sign. We're being sold the Beast, a message I've pointed out over and again, signaled in this antichrist promotional vehicle in a wide variety of ways!

In the first pharmakeia scene there is nothing particularly subtle about the drug ploy. In the next, it's very subtle because, while the drug use is obvious, its role in the implantation of the lie is not.

To be continued - Lord willing!

Random news of interest

Naked woman steals cars, leads officers on chase What kind of thing motivates such behavior? Who's in control?

Magnitude-5.0 earthquake reported in Canada Matthew 24 - earthquakes in divers places

Absinthe could be legalised in France after 100-year ban "Absinthe, the mind-bending green spirit said to have inspired Vincent van Gogh, could be legalised in France almost a century after being deemed a public menace." Pharmakeia - oh-la-la

Now scientists read your mind better than you can * Scan predicted 75 percent of behavior
My take? Yet another tool with potential for exercising control over people.

Three Christ statues vandalized at Sandy cemetery Again, this is really not a good time to be an idol (or an idolater). Just ask Touchdown Jesus.

In the midst of the noise, this is still the biggest threat I see on the horizon, in light of insight I've been given about Daniel 8. My take - a setup for a "perfect storm." Saudi Arabia has deniability.
Saudi Arabia gives Israel clear skies to attack Iranian nuclear sites
Israel denies Saudis gave IDF airspace clearance for Iran strike
Saudi Arabia Denies Media Reports It Has Allowed Israel To Use Its Airspace

You'll find an interesting dialog in the comments on the previous post. Pray as led.

Two more "Bob Dylan" videos posted

Two more "Bob Dylan" reverse speech videos have been posted to YouTube.

Bob Dylan went to the "Crossroads" - Speech Reversals

Bob Dylan's Bargain - Speech Reversals

So it came about whenever the evil spirit from God came to Saul, David would take the harp and play it with his hand; and Saul would be refreshed and be well, and the evil spirit would depart from him.
1 Samuel 16:23

What does the devil want with musicians? It works both ways!

Both of these new video posts feature clips about the bargain Bob Dylan admits making to get where he is, considered one of the industry's most influential. A striking testimony about that event has been presented (in yesterdays blog post and associated video) from an early recording of "Hey Mr. Tambourine Man," his first number one hit song. In it, when one of the title lines, "Hey Mr. Tambourine Man," is played backwards, I hear, "My new real master's Satan - yeah!" One of the new videos shows Bob being interviewed by Ed Bradley on 60 Minutes, in 2004. The other is more recent, and he refers to the deal he made as having gone to the crossroads. (Obviously, he "turned left" when he got there.) In that one you may perceive, if you watch closely, how his facial expressions are matched to his "reverse speech content" more than his "forward speech content."

In these videos, I play Bob Dylan's testimony backwards and share what I hear. You might be suprised to learn that he actually offers more insight about the matter through reverse speech! If you're already on-board with the amazing reverse speech phenomena, however, it won't surprise you at all.

Here's the script of the clip: Bob Dylan went to the "Crossroads." (Tip: The first line of each pair is the reversal. Underneath in parens is the normal)

Assured is hero. Can't you see I'm Nairf?
(He'd been to the crossroads!)

I'm high - I have acts to do - High, Yeah
(Hey eh, where's this guy been? You know.)

Scared to know how this'll pay in-His god help
(went back to Minneapolis and on like)

On then they - heir no-no
(One one night, and then uh)

High - shhhhhhhhhhhhhht - Feel no hate
(You know like - scheeeeeew - you know)

Pleased, give that
(that big deal.)

They name us little Saul
(crossroads and made it)

Please, no one wants that
(That's when I went to the)




Here's the transcript (forwards) of the featured portion of the interview from 1984:

Ed Bradley: Why do you still do it? Why are you still out here?
Bob Dylan: Well it goes back to that destiny thing. And how I made it, to bargain with it you know - a long time ago and I'm holdin' up my end.

Ed Bradley: What was your bargain?
Bob Dylan: To get where um I am now.

Ed Bradley: Should I ask who you made the bargain with?
Bob Dylan: Heh heh heh - With with whi whi well you know with the the chief guh ch-chief commander.

Ed Bradley: On this earth? Uhm uhm uhm
Bob Dylan: And in this earth and in uh in then in a world we can't see.



Here's what I hear, the featured reversals from that clip.

And an error, gut figures, now that I wised-up
(I do but I don't take it for granted.)

And yes, insight that it's god so guile
(Well it goes back to that destiny thing.)

Presumed he god - was demon
(And how I made it, to bargain with it)

And now I out the door - pneuma
(I'm holdin' up my end)

Lying Maat, Maat - Hero Vegas
(to get where un I am now)

He is, thank you, we're one of them and if they are ascend in it
(And in this earth and in uh in then in a world we can't see.)


Neither of the videos posted today has commentary included within. (Excepting a brief sequence of images featuring Bob Dylan's branding imagery and Horus.) I've left miscelaneous observations and commentary for this post.


Let's consider the song, "Hey Mr. Tambourine Man." This song was written by Bob Dylan in 1964, beginning in February, after partying in New Orleans during Mardi Gras, completing the work around March or April on his return to New York. It was his first #1 on the music charts. It appeared on his album "Bringing It All Back Home" in 1965. In addition to what I already noted within the video, I found the manner of presentation on the original album noteworthy. "Mr. Tambourine Man" was positioned as song #8. A meaning of the number 8: "new beginning" (See "Olympic Ceremony Symbolism" on TheOpenScroll.com). The song titled "Gates of Eden" is the title of the song #9. The number 9 signifies the triple helix DNA transformation associated with the mark of the Beast. The advent of the Beast is what I believe is referred to by the "Tambourine Man" lyric, "In that jingle jangle morning I'll come following you," purported to be borrowed from a Lord Buckley recording. This line speaks to me of the "resurrection morning" and corresponding "third day resurrection" themes that the mark of the beast transformation counterfeits. As for the lyrics of "Gates Of Eden" I don't doubt that Cain would have understood completely.


Bob Dylan made a bargain with the devil in the 60s. He confessed in 2004 that he had made a bargain to get where he is today, and that he was still touring heavily in 2004 (and continues to this day) because he was holding up his end of the bargain. Did anything happen prior to 2004 that made the bargain null and void? Let me state plainly that these videos are not intended to question whether Bob Dylan ever confessed Jesus as Lord and believed God raised him from the dead. The point is to provide insight into what's going on behind the scenes. The focus here is upon whom he now serves. There is no judgment of Bob here, which belongs to the Judge Himself, but there is a matter of discernment that is commanded in the scriptures.

So, did anything happen prior to 2004 that made the bargain null and void?
No.

Was Bob "saved" or "born again" in the late 70s?
Perhaps. Perhaps not. Some historical testimony suggests yes, some no.

I cannot speak to whether or not Bob Dylan knows Y'shua HaMashiach as his savior. I can present evidence that reveals just exactly who Bob is serving as he holds up his end of the bargain, which has not been nullified.

Consider what Bob was inspired to write in 1979. Note, he is right about there being only two options.

But you’re gonna have to serve somebody, yes indeed
You’re gonna have to serve somebody
Well, it may be the devil or it may be the Lord
But you’re gonna have to serve somebody

So, who does Bob serve, the devil or the Lord? Aside from the witness of his life, the logo is the sign. He serves the god identified as Horus.

Symbols conceal from those who can't interpret them, yet reveal to those who can. Open your eyes and look around you. Those who use symbols prey upon the ignorant. Just ask the Pope. Or Hitler, uh, nevermind - he's dead, so, how about his replacement, Obama? Or Lady Gaga?

"Behold, I send you forth as sheep in the midst of wolves: be ye therefore wise as serpents, and harmless as doves."
Matthew 10:16


From "Rolling Stone" magazine
(Kurt Loder interviewing Bob Dylan - 1984)

Kurt: "People have put various labels on you over the past several years: “He’s a born-again Christian”; “He’s an ultra-Orthodox Jew.” Are any of those labels accurate?"
Bob: "Not really. People call you this or they call you that. But I can’t respond to that, because then it seems like I’m defensive, and, you know, what does it matter, really?"

Kurt: "But weren’t three of your albums — Slow Train Coming, Saved and Shot of Love — inspired by some sort of born-again religious experience?"
Bob: "I would never call it that. I’ve never said I’m born again. That’s just a media term. I don’t think I’ve been an agnostic. I’ve always thought there’s a superior power, that this is not the real world and that there’s a world to come. That no soul has died, every soul is alive, either in holiness or in flames. And there’s probably a lot of middle ground."

Kurt: "What is your spiritual stance, then?"
Bob: "Well, I don’t tink that this is it, you know — this life ain’t nothin’. There’s no way you’re gonna convince me this is all there is to it. I never, ever believed that. I believe in the Book of Revelation. The leaders of this world are eventually going to play God, if they’re not already playing God, and eventually a man will come that everybody will think is God. He’ll do things, and they’ll say, “Well, only God can do those things. It must be him.”"

Kurt: "You’re a literal believer of the Bible?"
Bob: "Yeah. Sure, yeah. I am."

Kurt: "Are the Old and New Testaments equally valid?"
Bob: "To me."




Here's a few very pertinent passages of scripture that pertain to the above transcript. These are not addressed personally to Bob. See the example and learn from it. And, "if the shoe fits, wear it."

19) Thou believest that there is one God; thou doest well: the devils also believe, and tremble.
20) But wilt thou know, O vain man, that faith without works is dead?
21) Was not Abraham our father justified by works, when he had offered Isaac his son upon the altar?
22) Seest thou how faith wrought with his works, and by works was faith made perfect?
23) And the scripture was fulfilled which saith, Abraham believed God, and it was imputed unto him for righteousness: and he was called the Friend of God.
24) Ye see then how that by works a man is justified, and not by faith only.
25) Likewise also was not Rahab the harlot justified by works, when she had received the messengers, and had sent them out another way?
26) For as the body without the spirit is dead, so faith without works is dead also.
James 2:19-26

Bob Dylan happens to be serving a liar. This is not an anti-Bob message, but anti-Bob's antichrist Lord Horus. Don't follow his example or accept his deceitful philosophies. Practice discernment. Hear what people do over what they say. Become symbol savvy. Obey and serve the only begotten son of the Most High God, who died and rose again, never to die again - Y'shua.

32) Whosoever therefore shall confess me before men, him will I confess also before my Father which is in
heaven.
33) But whosoever shall deny me before men, him will I also deny before my Father which is in heaven
Matthew 10:32-33

Another video post: Bob Dylan: "Hey Mr. Tambourine Man" = ???

Another reverse speech video has now been posted to YouTube.

Bob Dylan: "Hey Mr. Tambourine Man" = ???

One featured clip is from an interview with Ed Bradley on 60 Minutes (2004). Bob Dylan candidly confesses to making a bargain to get where he is. His claim is validated by playing one of his early recordings backwards, where we hear striking testimony about the deal struck.

Bob Dylan: "Hey Mr. Tambourine Man" = "My new real master's Satan - yeah!"

This is less a warning to others that might be tempted to follow in Bob Dylan's path than to give those pause who have rejected the reality of Satan and his rule over cultural icons like Bob. There's not a lot of commentary in this post, but plenty to think about.

Here's the transcript of the featured portion of the interview:

Ed Bradley: Why do you still do it? Why are you still out here?
Bob Dylan: Well it goes back to that destiny thing. And how I made it, to bargain with it you know - a long time ago and I'm holdin' up my end.

Ed Bradley: What was your bargain?
Bob Dylan: To get where um I am now.

Ed Bradley: Should I ask who you made the bargain with?
Bob Dylan: Heh heh heh - With with whi whi well you know with the the chief guh ch-chief commander.

Ed Bradley: On this earth? Uhm uhm uhmBob Dylan: And in this earth and in uh in then in a world we can't see.

If you've followed Bob Dylan, you know Bob adopted a "Christian" identity in the late 70s and is presently most closely associated with conservative Judaism (Chabad Lubavitch). What god or gods is the enigmatic Robert Allen Zimmerman (aka Bob Dylan, who had his Bar Mitzvah in May, 1954) serving, if we accept that he is holding up his end of the bargain?

In 1997, Bob told David Gates of Newsweek the following: "Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else. Songs like "Let Me Rest on a Peaceful Mountain" or "I Saw the Light"—that's my religion. I don't adhere to rabbis, preachers, evangelists, all of that. I've learned more from the songs than I've learned from any of this kind of entity. The songs are my lexicon. I believe the songs."

If we accept that he believes the songs, should we believe what the symbols that he has chosen for his branding conceal and reveal?

On right, from November, 2005, a concert in Balogna.


"Horus, an ancient Egyptian falcon headed-deity. Horus was usually depicted wearing the double crown of kingship, but also appeared in a fully falcon form, among others." (Wilkinson, Richard H. (2003). The complete gods and goddesses of ancient Egypt. London: Thames & Hudson.)

Is the identity of "Mr. Tambourine Man" revealed in Ezekiel 28?

From verse 13:
"...the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created."

11) Moreover the word of the LORD came unto me, saying,  12) Son of man, take up a lamentation upon the king of Tyrus, and say unto him, Thus saith the Lord GOD; Thou sealest up the sum, full of wisdom, and perfect in beauty.  13) Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created.  14) Thou art the anointed cherub that covereth; and I have set thee so: thou wast upon the holy mountain of God; thou hast walked up and down in the midst of the stones of fire.  15) Thou wast perfect in thy ways from the day that thou wast created, till iniquity was found in thee.  16) By the multitude of thy merchandise they have filled the midst of thee with violence, and thou hast sinned: therefore I will cast thee as profane out of the mountain of God: and I will destroy thee, O covering cherub, from the midst of the stones of fire.  17) Thine heart was lifted up because of thy beauty, thou hast corrupted thy wisdom by reason of thy brightness: I will cast thee to the ground, I will lay thee before kings, that they may behold thee.  18) Thou hast defiled thy sanctuaries by the multitude of thine iniquities, by the iniquity of thy traffick; therefore will I bring forth a fire from the midst of thee, it shall devour thee, and I will bring thee to ashes upon the earth in the sight of all them that behold thee.  19) All they that know thee among the people shall be astonished at thee: thou shalt be a terror, and never shalt thou be any more.
(Ezekiel 18)

Zeus - 1 / Touchdown Jesus - 0

Most folks have heard the news about the burning of the 62 foot tall "Touchdown Jesus" in Monroe, Ohio late in the evening Monday June 14. (see video) The evangelical Christians are generally sad and the pagans and atheists, etc, are generally glad. Me, I might be amused except for it being a serious prophetic sign. What does it mean? I will begin with the second commandment, which, as you may have noticed, appears frequently in this blog.

You shall not make for yourself an idol, or any likeness of what is in heaven above or on the earth beneath or in the water under the earth.
Exodus 20:4

Take a look at this picture of the statue before it was struck by lightning and burned. By what argument does Touchdown Jesus not qualify as such a likeness? The statue qualifies, the cross qualifies, and the label "INRI" qualifies! While there's a lotta qualifin' - there's a whole lotta justifyin'! This is not "rocket surgery," or "brain science," folks. Ask any child young enough to still think for themselves and honest enough to speak their mind. Do you see how this image itself is even high in the sky (in heaven above) and "on the earth beneath" AND "in the water under the earth"?

And why call ye me, Lord, Lord, and do not the things which I say?
Luke 6:46

The Lord our judge will have the last word on this matter of idolatry and spiritual adultery. Those who identify themselves as the "Solid Rock Church" or with such as them should be familiar with that verse, since a solid rock is the very subject of the verses that follow it.

46) And why call ye me, Lord, Lord, and do not the things which I say?
47) Whosoever cometh to me, and heareth my sayings, and doeth them, I will shew you to whom he is like:
48) He is like a man which built an house, and digged deep, and laid the foundation on a rock: and when the flood arose, the stream beat vehemently upon that house, and could not shake it: for it was founded upon a rock.
49) But he that heareth, and doeth not, is like a man that without a foundation built an house upon the earth; against which the stream did beat vehemently, and immediately it fell; and the ruin of that house was great.
Luke 6:46-49

While my Lord Y'shua is the solid rock, it's those who hear His sayings AND DO THEM who found their houses upon it, not those who hear His sayings and build and honor graven images like Touchdown Jesus, the cross and the titular label INRI.

What does it mean that lightning struck and burned the idol to the ground? Such a thing not too long ago would have been referred to as an act of God. Calling it so doesn't make it so, but the question is, was this the handiwork of the Lord God? I believe so, that this is truly a sign of judgment!

For the time is come that judgment must begin at the house of God: and if it first begin at us, what shall the end be of them that obey not the gospel of God?
1 Peter 4:17

There's no question that this event is recognized as occurring "at the house of God," which was even damaged by the flaming idol torched by the lightning. With the image of Jesus posed as a referee signaling a touchdown, doesn't it speak to you of Y'shua as the one exercising His authority to make a judgment?  This call isn't signaling a touchdown for the saints, though.

I believe the sign is that the Lord's mercy upon those who claim and feign obedience is now being withdrawn. This sign was very evident to those who see with their physical eyes, striking the graven image and destroying it, bringing judgment against the symbol that stood in flagrant rebellion against His command. So much for the fate of graven images, eh? See this and recognize a prophetic sign. Most folks won't read this blog. You are. This is for you.

Now, I'd like to consider another facet of the sign. On the news article published by The Sacramento Bee the popular reader comment is fitting, which simply reads: "Zeus wins." You remember Zeus, right? Thunderbolt god, had his Pergemonon Altar "throne of Satan" moved to Berlin and honored by Hitler and Obama, got the getaway car featured outside the med center in NCR.com's old "soul capture" marketing scene - ringing any bells yet? Right, yeah, the Olympic star. So, the picture is, Zeus hurls a thunderbolt at his arch nemesis, Touchdown Jesus (TJ), at the big game in the stadium and ZZZZZZZZZZZZZAAAAAAP! TJ goes up in flames. Zeus wins. Pagans rule. Jesus people are losers. That's a popular take on it. It may sound silly to some, but pagans get stuff, they are not generally stupid, and this kind of thing speaks to them. We do well to let it speak to us, but hear what it really means. The saints will be given over for serious abuse. VERY. SERIOUS. ABUSE. It has always worked this way. Check your Bible history.

Here's another facet of the sign. That TJ was like Jesus Barabbas, a substitute Jesus. Yes, the antichrist Beast. Take another good look at TJ. The revelation of Y'shua HaMashiach came to apostle John and he ...and saw a beast rise up out of the sea... (Revelation 13:1). Touchdown Jesus is now a blackened steel skeleton. The fire revealed him as the man of steel (Superman - arms in the sky - "Up up and away!") and exposed his skeleton, the hidden man of bones; both, symbols of the Beast! Search this blog for superman and then for bones and see the background for this symbolic meaning.

On a final note, one article noted, "The lightning strike set the statue ablaze around 11:15 p.m. Monday, Monroe police dispatchers said." I suspect the time was 11:11, because signs are precise and rich with detail. When Obama signed the infamous "health reform" bill he used 22 pens, 11 from each of two boxes. Why? the legislation was a pretext for bringing death, for fulfilling Satan's depopulation and repopulation agendas. The infamous events of 9/11 were heavily marked with "11" features. You see, "11" is the number representing grass (gematria) and flesh, symbolic of the frailty and temporary nature of man in our present physical bodied state.

A voice says, 'Cry out!' And I said, 'What shall I cry?' All people are grass, their constancy is like the flower of the field.
Isaiah 40:6

For, 'All men are like grass, and all their glory is like the flowers of the field; the grass withers and the flowers fall,'
I Peter 1:24

What I'm going to testify here about the 11+11 (or 22) relates to many similar signs. Whether the lightning struck at exactly 11:11, I don't know, but whether it did or not, the meaning of 11+11 is evident. Two is the number meaning division. Two elevens signifies dividing the flesh, separating, cutting, which brings it to death, the flesh and the life of the flesh passing away. The fiberglass and foam flesh of TJ was burned away. Such an end as that is what comes at the cross, not at some altar facing a graven image cross like the one labeled INRI, but the cross assigned to you by the Lord Himself. Do you die daily, like the apostle Paul? Are you taking up your cross, accepting the sacrifice of YOUR life? If not, what response should you hear when you cry out, Lord, Lord?