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Tuesday, May 04, 2010

Part 5 - "The Iron Giant" signaling the Beast agenda

In this fifth post in the series featuring "The Iron Giant" (1999 - Warner Brothers), I'm continuing to expose symbolic elements from this vehicle of antichrist promotion.

I'm beginning with a focus on the different kinds of triple helix DNA / mark of the beast signaling done by Hogarth, the 9-year-old boy hero. His clothing is usually signaling, and I found him hand-signaling once too. The most interesting signal is how he was using the phone.

A coiled handset cord is obviously a helix. In the image on the right you see the helical strand looped around his loins. When you add one helical strand to the Adamic double helix, well - do the math.

I've related the matter of adding a third strand of DNA to the Adamic man's native two to the mark of the Beast frequently in this blog.

And he causeth all, both small and great, rich and poor, free and bond, to receive a mark in their right hand, or in their foreheads:
Revelation 13:16

When Hogarth hung up the phone, the helix was still wrapped around him, trapping him. To free himself, he lifted the cord over his head, presenting us with the image on the left.

Hogarth's point of connection with the black helical strand was the telephone handset, which he held in his right hand. We were presented with a snapshot of his holding the helix in his right hand at his forehead. When the helix was wrapped around Hogarth, he was trapped, just like those who will receive the mark. While Hogarth was able to free himself, the Bible declares that those who receive the actual mark will not have that option.

Now, certainly, you can dismiss these observations as "coincidence" if you like. I believe a better response is to acknowledge that the Lord is revealing a plot against us that is a deadly threat, and that he is revealing it and opening our eyes today so that we will not be deceived when it really counts. I pray that you don't take this brief season for granted. Make it count.

Hogarth wears this sweater you see on the right in several scenes. If you have read what I blogged about the meaning of Obama's seal you may recall what the bands of red and white signify. The red represents the Adamic man, because Adam means "red earth." The white represents the divine light of the sons of god. Two white stars appear, stars being a metaphor for angelic and/or demonic heavenly beings. Wearing such a sweater signals the union of the divine stars with the Adam. The next time you see a flag waving, give this matter some thought.

Here, on the left, he's wearing a sporty looking shirt with two red bands (Adam) flanking a blue band (heaven). Triple helix DNA.

Supporting this observation we see triple helix DNA being signaled right next to him in the wallpaper covering the walls of the upstairs hallway. In the previous post I addressed the pattern of the wallpaper in the DOWNstairs hall, which has a double-helix vine pattern. The UPstairs hall has a triple helix design. The double down and triple up signifies how man ascends to heaven and godhood through the triple-helix transformation.

The repeating elements of the triple-helix signaling pattern resemble a matrix of segments of genetic material. This wallpaper appears frequently in the movie but the pattern elements are seldom very perfectly formed. They are serpentine flourishes suggestive of a vertical infinity symbol (eternal life). In the pattern you can usually see some well-formed sixes and nines. Six is the number of man. Nine is the single digit that signifies the number of the triple-helix upgrade.

I've written recently about the meaning of the number 69 as the popular metaphor for oral sex, pointing back to the activity in the garden of Eden. Through it, Satan boasts of his conquest. I don't think I've introduced yet how sixty-nine is the two digit number that represents the triple helix upgrade. I believe the reason for it is because a male and a female each contribute 23 chromosomes when reproducing, which combine to the necessary total of 46. If you equate the two strand DNA structures produced you can consider each strand as equivalent to the number 23. Two strands, forty-six chromosomes. (2x23=46) By extension, three strand DNA involves 3x23 or 69 chromosomes. I don't have the lab results :) but there's more evidence connecting 69 to the triple helix DNA I haven't shared.

I believe this is why the reclining 69 appears on the keystone of the Masonic Royal Arch. It is recognized as the astrological symbol for Cancer, but that's not all it is! It marks the place where the two pillars join, the male and female, the heaven and earth - and the triple helix transformation is that joining keystone - the GREAT SECRET!

More coming - Lord willing!

Monday, May 03, 2010

Part 4 - "The Iron Giant" signaling the Beast agenda

In this fourth post in the series featuring "The Iron Giant" (1999 - Warner Brothers), more symbolic elements from this vehicle of antichrist promotion are exposed.

One point of this effort is to show that we are being preyed upon by those who are masters of subtle deception. When you learn how to recognize the enemy's weaponry you can nullify its influence in your life and help others to do the same.

My friend, we do absolutely need all the help we can get! The Bible's declaration is that in these last days, only the very elect will not be deceived. All others will. Seek the one who opens the eyes and ears, the Lord Y'shua, son of the most High God, with your whole heart.

This cartoon movie is richly crafted with some very subtle features, and some not quite so subtle. With regard to visual elements, the Yin Yang symbol presented was obvious, undisguised. The serving bowl was very clever! Some of the other visuals are so frequently presented in various forms they can be considered as a class. There's far more to be found than I will address here, and, of course, you may pursue them further as the Lord leads. I'm going to be leading up to a very significant insight, but, Lord willing, it will come after a few more posts.

Hogarth's house decor features an oak leaf and acorn motif, with a prominent oak leaf appearing in a forest scene as well. We might expect to see a variety of leaves in the movie, with a mix of maple and elm, perhaps, but the oak is quite dominant. In some contexts, such an observation might be unimportant, but not in such a vehicle as this has been proven to be. The oak and acorn point to Thor, the thunder god, following the movie's Norse cues (the name Hogarth, the iron giant's reassembling / reanimating on Langjökull Glacier, Iceland).

Thor equates to the Zeus / Satan identity and also to Apollo. The acorn, as the seed of the oak, signals the offspring; Thor, of Odin, and Apollo, of Zeus. The acorn identity is the Beast and those who are likewise transformed by his mark. The iron giant himself compares to Thor, with flashing eyes, a huge appetite, protecting humans - the god of thunder and sky. (See In Worship of Trees - The Oak Tree)

The oak is also known as the garden of the forest because it is host to many other plants like the mistletoe, ivy, stinkhorn and lichen. As the garden of the forest we see a connection to Hogarth, whose name means "hilltop garden." The oak motif decorates his home.

He is pictured sitting at the kitchen table in a chair marked with an oak leaf, as on the throne of Thor. As a rebellious, disobedient and dishonest boy, he is pictured in the movie ruling his domain by manipulation and threats. The lie in presenting Hogarth on the throne of Thor is that those who rebel against authority, rule by manipulation and honor the Beast will be exalted to a throne of authority. The truth is that Satan hates everyone and has little loyalty. He delights in setting people up for destruction.

In Celtic mythology, the oak is the tree of doors and thus a gateway between worlds. It's also a place where portals can be erected. We see several dimensional portals presented in The Iron Giant in such a way as to validate the symbolism. On the front door of Hogarth's house there is an oak leaf and acorn door knocker, marking it as a dimensional portal.

The two-story house has a staircase. You ascend and descend by passing between two pillars marked by large acorns.

Hogarth sometimes accesses his bedroom through an open window. He accesses the upper floor portal by ascending and descending using an oak tree. The portal itself isn't marked with an oak symbol but rather a cross. The cross marks a dimensional portal, as I've explained before, with the vertical as the heavenly male, the horizontal as the earthly female, and the intersection representing their union. The cross signals the DNA portal between heaven and earth - the mark of the beast.

I had wondered why the house's window panes were arranged in such a peculiar way, with the uppers divided into six panes and the lowers into two. The cross that appears when the window is open explains it, because it's then a dimensional portal. Seeing how the cross symbol is used to mark a portal used for secret access should speak loudly to us about the use of the cross symbol by unsuspecting Christians. If they only knew the secret they would get rid of the cross and every other graven image in a big hurry!

On the cabinet above the bathroom sink are more oak and acorn symbols. For a knob, instead of another acorn is what you might recognize as a version of the Rosicrucian rose, as sometimes seen in Masonic architectural ornamentation. This is a tip off, as the Freemasons and Rosicrucians are related. The white rose adorns the mirror identifying it with the practice of scrying, divination, which is communicating through a dimensional portal. (See the Hermetic and Rosicrucian Timeline entry for the year 1531)

The doorway from the hall to the kitchen is framed by the hall's vine helix wallpaper pattern, signifying that this oak-framed dimensional portal is DNA. On the hall side, it is two strand. The light lies beyond. That's the false promise.

Consider the plate behind Hogarth in this image. The three oak leaves appear as a delta inscribed within a circle. Triple helix DNA signaling - of the oak kind. For those who cast a spell through this symbol portal, magical protection is given by the circumscribed circle. Don't fall prey to the scheme.

If you think this movie is probably unique in its manner of presenting layer after layer of demonic signaling and real dimensional portals, please consider how subtle this deceptive threat is and rightly conclude that it is far from unique. You have been surrounded by such without even being aware of the presence of this evil. Are you becoming more aware? Seek the Lord for insight into how He might have you respond to this awareness.

More coming, Lord willing!

Sunday, May 02, 2010

Part 3 - "The Iron Giant" signaling the Beast agenda

This third post in the series featuring "The Iron Giant" (1999 - Warner Brothers) exposes more of the symbolic elements found in this subtle vehicle of antichrist promotion.

Let's consider what the boy hero's attributes conceal and reveal. His name is Hogarth Hughes, and he is nine years old.

Why is the boy nine nears old? Why did the movie come out in 1999? Why was there a well-aged 1959 Cadillac Coupe De Ville convertible featured in a scene when the movie was set in 1957, long before the car was even in production? Nine is the signal number for the triple helix transformation of Adamic man to Beast, as I've addressed in other blog posts. Remember the movie "District 9" from 2009 (Tri-Star Pictures) and the "Three Times Three" Freemasonic ritual? The key to understanding this number in the context of the great secret is in identifying it with the gestation period of a human. Nine is the number of months from conception to birth and thus signifies the bringing forth of offspring. The kind of offspring will have the iron giant DNA mixed with the miry clay. This is the future of PositiveId as merged with Steel Vault, now arriving at your local med centers to facilitate the coming mark of the Beast.

What of his unusual name? There are several features of note, one being that the boy is an H. Hughes, like the enigmatic and eccentric Howard Hughes. Another is the allusion to the famous cartoonist and Freemason William Hogarth. Another is that the name "Hogarth" means "hilltop garden" and "lamb enclosure."

"Hogarth" is Old Norse for "hilltop garden." A garden is usually where choice foods are grown with particular care. One famous garden, the Garden of Eden, is most relevant because, after man sinned in the garden, the serpent was cursed to eat dust - while Adam is that dust (See Who is Cain's Father?)! Yes, this is cannibalism. So we see how, by way of the cleverly chosen name "Hogarth," the Adamic boy is associated with choice food being readied for consumption by the hilltop gods.

This matter (that probably seems really bizarre unless you're familiar with the likes of Steve Quayle's work) was actually signaled in symbolic imagery as the serving bowl containing the food, found in many scenes on the kitchen table. It is green. Think - Soylent Green, a sci-fi movie where coveted food is made of people. Think - the green-skinned Osiris, a Beast identity. Recall the many green logos addressed in this blog.

Consider the serving bowl's triple helix encircling the rim as a horizon line where heaven meets earth. Remember NCR.com's scene 3?

The lower earthly part of the bowl is woven, indicating how the iron is mixed with miry clay but in such a way that "one shall not cleave to another."

And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay.
Daniel 2:43

Another meaning of the name "Hogarth" (The Hogarth Surname) is "English (northern borders) and Scottish: probably a variant of Hoggard, but perhaps, as Black suggests, a habitational name from a lost or unidentified place named with the dialect word hoggarth ‘lamb enclosure.’" This meaning can be considered in the same way as the "hilltop garden," with the Adamic (lamb-kind) boy associated with where choice livestock might be raised for the god's consumption.

The allusion to William Hogarth (1697 – 1764) is equally interesting and relevant! He was an English painter, printmaker, pictorial satirist, social critic and editorial cartoonist - AND - a Freemason! Indeed, this iron giant cartoon resembles some of his work, not in artistic style but in that it's replete with the esoteric symbolism characteristic of the works of Freemasonry. When William Hogarth died and was buried at St. Nicholas's Churchyard in London, his friend, David Garrick, composed this epitaph for his tombstone.

Farewell great Painter of Mankind
Who reach'd the noblest point of Art
Whose pictur'd Morals charm the Mind
And through the Eye correct the Heart.
If Genius fire thee, Reader, stay,
If Nature touch thee, drop a Tear:
If neither move thee, turn away,
For Hogarth's honour'd dust lies here.


When you read "Whose pictur'd Morals charm the Mind - And through the Eye correct the Heart." in the memorial tribute to William Hogarth you should consider his namesake's appearance in the morality tale that is The Iron Giant. Use of the word "charm" is fitting, as the effect of sorcery. Use of the word "correct" however, should be recognized as the perspective of a Freemason, whose god is, ultimately, Lucifer.

To recognize Hogarth Hughes as an "H. Hughes" suggests an allusion is being made to Howard Hughes (1905 – 1976). I was born in 1957 and I can remember being interested in the enigmatic Mr. Hughes, who seemed to be in the news pretty regularly for one thing or another. He was one of the most wealthy and eccentric men around. What interested me most was his role as a technological innovator in aviation. He was very brave and is recognized as one of the most influential aviators in history. Howard Hughes was also a maverick film producer. With William Hogarth being a cartoonist and Howard Hughes, a movie producer, there may be something of interest in that the lead character in a cartoon movie is named Hogarth Hughes. What I find far more interesting, though, is the role Howard Hughes may yet be found to have played in the biotech innovation of the mark of the Beast!

"In 1953, Hughes launched the Howard Hughes Medical Institute in Chevy Chase, Maryland, formed with the express goal of basic biomedical research, including trying to understand, in Hughes's words, the genesis of life itself.'" Howard Hughes - Wikipedia To what end would one pursue such an interest? Isn't this the very kind of pursuit that will find fulfillment in the mark of the Beast? If you do a little research you'll discover that institute is still well funded and is very significant today, with a mission focused on genetics, immunology and molecular biology.

In 2006, the Institute's Janelia Farm Research Campus was opened in Ashburn, VA, primarily focused on neurobiology. If one were to take such things as clues, one might look at the street names on the campus and, seeing the intersection of Helix and Demeter Drives, suspect there might be some hidden agendas involved. Demeter is, among other things, the goddess of fertility. Demeter's emblem is the poppy, a bright red flower that grows among the barley, which grain is a biblical type of the Bride of Y'shua. This goddess is named alongside Zeus and Apollo among the Twelve Olympians. What do you suppose might be signified by the intersection of Helix and Demeter?

If one were to take such things as clues, one might look at the Howard Hughes Medical Institute's logo and suspect there might be a conspiracy behind this and the color of the fictional Hughes family's serving bowl, the skin of Osiris and other logos like that of the Genetic Engineering Network.

Of course, these things should be taken as clues. There is a conspiracy afoot, to deceive you and I and as many as possible and deprive us of our Adamic nature and souls. The naming of the boy and his age in the cartoon movie's setting are no less informative than the movie's promotional poster or its storyline.

The devil is clever, and bad. Yahweh is more clever, and good! He is offering an upgrade opportunity too. Take it, before it's too late.

Saturday, May 01, 2010

Part 2 - "The Iron Giant" signaling the Beast agenda

The feature length animation "The Iron Giant" (1999 - Warner Brothers) was introduced in Part 1 as yet another installment in Satan's program preparing the world to receive the coming Beast of Revelation 13. The movie's storyline presented the iron giant as a messianic or Christ figure. While Christ figures are commonly found in fictional works, this one was finely crafted by some who are highly skilled in the occult practices of concealing the symbolic imagery that casts the spells of antichrist delusion. In this second Part of the series I'm going to expose some of the visual elements, to be followed, Lord willing, by more visual and non-visual symbolic elements.

The point, here, is to show that we are being preyed upon by those who are masters of subtle deception. It's not my purpose to single out this movie or those responsible for it but rather to use it as an example. I'm using it to teach you how to recognize the enemy's weaponry, bringing it into the light to nullify its influence in your life. The kinds of things I'm presenting here I see in many movies and in other contexts. When your eyes are open, you can and should help others to see, who may yet be drawn by the Lord to escape the great evil planned for the blinded.

The first symbol I'll address is the most obvious one found in the movie, the ubiquitous Yin Yang symbol that appears with no attempt to disguise it. The duality and balance it is commonly said to represent is in essence the combination of the heavenly and earthly into one. It is the great dark secret of the procreative blending of the heavenly male and earthly female in their offspring.

The Yin Yang symbol testifies of the sons of god (white) with the daughters of men (black). As all such symbols, it does more than merely signal these things in a benign way. It actively promotes them because demonic influence is projected through a symbol as a portal! The effect is far from imaginary. Look around. See where the combined effect of all this has brought us! What is pictured in the Yin Yang will be manifested in the Beast and his relatives, those who take the mark of the beast and are likewise transformed.

There is no possibility that this symbol might signify good offspring and not evil, since graven images representing such things are expressly forbidden by the one true and sovereign God Yahweh.

Let's consider the movie's promotional image, as found on Netflix. What strikes me first is that a downward pointing delta can be drawn around the giant's torso; a symbol of the daughters of men. This seems incongruous at first, because the giant is male and has fallen to earth from heaven. Yet, this imagery is perfectly fit for the intended purpose.

The bottom edge of the title graphic follows an arc. This forms an arch over the giant, emphasizing the heavens, which we see clearly in the framing.

Now, when we consider the arc as a segment of a circle we note that its center is the giant's loins. The circle is a primary female symbol. A dot marking the center of a circle (Think, Target's corporate logo) is the male inside the female, a primary procreative symbol. The dot is sometimes called the Bindu. Because the male giant's loins mark the center of the circle, what is presented is a subtle and very powerful procreative image. The effectual influence of this is amplified by the positioning of the dark female "pubic" triangle formed by the iron giant's torso.

Another seemingly incongruous feature adds to the demonic energetic influence and more powerfully embeds it in the unsuspecting prey (through what's sometimes referred to as cognitive dissonance). In the title, the letter O in IRON is called out by its unusual design. Instead of the expected circular O, we are presented with a square as the main "outside" shape of the block letter. This inverts the expected female symbol and turns it into the male. That incongruity on a primary symbolic level creates the cognitive dissonance, confusing the genders and blending them, because it is still an O - a square O, a male female. It is as the androgynous Baphomet. (image on left) This is one of Satan's popular identities, and one that particularly features procreative aspects.

Inside a letter O we expect to see a circle, and inside this square O we see an arc segment that implies one. However, inside that implied circle are two more symbols. A crescent Moon appears on the right. I believe a corresponding Sun is implied as the lighter positive space balancing the darker negative space of the Moon. The Sun/Moon are very common heavenly male bridegroom and earthly female bride symbols. Their appearance together in the circle of the square O compares exactly to the imagery I exposed earlier that appears under the title - strengthening even further the meaning of the poster and the demonic power it wields

But, that's not yet the whole of it! The word "GIANT" in the title has a stylized letter called out for our attention - the A. When an A is called out, it always signifies, as an upward pointing delta, the sons of god. This upward pointing delta balances the downward pointing delta of the Giant's torso below it as its mate.

This version of the letter A has a flat top, which suggests the ubiquitous occult pyramid without the capstone. Although it's offset slightly, the capstone actually appears above the pyramid's base as the androgynous square O. The capstone is usually pictured as a glowing eye, and, indeed, the radiant Sun and crescent Moon look like an eye, with the Sun as the pupil. This now obvious pyramid is the ancient symbol of the antichrist Beast ruling his antichrist kingdom.

Inside the pyramid base we recognize the image of the iron giant Beast. Inside the worshipers of the image of the Beast will be the Beast nature as they are transformed into his image through the DNA triple helix mark of the beast, which transforms their blood and descends their souls, never to be recovered. The image of the beast appears almost headless, with the head minimized. The effect on the viewer is that we unconsciously want to balance it, to give it what it lacks. We are being compelled by magical means to seek to place the head on the body, to complete it. This is the supernatural dynamic of the pyramid.

This is the purpose of the movie, of its story line, themes and cryptic occult symbols. We play the movie and we ourselves are being played. The unsuspecting viewer is being conformed to the image of the beast.

We see in the promotional image a big powerful iron giant holding a relatively weak little boy. The giant holds the boy in his left hand, the hand of cursing in contrast to the right hand of blessing. The cursed human is presented as feeble compared to the mighty iron giant. I'd like to counter that imagery with reference to the true and prophetic biblical account of David and Goliath. Remember - Goliath loses! David wins, who trusts not in his own strength and ability but in his God's, who loves him dearly!

When the mark of the beast is presented who will recognize it? Who will be able to resist? Those the Lord is granting an eye to see will recognize it. Those who submit to His headship and authority and who willingly yield their lives to Him will be enabled to resist, and be rewarded with the life that is truly life! Do you know this to be true? Pass it on!

More coming, Lord willing!

Friday, April 30, 2010

Part 1 - "The Iron Giant" signaling the Beast agenda

Shabbat Shalom! Since the end of October, 2009, I've been blogging about the symbols through which Satan's agendas are being signaled and advanced. This post follow that trend, featuring a cartoon movie released in 1999 titled The Iron Giant I was interested in watching this movie because the title references two symbolic biblical elements; the Iron and the Giant. In this you will see yet more redundant messaging about and conditioning for the coming Beast of Revelation 13, and the triple helix "upgrading." There is, in this, perhaps most significantly, yet another instance of the three and then four signal I've been watching for that locks down where we are on the Lord's appointment calendar.

First, I need to point out that this movie promotes disobedience to parents and rebellion against authority. For that reason alone this movie should never be shown to "impressionable" children who have no defense. This is, of course, the way of nearly all recent movies and especially those targeted for children.

If you want to watch before reading any commentary don't keep reading here. You can watch it on Netflix streamed to your browser.

The setting for the cartoon movie (feature length animation) is rustic Maine in 1957, a time when Sputnik was in the news and many youth had a fascination with science fiction. The two main characters are a 9-year-old boy named Hogarth and a robot he discovers and befriends. The morality tale presented is the child-like robot's discovery that he can be what he chooses to be, and that, despite his obvious original design and programming as a weapon created for the destruction of mankind he can opt out of functioning as a weapon and become a protector, defender and friend of man. He is coached in this discovery by the boy hero, his mentor.

If we understand how the iron giant is a type of the Beast we can read the story line as a great lie - a Satanic set-up. The iron are the fallen angels and seed of the "bad tree" serpent Lucifer. This is validated in the symbolic imagery.

And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay.
Daniel 2:43

Biblically, the giants are Nephilim and Rephaim, offspring of the watchers and incarnations of their offspring.

4) There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bare children to them, the same became mighty men which were of old, men of renown.
5) And God saw that the wickedness of man was great in the earth, and that every imagination of the thoughts of his heart was only evil continually

Genesis 6:4-5

The Iron Giant Beast is indeed appointed for the destruction of Adamic man as a weapon crafted in the heavens and fallen to earth, but this weapon WILL NOT be turned into something contrary to his nature! The iron giant can be no friend!

Spoiler Alert! In the movie's closing scenes we see the iron giant, which had been sacrificed to save men, healing himself from death. This is the key messianic parallel. This was pictured in the giant's animate members being reassembled following a death by dismemberment. This kind of resurrection or reincarnation method of being healed from death should bring to mind Osiris and Horus, of the Egyptian pantheon. These are identities assigned to represent the antichrist Beast - a.k.a. Apollo.

"Horus was born to the goddess Isis after she retrieved all the dismembered body parts of her murdered husband Osiris, except his penis which was thrown into the Nile and eaten by a catfish, and used her magic powers to resurrect Osiris and fashion a gold phallus to conceive her son." (Horus - Wikipedia)

Horus was the god of the Sky, god of War and god of Protection, three roles in which the iron giant is presented. This healing from death is very well presented by Tom Horn, who has written the following very relevant observations. The following two paragraphs are excerpted from READ IT BEFORE IT'S BANNED BY THE US GOVERNMENT - PART 21 - by Tom Horn.

"Whether or not there is a connection between the ancient power behind the Watcher narrative and the modern ‘alien abduction’ activity documented by Vallée and others involving biological harvesting from humans and animals, records from antiquity include mysterious possibilities regarding the ability of the Watcher’s deceased offspring to return to ‘physical form’ at particular moments in time. The relationship between the Rephaim—the giant occupants of Canaan (of which Og, King of Bashan whose bed was 18 feet long belonged)—and the Nephilim becomes important here, as the Rephaim were associated by the ancients with the ‘shades of the dead’ including Nephilim in Sheol. The meaning of the word Rephaim is especially germane, as it carries with it the idea ‘to heal’ or to be ‘healed’ as in a ‘resurrection’ from the place of the dead, Sheol-Hades."

"In the Ras Shamra texts, the Rephaim were described as demigods who worshipped the Amorite god Ba’al, the ruler of the underworld. When Rephaim died, their spirits went into the underworld where they joined Ba’al’s acolyte assembly of lesser gods, kings, heroes, and rulers. These beings had the power to return from the dead through reincarnation into bodily form as Nephilim. As Mysterious World in Giants in the Earth also included, "…the Rephaim giants were specifically noted by Moses as being the return of the antediluvian Nephilim, that the Rephaim were in fact the reincarnations of the demonic spirits of the Nephilim giants who had been destroyed in the Flood." A surprise to many Bible students would be to learn that the prophet Isaiah may have considered this Amorite dogma factual, and that he tied the power of these beings to the King of Babylon and Lucifer himself."

That's it for today's blogging. I'll close with a couple links of interest. To be continued - Lord willing!

Clinton, Bush biotech speeches closed to public
"A much-touted Chicago appearance of former Presidents George W. Bush and Bill Clinton will not be open to the public or the press after all. The appearance will be at a joint keynote address next Tuesday at the Biotechnology Industry Organization's annual meeting."

Time Magazine opts to go Gaga
"EXTRAVAGANTLY outfitted singer Lady Gaga, former US president Bill Clinton and Brazil's leader, Luiz Inacio Lula da Silva, are the world's most influential people, according to Time magazine's annual list."

"Mr Clinton, who has reinvented himself as a major fundraiser and anti-poverty activist since leaving the White House, heads the "heroes" section, beating South Korean figure skater Kim Yu-na and Iranian opposition leader Mir-Hossein Mousavi."

Thursday, April 29, 2010

Links to Radio show downloads - and more

The recent radio show guest appearances went well - thanks so much for your prayers! I was really thrilled to observe the hand of the Lord at work during both shows. [Updated 5/5/2011]

Here's some links of interest

Evangelists claim Noah's Ark found - Controversial - see below - might be a fake
Latest Noah's Ark 'just wood planted on Ararat'
Facebook flirts with RFID
What Are The Differences Between Subliminals, Traditional Hypnosis, Ericksonian Hypnosis, and NLP?
sub-lim blog
Subliminal Manipulation of Your Mind
Dirty Harry. (Harry Potter subliminal SEX messages)
Subliminal Sex Messages and Pornography in Advertising and Cartoons
Obama Hypnosis techniques (pdf)
Dick Morris: Bill Clinton Personally Orchestrated the 1993 Waco, Texas Tragedy
Quoting from the above link: "In response to Bill Clinton’s highly publicized linking of the Tea Party movement to the 1995 Oklahoma City bombing in an op-ed piece for the New York Times, former Clinton adviser Dick Morris disclosed on Monday that it was Clinton himself, and not Attorney General Janet Reno, as Americans have been led to believe for the past 17 years, who called the shots during the 1993 botched invasion that led to the death of seventy-six people."

Bill - clearly above the law.

Here's some observations. Some say we should question everything. Question everything? Well, we shouldn't generally accept things at face value. When you're introduced to a new idea, make note of it, but don't buy in immediately. Don't reject it either. Decide whether a thing is important enough to discern, and if it is, go after it, until after appropriated prayer and consideration you arrive at being able to accept or reject. Then, stick with it. The reasoning skills, and research of facts may be demanding, and you may need help from others. On important matters, as you're researching, be aware that there are agents of deception, liars, out to deceive, and in contrast, there may be those who simply present the truth, those who can help. You may find validation for some things you already believe, or you may find some things you have held as true are exposed as false. There's the hard part, and what is to many a point of failure. You have to resolve it. Buy the truth and sell it not.

I'm working on another "movie review" series - coming soon - Lord willing!

Monday, April 26, 2010

Reminder - Bob will be a guest on The Power Hour, Lord willing

As a reminder, I'll be a guest on "The Power Hour," Lord willing, Wednesday morning, 4/28. Pray for me and the show's hostess, Joyce Riley, if you would, as the Lord leads.

The show's format is such that the first of three hours is news and commentary. Then, I'll be the guest in hours two and three. Here's a couple links.

The Power Hour Schedule for this week
Radio station info is here on the FAQs

You can listen to the show live online, too, and there will probably be an opportunity to call in, if you like.

Friday, April 23, 2010

Bob Schlenker interviewed by Zen Garcia - links

Just a reminder for those of you who want to lift this in prayer, or listen live, or call in to the show, it happens, Lord willing, on Saturday, 4/24 2pm-4pm Pacific time.

Call-in Number: (646) 929-0937

http://www.blogtalkradio.com/fallenangelstv/2010/04/24/who-is-cains-father

Sometime after the show, archive versions will be available.

Shabbat Shalom!

Tuesday, April 20, 2010

Nancy Pelosi- Reverse Speech - "Con, well worth this"

I just posted another reverse speech video to YouTube:
Nancy Pelosi- Reverse Speech - "Con, well worth this"

Nancy Pelosi, House Speaker, was instrumental in bringing ObamaCare to Americans. "ABC World News" anchor Diane Sawyer interviewed her on March 22nd, the day after the legislation cleared the only apparent hurdle. This video presents some of what I heard when I played some of Pelosi's responses backwards. I was not surprised to find in this more validation of what many of us already know about where this shady deal is leading. The interviewer and sponsoring media is, of course, complicit. Are these your friends? Do you have ears to hear?

Here's some other links of interest. "Eat the fish - spit out the bones," as always.

Obama Hypnosis techniques

PositiveID , IBM, Verichip , and the Fourth Reich

Kevin Rudd's e-Health bill paves the way for PositiveID human implantable RFID microchips

Oracle to pay $685 million for health care app firm

Oracle to acquire Relsys

Thursday, April 15, 2010

Part 15 - What does the Olympic Rings logo really mean?

Recent links of interest:
'3 parent' kids
Humans 2.0
Avatars can't hide your lying eyes



The Olympic rings logo testifies of the persistent worship of Satan as Zeus and of his son, Apollo. In this, those who understand the way of historical patterns can, in the present time, see what will be from what has already happened in the past.

That which has been is that which will be,
And that which has been done is that which will be done.
So there is nothing new under the sun.

Ecclesiastes 1:9

The repeating patterns of history can expose important lessons to attentive students as led by the Lord. A key event that will happen in days soon to come is popularly referred to as the abomination of desolation.

When ye therefore shall see the abomination of desolation, spoken of by Daniel the prophet, stand in the holy place, (whoso readeth, let him understand:)
Matthew 24:15

See also Mark 13:14, Daniel 9:27, 11:31, 12:11 and 2 Thessalonians 2:3-4 and 2 Maccabees 6. The events of 167 BC that resulted in the institution of the festival of Hanukkah are related to that infamous abomination. They involved the worship of Zeus and a ruler of the Seleucid Empire known as Antiochus IV Epiphanes. Not long ago it would have seemed silly to suggest that the worship of Zeus might be involved in a key fulfillment of biblical prophecy appointed for the near future. Today, however, considering the rise of Olympism, what Tom Horn and Chris Pinto and others have exposed about the history of America, the Apollo branded Hitler and Obama phenomena and the renewal of Zeus worship in Greece at the ancient sites, it seems rather obvious that the man of lawlessness will be and do as Antiochus IV Epiphanes before him. The Beast will be identified as the son of Zeus, Apollo. "That which has been is that which will be."

On a coin from that era (see image on right), a likeness of Antiochus IV Epiphanes appears on the front with Apollo on the reverse. Here is a foreshadowing type in what is two sides of the same coin, literally. Apollo Hitler - one coin. Apollo Obama - one coin. Ditto the one who was and will be.

In a previous post I made the following comment. "We have to ask whether Baron Pierre de Coubertin's vision is quietly fulfilling Bible prophecy while everyone's attention is turned elsewhere." The answer to that is becoming apparent. While many look now to Islam, or the antichrist features of Roman Catholicism, pagan New Age or Eastern religions, it should be blatantly obvious that there can never be a legitimate melding of all religious people into one of these forms. Could the ancient worship of Zeus that is now being revived be the form of what is to be required? I propose that something rather more like Olympism is far more likely.

In Greece, home of Mt. Olympus and the famous Acropolis above the city of Athens, the worship of Zeus had been officially outlawed since the fourth century AD, due to the influence of popular Christianity (and the decree of Roman Emperor Theodosius). As recently as 2003, some who worshiped the gods of the Acropolis were chased off the premises of the Temple of Hephaestus, just below the Acropolis. An official recognition by the courts was made in 2006 leading to the officially authorized restoration of worship in 2007, at some sites. In January of 2008, a second century temple of Zeus in Athens was used to stage the first ceremony of its kind in the modern era .In August of 2008, exactly one week after the close of the Summer Olympics in Beijing, the Acropolis itself was the site of worship of the ancient gods. The group Ellinais, in their persistent drive to reestablish the worship of the 12 gods of Olympus achieved a milestone success. On the Acropolis, about 200 gathered and prayed and sang hymns to the goddess Athena. While I see this as significant, the scale cannot compare to the multiplied millions who have been rallied to the altars of Olympism.

Tony Blair, during his launch of the Tony Blair Faith Foundation in 2008 made the following statement: "We do not want to engage in a doctrinal inquiry. We do not want to subsume different faiths in some universal faith of the lowest common denominator. We want to show faith in action. We want to produce greater understanding between faiths through encounter. We want people of one faith to be comfortable with those of another because they know what the other truly believes, not what they thought they might believe." What we "truly believe" is continually being molded by Satan's branding agencies and few are able to resist the powerful influence. Tony, with much help, is expanding operations in the US this year. The model he expressed is how Olympism has come to bring those professing followers of many diverse facets of Babylon together. He gets it, like de Coubertin got it, and others like them including Nicolas Roerich, with his work in the East. This is how the Tower of Babel was built under Nimrod's leadership, is it not?

Whether one's god is referred to as the Great Architect of the Universe, Allah, Buddha Maitreya, Osiris, Gaia, Baal, Thor, Athena, G-d, Jehovah, Jesus, or Master Jesus, the coming son of Zeus will be received as The One by all but the elect of God. Satan has no problem being worshiped under many names. When the Beast arrives on the scene, Apollo incarnate will have a face and a name, and worship will be received.

Have you considered how much has to change before the world will look like the last day Babylon when the Beast makes his bold and dramatic appearance on the scene and receives the worship of the inhabitants of the earth? If you perceive in the Olympic rings logo and global acceptance of the Olympic games some momentum towards that end, as I definitely do, you know very little has to change. The time is near at hand my friend. If there are important things you have left undone, the window of opportunity for doing such things is shrinking fast.

I pray you will seek the Lord's mind and heart about what He desires of you and for you in this hour. If you have perceived an urgency in what has been a rather overwhelming outpouring of insight in this blog series (and I sure have), let it speak to you of the urgency of the hour.

Monday, April 12, 2010

Part 14 - What does the Olympic Rings logo really mean?

The Olympic rings logo was designed by Baron Pierre de Coubertin in 1912. His own explanation of its meaning is helpful, which suggests the greater truth we have come to recognize in this blog series. Where did he get the idea about the rings, and especially the unseen sixth ring that completes the pyramid temple? The bottom line: He got it from Lucifer, Satan, Zeus, through what are called familiar spirits. He was led in his effort to graphically represent what was in his heart and mind to make what is called in the Bible an idol, a religious object whose form was directed by the one being worshiped.

4) You shall not make for yourself an idol, or any likeness of what is in heaven above or on the earth beneath or in the water under the earth.
5) You shall not worship them or serve them; for I, the LORD your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and the fourth generations of those who hate Me,
6) but showing lovingkindness to thousands, to those who love Me and keep My commandments.

Exodus 20:4

The five interlocking rings of the Olympic logo is a likeness of the inhabitants of the world as one, who are in the earth beneath the heaven. Potential instances of the implied ring that is visually and magically required to complete the pyramid may only ever be a likeness of the Sun, in heaven above. Baron de Coubertin testified that Olympism is a religion that honors Zeus and his son, god of Sun, Apollo. Any honest student of the truth can discover how Olympism is all about the worship of the gods identified as the biblical Satan, with the demonic hoard of fallen angels that includes Watchers and Nephilim spawn - in the modern era as well as in the ancient.

The representation of Olympism that is the Olympic rings logo is but an idol, according to Exodus 20. Where did de Coubertin get the logo? He sought and received inspiration from Zeus, the same way as everyone else who rebels against the one true God.

The Bible reveals how the Sun is itself a symbol of the only begotten son of the one true God, Yahweh, who is the Bridegroom and Mashiach, Y'shua. As the Sun rules the physical heavens and Earth from our perspective on Earth, the One it symbolizes truly rules Heaven and Earth on every level. The Sun must therefore be considered as a ruler among symbols.

10) so that at the name of Jesus EVERY KNEE WILL BOW, of those who are in heaven and on earth and under the earth,
11) and that every tongue will confess that Jesus Christ is Lord, to the glory of God the Father

Philippians 2:10-11

1) For behold, the day is coming, burning like a furnace; and all the arrogant and every evildoer will be chaff; and the day that is coming will set them ablaze," says the LORD of hosts, "so that it will leave them neither root nor branch."
2) But for you who fear My name, the sun of righteousness will rise with healing in its wings; and you will go forth and skip about like calves from the stall.
3) You will tread down the wicked, for they will be ashes under the soles of your feet on the day which I am preparing," says the LORD of hosts

Malachi 4:1-3

The making of a symbol to represent the Sun, which Yahweh made and is itself a symbol, is to disobey His commandment and make an idol. The agency that inspires men to rebel against their creator is that original rebel, Lucifer!

Consider the following quote.

"Lest we forget at least an over-the-shoulder acknowledgment to the very first radical: from all our legends, mythology and history (and who is to know where mythology leaves off and history begins-or which is which), the first radical known to man who rebelled against the establishment and did it so effectively that he at least won his own kingdom – Lucifer." – Saul Alinsky - "Rules For Radicals"


When Obama, a renowned Alinsky disciple (like Hillary Clinton), branded himself, he laid claim to a new version of the classic Sun image and kingdom pyramid. Alinsky's nod to Lucifer, who "won his own kingdom," reveals how Obama, chief among his radical disciples, has "won" his own, by following that same way of rebellion against the sovereign God. (Yes we can = Thank you Satan) Obama's sonnenrad logo is an instance of rebellion against the second commandment and a sign of rebellion against the God who gave it. It is a sign of committed service to Lucifer, the honor and worship of that same Zeus of the mythology Alinsky presented as blurred with history, knowing how his own god was the very god of mythological legend.

The logo of de Coubertin and Carl Jung was forged in that same fire, so to speak, and Hitler's, too (with the swastika sonnenrad brought once again to the world's attention in South Africa's racially inspired conflict). Each has "won a kingdom," have they not? Tolkein, too, has "won a kingdom," who took that imagery of the unseen ring that was forged in a cursed fire and, from the legends of the mythic Nordic gods, spun it into a pop culture phenomenon. "One Ring to rule them all, One Ring to find them, One Ring to bring them all, and in the darkness bind them." I expect to have more to write on this matter of the unseen ring.

In a public forum discussing the Olympics in terms of good and bad, some will profess to dismiss the "negative" and focus instead on the "positive" aspects, like sport. Don't be fooled, changing focus changes neither the idol nor the consequences of idolatry. Those who worship at the altar of Zeus that is Olympism also idolize the athletes and especially the victors in the games. Remember the roles of the soccer ball and of David Beckham during the London ceremonies in Beijing? (See Olympic Ceremony Symbolism - Part Two and Three) Consider the Lord's perspective in such a matter.

10) He does not delight in the strength of the horse;
He does not take pleasure in the legs of a man.
11) The LORD favors those who fear Him,
Those who wait for His lovingkindness.

Psalm 147:10-11

With this in mind, looking even beyond the context of Olympism to the extended exaltation of sport itself in our day, we see it elevated in the lives of many to become the sincere worship as of a class of demigods. From among the demigods, claims to glorify God through athletic achievement are not uncommon, but could one who "does not take pleasure in the legs of a man" be glorified in such a way? Honestly, no, but there is a god who receives glory thereby; the god of Olympism, who is honored in every act of rebellion against the true God!

During the Vancouver Olympics I watched a few hours on TV. What I saw primarily focused on the life of one athlete in particular, who ended up doing rather well. By the time the games had concluded, this star had become the most decorated U.S. Winter Olympian in history. Here's a picture of the celebrated seven-time Olympic medalist Apolo Ohno. For those of us who watch for signs, this is one. Apollo? Oh No! Not the poster boy of Berlin 1936! Well, yes. Synchronicity? No, a sign!

Which god or God do you glorify? Are you flying a branded flag or banner? To what or whom do you pledge allegiance? To what do you kneel or worship before? A symbol? Some graven image or likeness presented on a pole, behind an altar or upon a high tower? Repent of idolatry. Flee from it! Worship neither a symbol of the Sun, nor the Sun, but the Son Himself, the true Light and Living Way! Honor the Lord who favors those who fear Him and who wait for His lovingkindness!


Saturday, April 10, 2010

Part 13 - What does the Olympic Rings logo really mean?

News item of interest: PositiveID's Latest Human Chip-Implant Scare Story: "Medical Identity Theft" from April 6, 2010

When the testimony of the man behind the Olympic rings logo, Baron de Coubertin, is taken into consideration alongside the symbolic imagery associated with decades of historical events where the logo has been embedded, the logo's meaning is not hard to discover. The logo pictures the same evil serpent scheme that has been in play for as long as man has existed, first evidenced while yet in the Garden of Eden. Recent posts in this series have focused on the unseen ring, the sixth that, added to the five, completes the pyramid referred to as Zion. Because of how important the unseen ring is to the plan and how both Hitler and Obama in their appointed seasons have, by much effort, made the Apollo ring their own, we should consider, at some point, whether the unseen ring might be more than the relatively recent invention of de Coubertin. (Spoiler alert - It IS!)

Once I had begun to recognize and refer in this blog to the "unseen" ring, it wasn't long before the Lord brought to my mind the following, which began the unfolding insight.

One Ring to rule them all, One Ring to find them,
One Ring to bring them all, and in the darkness bind them


You may recognize these lines of prose, coming from the "Lord of the Rings" trilogy of fantasy literature penned by J.R.R. Tolkien. When this came to mind I immediately saw how perfectly they describe the role of the unseen ring of the Olympic rings!

In this fictional story, these lines are inscribed on the One Ring, a magical ring that, among other things, renders the wearer invisible. When someone puts on the ring, both the ring and its wearer become "unseen." This unseen ring is the artifact of a previous age, when its maker forged it magically in the fires of "hell," investing it with his own life, binding to it his identity and his very destiny. Are you seeing the Apollo, son of Zeus/Satan connection? If you're not, reading or rereading the last four months of blog posts might help.

This unseen ring's purpose mirrors the agenda of the pyramid capstone ring of the Olympic rings logo, whose five rings represent the people of the world.

One Ring to rule them all, One Ring to find them,
One Ring to bring them all, and in the darkness bind them


This finding, bringing, binding and ruling is what Hitler did, Obama does and the coming incarnation of Apollo will do to fulfill its destiny, manifesting as the Beast of the book of Revelation. The darkness is what "light" (Luke 11:34) is given off by the flame of the Olympic cauldrons and torches, manifesting through ritual magic, casting its demonic rays upon spell-bound subjects. It is the antichrist delusion that overspreads the Earth.

In the trilogy and in the popular Peter Jackson movie franchise that brought the dynamic visual imagery into today's pop culture, the Eye of Sauron kept watch over Middle-earth from its highest tower, the "Dark Tower," the Barad-dûr. Consider these images of the Eye of Sauron, a gateway construct that is magically linked to the One Ring.

The top image is the eye as it appears in the movies while the other two were found in a scan of the Web, "photoshopped" by some who evidently perceived a likeness between the two eyes and their owners. I like the middle one in particular.

The positiveID (implantable microchip "mark of the Beast" technologies) corporate logo you see on the right has been modified by simply inverting the colors from positive to negative. Compare the letter "o" to the Eye of Sauron and the ID tag to Obama's "pyramid at sunrise" ID. The folks responsible for these designs lift them from the same page of Satan's portfolio!

The image on the left is the Eye of Sauron atop the Barad-dûr. The inset shows the original eye, surrounded by a fiery ring. In the other version I photoshopped a subtle image of Obama's glowing all-seeing eye atop the tower, which appears in this larger context as * SHOCK * the eye atop the pyramid.

The two components are one with the entity whose life and destiny are bound to it. The Eye of Sauron and the One Ring ARE the unseen ring.

Surprised? I didn't think so. Why not? Redundancy is critical. We've seen this before, over and again! The message must be signaled! The Beast and the mark of the Beast are coming! The signaling facilitates the plan, and the Lord Y'shua's grant of favor in revealing it to us now comes to those of us who watch as a warning to continue preparing ourselves, learning to subject ourselves in obedience, the sacrifice of love. We are loved!

The triple helix DNA signaling comes encoded within the prose that was magically inscribed upon the ring. One Ring to rule them all, One Ring to find them, One Ring to bring them all, and in the darkness bind them. Three times the words "One Ring" appear. This could be considered as an unholy trinity substituted for the counterparts, but yet it must also be the signaling of the genetic key to the binding. The message of the three strand DNA reverberates through the symbols from ages past to the present day, heralding the means of binding the men of the earth together and giving them the continuity pictured in the ouroboros ring, the serpent life from old.

Because of how important the unseen ring is to the plan, is this esoteric unseen ring more than the relatively recent invention of de Coubertin? Since "The Lord of the Rings" was written in stages between 1937 and 1949, much of it during World War II, de Coubertin certainly didn't get the idea from Tolkien. Did Tolkien get the idea from the Olympic rings logo? I'll explore the derivation and history further in the next post, Lord willing! Think Hitler, Wagner, Odin...