Part 79 - The Sodomite Gateway - Holy tIHS!

A few nights ago I was catching up on some videos and came across one I really appreciated. It features the Jesuit Christogram, the Roman Catholic institution's symbolic sun with the IHS inside, the “Holy Name of Jesus,” so called.

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

Satanic Religious Symbols in Christian Churches by Chris Constantine of planetxtube.com, and on YouTube, alias Gorilla199.



The image you see here is the Jesuit's iconic symbol rotated 180 degrees. Spelling it out, t I H S is upside-down, S H I t. That's it! What else would we expect inside the sun god's rectum? So, there it is!

In this bottom's up position, the three “nails,” as the pretext goes, are coming down out of heaven, just like the three cloudy sky phallic arrows on the sodomite Sundance Film Festival website.

This IHS symbol is referred to as the “Holy Name of Jesus.”

From Wikipedia, Holy Name of Jesus: “In Christianity, the Holy Name of Jesus refers to the theological and devotional use of the name of Jesus. The reverence and affection with which Christians have regarded the Holy Name of Jesus goes back to the earliest days of Christianity. The devotions and venerations also extend to the IHS christogram (a monogram of the Holy Name), derived from the Greek word IHSOUS for Jesus, or referring to Iesus Hominum Salvator, Jesus saviour of mankind, representing the Holy Name.”

HOLY tIHS! Really? That's just foul and offensive. This thing is an idol. Babylon imprints the unholy upon the holy and runs the counterfeiting scam. What a spell of obfuscation, what a thick cloak of secrecy has been cast over this!

The Jesuits aren't the only brand leveraging the IHS. The Rosicrucians have been capitalizing on this sodomite magick for a long time. Here's an image of the IHS you won't be un-seeing any time soon. Hey - it's not what it looks like. Well, no, actually, it is.

You see the IHS (or SHI) inside, but where is the letter "t"? Zoom out. That big love cross is leveraged as the "t" to finish spelling the word. That foul image is from a religious textbook for youth, used 400 years ago. Take away from this just what is actually being referenced when the sodomites speak of love.

So, from the video about Satanic Religious Symbols in Christian Churches, I don't know whether Chris has really identified the sun symbols as the anus and symbol of the sodomite gateway to illumination, but he is well aware of how sun worshiping Pagans are sodomites. That's made very plain in this next video, which I think you'll find well worth your time.

BBC PaedophileRing and Masonic Witches Coven

(Technical note: I would have embedded the video in this blog post but the embed code just wrecks the formatting. Google doesn't appear to want want embedding of a competing site's video, so it won't play nicely.)

I don't know Chris personally but I really admire his moxie and appreciate his insight. (Nice job, brother!) The way he exposes what's going on in the children's program with the banana package is excellent. What he exposes about Mr. Mopple and Twinkle in the rocking chair is brilliant.

(Hey - Twinkle Twinkle little Star. Uh, right. Noted. Also, I note how 3:00 is the time set on the moon-faced clock, and 3 am is the prime SRA ritual hour. Do the math: 3 hours of 60 minutes is 60 60 60, or 666.)

What Chris notes about homosexuality and Pagans, Masons and Apollo is well done. What Chris believes goes on under the Alexander Palace, that it is where ritual rape and murder of children happens; I have to think that seems pretty likely to me. I agree that it is not just the BBC acting alone, and that the government and police alongside them are responsible for this evil. Where I depart from his take on such is in perspective, which has a bearing on what response is really called for.

Rallying opposition with boycotts and the witch hunt, demanding personal accountability for involvement with the shows, this might be his thing, but it's not mine, at least not with respect to the earthly agents we see. Those behind the scenes, the SRA network, the Illuminati tares who work dark magick in the shadows, they own this deal. I've addressed such as this recently, and frequently. Behind them are fallen angels and the demonic authorities of Ephesians 6:12. Spiritual warfare recognizes the agents and the nature of their weaponry, as the Lord reveals and directs.

I responded to an email just this morning that I felt was very pertinent, so I'm going to include the thread here.

Subject: Question about artists

Thank you! Btw, I was wondering if you ever "out" the marketing companies that design these logos. I know you say that sometimes the company they're making the logo for knows the score, and sometimes they don't. But it seems that those actually designing and rendering the logo would know what it meant.

Would it do any good - without putting you at risk of a lawsuit - to say "this and such company drew this logo"? Now that I write it out, it seems it would. But you don't seem too trepidatious about that sort of thing, considering what you post online.

I also thought that maybe graphic artists are handed pictures, singers are handed songs, producers are handed movies, marketers are handed commercials - etc. - and just told "Make these as we say, and you'll prosper. And keep what we tell you to yourself!"

May God bless you and yours mightily.

[a brother in haMashiach]

My response:

Hi [brother],

I have not been led to out them. My interest is not in bringing them down, but bringing you up. Does that make sense? The world will not be fixed until the Lord has accomplished what He will with it. There’s a love test going on, it must be said. The Lord works to discover who really loves Him and who really doesn’t. The proving grounds are required.

I understand the industry works like you describe, where in large part, the artists are handed scripts and assigned producers, etc, and some say the CIA is behind the programming, actually running the show. Those who haven’t hit the big time (indies) are influenced by that, and under mind-control all the same. The important dynamic to grasp is that the devil and his agents are running the whole show, just like with politics and religion, and ultimately, the sovereign Lord has all this well in hand. He is sovereign, you see. And just. Have you worked that combo out yet? Are you aware there will be a restoration of all things, and ages to come?

Bob

With that said, there's a couple more points I want to make about the videos above. Chris does a lot of video exposing Alexander the Great and other identities of Apollo that are cryptically embedded in our cultures. In the second video he shows the BBC Television Centre with a circular building and courtyard. They refer to this as the doughnut, which is what the anus is often called in prison. Theirs has Helios aka Apollo (and Horus) inside the circle at the BBC building, which I covered in part here. Apollo holds a ring that is the signal anus. The pole he stands on is the male phallic element inside the female circle, the Osiris and Isis reproductive sex magick that brings forth by the action of the sun Apollo himself, the coming Beast. The stadium set is itself a signal anus, pierced by the phallic obelisk topped by Apollo. There's big magick going on at the BBC, an organization to which I've applied the apt label, Bell, Book and Candle network. At the base of the phallic pole are two graven images, reclining figures representing sound and vision. All this is said to represent the radiation of television around the world. So, the pole is a broadcast antenna. Is it merely a symbol? No, symbols have power, it is broadcasting - a spell. Witches understand, do you?

See some of what I've written about the BBC here (Part 47)and here (BBC New Broadcasting Building).

I discovered Chris Constantine's videos maybe a couple years ago now, watching several of them. I think I was already pretty aware of the Horus Eye signaling, and I found his identification of a wide range Apollo or Helios symbols interesting. I didn't find the evidence for some of it very compelling, but I kept it all in mind. At one point, Aaron and I noted how the Lord was bringing the X = IO = Helios signaling to our attention, and we immediately came across an image that really spoke to us. What we saw was immediately confirmed by others, and while it hasn't become a major tool in the shed, so to speak, it does factor in on occasion (like Part 46) as the Occult layers of symbolism encountered are identified and decoded. (Again, nice job - and thanks Chris!)

The promotional imagery celebrating the 30th anniversary of the Apollo 11 mission is rich! The cleverness of the imagery is immediately obvious, with an overlay of letters and numbers to present the name of the mission.

Apollo 11. That's the one with the pictures of the moon landing that famously had the shadows all wrong. Some claim Stanley Kubrick (A Clockwork Orange, 2001: A Space Odyssey) was engaged in the project for his expertise. Did man actually go to the moon in 1969? I doubt it.

So, NASA is an Occult agency with plenty of secrets, built with former Nazi science and magick. Their mission patches are high level esoteric symbols. The Apollo mission openly names the god being honored with no obfuscation whatsoever. Most, however, ignorantly think as I did for so many years, “Oh, it's just a name.” Well, to NASA and people who worship God or gods with an awareness of idols and supernaturalism, a name is never "just" a name. Is the name of Jesus Christ just a name? No. The missions named Apollo do honor that god, the ancient identity of one who was, and who is coming. I've written of this god more than once or twice, most frequently in his alias as Horus.

The promo for the 30th anniversary of Apollo 11 features a moon and some stylized letters "l" in the name, plus the years that mark the span of 30. First, knowing what I know now, I see the ritual sodomy signal anus and phallus. What they did was send a rocket (phallus) to the moon (bare bottom), right? It was the Apollo rocket, that particular god's phallus. The moon is a bride symbol, so what was dramatized in serious power language was the raping of Eve (like in the Garden of Eden), and the Bride of Christ she also represents, the moon bride. In this imagery, the stylized letters “l” picture the phallic package, with the flanking letters “o” as the testicles. The lunar circle pictured is the target anus. (Think, Sandcastle)

The Helios signal name is encoded in AO, the A of Apollo associated to the circle of the Moon. It is twice signaled in the “11” flanked by the “mirrored” pair of “O”s. It just wouldn't do to actually mirror the form of the number 1 because the phallic rocket would be a little too obvious. AO IO IO Helios, three times.

The 30 years can be considered as doubly obfuscated. 30 = 10+10+10, Arabic numeral counters that transform graphically into IO IO IO. Again, Helios, three times. The numbered London Olympics that openly honored Zeus and Apollo used the labeling of the Roman numerals, as the XXX Olympiad. This representation of the value of 30 is the obvious division into three sets of 10.

The 1969 and 1999 contain another layer of symbolism. The 999 is an upside down 666. The 969 becomes 666 if you flip the 9s. The ones at the front of 1969 and 1999 can be ignored, dropped, canceled out by the big ones of the 11 that seem to be looking at the span. The forms of the number 1 font face used have the look of Anubis to me, the dog headed Egyptian god of the underworld.

Lots there. The key to interpreting some of the layers of this simple but powerful Occult imagery is the Helios spelling.

Thanks Lord, for opening our eyes to see the weapons forged against us for what they are.

Part 78 - The Sodomite Gateway - Alice Adventures at Sundance, While Disney Advances MOB

Two items of interest in the news are causing a stir.

“Parties at the Sundance Film Festival typically feature maverick filmmakers, the best in nouvelle cowboy cuisine and plentiful pours of high-end spirits and Utah microbrews. But the bash thrown by Hollywood's powerful Creative Artists Agency on Sunday night took festival revelry in an unexpectedly bawdy direction, as Sundance guests mingled with lingerie-clad women pretending to snort prop cocaine, erotic dancers outfitted with sex toys and an Alice in Wonderland look-alike performing a simulated sex act on a man in a rabbit costume.”
(A bawdy CAA party at Sundance shocks guests, including clients)

Alice in Wonderland perversion? In Part 76, this children's classic was featured as a standard for Illuminati programming of slaves. If anything seems at all unusual about what was reported, it's how the activity is more public. I suppose there's little need for cover anymore.

The next bit from the article is telling: “In addition to its renown as North America's preeminent indie movie festival, Sundance long has enjoyed a reputation for scenes of epic partying — a kind of bottoms-up free-for-all for celebrities and movie executives alike that functions something like Hollywood's annual spring break, albeit in a skiing hamlet where you can't rent a keg without a temporary beer permit.”

Here's a screenshot from the Bond franchise, The Man With the Golden Gun, lending us a visual on the “bottoms up” comment.

In another excerpt: “"I thought it would be a tamer burlesque show integrating live art," Fogle said. "Instead, it was like going down the rabbit hole. It was like an acid trip the whole night."” Going down the rabbit hole is of course code for the ritual sodomy trip to Wonderland for programming.

Apparently, some celebs have not been programmed sufficiently.

If the Creative Artists Agency logo's Occult message was to be accepted, it would be apparent that giving and getting it up the A was their real interest. Apollo's A? The doubled A looks to me like the owl, of the Bohemian Club and Grove variety that speaks to me of the Watchers. It looks to me like a male train, like the ITV and Toys for Tots brands.

The Sundance Film Festival brand is itself sodomite, a phallic arrow fest, themed orange. The three arrows featured at the top are heavenly phallus emblems, signaling the third eye illumination and triple helix DNA of the counterfeit resurrection style of reproduction. The browser tab icon associated with the website is an erect version akin to the male gender symbol, but orange. The festival store imagery uses a collection of orange arrows to create a white illuminated anal star in the negative space. This is how the sun god is worshiped. It has only ever been this way. I believe what is meant by the “sundance” is ritual sodomy.


Next up, Disney plans to unveil MagicBand RFID bracelets for eCommerce this spring at Walt Disney World in Orlando.

Disney's computer-chip bracelets raise concerns, lawmaker says

Disney, busy about their usual business of lubricating us to more readily receive the coming implant, connecting us to the Beast and his network.

Part 77 - The Sodomite Gateway - Oranges and Sunshine, of 'Child Migrants'

Being rather tuned in to color coded symbols of the sodomite gateway, I took an interest in the film about Margaret Humphreys' highly publicized effort that led to the exposure of a massive network of child abuse, Oranges and Sunshine. The title derives from a promise made to the children.

Wikipedia offers this description: “The film is based on the true story of Margaret Humphreys, a social worker from Nottingham who uncovered the scandal of "home children", a scheme of forcibly relocating poor children from the United Kingdom to Australia and Canada. Margaret reunites estranged families and brings worldwide attention to the cause. Deported children were promised oranges and sunshine but they got hard labour and life in institutions such as Keaney College in Bindoon, Western Australia.”

A man named Jack was victimized in the scheme. “When I was in the children's home in the UK I was only 10. Listen, this man in a suit, he came to see me and he says, 'How would you like to go to Australia? You know the sun shines every day. You'd live in a white house, ride a horse to school and you'd pick oranges off the trees for your breakfast.'”

A reviewer on Netflix offered the following: “The main emotional content is carried here by Hugo Weaving, in a stellar performance as Jack, one of the children shipped to Australia with promises of "oranges and sunshine", only to find out they had been misled and were now at the mercy of institutions that saw them as free labor. Later, even more shocking secrets are revealed from other "child migrants" (as the hapless kids were euphemistically called) who suffered outright sexual abuse from elements of the church to whom they had been entrusted. This is an excellent movie, with a story that needs telling.”

I imagine the perps have had a good long laugh about sending children to the “land down under” in their exploitation of their nether regions. Having learned how the imagery of oranges and suns is leveraged in the scheme, I can only think that many of those involved were multiples, and that Satanic Ritual Abuse factored in heavily. Here was a ready supply of young innocents, ripe for sacrifice, for sex magick, blood drinking and flesh eating ritual, and programming.

I agree with the Netflix reviewer that the story needs telling. Yet, that's not enough, because what needs to be known is that those responsible for the abuse seldom experience real shame or remorse. What you should know, as you see the evidence of the evil scheme in the logos and imagery surrounding us, is that we are all the prey. See the rituals presented in the public domain for what they are, as theater for the programming of the masses. This is the fabric of the world we're living in. 1 John 5:19. Wake up from the delusion of the material world we've been sold. Seek the Truth and put your trust in Him alone. If you're eyes are open and opening, seek the Lord Y'shua about what He would have you do about it, and not do about it. I don't like to be preyed upon and abused. I don't like my friends and family to be preyed upon and abused. I long for the day when the Lord Y'shua will bring justice, and righteousness will be the order of the day.

the one who practices sin is of the devil; for the devil has sinned from the beginning. The Son of God appeared for this purpose, to destroy the works of the devil. ~ 1 John 3:8

Such abuses have oft been exposed, yet predators and their schemes continue on. The Congregation of Christian Brothers built Keaney College in Bindoon, the institution located 60 miles north of Perth that is featured in Oranges and Sunshine. It was built with child slave labor, and the captors were abusing their prey horribly.

So, they were exposed. They lost a hand in the card game. They shuffle the deck and deal a new hand. Instead of continuing on as Keaney College, they renamed it to The Catholic Agricultural College. Shazaam! No more tainted reputation! They have updated their branding. Out with the classic sodomite signaling crest and in with a new, fresh and trendy sodomite logo. Presto! But they apologized, so, OK. Really? OK?

Their sponsoring institution, the Roman Catholic Church continues, and the pedophile priesthood is continually shuffled and redistributed. But, the Pope apologizes, and the sheeple accept it and move on, as usual.

What an amazing spell of deception! We are fleeced and butchered. The slaughterhouse gets a new coat of paint, the old butcher gets reassigned, and we're happy.

The governments of the UK, Australia and Canada continue on. But Gordon Brown apologized. So, OK. We can trust you now, right Gordon? The UN peacekeepers and their bosses were exposed. (The Whistleblower (2010)) I don't believe they have even pretended to offer an apology. No matter.

The BBC has been shaken up in the Jimmy Savile scandal. They continue on. Here's a report of interest. Margaret Humphreys on Oranges and Sunshine film. Reported by the BBC. So, they're the good guys? Here's another report of theirs. Gordon Brown apologises to child migrants.

Of course it's all hypocrisy. This is our world. I'm not making a plea to rally against the powers that be. I'm describing the reality of the situation so you can consider how we're being deceived by the theater.

The VC is onto it. (The VC) Sandy Hook Survivors Are Made to Sing “Over the Rainbow” to Commemorate the Shooting. That song is from The Wizard of Oz! Over the Rainbow is code for dissociating during trauma!

Here's a classic example involving mind-control abuses, and one of its grand masters at work. CIA - Mind Control (part 4/4) -Clinton's Apology



Well, that really helped. We win. Hooray for our side. No, I'm being cynical.

The public show of contrition and the media closure provided usually involves a public relations play known as limited hang out, which is the ever effective cover op.

In our daily news, the reports continually surface like these, which I found just this morning.

Boy, 11, admits raping six-year-old girl We might ask whether he himself has been or is being abused? By an individual acting independently or as part of a ring of abusers? Is he a chosen one? Is he his victims handler? What are the odds of such important details being reported?
LA TEACHER SUSPECTED OF MOLESTING 20 CHILDREN Again, there are unasked and unreported questions that have an enormous bearing on any assessment of the situation. Typical useless media reporting.

United Press International, Associated Press, Reuters, Agence France Presse, the BBC, CNN, MSNBC, FOX... Shills, all. The Alternative News? Sorry, still packed with shills. Control really only works when you own both banks of the river.

Individuals and organizations that are entirely dedicated to promoting pedophilia continue to operate, more or less in the public domain, sometimes morphing to dodge bad publicity. Here's a few examples.

• Butterfly Kisses - The International Female GirlLovers Collective (IFGLC).
• The Rene Guyon Society: "Sex before 8 or else it’s too late”
• North American Man-Boy Love Association (NAMBLA)
• The Lewis Carroll Collectors Guild (Alice in Wonderland)
• Childhood Sensuality Circle – CSC
• Pedophiliacs Anonymous – PAN
• Pedophile Information Exchange - PIE
• Pedophile Action for Liberation – PAL
• Pedophile Alliance League - P.A.L.
• Howard Nichols Society

Are you still involved in an organized church institution? Do you trust those who watch over your children? It's well known that pedophiles covet those positions, and fill them easily. Yet, there's an endless supply of ignorant parents who offer up their children for abuse.

If logos are any indication of what's going on in the world, AND THEY ARE, you should make note of their message. As it has been said, “Sign and symbols rule the world, not words nor laws.” Confucius knew things, like why the Second Commandment was given for our protection.

I was curious about what I would find on the website of a church I'm familiar with, one my own children had been involved with. Long story, there. Anyhow, Bayside is what might be called a “country club” kind of church. Their program for school grades 1-4 is called Pier 14. The logo caught my attention. I immediately recognized some familiar Eye of Horus, 666 and sodomite imagery. I was puzzled about why it looked like it was projecting, “pie.” Within the hour I was reviewing the list of pedophile organizations and came to focus on the Pedophile Information Exchange - PIE. Uh, PIE? Where did I just see that? Oh, right. Bayside. Pier 14. Yikes!

I can't say whether or not Pier 14 is for pedophiles. I can say that this is what their brand projects. The orange manhole sun is the sodomite portal. The bands of color are a symbol of obfuscation, the blinds described by the infamous Aliester Crowley, Freemason and Illuminati witch. The “ie” inside the sun says “eye” to me, making the oval eye with the orange pupil the first of three eyes. The “ie” is the second and the “i” is the third eye, enlightened. The birds of prey are circling, birds of the air, and three in number to support the third eye layer.

The beach hut has a triangle top. Anal triangle? To me, it smacks of the version of the masonic imagery you see here. The capstone is in the white band, illuminated. The waves that conceal three sixes appear like curly pubic hair matching the sun-anus to the phallus of the 1, or of the beach hut.

I see the number 4 as a squatting person with hands on knees, another example of what I presented in Part 32. The “missing” head is the pyramid, presumed illuminated. I recognize the hut as an outhouse and perceive the squatting person superimposed over it. I would comment about how fitting that is, except I notice how the fit isn't that good. Their butt is hanging out. Instead of the familiar crescent moon cut into the outhouse for light and ventilation, we get this version of the moon. As I pondered over seeing how the butt was hanging out, I read the copy. NLP. “Pier 14 is an exciting place for kids to hang out...” Hang out. Right. Hang their butts out. I get it.

Pier 14. Pee-er. A pee'er for teen? I suppose calling it Pooper 14 would have been just a little too obvious.

I don't buy that their Pier 14 is for grades 1-4, on the hidden level. That's too old. It speaks to me of ages 1-4, covering the prime range for programming that is the interest of those who sponsor schemes like what this brand represents in their artful imagery.

Is Bayside's Pier 14 “pie” logo signaling the Pedophile Information Exchange? Maybe, maybe not, I can't say. What I can say is that if you have children and you entrust them to strangers, friends or family, you are going to be held accountable on some level for whatever it is they are exposed to. Children are precious to the Lord. If they have been entrusted to you, protect their innocence and raise them in the Lord as best you can with whatever time we have remaining. As they are able to receive it, instruct them in the truth, and in how things really are. They don't need sheltering from the truth, but from the lies and liars. Instruct them according to the Truth.

Lo, children are an heritage of the Lord: and the fruit of the womb is his reward. ~ Psalm 127:3

And whosoever shall offend one of these little ones that believe in me, it is better for him that a millstone were hanged about his neck, and he were cast into the sea. ~ Mark 9:42

Part 76 - The Sodomite Gateway - Alice in Wonderland's Orange Marmalade

The color orange is a popular symbol of the sodomite gateway. On a fundamental level orange is a symbol of the merging of the red Adam man with the fallen angel yellow star light. It bears likeness to gold and copper, metals associated with gods and giants and the supernaturalism of the merging with man. It's the color of harvest in the Fall, during which the veil between the worlds is said to be most thin and demons are best summoned. I have noted with interest recently that one of the more fundamental literary works used for trauma-based mind-control programming features orange. It's featured in a notable context. It may be that some of the orange derives from a familiarity with that core resource. Given the context, it seems likely.

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

The following excerpt is from Alice and Wonderland, one of the most well known sources used for programming.

“she ran across the field after it [the white rabbit], and fortunately was just in time to see it pop down a large rabbit-hole under the hedge.”

“In another moment down went Alice after it, never once considering how in the world she was to get out again.”

“The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.”

“Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled `ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.” (Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)

This scene is an allegory of trauma-based mind-control and programming with ritual sodomy that appears to have been written for use as a script. If I've learned anything about the way of this kind of evil, there's no chance this story is just an innocent children's story that has been adopted and repurposed for evil. I'm convinced it was a stealth weapon from its inception. The character of the author has been the subject of much controversy over the years. His history is of some interest, and a few miscellaneous items that serve to furnish some context are in order, so I'll address some of that, too.

An allegory can be taken at face value but the greater value is gained when the symbols are correctly interpreted. Alice is on her way to Wonderland.

Wonderland refers to the state of dissociation, the place where the mind goes during the trauma of ritual abuse, especially ritual sodomy. I've addressed this plenty in this series. There's a reason why one of the world's largest paedophile rings (famously “smashed” by Operation Cathedral in the late 90s) was called the Wonderland Club. (Web search: wonderland club largest ring -- Police: Global Child Porn Ring Broken) In Wizard of Oz language it's referred to as “going over the rainbow.” It's a getaway, a place of escape during the abuse.

The rabbit hole tunnel is a dirt tunnel, the GI Tract. Going down the rabbit hole means she is being sodomized. This transports her to Wonderland. All the bizarre and nonsensical activity in Wonderland represents the coded programming system, a highly structured set of symbolic elements that make little sense, unless you're the programmer or have the code book.

“Those who have been programmed have a locked-in three-year-old mindset which is the core of the programming. Say they’re eighteen or twenty years old and somebody comes up and knows the signal or says the code word to call out the three-year-old core. The person then goes into the three-year-old state to be sodomized, then the sodomites program into their minds what they want to program in, and when that person wakes up they probably don’t even remember that anything happened. Basically, a person reverts back to the three year old to be a total victim to the sodomy.”
Marion Knox

The first evidence of the programming appears early, as she's falling. I'll explain more about that part of it shortly.

There is trauma involved with Alice falling, with this ritual sodomy abuse. Imagine falling in the dark. I don't have to imagine, personally, because I can well remember lying in bed as a young boy and being seized upon with terror out of a deep sleep, falling. I wasn't actually falling, but it was quite traumatic. I also walked in my sleep and frequently experienced sleep paralysis during that season. I was living at the street address of 666 West Main Street. Seriously. Was I abused? I don't believe I was, not by people. Was I abducted by aliens? I don't believe so. I was under demonic oppression, that I know. So, Alice, falling in the dark down a well, was experiencing trauma, and dissociating. The trauma of the experience is apparent at the book's end, when Alice wakes up from a nightmare that had been her entire Wonderland adventure.

`Hold your tongue!' said the Queen, turning purple.

`I won't!' said Alice.

`Off with her head!' the Queen shouted at the top of her voice. Nobody moved.

`Who cares for you?' said Alice, (she had grown to her full size by this time.) `You're nothing but a pack of cards!'

"You're nothing but a pack of cards!"

At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

`Wake up, Alice dear!' said her sister; `Why, what a long sleep you've had!'Alice's Adventures in Wonderland - Chapter 12

Alice returns from Wonderland as waking up traumatized from a nightmare. (Just like how Dorothy returns from Oz in The Wizard of Oz. These programming standards are similar in so many respects, both, thinly veiled allegories of the same cruel matter. ) The trauma is evident. “...she gave a little scream, half of fright and half of anger...” “Off with her head” If there's a classic dissociation image, that's it! This clever allegory illustrates what Marion Knox described above. Alice was ritually sodomized and abused and programs were installed.

The Disney version of Alice in Wonderland from 1951 (which has probably been used to program thousands of children) departs somewhat from the book, returning Alice from Wonderland through another metaphor for sodomy. She, still dissociated in the Wonderland alter identity, views herself in the real world through the keyhole of the lock in a floating royal arch shaped door. The sodomite portal of course. The GI tract is vividly illustrated in the purple smoke-like spiraling tunnel.

Consider the signal Masonic degree and sodomite 33 formed by the door hardware's eyebrows and moustache-like hair, which is itself an orange bottom. See her yanking on the knob? Wink, wink. Yeah, it's pretty graphic. Disneyland ~ Wonderland. Club 33...

What I wrote earlier about a layer of Wonderland's meaning being the coded programming system applies early, even as Alice is falling.

The signification of the briefly referenced empty jar of orange marmalade is a really big deal! This affords us some insight into the esoteric use of the color orange as a symbol. Sealing wax was required for canning items like orange marmalade. The seal is essential for preserving the ingredients. The jar is like a safe or a vault, a sealed and therefore secure container for valuable assets. The early reference to the empty jar signals that she is ready for programming to be installed. This is why there are cupboards and book-shelves on the sides of the well, with maps and pictures hung upon pegs. These represent the organized compartments, the programmer's code books with scripts and diagrams detailing the slave's alter systems.

“Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled `ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.” (Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)

I believe this allegory is described by Fritz Springmeier and Cisco Wheeler in The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave. “The color coding within the Illuminati Mind Control is fairly consistent,” they write. Of the standard color coded system: “ORANGE. These special protector alters are scouts who warn of danger from internal or external threats.” That's a fitting color for a sentry position, the first named color as Alice falls down the well into Wonderland. The alternate color code system they describe seems equally fitting. “ORANGE. Guard alters which are heavily programmed for obedience.” Further insight into the meaning of the empty orange marmalade jar might be gleaned from their observation that “an orange book is used to specify some of the NSA’s security levels.” Technically, it's the book cover that's orange, a wrapper. It's a seal, like the peel on the orange, like sealing wax on the canned fruit.

I've used the allegory of how baptism as the anointing with holy spirit is like canning in one of the writings in Beyond the Veil. We're cleaned and filled and sealed. (See http://www.theopenscroll.com/beyond_veil/appendices/baptism.htm) The devil understands this metaphor well. The programming done with ritual sodomy installs demons, unholy spirit. The initiation is claimed to be a counterfeit “born again” experience. It's canning. And, it's done “in the can,” in the butt, right? Hmmm. Mason jars. Yeah. OK. Dot. Dot. Connect.

“Alice's Adventures in Wonderland” continues, validating and extending these insights.

“`Well!' thought Alice to herself, `after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!' (Which was very likely true.)”

“Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)”

(Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)

Latitude and longitude identify locations on the map. The standard Illuminati system is represented as a 13x13x13 cell cube. It's complex and highly organized. There's nothing random about it.

I perceive the above excerpt as a guided descent, concealing and revealing the trance journey led by the hypnotizing handler, or in some cases, a programmer. Layers are typically color coded, and there is an orange layer. Here's a comparable script. Going down the rabbit hole to Wonderland is equivalent to going over the rainbow.

“Induction Training Script: "Breathe deep --- you are floating down ... down ... on a beautiful red cloud, and your whole body is red -- as you go drifting and floating .... rocking gently ... deeper ... and deeper ... down ... [this repeated, one time, for each color of cloud-orange, yellow, green, blue, and violet clouds.] "land very gently ... very softly ... in the center of a round, black pearl. see it glowing, softly, gently ... now turn and face the east ... and then the south ... and then the west ... and then the north open all of your inner senses." (Deeper Insights into the Illuminati Formula - THE MONARCH PROGRAMMING SCRIPT FOR OVER THE RAINBOW by Fritz Springmeier & Cisco Wheeler)

The directions for turning are in given in the precise way of casting a magick circle and invoking the Elements, the Guardians. This is basic witchcraft.

The oath of secrecy is a seal on the orange marmalade jar, like the orange cover of the NSA codes book. “Why, I wouldn't say anything about it, even if I fell off the top of the house!” she says. The blood oaths made in the sodomite ritual are serious. When Alice said, “she did not like to drop the jar for fear of killing somebody,” you have to know the canning jar is a matter of life and death. The container must remain intact or the goods will spoil, and someone will die.

Understanding about gatekeeper programs provides insight into why the rabbit hole turned into a well, and why the jar and cupboard are in the wall of the well to be encountered while Alice was still falling down.

“The Gatekeeper alters are just that. They protect the gates or portals to all System levels. Infrequently, the programmers may also call them “doorkeepers”, or “tollmen” & “toll women”. The victim may refer to them as guards or blockers, although Gatekeepers are more than guards, they are an entrance or portal to something. Gatekeepers may often be the alter that was split to get a particular section. Each gatekeeper may be at a deeper level trance than the one before it. When a Gatekeeper is split it creates a natural link to the alters that are created from itself. Then the Gatekeepers are given programming not to see what they have created and what they are natural portals to. These steps create a natural portal for the deeper alters. One-way mirrors are usually installed between the Gatekeeper and the section they guard, so that the deeper alters can see out, but the Gatekeeper can’t see in.” (The Illuminati Formula...)

Think about the common well. There's water down there. You look down, and what do you see? There's no light down under the water. Have you looked at a window when it's dark out and the light is on inside? All you see is a reflection. The surface of the water in the well is a reflecting mirror. If you were down under the water you could see out with no problem. The well is an esoteric description of a one way mirror. The well is a gatekeeper metaphor! If you look in the empty jar labeled orange marmalade as you're falling down, what do you see? Nothing. It looks empty. Get it? Falling Alice is the gatekeeper alter who can't see in.

Moving on, there's sodomy imagery embedded throughout the movie. The queen of Hearts wears hearts on her britches. Link the heart shape to the butt. Many of the characters in her kingdom carry around hearts on sticks. Sticks, stuck up the bum.

Playing cards, which are thirteen to a suit, are Occult objects by design. The number of cards in a deck is the number of weeks in the year. The pagan calendar is important in this scheme. The deck is used symbolically in the book and movie, on one level illustrating the programming system, with each card as an alter identity, splitting, mirroring, multiplying. The cards are also used to symbolize the slave army of the kingdom.


Here's a screenshot from the movie that has a lot to say about the sodomite portal as a tunnel of love. The arches overhead are the heart shape. The flanking cards are all mirrored, but connected, alters. The blood oath is pictured, the bonding, crossing their hearts, sodomizers and sodomized with erect lances up their heart-bottoms. The card facing us is the Jack. Check out his funky britches. It's the orange butt. “Jackass,” right? If it looks like his head is on backwards, it really is, illustrating the mental state of the victim.

What is pictured by this use of double decks of cards seems to be what is described by Wheeler and Springmeier in the Monarch Mind-Control Codes section as the programming of two part alter teams, called twinning and cross-programming. “Teams will be trauma and sexually bonded, as well as having mirror images with each others names.”

Here's another image from Disney's version that makes quite a clear statement. Alice was fleeing for her life from the Queen's army. “Off with her head”! She escaped into the intestinal maze on her way out. The suit of hearts followed her.

Aaron and I watched the Disney version a couple nights ago. It's streaming on Netflix now if you want to watch it. It was pretty tedius getting through it, but it was a “must see” for us. While watching, the Lord hooked us up with insight into what is meant by the tea party. The tea party is a T party, an anal Triangle party, a ritual sodomite orgy. The tea is also the blend that emits from the victim's bottom after being sodomized. See Alice swimming in the blush “tea” as she flees the queen's army. Disgusting. Incredibly cruel, but Disney wasn't taking this story to a new place, it is the story!

We think this insight has a pretty broad application. Think politics. Think history. In Boston, the perps were all members of the Masonic lodge. We have been manipulated by the twisted sodomite elite who run the theater. Yes, we really have been duped. It has been thought that the 10/6 seen in the hat of the Tea Party's Mad Hatter is a note about taxes. I see it as a coded reference to the hybrid Beast whose coming is served by this scheme. The number 10 is IO, helios, or Apollo. The number of man is 6. I believe 10/6 is code for the coming Beast.

This allegorical classic includes some symbols that are familiar to Occult adepts and Illuminati witches - and to those of us who are catching on to the weapons wielded against the Lord's people. The hare is associated with Hermes, the psychopomp, who escorts people into the underworld. When Alice follows the white rabbit into the rabbit hole and tumbles deep underground, it's an allegory. Wonderland is the underworld. Demons are installed during sodomy. Demons make the programming work. The white rabbit's important job was that he was the Queen's herald. Who is the classical herald of the gods but Hermes, with his trademark caduceus or kerykeion, the herald's staff!

Consider the white rabbit and “Alice” in the underworld ritual, covered in Part 1 - "I, Pet Goat II" - Golden Magick Circle.

Think about where Alice found the rabbit hole in the book, under the hedge. The hedge is the dimensional boundary. Hedge witchery is called that because they traverse into the other dimension, crossing the hedge at the border, in a figure. Wonderland is the underworld.

If you watched the Code Orange Underground video from Part 74 you experienced an allegory akin to Alice in Wonderland. Equate the manhole to the rabbit hole. Equate the orange inside with all its frenetic activity to Wonderland. At the end, we, the viewers, were backed out of Wonderland through the manhole into our real world. Video over. Buzz buzz. Hello!

When we first see the white rabbit in the Disney version, he's carrying a black umbrella, faithful to the illustration in Lewis Carroll's book. The black umbrella is a symbol of ritual sodomy, which I just presented in Part 75 in the example of Rihanna's music video Umbrella (Orange Version).

The Wonderland programming is still very much a factor in our lives. A recent example was a commercial for a “Government Motors” vehicle, with an umbrella carried by ananimated doll in orange hair and dress, a creepy feline (Beta alter) wearing the falling star who crosses under the arched hedge as he passes through a gate. ("Imaginary Friends | Traverse | Chevrolet" - is no longer available).

Traverse dimensions. Dissociate, switching alters. “Re-imagined.” Right. It's a programming vehicle, the commercial, I mean. What do you suppose they mean by the cocoa puffs being overflowed out of the rayed bowl, spilled all over to get lapped up off the floor by a dog? It's Wonderland's tea party!

Chevrolet is the bow tie brand. Get it? The tie that binds. The plus sign. Orange. Disney's white rabbit carries the black umbrella and wears a bow tie. He's a Chevy guy. I think he chauffeurs a Traverse that doubles as a hearse.

Charles Lutwidge Dodgson wrote Alices Adventures in Wonderland, publishing it in 1865 under his pen name, Lewis Carroll. Perhaps he was an early adopter of the umbrella and orange symbols. I don't know, but he was very obviously familiar with the means of obfuscation practiced by those on the left hand path. He was obsessed with a young girl named Alice Pleasance Liddell, and it is accepted that his popular books were something of a tribute to her. He closed his second book of two in the series with an acrostic poem, spelling out her full name. Through the Looking Glass - Chapter 12 - Which Dreamed it?

The Lewis Carroll Collectors Guild is a society dedicated to promoting pedophilia. The Wonderland Club was huge!

“In September 1998, another ring was raided – what the BBC described as “a larger and more sinister paedophile network called Wonderland.” The network was so named in honor of Lewis Carroll’s revered children's book, Alice's Adventures in Wonderland. Carroll was widely known to have a predilection for underage girls and boys, and is now something of a patron saint of pedophiles around the globe.” (The Pedophocracy by David McGowan)

The many threads of imagery promoted by Dodgson are woven into so much of the fabric of our perverse world. I'm so glad to finally see it for what it is, and so grateful for the privilege of sharing this with you!

Part 75 - The Sodomite Gateway - Umbrella (Orange Version)

The umbrella and the rain are two very widely leveraged Occult symbols. I first wrote about them in 2008 while studying the Beijing Olympics. You can read what I wrote about them in a series I wrote for my main website at theopenscroll.com called, Olympic Ceremony Symbolism.

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

In 2008, I had not yet learned about ritual sodomy and the role it plays. I had received some valuable insight into rain as the esoteric symbol representing God's seminal fluid, writing thus about the Bible's account of the flood of Noah's day: “As the waters of the flood come upon the earth, the ark is sent forth with God's seed and the whole sphere of the earth is covered as an egg with sperm, being fertilized for the purpose of repopulating the earth in another season of harvest!” The devil has leveraged that natural symbol of reproductive fluid in his counterfeiting operations, adding the umbrella to symbolize the phallus, which I detailed in that expose in 2008.

Here's a picture of the scene you may recall from Beijing's closing ceremony. Brits with brollies, dramatizing an ejaculation sequence as the bus arrives.

Some folks make reference to the condom as a raincoat, and some even call it an umbrella. That usage identifies the rain as semen metaphor and connects the umbrella to the phallus, but the condom doesn't really factor into the Occult messaging here.

Remember Rango? This screenshot says plenty.

Now that I've learned how the Adversary uses the umbrella to represent the anus in his sodomite gateway scheme, there's much more to be gleaned! Thank you Lord!

Rihanna's music video heavily features the umbrella and rain while layering in a few other key symbols of ritual sodomy programming. Note that this video is titled “Orange Version,” so the sodomite orange symbol is layered right onto the package's label! The redundant layering of symbols in programming vehicles like this helps with the keys to interpretation like the Rosetta Stone that unlocked the Egyptian hieroglyphics.

Rihanna - Umbrella (Orange Version) ft. JAY-Z



We see in this image of a backlit Rihanna the formation of three triangles as she sits on her butt. This sets the scene for anal triangle illumination and a 9 (angles and sides) transformation. We're given a sultry “Harmerty” one eye look, aided by the hat, to tip us off to the hidden eye of Horus enlightenment theme. Her hand on top of her leg-triangle suggests that her handler is on top of her triangle.

We hear Jay-Z rapping about her initiation, “good girl gone bad.” He then appears on scene as her handler and sodomizer.

He's standing in the rain, flanked by six girls. In this scene they signal a tripled 666. They stand with their legs apart and their bare legs are highlighted. Flip the scene as reflected in the water and you have the Hebrew letter vav signaled by each girl. vav=6, so three of them is a 666 signal, and there's two sets of them. The third 666 is signaled by first identifying Jay-Z as a man and substituting the number for “man,” 6. Count the highlighted legs of the women. On the left, 6. On the right, 6. Together with Jay-Z, 666.

When Jay-Z says, “Take 3. Action.” the video cuts to three girls with their hands in their pockets. Hidden hands - the “hidden hand” of secret societies means their actions are covert. Emphasis or de-emphasis put on the hands calls them to attention and signals, handler.

Jay-Z refers to himself as the rain man, using the “seminal fluid as rain” metaphor to identify himself as the sodomizer.

We see the rain as sparks, like fireworks and stars in the night, falling from the heavens. In this ritual magick, there's a supernaturalism involved, a demonic fallen angel component that may be perceived as Luciferian light. According to Marion Knox, “Basically, Satan cannot sodomize someone on his own, but he can influence somebody to sodomize someone else and then it’s like having Satan sodomize them and put the sodomy power within them.”

In the sequence where Rihanna appears in a white dress, she's the good girl beginning to go bad, picking up the cue from Jay-Z's rap. As she's being initiated she resists, appearing to dodge and deflect the splashing water. When her face appears framed by the water, that speaks to me of her reaching the point where she dissociates. She then signals acceptance and stops resisting. “You can stand under my umbrella,” she sings.

When there's sunshine we'll shine Together
Told you I'll be here forever
Said I'll always be your friend
Took an oath I'mma stick it out 'till the end

Now that it's raining more than ever
Know that we still have each other
You can stand under my umbrella
You can stand under my umbrella

Jay-Z had referred to her as his sunshine girl. He's really talking about the black sun, that place “where the sun don't shine.” This is what the blood oath is about. NLP “stick it” ... “the end.” They cannot tell about this relationship because it is a most highly guarded secret.

As she sings she keeps repeating “ella” and “A,” which I have to think is alluding further to her A**, reading her body language.

Then we see her wearing black. The changed clothes signals dissociation has happened and she has escaped the trauma, switching to an alter identity. We see her beginning to dance with a focus on her wearing ballet shoes, pointing her feet and standing on her toes like a ballerina. We see her dipping down as if she's going on her knees, with a figure right behind her, all in black. Jay-Z, the handler-sodomizer. She's accepted being sodomized.

If you understand about how high heel shoes symbolize the bottom of a sodomite pair you get the ballerina bit. The heel is at the rear end of the foot. When it is raised up, the rear end is raised and exposed. A function of high heel shoes is popularly understood as serving to lift the derriere. These are still fairly common, and it should be said that being common does nothing to discount the symbolic meaning.

Here's a picture of Lady Gaga's famous penis shoes. There's a little obfuscation of the sodomy metaphor, and I suppose that makes them useful as sex toys. Note the crimped black bottoms of the model's pants that layers on the sodomite gateway symbolism.

Next up in the Umbrella video we see the umbrella as phallus metaphor, with her doing squats while on her toes. She looks back at us over her shoulder, and we know her backside is towards us, so we take the hint. She'll make lots of moves that suggest this is really all about her backside.

We briefly see her holding on to a trapeze swing. The swing is a popular prop on the slave programming set. She finally opens the black umbrella to present the signal anus, validating further what kind of sex the trapeze is facilitating.

In Part 73 I wrote, “In Rihanna's “Umbrella” video, she is creatively “not telling” us how her black umbrella represents her sodomite gateway, against a wall that has many panels. Each panel represents an alter in her system.” In this sequence we see her in yet another outfit. Another alter. The umbrella is collapsed. Held behind her back, the phallus is behind her. Her fish-net stockings present another grid and slice of the alter system being programmed in by her sodomizing handler. Here, she's wearing high heels.

Watch her put the handle against her butt and bend over backwards. Keep that in mind, I'll be referencing it in another post, Lord willing.

She sings lines that really only make sense in context of this SRA ritual. “You're part of my entity - Here for Infinity”

In the next sequence that gets woven in, we're shown a collection of scenes where Rihanna adopts artful postures in stark sets wearing only a covering of metallic paint. She's not really human anymore. The metallic skin illustrates the light body transformation as into a goddess. Sodomite sex magick does transform the DNA and it does advance one towards what will be completed in the mark of the Beast.

Isis is the goddess of magick who mates with Osiris to bring forth Horus. Rihanna now sports the identifying magickal Isis-Horus Behedeti tattoo on her solar plexus. It's more than a fashion accessory.

The metallic Rihanna images flip back and forth in the video between positive and negative images that invert the lighting. Light-dark flashing. There's frequent doubling of the subject and repeated scenes. It's the mirroring alter systems and angel-demons being programmed in. This happens while being traumatically sodomized, as revealed by her symbolic postures.

One of the first in the sequence pictures Rihanna with her hands in a prayer posture, which might be taken as an homage to pop goddess Madonna's classic, “Like a Prayer.” That “prayer” on her knees signaled the religious experience of being ritually sodomized while on her knees. Rihanna is doubled, mirrored, split in two, dissociated.

Some panels feature her inside a triangle. In one, she's on her knees and divides the one into three. That's the 9 and an equivalent to the Masonic Royal Arch degree's “three times three” ritual. Do you see a hint of the horned Baphomet?

She is seen here forming a triangle with her arm, while touching her palm to her forehead, the third eye illumination.

In another clever posture, she forms more triangles, making the Kundalini gland connection for us. She touches her backside at the point of one triangle. She touches her forehead with another. With her legs, a sodomy signaling plus sign is formed by crossing a vertical with a horizontal. Finally, the raised rear end of her foot is identified with the rear end that is the focus of all this attention. Evil genius.

The essential binding feature of ritual sodomy has not been neglected in this Illuminati vehicle. We see her on the left wearing a metallic tie around her neck. Her vest-like halter top is tied in the back with a black bow.

“It's Pouring rain, it's Pouring rain
Come into Me, come into Me”

There's the equation. Do the math. She's inviting the sodomizer's semen, and welcoming the installation of the demonic Legion.

Here's the VC's interesting take on Rihanna's Umbrella video.

While you and I may not be soaking in this evil on the club scene or feeding on it by watching lots of music videos, many of those around us are. You may not really have a grasp of this yet, but really, this kind of thing isn't a recent phenomenon. Stay tuned for a remarkable example. Before the music video, there was “the musical.” Like Captain Kangaroo and Bimbo's Initiation, this stealth weaponry has been part of the Devil's arsenal for a long time. We have been raised under a spell of deception. Praise the Lord for setting us free!

The Fringe Series is History

The last episode of the sci-fi series Fringe has just aired, ending the fifth and final season. It might be one of the higher level Illuminati programming vehicles on TV. The final episode spilled some beans about the revealing of the lawless one as baptized by the false prophet, even correctly identifying the year. As usual, it was delivered in a convoluted fashion, ever concealing from the ignorant while revealing to those who are familiar with the script and symbol language. I just posted about Code Orange, which featured an obfuscation of the appointed day of the year. The time is known, and there's only a little more than 2 years remaining.

The Lord has opened such a flood of insight to Aaron and I over the past week or so that it's a tough call what might be most pertinent for the blog. Thanks so much for your prayers!

Fringe has leveraged the bell in several episodes as a dimensional portal device, as I've blogged in the past. I've also featured the Fringe Division logo as a match to the Pope's heraldry, a sodomite portal. The black umbrella signal for ritual sodomy is leveraged heavily in at least two recent Fringe episodes, in “Black Blotter” and “The Boy Must Live.” I'll address these in upcoming posts, Lord willing, but I want to establish the foundation for the umbrella symbol first with a variety of examples. All this is exposing the mind-control programming mechanisms and schemes towards bringing forth the hybrid Beast and his mark, and this ministering is preparing a remnant people in advance of that crucial season!

Before even that, I wanted to share another insight that I'm hoping will really speak to you. Those who produce Fringe know things. The devil and his crew are not stupid. They lie, and their knowledge is restricted, but there are coded communications passed into our world that conceal and reveal important messages that are some very prized secrets of the Illuminated Luciferians. Fringe uses a simple substitution cipher to present one word messages during the commercial breaks, one letter at a time. The glyph for the letter E is one of four that features the apple, cut in half. Inside, instead of seeds we see 2 human embryos. It's a womb bearing twins.

If you understand what happened in the Garden of Eden you can interpret this as a symbol of Eve's womb, with Cain and Able as the two seeds, having “eaten the apple”! Many years ago, the Lord Y'shua revealed to me how that Adam was sodomized in the Garden. I understood the orgy scene, and that Eve would later bear twins. She was impregnated by the Nachash, and then later by her husband in the way of heteropaternal superfecundation or superfetation. (See Who is Cain's Father?) This is the secret of the apple glyphs!

The father of Cain still gloats about his victory, and he has been using Fringe in his craft as one of the vehicles for advancing yet another seed scheme. (Johnny Appleseed is a legend and a parable of the seed lines branched from the Garden and from Genesis 6, and 9, until the prophetic declaration of Genesis 3:15 is ultimately fulfilled.)

Blessings in Y'shua!

Part 74 - The Sodomite Gateway - Code Orange Underground Revival

A reader recently pointed out a video on the orange theme (Thanks Andrew) that really has some vital testimony for us. It speaks of ritual sodomy, yes, but let it speak to you about the role the mainstream evangelical church plays in the advancement of the antichrist agenda towards the Beast and his mark. I'm going to explain how the baptism of the lawless one of 2 Thessalonians 2 is concealed in the promo, even the very day of his revealing! This is what Code Orange portends and advances, even the mark of the Beast!

The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

Here's the video: Code Orange Underground Revival

If you've been paying attention to this series and have made the orange-sodomy connection, the imagery opening and closing the promo should be pretty obvious. Zooming the camera into and out of a manhole: man hole = anus. Port of access to sewage pipe. Framing the video with this symbolic imagery illustrates the functional mechanism of programming, how sodomy begins, “orange” happens, then sodomy ends. Ritual sodomy programming. Familiar right? Code Orange and Code Orange Underground; mainstream evangelical activity. The video and Code Orange is associated with the Elevation Church in Charlotte, NC.

“Steven Furtick and his Elevation Church kicked off 2012 with a bang. The Code Orange Revival was twelve nights of celebrity preachers, loud worship music and subsequent emotional highs. Speakers ran from across the spectrum of professing Christianity—from New Calvinist Matt Chandler and his gospel-centered message to Word Faith preacher T.D. Jakes with his typical performance and prosperity theatrics. Last year’s event also featured Elephant Room Curator James MacDonald, Hillsong darling Christine Caine, seeming prosperity preachers Jentezen Franklin and Stovall Weems, Furtick’s personal pastor, Craig Groeschel, Joel Osteen’s worship leader, Israel Houghton, and seeker-driven favorites Perry Noble, Kevin Gerald and Ed Young, Jr. Scripture was twisted, hands were raised, and every night of the event was broadcast live online for the entire world to view.” (Steven Furtick Takes the Code Orange Revival Underground)

The daughters of Babylon, Mystery Babylon the Great, Matthew 24's oikodespotes; the woman John saw riding the crimson beast. The video derives from Code Orange Revival - 2012 to promote the activities planned for 2013. Here's a decoding of their esoteric documentary.

The video begins with an image of descending into a manhole. We're going underground, descending into the underworld, and we hear voices of preachers as if heard coming out of the pit. Here is metaphor for the ritual sodomy that creates the condition for programming.

Words appear on the screen as if a fluorescent light with a failing ballast is flickering on, and the buzzing noise we expect is the appropriate soundtrack. These lights used to be placed inside boxes with translucent panels to make signs that light up. Hello! This is a sign!

Here is the illumination of the underworld, and the gnosis is manifesting in the appearance of words. Tilted. The slave, disoriented, experiences things going kind of sideways. The program is being installed. “WE STARTED 2012 WITH A 12 NIGHT REVIVAL” NLP: 12 Night. The Midnight hour, ritual time for many. Following on the tail of the 12 NIGHTs of Christmas, we might reflect on the recent Pagan ceremonial countdown. Link 12 night to 2012. This is 2013, so a 13th is suggested. Thirteen is the familiar number of the rebel lord Beast, so right away his approach is signaled and we infer it is nigh at hand.

Another tilted pane appears flickering on like a retro orange sign. “IN 2013 WE'RE TAKING IT TO ANOTHER LEVEL” The words stack like a pyramid. We're taking it to another level. Following their direction, we add another level, the capstone. The gradient lighting is brighter at the top. The capstone is going to be the brightest orange. Who's that? Out of the noisy din we hear the fiery preacher declaring “the lord is in this place”! We know the place, at the top of the pyramid. Which lord? Mine? No way! It's the 13th suggested by the previous panel, the rebel lord Beast! Their 13th beyond the 12 is like a witches coven, patterned on my Lord with his 12 disciples but with a twist. It was Judas who was truly different from the other 12.

Malachi 3 testifies of their lord. Mine is the Lord of Hosts who gives the revelation, and the one who will have the offerings in righteousness. Their underground and underworld lord is appointed to clear the way before my Lord. They will be smelted like the sons of Levi.

1 “Behold, I am going to send My messenger, and he will clear the way before Me. And the Lord, whom you seek, will suddenly come to His temple; and the messenger of the covenant, in whom you delight, behold, He is coming,” says the Lord of hosts. 2 “But who can endure the day of His coming? And who can stand when He appears? For He is like a refiner’s fire and like fullers’ soap. 3 He will sit as a smelter and purifier of silver, and He will purify the sons of Levi and refine them like gold and silver, so that they may present to the Lord offerings in righteousness. 4 Then the offering of Judah and Jerusalem will be pleasing to the Lord as in the days of old and as in former years. ~ Malachi 3:1-4

The flickering image goes orange. Oranges are round. This one is squared. Cognitive Dissonance. Squared circle alchemy.

Scenes of the event begin. Since the Beast has, in ceremonial magick, just been elevated (by the Elevation Church) to his throne atop the pyramid as the head of his body (counterfeit Messiah), what follows is the ceremonial receiving of the mark of the Beast. We see in a fleeting image what I captured in this screenshot of the right hand mark stamping.

And he causeth all, both small and great, rich and poor, free and bond, to receive a mark in their right hand, or in their foreheads: ~ Revelation 13:16

The attendants were programmed in this ritual, and the intent is to program us, the viewers, casting a spell of pharmakeia. This is a similitude of being programmed as during ritual sodomy by our handlers. Notice the orange tint, the purple accent, the watch, the signal dark and light checkered tie (that binds).

Inside the club, uh, church, there's a pretty common club scene, with loud music, a stage and dance floor. Flashing beams of light shine into the dim orange hue of the sanctuary, streaming rays of light that allude to a sunrise. The sun god Horus is in the house, worshiped in his alias as Apollo just as the imagery on the podium suggests. The setting is fit for the gods and programming their worshipers with lots of triangle structures and “T”s (anal triangles and Lucis Trust Triangles) and grids of panels. We see the lawless one ceremonially received by the lawless hoards.

The logo on the podium identifies the hosts, Elevation Church. It resembles the letter A of the title in the famous poster for Kubrick's controversial film, A Clockwork Orange. That's not an inappropriate match, being that they are actually of the same kind. This logo should be interpreted as the sodomite gateway, orange, and the alchemical triangle in circle. It's the pyramid and capstone together, cleverly appearing with the top at the bottom, as superimposed. The capstone is hidden in plain sight because of a simple obfuscation, and a powerful cover spell. If we allow that the Elevation church symbol is a simple up pointing arrow, we must identify it as the symbolic phallus of Apollo in the simple but powerful sodomite sex magick symbol. The Elevation Church intends to elevate or ascend men and women, and indeed they are achieving their goals.

The purple dot grid speaks to me of an array of sodomite portals, nodes in the Beast network.

A woman is pictured at the podium, presented with a transient flash of triangle eye imagery. Women pray without covering their heads, speak in church and take authority over men by teaching, and the men not only tolerate but sponsor it. Not that long ago, Bible believing saints would have been aghast to see this. Hmmm. Actually, they still are.

Dancers with orange hair entertain. It looks like Saturday Night Fever in Sodom. They are clothed in purple.

4 The woman was clothed in purple and scarlet, and adorned with gold and precious stones and pearls, having in her hand a gold cup full of abominations and of the unclean things of her immorality, 5 and on her forehead a name was written, a mystery, “BABYLON THE GREAT, THE MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH.” ~ Revelation 17:4-5

At the conclusion of the event footage and as the raucous noise of the party fades away, we find ourselves leaving the underworld, backing out of the sodomite portal as the camera zooms out of the manhole. The dissociated state switches from the sodomy alter to one that is conscious of the present. We hear the electric buzz of the fluorescent light and see another image. This remains after the sodomy, programmed in and retained. Code Orange Underground. Z. It's the mark of Zeus, his trademark weapon, the lightning bolt. Zeus, aka Satan. His son, Apollo. Ancient god of the sun, and returning Beast.

One final image remains. “Coming Soon” Buzz, buzz. Fade. I get it. I hope you do too. These people are not your friends, at least not if you truly love my Lord and aspire to be found worthy to be selected as His Bride.

14 Then he brought me to the door of the gate of the Lord's house which was toward the north; and, behold, there sat women weeping for Tammuz. 15 Then said he unto me, Hast thou seen this, O son of man? turn thee yet again, and thou shalt see greater abominations than these. 16 And he brought me into the inner court of the Lord's house, and, behold, at the door of the temple of the Lord, between the porch and the altar, were about five and twenty men, with their backs toward the temple of the Lord, and their faces toward the east; and they worshipped the sun toward the east. 17 Then he said unto me, Hast thou seen this, O son of man? Is it a light thing to the house of Judah that they commit the abominations which they commit here? for they have filled the land with violence, and have returned to provoke me to anger: and, lo, they put the branch to their nose. 18 Therefore will I also deal in fury: mine eye shall not spare, neither will I have pity: and though they cry in mine ears with a loud voice, yet will I not hear them. ~ Ezekiel 8:14-18

Code Orange is billed as a revival. Do you understand how they are being quite literal with this label? The intent is to generate enthusiasm at their lawless club's pep rally to “Elevate” the energy by ceremonial magick to facilitate the revival or resurrection of the ancient gods. This is the end of ritual sodomy, which works directly with the individuals involved and through the demonized agents who are hijacked and controlled thereby to dominate and control those who resist the spirit of antichrist.

I found this promotion image on a Code Orange Underground website, which declares, “THE REVIVAL CONTINUES, THE KINGDOM ADVANCES. A TOTAL OF 8 ENCOUNTERS THROUGHOUT 2013 WITH LEADERS FROM AROUND THE WORLD.” You can interpret that now, right?

The last image from the video I want to address is one that speaks the loudest to me, personally. I've written at length about the biblical pattern of the revealing of the lawless one, the Beast John saw rising out of the sea. A particular date on the calendar is embedded redundantly in those accounts. As I've attended diligently to watching over the past 30 years I've seen this pattern manifesting, repeating in the heptadic Shemittah cycles. The following studies may be of interest, with the second being most particularly relevant.

• The Sign for the Bride - 1 of 3
• When Will the Lawless One be Revealed? - The Sign for the Bride - 2 of 3
• The Number Thirteen - The Sign for the Bride - 3 of 3

I believe some will know when the Lord comes and that there's a significant benefit for those who will know. I believe it has been appointed for some among the Lord's people to know about certain of the events and their appointed times, and that our Adversary is also well acquainted with some of that. There are tares in the church, as appointed. The following screenshot from the video bears witness.

January 13 is the thirteenth day of the first month. Granted, it's on the Pagan calendar and not the Lord's, but there's always a twist. Always. This is the day modeled in the Bible, over and over again. It's the one day on the annual calendar, and I'm talking about that one on the Lord's calendar, which I consider THE annual watch day. I know what to watch for, and when to watch for it. I can recognize shadowy models, and this video is just that.

There was a one in 12 chance that this specific date would be featured, but this video isn't random and the odds don't really factor in. Why would they present the image at all? Occult signaling is done on some level for our benefit, for those of us who watch obediently according to the Lord's explicit commands. We need what He shows us.

If the Lord is really lighting this up for you, you may want to get familiar with what's written here, especially what I write about the oikodespotes. Will No One Know the Day?

Code Orange is secret code for advancing the kingdom of the Beast. It is a work of ritual sodomy, a work begun in the Garden that continues for yet a short season.

13 And the Lord saith: Because drawn near hath this people, with its mouth, And with its lips they have honoured Me, And its heart it hath put far off from Me, And their fear of Me is -- A precept of men is taught! 14 Therefore, lo, I am adding to do wonderfully with this people, A wonder, and a marvel, And perished hath the wisdom of its wise ones, And the understanding of its intelligent ones hideth itself.'15 Wo [to] those going deep from Jehovah to hide counsel, And whose works have been in darkness. And they say, `Who is seeing us? And who is knowing us?' ~ Isaiah 29:13-15 (YLT)

1 Wherefore from the Mighty One Times have not been hidden, And those knowing Him have not seen His days.
13 They have been among rebellious ones of light, They have not discerned His ways, Nor abode in His paths. 14 At the light doth the murderer rise, He doth slay the poor and needy, And in the night he is as a thief. 15 And the eye of an adulterer Hath observed the twilight, Saying, `No eye doth behold me.' And he putteth the face in secret. 16 He hath dug in the darkness -- houses; By day they shut themselves up, They have not known light. 17 When together, morning [is] to them death shade, When he discerneth the terrors of death shade. ~ Job 24:1, 13-17 (YLT)