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Saturday, March 27, 2010

Part 7 - What does the Olympic Rings logo really mean?

In the context of the featured "Olympischer Fackellauf" poster, the Olympic rings logo adds the important symbolic element that is the unseen ring. In the last post I wrote that this imagery exposes some profound connections between the antichrists Adolph Hitler and Barack Obama. In a very real sense, Obama has picked up where Hitler left off, as when one receives the flame in the Olympic torch relay. The poster tells the story of how the torch relay is about the dawning of Apollo, which continues to develop what the Olympic Rings logo really means.

When I began this series of posts I showed how the Olympic rings logo is an obfuscated occult pyramid, one whose outline is filled with 5 rings and inverted. This pyramid, as every occult pyramid, signifies the anti-Messianic kingdom of the anti-Messianic Beast. The unseen ring is the capstone of the pyramid, the Beast, with an identity that has persisted through the ages as Apollo, god of Sun, son of Zeus. The unseen ring involves the incarnations of Apollo. Through historical observations and the imagery of this simple poster, two of these incarnations may be identified as "Apollo Hitler" and "Apollo Obama," inheritors of the spirit of antichrist, bearers of the torch of Olympism.

I'm going to share a little more insight into the poster's image of the temple. At the bottom of the poster, under the temple is a line, and under the line is a featureless expanse. The line represents the horizon, separating heaven above from earth below. All the features of interest are above the horizon, which tells us we are to see this from the heavenly and supernatural perspective. That which is not heavenly has no interest, it's featureless. With the altar of Zeus, it's not until you climb the steps and ascend fully to the level of the altar that you arrive on the plane representing the heavenly. Until then, you are merely traveling the "mecillah" viaduct and stairway to heaven. This heavenly scene's visual focal point is the light source, the incarnation of Lucifer/Satan/Zeus in Apollo - the unseen Sun ring.

The scene presents us with a natural symmetry, balancing two images of a single temple as when you see a mountain reflected in the still waters of a lake. Do you recall how I folded the Vancouver 2010 poster to expose the green headed Osiris as the capstone on the pyramid rings? Well, if you fold the fackellauf poster on the implied "reflective surface" and hold it up to a window to let the light shine through, this image on the right is what you will see. The two temples are overlaid: They are one. The rings' height precisely matches the full vertical span of the Heaven and Earth of the temple of Zeus, revealing the Olympic rings logo as symbolic of the union of Heaven and Earth, the heavenly and earthly! Yes, this is yet another witness bringing forth the redundant testimony of the serpent Lucifer's plan to raise up his offspring through the union of the sons of god with the daughters of men!

The incredible image of the folded fackellauf poster still lacks the capstone, the completing Sun ring. Can we identify it? Anyone who attended one of the massive Nazi Party rallies in Nuremberg or saw one of the images given broad distribution could have done just that with a visual association that seems to me rather obvious! Consider the Zeppelintribüne version of the Temple of Zeus. (from a postcard, 1938)



The sun ring is revealed with the glorious Sun wheel/solar cross in its exalted setting. Here before you is the signification of Apollo, risen to preside over the temple, with a multitude of worshipers prostrate below and the priesthood between them, serving in their intercessory roles. Hitler filled the role of high priest (after the manner of Aaron, not yet Melchizedek, comparing the counterfeit to these patterns of the genuine), filled with the spirit of his god, acting as his anointed servant and mouthpiece. The authority with which he spoke and acted was genuine. He was an incarnation of Apollo god of Sun, son of Zeus - an antichrist.

"For nighttime Party Rallies, Albert Speer designed a "Lichtdom," or Cathedral of Light around the Zeppelinfeld. The beams from 120 Army flak searchlights around the periphery of the field went thousands of feet into the night sky." (Nürnberg Part 2 - The Nazi Party Rally Grounds) The Sun ring, illuminated, shines brightly! This cathedral of light / temple of Sun god was ringed about with 120 beacons of light radiating into the heavens. Could this signify one for each of the 3x40 years in the life of Moses, perhaps, fulfilling what was necessary to prepare for the dawn of the promised homeland and Third Reich? This may be found to portend the coming anti-Joshua (anti-Y'shua, anti-salvation, antichrist Beast), whom, it appears, Hitler presumed himself to be.

Earlier, in 1935, the Zeppelintribüne had a different set of symbols presented as the unseen ring. The Parteiadler, or Nazi Party eagle, (also found on Hitler's personal standard) is secretly the esoteric phoenix that rises in endless cycles from its own ashes into a new bodily incarnation. The phoenix, emblem of the Osiris/Horus transformation in regeneration, is seen here bound to the lesser version of the solar cross. By 1938, these had been replaced with the greater version of the Sun disk, ringed about with a wreath of gilded oak leaves like the scaled serpent dragon ouroboros, the being of light that is Lucifer.

The flame lighting and "Olympischer Fackellauf" were instituted in association with the 1936 "Nazi Olympics," and it was widely recognized that Nazism and Olympism rode upon each others' backs. Was there some greater anointing upon Hitler during that season, marking a transition in spiritual authority and, perhaps, a change of identity, according to divine appointment?

Here's another image of note, from Berlin, 1936. "The Olympic Stadium, designed by Werner March, remains much as it was in 1936 (on the exterior), although the Sonnenrad (Sun Wheel) symbol has been removed from the right-hand tower" (Berlin -- Reichsportsfeld and 1936 Olympics Site) This picture shows the Olympic logo suspended between the two towers and the Sonnenrad (Sun Wheel) symbol that was later removed - because all swastikas had to be removed by decree of law (Strafgesetzbuch § 86a).

It should be noted that any established religious institutions that featured the swastika as native to their religion were exempt from the ruling. The removal of the Sonnenrad from the Olympic Stadium reveals that the temples of Olympism were not granted the same exemption that was given the temples of the Hindu and Jain. Even though Pierre de Coubertin, the founder, had plainly declared that Olympism was indeed a religion ("The first essential characteristic of ancient and of modern Olympism alike is that of being a religion.") the Olympic Stadium was stripped of its Sonnenrad. This emblem of Apollo had become so closely associated with Hitler and Naziism that it had to go. One of the results of this action has been to secularize the public perception of Olympism, which has continued to this very day. Yet, those who perceive it with eyes that see recognize the temples of Zeus and the hell-bent IOC for what they are, aware that these are destined to birth Apollo anew.

The swastika, ringed about or superimposed on a disk, is a Sonnenrad. Hitler took unto himself the Sonnenrad thereby branding himself as an incarnation of Apollo, the very Sun god honored by Olympism!

While the public display of the swastika has been restricted since WWII, the powerful imagery is so essential to the Satanic family plan that it will persist until Apollo arises and fulfills his destiny. The image seen here on the left is that of the Ananda Marga, a "New Age" religion founded in 1955 - an image that will speak loudly to those of you who have become educated in the arcane symbols of triple-helix ascension and regeneration.

More to come, Lord willing!

Thursday, March 25, 2010

Part 6 - What does the Olympic Rings logo really mean?

When we know what the Olympic rings logo signifies we can better understand what is signaled in the varied contexts where we find it. The logo's appearance on the "Olympischer Fackellauf" poster (Olympic Torch Relay - Berlin - 1936) speaks volumes to me! Interpreting the symbolic imagery exposes some profound connections between the antichrists Adolph Hitler and Barack Obama.

Links between these two have been made by many in the past couple of years, most recently with regard to this week's passage of the ObamaCare bill that echos the Nazi Aktion T4 program. Obama's leadership of America follows the pattern of Hitler's leadership of Germany. The occult signaling of Satan's plan reveals that Obama has picked up where Hitler left off. The symbols bear witness to this, validating what many suspect and what some know by revelation insight. Behind these two lies another, even Apollo.

When you consider only the blue elements of the "Olympischer Fackellauf" poster you perceive an early morning scene. We can identify the western face of the Temple and altar of Zeus, which has been in Berlin where those Olympic games were being held. Looking eastward, we see it in silhouette against the brightening sky. Dawn approaches, and the rising Sun in this context represents the dawn of Apollo.

Consider the following prayer, offered by high priestess Maria Nafpliotou in the Temple of Hera on October 22, 2009. "Apollo God of Sun and the idea of light send your rays and light the sacred torch for the hospitable city of Vancouver and you Zeus give peace to all peoples on earth and wreath the winners of the Sacred race." The cauldron flame was then lit by means of focusing the rays of the Sun using a parabolic mirror. Ritually, Apollo, God of Sun, answered their prayers. This lighting of the torch initiated the "sacred" (unholy) "fackellauf" that carried the flame to Vancouver's cauldrons.

Olympism's spiritual light comes from Apollo. His presence is suggested in the poster's imagery by the way the scene is lit. The gradient lighting presents the dawn of "Apollo God of Sun and the idea of light." Relative to the temple and altar of Zeus, we're presented with a view that anticipates Apollo's coming to his temple. Relative to the Olympic rings, Apollo god of Sun should be understood as the unseen ring's identity.

Here are some passages of scripture that relate to both the genuine and counterfeit events in view. 2 Peter 1:19, Malachi 4:1-3, Psalm 19:1-6, Zechariah 14:4, Ezekiel 43:1-5, 2 Thessalonians 2:1-12, Revelation 13:1-10, Luke 11:33-36

It can be said that both Hitler and Obama are keepers of the flame, fellow torch bearers. These two men, renowned for their elaborate and carefully attended personal branding, even share the "Apollo Brand" in Obama's sunrise logo and Hitler's "sun wheel" or "solar cross" swastika! I'll elaborate shortly, but let me state plainly that Apollo god of Sun has not yet dawned in his ultimate incarnation. While Hitler and Obama have borne the torch that was carried in ages past from the "mountain of the gods" by such as Nimrod, Nebuchadnezzar, Antiochus Epiphanes and Nero before them, this torch relay that is the greater Olympischer fackellauf has not yet reached the flame's final destination. One who was and "is not" awaits the dawn.

The occult imagery presented by the IOC is as richly endowed with meaningful symbols as anything I've seen put out by the likes of the Roman Catholics or any secret society. It's the nature of symbols to both conceal and reveal. When we consider the fackellauf poster's stylized temple some startling "dots" are presented that invite "connection." I perceive in this a number of literal temples that each, while themselves genuine, represent a greater spiritual reality. This is the same kind of modeling that is known by students of the Bible. The tabernacle built in the post-Exodus wandering, and, later the Temple built on Mt. Zion in Jerusalem, were constructed according to the pattern shown to their builders by the Lord God. The earthly versions were genuine and Yahweh was present, but these were temporary and symbolic of a greater and lasting spiritual reality and construct.

The temple and altar of Zeus pictured in the poster represented what was then becoming known as the Third Reich. It is the counterfeit of the "Millennial Reign of Christ" when Y'shua HaMashiach will rule, enthroned as the King of Kings.

Some versions of the temple of Zeus are the:

  • Acropolis, Mount Olympus, Greece - destroyed by the Roman Theodosius II in 426 BC.
  • Pergamon - moved from the ruins of the ancient Greek city's acropolis in what is now, Bergama, Turkey, to Berlin, beginning in the 1880's. This is the one referenced in Revelation 2 as the seat of Satan. The Great Altar of Zeus was built by Eumenes II, mentor to Antiochus IV Ephiphanes, the Seleucid king of "antichrist" notariety.
  • Zeppelintribüne, Nuremberg, Germany - declared by the architect Albert Speer to be modeled after the Pergamon altar, for use in Nazi party rallys and large scale pageantry. This version was flanked by a pair of torch cauldrons, which was according to the pattern of the Temple of Zeus on Mount Olympus.
  • DNC stage in Mile High Stadium, Denver, CO - built in 2008 as the stage set for Obama's acceptance (8/28/08) of the DNC's nomination for presidency.

I doubt anyone would dispute that the stylized temple of the poster relates to the Pergamon altar of Zeus in Berlin. There is an obvious association of Berlin with Mount Olympus. The ancient temple from the Greek city Pergamon ranks among Germany's most highly prized cultural acquisitions. The horses on the flanking columns strengthen the association. The other poster from the Berlin Olympics of 1936 picked up the horses and rooftop of the Eastern face (See image on right - "rear side") of the Pergamon temple. Yet, the stylized version isn't an exact match. The raised center section suggests the Zeppelintribüne version, which Speer built on a larger scale. Nuremberg's Zeppelintribüne was in use at the time of the 1936 Olympics in Berlin, but still under construction.

Ok. Now, I'm going to present a series of images. These feature the Altar and Temple of Zeus.





More to follow - Lord willing!

Tuesday, March 23, 2010

Was the ObamaCare bill action of March 21 signaling an "Illuminati human sacrifice"?

Sometimes I keep watch for certain kinds of events to happen on certain days, based on historical patterns. This past Sunday, March 21, is one claimed to be a day the Illuminati (occult elite) require ritual human sacrifice. While I have no first-hand knowledge of such a thing I have noted how the "Satanic" calendar is closely observed by those who genuinely and sincerely serve him. I wrote not long ago presenting rather convincing evidence of Joseph Ratzinger being elected Pope Benedict XVI in fulfillment of such an appointed day. (See Who is Pope Benedict XVI? The Pope's Election was a "Baptism" on the Day of the Satanic Calendar's "Bloody Sacrifice to the Beast") I think the ObamaCare bill action of March 21 probably was an "Illuminati human sacrifice" signal!

Why would the lawmakers on Capitol Hill put forth such an effort late in the day on a Sunday to push the "ObamaCare" bill "over the hump"? This is the legislation some compare to the Nazi euthanasia program Aktion T4. It was the day claimed by some to require human sacrifice. It was made under the goddess Persephone, god of the underworld, on Capitol Hill inside the city's largest occult owl, which is far bigger than the one honored in the Bohemian Grove. Maybe this is simply the kind of "coincidence" that compares to what some have noted about the World Trade Center situation from 9/11/2001? Right. Unlikely. What seems likely is that this will advance their well documented population reduction agenda on the way to the eventual implementation of the mark of the beast.

Here's an article put out by AP, titled Obama order on abortion locks in health care votes. Mar 21, 4:20 PM (ET) "President Barack Obama and House Democratic leaders struck a last-minute deal Sunday with abortion foes to secure the final few votes needed to remake America's health care system, writing a climactic chapter in a century-old quest for near universal coverage." The author later writes, "Over and over, Democrats stressed the historic nature of the day." Make note of that day, March 21.

I noted with interest the writer's reference to some who resisted the lawless proceedings as "abortion foes." Propaganda is a funny thing. What does that make those with no regard for human life, "abortion friends"? I noted that the word "Slaughter" appeared twice. Just a name, or a sly signaling? Has anyone had the expression "hell-bent" come to mind lately with regard to the ObamaCare effort?

I recommend reading The Slaughter Solution by Joseph Herrin for more insight.

Saturday, March 20, 2010

Part 5 - What does the Olympic Rings logo really mean?

To really grasp the meaning of the Olympic Rings logo it helps to see it in a broad range of contexts. What I see more and more clearly as I continue to study and learn is that its symbolic testimony of the one world antichrist-Beast religion referred to by Pierre de Coubertin as Olympism builds upon the foundation of numerous foreshadowing constructs. These constructs, that range from entire civilizations and empires to passing movements, each serve the ideal of Olympism, preparing for the incarnation of Apollo and his ascension to the throne that counterfeits the coming appearance of the true Messiah.

The posters I'm covering in this blog that relate to the 1936 Summer games in Berlin tie some of these shadow forms of Olympism together, especially this one you see here. It's titled "Olympischer Fackellauf," which translates to "Olympic Torch Relay." This one, like the one featured in the previous post, focuses our attention on the unseen ring.

Those of us who play "connect the dots" will find plenty here to play with! Some of what is found linked together in the symbolic imagery isn't generally thought of as being connected, but, when you compare feature to feature it's really obvious there's lots in common, even a supernatural source.

This "Olympischer Fackellauf" poster's design draws our attention to focus upon where a sixth ring would complete the pattern of the five rings. The torch rests upon this ring that "isn't" there. The gradient lighting of the background suggests that the unseen ring is the true source of light, not the flame of the torch. The unseen ring graphically connects the torch with the Temple and altar of Zeus, a structure that has a very notable history; ancient, not so ancient and very recent. I'm shortly going to be showing you the "unseen" ring I just introduced, Lord willing, as it has been presented in some very dramatic contexts! However, before I do, the balance of this particular post is dedicated to a couple other elements.

First, there is the requisite procreative feature. The phallic torch with the flame of Zeus is pictured penetrating the arrangement of rings that's redundantly identified as female by the downward pointing delta and the vesica piscus. Now, if there's any humor to be found in the Olympic torch relay it's related to this "love story" and involves the expression "carrying a torch." The idiom is usually heard in the context of a song, where the person singing is in love with someone and that love is not returned in kind. The striking reality of the "Olympischer Fackellauf" is that those who "carry the torch" for Zeus and Apollo are truly unloved by them! This observation isn't of an irony, actually, since there's no contradiction or incongruity here - it's just the "nature of the Beast," to use another applicable figure!

An important connection to Superman can be seen in this poster's imagery in the color scheme and shape of the rings. If you've been following this blog for a few months you will find the blue and red motif of the poster familiar. These colors of the heart frequently appear together in occult symbols with the heart's accent color, yellow or orange. The rings on the poster don't appear in the usual five color array but only in red. As the rings are in the shape of a downward pointing delta and red in color, when placed upon the blue background it resembles Superman's shield.

The "Olympischer Fackellauf" poster from the 1936 might not have been designed with Superman specifically in mind (The character was introduced in 1932 but it wasn't until June of 1938 that Superman was popularized in Action Comics #1.) but it should be apparent that the inspiration for both comes from the same source. They share a common meaning and purpose. (See Superman and Metropolis, the great merchant city)

Some very interesting connections should be drawn between Superman and Hitler's Nazi Third Reich. In 1932, Jerry Siegel and Joe Shuster created the fictional character Superman. In that same year, Hitler implemented the Lebensborn program, which was intended to be the "spring of life" for the Master Race. The program that involved Superman (or, Übermensch) was all about selective breeding with the intent to spawn a "superior race which was intended to rule the earth during the Nazis’ so-called “Thousand Year Reich”." (Hitler's Supermen) That this was a serious undertaking is underscored by the number of offspring produced under the Lebensborn program, a claimed 42,000!

What might seem like an ironic twist in this comparison is the fact of Superman's strong Hebrew roots and Hitler's antisemitic bent. However, not all who lay claim to being a Jew or a Hebrew honor the sovereign Lord God of Abraham, Isaac and Jacob.

Another very interesting link between Superman and the Nazi party is the city called Metropolis. While most associate this fictional city with New York City, Toronto or one of several others, if you've ever seen the most expensive silent film ever produced, titled, Metropolis, you would be busily connecting some dots for some time to come. The film was written by a Mr. and Mrs. Fritz Lang as a screenplay in 1924. Based on Thea von Harbou's (Mrs. Lang's) thesis, another version, a novelization, was produced in 1926. The film produced in 1927 was one with which the Nazi party had considerable fascination. Rent it on Netflix sometime and you'll see why. The primary author, von Harbou herself, became a passionate member of the Nazi party in 1933. The inspiration for the musical score is partly attributed to the music of Richard Wagner, beloved composer of the Third Reich. I noted with interest how the film was produced in the Babelsberg Studios.

In closing, I want to share how my eyes were opened yet again today to see some really surprising insight about the "unseen ring" and just how and by whom it has been presented. Coming soon - Lord willing!

Thursday, March 18, 2010

Part 4 - What does the Olympic Rings logo really mean?

The Olympic Rings logo is an occult symbol that conceals and reveals a very dark secret. This secret is that which has been known to and closely guarded by the elite priesthoods of the mystery religions and the most trusted among the secret societies of every culture through the ages. That is the conclusion that must ultimately be drawn by students of the symbolic meanings of the artifacts and historical accounts passed down through time. Given how powerfully influential the Olympics have become, what does it mean that Olympism is a religion dedicated to the fulfillment of this dark secret?

If one takes an honest and critical look at the world today and tries to recognize the nature of what is pictured in the Bible as a "one world religion," one stands out from among the others: Olympism. To what other temple do the nations come, together as one, to worship at a common altar? We have to ask whether Baron Pierre de Coubertin's vision is quietly fulfilling Bible prophecy while everyone's attention is turned elsewhere.

While I've already given some attention to this subject matter there are some more examples to be presented that will help you learn to read the secret testimony where it has been concealed. Among these examples are two posters that imply the sixth ring of the Olympic rings logo, both from the 1936 Berlin "Nazi" Summer Olympics. I'll address the first of them in this post.

I'm wondering if this poster that features the Brandenburg Gate with its Quadriga  might actually have a white ring completing the delta/pyramid. I can't tell because it would be hidden behind (or inside) the head of the golden giant Olympian (which is apparently intended to represent Apollo). The positioning of the rings relative to the head suggests that the unseen ring is the third eye. That would be the eye that is the lamp of the body (Luke 11) of the capstone head.

Let's turn that pyramid right-side up. Now it's obvious. Now it resembles the "folded" version of the Vancouver 2010 logo!

The golden god sure has a glowing look to him. I suspect Aleister Crowley really liked this poster, who wears in a popular photo the glowing capstone as an illuminated third eye.

The Olympic posters I've considered at length all seem to have some procreative feature. This one has the essential procreative feature in the iron cross inside the laurel wreath on the staff being held by the goddess Victoria, who is driving a chariot drawn by four horses.

The interpretation of the cross features the individual vertical and horizontal elements, plus their intersection. With regard to the great and dark secret of the ages, the vertical represents the heavenly male, the sons of god. The horizontal represents the earthly female, the daughters of men. The intersection of these two represents their union that results in the conception and birth of offspring.

"In classical mythology, the quadriga is the chariot of the gods; Apollo was depicted driving his quadriga across the heavens, delivering daylight and dispersing the night." Quadriga - Wikipedia
In this poster, you can't see Victoria's wings or discern that she is female, which suggests that there is actually a single god in view, pictured twice; Apollo. This view is supported by the fact that the Brandenburg Gate's design is based upon the Propylaea, which is the gateway to the Acropolis in Athens, Greece. Such an exalted element as the primary "stargate" - the access portal to the home of the gods - should honor no less than Apollo himself. Indeed, it's really his symbol that appears on the staff. An iron cross inside a laurel wreath is a sonnenrad, a solar disk and sun wheel - the sign of Apollo! The eagle that holds the sonnenrad in its talons is the family mascot, of Zeus, Apollo's father.

Notice how the procreative symbol is pictured in that poster from an angle where it is separating the four horses to mark off three and one. Hmmmmm. As the very kind of sign I've been looking for, it speaks to me of the critical link that establishes the dating of the week of years (Daniel's "seventieth") that is so very, very important! Is this another confirmation signaled through the agency of the Olympics? If so, the poster's imagery points to the year 2012, the year Tom Horn has identified as the secret of the Great Seal's pyramid's time code! It is also the year of the London Olympics, about which so much has been signaled!

Does it surprise you to see the same agenda signaled in today's Olympic imagery from way back in 1936? Here's a promotional poster from the Paris Olympics, going all the way back to 1900. The circle and rectangle are female and male, respectively, but notice how the female figure is positioned relative to the Eiffel Tower. Imagination is hardly required to see the procreative aspect. Maybe it's just me, but subtlety just doesn't seem to have been factored into the design with a very high priority. The designers of that crude poster could have taken a lesson from the folks responsible for the erection of this member seen during the Vancouver 2010 closing ceremony, presented here in one of their official "highlights" images. See. Now that's subtle.

The occult Olympic imagery is all about procreation and the mark of the Beast. It's not that the IOC is obsessed with sex, but the hybrid offspring must be brought forth in fulfillment of their god's agenda, and the continual signaling of this secret is a vital means to their end. Is this beginning to make sense to you? Do you see why the same message is being proclaimed over and again, saturating the environment with symbols, with versions of every kind?

Monday, March 15, 2010

Part 3 - What does the Olympic Rings logo really mean?

So far in this series I've shown how the Olympic Rings logo testifies of the Beast and the mark of the beast. This meaning is presented redundantly, on one level after another. It also matches exactly the witness of the Beijing closing ceremonies, from both the Chinese and the London presentations. Before I wrap up this brief series of posts I intend to propose a perspective on all this you probably haven't yet considered. But first, here's a few more observations to ponder.

Now, here's a remarkable thing. The Olympic rings logo appeared in a field of crops in the UK not long ago. That's not the remarkable part - it was done as a publicity stunt.

"We received a call from the top selling UK tabloid newspaper The Sun which has a daily readership of 8.5 million people. They wanted to put together a PR stunt to help raise the profile of their campaign to have the 2012 Olympic Games held in London, so we agreed to make the Olympic logo crop circle which consists of 5 interlocking rings in a field in Wiltshire for them." (Circlemakers)

If you follow this blog and what I've written about the Beijing Olympic ceremony signs you should know the crop signs factor in when the larger scope of supernatural signage is considered. This one does too! The version of the Olympic logo they produced is an interesting variant.

The Olympic rings are usually found within a rectangular (male) area, like on the flag or a banner, but the crop sign rings are inside a circle (female). Add to this the female vesica piscis and female downward pointing delta. The design was made in a crop of barley, which is the grain symbolic of the female Bride of HaMashiach, biblically. Crops are all about bearing fruit, so what do we make of this sign? The crop circle brings to my mind the image of a human egg, fertilized, undergoing mitosis. Do you see the resemblance?

Now, here's something that might really boggle your mind. Who was responsible for making this sign? The Sun! Get it? The (anti-Bridegroom father Zeus, source of the Olympic flame) Sun! Think about it. Let it sink in. This version of "The Sun" is a tabloid, but not The Word Himself (John 1). This version of the Sun is of the UK, the United Kingdom, but not the kingdom united under the true King of Kings. What kind of offspring do you think are in view?

As signs go, some might seem to be a stretch or based on rather flimsy evidence, but this one really has to be considered as "over the top!" Do we get the message?

I think we're going to discover that the "aliens" (deceptive demons) really did back their bid! London in 2012 - the Summer Olympics - will it be everything it is hyped to be? We'll soon see! Watch with me.

Yet more coming, Lord willing!

Sunday, March 14, 2010

Part 2 - What does the Olympic Rings logo really mean?

Where did this evil logo come from? It was designed in 1912 by the Jesuit trained Pierre de Coubertin, the man I introduced in an earlier post as the founder of the modern Olympic Games. The rise of this symbol's popularity came in association with the 1936 Summer Olympics in Berlin. It was famously used by the Nazis to promote the Third Reich. It was at these same games that, through Nazi influence, (Carl Dium) the tradition of lighting the flame on Mt. Olympus by the sun and running the relay through different countries began. Hitler and the Nazis knew their occult symbols, to be sure! Pierre de Coubertin had one ready that was fit for the task!

When Pierre designed the logo he not only chose the form of the pyramid but was also inspired to use elements that individually identify the body of the pyramid as the peoples of the whole world, and collectively identify them as those who receive the mark of the Beast. The rings, their colors and the way they are connected represent all the people of the world, linked together, and undying!

The colors chosen represent the five inhabited continents of the world, with the blue, yellow, black, green, red (on the white background), according to De Coubertin, standing for those colors that appeared on all the national flags of the world at that time.

In number as in color, the rings represent the five inhabited continents of the world, according to De Coubertin, "the five parts of the world which now are won over to Olympism and willing to accept healthy competition."

The association of all the people of the world with the number five is biblical. I've observed that the popularly misrepresented sign of The Feeding of the Five Thousand is a prophetic type of the feeding the bread of life to the whole world. The bread of life (John 6) is the son of God, who came down from heaven. Zeus/Satan is well aware of this, inspiring De Coubertin's five elements of the Olympic logo that present the anti-bread from heaven being fed to the whole world!

This meaning of the logo's five rings becomes quite clear when you grasp what was meant by de Coubertin's use of the term, "Olympism," as when he explained the five rings as signifying "the five parts of the world which now are won over to Olympism." Consider an excerpt from the book "Philosophy of Olympism" by Ljubodrag Simonovic. "As far as the relation between Olympism and religion is concerned, Coubertin, unlike many of his followers who try to conceal the true nature of modern Olympism, is crystal clear: "The first essential characteristic of ancient and of modern Olympism alike is that of being a religion."" So, if we can simply accept de Coubertin's own explanation, the five rings of the Olympic logo represent the nations of the world that are won over to the religion called Olympism.

His declaration of the meaning of the colors as those of every national flag compares to the other statement he made about the number five, that it represents the five inhabited continents of the world. Obviously, the scope of his vision for Olympism is global and totalitarian.

I recommend that you read at the very least, the "Olympism as a Positive Religion" section of Simonovic's book, to give you a perspective on the Olympic phenomenon of today as one that has followed a charted course.

When the five rings of the truncated pyramid body are summed with the one of the completing capstone, the six of the completed pyramid represents the completed man, whose number is six.

We find a similar testimony on the obverse side of the great seal of the U.S. When the double deltas are traced in the glowing array of 13 stars a significantly numbered configuration appears. Seven stars are encircled by a ring of six! The seven, representing spiritual perfection, or, divinity, is inside the six, man. This is the higher level of the completed man, represented in the Olympic rings via its numerous levels of symbolism. In this we see the union of the sons of god with the daughters of men, the serpent's offspring produced through the mark of the beast!

As for the interlocking rings themselves, the origin of these symbolic elements can be traced back to Carl Jung. Yes, that Carl Jung - the one who wrote that, "The psychological mechanism that transforms energy is the symbol." According to Carl, the ring meant continuity and the human being. What is the ring, then, but the symbolic image of a human with continuity, undying, with eternal life? The ring portends the triple helix transformation I've been blogging about for a few months that will counterfeit a resurrection body! The ring is as the ouroboros. Looking around at the state of things today, I have to say Jung's belief about a symbol being a psychological mechanism that transforms energy is pretty well validated. Wouldn't you agree?

The interlocking of the rings speaks of these things:

  • The marriage bond, as between the anti-Bridegroom and anti-Bride.
  • Linked and locked together, the freedom of the individual to act independently of the others is limited.
  • The interconnection of those who receive the mark of the Beast. This is the connection established between an individual and the others connected into the Beast network. This connection enables the interaction referred to in the NCR.com slogan, "Experience a new world of interaction." (By the way, they now have a new marketing sequence of three scenes. Perhaps the previous version was just a bit too obvious? Perhaps they didn't appreciate the exposure?) This creates a brotherhood of man infused with the same family DNA. Those connected are grafted into the bad tree, permenantly.
  • The female, identifying the daughters of men. The symbol created by the linked rings is a version of what's referred to as the vesica piscis. Because the shape resembles the female vulva it's recognized as another symbol of the female.

The formation of the "female" vesica piscis highlights another signification of the Olympic rings logo. The form created by tracing around the outside of the rings is that of a downward pointing delta, the daughters of men symbol. The four vesica piscis add to the downward pointing delta to present a redundant testimony and amplify the magnitude of the symbol's influence.

What does the standard presentation of the Olympic rings on a rectangular white banner mean? The white rectangle (male) represents the divine sons of god, so, yet once more, it's the occult presentation of the sons of god with the daughters of men. Redundancy. I think we're beginning to catch on to what the Olympic rings logo means!

More coming, Lord willing!

Friday, March 12, 2010

Part 1 - What does the Olympic Rings logo really mean?

To many people, the Olympic games are all about athletic competition and national pride. Those who take a close enough look at the games and the IOC, their governing body, become aware that the competition is merely a vehicle for the promotion of the worship of Zeus and the return of his son. The IOC makes no attempt to disguise the fact that they are entirely pagan yet they operate primarily in the ways of the occult as they accomplish their agendas, which are the secretive and devious ways of their gods.

Their logo is an occult symbol that is seen nearly everywhere during the increasingly frequent seasons of Olympic games. Some time ago I began to ponder what their logo really meant. I knew the official explanation fails to reveal what's most important. I could tell it had to be a very powerful symbol because it was so exalted and ubiquitous! Well, finally, I get it! It's the pyramid! Sure, it's obfuscated, and there's more to it than just that - but that's what it is!

The five Olympic rings are the truncated pyramid, flipped upside down so as not to be too obvious. When you flip it "right side up" you see the familiar form without a capstone!

The capstone is not there, but yet, it's there very subtly by inference. The background is white. A white ring is "unseen" against a same-color background. With an understanding of colors and with some consideration of the symmetry of the rings' color pairings you discover that following the pattern that emerges leads to the matching of the black ring with an opposing white one, completing the pyramid! The condition in which it lacks a capstone gives it an unbalanced dynamic. The image as designed and presented seeks completion, drawing us subtly, subliminally, to complete it.

This pyramid that is so popular in occult iconography was recently addressed at length in this blog as the hidden symbol of the Vancouver cauldron. It's the body and temple of the Beast of Revelation 13:1. The pyramid presented in the Olympic rings logo as "wanting a capstone" (wanting - as in both "lacking" and "desiring") advances the agenda of the IOC. It subtly prompts our interaction, inviting us to focus on the objective that is to set the capstone in place. This is a set-up for accepting the beast and the mark of the beast.

With this logo's simple design they are leveraging principles of influence, some of which are known as priming. Ultimately the reasoning facilities of the people so influenced are set aside when the time comes to make the decision to join with the Beast and his body-network. The spiritual dynamic suggests there is a demonic spell cast through this symbol. The symbol is ubiquitous, and while some consider it merely clever branding it is far, far more than that!

I've been aware for a long time that the Lord sometimes directs His people to avoid the Olympics and everything related to them. In such a way, the Lord lovingly protects them by limiting their exposure to the considerable danger. In this series of blog posts where I present so many of these wicked symbols, it would be wrong to present them except as directed to bring them into the light, exposing them. This nullifies their effect and sets people free from the controlling spells and demonic influence. Occult symbols are not to be considered lightly.

Consider this view of the Vancouver 2010 logo. If you printed it out, folded it, and held it up to the window so the light could shine through, you would see something like this. See the capstone on the pyramid! The green head of the stylized inunnguaq represents the son of Zeus, aka the green-skinned Osiris, head of the Beast body, as presented in this recent post.

More coming, Lord willing!

Tuesday, March 09, 2010

Vancouver Olympics - Part Five - "There are Three Things - Even Four"

Having addressed the "mark of the beast" messaging of the "three things, then four," signaled by the "apparent technical malfunction" of the Olympic cauldron assembly in BC Place, I'm moving on to the next level of messaging. Heads up - this one's a keeper.

While I was studying and writing about the Beijing Olympics there were a number of symbolic elements the Lord had prepared me in advance to recognize and understand, having given me clear and particular insight some years prior to those Olympics. For example, when I saw the Londoners forming a human viaduct, I knew exactly what was being signaled because of the peculiar way the pattern had been made very meaningful to me! When the BC Place cauldron was fully assembled and I realized that it had gone from being a three-legged structure to a four, I recognized a pattern I had been prepared to see and had been watching for since 2008!

Here's the key verse.

Truly, truly, I say to you, a rooster will not crow until you deny Me three times.
John 13:38

Make sense? Right. Of course not. Let me explain.

Back in May of 1991, the Lord began to open to me a series of things related to His coming. Just prior to that, in preparation for this season, the Lord had basically hit my reset button, changing our relationship dramatically. He taught me about keys to developing a hearing ear and followed that up with giving me what it is that a hearing ear hears; secrets. Much of what has been revealed since then relates to the meaning of certain key events in the last days, their relationships, sequence and something of their timing. You can read about these things in a series of writings (formerly titled "Beyond the Veil" - and retitled to, When Cometh That Thief in the Night.

In a nutshell, the Lord's coming is marked from the fall of 1991, signaled by a celestial sign on Yom Teruah. That is something of a cornerstone in the foundation. This event, as I discovered in 1999, also marked the transition of the Lord's Shemittah, sets of seven years that have cycled from their beginning with the week of Creation (Genesis 1-2). The pattern of the four being presented in the manner of one added to three speaks to me of the Shemittah, counting off from Yom Teruah of 1991. If it truly means what I think it does, it's a big deal!

You see, I've had this cornerstone or anchor point for the dating system since 1991. As a complement to that, I've received some insight into a particular week of years that involves a sequence of events established at fixed points relative to that week. (Of course, I could be wrong. Yet, with that same honesty I have to tell you I've seen so much validation over the years that I'd have to be crazy to reject it! Some might point out the fact, and would be right in doing so, that I have a history of disappointed expectations, from 2008, 2001, 1994 and 1991. I can only suggest that you accept personal responsibility here and take an "eat the fish and spit out the bones" kind of approach. I'm honestly doing the best I can to make sense of what the Lord is showing me. I pray you are too. Mark 13:37) So, while these two kinds of dating systems are obviously related, the problem I've had is the lack of insight into how one relates to the other. In matters of navigation and building construction, some kind of triangulation is required.

It wasn't until 2008 that such a triangulating link appears to have been provided. The element that links the other two really has to come in the same manner as the other two for me to have confidence in its legitimacy. This had been lacking, but perhaps, no longer. The customary way the Lord works with me is to prepare me to receive a thing, building some kind of expectation. Then comes a revelation insight that is followed by multiple validations. I know some of you can relate to this process. It was on the 13th day of the first month in the Spring of 2008 that what I believe to be the revelation insight came regarding this link. Since then, I've watched for the validating evidence that always follows such insight. The pattern signaled by the BC Place cauldron incident may be the first validation of the triangulating link. If so, I anticipate yet two more to come. Until such a time when I might recognize further validation I have to consider conclusions drawn as speculative. With that said, let's continue!

Truly, truly, I say to you, a rooster will not crow until you deny Me three times.
John 13:38

I understood the revelation given to me through John 13:38 with this interpretation. The three Shemittah accounted from 1991 are typified or prophesied by Peter's denials, who represents the church. The rooster crowing is the sounding of the shofar trumpet and angelic voice announcing a resurrection event. As the rooster crows and awakens sleeping people, some who sleep in death will awaken in new life at the sound of the trumpet. No harvest event will be fulfilled and no sounding of the rooster crowing that announces the event until the three seasons appointed for Peter's denial have passed.

Because of the context in which John 13:38 was received, it meant to me that seven more years would have to pass before the hoped-for events would be fulfilled. We were (and still are at this writing) in the third Shemittah from 1991, and I was watching on the appointed watch day in 2008. What was unfolding at the time was, well, quite promising. What came to me in the spirit with John 13:38 was not what I had hoped for - FAR from it. What I took away from that experience led me very soberly to write, "Batten down the hatches, there's a storm coming," to those who were watching with me at that time. (See "A rooster will not crow until you deny Me three times" April 20, 2008) There has indeed come some notably rough weather, both literal and figurative, and I believe plenty more will come before 2015 rolls around. This is necessary to prepare us, because we are not yet ready for what is required of us. The Lord is good to provide what we so desperately need, and right on time. The Bridegroom will have a Bride, a worthy Bride whose robe is white!

The pattern exhibited in the Vancouver cauldron incident speaks to me of what I received in April of 2008 about where we are on the Lord's calendar. Is it a validation of the triangulating link, setting in position the prophesied Shemittah relative to the cornerstone of 1991? Perhaps! If so, my expectation is that the fourth Shemittah that will begin on Yom Teruah in the fall of 2012 is the one I've been awaiting. If so, the first harvest will follow as appointed in the third day/year as newly ripened barley on the last day of Pesah, 2015 - the Bride Theft! The sign promised to signal that event comes eight days earlier on the thirteenth day of the first month, which is the revelation of the lawless one that is being heralded incessantly by the IOC and the many others who are complicit in this antichrist plot.

You should know full well that the supernatural power directing the Olympic messaging systems has knowledge of things long past and yet future, of deeply hidden things that are unknowable except as granted by the sovereign and one true God. The messages signaled about the year 2012 from Beijing and those I've observed thus far that relate to the host city London's participation validate that observation with what seems like almost excessive redundancy. Consider as you look around you today everything proclaimed to be identifying December 21, 2012 as the significant point of transition for all mankind. Add to that my personal testimony that the year 2012 marks the transition from the third to the fourth and probable key Shemittah from 1991's celestial sign. Connect the dots.

The Olympic flame and cauldron are very important, which you should know from an honest consideration of the first four parts of this series. Could the signaling of the one added to three by way of this cauldron be accidental? While extremely unlikely, even if it were, the sovereign God oversees such things, even the small and large. What must be signaled is signaled. I got the messages. Some will know things that will happen in advance of their scheduled time, perhaps even you and I. I intend to keep watch. Watch with me.

One biblical example that comes to mind when thinking about this pattern of one added to three is how three distinct periods of 40 years passed under Moses, the deliverer, without the children of Israel crossing over into the promised land. After the passing of Moses, Joshua led them in. In closing, here are four passages from Proverbs 30 to ponder.

15) The leech has two daughters, "Give," "Give."
There are three things that will not be satisfied,
Four that will not say, "Enough":
16) Sheol, and the barren womb,
Earth that is never satisfied with water,
And fire that never says, "Enough."

Proverbs 30:15-16

Compare 2 Peter 3.

18) There are three things which are too wonderful for me,
Four which I do not understand:
19) The way of an eagle in the sky,
The way of a serpent on a rock,
The way of a ship in the middle of the sea,
And the way of a man with a maid.

Proverbs 30:18-19

Bridegroom and Bride - the way of a man with a maid - Song of Solomon's lovers

21) Under three things the earth quakes,
And under four, it cannot bear up:
22) Under a slave when he becomes king,
And a fool when he is satisfied with food,
23) Under an unloved woman when she gets a husband,
And a maidservant when she supplants her mistress.

Proverbs 30:21-23

As the Bride-type Esther replaced Vashti? The earth quakes in resurrection!

29) There are three things which are stately in their march,
Even four which are stately when they walk:
30) The lion which is mighty among beasts
And does not retreat before any,
31) The strutting rooster, the male goat also,
And a king when his army is with him.

Proverbs 30:29-31

Compare Revelation 19:11-14

Truly, truly, I say to you, a rooster will not crow until you deny Me three times.
John 13:38