Odds and Ends

One of the trending themes of the day is the exodus. I've paused the series on the exodus, Israel's wandering and the water crossings to add support with a series on the symbolism of the numbers 12 and 13, but a return is expected, picking up right where I left off in part 5.

Refugee flooding over borders is causing social and economic crisis in the US and all over Europe.
An exodus of biblical proportions (Joel News)


The language also appeared in an article about the Burning Man event in Nevada's Black Rock Desert - with a amplified time number.
70,000 prepare for mass exodus from desert back to civilization

The lyrcs of a song written by Bob Dylan came to my attention a few days ago. (Thanks Katherine for the timely submission.) Mr. Dylan was either channeling it (divining, streaming communication through demon possession) or he was writing from a well spring of Luciferian illumination.

Bob Dylan – Ring Them Bells Lyrics (excerpts)

Ring them bells ye heathen from the city that dreams
Ring them bells from the sanctuaries cross the valleys and streams
For they're deep and they're wide
And the world is on its side
And time is running backwards
And so is the bride.
...
Ring them bells for all of us who are left
Ring them bells for the chosen few
Who will judge the many when the game is through
Ring them bells for the time that flies...

About bells and their ringing, one of the most popular studies on TheOpenScroll.com is, Bells - Supernatural Enchantment and a Biblical Perspective. Are you familiar with it? The bell (glocke) is related to time (clock), like how the words are related. Mr. Dylan is considered to have gone through a Christian period, yet the fruit of a serious compromise remained. That illuminated singer and songwriter publicly confessed to having made a deal with the “commander in chief” to get where he was, confirming what he meant by indicating that he went to the crossroads in an obvious reference to Robert Johnson's legendary deal with the Devil.

One of the weird signs of the season has to do with a controversy over the name of a children's book. We remember it as the Berenstein Bears, but the objective evidence indicates that it has always been spelled, Berenstain Bears. How can you argue with the plain evidence? Well, because we're not confused about how it was always spelled and pronounced. Somehow, the spelling was changed. Yes, it's possible, and we see in this controversy evidence of some kind of time manipulation. Why it was done is perhaps as a test to see if it could be done and what the result might be, but I can't really say I know why. One has to wonder what other kinds of changes have been made, with what results, and how long this kind of thing will be permitted before time is locked down in a reset.

I was shopping in Whole Foods yesterday and picked up a bottle of drinking water. The brand is Evamor, like, evermore. Water as time, right? They get it. So, check this out. Their logo is a close match to the time loop the Lord had me draw when we were beginning to get insight into the masked model and the nature of the season. There's even similarity with the coloring! This is the kind of thing that has become the new normal in this season.

I found this promo image on freeStuffGalaxy.com. They seem to decorate all their products with galaxy imagery, but the one for Evamor seems pretty special. They include the brands ad imagery where the bottle of water is kind of floating along in the stream, and they intersect it with a stream of stars like the Milky Way, and put the ringed planet Saturn in the stream. Saturn, aka Kronos, the god of time. The Milky Way intersection with the ecliptic marks the celestial stargates, the Golden Gate and the Silver Gate.

Evermore. Led Zeppelin - The Battle of Evermore. The first video I posted to my YouTube Channel was a reverse speech presentation of a couple lines of this song. Here's some of the lyrics where you can find the appearances of the word, time.

The Queen of Light took her bow,
And then she turned to go,
The Prince of Peace embraced the gloom,
And walked the night alone.

Oh, dance in the dark of night,
Sing to the morning light.
The dark Lord rides in force tonight,
And time will tell us all.
...
Oh, well, the night is long, the beads of time pass slow,
Tired eyes on the sunrise, waiting for the eastern glow....

The Queen of Light took her bow. Physics of light, the speed of light in distance over time. Time flies like an arrow. The Battle of Evermore. Time war. Jimmy Page ran an Occult bookstore and published works of Aliester Crowley. He even owned Crowley's house on Loch Ness for a while. He and Robert Plant - they knew stuff. Dancing in the night and singing to the morning light is familiar ceremonial ritual to practicing witches.

James Bond 007 “Spectre” trailer - Embedded Time Codes for the Beast's Arrival

If you watched the video presented in the previous post and grasped the time code messaging, you'll see more of the same in this new official video of the James Bond 007: “Spectre” teaser trailer.



The official blurb is laden with NLP. “See the first teaser trailer for the 24th James Bond adventure SPECTRE. A cryptic message from Bond’s past sends him on a trail to uncover a sinister organisation. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.”

Aaron and I noted that the teaser trailer is packed with symbolism, like stargate transit (transporters traveling across Thames-Isis on arched bridge) , Apollo (crows-ravens)... He is told, “You're a kite dancing in a hurricane, Mr Bond.” Kite: bird of prey, like a falcon or hawk, an NLP symbol strengthened by the startling crows. Hurricane, spirit time vortex wormhole. Recall CERN's Symmetry trailer!

The main interest is what happens at 1 minute 13 seconds in. We hear, “It's been a long time.” It's the man's response to seeing Bond. The appearance of the lawless one on the 13th day of the 1st month - familiar - from out of the distant past - from a long time ago. He is the spectre! Listen for the tinkling sounds. The tinkling of bells signals dimensional transit, first heard at 1:09. At 1:16 the bell rings again and we see a man sitting at a table, his face is in the shadows, on the table is a large pitcher of water and a glass. Water-time. He says, “And finally, here we are,” accompanied by more bell tinkling. Then we see what is evidently a bullet punching a hole in glass or ice, at 1:21. The event resembles a particle collision in a supercollider. We see it as the LHC, punching a hole through the dimensional barrier with atomic particles fired from a “machine gun.” Deadly. The trailer ends with the word, SPECTRE, appearing, with the "C" forming around the bullet hole. “C” it's the Eye of Horus, or, (spect)“RE”. OT is circle cross ~ MOB.

If you watched, Snowpiercer, the bullethole symbolism should be familiar because you saw a scene featuring a gun battle when the “time” train with the eternal engine was making a tight loop. Bullets were fired from machine guns between two cars, one many cars ahead of the other. Folded time-space. Time jump through the frozen (water-time) expanse between them. Bullets pierced the window glass, piercing the time-space barrier.

Spectre is the 24th film in the franchise. We're in the 24th year of a very special count, which began at the celestial sign of 1991 marking the Lord's return in judgment. This is the year appointed for the spectre to manifest. It's very nearly the 13th day of the 1st month, when we should expect his revealing, being day 9 as I type this out. The Occult value of the word spectre is 19+16+5+3+20+18+5=86. We're in Shemitah 860 counted from Adam and it's all about the 86ing of the age. As the man said, “FINALLY - here we are!”

---

If it's been a while since you visited the Mark of the Beast Code 666 Blog, you'll find that we have published several posts in the past few weeks.

CERN's Lord of the Dance

Update: Also see this more recent post (Urgent - Insight into CERN's Time Machine) that features this video: Urgent - Insight into CERN's Time Machine

---

The LHC supercollider is expected to be operating at record breaking energy levels any day now, amid much speculation about the potential for opening a wormhole/stargate. Reports of entities appearing during the last round of tests add to possible connections with earthquakes, and interviews given by physicists involved with the projects do nothing to soothe the mind. Neither does the video production made for the launch. (Thanks John)

Bizarre ‘Dance Of Destruction’ Performed At CERN Ahead Of Launch

The circle on the salt flat is the image of a magic circle. Info turned up in a web search for the use of salt in magic circle will make it obvious. (The usual caveat applies - get the Lord's permission before visiting sites.)

The skin color of the black performer is being used as the symbol for evil, representing the demons the circle provides protection from. When the purpose for casting a magic circle involves a spell, energy is raised inside the circle (bubble) and then is sent out (cast) into the universe at the opportune moment.

CERN's LHC has to do with CERNunnos, the god invoked in many spells. (See December 21 Celebrates the Birth of CERNunnos)

The hand is as the Horus hand or the hand of Isis, the black madonna, and the fingers 3 and 4 on the physicist's ear signs the production of Horus through the union of Osiris and Isis.

The town where the LHC complex is situated is Saint Genis Pouilly. In Roman times it was apparently called Apolliacum. The town and a temple were dedicated to Apollyon - the destroyer. aka Shiva, aka Horus.

I see the image of the concentric circles as the representation of the dispersion of subatomic particles at a high energy proton collision. It's attended by a ringing sound and then by thunder. Ringing: Bells facilitate dimensional transit. Thunder: Satan falls like lightning. The image of the collision presents the ancient XO or circle Cross Mark of the Beast symbol. OTO doctrine declares that the union of the X and O produces the flash of lightning from the Abyss to establish the throne of Isis. The time-space portal is opened and the figure of a man transits through from another dimension.

Horus!



One man's interpretation is in this For more that is of interest, see Wikipedia's, CERN - In popular culture.

Understanding something of cosmology, history and the significance of the idol of Shiva doing the Dance of the Nateraj provides more insight into what the LHC is about.

Brief video illustrating the idol Shiva, Lord of the Dance

The first atomic bomb was detonated on July 16, 1945, in the Trinity test in New Mexico. Afterward, physicist and director of the Manhattan Project J. Robert Oppenheimer famously remarked how it brought to mind: "Now I am become Death, the destroyer of worlds." He had learned Sanskrit in 1933 and read the Bhagavad Gita in the original form. He citied it later as one of the most influential books to shape his philosophy of life. The quote was from verse 32 of chapter 11 of the Bhagavad Gita.

The following excerpt is copied from, Cosmic Dance of Lord Shiva. (Written and also arranged from various manuscripts and articles by Philippe L. De Coster, B.Th., D.D. - Gita Society of Belgium Branch of International Gita Society (IGS/USA) © 2001-2012)

These iconographic details of Nataraja are to be read, according to the Hindu tradition, in terms of a complex pictorial allegory. The most common figures depict a four-armed Shiva. These multiple arms represent the four cardinal directions. Each hand either holds an object or makes a specific mudra (gesture).

The upper right hand holds a hour-glass drum which is a symbol of creation. It is beating the pulse of the universe. The drum also provides the music that accompanies Shivas dance. It represents sound as the first element in an unfolding universe, for sound is the first and most pervasive of the elements. The story goes that when Shiva granted the boon of wisdom to the ignorant Panini (the great Sanskrit grammarian), the sound of the drum encapsulated the whole of Sanskrit grammar. The first verse of Paninis grammar is in fact called Shiva sutra.

The hour-glass drum also represents the male and female vital principles; two triangles penetrate each other to form a hexagon. When they part, the universe also dissolves. The opposite hand, the upper left, bears on its palm a tongue of flames. Fire is the element of destruction of the world. According to Hindu mythology at the end of the world, it will be fire that will be the instrument of annihilation. Thus in the balance of these two hands is illustrated a counterpoise of creation and destruction. Sound against flames, ceaselessness of production against an insatiate appetite of extermination.

The second right hand is held in the abhaya (literally "without fear") pose and so a gesture of protection, as an open palm is most likely to be interpreted. It depicts the god as a protector.

The left leg is raised towards the right leg and reaches across it; the lower left hand is stretched across the body and points to the upraised left foot which represents release from the cycle of birth and death. Interestingly, the hand pointing to the uplifted foot is held in a pose imitative of the outstretched trunk of an elephant. In Sanskrit this is known as the gaja-hasta-mudra (the posture of the elephant trunk), and is symbolic of Ganesha, Shivas son, the Remover of obstacles.

Shiva dances on the body of a dwarf apasmara-purusha (the man of forgetfulness) who embodies indifference, ignorance and laziness. Creation, indeed all creative energy is possible only when the weight of inertia (the tamasic darkness of the universe) is overcome and suppressed. The Nataraja image thus addresses each individual to overcome complacency and get his or her own act together.

The ring of fire and light, which circumscribes the entire image, identifies the field of the dance with the entire universe. The lotus pedestal on which the image rests locates this universe in the heart or consciousness of each person.

The Nataraja image is also eloquent of the paradox of Eternity and Time. It shows us that the reposeful ocean and the racing stream are not finally distinct. This wonderful lesson can be read in the significant contrast of the incessant, triumphant motion of the swaying limbs to the balance of the and the immobility of the mask-like countenance. Shiva is Kala, meaning time, but he is also Maha Kala, meaning Great Time or eternity. As Nataraja, King of dancers, his gestures, wild and full of grace, precipitate the cosmic illusion; his flying arms and legs and the swaying of his torso produce the continuous creation- destruction of the universe, death exactly balancing birth. The choreography is the whirligig of time. History and its ruins, the explosion of suns, are flashes from the tireless swinging sequence of the gestures. In the beautiful cast metal figurines, not merely a single phase or movement, but the entirety of this cosmic dance is miraculously rendered. The cyclic rhythm, flowing on and on in the unstayable, irreversible round of the Mahayugas, or Great Eons, is marked by the beating and stamping of the Masters heels. But the face remains, meanwhile in sovereign calm.

Steeped in quietude, the enigmatic mask resides above the whirl of the four resilient arms and cares nothing forthe superb legs as they beat out the tempo of the world ages. Aloof, in sovereign silence, the mask of gods eternal essence remains unaffected by the tremendous display of his own energy, the world and its progress, the flow and the changes of time. This head, this face, this mask, abides in transcendental isolation, as a spectator unconcerned. Its smile, bent inward, filled with the bliss of self-absorption, subtly refutes, with a scarcely hidden irony, the meaningful gestures of the feet and hands. A tension exists between the marvel of the dance and the serene tranquillity of this expressively inexpressive countenance, the tension, that is to say, of Eternity and Time. The two, invisible and visible, are quintessentially the same. Man with all the fibers of his native personality clings to the duality; nevertheless, actually and finally, there is no duality.

For another study, see also this post and its context: Part 10 - Decoding The Penitent Man (2010) - Decanting Spirit into a Host Vessel * RIGHT ON SCHEDULE

The Sign of Yom Teruah - Falling Apple Clock, Antichrist and the Time Mission

Yom Kippur will soon begin. (sunset to sunset, 10/5-6) As with Yom Teruah, we have a sense of expectation about what the day may bring. While it's still the weekly Shabbat here, I want to finish addressing the sign of Yom Teruah that was the fall of the kitchen clock. The apple clock has a mounting system that doesn't permit such a fall by any natural means whatsoever, and no structural failure was involved. Much more could be written about what this signals, but for the present, this must suffice.

That fallen clock I wrote about in the previous post wasn't the first peculiar sign received on a holy day. Six years ago, on Yom Kippur, I received one of two signs that pertained most immediately to writings about bells. That sign had involved penny rolls and the number twenty-two in the form of eleven eleven, and it had meaning that was evident in the context. As I look back, another reason why that sign was given on Yom Kippur is evident because of what I've learned more recently. Gemini stargate, celestial Silver Gate... The imagery of Yom Kippur for those who practice Judaism is that of a gate that swings closed, ending this season (The Days of Awe) for teshuva, repentance. As Rabbi Michael Strassfeld notes in The Jewish Holidays, A Guide and Commentary, “The dramatic last service, neilah, focuses on the image of the gates of heaven closing, presenting us with our last chance to do teshuvah.”

The clock sign modeled the stopping and resetting of time that will take place when the lawless one is being revealed in April of 2015. When a man is baptized by the Pope he will receive a supernatural anointing. He will become an avatar for Horus, the entity that transits the Silver Gate to make his way from his present abode to manifest in our realm. The activation of the stargate will involve a time hack, stopping time. When the Lord ends the appointed season of restraining, the Adversary will be granted what is necessary. The sovereign God has ordained a time reset that will assure the enemy's defeat. Everything will unfold just as the Creator has appointed it, and recorded it in the Bible. He conceals and reveals precisely what He will, to whom He wills, when He wills.

The clock that fell to the floor has distinctive features that are fitting for a stargate transit symbol. It's an apple clock. The falling apple ~ Newton ~ discovery of gravity as an apple fell off the tree on his head. Gravity ~ things leaping or falling off a pedestal picture a stargate transit, and usually there's some kind of clock in view. The face of the clock isn't flat because there's a wedge cut out of it. Seen from below or above, it has a kind of half hourglass figure. The hourglass fell, like A-Jax Insane's transit. The apple clock - the apple goddess, Aphrodite, Venus, Mary, Isis... Present and accounted for in this transit model.

The apple clock fell to earth in a modeling a leg of the journey in Satan's fall. The apple suggests the fruit of the tree of knowledge of good and evil. Think: Seed of the Nachash of Genesis 3:15. Remember the apple rolling across the checkerboard floor in the “I, Pet Goat” schoolroom?

When the clock hit the floor the battery was ejected, stopping time, in a figure. On picking it up, Aaron noted that the hands read, 12:09. It's a 21 signal (12+9) and that number means, time, and the fullness of time. When time stopped it was the end of time, the end of an appointed season. Time stopping is required in the stargate activation. CERN and LHC - success with the supercollider and a leveraging of the God particle. Aaron reset the clock and hung it back up on the wall. When some most welcome insight came later in the day, he exclaimed how that act modeled the time reset mission that is appointed for some saints to participate in. (The dragon will then know that time is short.) We take the signal 21 as another confirmation of what the Lord has been revealing about the time mission, which was confirmed already from the “Live Die Repeat: Edge of Tomorrow” film. The battery expires in 2019. That's when the Stone Kingdom of Daniel 2 arrives at the expiration of this age, perhaps on Yom Teruah (I can't say I know that day with full confidence) and also marking Yom Kippur as the start of the Yobel, the Jubilee!

Less than half an hour after the clock fell, Bill Clinton's daughter Chelsea tweeted that she and Marc had a girl. Aaron and I independently noted, the apple doesn't fall far from the tree.

Bill Clinton is a grandpa; Chelsea gives birth to baby girl
The baby was born Friday, a Clinton spokesman said.
Chelsea Clinton @ChelseaClinton
Marc and I are full of love, awe and gratitude as we celebrate the birth of our daughter, Charlotte Clinton Mezvinsky.
12:32 AM - 27 Sep 2014

(Awe - The Days of Awe between Yom Teruah and Yom Kippur -- “Stop the Clock! SPAWNing shock and awe...” from Uli Jon Roth's Tempus Fugit)

The name, Charlotte, means: Feminine manly. The Bible clearly declares how men should not be effeminate or women, manly. It's an offense and a sign. Baphomet. Hermaphrodite. Adam Kadmon. It signals a putting back together what the Creator separated, and called good. It's an unmaking of what is good, recreating in another image, female dominant (Charlotte is a girl) and contrary to the original. I don't know if the baby's first outfit was a pant suit, but I digress.

The Clinton-Mezvinsky union was interfaith, Jewish+Christian tradition. The baby produced is a melding. This is clearly messianic.

The sign came on Yom Teruah, an anniversary of when the Messiah was born, in 2 BC. Anniversary #2015, if I counted correctly. Bill Clinton has always been the one the Lord uses to model the Antichrist to me, as I've documented for many years. Here's another instance, whose only child of an only child was born on the Messiah's birthday.

Do you know about Shabtai Tzvi (Sabbatai Zevi), who with the help of the Vatican convinced many of the world's Jews that he was the messiah!

“An expose of the effects of Tzvi, a 17th century messiah, on the history of modern Israel. Discover who the modern players are, their politics involving Israel and the Jewish people, and their plans for the state of Israel and its people. The religious beliefs of the follows of Shabtai Tzvi continue to affect us today.”
Shabtai Tzvi, Labor Zionism and the Holocaust - by Barry Chamish

Are you familiar with the late J. R. Church's presentation titled, Tickling the Tail of the Dragon? During some trips to Israel, the crowds chanted, "Clinton! Ruler of the universe!" During his second inauguration, Clinton put his hand on the Bible, on Isaiah 58:12.

Those from among you will rebuild the ancient ruins; You will raise up the age-old foundations; And you will be called the repairer of the breach, The restorer of the streets in which to dwell. ~ Isaiah 58:12

Of particular interest is the end of part 3 and beginning of part 4 in the video series I posted to my YouTube account. You will hear the reported testimony of a minister who professed to be a Rothschild, converted to Christ. He claimed to have grown up with Bill Clinton. He claims that Rabbis kissed Bill's hand, and that he was designated as the “Segulah Yeled Ekletos” in a ceremony, the “Royal Boy Chosen.” Barry Chamish presents information on the Rothschild family and the fact that they were Sabbatean Jews. It follows that Bill Clinton is too. Link: Bill Clinton - Shabtai Tzvi - messiah accepted by Jews and supported by Vatican.

In the recent retro animated feature time travel film, Mr. Peabody and Sherman (2014), why does Bill Clinton appear in the scene with Presidents Washington and Lincoln and other historical figures, who all came through the portal from the past? He's current, right? Hmmm. And, he's come from the past, apparently. He's a prime candidate for the Horus Avatar.

The apple connections have “Avalon” threads weaving through Led Zeppelin's “The Battle of Evermore” and Uli Jon Roth's album lyrics of “Under a Dark Sky (Sky of Avalon).”

“Avalon: (Welsh: Ynys Afallon; probably from afal, meaning apple) is a legendary island featured in the Arthurian legend. It first appears in Geoffrey of Monmouth's 1136 pseudohistorical account Historia Regum Britanniae ("The History of the Kings of Britain") as the place where King Arthur's sword Excalibur was forged and later where Arthur was taken to recover from his wounds after the Battle of Camlann. Avalon was associated from an early date with mystical practices and people such as Morgan le Fay.” (Wikipedia)

Avalon is sometimes linked to Glastonbury, England, and sometimes, to Bardsey Island. Remember the London Olympics opening ceremony, when people streamed out of the underworld from underneath the “goddess” tree that lifted up from the model of Glastonbury Tor - for the Industrial Age and Dark Satanic Mills segment?

Recall this scene from the London Paralympics?

Stonehenge and floating apples. A hedge represents a dimensional barrier. Remember Outlander's time travel through the standing stone circle, from the recent post? The protagonist traveled back into the year Mayer Amschel Rothschild was born (1743), a notable descendent of Bill Clinton.

The stargate will open soon, as exposed by the symbol magick rituals. The normal flow of time will be interrupted and there will be a truncation and reset.

Aaron and I aren't sitting around making stuff up. This isn't for drama or entertainment's sake. I hope your paying attention and giving heed to your personal preparation as the Lord directs. Our time is nearly up.

Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle

The bicycle as a symbol of a transdimensional or interdimensional vehicle is well ingrained in our culture, even outside the mass media industry. Most of us grew up playing card games. The Bicycle brand of cards is very popular and their designs are probably familiar to most of us. They typically feature cherubs riding bicycles and support that with very obvious goddess symbolism.

I recently wrote about how bicycles are such a fit symbol for heaven's vehicles. They have 2 wheels, not unlike the “one wheel within another wheel” throne vehicle described in the book of Ezekiel. The cherub may be seen as a kind of bicycle operator.

9 Then I looked, and behold, four wheels beside the cherubim, one wheel beside each cherub; and the appearance of the wheels was like the gleam of a Tarshish stone. 10 As for their appearance, all four of them had the same likeness, as if one wheel were within another wheel. ~ Ezekiel 10:9-10

Ezekiel later recorded the following in a coded passage that is a lamentation over the king of Tyre.

13a You were in Eden, the garden of God... 14 You were the anointed cherub who covers, And I placed you there. You were on the holy mountain of God; You walked in the midst of the stones of fire. ~ Ezekiel 28:13a, 14

The hissing enchanter, the nachash, was in the Garden of Eden. As having been the anointed cherub who covers, he should well know how to represent heaven's vehicles. The cherub class of angelic beings is what's pictured as “Cupid” on the Bicycle cards. The folks responsible for their branding knew their symbols. The bicycle-as-heaven's-vehicle theme is certainly present in their Griffin deck. A griffin is a lion-eagle composite linked to the cherub, and multidimensional access and protection are the griffin's primary features.

And each one had four faces. The first face was the face of a cherub, the second face was the face of a man, the third the face of a lion, and the fourth the face of an eagle. ~ Ezekiel 10:14

The connection between bicycles and playing cards goes beyond the mimicry of engine noise with a flapping card in the spokes. The bicycle represents the way to travel what the deck of cards represents, time-space.

The typical deck of playing cards models a calendar as a representation of time-space. Rounding the counts, there is one card for each of the 52 weeks of the solar year. That's the Pagan calendar, which divides naturally into 4 seasons, on the celestial-terrestrial solstice and equinox events. There are 4 suits, hearts, clubs, diamonds and spades that match to the 4 seasons, as some consider it: Spring, Summer, Fall, Winter. In each suit, there are 13 cards, one for each week in the season. In addition to the solar calendar aspect there is also a lunar. There are 13 lunar cycles in the year, and each lunar cycle divides into 4 phases: first quarter, full moon, third quarter, and new moon. The assigned values of the cards in the deck (1+2+3...13 times 4 suits) totals 364, which is the nearest number to the count of days in a Julian (astronomical) year that divides by 4 without a remainder. Theurgy.

Some trace the history of this kind of deck to antiquity, to the ancient Order of the Magi and Atlantis. It seems likely to me that it came from fallen angels, who taught man some of the secrets of heaven.

And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways. Semjâzâ taught enchantments, and root-cuttings, 'Armârôs the resolving of enchantments, Barâqîjâl (taught) astrology, Kôkabêl the constellations, Êzêqêêl the knowledge of the clouds, Araqiêl the signs of the earth, Shamsiêl the signs of the sun, and Sariêl the course of the moon. And as men perished, they cried, and their cry went up to heaven... ~ Book of Enoch - 8

Most everyone is aware that Tarot cards are used for fortune telling. The common deck of playing cards is also used for divination. It's called cartomancy. Like astrology, it's not without a basis in reality. Lives and fortunes have been won and lost using these cards, and what are considered to be the fates and destinies of men influenced. Card tricks have drawn many into the practice of real magick. The face cards of the deck illustrate how the cards represent entities with a hierarchy of rank, like soldiers and angels, so the deck is played as a warring army. Did you ever play the simple game of War?


The Euchre Miracle

On a personal note, the Lord used a card game as a sign to me at a critical juncture in my life. I wasn't using the cards to divine, but the Lord chose the play of cards to give me a sign.

When He drew me to Himself in 1980 my life was in shambles. I had been perceiving a presence in my life, “interfering” with my plans, bringing me to ruin. I fought against the interference until I was brought very low, really, to the end of myself. I came to pour out my heart in that season, looking up into the sky and saying with all sincerity, “I don't know who you are, but if you want me, come and get me, because I'm done.” I knew he knew exactly what I meant, whoever it was. It didn't take long for Him to do just that. It could not be denied. I was not exactly an easy catch because I still had a huge struggle.

The Lord brought me into a community of saints where a particular Bible class was promoted as a foundation. I was skeptical and uncomfortable about making the commitment required to take the class. I felt like I was railroaded into it, frankly, but I just couldn't resist. It was probably 3 sessions into the course's 12 that I came to a point of crisis. If you have ever been in a place that was infested with cockroaches and watched them scatter when the light was turned on, well, that was my condition. I was like a bag of cockroaches, and the darkness was my comfort zone. Sitting in a room surrounded by people who were praying for me, having to listen for hours on end to the Bible being preached and taught, I felt like I was in the spotlight and there was no escape. Despite having had plenty of evidence to convince me that my prayer had been heard, it wasn't enough. I remember sitting at my desk at work the day after the unbearable session. Stressed. Overwhelming distress. I prayed again and it went something like this. “If you want me to do this class, give me a sign. Otherwise, I can't go back.” It was probably the next day at lunchtime that I got the sign, because the next Bible class would have been scheduled for that night.

Where I worked, there was always a card game going on during lunch hour in what we called the catacombs of the Pilot Plant. Since the small group of engineers and technicians I worked with played, I joined them on occasion. I almost never played, but just watched. The game was always Euchre, and the play in that tiny little room was always very serious and intense even though there was no gambling involved. A Euchre deck is just a regular deck, less all but the 9-10-J-Q-K-A cards. The game is played with 4 people, and 2 are partners so there are 2 opposing teams. Usually, you play a hand together with your partner, but if you have a really good hand you can play alone, taking greater risk for the chance to get double the points. To play a lone hand is not really that rare, but what happened to me that day was impossible. I can't say what went through the minds of the men in that room as I played one unbeatable lone hand after another, but I knew I was getting the sign I asked for. I caught on to what was happening pretty quickly. I got the best hand you could get, which I don't think I had ever even seen before, and then I got the same hand in the very next deal and played them both for the win. After a couple more consecutive lone hands that were unbeatable, I began to call the lone hand without even looking at my cards or caring who dealt it - and I would win all the tricks. Impossible. After a while, the “luck ran out,” tapering off in a gradual way that I knew was part of the sign. Alrighty. I went to class that night and saw it all the way through to graduation. My struggle to get free from oppression and possession was far from over but that battle was won - a significant victory! I'm so grateful for those dear saints the Lord engaged in the many battles fought on my behalf!

I never used cards for divining but the Lord certainly used them to give me a sign. He could have signaled me in any number of ways, but that's how He chose to do it.

Back to the Bicycle brand. Their history speaks very loudly to me about the significance of the bicycle as a stargate transiting symbol.

Bell Tower (The History of Bicycle® Cards)

“A Neo-Romanesque bell tower (4-stories high) was built in 1926 atop the company's 4-story main building entrance. This tower housed a fine set of 12 carillon bells, ranging in size from 1-1/2 to 5-1/2 feet. This was the first set of chimes built for radio broadcasting. The chimes were connected electronically to radio station WSAI, which was owned and operated by The United States Playing Card Company from 1922 until 1930 and located within the USPC complex. The main reason for the radio station was to promote the game of bridge by broadcasting bridge lessons. In those days, there was no limitation on the range of radio power and the WSAI transmission was so clear and strong that it could be picked up as far away as New Zealand. WSAI was eventually sold in the 1930's to the Crosley Radio Corporation.”

If you understand about the supernaturalism of bells and bell and clock towers, nothing much needs to be said about that. If you don't yet understand, see, Bells - Supernatural Enchantment and a Biblical Perspective. Note how the main reason for the station was to promote the game of BRIDGE. Sure, it was clever marketing for their product, but really it was far more than that because the esoteric symbolism is all about bridging the dimensions. Bells facilitate dimensional transit, and the bicycles represent the heavenly vehicles that transit the mecillah, the kingdom viaduct. I note that there are 12 face cards in the deck and 12 signs of the Zodiac, 12 months of the year and 12 tuned chimes in the playing card company's bell tower. The sound of the chiming carillon bells in the bell tower was local, and it may be understood that such devoted objects command the Baals or demonic Archon of the locality. The sound of those bells was wired right into the station for broadcasting their enchantment around the globe. It was a brilliant strategy. Evil genius.

The pictures above show their bell and clock tower in Cincinnati. On top of one of the buildings in the same complex you can see the company name flanked by what looks like two owl figures, the sign of the goddess. The company's iconic ace of spades appears in the window glass, with the door behind. It's the image of the gateway goddess they identify as Freedom, an identity I'll expand upon shortly.

By featuring the image of a cherub riding a two wheeler, the Bicycle brand demonstrates an understanding of the nature of their playing card business. The exercise of control over time-space that is implicit in the transiting of the stargates is signaled, and indeed, leveraged, in their bell tower. The corporate radio station that was devoted to broadcasting BRIDGE lessons around the globe had call letters that are revealing. WSAI -- W+S+A+I = 23+19+1+9 = 52 and there are 52 playing cards in the deck, one for each week of the year!

What's going on there? WSAI's original transmitter site was in Mason, Ohio. Right. Mason. Were those responsible for these things Freemasons? Probably. It wasn't exactly rare for industrialists to become members, but look beyond the organization of men into secret societies to the influence of the fallen angels in the lives of the illumined who rule as regents in this age. They practice theurgy and the sorceries of symbol magic and honor the celestial beings including the goddess of magic. They know what Confucius declared so aptly, that, “Signs and symbols rule the world, not words nor laws.” It is in no small part due to such means that they acquire the power and wisdom to rule over their domain. Hey, do you think that might have something to do with why the Lord commanded us about images in the second commandment? The more I learn, the more it seems so obvious.

The literal broadcasting of Bridge lessons from Mason, OH, certainly encouraged the use of playing cards like their own product. The effort placed their potent symbolic imagery before the people of the world. If the Occult symbolism surrounding the radio broadcast is perceived, consider also the supernaturalism of the broadcasting of a parallel transmission.

“A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you.” (from the popular wiccan magic book, Sacred Space - by Denise Linn)

When a witch describes the generation of, “a force field that strengthens you,” you may interpret that as the evocation of a deceiving demonic agency that aligns you to its own agendas and empowers you to carry them out. The enchantment deployed is a deception and control mechanism. Symbols in any medium are spirit transmitters. When visible or audible symbols (charged language, magic words, NLP, the reverse speech content...) are broadcast through the air, or if transmitted by means of fiber-optic cable, the distribution system functions as a multiplier. That's powerful. But let's talk about the power behind it. The goddess lurks.

Not long ago, radio was what everyone listened to. For many, family life and friendships revolved around favorite shows and sports broadcasts. Radio provided for a shared experience that served to unify its audience. It created a global Bridge game culture, in the case of WSAI. Before radio, newspapers or other publications served the purpose of extending communities beyond the constraining limits of personal interaction. Today, it's all that plus TV plus the Internet, especially through social media. Unification is the hallmark of the goddess. The goddess draws the world to herself to unite under one banner to be delivered to “her son,” the antichrist. The message of the growing phenomenon of the Marian apparition is hardly subtle.

The supernaturalism of broadcasting symbols is magical, literally, an enchantment. Logos that establish brand identities represent a common imagery and perception with a point of focus. There's nearly a thousand posts on this blog for documentation of how this is a great evil, an enchantment that enslaves and controls mankind, binding them together as a setup for the coming Antichrist, and, beyond, the mark of the beast, Armageddon and lake of fire judgment. In the big picture, it should be interpreted as the unfolding love test provided by the sovereign God in this the age of qualification, but let's consider the action at hand. The common ground provided by the focusing symbols and their broadcast distribution machinery is the operative domain of the goddess.

“So will Babylon, the great city, be thrown down with violence, and will not be found any longer... for your merchants were the great men of the earth, because all the nations were deceived by your sorcery. ~ Revelation 18:21b, 23b

With or without any broadcasting or widespread distribution, the symbols and symbol systems of playing cards and of the Bicycle branding function in the way of Mystery Babylon's pharmakeia.

Let's consider how the Bicycle brand honors the goddess and her work.

Our Lady of the Bicycle

Who is the Bicycle goddess featured on their iconic Ace of Spades, on the packaging for many of their deck designs and on the glass of the entry at their headquarters? Here's the official story.

Statue of Freedom (The History of Bicycle® Cards)

“The Ace of Spades carries another code [making reference to the joker card and the milestone marker, 808, which I'll address later], identifying the year in which the deck was printed. This Ace features, within the suit sign, a woman who rests her right hand on a sword and shield while she holds an olive branch in her left. The image was inspired by Thomas Crawford's sculpture, "Statue of Freedom." which, in 1865, had been placed atop the Capitol Building in Washington, DC.”

That personification of Freedom is Minerva and Athena, the national goddess. She stands inside the owl (goddess) over the dome (womb of Isis) on Capitol Hill, ritually in Jupiter's Temple (Capitoline). The land for Washington DC was granted by Virginia and Maryland, forever linking the federal district with the Virgin Mary. With the stars in the background she is a celestial goddess, as Isis or Venus, the Marian apparition. The shaded frame of the spade is the aureola that expresses the radiant glory or divine illumination of the goddess. This feature suggests that Our Lady of Guadalupe was another source of inspiration. See the resemblance in this image? The shape of the spade is an inverted heart form that is traced out in the heavens by the planet Venus, set as upon a pedestal. The branch held in her left hand identifies her as the constellation and Zodiac sign, Virgo. The virgin goddess. The brightest or alpha star of Virgo is, Spica, which is known in Hebrew as, tsemech, and in Arabic as, Al Zimach. It's “the branch,” a messianic reference. The celestial goddess is the mother of a messiah. Basically, the Bicycle brand's Ace of Spades is a Marian shrine that exalts that ancient entity known as the queen of heaven.

The home city of USPS and the Bicycle brand is Cincinnati, OH, which residents began referring to as the "Queen" city when it was enjoying it's early boom town status. Henry Wadsworth Longfellow wrote in his poem, Catawba Wine, that Cincinnati was “the Queen of the West.” For the Queen of Heaven promotion that is the Bicycle brand to be headquartered in the Queen city is, like their broadcasting from WSAI in Mason, OH, evidence of the practical ritual exploitation of theurgy.

Bicycle's ace of spades has some history that illustrates the very real influence of the goddess of war. The image of the card you see here appears alongside the following blurb on their website.

Ace of Spades (The History of Bicycle® Cards)

“The Ace of Spades served a famous purpose in the war in Vietnam. In February, 1966, two lieutenants of Company "C," Second Battalion, 35th Regiment, 25th Infantry Division, wrote The United States Playing Card Company and requested decks containing nothing but the Bicycle® Ace of Spades. The cards were useful in psychological warfare. The Viet Cong were very superstitious and highly frightened by this Ace. The French previously had occupied Indo-China, and in French fortunetelling with cards, the Spades predicted death and suffering. The Viet Cong even regarded lady liberty as a goddess of death. USPC shipped thousands of the requested decks gratis to our troops in Vietnam. These decks were housed in plain white tuckcases, inscribed "Bicycle® Secret Weapon." The cards were deliberately scattered in the jungle and in hostile villages during raids. The very sight of the Bicycle® Ace card was said to cause many Viet Cong to flee.”

Symbols are powerful, and not just when used in psy-ops deployed against the superstitious. The goddess of war that is the secret weapon is not imaginary, and her images are not devoid of supernatural presence. They are idols. The Bicycle brand has been used by soldiers in many theaters of war. Special decks other than those exclusive to the Secret Weapon have been used. Spotter cards that feature weapons and wanted enemy agents have been popular.

During WWII, the company produced a special deck that had a very fitting purpose. The cards were distributed to POWs in German camps. When moistened, the cards revealed sections of maps that had escape routes marked out. The goddess - facilitating escape and covert transit through enemy territory. Hmmmm. Brilliant.

You may recall from Alice in Wonderland how the feared Queen of Hearts was so quick to command, “Off with their heads!” She commanded all the cards in the deck as her guards and the army of Wonderland. The cards in the deck have rank like the soldiers and officers in an army. As above, so below, as the principle goes. The warring angelic hierarchy is manifest in the playing cards. Lewis Carroll and the Disneys and the Illuminati programmers who leverage the same imagery know what they are doing as they evoke the power of the goddess in the wielding of control.

The very real influence of the goddess is evident in the history of the two-wheeled vehicle that is the basis for the Bicycle brand. Mary, means, their rebellion. The goddess inspires rebellion, and we see her named as Liberty and Freedom where people have revolution and social activism in their hearts. I refer you to the following articles, and make note of the historical link between bicycles and revolutionary feminism and social activism. The bicycle and the Bicycle brand, which has been in continuous production since 1885, are symbols, and what is represented manifests in reality.

• The Importance of the Bicycle to the Early Womens Liberation Movement
• Annie Londonderry - Women on Wheels: The Bicycle and the Women’s Movement of the 1890s
• Social Movements and the Bicycle

Remember the painting, Liberty Leading the People, by Eugene Delacroix? Remember Coldplay and Viva la Vida? You may recall Coldplay's Strawberry Swing video, where the superhero passed the bicycle just prior to emerging into the presence of the banner waving goddess Liberty, who was leading the revolutionaries in battle.

The goddess as a queen bee was featured in both of those two Coldplay videos I have been writing about. The Bicycle brand exalts the goddess as the queen bee in making their famous Bee decks their premium casino quality cards. Notice how the stylized letter B presents the 13 of the Queen bee goddess of love, Venus and of “their rebellion,” Mary.

Here's a related image of the beehive and flower as a Royal Arch dimensional portal from the Masonic perspective. Notice how the arch presents a wheel within a wheel in a the arc of a ring variant.

You can see in the design of the Bicycle fan-back cards that the fans resemble the shells that are trademark Venus symbols. The bicycle in the fan is imagery that compares to the shell conveying Venus to the beach across the celestial sea. A fan is for moving air, creating currents of air. Air and water are both symbols of spirit.


I want to take this opportunity to expand on the observation I made about the dual ringed Masonic arch that compares to a wheel within a wheel style of bicycle. The imagery of a sliding ring within a ring is associated with stargate activation, usually as representing the operation of a coded magical lock mechanism. It's kind of like how the classic Captain Midnight secret decoder ring used a simple substitution cipher, and such mechanisms were used for transmitting secret messages in ancient times. I see such a “bicycle” in this screenshot from the pre-title scene introducing the “Disney Fairies” animation, Secret of the Wings (2012). This adventure tale about Peter Pan's Tinkerbell is probably worthy of its own series for the mining of all the stargate imagery involved. The pre-title sequence alone is LOADED! Whirlwinds, bridges, towers, helical coils, compass roses, mapped trees and rivers...The screenshot was captured in the sequence where the following narration was heard.

If you had wings to lift you and the second star your guide
you'd find a place where all the seasons flourish side by side
yet past the summer meadow and beyond the autumn wood
lies an icy land of secrets, a world, misunderstood.
But if your mind is open and your heart just has to know
your wings can take you farther than you ever thought you'd go.

The sawtooth ringed disk is like the other symbols, used for magickal navigation of the realms through time-space.

By the way, when you see the image of a rabbit on a bicycle, especially when it's the white rabbit who is obsessed with time and who led Alice down the rabbit hole into Wonderland, you should recognize the goddess and cherub psychopomp transiting the stargate.

Back to the cards. The spiritual reality of the influential role of the goddess is expressed in some of the games commonly played with cards.

The ace has one spot and typically has the value of 1 as the first card. The number one, means, unity. While engaged in writing this study, the headline news on 9/19 read: “Scottish leader quits, Queen urges unity.” It's a reflection of the Queen of Heaven's urging of unity, and an exhibit of why the esoteric Bicycle brand features her on their ace of spades.

In the game, Blackjack (21), the ace is assigned either one of two possible values, 1 or 11. The number 11 is a graphic of a pillar, or two pillars. As such, the 11 is used as an astrological symbol of Gemini, The Twins. As is Taurus, that's a Silver Gate sign that implies the presence and function of the goddess.

In the games of Hearts and Spades, cards of the Queen rank have the value of 13, a number that is astronomically linked to Venus. The game of Hearts is also known as Black Lady, The Dirty, Dark Lady, Slippery Anne, Chase the Lady, Crubs, Black Queen and Black Maria. The game has a play called shooting the moon, which adds yet another layer of goddess imagery.

The allure of the goddess is present with all games of “chance” and where there's a playing of the odds. Card players and gamblers have ever courted Lady Luck. Fortuna (Agathe) is her name, according to the culture reflected in the USPC bell and clock tower style of architecture. She is otherwise known as Tyche, the Seven Hathors, Meshkhenet, Isis-Renenutet... These have been called upon in the seeking of good fortune, and many a good luck charm, amulet or spell has been leaned upon for some advantage. The blessings of Victory, Justice, Liberty, Freedom and Columbia are likewise sought for the gaining of benefit and favorable outcomes in risky circumstances. The courting of Lady Luck is the evocation of the goddess, a practiced idolatry of a kind that often involves a magical working in the form of a good luck charm, like lucky socks, perhaps, or an act like crossing the fingers or kissing a ring. These expressions are not really unlike cartomancy in that such activities are inspired by the nature of the playing cards. Dice are similar. These also inspire gambling.

The goddess of Bicycle's Ace of Spades is the symbol of unity who draws and leads people to her Antichrist son. I see this imperative in the Bicycle Joker card.


The Joker

The Joker (The History of Bicycle® Cards)

“The Joker is an American invention dating from about 1865 and has made different appearances in the Bicycle® card line. The first type represented a man on a high-wheeled bike. The bicycle later acquired two wheels of normal size. Then followed a series of playing card kings on bikes. These cyclists wheel past a milestone marked "808." Contrary to some opinions, this number has no mystical meaning. It is merely a reference number distinguishing this brand from others (such as "606") by the same company.”

The joker is akin to the court jester, who was traditionally able to get away with subversive words and deeds under the protective cloak of providing amusement for the court. The Freemason's secretive Royal Order of Jesters comes to mind, who have transport and trade responsibilities. There's really nothing funny about any of that. It's all for their own amusement as they abuse genuine authority to exploit the benefits provided by their special cover.

So, no mystical meaning for the 808 on the milestone? Really? Why is it that the 808 is the only one of their many brand reference numbers to appear? Why does a code number appear at all, and why is it on a milestone marker? The thing about those who engage in Occult activities is that they serve the father of lies. They are deceived, and deceivers. There is a mystical meaning. It has to do with supporting the theurgy of the card deck and the primary mission of bringing forth the Antichrist beast.

There may be more to it, but this is what I see. If we take the milestone numbers on the Jokers, 5 8s can be produced. Count the number of 8s in 808 and 808. There are 4, plus 2 zeros. If the zeros are placed one on top of the other, another 8 is formed.

8₀8
8⁰8

If the jokers produce 5 8s and this is a milestone marker code, it suggests a refinement of the decks theurgy.

The introduction of the joker has to have an impact on the numerical value of the card deck. I noted earlier many of the features of the natural calendar that are inherent in the standard deck. The deck's total value comes up a little short of the number of days in the solar year. Producing 364 gives the closest round figure (divisible evenly by 4), but the astronomical-Julian year is 365 1/4 days long so the value of the deck is short by 1.25 days. If you assign each of the joker cards the value of 5/8, it produces the number of days exactly (364 + 5/8 + 5/8 = 365.25). This seems to crack the milestone marker code. The working of theurgy demands accuracy in the symbols.

The principle involved is described in Exodus 25, where Moses was given instruction about building the tabernacle that was an earthly model of a heavenly construct. Reference is made to that in Hebrews when describing the function of the Lord Y'shua as the High Priest.

1 Now the main point in what has been said is this: we have such a high priest, who has taken His seat at the right hand of the throne of the Majesty in the heavens, 2 a minister in the sanctuary and in the true tabernacle, which the Lord pitched, not man. 3 For every high priest is appointed to offer both gifts and sacrifices; so it is necessary that this high priest also have something to offer. 4 Now if He were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5 who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, “See,” He says, “that you make all things according to the pattern which was shown you on the mountain.” ~ Hebrews 8:1-3

Accuracy matters. Fallen angels know this, and they impart knowledge and wisdom to their illuminated servants.

The numbers 5 and 8 are produced by the planet Venus. In a cycle that takes exactly 8 Earth years to complete, a rosette is traced out that has a regular pentagonal figure. For that reason, the numbers 5 and 8 (also 13, the number of times Venus orbits during that cycle) are used signal the presence and activity of the goddess.

On the popular design of the joker, the vehicle is one of heaven's, the symbolic bicycle, a celestial transport. They are typically operated by a cherub. Who might represent himself as the cherub king? The king of Tyre, (bicycle tires?) of Ezekiel 28? As reaching the coded milestone marker on his bicycle, which presents theurgic calendar imagery, the image speaks to me of his reaching the milestone of gaining authority over the calendar, over time itself, with the assist from the goddess. The joke's on us, it seems to say, as he makes entrance through the twin pillar celestial silver stargate, bicycling into this realm as the returning king. The brand's promotion of the goddess with the time-space transiting king is really an essential pairing.

While researching the number 808 I discovered a claim that it was identified as the energy voltage of the God particle by the celebrated Nobel Prize-winning particle physicist Leon Lederman. He's the author of The God Particle: If the Universe Is the Answer, What Is the Question? and he's the one who gave the Higgs Boson the nickname, “the God particle.” The number 808 was derived from an analysis of the numbers he received in a dream while working on mathematical constructs for the Higgs Boson.

If there is a legitimate connection between the number 808 and the particle, the Bicycle joker's milestone marker makes a lot of sense. That atomic particle is believed to be the key to mass, and that has a direct bearing on the manipulation of time-space. The connection between the efforts to exploit the God particle (CERN LHC) and the opening of the stargate through which the ancient sun god and king will enter has been made many times on this blog. Could those responsible for the joker's milestone have received similar insight about the 808 milestone?

Because the number 8 represents a new beginning, and it is the common symbol representing infinity, the number 808 may be seen as a time wave symbol, where the value goes from infinity to zero back to infinity.

If you see the 808 milestone marker as an ancient standing stone, an interesting connection can be made with a TV show on the STARZ (stars = angels) network called, Outlander. A woman was transported back in time when she placed her hands on a standing stone monument. A coven of witches had just performed a Beltane ritual there in the moonlight. Standing stone ~ milestone marker ~ time-space stargate. Finding herself in the past, she soon encounters a man who looks like her husband's twin, who is his infamous ancestor. His nickname is Black Jack. That's a secret time code. The card game Blackjack is also called 21. The number 21 is a time number, generally meaning, the fullness of time. She and he may be seen to be linked through time, obviously. Her husband was the last person she interacted with before her transit, and Blackjack was the first significant contact, following.

The Bicycle as an Occult Symbol

I recently demonstrated how the bicycle is one of the objects used in Occult signaling media to represent heaven's vehicles, which are interdimensional transports for entities that generally appear in bodily forms. I'll be making reference to that post with the assumption that it is fresh in your mind: Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators

The bicycle can be used as a symbol in a biological or metaphysical context where demonic spirit enters or exits a body, where it represents the mechanism or mechanisms of opening the dimensional portals or stargates in the mind. Entheogenic drugs, sexual ritual, trauma inducing or brain wave disrupting stimuli, these are combined in systematic methodologies to bring a person into a dissociative or susceptible trance state. Because that kind of stargate transport mechanism may also be represented by a bicycle, it compares to the symbol of the pine cone or the pineapple that represents the activation of the pineal gland. They signal the bringing of illumination with the knowledge of good and evil.

In the first example, an E.T. movie poster, the imagery attending the flying bicycle supplements and extends the symbolism of the bicycle. The moon is a goddess symbol, and her presence is really necessary for proper theurgic ritual. The feminine connection is easily seen in the word, menstrual, which describes the lunar cycle but is most frequently used with reference to the woman's fertility cycle. The huge full moon provides illumination, and that's symbolic. The pine trees also present both fertility and illumination symbolism. Pine trees bear pine cones, which are the seed. The pine cones are implicit in the picture even though they're not illustrated.

And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. ~ Genesis 1:11

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on. If you're new to this blog, welcome! You may want to explore this series to get a foundation of understanding about The Sodomite Gateway.

In relationship with the fertile female moon, the pine tree is the fertile seed producing male. The pine tree has the phallic form. Ritual celestial sex is pictured by the pine tree touching the moon. There's another key aspect in view. Given that we're being “mooned,” sodomite gateway imagery is evoked as a major mechanism of illumination. While the illumination aspect of the full moon is obvious, in the pine tree symbol it's hidden. It's only revealed when you grasp how the pine cone represent the pineal gland. The full moon and pine tree illumination is emphasized by making them touch because of the added layer of kundalini-pineal illumination. Now, what we're going to discover is how the bicycle symbol compares to that with matching sexual, regenerative and illumination symbolism. We'll see that there's more symbolism involved. The moon is a celestial body, with angelic body connotations, and the pine tree is an evergreen, a symbol of eternal life or immortality. The bodily transformation aspect is also inherent in the symbolic bicycle.

In The Wizard of Oz, as the bicycle turns into a broom, Miss Gulch turns into the Wicked Witch of the West. Bodily transformation occurs, which is a change of garments in code language.

The broomstick-bicycle ridden by the witch has a history in pharmakeia. Witches would and perhaps still do smear entheogenic flight-inducing ointment on a broomstick to use it as an applicator. It is then ridden, as you see in these images. The broom is also used as a ritual phallus for sodomizing, where the broom is “ridden” with or without the “benefit” of pharmakeia. SRA handlers use certain kinds of drugs to encourage dissociation. They also use many kinds of instruments when sodomizing slaves to induce them to “go over the rainbow.” That's the expression Illuminati programmers use to make reference to bringing a slave into a trance state for programming. Technically, that's how Miss Gulch got to Oz on her bicycle, becoming the Wicked Witch of the West. The bicycle is equivalent to the broom.

On one level, see Miss Gulch as the Illuminated and illuminating slave-handler, who operates transdimensional magick as she traumatizes Dorothy. She held Toto captive and was taking him to be destroyed. She used a bicycle-broom to bring trauma - and Dorothy subsequently went over the rainbow. Watch the film and see it unfold from this perspective.

This bicycle-as-broom and as the mechanism of bringing dissociation explains the controversial music video that Queen made for their song, Bicycle Race, from their Jazz album, 1978. “The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was edited or even banned in several countries.” (Wikipedia) The video is suggestive that riding a bicycle is a euphemism for sexual intercourse, but there's a layering that is more esoteric. A sequence is featured where the bicycles are lined up at the starting line and the racers ring their bicycle bells. The bell ringing is a dimensional transit signal that complements that of the bicycle-seat-as-broom applicator of the flying ointment.

The song was written by the band's flamboyant frontman, who went by the name, Freddy Mercury. Mercury = Hermes = Anubis. Wimbledon Stadium is primarily a greyhound racing facility. Fast dogs, like Mercury-Anubis. The music video combines the imagery of the goddess and the psychopomp, leveraging the bicycle-seat-as-broomstick-applicator and flight symbolism. Historically, a stadium (Greek) is where the gods are worshiped with sporting contests. It's a kind of temple, just like with the Olympics. The lyrics are a lot of nonsense unless you interpret them with this understanding.

Here's the lyrics with commentary. The style feature of word association is a simple way to mix and match the symbols without any need for it to make sense to the listener. The themes (even linking 2x the beast with the office of the American Presidency) identify this popular song as a pretty high level bean spilling Illuminati vehicle.

Bicycle Race - Queen

Bicycle bicycle bicycle...
I want to ride my bicycle
I want to ride it where I like [expressing the basic tenet of Aliester Crowley and principle of Thelema - “Do what thou wilt shall be the whole of the Law”]

You say black I say white [knowledge of good and evil - the bicycle riding is how one gets into that illuminated state]
You say bark I say bite [“a dog's bark is worse than his bite” - reference to the dog star Anubis-Sirius - making a greyhound race connection in the music video]
You say shark I say hey man
Jaws was never my scene [flip it - being a predator is his scene]
And I don't like Star Wars [angel wars is his scene]
You say Rolls I say Royce [vehicles driven by the elite, Illuminati - also, their engines powered British aircraft in war time - - angel wars. Their engine names are symbols of the gods: Eagle, Falcon, Hawk, Kestrel (Falcon), Peregrine (Falcon), Goshawk, Buzzard, Vulture. Then, there's the Merlin and Griffon. ]
You say God give me a choice
You say Lord I say Christ [Here's the key. The choice he wanted and promoted is another lord and christ that is not mine. ]
I don't believe in Peter Pan [implying that my Lord is merely fictional]
Frankenstein or Superman [in those classics of fantasy literature may be found the alternate he chose]
All I wanna do is
Bicycle bicycle bicycle...

Bicycle races are coming your way
So forget all your duties oh yeah! [duties = doodys - scatological-defecation - ritual trauma and sodomy bringing dissociation, which makes you forget as you go into trance. The bicycle races are code for the programming rituals.]
Fat bottomed girls they'll be riding today [butt reference]
So look out for those beauties oh yeah
On your marks get set go [marks = the ritual's targeted victims]

Bicycle race bicycle ...

You say coke I say caine [cocaine - pharmakeia - and a naming of the offspring of Eve and the Nachash - Cain is related to his Choice.]
You say John I say Wayne [reference to the baptizer beast, the Papal high priest. John WANE - John 3:30: “He (Jesus) must increase, but I (John the Baptist) must decrease.”]
Hot dog I say cool it man [Enthusiasm for the coming baptism/anointing - phallus of Osiris involved in the regeneration-transit event]
I don't wanna be the President of America [associating the beast with the office of the Presidency]
You say smile I say cheese [wear an insincere face - false identity]
Cartier I say please [Jewelry (Jew-Israel) and timepieces - the time element that is key to the transit!]
Income tax I say Jesus [reference to Judas Iscariot, who was responsible for the finances]
I don't wanna be a candidate
For Vietnam or Watergate [V(ietnam) W(atergate) ~ V W = VVV=666 because V=vav, the 6th letter of the Hebrew alphabet. The signal of the beast and his mark is once more being associated with America and the office of the President.]
Cos all I want to do is
Bicycle ...I want to ride it where I like

The bicycle is featured briefly in Coldplay's “Strawberry Swing” video (@2:09). It appears during a dimensional transit sequence in the context of Illuminati mind control as well as in the baptism of the lawless one. The superhero models an exit from the underworld. He passes by 2 skulls and then a bicycle on his way out. Heads without bodies signal dissociation.

Skulls, like his colorless garment, indicate that he's in the underworld, the place of the dead. It's a resurrection sequence that draws upon the lion-fish as the sea creature that swallowed Jonah, signaling the sign of Jonah. In trauma-based mind control programming, children are bonded to dolls and teddy bears, which (and sometimes pets and people) are then dismembered to create trauma. Mickey Mouse ears are a very common symbol of Illuminati programming. He's inside the GI tract sewer drain pipe and emerges from the man's top hat, which is sodomite gateway imagery. The bicycle symbol has to be interpreted in this context. It's a vehicle for dissociation, for “going over the rainbow.” Related to the broom, it has distinct sexual “ram”-ifications.

Another music video where the bicycle is a dual symbol is Miley Cyrus - We Can't Stop. The exercise bike is leveraged like a regular wheeled bicycle, for dimensional transit and as the dissociative mechanism.

The entheogenic element is obvious as Miley sings these lyrics.

So la da di da di, we like to party
Dancing with Molly [party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop

The expression of Thelema appears like in Queen's Bicycle Race, “I want to ride my bicycle - I want to ride it where I like.”

The obvious pretext of the bicycling is to enlarge her butt for twerking, but it really just accents the ritual sodomy aspect. The illumination wrought is emphasized by comparing her companion's appearance to hers. She is white on white and he is black on black. That's the signal of the knowledge of good and evil - the illumination. He hand signals the Baphomet and wears the logo for Astrid Andersen clothing on his shirt. Astrid ~ Astre or Aster, star. Star = angel. The name, Astrid, means, beautiful or beloved god, divine strength - power of god. The name, Anderson, decodes to son of man. The scene in the exercise room is pretty rich. In the first image, we see Miley, ridding the bicycle as from one dimension (grid) into another (window).

For more decoding of the video, see the following, or search this blog for Miley Cyrus.
Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!

A psychedelic song from a 1968 is about a white bicycle. More of the same. White = divine illumination. The band? Tomorrow. The future, time code. The psychedelic implies the entheogenic, the shamanic journey. The cover art illustrates the kundalini activation enlightenment.

Tomorrow (1968) 'My White Bicycle'

Riding all around the street
Four o'clock and they're all asleep
I'm not tired and it's so late
Moving fast everything looks great. [The ritual is past, ending typically at 3 AM to leverage the 60+60+60 or 666. Everyone has cleaned up and heads for home - but the high persists]

See that man, he's all alone
Looks so happy but he's far from home [Dissociated - the core persona is sad and isolated, trapped, but there's a happy face front alter]
I ring my bell, smile at him [The handler's voice - dimensional transit - gone to that happy place over the rainbow]
Then I kick over his garbage bin [butt trauma - ritual sodomy]

The rain comes down but I don't care [the rain man - the sodomizer]
The wind is blowing in my hair
Seagulls flying in the air [Dissociated, in the trance state. Wind = spirit and seagulls are unclean birds, demons.]

The lamppost hangs, his hand in space
shines no light upon my face [The face behind the mask of the front alter is buried within.]
Through the darkness we still see
My white bicycle and me [The third eye, inner vision, astral projection and remote viewing]

Policeman shouts but I don't see him
They're one thing I don't believe in [another authority has control]
He'll find some charge but it's not theivin' [in the context of the ritual, “charged” objects have resident spirit empowering them, like the slave.]

The lyrics naming the lamppost and policeman allude to a familiar classic. “Daisy Bell” is obviously code for the goddess of love who fires the darts. The bicycle built for two is the sexual vehicle that facilitates ascent into the realm of the half-crazy.

Bicycle Built For Two

There is a flower
Within my heart,
Daisy, Daisy!
Planted one day
By a glancing dart,
Planted by Daisy Bell!
Whether she loves me
Or loves me not,
Sometimes it's hard to tell;
Yet I am longing to share the lot -
Of beautiful Daisy Bell!

Daisy, Daisy,
Give me your answer do.
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle built for two.

We will go 'tandem'
As man and wife,
Daisy, Daisy!
'Peddling' away
Down the road of life,
I and my Daisy Bell!
When the road's dark
We can both despise
P'licemen and 'lamps' as well;
There are 'bright lights'
In the dazzling eyes
Of beautiful Daisy Bell!

Daisy, Daisy,
Give me your answer do!
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle made for two.

I will stand by you
In 'wheel' or woe,
Daisy, Daisy!
You'll be the bell(e)
Which I'll ring you know!
Sweet little Daisy Bell!
You'll take the 'lead'
In each 'trip' we take,
Then if I don't do well,
I will permit you to
Use the brake,
My beautiful Daisy Bell!

Queen's Freddy Mercury was illuminated. He knew things, making reference to the classics to leverage and extend their Occult imagery. It's theurgy. Yes, all this has been going on for a very long time - certainly predating the invention of the bicycle.

When the subject of bicycle races comes up, sooner or later the most famous one will probably be mentioned: The Tour de France. The organizer's logo makes it evident that they're on to the plot. The stylized title pictures a bicycle being raced. The wheels are sun wheels. It's Apollo's sky chariot being ridden across the sky. One wheel is the ancient dot in circle symbol of the sun, which is also a male-inside-female reproductive symbol. The other is the orange circle. The circumference crosses the R, making it an Rx or eye of Horus and prescription or pharmakeia symbol. The big controversy about the race usually involves doping. There's a theme. Opposite the R and connected through the circle of the orange sun is the letter e. The sun god is Re. The centennial anniversary poster shows the bicycle racing through time, in a Fibonacci goddess spiral.