Christopher Lloyd (Doc Brown) and Code 88

(Inspired by Observations made by a Redditer on: Christopher Lloyd and 88 * Thanks, Brandon)

The movie titled, 88, was very hard to watch, with the violence, gore and excessive sexuality of that style of film, but Aaron and I both were compelled to watch it. The movie is absolutely loaded with #88 signals that are both overt and covert. What we call Code 88 is a familiar celestial code that is used in space-time ritual magic. (See: Code 88: Space-Time (and the Lion's Gate)) The lead character's lover was named Aster. That means, star. Some of the events involve a motel room and these are always room number 88. One of the recurring settings is room 88 of the Starlight Inn. Celestial!

Mind-control programming is a pretty obvious theme. Identifying the lead character as a beta sex kitten and delta assassin and Lloyd's character as her handler/programmer should be easy. The way the sequences are jumbled testifies on this level of the slave/victim's experience of "out of time" memories. This feature also speaks to the matter of the space-time ritual anchored on the signaling of 88.

The lead character should also be identified as the goddess type through her wearing of the red dress and her obsession with drinking milk. The DAIRY QUEEN - Hathor. This goddess symbolism is layered up. For example, she is the celestial goddess, obviously, who is Venus. And, twice, she is served milk at a bar or counter by someone in the role of the queen bee goddess, because of the tradition of the fermented honey drink, mead. Her name is Gwen, meaning white circle, white, pure, blessed, blessed ring, holy.



Here's a screen capture from the movie "88" showing the house number and street name of the house where Christopher Lloyd's character lives. 88 Constellation Row. It has been accepted for many years that there are a total of 88 recognized constellations of the Zodiac, which can be described as a row. The length of the movie is 88 minutes, exactly. That makes it "time bound," a magick ritual thing.

When you get to the end credits you will notice that they roll them in the opposite direction, scrolling them down from above, also featuring an inversion in sequence. As Above, So Below. Magick Ritual.

The stylized text spills the beans on one of the features we call out as code very frequently. Each time a B appears in a name it is swapped for an 8. BB88 - with B as 8 by reason of simple resemblance.

Christopher Lloyd is also the lead actor in, The Boat Builder (2015). The Title is Code 88 (BB88), and the plot has a distinct resonance with the celestial code as he is a retired ship's captain who lives to restore his boat and set off to sea.

(Evocative of the famous poem - "I must go down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by," - John Masefield, From "Sea-Fever", in Salt-Water Ballads (1902) )

The following scenes from the film should speak loudly to you.

This screenshot is from 13 seconds in, when the moment that first signals the mastery of time is presenting a space-time ritual.



The lead actor's name is appearing in the credits as he appears riding his bicycle. See these posts on The Open Scroll Blog, where we illustrate how the bicycle is used to represent a dimension-transiting vehicle. The actor has all the casting resonance imported from his appearances in the, Back to the Future, trilogy (as Doc Brown), from, The Adventures of Buckaroo Banzai Across the 8th Dimension (as John Bigboote), etc. Space-time ritual in a time-binding moment.

When the film's title screen appears, the camera lingers on the shoreline.



The boat builder had just paused there with his bicycle. He just left but the camera doesn't pan with him. The Boat Builder, BB88. The shoreline is where the water as time meets the sands of time. The rocks and the water are symbolic elements that are so frequently paired in the esoteric context of space and time, even in the Bible.

The chain is also symbolic. It is first evoking the divine seirai of theurgy, the connection between men and the Celestial Bodies. The chain with its "Twin Torus" links evokes the Celestial Silver Gate, which lies between the constellations of Gemini (The Twins) and Taurus. For more insight, see Part 7 - Ke$ha's 'Crazy Kids' - Twinned Torus Chains.

In allegory, or in ceremonial magick ritual, to identify it more plainly, with his dimension-transiting vehicle he transited the Silver Gate, departing from the space-time dimension we were viewing.

Series Links: Ke$ha's 'Crazy Kids'

MK-ULTRA Mind-Control Programming. Opening celestial stargates. The Black Awakening. The revealing of the lawless one. Ritual Sodomy. The Eye of Horus. The Hand of Horus. These are some of the subjects of the Ke$ha song and video, Crazy Kids.

Ke$ha - 'Crazy Kids'



This "sticky" page presents links to all the posts in the series.

---

Part 1 - Secret Identities
Part 2 - Modeling the Ancient Golden and Silver Gates
Part 3 - Little Horus, the Tower of Babble and the Bottomless BBQ
Part 4 - Mazel Tav Trouble
Part 5 - A Tribute to Josef Mengele, Master Programmer
Part 6 - Insane, But with a Method to their Madness
Part 7 - Twinned Torus Chains

America's Fall and the Black Awakening - Decoding Kesha: We R Who We R

One of the items Aaron and I have been wanting to blog about for a very long time is a popular song and music video by Ke$ha. We R Who We R is like a pep rally for those who have been programmed with the mission to bring down America in the Black Awakening. Kesha claims the song was intended as a gay pride anthem, and some take it to be just that, but while the gay, or, sodomite connection is evident, that's only one layer of meaning. "We R Who We R" is a track on the album Cannibal, from 2010. Cannibalism and sodomy are two of the ritual acts or behaviors associated with the ancient gods and their worship. These are standard practice during SRA trauma-based mind-control programming. For some background, search the blog for Ke$ha and you'll find much to support what I'm positing here. If you're already familiar with the Sodomite Gateway and the Celestial Stargates posts that will help provide a foundation.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

I'm going to present this in a format where my commentary is woven in around the song lyrics to interpret what they mean alongside the music video's symbolic imagery.

As the video begins there's blue electrical discharge forming the shape of an eye. Then we're inside a tunnel with lots of flashing lights. Ritual sodomy illumination is pictured, with the tunnel as rectum and flashing lights as the illumination of the Horus Eye. Stargate imagery is apparent, with Silver then Gold celestial stargates pictured, with a transit in progress as shadowy figures approach back lit by the flames.

The video was filmed in Los Angeles and this is the 2nd Street Tunnel. Think GI tract - the tunnel of #2, excrement. Los Angeles, means “the angels” in Spanish, but the city's full name is, La Ciudad de la Reina de los Angeles, which means, “The City of the Queen of the Angels.” If you connect that with the Romish church and the Marian Queen of Heaven, and with Isis, you do well. The police car with the flashing lights on makes a show of the presence of authority, the angelic-demonic authorities. This scene is taking place inside the Los Angeles 2nd Street Tunnel, meaning inside the angel's butt. Why? To ritually acquire the angel's power, to empower an army.

(Marion Knox - Interviewing Deprogrammers: In the House of the Strong Man Sodomy is the Key)
“We have more sodomy now out in the open than we’ve ever had. Lot was in Sodom -- that’s where the word sodomy comes from. It meant anal sex, or as they’re calling it now anal intercourse. What other kind of sex do you think they could produce on those angels that they tried to break the door down to get to? They wanted to get their supernatural power. The belief in the occult world is if you could sodomize God, you’d get God’s power. You become as gods through sodomy; that’s the way the Greek gods became gods. Alexander the Great was a great sodomizer and his Greek army was the most fierce. Hitler tried to pattern his SS and military after the Greek warriors using sodomy. When you put that all together, the civilizations that God wiped out boiled down to the practice of sodomy.”

There's plenty of plausible deniability with the interpretations of the terminology but there's bits you just can't make fit unless you accept the esoteric interpretations.

“Hot and dangerous
If you're one of us then roll with us
'Cause we make the hipsters fall in love
When we got our hot pants on and up”

Kesha is leading a group of women into the tunnel with explosions behind them as she sings, “hot and dangerous,” making immediate reference to Beta-Delta female sex-kitten assassins. What's also hot and dangerous is butt sex with angels directly or by proxy. (Ke$ha Slept With A Ghost - CONAN on TBS) That's why they wear hot pants, which accent the butt. “Rock and Roll” is a euphemism for sexual intercourse. Rolling in the hay. The word “hip” is a Code 33 signal: h+i+p=8+9+16=33. Taylor Swift also names hipsters in her Illuminati ritual song titled “22.” They make the Code 33'ers fall in love and that's all about the sodomy, ritual sodomy, and the relationships between slaves and their handlers.

“And yes of course we does
We runnin' this town just like a club
And no, you don't wanna mess with us
Got Jesus on my necklace-ace-ace”

When the all female gang comes into view we see Kesha wearing a leotard covered in shards of reflective broken glass. Broken mirrors represent the shattered slave, with multiple identities. Their personality and identity is shattered and multiplied when they dissociate during traumatic ritual sodomy. Her garment speaks to Aaron and I of a Nachash suit, the shimmering hissing enchanter. It's a leotard - think leopard, the beast of Revelation 13:2. Another woman wears a feline print leotard, which is another classic symbol of the Beta programming, aka sex kitten programming. This programming is often used in conjunction with Delta programming, which makes them a psi-powered supersoldier. Think Delta forces. These assassin alters represent the deadly missions they are programmed with that have the most well defended cover. Kesha is wearing an ammo belt filled with cartridges draped over her shoulder.

Is that typical gay attire, even for an underground party? No, she's a sodomite warrior, Beta-Delta programmed, a Luciferian undergrounder prepped for special ops. They will literally be “runnin' this town just like a club” where bouncers provide what passes for security. She warns us, because you don't want to mess with them, challenging these “club bouncers” as they enforce the secret club rules.

In a very brief image flashed as the opening tunnel scene began we see Kesha in a position with her hands on the wall like she is being detained and frisked by a law enforcement official. This speaks to me that she's restrained, under someone else's authority. It also reveals how she's a "catch and release" - avoiding being taken into custody. She's above the law, authorized to bring chaos.

In the video she's not wearing a necklace around her neck, but has one large cross for an earring. She is seen in the video wearing a Rosary around her wrist. She's got Jesus on her necklace (ON - Heliopolis). There's an obelisk from On at the Vatican. Like the Pope, she's got Romish-Egyptian Jesus power, the authority of a Jesus Barabbas. That's not my Lord.

She wears a utility chain opposite the ammo belt, which is of a twinned torus construction to signal the Gemini-Taurus of the celestial Silver Gate, through which Horus is being invoked. The chain is like a mission patch or badge. Her mission is to prepare the way for Horus to emerge, to be received as the savior of man - Antichrist. The utility chain looped over one shoulder crosses over the ammo belt looped over the other. It marks her with an X, the mark of the sun god. In conjunction with the encircling loops, the circle X symbol of the mark of the beast is created.

“Got that glitter on my eyes
Stockings ripped all up the side
Looking sick and sexified
So let's go, oh, oh, let's go”

That verse is the first of three in a set that is repeated later and can be considered the chorus. She's got the glitter on her eyes, making them sparkle with illumination. Kesha wears eye makeup that resembles the ancient Egyptian Eye of Horus, with rows of little pyramids adorning her eyebrows. She wears a bracelet that has two rows of bigger pyramids. Her eyes are Osiris green.

She's got the activated Horus eye, which she signals later with two fingers making a triangle (anal triangle) next to her eye. The images of Kesha's face rotate through several versions where she wears different makeup. Each is as a separate identity suggesting by the switching that she is a multiple. Her stockings are ripped, indicating abuse and ritual trauma. She's looking sick and sexified, like a traumatized sex slave, but she's ready to go. An invitation to join her in going is a kind of command trigger.

When the song breaks into the next hook we hear the parts of the chorus that rock the 666 mark of the beast symbolism big time, a feature that really should speak very loudly to you!

“Tonight, we're going hard, hard, h-h-h-hard
Just like the world is ours, ours, o-o-o-ours
We're tearing it apart, part, part, p-p-p-part
You know we're superstars, we are who we are”

“We're dancin' like we're dumb, dumb, d-d-d-dumb
Our bodies going numb, numb, n-n-n-numb
We'll be forever young, young, y-y-y-young
You know we're superstars, we are who we are”

Count the repetitions in the stuttering. Slaves are trained to always count repeating items in a set. Hard - 6x. Ours - 6x. Part - 6x. The signaled 666 is associated in Revelation 13:18 with the beast and his mark. This is repeated in the next verse of the chorus - dumb x6, numb x6, young x6 produces another 666. Why would 666 be so cleverly signaled if this song was just an innocent dance club tune or a show of solidarity for gays or misfits?

A similar way of producing 666 is evident in the Prince song, Purple Rain, which I wrote about in Serpent Rain and the 666 of Purple Rain. He sings the chorus 3 times. Each comprises 6 repetitions of the words, “purple rain.” Six, six and six: 666!

Edgar Allen Poe crafted his classic poem, The Raven, with a similar embedding of 666. While I was studying the structure of the work, with an understanding of the raven as a demonic agent representing Apollo, I discovered how the 18 stanzas exhibit a subtle but distinct pattern of three sets of 6. I believe he was illuminated and that he concealed his secret in the first stanza.

“Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'” (Poe - The Raven)

In his own volume of the poem, it is the repetitive action that is the tell. Encoded in the repetitions forming the basic structure of the poem is the key - 6-6-6. It was the raven who was tapping, a bird long identified with Apollo. It's about the beast and his mark. Clever Devil. A string of double letter words appear in lines 3, 4 and 5, bearing testimony of 5-Horus as the visitor, according to the esoteric 47th problem of Euclid.

Lines from this poem were used by a serial killer who escaped from prison in season one of the hit show The Following. See this commercial for a highlighted sample promo. He used them to signal his army of programmed killers (The Followers). The serial killer's name is Joe Carroll - JC ~ Jesus Christ ~ a deranged Bible quoting messianic figure. His nickname is, “the prophet Joe,” and his idea was to lead them to salvation. The show was on the FOX (6+(1+5)+(2+4) ~ 6-6-6) network.

Back to the music video, on Kesha's fingernail we see symbolic jewelry, tiny handcuffs. She is a slave, bound to her handler and the entire organization. Ritual sodomy is the binding tie. There's a subtle dark X appearing on the fingernail itself, and together with an O of the handcuffs the ancient symbol of the mark of the beast appears, the circle X or XO. So, there is redundant signaling of the mark of the beast, repeated in the audio and the visual imagery.

The cars drag racing in the tunnel provide a subtle Baphomet signal. The more prominent car is Pontiac's classic muscle car, the GTO, which is known by the nickname; the Goat. In the context of the video, it's the Goat of Mendes - Baphomet. The dancing undergrounders (as inside the tunnel under ground, and as what the Luciferians are called) in the scene are holding their hands up in the air - waving Horus hands.

The pair of stuttering sets heard in the chorus are rhyming sets of three. The repeated chorus is composed of three verses. Illuminati programming: Hypnotic commands are given 3 times. In the following excerpt, the tripling of triggers is described, and we learn what is meant by the lyrics of the chorus and song title, We R Who We R.

(The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)
“3. THE PERSON’S SENSE OF IDENTITY IS LOST. The Monarch slave lose his/her sense of self to the cult and to the person’s master. No sense of where I begin & end, and where the Master begins and ends. The Monarch programming goes beyond what many cult have done, the alters are hypnotized to not see their faces, which is part of their identity.
4. ALTERED STATES & HYPNOSIS IS USED. The handlers/programmers use hypnotic techniques. They induce dissociation by songs, chanting, guilt inducing sessions, torture, isolation, as well as using songs, repeating triggers 3X, and lots of hypnosis.”

We R Who We R: “We” are the unidentified, the mind-controlled slaves. Like in Rango, “Who am I. Nobody.” It's not an existential crisis but the identifying expression of a multiple. This same matter is featured in Alice in Wonderland, a programming staple. The song is more than a catchy dance tune, it's a programming tool. It won't turn you into a slave but it will support the programming of an existing slave.

The two letters R in the title appear for the same purpose expressed whenever an instance of double R in TV titles shows one of them reversed. R = 18 ~ 6+6+6. When the chorus is sung an emphasis is placed on the R sound when stuttering hard, ours and part. Also the two Rs in the title signals 18+18 = 36 - the number of the magic square of the sun that produces 666 and invokes the sun god Horus.

Now, let's give some attention to the lyrics of the chorus. In the first verse the Delta program objective is openly revealed.

“Tonight, we're going hard, hard, h-h-h-hard
Just like the world is ours, ours, o-o-o-ours
We're tearing it apart, part, part, p-p-p-part
You know we're superstars, we are who we are”

When the superstar agents are triggered, they will tear the world apart. These are superstars, code for chosen ones, merged with and powered by fallen angel commanded demons. Stars are angels. Los Angeles.

The second verse uses a code word for the Delta alter program execution, dancing, like in SuckerPunch, like Jessie J in “Price Tag,” who just wants to make the world dance.

“We're dancin' like we're dumb, dumb, d-d-d-dumb
Our bodies going numb, numb, n-n-n-numb
We'll be forever young, young, y-y-y-young
You know we're superstars, we are who we are”

When the Delta alter and mission is triggered the expendable agent has no sense of self preservation. Dumb - mindless. Numb -their state disconnects them from pain and isolates them from their bodies. The promise of being forever young is in being immortalized, and literally this is the hope of the illumined, immortality, eternal youth. “We'll be forever young, young, y-y-y-young.”

This has nothing to do with being misfits or gay, except how it may apply to the chosen ones appointed for the bringing of chaos during the Black Awakening.

When we see the mob run across the tunnel in front of the police car with flashing lights, we should see that they have been activated. Many of the police are programmed agents. They will provide support for those bringing chaos. Transportation hubs and key access points like tunnels and bridges will be targeted for efficiency of control, bringing traffic and travel to a standstill. No escape, no entry for services, provisions... The population will be trapped for reduction and control.

“DJ turn it up
It's about damn time to live it up
I'm sick of being so serious
It's makin' my brain delirious”

The DJ provides the cues and the sound track for the underground party. The DJ represents the Illuminati programmer, who knows the codes and gives the trigger signals according to plan. The mind-controlled delerium is ramping up, and the agents are living for the moment they are activated.

“I'm just talkin' true
I'm tellin' you 'bout the sh*t we do
We're selling our clothes, sleepin' in cars
Dressin' it down, hittin' on dudes, hard”

If this is all about being gay, why are the women hitting on dudes? Oh, because they are Beta-Delta warriors, and they are all about the literal beat down. The sh*t they do is referencing the ritual sodomy, and the other ritual activity involved. Kesha and crew are telling us true, if we know how to and care to listen. Selling their clothes and sleepin' in cars indicates how they are completely dedicating their resources to this effort without compromise.

In this scene inside the underground dance club we see the DJ's have the website Plenty of Fish on screen. “The World's Largest Online Dating Website.”

A dating website collects and maintains a database of personal information. The authorities have the population catalogued, thanks to Plenty of Fish, Google, Facebook, Twitter and every other social networking site. They know who to target and what to expect from them. The Lord Y'shua haMashiach told Peter he would make him a fisher of men. Fish are people in the context of harvest, and the symbol of fish is often seen in connection with Christ and Christians. The Plenty of Fish site pictured on the DJ's laptop screen suggests their primary targets are the saints. When the time comes to cross off those who are perceived as threats off their lists, they will have quite an advantage. Have you seen “Deus Ex Machina,” episode 23 of season 3 of the CBS (all seeing eye network) TV show Person of Interest? (Thanks Beverly) The J. J. Abrams show's plot puts a lot of what's actually planned right out in the open.

The club is serving drinks, 100 proof Mexican tequila, Revolucion brand. They are pouring out the spirit of revolution. The label features a pair of six shooters. Did you read the news about the 36,007 convicts being released by the US ICE in 2013? Where do you suppose the vast majority immigrated from? Kesha now appears wearing a tattered American flag for an outfit. Connect the dots. This dance is all about revolution in America.

The three verses of the Chorus are heard again, for the second and last time, followed by this unique verse that has more stuttering signals:

“DJ turn it up
DJ turn it up
DJ turn it up
DJ turn it up”

The DJ or programmer gives the code trigger, turning up the volume, amping up the intensity. Giving attention to the counts, the first three lines present a stuttering of 7s. The number 777 is the biblical gematria identified with the cross. It signals sacrificial death, which is of course followed by resurrection. The voice of the third line is altered, calling attention to it. Three is the resurrection number.

We see in this scene Kesha posing on top of a tall skyscraper like a golden haired goddess. Kesha's look is an homage to the dance club look of the decade of the 80s, when the "artist of the decade" was Madonna -- Queen of Heaven - Isis. The building appears from angles that make it resemble a pyramid. She lets herself fall backward off the building, in free fall to the ground with her arms held out like she's on a cross. Sacrificing herself like Jesus, like her Jesus, for her Jesus (Barabbas). She is saved, caught miraculously by the crowd like she's crowd surfing at a club, supported by the Horus Hand crowd of worshipers - Horus resurrection. As soon as she hits the crowd on the ground, the electrical celestial eye appears in a bright flash. It's the illumination of the immortal “forever young” life of the beast resurrection, which will transfer to the crowd of supporters, worshipers, through the mark of the beast That's why we see the electric eye superimposed over Kesha and the Horus Hands up crowd, with lots of bright flashing lights. The eye of Horus illumination is pictured with alternating flash back images from the opening scene's GI tract tunnel and stargate, tying it all together for us, because of the key role ritual sodomy has played in advancing man toward a merging with the beast.

With the altered voice of the 3rd line and then followed by a unique 4th line, This is the 3 and 4 called out to signal the production of Horus through the union of Osiris-3 and Isis-4.

Because the first 3 lines each produce a 7 and the 4th produces an 8, this is another example of the key pattern, “three things and then a fourth,” which identifies this present Shemitah (2012-2019) as the one bringing the anticipated end of the age with all expectation of promises being fulfilled.

The number 8 represents a new beginning. The 7-7-7 cross symbol is followed by a new beginning. Death and resurrection. It's a messianic beast and phoenix story, as the flaming firebird rises from its own burning ashes, in a new form.

The song closes with the last two of the three verses of the chorus, presenting us with another doubling of the stuttering presentation of 666. Those two verses are heard three times in the song, stuttering 666 a total of 2x3 (hypnotic programming) or 6 times.

Consider what Kesha has been wearing. Her outfit resembles a tattered American flag. Kesha's look has been channeling Madonna with her cross earring and the trademark hair and the Rosary (Like a Prayer) and the dance club fashion of the era when Madonna reigned as Queen because Madge did a “Rock The Vote” commercial for MTV in 1990, and this link identifies Kesha with the republic even more strongly. (Madonna identified herself with the gay community as a promotion of the sodomite god, just like Kesha, and so many others.) When Kesha falls from the skyscraper rooftop she represents the republic, America, falling to a lower level, a lesser status. That's the big deal. See America fall from the heights - down, down, down, while the music is paused for emphasis - to gather the viewer's raised energy that is poured in to fill the void. From the way the city lights appear in the brief flashes of background offered during the closing dance scene, it looks like they are dancing on another rooftop, but one much lower than the building Kesha fell from. That's the operation. The Black Awakening is not intended to completely destroy America but to reset it to a much lower level, an easily manageble level.

The surviving army of chosen ones will celebrate when their missions have been completed.

Part 39 - Celestial Stargates - Light Rods, Tinsel and Pleats

Series Links: Celestial Stargates

This series was interrupted when I turned my attention to the Winter Olympics. While there's probably more blogging about those symbolic ceremonies to be done (which are rich with celestial stargate imagery), I'm returning back to this series to give special attention to the stargate imagery featured in the Fisht Olympic Stadium throughout the closing ceremony of the regular Olympics. A collection of large cylindrical rods hung from the ceiling that were painted with light. These dynamically lit rods were used to signify and ritually model the opened stargate as opened lines of transmission between the realms of the seen and unseen. The vertical lines of the light rods is a visual cue common to many settings where stargate transits are featured. They also illustrate the kind of radiation beaming from the stars that influences men on the earth.

Ancient Egyptians used the pictograph you see here to represent the energy beaming from the stars and the operative stargate. Parallel lines are drawn to connect the objects involved in the transmission, suggesting coherent rays of energy.

These images are gleaned from Magickal Egypt, a documentary by John Anthony West.

This is not the stuff of imagination, superstition or illusion. Energy from the stars, since the stars are associated with angels, represents the supernaturalism of Ephesians 6:12, as it is written, “our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places.”

19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the LORD your God has allotted to all the peoples under the whole heaven. 20 But the LORD has taken you and brought you out of the iron furnace, from Egypt, to be a people for His own possession, as today. ~ Deuteronomy 4:19-20

What powerful influence would draw them away to serve all the host of heaven but that supernaturalism of the false gods represented in those celestial lights as they actively sought to be worshiped? In the version of the text above (NASB), the language used for the motivation is a little soft. The Hebrew word used is more forcible and doubled, nadach nadach: to thrust, to impel.

Prior to the Exodus, a contest ensued when Moses was sent to the Pharaoh to encourage the release of the enslaved Israelites.

10 So Moses and Aaron came to Pharaoh, and thus they did just as the Lord had commanded; and Aaron threw his staff down before Pharaoh and his servants, and it became a serpent. 11 Then Pharaoh also called for the wise men and the sorcerers, and they also, the magicians of Egypt, did the same with their secret arts. 12 For each one threw down his staff and they turned into serpents. But Aaron’s staff swallowed up their staffs. ~ Exodus 7:10-12

6 So Aaron stretched out his hand over the waters of Egypt, and the frogs came up and covered the land of Egypt. 7 The magicians did the same with their secret arts, making frogs come up on the land of Egypt. ~ Exodus 8:6-7

The magicians of Egypt were not putting on a show with cheap tricks. Today, the public is told by the generally recognized and respected authorities that magic is just pretend and that the Devil is not real, and by their enchantments most folks simply accept those lies. For the first 22 years of my life, I was oblivious. Now, not so much.

The column or pillar is a popular representative form of the bridging mechanism. A simple cylinder is the simple geometric form of a squared circle, which is relevant as a symbol of illumination through ritual sodomy. The light rods employed in Sochi are, of course, cylinders.

During the closing ceremony of the regular Winter Olympics, South Korea, host country of the next planned Winter Games, presented their own ritual performance on the grand stage underneath the light rods. Their official logo was projected on the floor, for PyeongChang 2018. I see their logo as a glyph for Gemini, a Silver Gate symbol, and a star of the exact form used in ancient Egypt. Familiar, yes?

In this picture you see a technical illustration used by NASA, where a wormhole is pictured with colored rods of light surrounding it. When you watch films or TV shows that picture a star ship going into warp drive or traveling near or above the speed of light or other kinds of wormhole transits through space-time you will usually see special effects extending points of light into light rods. This is the addition of an extra dimension to a point to create a line. It's akin to the motion blur. Its a visual dynamic that suggests time-space is being spanned. This is the effect created by the light dynamic of the rods in Fisht Olympic Stadium.

The cylinders hanging from the ceiling of the Fisht Olympic Stadium were painted with light and used as animated decor throughout the ceremonies.

In some of the segments, these were supporting the theme of stargate transit. In others, they were illustrating the effects of star energy beaming into the stadium. I believe those stage props are magickal instruments that were employed in ritual for energetic transmissions beaming in and out of the Stadium. The objects in that collection was reported to number 204, which cannot be simply random.

• 204 balls may be stacked in a pyramid whose base is an 8 by 8 square, and which has 8 courses or levels. The pyramid and all its forms is believed to be very potent, energetically, and is associated with ancient Egypt and the worship of the sun god. It is associated with the Illuminati. The three 8s produced suggests 888, a number linked to the name Jesus in biblical gematria.
• 204 is a truncated triangular pyramid number. The truncated pyramid has special signification in connection with the Great Pyramid at Giza and as the representative form of the body or kingdom of the beast of Revelation 13:1, the head or capstone of that base.
• 204 is the number of squares of all sizes on a chessboard, an object often used to signify the presence of the knowledge of good and evil.

Those rods hanging from the ceiling were apparently also called a forest, so they must individually be trees, as trees in the Garden of Eden which are not of the natural kind that populate the forests on earth. The collection was also what seemed to be referred to at one point as the soul of Russia, which links to the Milky Way as a celestial river of souls.

In Sochi, when the flame was about to be extinguished at the climax of the Games, a scene transition combined two shots in the fade to overlay some key symbols.

The light rods representing the opened stargate were superimposed over the mirrors that represented dimensional portals. It was momentary - and brilliant. They were raised to reveal the mascots, illustrating the revealing of the lawless one who will come as Horus incarnates through the celestial Silver Gate. Evil genius.

What is represented by these rods on this grand scale is more simply and commonly modeled by draperies with vertical pleats or by vertical blinds at windows or by pillars with vertical lines ringing the shaft.
In Ke$ha's official Crazy Kids music video, cheap tinsel icicles hanging in doorways and wreaths were stargate props, with silver tinsel representing the Silver Gate and the gold, the Golden Gate.

This scene where Ke$ha sits between two bull dogs is brilliant. The Gold and Silver Gates are positioned in the Zodiac opposite each other, marking where the ring of the galactic plane intersects the ring of the Milky Way. There is an alignment of the two, and this is what we see with the Silver Gate pictured directly in front of the Golden Gate. The Golden Gate is represented in the golden tinsel hanging down, and the golden sunrise arc at the top of the golden backed couch. The Silver Gate is pictured as Ke$ha wears the vertical banded blue and white blouse. Her legs are crossed because she is crossing over the dimensional barrier. She's flanked by two bull dogs. Bulls signify Taurus and the two of them picture Gemini, The Twins. The celestial Silver Gate is flanked by Gemini and Taurus. The utility chains worn by the dogs are constructed of twinned torus links. Anubis, the escort to and from the underworld is the dog headed god, and in the celestial heavens he is represented by the Dog Star Sirius.

The producers of the official music video for We Can't Stop, by Miley Cyrus, modeled the stargate transit at the revealing of the lawless one by her dragging a stuffed bobcat across the floor. The backdrop is a simple white drapery, which is the color equivalent to silver in heraldry, and represented by the same Egyptian hieroglyph. The vertical pleats present the coherent beaming starlight structure of the stargate transited.

The same visual was employed in the official music video for Insane, by the South Korean “K-Pop” band A-Jax. The structure of the spinning chair's 5 ray wheeled base presents us with the stargate vortex image. As a backdrop we see the same subtle prop used in Miley's set.

The transdimensional construct was used to great effect in the industry changing film, The Matrix. Streaming columns of characters were used to represent the construct of the matrix, a virtual world created by the machines that held humanity captive in an artificial world of digitally generated illusion. It's really quite an impressive allegory. In their representation of another dimension interfacing with real world biology and physics, the filmmakers employed the dynamic light rod kind of effect in a variety of notable ways.

That film's illustration of the columns of streaming light as the interface between the realms was augmented with another kind using sound. The bell, which I've written plenty about (Bells - Supernatural Enchantment and a Biblical Perspective - also search this blog for tuning fork), is an ancient means of initiating travel between the dimensions. When Neo and the others who have been freed from the Matrix reinsert themselves into that realm, their only way back is by way of finding a phone.

To get an exit they have to wait for the phone to ring. When the hard-wired land line phone rings, which is an old school AT&T “Ma Bell” type bell phone, we're not told this but you should note that it triggers the ringing of a bell, which opens the stargate and facilitates the transit.

Stargate transit imagery is important to those who craft mass rituals. This is how they access the ancient entities represented in the celestial heavens, transmitting, broadcasting and receiving from the heavenlies. When their champion is incarnated in his host body after transiting the Silver Gate, most folks will be oblivious to what's going on. I'm hoping you will seize the opportunity while it remains to seek the Most High God and Father of His only begotten son, the Lord Y'shua while He may be found - with all your heart!

Part 13 - Sochi Winter Olympics 2014 - Clowns and Cosmonauts

Series Links: Sochi Winter Olympics 2014

* Note: Official video of the ceremonies is now online. Find links to relevant clips and to the full streaming video on the Series Links page above.

The Paralympics have now begun. I recorded and watched the opening ceremony, seeing much more Occult symbolism spilling the beans about what's coming in the near future! A report may be forthcoming, but there's still more to be know about the mass public ritual of the regular Olympics.

The first live performance of the closing ceremony starts in a darkened setting featuring the sky and the sea. Above, hanging from the ceiling we see a collection of large cylindrical rods which are painted with a blue light. Below, people with flapping bird kites on sticks run about, and the waves of the sea are projected upon the stadium floor. There's some fireworks inside the stadium like shooting stars. A rowboat with a mast appears with two clowns and the three children from the video countdown intro inside. The boat is in the sky, not in the sea - more funny business, that. About 5000 volunteers perform, some in the sea below like schools of fish, wearing glittering silver sequin-scale robes with red shoes, and some float around in the sky with white robes and flashlights. Without an understanding of the plot and symbols it looks non sequitur but there is a cohesive message in all this. We're told the concept here is, “Time travel through Russian music, literature and art.” There's some direction provided for us in their purposeful misdirection.

A progression along the time line of history is in view, starting “In the beginning,” with the Creation account. This segment concludes with the ritual of the 5th ring, which is a picture of when Apollo is received by the world. If you've been following this blog closely you may compare this to what's pictured by Heliofant in “I, pet goat II,” when the girl inside the circle drops the apple and it rolls across the checkerboard floor to bump into Obama's foot and blossom into a lotus flower. There, the scenario spans from the Garden of Eden to the revealing of the lawless one, featuring the casting of a potent spell that involves the fruitful advance of the knowledge of good and evil through time.

The entire ceremony unfolds under a collection of cylindrical rods that represent the opened stargate and portal between dimensions, a symbol that will be explained shortly.

Picking up where I left off in Part 12, the sea-bird performers came to form two lines, with the lines crossing through each other to illustrate an X. That's the mark of the sun god, whose interaction with man as the serpent Nachash caused two streams of lineage to be crossed from the Garden of Eden forward in time as Eve conceived of the Nachash and bore Cain. After Abel, who Cain slew, Eve bore Seth, and the lineage of these two kinds of people populated the earth. These two lines of heritage are then pictured for us as glittering silver-sequined performers swarm into the sea from opposite ends like schools of fish. These two schools come together but stay separate to form the familiar Yin Yang symbol, which is a dramatization of the knowledge of good and evil.

The clown at the oars of the boat is wearing what looks like a classic Naval outfit. The word for “Navy” is etymologically related to the word for “Noah” and those are as dots that should be connected to form the intended picture. This Yin Yang formation in the sea is an apt allusion to the days of Noah, and wholly descriptive of the days of the coming of the Son of Man - our day!

37 For the coming of the Son of Man will be just like the days of Noah. 38 For as in those days before the flood they were eating and drinking, marrying and giving in marriage, until the day that Noah entered the ark, 39 and they did not understand until the flood came and took them all away; so will the coming of the Son of Man be. 40 Then there will be two men in the field; one will be taken and one will be left. 41 Two women will be grinding at the mill; one will be taken and one will be left. ~ Matthew 24:37-41

Note the division between two in verses 40 and 41. In biblical metaphor men are sometimes pictured as fish, either being caught in a net as harvested at the end of an age, or in an allegory where the fisherman is an evangelist. Both of these figures of speech are employed during the ritual in Fisht Olympic Stadium. The clown standing at the mast waves a net.

47 “Again, the kingdom of heaven is like a dragnet cast into the sea, and gathering fish of every kind; 48 and when it was filled, they drew it up on the beach; and they sat down and gathered the good fish into containers, but the bad they threw away. 49 So it will be at the end of the age; the angels will come forth and take out the wicked from among the righteous, 50 and will throw them into the furnace of fire; in that place there will be weeping and gnashing of teeth. ~ Matthew 13:47-50

The boy in the boat is seen with a fishing pole and with his line over the side.

18 Now as Jesus was walking by the Sea of Galilee, He saw two brothers, Simon who was called Peter, and Andrew his brother, casting a net into the sea; for they were fishermen. 19 And He said to them, “Follow Me, and I will make you fishers of men.” 20 Immediately they left their nets and followed Him. ~ Matthew 4:18-20

We'll see that the clown standing at the mast waving the net is a messianic figure. The boy fishing is literally following him as he fishes from the stern. The people-fish appear below them, but the catch of the day is really you, the spectator in the audience and everyone else in the entire world who is there by proxy. This is imitative magick and not just some merely superficial form of entertainment. If you are captured by this spell, the joke's on you. The Olympics clown show is making sport of you, and mocking the Most High and one true God.

This Yin Yang formed by the schools of people-fish is a symbol of two kinds of people that populate the earth (Wheat vs. tares, thorns and thistles), but yet it also presents us with a succinct picture of the population of the world having knowledge of good and evil! This is what Adam and Eve received in the Garden when they ate of the fruit of that tree and their eyes were opened. Like with checkerboards and other symbols that are sometimes described as Occult signs of dualism, these opposites are combined in such ways to signal the presence of the knowledge of good and evil, which is linked to the forbidden tree in the Garden.

When you see the attention given to this formation and note the repeated sequences of bright white flashes of light, and if you understand about ritual sodomy, then this imagery of the illuminated state is all too obvious. Those who are illuminated via ritual sodomy testify about experiencing flashes of white light as their eyes are opened. (Part 16 - The Sodomite Gateway - What's In Her Trunk - The Black Hole Sun)

The wave of white robed performers was beckoned with enthusiastic gestures by the star sailors. They brought with them large flashlights. These were used to shine their light from above down upon the people-fish, illuminating them. This is a clever illustration of the activity of fallen angels, the Watchers of Genesis 6 and Enoch 6-8 in the time of the great flood of Noah's day - and yet also of our own day (and most specifically as the real time invocation) and of days shortly to come! There's some supplementary imagery yet to be introduced in this study.

Here's the explanation of the clowns that was provided by the “former” professional propagandist.

Vladimir Pozner: “And as we see there's a boat coming in, that's being rowed into what I would call the Russian soul. And you'll see two clowns bringing it in. And you might ask well, why a clown? Well, because in Russia the clown is the hero, its like in folklore, Ivan the fool. He pretends to be a fool but he's actually the most intelligent, and as the court jester he can make fun of the king. And he can say things that other people can't say without really fearing punishment. So its really interesting to see that this boat is being brought in by two clowns.”

What kind of crazy show is this? It's one that is crazy like a fox! The court jester is Lucifer, who makes fun of the highest King of the highest Court. It's his appointed agent who will command the fishing expedition. The “hero” is a very familiar codeword that I learned from its biblical usage in the 12th chapter of Acts. The title “Herod” means “heroic, sprung from a hero,” and he is in that prophetic scenario a type of the Antichrist beast.

The Court Jester's intellect is almost unparalleled, as Vladimir suggests, and he can get away with making fun of the King. When the Bible declares that God is not mocked it should be understood that there is a season where He is mocked without the fear of punishment, but that this foolish arrogance will be judged and consequences will be reaped in due season.

Do not be deceived, God is not mocked; for whatever a man sows, this he will also reap. ~ Galatians 6:7

Have you ever heard of the Jesters, a select and secretive Masonic branch? They know how to play the role.

The two Jokers in the fishing boat represent the messianic sun god beast and his facilitator, the psychopomp. One stands at the mast to captain the ship and the other mans the oars as the crew who provides the motive power. This is a match to the symbol featured in “I, pet goat II,” where the head of Anubis is on the bow as the Mystical Christ is ferried along, and fish have leapt into the boat.

“I am like Horus, the governor of the Boat, when the throne of his father was given unto him,” Papyrus of Ani; Egyptian Book of the Dead (The Chapter of Making the Transformation into a Swallow) - [Budge translation]

One of the commentators offers a few more clues to aid in the interpretation of the scene.

“Two clowns, three children, including Lubov, who was also part of the Opening Ceremony. Lubov, meaning Love in Russia.”

Following his lead, we do the math and note the count of occupants. There are five, identifying Horus by that number. The boat is not down below on the floor but up in the sky as a heavenly vehicle.

Vladimir chimes in to establish that symbolism.

“Along with Lubov in that little boat there are two other children. One is called Yuri, the boy, the girl is called Valentina, and that's a reminder of the first man in space, Yuri Gagarin; the first woman in space, Valentina Tereshkova. It's also a reminder of the Soviet past and I think they may give a few of these during this ceremony.”

They were cosmonauts, Russian versions of what Americans call astronauts, literally “star sailors.” (Remember “Crazy Kids,” by Ke$ha?) They are in the sky boat, sailing through the starry heavens. The boat is being rowed into what Vladimir called the Russian soul. The Milky Way is associated with the Duat, the underworld, the watery place of men's souls and of angelic beings. With the sun god in the boat, it's another form of the quadriga of Apollo, the chariot of the sun seen in motion across the sky during the opening ceremony's Rite of Spring segment.

When clowns and space travel pioneers are linked together I can't help but reflect upon the early pictures of the first Apollo moon landing that had been in wide circulation. When examined with a critical eye, the inconsistent shadows made it apparent that they were faked in a studio, which suggests that the program itself was a hoax. In making the connection with early NASA space programs, the Roman names of the Jester gods Mercury and Apollo are evoked! I perceive in this collection of Clowns and Cosmonauts that some jokers are still poking fun at us for our gullibility. We are easy prey.

The boat's connection with the soul is emphasized through the commentator's reference to the opening ceremony and Lubov. In that opening ceremony Meredith told us the following as the first scene of the live performance began, “ And so we begin with little Lubov, who represents the feminine soul of Russia.” When we hear Vladimir announce to us, “And as we see there's a boat coming in, that's being rowed into what I would call the Russian soul,” all this cross-linking NLP speaks to me of the star-angels navigating the celestial realm as they fish to capture the souls of men. Most particularly, I see in this the casting of a love spell into the souls of the daughters of men. It's a counterfeit kind of love, not the “God is love” kind of 1 John 4.

7 Beloved, let us love one another, for love is from God; and everyone who loves is born of God and knows God. 8 The one who does not love does not know God, for God is love. 9 By this the love of God was manifested in us, that God has sent His only begotten Son into the world so that we might live through Him. 10 In this is love, not that we loved God, but that He loved us and sent His Son to be the propitiation for our sins. ~ 1 John 4:7-10

The focus put on love by the Luciferians manifests on a deep level in connection with an impostor who will be identified with Apollo, incarnate.

The name “Valentina” evokes the Valentine, the celebration of Eros and Cupid and romantic love. We see that Lubov and Valentina are very close companions in the boat, the evident symbols of Love and Valentines. Lubov clings to the teddy bear, which is a symbol of the bond of love with an innocent young child (a relationship that is famously exploited by Illuminati handlers when traumatizing their slaves). Web search valentine teddy bears and you'll get millions of results. This is about romantic love and, while there is the obvious girl-girl undercurrent highlighted by the purple cast of light on them in the close-up, it is the spirit behind homosexuality that is being projected.

The nature of this spirit, this romantic or erotic love has to do with the angels in the stadium sky, which I identified earlier as those Watchers who fell.

1 Now it came about, when men began to multiply on the face of the land, and daughters were born to them, 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. ~ Genesis 6:1-2

1. And it came to pass when the children of men had multiplied that in those days were born unto them beautiful and comely daughters. 2. And the angels, the children of the heaven, saw and lusted after them, and said to one another: 'Come, let us choose us wives from among the children of men and beget us children.' ~ Enoch 6:1-2 (R. H. Charles translation)

This is the nature of the epic romance in the stadium as the Time Travel through history unfolds! This spell of romance and eroticism manifests less in the form of human-human attraction than it does between human and angel, a reflection (Reflections of Russia - theme) or complement to the attraction the angels had for the daughters of men.

The fallen illuminated mankind in various ways that included teaching them secrets of heaven that involved the working of spells. Do you think they didn't first practice this sorcery on the daughters of men? This same kind of unnatural and supernatural compulsion is what drove every man of Sodom to uncontrollable lust, seeking to rape the angels who visited Lot even after being blinded. (Genesis 19) This is most certainly one contributing factor in the judgment of Sodom and Gomorrah, and the judgment of the great flood, and this is what the coming of the Son of Man is compared to in Luke 17. The evident cursed hybridization is most certainly another major contributing factor in both judgments.

The spirit of lusting after the angels was evident then, according to the working of magickal spells. What is now has been before. There is nothing new under the sun. Today, we have arrived in the time of the coming of the Son of Man. The workings of these spells is on exhibit in mass rituals being performed live and in multi-media productions broadcast around the globe. The world welcomes and embraces the entertainments of Mystery Babylon the Great, in whose cup is found the blood of the saints. The professing church of the living God is drunk on her wine, oblivious, but for a small number.

The music playing during the scene is very romantic and very enchanting, and this is quite literally an enchantment. There is a supernatural impartation in this effectual ritual magick as a kind of love spell is cast upon the mesmerized masses. According to dimitritiomkin.com, the music heard during this segment was from the Silva Screen recording, “Dimitri Tiomkin: The Essential Film Music Collection.” The selections were chosen from among the more than one hundred films that Dimitri Tiomkin scored over the span of his long career, with even many more television shows adding to the scale of his work. The score of this fallen angel romance with the daughters of men in Sochi derived from three classic films, It’s a Wonderful Life, Cyrano de Bergerac, and Giant. These were Hollywood productions, and it should not escape our notice that magic wands are made from holly wood.

Tiomkin was widely acclaimed for his expertise in providing dramatic soundtracks that lent support to the meaning of the visuals and dialogue - and this is just what is done on a high level here as we note what is being imported by reference. Cyrano de Bergerac is a love story famous for having an intermediary involved between the lover and the object of his desire. The dynamic involved is very relevant, with unseen agents working through proxies and avatars. It’s a Wonderful Life features an angel who leaves heaven and comes to earth, with the conversation about his mission visualized as taking place between the stars in the heavens. He manipulates time to influence a man's life toward the end of achieving his personal objective. As for Giant, well, the romance of the fallen angels and the daughters of men produced offspring who were giants in the earth.

1. And all the others together with them took unto themselves wives, and each chose for himself one, and they began to go in unto them and to defile themselves with them, and they taught them charms and enchantments, and the cutting of roots, and made them acquainted with plants. 2. And they became pregnant, and they bare great giants, whose height was three thousand ells: ~ Enoch 7:1-2 (R. H. Charles translation)

Are you catching on to what's happening in the stadium and what it means? This same kind of spell is what's being projected and imprinted upon mankind by this ritual. Celebrities have openly professed their passion for demon lovers, and many others have made similar profession. While the fruit of this spell hasn't manifested in fullness it is not hard to see where this is going. The passion for all things “spirit of antichrist” is more than sexual, but it is that too.

Young Yuri and Valentina, the cosmonaut characters are in the sky boat with Lubov. There's Lubov-love in the air. In Ke$ha's “Crazy Kids” video (which I gave a lot of ink a few months back), Will.i.am rapped on this theme while wearing an astronaut suit. “She put bubbies in my face and now I'm really seeing doubles. I, I took her to my place to blast off like the shuttle.” There's a trend here that is not going away for yet a little while.

In Russian, “Yuri,” means farmer or Earth Worker. Young Yuri is fishing at the stern of the sky boat with his wand, magickally working the earth with seducing spirits as the people as schools of fish below swarm into the formation of the sign of the knowledge of good and evil. His work is in conjunction with the angels with their flashlights. There is an allusion here being made to Cain, the serpent's firstborn son, and the way of Cain (Jude 1), because Cain was a “Yuri,” an Earth Worker.

And Abel was a keeper of flocks, but Cain was a tiller of the ground. ~ Genesis 4:2b

Anyone who sails a boat with a mast and rudder can tell you that the one in the stern where Yuri is seated is the one who handles the tiller. Yuri, Earth Worker = Cain, tiller of the ground.

Evil genius. The devil is a master at pantomime and charades and all things theatrical and symbolic. As I mentioned above, the fishing expedition is intended to harvest people-fish from the earth. They do seem to be doing an excellent job so far.

More to follow, Lord willing!

Fallen Angels in the Days of Jared and the Days of Justin Bieber

By Aaron Hermann

---

A couple of weeks ago the Lord inspired me to begin going through Genesis 6 and 7. It became evident rather early on that He was beginning to grant some insight pertaining to the timing of the flood of Noah and how that matches up to the coming counter-flood event of the Black Awakening. However, it was not until a couple of days ago that He began to reveal some very interesting time elements pertaining to the incursion of the Fallen Angels that occurred in the days of Jared.

Earlier in the week Bob and I were discussing the meaning of the name Jared (A descender; their descent) and how it corresponded to the incursion of the Fallen Angels. We were curious as to where it mapped out on the millenial time line so we began to go through the process of mapping it out using the calculation methods Bob has been using for the millenial week projections.

“Jared was born 460 years From Adam and died 1422 FA (Genesis 5:15, 20). My calculations produce the dates 3/1/13 - 2/17/14. Note: Since I'm lacking confidence in how exactly the year-day that we're compressing the 1000:1 millennial-day into is defined I'm working with a range.

Here's my work.

9/18/12 Yom Teruah Observed = start point for the year.
9/8/13 Yom Teruah Observed = start point for the year.
9/25/14 Yom Teruah estimated = start point for the year within a day.

Jared born - 460 FA:
[365 day solar year] .460 * 365 = 167.9 days so 9/18/12 + 168 days produces the date: 3/5/13
[356 days inclusive between 9/18/12 and 9/8/13] .460 * 356 = 163.8 days so 9/18/12 + 164 days produces the date: 3/1/13

Jared died - 1422 FA:
[365 day solar year] .422 * 365 = 154.03 days so 9/8/13 + 154 days produces the date: 2/9/14
[383 day year of 13 month span btw. 9/8/13 and 9/25/14 inclusive (Karaite estimated 1st day of 1st month: 3/31/14) ] .422 * 383 = 161.6 days so 9/8/13 + 162 days produces the date: 2/17/14

The full span of the life of Jared projects to 3/1/13 - 2/17/14. This corresponds to when the angels that were responsible for the judgment of the great flood are reported to have fallen, when their offspring proliferated and their great sin corrupted the earth. As I write on this last day of February I reflect upon the general nature of that season, and, well, about all I can say is, that explains it. All of what we're witnessing, what we're perceiving in the flesh and in the spirit - that explains it. Now, we're in the season corresponding to when the angels have fallen and their impact is manifest. My projection for the great flood date falls in the range of May 5-18. Whether it manifests in one way or another or in many ways, if there's anything to this, the world is in crisis and reaching a tipping point.”

Part 10 - To Number Our Days Aright - As it Was in the Days of Noah

I encourage you to check our calculations and to also reference this most excellent time line presented by Stephen Jones of Gods Kingdom Ministries.

After establishing the range of dates I began going through the Drudge Report Archives to see if there was anything that matched up to the Fallen Angels descending into this realm and onto the Earth and what I found was more than stunning!

On March 4, 2013 Justin Bieber performed a concert at the O₂ arena in London. The dates of the event on March 4 and the reporting of it on March 5 fall within the range presented above located in Part 10 - To Number Our Days Aright - As it Was in the Days of Noah.

At this point you may be wondering what in the world could a Justin Bieber concert possibly have to do with the incursion of the Fallen Angels in the Days of Jared. I asked that very same question. However, before addressing that pertinent question by discussing what occurred at the concert, some attention must be paid to the location selected for this very timely event. The concert, which was part of Bieber's "Believe" tour was set to take place at the O₂ arena, and this choice of venue was no accident as the O₂ arena is located on the Greenwich Peninsula and is part of the Royal Borough of Greenwich.

“The O2, visually typeset in branding as The O2, is a large entertainment district on the Greenwich peninsula in South East London, England, including an indoor arena, a music club, a Cineworld cinema, an exhibition space, piazzas, bars and restaurants. It was built largely within the former Millennium Dome, a large dome-shaped building built to house an exhibition celebrating the turn of the third millennium; as such, The Dome remains a name in common usage for the venue...

Greenwich Peninsula is an area of South East London, England, located in the Royal Borough of Greenwich. The peninsula is bounded on three sides by a loop of the Thames, between the Isle of Dogs to the west and Silvertown to the east. To the south is the rest of Greenwich, to the south-east is Charlton. The peninsula lies within the Royal Borough of Greenwich...

The Royal Borough of Greenwich ( is an Inner London borough in south-east London, England. Taking its name from the historic town of Greenwich, the London Borough of Greenwich was formed in 1965 by the amalgamation of the former area of the Metropolitan Borough of Greenwich with part of the Metropolitan Borough of Woolwich to the east. The local council is Greenwich Borough Council.

Greenwich is world famous as the traditional location of the Prime Meridian, on which all Coordinated Universal Time is based. The Prime Meridian running through Greenwich and the Greenwich Observatory is where the designation Greenwich Mean Time, or GMT began, and on which all world times are based. In 2012, Greenwich was listed as a top ten global destination by Frommer's – the only UK destination to be listed.

Greenwich was one of six host boroughs for the 2012 London Olympics and events were held at the Royal Artillery Barracks (Shooting), Greenwich Park (Equestrianism) and The O2-former Millennium Dome (Gymnastics; Basketball).

To mark the Diamond Jubilee of Elizabeth II, Greenwich became a Royal Borough on 3 February 2012, due in part to its historic links with the Royal Family, and to its UNESCO World Heritage Site status as home of the Prime Meridian.”

Wikipedia - The O₂
Wikipedia - Greenwich Peninsula
Wikipedia - Royal Borough of Greenwich

Millenial Dome built to celebrate the turn of the third millenium? Bound on three sides by the Thames, Isle of Dogs and Silvertown? Greenwich being the location of the Prime Meridian on which all Coordinated Universal Time is based?!? Is it me or is there a time-related silver gate dimensional transport theme taking place here?

Right!

It should be obvious by now that they selected this venue because they were attempting to add a very intense focus on time. However, just in case the location of the event proved too subtle for some they added another element to the presentation that ensured the issue of time would be a major deal in relation to the concert.

Justin Bieber was more than two hours late starting his show, which caused a rather intense backlash due to the fact that not only was he two hours late for the event, but Bieber provided no valid reason or apology. This was staged to create more high-drama, and to really add the fuel to the fire it was reported that hundreds of young kids were left stranded in Greenwich after they missed the last train of the night because the show was so late in starting.

The Lord's people are not the only ones aware of the times and seasons and those responsible for carrying out the enemy's role in all of this could not have orchestrated this event any more perfectly.

Even with the overwhelming time connection, I would not have thought much about a Justin Bieber concert connecting to the descent of the Fallen Angels in 460 FA until I saw the pictures from the concert. Bieber was performing his "Believe" tour and he made his entrance of each show wearing a bright white suit with golden gloves and gold on his shoes with a set of huge, iron wings covered in organ keys, speakers, guitars and cymbals! Bieber represents the commander of all the Fallen Angels, Lucifer! Doing his best Lucifer impression, Bieber descends onto the stage just like an angel falling to earth!

13 Thou hast been in Eden the garden of God; every precious stone was thy covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workmanship of thy tabrets and of thy pipes was prepared in thee in the day that thou wast created. ~ Ezekiel 28:13

I found the images below from the Drudge Report Archive link for March 5, 2013

The following write-up from a critic contains more over-the-top descriptive language of Bieber's fallen angel entrance, and I view the contempt that Bieber displayed for his worshipping audience to be the same type of contempt that the fallen angels have for the throngs of humans that have been duped into worshipping them.

“When he emerged, dressed as a white-suited, white-winged angel, hovering over the audience (there may be messianic tendencies ahead), waving his creepy, gold fingerless gloves, there would be no explanation of whatever diva tantrum had caused him to treat his audience with such contempt, nor would there be an apology.”

Justin Bieber, O₂ Arena - music review

I was able to find this HD Justin Bieber LIVE beginning/ entrance to the Believe Tour London O2 Arena 8 March 2013 that has the entire fallen angel routine recorded in HD. Quite telling is the intro video that is played just before Bieber performs his live action bit. For those of you who have been following Bob's latest writing this will remind you of the multi-media presentation in conjuntion with the live action sequence of the opening and closing ceremonies of the 2014 Sochi Olympic games that are a signal for the coming 2nd Thessalonians 2 deception!



The countdown is played and then we see a silver subway line with the train tracks and underground subway system being a reference to the Silver Gate transit and that of Joel 2 and the incursion of invading angelic and demonic forces. We are then confronted with a large face that says the following:

“Ladies and Gentlemen, welcome. Now you are entering another world, a world where there is no limits, no rules, only endless possibilities. Can you hear it? The vibration of the beat, the rhythm of your heart and the electricity running through your veins. Allow your imagination to skyrocket, your dreams to be remixed. Let go of everything but what exists. Be strong, be brave, but most importantly BELIEVE.”

Swag On Justin Bieber Tumblr Site

This entire spectacle not only speaks, but screams of the silver gate dimensional transit of the Fallen Angels! The Bible and extra-biblical works of Enoch, Jasher, and others are very clear on this fact.

Now it came about, when men began to multiply on the face of the land, and daughters were born to them 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. 3 Then the Lord said, “My Spirit shall not strive with man forever, because he also is flesh; nevertheless his days shall be one hundred and twenty years.” 4 The Nephilim were on the earth in those days, and also afterward, when the sons of God came in to the daughters of men, and they bore children to them. Those were the mighty men who were of old, men of renown.5 Then the Lord saw that the wickedness of man was great on the earth, and that every intent of the thoughts of his heart was only evil continually. 6 The Lord was sorry that He had made man on the earth, and He was grieved in His heart. 7 The Lord said, “I will blot out man whom I have created from the face of the land, from man to animals to creeping things and to birds of the sky; for I am sorry that I have made them.” 8 But Noah found favor in the eyes of the Lord. ~ Genesis 6:1-8

The span of Jared's life from his birth in 460 FA and death in 1422 FA aligns with the time period of March 1, 2013 through February 17, 2014. According to the fractal model, the projection of the fallen angel incursion has passed. Where we are now, being March 1, matches to when their corrupting influence increases - until May's projection of the great flood.

“1 And it came to pass when the children of men had multiplied that in those days were born to them beautiful and fair daughters. 2 And the angels, the sons of heaven, saw and lusted after them, and said to one another: 'Come, let us choose us wives from among the children of men 3 And have children with them.' And Semjaza, who was their leader, said to them: 'I fear you will not agree to do this deed, 4 And I alone shall have to pay the penalty of this great sin.' 5 And they all answered him and said: 'Let us all swear an oath, and all bind ourselves by mutual curses so we will not abandon this plan but to do this thing.' Then they all swore together and bound themselves by mutual curses. 6 And they were in all two hundred who descended in the days of Jared in the summit of Mount Hermon, and they called it Mount Hermon, because they had sworn and bound themselves by mutual curses on the act. 7 And these are the names of their leaders: Samlazaz, their leader, Araklba, Rameel, Kokablel, Tamlel, Ramlel, Danel, Ezeqeel, Baraqijal, (Author’s note: Samlazaz could be another spelling of Semjaza, and possibly be the same entity.) 8 Asael, Armaros, Batarel, Ananel, Zaqiel, Samsapeel, Satarel, Turel, Jomjael, Sariel. These are their chiefs of tens.

1 And all of them together went and took wives for themselves, each choosing one for himself, and they began to go in to them and to defile themselves with sex with them, 2 And the angels taught them charms and spells, and the cutting of roots, and made them acquainted with plants. 3 And the women became pregnant, and they bare large giants, whose height was three thousand cubits “4 The giants consumed all the work and toil of men. And when men could no longer sustain them, the giants turned against them and devoured mankind. 5 And they began to sin against birds, and beasts, and reptiles, and fish, and to devour one another's flesh, and drank the blood. 6 Then the earth laid accusation against the lawless ones.

1 And Azazel taught men to make swords, and knives, and shields, and breastplates, and taught them about metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of precious stones, and all coloring and dyes. 2 And there was great impiety, they turned away from God, and committed fornication, and they were led astray, and became corrupt in all their ways. 3 Semjaza taught the casting of spells, and root-cuttings, Armaros taught counter-spells (release from spells), Baraqijal taught astrology, Kokabel taught the constellations (portents), Ezeqeel the knowledge of the clouds, Araqiel the signs of the earth, Shamsiel the signs of the sun, and Sariel the course of the moon. And as men perished, they cried, and their cry went up to heaven.”

Lumpkin, Joseph (2011-02-21). The Books of Enoch: The Angels, The Watchers and The Nephilim (With Extensive Commentary on the Three Books of Enoch, the Fallen Angels, the Calendar of Enoch, and Daniel’s Prophecy) (pp. 23-30). Fifth Estate. Kindle Edition.

The stories of people having wanted and unwanted engagements with Incubui and Succubi, suffering from sleep paralysis, having supernatural experiences, and reporting "alien abductions" are at all-time high. Celebrities such as Ke$ha openly discuss their sexual interaction with spirits, involvement in the occult, and fascination with magick. Ke$ha talks ghost sex - MSN(warning graphic language).

The days in which we now find ourselves match up to the days in which the Fallen Angels had already arrived and were wreaking havoc with all of the earth. They are here again and up to their old tricks!

That which has been is that which will be,
And that which has been done is that which will be done.
So there is nothing new under the sun. ~ Ecclesiastes 1:9

That unsettling disquiet you feel is the reaction to the agents of hell working their literal magick on the face of the earth readying this plane for the arrival of their antichrist messiah. What we are seeing in the world around us is like what was going on in the days of Noah.

---

By Aaron Hermann

Please feel free to contact me through my Gmail account. (theultimateplan@)