In The News

BBC: Epicenter In Sweden Implants Microchips In Tenant's Hands

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Avian flu rampages in Taiwan, hits China, India

(update) The following pro-vaccination news links illustrate the Adversary's advancing agenda. We are against vaccination, which has been shown to be part of an deceitful campaign, intending to not only rob us of health and life, but change our DNA, in a bioforming action that prepares us to receive the coming beast and his mark.

Mom: "Family that refused vaccination put my baby in quarantine."

USA Today columnist calls for arrest and imprisonment of vaccine skeptics

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Gray State: director David Crowley - murder/suicide? Really?

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Now "old" news, but still relevant: More than a million rally in 'unprecedented' historic Paris march of defiance

They were joined by a creepy giant "Goddess of Liberty" puppet. The march ended at the Place de la Nation, where a monument to the goddess stands. Marianne, aka Our Lady of the Nations aka Isis aka Mary.

Goddess of Liberty marches in national protest in Paris

See this flipped with the puppet actually being the puppeteer
The wedding garment - Bride of Antichrist
Crows/ravens- demons, linked to Apollo
Target-like 666 MOB Stargate logo

Where is the black awakening, the mass triggering? We've been seeing it in stages in various locations. I believe the masses are proving to be so easily controlled that a more dramatic work has thus far been unnecessary. The world is nearly ready to receive their savior, and the time appointed for his arrival is nearly upon us.

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The Goddess work and her agent is increasingly popular: Pope leaves Manila after drawing record crowd of 6 million

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An old plan seems to be unfolding.

"The Third World War must be fomented by taking advantage of the differences caused by the "agentur" of the "Illuminati" between the political Zionists and the leaders of Islamic World. The war must be conducted in such a way that Islam (the Moslem Arabic World) and political Zionism (the State of Israel) mutually destroy each other. Meanwhile the other nations, once more divided on this issue will be constrained to fight to the point of complete physical, moral, spiritual and economical exhaustion…We shall unleash the Nihilists and the atheists, and we shall provoke a formidable social cataclysm which in all its horror will show clearly to the nations the effect of absolute atheism, origin of savagery and of the most bloody turmoil. Then everywhere, the citizens, obliged to defend themselves against the world minority of revolutionaries, will exterminate those destroyers of civilization, and the multitude, disillusioned with Christianity, whose deistic spirits will from that moment be without compass or direction, anxious for an ideal, but without knowing where to render its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer, brought finally out in the public view. This manifestation will result from the general reactionary movement which will follow the destruction of Christianity and atheism, both conquered and exterminated at the same time." - Albert Pike's letter to Mazzini, dated August 15, 1871. (Albert Pike and Three World Wars)

“Claim's made that Pike's letter is a fraud are diluted by the fact that the letter was discovered before the current war and before the Second World War. We understand the letter was first know of publicly in 1910. The fact that the events in the letter discovered in 1910 came to pass and are currently in the "Third World War" make any criticism that the letter is a fraud irrelevant. The probability of the events in the plan coming to pass by chance are impossible. The pre-release of the letter and the coming to pass of the events is all that is necessary to establish the credibility of what was and is planned.” (Albert Pike's 1871 Plan For The Three World Wars)

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New police radars can 'see' inside homes

Unease for What Microsoft’s HoloLens Will Mean for Our Screen-Obsessed Lives

Could a wormhole in our galaxy take us to another UNIVERSE? Interstellar-style 'space time tunnel' may exist in the Milky Way

Arrow (The CW) - "City Of Blood" Spills Beans on Black Awakening

Arrow (The CW) - "City Of Blood" Exposes Black Awakening

The episode of Arrow (The CW) - "City Of Blood" spills the beans on the Black Awakening. That operation has begun and is far from complete.

Chaos will be brought, but it will be planned and controlled. The reason is for a revolution, a global coup - mostly targeting the masses to prepare them to receive the new order and leader.

Key to Allegory:

Slade -as- the Devil
His "Mirakuru" Army -as- the Illuminati slave army of programmed sleeper agents.
Starling City -as- the world, populated by the spawn of fallen angels (star = angel)
Mayor of Starling City -as- the Beast of Revelation 13:1

Decoding T-Mobile - Unleash the Beast

Part 1 of an intended series of videos is now online.

Unleash Chaos - T-Mobile Decoded



This presentation is a decoding of a T-Mobile commercial, Un-Leash, featuring music by Tilly and the Wall.

Around Christmas time in 2013, T-Mobile featured this commercial that really caught my attention. I had made a video from a TV broadcast last year but I recently found it on T-Mobile's own channel: Un-leash with T-Mobile

On the surface it seems like just another loud and edgy wireless communications company promotion, but if you can interpret the Occult symbolism and discover the theme, what appears is a series of clever riddles.

Anarchy is signaled with a black flag being carried in the opening scene, but even this subject appears with a twist. The ad campaign slogan is, unleash. The esoteric subtext is all about unleashing chaos, the mechanism of overturning this present order. It's all about the coming beast and his mark. The song played for a soundtrack supports the esoteric theme and strengthens the link to Aliester Crowley.

This commercial is similar to many of T-Mobile's other commercials but this one seems to be the key. It suggests that this special series of commercials is used for Illuminati programming, for the agents of the Black Awakening who are appointed to bring the chaos that overturns this present order!

Series Links: Ke$ha's 'Crazy Kids'

MK-ULTRA Mind-Control Programming. Opening celestial stargates. The Black Awakening. The revealing of the lawless one. Ritual Sodomy. The Eye of Horus. The Hand of Horus. These are some of the subjects of the Ke$ha song and video, Crazy Kids.

Ke$ha - 'Crazy Kids'



This "sticky" page presents links to all the posts in the series.

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Part 1 - Secret Identities
Part 2 - Modeling the Ancient Golden and Silver Gates
Part 3 - Little Horus, the Tower of Babble and the Bottomless BBQ
Part 4 - Mazel Tav Trouble
Part 5 - A Tribute to Josef Mengele, Master Programmer
Part 6 - Insane, But with a Method to their Madness
Part 7 - Twinned Torus Chains

Part 4 - Decoding The Penitent Man (2010) - The Wizard, the Quest and the Monk

Series Links: Decoding “The Penitent Man”

As demonstrated in Part 3, The Penitent Man (2010) draws upon The Lake House (2006) for the support of some key symbolism. The scene I've been decoding features many references to another film, The Wizard of Oz (1939), which engages us more deeply on the themes of a quest, sun god cult and goddess worship, stargate operation and Illuminati mind-control programming. To find what I've already written about The Wizard of Oz, search this blog.

When Dr. Pyatt is walking to Blooms on Broadway to get roses for his wife, we see a man casually reading a paper. He's leaning against the wall of a building, in front of some store windows. This is very subtle, but as Jason approaches, his reflection can be detected as it passes by the window. If you look closely at the window you'll see that it's a store with some dolls on display. Behind the man's head there are some that look familiar, the tin man, Dorothy and the cowardly lion from the Wizard of Oz. On the right, it's Glinda, the “good” witch of the North wearing her starry crown. You can't perceive it in a screenshot, but Pyatt's reflected image sweeps through the scene.

We may assume that he continues walking up the sidewalk and passes right by those figures in the window, but our seeing that actually happen would not be as potent as what we are shown. With the motion of his reflected image passing across the window, it draws our attention to it, and the figures seen inside play an important role. Perhaps more importantly, we see Pyatt's image appear with that scene in a way that identifies him with it, linking his presence. The way the scene was shot kind of projects him into The Wizard of Oz, onto that stage in 1939. The Hermetic Maxim, As Above, So Below. Through time-space.

It doesn't really seem significant, until he gets to the Pretty Parlor!

The MGM classic seems to be the director's inspiration for the magic wand because this how the dimensional portal is opened for Dorothy's return to Kansas. In that scene, Glinda, the Witch of the North, coaches Dorothy on the magical ritual. While Dorothy wears the ruby slippers, she clicks her heels together 3 times (resurrection number) and softly chants the pass phrase, “There's no place like home.” As she does this, Glinda stands by, waving her star-on-a-stick behind Dorothy's head. The portal opens and Dorothy is transported back home to Kansas.

Compare the scene where Dorothy is ready to go with The Penitent Man's version.

• Goddess wearing a celestial crown? Check. (Starbucks)
• Basket? Check.
• Vintage clothing? Check.
• Star-on-a-stick magic wand? Check.
• “Stars aligned,” where the star on a stick is visually aligned with the star of the show, who is heading for home? Check.

Here's a video: The Wizard of Oz - "There's No Place Like Home" Magic Spell

Nicholas “genie” Gyeney knows how to borrow, adapt and leverage in making his movie magick. The redundancy in following up the earlier scene where Pyatt's reflection passed across the window display adds significantly to the impact. Gyeney has also learned the value of supporting the visuals in the soundtrack.

During Dorothy's stargate transit, one of the sounds we hear is a glockenspiel (or xylophone), played as a mallet slides across the bars. The industry has long associated that sound with a transitioning into and from a dream state, like that of the harp. The striking of the tuned bars of this keyboard-percussion instrument makes them ring like a bell. In the study, Bells - Supernatural Enchantment and a Biblical Perspective, I document how bells are used for transiting between the dimensions, and that's not just fiction. The word, clock, comes from the word for bell. I've been presenting many examples of stargate transits where clocks and timing devices are linked to the stargate transit. During this scene where Darnell shadows Pyatt, the repetitive soundtrack is reminiscent of a ticking clock. It's a wee bit obfuscated, but that's what it is.

This esoteric scene in the Wizard of Oz pictures more than just a simple transit. Other elements suggest to us that a resurrection-transformation is in view.

Dorothy appears in Kansas, lying in her bed in a coma that was induced by head trauma. Her beloved Auntie Em is caring for her, placing a cooling compress on her forehead. The wet compress Auntie Em just applied is a baptism symbol. “Wake up honey,” she says. Honey? Cue the bee goddess, because the honey bee is a resurrection symbol! And with that, she awakens, having returned from Oz, “the land down under,” which is to say, from the underworld realm of the dead through the Silver Gate. On awakening, Dorothy passionately gives a report on her valuable lessons learned. Jason Pyatt, likewise.

When Jason first awakens from the coma, he's frantic. He becomes lucid as we see Eve in the bathroom at the sink, splashing water on her face. That's the baptism symbol. The goddess agency is the Papal High Priest, who baptizes the man and the anointing comes upon him from the underworld.

Compare these images.

• In coma caused by head trauma
• Lying in bed with head on pillow, with something applied to promote healing
• Hand resting on midsection
• Caring loved one seated at their left, holding hand, pleading for the victim to wake up
• Window between them

In the Wizard of Oz, when we see Dorothy back in Kansas, the film format has changed from full color to black and white, which suggests that she has acquired the knowledge of good (white) and evil (black).Jason Pyatt was enlightened with the great secret and yet had the wisdom to choose not to use it. He just didn't have the sense to guard it properly.

Dorothy had completed her quest, acquiring the broom of the Wicked Witch of the West, and valuable wisdom. Jason Darnell-Pyatt had completed his quest, as his namesake Jason the Argonaut also did, who acquired the golden fleece. I have to think that the title of The Penitent Man was inspired, not as we're led to think, by a painting in The Louvre, but by another film, Indiana Jones and the Last Crusade (1989). That plot involves the great quest for the holy grail. Following where that trail of insight leads provides more insight about the purpose of the film.

The holy grail is believed to involve immortality, which is, in effect, cheating time. According to the plot of the 3rd film in the Indiana Jones franchise, those who seek the grail must pass a series of 3 tests in order to gain access to the temple complex containing the holy grail. The first test has to do with the “Breath of God” (breath = life & His eternal spirit life). A riddle must be solved. “Only the penitent man will pass.” To fail is to incur the penalty of death.

The Penitent Man. Darnell-Pyatt and/or the director-writer himself have a go at initiation. I note that “Indie fashions” appears on the corner of the Pretty Parlor building. Indy - that's the nickname for Indiana Jones.

We have to keep following the clues on our own quest. The riddles recorded in Professor Henry Jones's diary were claimed to be copied from the source, the Chronicles of St. Anselm. Are they real? Well, basically, yes. Research, Saint Anselm of Canterbury.

“He entered the Benedictine order at the Abbey of Bec at the age of 27, where he became abbot in 1079. He became Archbishop of Canterbury under William II of England. He was exiled from England from 1097 to 1100, and again from 1105 to 1107 (under Henry I of England), as a result of the investiture controversy, the most significant conflict between Church and state in Medieval Europe. Anselm was proclaimed a Doctor of the Church in 1720 by a Papal Bull of Pope Clement XI. His feast day is April 21.” (Wikipedia)

Could that be a reason why Nicholas Gyeney wore the gray hoodie with 27 printed on it when he did his cameo in the lobby of the Biltmore, to identify himself with the brilliant goddess worshiping Benedictine monk who caused such a stir?

“Saint Anselm (1033-1109) was a Benedictine monk, Christian philosopher, and scholar who is recognized for many intellectual accomplishments, including his application of reason in exploring the mysteries of faith and for his definition of theology as "faith seeking understanding."
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The brilliance of Saint Anselm's thinking and writing about the nature of faith and of God has intrigued and influenced scholars since the Middle Ages. His highly respected work, Monologium, rationalizes proof of God's existence.”
(Saint Anselm College - Who was Saint Anselm)

Think about what St. Anselm is known for. Nicholas Gyeney played upon “his definition of theology as 'faith seeking understanding'” in what Darnell conveyed to his younger self. But a darnel is a tare, and instead of rationalizing proof of God's existence, with the claim of having the wisdom gained from eye-witness experience, something quite contrary is expressed, making the film a subtle anti-Monologium.

Dr. Pyatt: Now you mentioned being able to see the creation of man. I mean, you could see humans assemble, develop their gods, and destroy each other. I mean, Jesus Christ!
Mr. Darnell: He was just a man. Imagine the devastation from a revelation like that. 95% of the world's population believed in a god in some form. The scientists, the politicians, and eventually the public were able to go back and see the Christian Son of God as a mortal man. It shook the foundations. Even atheists began to lose hope for the future. Southern evangelists began lashing out violently at anybody who supported the new discovery. The world was more divided than ever. The road to hell had been paved with good intentions, and it was just the beginning.

The Osiris-Horus modeling of Gyeney's characters are functionally, Anti-Saint Anselms. The Penitent Man, indeed. Gyeney knows stuff.

I'll repeat here the closing paragraph from Part 1. I don't doubt that the conspiracy being given a further bump by Gyeney's clever script will be validated in the coming hour of crisis with false evidence, ported through time itself as a epic hoax. The evidence offered in support of the lie will be quite real. It just won't be true.

Burning Man 2014 - Vulcanalia Rites + Wickerman + Cremation of Care

The annual Pagan festival known as Burning Man began this morning in Nevada. More large scale debauchery and ritual. Although it's not claimed to be, it is largely a modern celebration of Vulcanalia. It's also related to the Wicker Man Druidic sacrifice and the Cremation of Care (Bohemian Club and Grove) sacrifice to the Owl (not Moloch so much as Inanna-Ishtar).

“The festival of Vulcan, the Vulcanalia, was celebrated on August 23rd each year, when the summer heat placed crops and granaries most at risk of burning. During the festival bonfires were created in honour of the god, into which live fish or small animals were thrown as a sacrifice, to be consumed in the place of humans. The Volcanalia were part of the cycle of the four festivities of the second half of August (Consualia on August 21, Volcanalia on 23, Opiconsivia on 25 and Volturnalia on 27)
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A flamen, one of the flamines minores, named flamen Volcanalis was in charge of the cult of the god. The flamen Volcanalis officiated at a sacrifice to the goddess Maia, held every year at the Kalendae of May.” (Wikipedia)

Vulcan = Satan
Maia = Mary-Isis-Venus-Aphrodite...

Such celebrations are intended to appease Vulcan, but it does not seem to be working.
Iceland volcano: Bardarbunga eruption begins (Aug 23, 2014)

Finland's Voice of Vulcanalia competition (Univeristy of Oulu) does not seem to have helped, either. http://www.oyy.fi/en/voice-of-vulcanalia-2013/ - https://www.facebook.com/Vulcanalia

Vulcan, honored in Star Trek with Mr Spock, from the planet Vulcan. Honored in Birmingham Alabama with a Statue of Vulcan in Vulcan Park. (Wikipedia) “The Vulcan statue is the largest cast iron statue in the world, and is the city symbol of Birmingham, Alabama, reflecting its roots in the iron and steel industry. The 56-foot tall statue depicts the Roman god Vulcan, god of the fire and forge.” The exalting of the idol over the city is an expression of who rules that domain as the local Baal.

Here's a short series written about last year's event.

Part 1 - Decoding Burning Man 2013, Cargo Cult and the Mysterious John Frum
Part 2 - Decoding Burning Man 2013, Dangers Beyond Rangers
Part 3 - Decoding Burning Man 2013 - Black (Rock City) Awakening

Part 4 - Decoding Coldplay's Strawberry Swing - Star War Assaults on God

The enemies of the Creator spill the beans on their planned star wars, where celestial stargates are leveraged to wage war in the heavens. While some success is granted, the version presented in Strawberry Swing falsely represents the final outcome.

Here's the official video, Coldplay - Strawberry Swing.



The 19th chapter of Revelation presents a fairly graphic picture. The beast and the Marian Papal false prophet have the primary responsibility for the rebel alliance that will engage in the campaign of Armageddon, in a non-fiction version of star-angel wars. The kings of the earth and their armies will be brought to a confrontation with my Lord, the King of Kings and Lord of Lords, in the final offensive of this age. They won't be thinking to use clubs, knives, arrows, guns, missiles, lasers or other directed energy weapons of a physical nature so much as the supernaturally charged weapons of their “beyond high tech” arsenal.

19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone. 21 And the rest were killed with the sword which came from the mouth of Him who sat on the horse, and all the birds were filled with their flesh. ~ Revelation 19:19-21

The revolution that leads up to that day is being sponsored by the goddess Mary (“their rebellion”). Coldplay's goddess actively promotes the revolution through the magickal exploitation of ritual symbolism. That same rose goddess Liberty-Marianne of Delacroix's painting is recruiting and training and uniting her warriors. She is appointed to prepare the world for the ultimate coup d'etat where the intent is to overthrow divine order on the highest level, displacing even the Creator Himself. Their enemy is sovereign and that assault will result in an epic failure. Yet, here's how it goes down, from the music video's perspective.

The sovereign Yahweh is pictured as the mean giant squirrel that holds the Queen captive in his sky castle. I'll present some of the details that support this allegorical interpretation shortly. The antichrist superhero overcomes the castle guard and gains access. His attempt to rescue the queen by stealth fails, so the clever hero devises another plan. He uses magical powers of synthesis to craft an acorn-bomb and uses it to distract the witless rodent-god while he rescues the queen. As he escapes with the queen, he lights the fuse, and as they fly away to safety the acorn-bomb blows up the evil squirrel-god and his off-world home. (Superhero with acorn: Thor, the antichrist seed of the “oak” tree)

The superhero and the rescued queen see a sunrise as they approach their destination. In the midst of the butterfly remnants of the old heavens, the antichrist superhero celebrates Victory, Liberty and Freedom with his rescued queen as in the new heavens.

That's the Adversary's plan, as sold. I don't doubt that this version compares very closely to one of the sequences that will be broadcast during the hoax that will be projected as pictured during the video's scene of the transit of Venus. By the way, that hoax is coming within 8 months time.

Here's some biblical descriptions of what's been twisted up in the video.

1 Then I saw a new heaven and a new earth; for the first heaven and the first earth passed away, and there is no longer any sea. 2 And I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband. ~ Revelation 21:1-2

7 But by His word the present heavens and earth are being reserved for fire, kept for the day of judgment and destruction of ungodly men. 8 But do not let this one fact escape your notice, beloved, that with the Lord one day is like a thousand years, and a thousand years like one day. 9 The Lord is not slow about His promise, as some count slowness, but is patient toward you, not wishing for any to perish but for all to come to repentance. 10 But the day of the Lord will come like a thief, in which the heavens will pass away with a roar and the elements will be destroyed with intense heat, and the earth and its works will be burned up. 11 Since all these things are to be destroyed in this way, what sort of people ought you to be in holy conduct and godliness, 12 looking for and hastening the coming of the day of God, because of which the heavens will be destroyed by burning, and the elements will melt with intense heat! 13 But according to His promise we are looking for new heavens and a new earth, in which righteousness dwells. ~ 2 Peter 3:7-13

The ungodly will not have the victory.

The superhero Antichrist leaves his Anti-bride on the moon, as her inheritance. The rescued queen represents the collection of people who are promised a merging with Horus, and Zion, and also the goddess who sponsors that delusion by inspiring their false faith, hope and love.

The first battle takes place when the superhero encounters the giant squirrel high above the city. The arrows fired by the squirrel appear to be an effort to keep him from rescuing the captive queen. As taking place over the city, the aerial battle is really being waged in the heavens. When the squirrel clips the cape-wings, the masked superhero falls to the earth, splashing down in the sea. It's a snapshot of the baptism,the first one in a series that concludes when Chris(t) emerges to set upon the top hat.

7 And there was war in heaven, Michael and his angels waging war with the dragon. The dragon and his angels waged war, 8 and they were not strong enough, and there was no longer a place found for them in heaven. 9 And the great dragon was thrown down, the serpent of old who is called the devil and Satan, who deceives the whole world; he was thrown down to the earth, and his angels were thrown down with him. ~ Revelation 12:7-9

The time this pictures is April of 2015, the season of the revealing of the lawless one, and sealing of the 144k sons of Israel that is concurrent with the Bride Theft. There is some validity in this modeling from Strawberry Swing. During this battle we hear the words sung, “Everybody was for fighting.”

Chris is the bee-wings-clipped star seen falling from heaven, and when he ascends up on a cloud of pipe smoke, because he just came out of a pipe, he seems to model a locust coming out of the smoke of the pit.

1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power. 4 They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads. ~ Revelation 9:1-4

1 After this I saw four angels standing at the four corners of the earth, holding back the four winds of the earth, so that no wind would blow on the earth or on the sea or on any tree. 2 And I saw another angel ascending from the rising of the sun, having the seal of the living God; and he cried out with a loud voice to the four angels to whom it was granted to harm the earth and the sea, 3 saying, “Do not harm the earth or the sea or the trees until we have sealed the bond-servants of our God on their foreheads.” ~ Revelation 7:1-3

There are other relevant passages of scripture that speak to me about the scope of this battle. The squirrel's arrows represent what I believe are angels and also the saints as the sovereign God's seed, his offspring deployed in spiritual warfare. In these passages we see varying degrees of our engagement.

1 Unless the Lord builds the house, They labor in vain who build it; Unless the Lord guards the city, The watchman keeps awake in vain. 2 It is vain for you to rise up early, To retire late, To eat the bread of painful labors; For He gives to His beloved even in his sleep. 3 Behold, children are a gift of the Lord, The fruit of the womb is a reward. 4 Like arrows in the hand of a warrior, So are the children of one’s youth. 5 How blessed is the man whose quiver is full of them; They will not be ashamed When they speak with their enemies in the gate. ~ Psalm 127

Like I wrote in the previous post in series, the arrows fired by the squirrel won't be the only arrows fired in the battle. St. Louis de Montfort uses this language to describe the Marian agents in, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.”

10 My shield is with God, Who saves the upright in heart. 11 God is a righteous judge, And a God who has indignation every day. 12 If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready. 13 He has also prepared for Himself deadly weapons; He makes His arrows fiery shafts. ~ Psalm 7:10-13

15 Now when the attendant of the man of God had risen early and gone out, behold, an army with horses and chariots was circling the city. And his servant said to him, “Alas, my master! What shall we do?” 16 So he answered, “Do not fear, for those who are with us are more than those who are with them.” 17 Then Elisha prayed and said, “O Lord, I pray, open his eyes that he may see.” And the Lord opened the servant’s eyes and he saw; and behold, the mountain was full of horses and chariots of fire all around Elisha. ~ 1 Kings 6:15-17

10 Finally, be strong in the Lord and in the strength of His might. 11 Put on the full armor of God, so that you will be able to stand firm against the schemes of the devil. 12 For our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places. 13 Therefore, take up the full armor of God, so that you will be able to resist in the evil day, and having done everything, to stand firm. 14 Stand firm therefore, having girded your loins with truth, and having put on the breastplate of righteousness, 15 and having shod your feet with the preparation of the gospel of peace; 16 in addition to all, taking up the shield of faith with which you will be able to extinguish all the flaming arrows of the evil one. 17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God. ~ Ephesian 6:10-17

A relevant picture of the warfare on the stargates (Hebrew: mecilah - their courses) appears in Judges 5.

20 “The stars fought from heaven, From their courses they fought against Sisera. 21 “The torrent of Kishon swept them away, The ancient torrent, the torrent Kishon. O my soul, march on with strength. ~ Judges 5:20-21

After the warfare that precedes the baptism and anointing stargate transit, another battle sequence takes place as the superhero lays siege to the heavenly fortress. The way he defeats the guard is revealing. The props drawn into the setting of the squirrel's sky lair are also very revealing.

As the superhero ascends on the cloud of smoke he acquires a red paddle, which he uses to paddle his way up to the sky castle. Consider how the superhero grabs the paddle with his left hand and paddles only to his left to advance to his left on the way up. He's on the left-hand path. He then uses it in some sword play with the castle guard. Red is the color of blood, which is spilled in sword fighting. Using the red paddle to ascend speaks to me of blood ritual that raises energy, granting the agents responsible increased authority. Massive amounts of blood have been spilled already for this reason, on ritual days (touching on the SRA Illuminati trauma-based layer of symbolism) and in wars, and much more is about to be spilled (Black Awakening...). The sum of it is required to ascend the warriors to a place of readiness to engage in the battles of Armageddon, setting the scene for the concluding face-off.

The superhero takes off the head of a guard (face off) and uses the skull to bowl the pins (British, slang for legs) down. When thunder is heard, it is the gods in heaven, bowling, as I was told so many years ago. The thunderbolt or lightning bolt is the weapon of Zeus. Zeus, aka Satan, is bringing the conflict as in the days of old, with the tower of Babel gambit.

Chris ascended into the heavens and the battle took place outside the gates of the castle-fortress-temple-abode. I compare the leg-guards to the Egyptian hieroglyph for walking, where the columns or pillars represent the stargates.

Inside the castle we find some symbolism employed that you might find very familiar. When I mentioned in Part 3 how the grandfather clock's pendulum was still, I presented it in the context of identifying Alice in Wonderland through the cessation of time that resulted in the Mad Hatter's continual tea party. The abode of the Creator exists outside the realm of space-time so there is no time in that part of His domain. In a very real sense it's always now, and then, or like time has stopped. The scene is very personal to me because, about 15 years ago, I found myself in what I call the timeless place, near to the throne of the Most High God. (Release of the Apostolic Anointing in 1988, Henry Gruver, Translation and “Because of the Elect”) The still pendulum supports the identification of the squirrel as the Most High God and the sky castle as His abode.

When the producers of the music video present the one true God as a furry rodent it's an assault on His character. He is vicious and not very sporting when he cranks out arrows at the poor superhero, who has only an umbrella for defense. When the rodent-god reaches around with his giant scissors, he's a sneaky cheater. He holds the queen captive and tortures her by flooding her chamber. Bad squirrel god, who gets his jollies by making others suffer. (The sovereign God is keeping the spirits in chains, agents bound since the flood, and the Devil's got revenge in his heart.) The squirrel-god's castle is guarded by sodomite angel pirates (high heels, starlight yellow stockings) Thieving pirates live for rum, bum and the lash, so he's obviously a hypocrite because he condemns that very behavior. The accusations leveled against the squirrel-god continue as the superhero sneaks past the furnishings toward the big meany. All the items are old fashioned, from the antique phonograph to the Grandfather clock. It suggests that he's out of touch with the times. The Mona Lisa belongs in The Louvre, suggesting he's a thief. The large rocking horse suggests that he's juvenile in behavior. The leaning clock suggests that he's lazy and careless about maintaining things because it only needs to be stood upright to restore it to order. Do any of these accusations seem familiar? Such as that is heard outside the professing church, and also inside. The Lord will vindicate Himself, in due time.

There's much more to be written about the symbolism of the furnishings. It's the stargate transit imagery in this video set that I find so very compelling as a sign!

More to follow, Lord willing!

Mary's Dark Side and the Dance of Inanna

Epic of Gilgamesh: “If you refuse to give me the Bull of Heaven [then] I will break in the doors of hell and smash the bolts; there will be confusion [i.e., mixing] of people, those above with those from the lower depths. I shall bring up the dead to eat food like the living; and the hosts of the dead will outnumber the living."

If thou openest not the gate to let me enter,
I will break the door, I will wrench the lock,
I will smash the door-posts, I will force the doors.
I will bring up the dead to eat the living.
And the dead will outnumber the living.”

(Jastrow, Morris. "Descent of the Goddess Ishtar into the Lower World" (The Civilization of Babylonia and Assyria, 1915). Sacred-Texts. 2 June 2002.) (Wikipedia - Ishtar)

Mary? Yikes! Keep that in mind.

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Here's another window of insight, equally relevant and more current. CAVEAT: Disturbing content: Meet Brooklyn's Voodou Queen: Edeline St. Armand

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“Inanna is the Sumerian goddess of love, fertility, and warfare, and goddess of the E-Anna temple at the city of Uruk, her main centre. ... She also is one of the Sumerian war deities: "She stirs confusion and chaos against those who are disobedient to her, speeding carnage and inciting the devastating flood, clothed in terrifying radiance. It is her game to speed conflict and battle, untiring, strapping on her sandals." Battle itself is sometimes referred to as "the dance of Inanna." (Wikipedia - Inanna)”

Bees dance, and sting, and the Queen Bee can sting over and over again.

The dance of Inanna. Have you seen the 2011 film, SuckerPunch? It's a pretty obvious metaphor.

How about the lyrics of “Price Tag” by Jessie J? Watch the music video - MARIONettes, Venus top, dancing with the Moon... Why the "toy" soldiers? Hmmmmm. Dance, regardless of the cost, because the Beta-Delta programmed Marian soldiers of the Black Awakening are expendable.

“We just wanna make the world dance, Forget about the price tag
...
We need to take it back in time, When music made us all unite!”

Who unites but the ancient Marian goddess? Jessie J is a dancing bee goddess, doing the bent elbow moves. Getting nectar from the fruitful money tree. The Price Tag is a 6 sided figure, a HEXagram, like a cell of honeycomb. Like the price tag logo for Best Buy. (Starlight) Yellow - honeycomb cell 6 sided polygon. Best Buy ~ BB ~ bees ~ Be(e)s -t buy

Puss in Boots - Dance Fight Scene between Puss and Kitty Soft Paws (Sex Kitten Beta-Delta), on a mosaic of an owl (Inanna-Athena) in a bar (Inanna) serving milk (Hathor-Dairy Queen - cow goddess)

Serenity-Firefly - River Tam is a weaponized deadly young lady with graceful moves who looks quite harmless.

No real dancing is involved in this one, but it's worth noting here because she's a goddess weapon.
The Fifth Element - LILU (related to Lilit, Lilith, Lili, Lilitu). The 5th Element in the obvious context is spirit.

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Do you understand about the Knights of Malta and the Knights of Columbus? Charity? No, that's just a cover. How about the seditious Jesuits and their fomenting of revolution?

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Militant Marian Devotees - A Catholic Classic by St.Louis de Montfort

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Finally, a few misc. recent news items of interest.

Spacecraft Rosetta catches up to comet after 10-year chase - “...space probe Rosetta’s Osiris narrow-angle camera” More Space Sex Magick!
Rosetta = Rose Goddess Isis
Rosetta+Osiris=Horus

The God of Abraham, Isaac and Jacob Remembers His Promises - (He has a people in the land, even though all are not Israel who lay claim to being Israel.)

1,000-member secretive progressive journalist group uncovered - Special interests

‘God is angry with Liberia,’ local religious leaders say, blaming Ebola on ‘homosexualism’ - Blessed is the nation whose God is the Lord.

Doctor Doom, Eric Pianka, Receives Standing Ovation from Texas Academy of Science

Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 2)

Continuing from part one, in this post I'll illustrate how the revolution, bee and rose themes are repeated in Coldplay's Viva la Vida official alternate video, then decode the lyrics.

Coldplay - Viva La Vida (Anton Corbijn Version)



The Anton Corbijn version complements the other official video. The painting that provided the background for that one, which is also featured on the album cover, is featured throughout. The king carries it around as his most cherished posession and a link to the past, putting it on display in various scenes. Identifying the setting and the identity of the king helps interpret the symbols.

The church-like building is the Ridderzaal (Hall of Knights), the main building of the 13th century Binnenhof in The Hague, Netherlands. It supplies the three themes of the revolution, the bee and the rose. The round window is called a rose window, and that one features the 8 rayed star pattern of the goddess. There are lion symbols adorning it and the other buildings, another symbol of the goddess. The Ridderzaal has long been used for the state opening of Parliament on Prinsjesdag (Prince's Day) , which is the third Tuesday of September. With Tuesday being the 3rd day of the week, Code 33 is stamped on the event. The royal throne is located inside the Ridderzaal. When the video was made, Queen Beatrix was the monarch, who ruled from 1980 to 2013. Her throne bore the letter B. Queen Bea, B, or Bee. If you never heard of her, you should know that she's a member of the Bilderberg Group, which was co-founded by her father. The secretive group of elites meets in the Netherlands in Oosterbeek in the Hotel de Bilderberg. From what little has been reported about their activity, sedition and global revolution seem to be their purpose.

Revolution and bees are highlighted in the identification of the king, as portrayed by Chris Martin. Students of history will readily identify him as Napoleon's brother, Louis Napoleon Bonaparte. Martin's crown and mantle (which he wears over the same clothes he wears in the other official video), resemble those of the French sovereigns of that Napoleonic period. In 1830, when Delacroix's, Liberty Leading the People, was painted, Louis was in exile. He had been appointed by his brother as the King of Holland, reigning from 1806 to 1810. The French had occupied the Hague, and King Louis would have sat upon the throne in the Ridderzaal. The orange pendants seen in the video illustrate how the monarchy had returned after his departure to the dynasty of William the Orange. The red, white and blue pendants in one scene indicate the rule of France. The downward triangle shaped pennants are feminine and more subtle goddess symbols.

The Star of Inanna is evident in the iconic badge of the Napoleonic era, as you see in this painting of King Louis.

In this screenshot from the video, we see him adoring the rose goddess Liberty in the painting. He wears the bee-adorned mantle and the bee-fleurs-de-lis Marian crown, which I'll elaborate on shortly. He's at the seashore (the birth of Venus - Stella Maris) and flashing us a V to signify that she is Venus.

Botticeli painted, The Birth of Venus, and included both the scallop shell and rose symbols of the goddess as she floated ashore.

The Mormons, with their grand Tabernacle in Salt Lake City, adore the Bee Goddess. They identify themselves with the word, Deseret (Deseret Industries), which comes from the Egyptian word for honeybee. They combine the scallop shell with the beehive on doorknobs. Doorknobs are the mechanism of opening doors, it should be noted. Holiness to the Lord. (click image for high-res) Not really my Lord, and not really holiness.

Back to the video imagery. Chris plays King Louis as obsessed with the painting and with the Hague, and acts rather depressed. The following excerpts from Wikipedia offer some insight into Chris' portrayal of the exiled King.

“His request to visit the Netherlands was denied several times by King William I of the Netherlands, but King William II of the Netherlands allowed him a visit in 1840. Although traveling in the Netherlands under a false name, some people found out that it was their former king, which led to a cheering crowd gathering under the window of his hotel room. It is said that he was quite moved by this demonstration of affection from his former subjects.”

“Louis supposedly had a poor mental condition at times, and supposedly suffered from periods of mental illness. Louis's "poor mental condition" may have been periods of depression caused by trying to hide his homosexuality or bisexuality. These periods of depression or mental instability (records fail to distinguish) would plague Louis, and consequently Napoleon, until his death.”

Because another key identity of Viva la Vida is Frida Kahlo (Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo), who was also bisexual, there's another theme to be added to the others. This sexual “diversity” is common to many Marian goddess worshipers. Romans 1 speaks loudly about our day.

Napoleon was known as The Bee. The dark spots on the white part of Chris' robes are actually bees. They are broadly claimed to be a symbol of immortality and resurrection, and the connection must be made to the bee goddess. Chris' crown is identified with the fleurs-de-lis, which is most likely a form derived from both the bee and the bundled reeds of Ishtar. The fleurs-de-lis is a symbol of Mary to the Catholics.

The Coat of Arms of King Louis abounds with goddess symbolism. There's an 8 point star of Ishtar along with several other rosettes and bee-fleurs-de-lis, bees, a pair of lions and a pair of eagles on the blazon, and swords (Athena-Minerva). The scepter is crossed with a hand sign of Horus that represents the union of Isis and Osiris that produces Horus, whose mark is the X of that crossing. The white glove represents the isolation from their wicked deeds done in secret, their apearance of purity that a whitewashed selpuchre exhibits.

The lighthouse represents the torch and illumination of the goddess, and the reflecting surface of the water is the mirror named in the lyrics, an Aphrodite symbol, as well as signaling “as above, so below.”

When he lets his bee adorned robe flutter in the breeze he is miming the bee in flight.

Chris appears like a giant in a couple scenes at The Hague. This complements and explains a puzzling line in the lyrics, spilling the beans about the real subject, a much more ancient ruler who is in exile, asleep as in a kind of death, and who will arise and return. He will be received with more acclaim than with King Louis' reception in 1840 in the Netherlands!

Lyrics aside, to say that the alternate video draws heavily from Depeche Mode's, Enjoy the Silence, would be an understatement. Anton Corbijn directed that one too, which was released in 1990.

Depeche Mode - Enjoy The Silence (Official Music Video)

That video provides more support for the analysis above. What is meant by “The Silence” is demonstrated in the closing scene. The king comes out of the darkness and declares, “Enjoy the Silence,” putting his finger to his lips. He strikes the classic Harpocrates pose, who is the boy Horus. Leading up to that we see very brief flashes of a long stemmed rose. The rose appears on the covers of the single and album cover (Violator - ! VIOlaTOR - and note that LA=12+1=13). The goddess, playing a supporting role behind the scenes. The wandering king wears the France's royal crown and robe like what Chris Martin wears in the derivative alternate Viva la Vida video, so the ornamental bees and comparable fleurs-de-lis and the The Royal Bee are given attention. He passes by trees, goddess symbols. He passes by one that presents a huge V as he walks. 5-Venus, Victory, the Virgin Mary, Viator, the voyager or traveler, Beatrix, Beatrice, BEE. Instead of a painting, Depeche Mode's king carries a wooden framed beach chair, which is what you sit in when you're on the beach gazing at the surf. It's a symbol of the adoration of Venus, born of the sea foam. Mary draws the world to herself, uniting them. The point is demonstrated at the end, with Harpocrates. The Silence is their great secret, modeled over and again. Horus is returning from exile to claim his throne. The rose-bee seafoam goddess brings him into the world.

“In 1990, a promotional video for "Enjoy the Silence" was shot by French TV (for the TV Show "Champs-Élysées" with Michel Drucker) featuring Depeche Mode lip-syncing the song while standing atop the World Trade Center at the WTC rooftop World observatory. ” (Wikipedia) How appropriate, for a promotion of Mystery Babylon, the Harlot who fornicates with the kings and merchants of the earth.

Let's give the lyrics of the song some consideration.

Viva La Vida Lyrics (my comments in parenthesis)

I used to rule the world (The sun god with His Queen consort)
Seas would rise when I gave the word (lunar tides - the moon goddess)
Now in the morning I sleep alone (the morning star becomes the evening star)
Sweep the streets I used to roam (black awakening)

I used to roll the dice (reference to the work of illuminated French poet, Stéphane Mallarmé. “A roll of the dice will never abolish chance”)
Feel the fear in my enemy's eyes (threatening offensive might being wielded)
Listen as the crowd would sing
"Now the old king is dead! Long live the king!" (The intended outcome of the revolution, which is the overturning of the sovereign God's authority and installing of the created Lucifer on the throne through his son: Osiris, raised-transformed-returned from exile as Horus through the regenerative magick of Isis. )
One minute I held the key (Revelation 9 - key to the abyss - the goddess)
Next the walls were closed on me (bound under the earth for an appointed 70 generations)
And I discovered that my castles stand
Upon pillars of salt and pillars of sand (Reference to Sodom, Lots wife. The castle-fortress-abode has no enduring foundation)

(chorus 1)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing (Reflecting on 70 AD when the armies of Roman's Titus destroyed Jerusalem and reduced the Temple to fine rubble in the sacking of her plunder. A perceived triumph as a notch in the Adversary's belt. The ZION concealed in Olympic logos compares as an expression of their desire to lay seige to the holy city in a coup d'etat. This is the seditious Jesuit and secretly militant Romish church's game plan. Ave Maria.)
Be my mirror, my sword and shield (Mirrors = Venus-Aphrodite-Hathor, petitioning Mary as the able leader into battle as Victory, Liberty and Columbia and Freedom )
My missionaries in a foreign field (conquistadors, the army of priests establishing missions, and Mary herself - the able recruiter, drawing, drawing...)
For some reason I can't explain
Once you go there was never
Never an honest word (He is of the character of his father, the father of lies, incapable of being straight up. “You” could tell the truth, but once you go, there's never an honest word. He's not able to explain because that would be telling the truth, and he must lie.)
And that was when I ruled the world (And so it will be on his return)

It was the wicked and wild wind (4 winds of the 4 corners of the earth - dimensional construct)
Blew down the doors to let me in (dimensional breach)
Shattered windows and the sound of drums (the acoustic effect)
People couldn't believe what I'd become (the Antichrist)
Revolutionaries wait (Revolutionaries - codeword for Marian goddess worshipers bent on overthrowing the Creator.)
For my head on a silver plate (allusion to John the Baptist reprised, the counterfeit, the papal beast and False Prophet. John the Baptist was killed because of a king's promise to a dancer, and her evil mother. Salome has become a symbol for dangerous female seductiveness. Mary-Athena-Minerva -- Queen Jezebel. Also alludes to the fatal wound to the head of the beast, healed. The healing is a goddess thing.)
Just a puppet on a lonely string (marionette ~ MARIANette - Lonely? The Lonely Goatherd marionette show from The Sound of Music film, run by Maria. Also, the implied lotus-apple blossom president-king from I Pet Goat II. The “hanging goddess” is Ariadne, and Artemis)
Oh, who would ever wanna be king? (doomed to destruction - not a great finish)

(chorus 2)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name (The fallen ones are not appointed for salvation. There is a restoration of all things, but that doesn't change the truth that no salvation is appointed for them.)
Never an honest word
But that was when I ruled the world

Oh oh oh oh oh oh oh

(repeat chorus 2)

In closing, the reference to Mallarmé in the rolling of the dice deserves some more attention, but that's another post.

Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo

Series Links: 2012 London Olympics

In part 44, Rihanna's performance of, We Found Love, was seen to be a clever tribute to Our Lady of Fátima. Within that same segment of the Paralympics closing ceremonies, Coldplay played two songs that bracketed hers. They played Strawberry Swing with the orchestra as a segue. After Rihanna's sun chariot returned to earth, they closed the Summer segment with Viva la Vida. This framed her tribute to Our Lady of Fátima with their own devotionals to the goddess, in her identities as Venus and Our Lady of the Miraculous Medal and Our Lady of Guadalupe, most particularly.

In seeing how this was done we discover further evidence of what is going to unfold when the lawless one is about to be unveiled to the world, which I've been blogging about since the opening ceremonies in Sochi when the Lord began to open it to me. Through association with music videos, their Marian frame (or should I say, Marianne) imports a substantial layer of Illuminati or Monarch trauma-based mind-control programming, which is typical of such Occult works. The programming and antichrist themes are woven and bound together, as I've demonstrated at length on this blog. The music videos of Coldplay's framing songs reveal them as anthems for the Black Awakening, with Mary-Athena-Minerva sponsoring revolution. The theme of revolution will become very evident in this post, which is ultimately the rebellion against the one true God's authority.

(Coldplay fans who drop in and read here and are familiar with another song on the album, Violet Hill, you might want to argue that they are actually anti-war or pacifists. If you learn about symbolism and think about them being doves not hawks, well, there's something to think about that's not contradictory.)

You can watch video of their performances of these songs during the Paralympics ceremony on YouTube.

• Coldplay - Strawberry Swing [Live at Paralympics]
• Coldplay - Viva La Vida [Live at Paralympics]

For some context, I note how Strawberry Swing was a fitting segue for Rihanna's performance on the swing because it offered what must have been a comforting thread of continuity for the audience. That's a pretty thin thread, of course. To know what's really going on you have to look further. In those broadcast versions of both songs there didn't seem to be an abundance of overt goddess symbols. When you see the fire dancing done and magickal drumming for the ritual building of energy, those elements are evidence of the religious context within which Coldplay and Rihanna are performing. The segment is called Summer, and the 4 seasons celebrate the pagan calendar. In the videos you'll see dancing on the stage that bears the markings that look like sigils denoting the Pagan calendar's quarter and cross-quarter holidays. That can be seen as a version of the 8 rayed star of the goddess. The Agitos presented the subtle swoosh of Nike and the crescent moons of the moon goddess, of the night. The Paralympics ceremony had Druidic elements, which you can see from this video found on the YouTube channel for Greywolf, chief of the British Druidic Order. Look for the fire dancer toward the end of it who appeared during Coldplay's performance. Paralympics 2012 Druid Ritual. (See also BDO Druidry Goes Global in the Paralympics Closing Ceremony - The British Druid Order)

The really obvious goddess connection is made through Coldplay's Grammy Award winning album and the music videos that are associated with those songs. The image of the goddess appears on the cover. The album is their 4th studio album, the “Isis numbering.” The goddess of the cover art is also seen in the official music videos for these songs. I intend to explain the symbolism of the videos in another post.

Coldplay - Viva La Vida



Coldplay - Strawberry Swing.

Marianne

The goddess of Viva la Vida is that of the painting titled, Liberty Leading the People. The following is from Wikipedia.

“Liberty Leading the People is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled King Charles X of France. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the flag of the French Revolution – the tricolor flag which is still France's flag today – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.”

If you connect her with America's Lady Liberty (gifted by French Masons) and the Liberty Bell, you do well. Did you notice a bell featured during the videos? Ringing out Liberty, the Marian entity. You may think that we in America, have something completely different from Liberty-Marianne going on. Well, no, but we typically refer to her as Columbia, as you see in this war promotion poster that is of a kind that seems to have fallen out of fashion. Or Freedom, who stands atop the Capitol Dome as her counterpart Minerva on the Capitoline Hill in Rome.

The name, Marianne, is thought by some to have come from a connection with the Jesuit Juan de Mariana, the 16th century Monarchomach who was famously a theoretician of tyrannicide, and that may be so. Still, consider how the name is a combination of Maria and Anne, identifying her with the goddesses Mary and Inanna. The compositing of the goddess names is probably how the Mary worshiping Jesuit also acquired his name.

When Coldplay identifies with the goddess of that painting they are associating with a place and time, Paris in the year 1830. That's where and when “Our Lady of the Miraculous Medal” appeared three times to Catherine Labouré. (Probably the inspiration for Baron de Coubertin choosing to award medals to the Olympian athletes - “Our Lady of the Olympics”) Through the symbolic imagery of the adopted work of art, Coldplay honors the Marian apparition, “Our Lady of the Miraculous Medal.” At the same time, she is honored in her role as the goddess of war, and patroness of revolution.

If you consider the logic of Coldplay's Occult linking, historically, it falls apart because that revolution was due in no small part to the Romish church pandering King Charles X's imposition of the death penalty for anyone profaning the Eucharist. Esoteric references don't have to make a lot of sense, they just have to establish the essential connections.

Frida

Coldplay's album points to another painting, another nation and another revolution - and more imagery of the same goddess. The album was claimed to have been “recorded in a bakery, a nunnery, a magic shop, a church.” Actually, several churches; in Barcelona, Spain, and in Mexico during their Latin American Tour in March of 2007. A song titled, “Famous Old Painters” was written but wasn't chosen for the album. Eugène Delacroix (Liberty Leading the People) was certainly one famous old painter. Another was Frida Kahlo, Mexico's most famous female artist.

Her final work bore the words, Viva la Vida, and it is with respect to Frida's life that the album's subtitle makes even more sense: Viva la Vida or Death and All His Friends. She was severely injured in a bus accident when she was a teenager. She suffered from those injuries and from the many resulting surgeries until her death. As bringing her suffering to an end, one might consider Death to have come as a friend to her. “A few days before her death, she wrote in her diary: "I hope the exit is joyful — and I hope never to return — Frida". (Wikipedia)” Vida la Vida, means, “Live the Life,” “Long Live life,” “Live the Lifetime,” “Live the Way of Life” or “Live the Lifestyle.”

According to 1 Corinthians 15:26: “The last enemy that will be abolished is death.” That does not seem to have been Frida's hope. In a work from 1947 titled, Sun and Life, we see an expression of the hope of the illuminated. The open eye in the sun's forehead has to be seen as the eye of Ra or Horus. The page on a fan site describes the scene. “As a result of a terrible bus accident at age 18, Frida was unable to have children. Her obsession with fertility was often the subject of her paintings. In this painting, the life-giving sun is surrounded by plants in the form of erupting male penises and female wombs protecting a growing fetus. This painting also reveals Frida's sadness over her infertility as shown by the weeping sun and fetus.” I suggest rather that the subject is the reproduction of the Tree of Knowledge of Good and Evil in the earth through the mystical union of Osiris and Isis. This is akin to resurrection, and to the illuminated, it is their hope of eternal life.

Frida identified herself with the Mexican Revolution, which began in 1910 when she was three years old. “Frida Kahlo was born on July 6, 1907, in her parents' house known as La Casa Azul (The Blue House), in Coyoacán. At the time, Coyoacán was a small town on the outskirts of Mexico City.” “She later gave her birth date as July 7, 1910, allegedly wanting her birth to coincide with the beginning of the revolution so her life would begin with the birth of modern Mexico.” (Wikipedia) See Frida as a symbol of revolution that compares to the goddess of Delacroix's painting. She was born in July and identified herself with the Mexican Revolution, and also died in July, and the album art pictured the July Revolution.

While the last painting Frida did was to apply the label, Viva la Vida to the still of watermelons (that had most likely been painted a couple of years before the pain medications exacted their toll), the stronger association with the cover art is with another painting of hers where the words appear on a flag - one much like the one borne by Liberty: “Still Life - Viva la Vida and the Dr. Juan Farill - 1954.” In this, we see the distinctive goddess symbol of the dove: Aphrodite-Venus-Mary! There she is!

Frida was known to embed subtle symbolic imagery in her paintings, much of it sexual. I believe she encoded the ancient goddess symbol into her Viva la Vida watermelons, the simple W that represents the bent elbow of the goddess Inanna-Ishtar.

In the Lifetime network TV series, Witches of East End, the witch named Freya is a barmaid at The Bent Elbow Bar. “Inanna was also associated with beer, and was the patroness of tavern keepers, who were usually female in early Mesopotamia.” (source) Lots of dots, connecting.

Find the W in the highest section of the wave-cut melon, and centered below. Hey, is that a dove in flight at upper left? It's subtle. That fancy cut watermelon is a goddess crown. The wave form glyph represents water - Venus. It is a WATER melon. The goddess is usually bare breasted and the breasts are referred to melons, right?

Compare Frida's Watermelons to the images of Artemis-Diana of Ephesus. Melons. The goddess's mammary attributes are likened by some to a queen bee's eggs and also bull's testicles. The exposed seeds in the Frida's painting are probably intended to represent the bull's testicles, fertile with seed. The male and female fertility imagery really is a strong thread that runs through her work.

I just finished watching the Salma Hayek film based on her life titled, Frida, from 2002. In this screenshot, Frida and Diego are in the market. He's holding up the melons as breasts. Right after this, he puts those down and picks up some other kind of produce and jokes around with Frida pretending it represents big cojones, testicles.

The W signal is modeled all over the place in our culture. It's very obviously featured in the choreography of goddess modeling bent elbow pose striking women in music videos. The W and also an M (and E) is formed in the Horus hand sign that joins fingers 3 and 4 together. That's also the cloven hoof sign of Satan. Sometimes the single V symbol is used for Venus and Victory, the goddesses. (Winston Churchill) Sometimes it's doubled to form V+V or W, like how Taylor Swift hand signals the VV or W in performing “22,” which happens to be the number of the letter V. In this image, she crosses her hands to make the double V. Crossing them forms another V between them. Triple V = vav (6th Hebrew letter) vav vav = 666.

While I'm at it, “Viva la Vida” has 3 letters V = 666. (LA = 12+1=13) But “Viva la Vida” also features pairings of V's, the double V or W. Coldplay's Album cover art lines two up vertically. The Youtube channel Vevo ~ double V- goddess exalting. “Vevo Video” is a triple V 666.

“Frida (with variants Frieda, Freida and Freda) is a feminine given name. In Scandinavian countries, it derives from the Old Norse name Fríða, meaning "beautiful, beloved". In central and eastern Europe, Frida is a short form of compound names containing the Germanic element fried meaning "peace".” (Wikipedia) Freya is the name of the Norse queen of the gods, the goddess of love, beauty, war and death. The goddess symbol identified with the Mexican revolution is referenced through the album title, Viva la Vida, and that same goddess of the French Revolution of 1830 is referenced through the album cover art.

Frida painted an elaborate self-portrait in 1948 that presents her as the goddess. It's the second self-portrait in which she appears wearing the traditional Tehuana headdress. Its the resplandor or head-dress that is traditional for Tehuanas, women of Tehuantepec. They were strongly matriarchal, and Frida, who was certainly feminist, and bisexual, expressed solidarity with them. Her mother Matilde's heritage was mixed indigenous-Spanish, and Matilde was a devout Roman Catholic. According to a fan site's description of the painting, “The years of pain have taken their toll as is shown by three tears glistening down her cheeks like the tears of the Madonna of Sorrows.” The Madonna of Sorrows - that's Mary.

Count the upper panels formed in the radial pleating of Frida's Tehuana headdress. There are 13, which has the meaning of rebellion. Mary's name means, “their rebellion.”

The following verse is where the number appears in the biblical text for the first time.

Twelve years they served Chedorlaomer, and in the thirteenth year they rebelled. ~ Genesis 14:4

They rebelled. It was a revolution, in the 13th year. Who is Coldplay's goddess of the revolution? Mary!

The number 13 is naturally connected with Venus through the design the planet traces in the heavens. A 5 point star pattern called the Rose of Venus is traced out over the span of 8 earth years, exactly, to the day. In that span, Venus makes 13 circuits around the sun. See in Frida's self-portrait how her face is framed in a rosette - the Venus Rose. Consider the rosettes in the lace. The numbers generated in the creation of the Venus Rose are, 5, 8 and 13. These represent a range of the Fibonacci sequence, and this is why the spiral is a symbol of the goddess. The 5 pointed star in a circle reveals why the pentagram is another one of her symbols.

Frida's mother, Matilde, was a devout Roman Catholic, and even though I don't read where Frida practiced her mother's religion, she would certainly have been exposed to the Marian Rosary and candle burning acts of veneration. Frida was born, lived and died in The Blue House in Coyoacán, just southwest of Mexico City. The Marian apparition known as Our Lady of Guadalupe had appeared in 1531 a few miles away, just northeast of Mexico City. Would her mother and others in her community have made the short pilgrimage to her wildly popular shrine? This would have been a normal part of their culture. I note how Matilde's heritage, and therefore her daughter's also, matched a feature of that apparition. Matilde was of “mixed Amerindian and Spanish ancestry.” One of the miraculous signs given by Our Lady of Guadalupe involved the Castilian (Spanish) rose growing in the land of the “Amerindian.” From Wikipedia:

“The Virgin told Juan Diego to gather flowers from the top of Tepeyac Hill. Although December was very late in the growing season for flowers to bloom, Juan Diego found Castilian roses, not native to Mexico, on the normally barren hilltop. The Virgin arranged these in his peasant cloak or tilma. When Juan Diego opened his cloak before Bishop Zumárraga on December 12, the flowers fell to the floor, and on the fabric was the image of the Virgin of Guadalupe.”

Note: “Tepeyac is believed to have been a Pre-Columbian worship site for the indigenous mother goddess Tonantzin. Spanish colonists tore down a temple to her and erected a Catholic chapel at the site.” (Wikipedia)

It seems likely that Coldplay sees Frida as a model of the goddess, as the Castilian Rose (Venus) growing miraculously in Mexico, who is associated with Our Lady of Guadalupe.

It also seems likely that Coldplay has noted the other esoteric details surrounding her death, which has to be seen in connection with the album's subtitle. She painted the referenced expression, Viva la Vida, 8 days before her death, stamping it with the number of the rayed star of Venus. She died on July 13, 1954 at age 47. Her life span recalls the 47th Problem of Euclid. Osiris union Isis producing Horus. (See above ) The theme of immortality, death and resurrection is evident. Her death on the 13th day of July seems worth noting as another Venus-Marian numbering. I note that both of the singles they performed during the Summer segment had release dates on the 13th day of the month The single, Viva la Vida, was released on 13 June 2008 as the album's second single, and Strawberry Swing was released as the fifth and final single on 13 September 2009. The 13th day of the month is the day favored by Marian apparitions like at Fátima, and in the US in regular appearances to Rosa Lopes, Nancy Fowler and Ray Dorian.

Next up - Lord willing - the symbolism of the music videos.