Part 19 - Rango - Beans-Israel meets Rango-Beast

Beginning way back in May of 1991, the Lord began to open to me insight relating to a particular series of events that, even to the present day, remains hidden from most, as it must be. The Lord assures the success of His plans and cloaks behind the veil of secrecy what treasures must be secured, so I have no reservation about posting plainly what is revealed, shouting from the rooftops, if you will. Those appointed for it will hear as He opens the ear, and those not, simply, won't.

As documented in a three part series titled, "The Sign for the Bride," history will come to pivot about a long anticipated event.

Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;

2 Thessalonians 2:8

The man of lawlessness or iniquity ("anthropos anomia" or "anthropos hamartia") has many epithets, including "the beast."

The dragon who will empower the beast knows plenty about what is coming. Part of his deal is that a testimony about it must be presented in advance, and Rango is a prime example of how this is done. The key to being able to recognize dramatic modeling is familiarity with what's being modeled. Understanding what the Bible as an esoteric document says about coming events in both the "plain text" and coded levels explains the scene where Rango and Beans meet. The dream sequence leading up to Rango's entry into the world of Dirt can then be understood in that context, providing vivid confirmation. Rango illustrates what Bible prophecy declares by way of cryptic but nonetheless detailed clues.

Here's the scene where Rango and Beans meet. Rango had just spent the night sleeping in a drain pipe. He had been having a nightmarish dream. He was suddenly awakened when flushed out into the desert by a sudden flow of drainage water. Finding himself thirsty and in the midst of small pools of water, the chameleon scrambles around, unsuccessfully trying to drink some of the water before it dries up in the desert. He comes to grab hold of what turns out to be Beans' boot, looking up to see her pointing a shotgun in his face.

Beans: Get your slimy, webbed phalanges off my boots!
Rango: Oh! Uh...sorry!
Beans: I got a bead on you, stranger. So you get up real slow, 'less'n you want to spend the better part of the afternoon puttin' your face back together!
Rango: Nnnno...no Ma'am, I don't.
Beans: Who are you?
Rango: Whoo...am I?
Beans: I'm askin' the questions here! [poking her gun in his face] Our town is dried up. We're in the middle of a drought. Now someone's dumpin' water in the desert. Now, it's a puzzle of undeterminable size and dimension, but I intend to find out what role you're playin' in all this.
Rango: Role?
Beans: What are you involved in?
Rango: Oh! Well, I...I...I'm glad you asked. I've got two one acts, a mystery and a musical I've been gestating. I've got the words. I'm just kinda workin' on the melody right now. It's like a... [humming a tune] This is - I think it's gonna be a western.
[He starts singing and dancing in a distinctive style."]
Beans: You ain't from around here, are you?

While the scene is superficially pretty comical, the tone becomes serious when you realize this is really a "Beans-Israel meets Rango-Beast" foreview. It's partial and distorted but there's high value stuff to be gleaned from it.

Here's an overview of the time pictured, based upon what the Lord has revealed to me from such as 2 Thessalonians 2, Genesis 45, Haggai 2, John 13 and 21 and Acts 12.

When the lawless one is revealed he will claim to be the messiah. Most of the world will be convinced, excepting a small number who knows he is actually the false messiah, the antichrist beast. A faction of Israel will question his claim, making inquiry into his real identity. Those testifying that the man is antichrist will be a Bride company of saints, and those sons of Israel seeking to identify the man will number 144,000. The crucial dynamic involves Israel correctly identifying the messiah. As they become convinced the man just revealed is a counterfeit they will perceive with envy how the persecuted Bride has what Israel should, by all rights, have had in relationship with the God of their Fathers, indeed, their own God. With the counterfeit convincingly exposed, the God of that Bride company will be revealed to them as their own, with Y'shua revealing Himself and disclosing his identity as the one their forefathers had pierced by proxy as he hung on a tree. When the 144,000 sons of Israel recognize Y'shua as their God, the Bride Theft is triggered. This breaking off of the wild branch and grafting of the natural into the olive root (Romans 11) is a big deal. To casually call it a big deal is really to understate it. This is still hidden stuff because it's that big of a deal.

So, Rango's emerging into the world of Dirt and Beans' subsequently meeting him is big. The attention given the matter of Beans seeking to understand the chameleon's identity and role in what she witnessed is of great import, speaking to us of the Dragon's awareness of what's coming. This provides us with a dramatized illustration of a version he sees and promotes. There is value for us in this, so I'll interpret what I see.

When Rango says, "... I've been gestating," it suggests interpreting how the chameleon had just been flushed out of the drainage pipe as a baby from the birth canal, head first. Gestate: To carry within the uterus from conception to delivery. When a mother's water breaks, the baby is going to be delivered! The chameleon then crawls around on his hands and knees making noises like a baby. The Rango-Beast is born into the world!

And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea...

Revelation 13:1a

We see the chameleon in a watery puddle as the sea, with Beans describing him as having "slimy, webbed phalanges," like some kind of sea beast. Then we see him standing up, on dry sand. No kidding.

The revelation of the lawless one will be as one being birthed out of a watery womb. The event is notably a baptism, which is about revealing, revealing identity. To baptize is in the biblical Greek, baptizo, literally "to dip." It involves immersion in water then a bringing back out. It's a death and resurrection symbol with submersion equating to death and coming up out onto dry ground, to life. As now having entered "his own story," the baptized chameleon has a new life and is acquiring a new identity.

Worthy of note, the amniotic fluid and baptismal water of the scene was unclean waste water flowing from Las Vegas, Sin City. This chameleon is not a clean beast.

Chameleons are unclean beasts, reptiles. They are related to serpents. (Some believe the antichrist will be of the tribe of Dan, about whom it was prophesied in Genesis 49, "Dan shall be a serpent in the way, a horned snake in the path...") Chameleons are also related to iguanas. The Beans character is a Desert Iguana. Ahhhh. Relatives. Rango pictures a hybrid serpent version of a Jewish Messiah that compares to how the Beast type Judas (Judah) Iscariot was related to the King of Judah.

When the Beast is revealed, the 144,000 sons of Israel will seek to discover who he really is. As I already pointed out, this is a crucial dynamic! In a biblical type, it's presented in John 13 in this way.

21) When Jesus had said this, He became troubled in spirit, and testified and said, “Truly, truly, I say to you, that one of you will betray Me.”
22) The disciples began looking at one another, at a loss to know of which one He was speaking.
23) There was reclining on Jesus’ bosom one of His disciples, whom Jesus loved. 24 So Simon Peter gestured to him, and said to him, “Tell us who it is of whom He is speaking.”
25) He, leaning back thus on Jesus’ bosom, said to Him, “Lord, who is it?”
26) Jesus then answered, “That is the one for whom I shall dip the morsel and give it to him.” So when He had dipped the morsel, He took and gave it to Judas, the son of Simon Iscariot.
27) After the morsel, Satan then entered into him. Therefore Jesus said to him, “What you do, do quickly.”
28) Now no one of those reclining at the table knew for what purpose He had said this to him.
29) For some were supposing, because Judas had the money box, that Jesus was saying to him, “Buy the things we have need of for the feast”; or else, that he should give something to the poor.
30) So after receiving the morsel he went out immediately; and it was night.

John 13:21-30

The "one of His disciples, whom Jesus loved" was by name, John. He prophetically represents in this scenario the 144k sons of Israel, and Simon Peter, the Bride. The dipping of the morsel represents the baptism of the counterfeit bread of life, Judas, and the antitypical betrayer he represents. John-Israel (144k in particular) sought to learn the identity of the one who would betray Jesus.

I should note here that when the Bible presents a prophetic scenario, it's done with perfection. When the devil does so, it's not. His style of presentation is similar to the sovereign God's dramatic enactments but compares as a counterfeit does to a genuine. His are perverted to present lies wrapped in truths, versions crafted to accomplish wicked objectives. Rango is clearly the work of evil genius. The Bible is the work of a Sovereign God. One may be interpreted in light of the other, and wisdom dictates that the lesser should be interpreted in light of the greater.

During the featured scene from Rango, the chameleon then rummages through the "banquet table" cart and selects a Mason jar (Right, a Mason jar), eating ashes from it. Despite Beans' absurd remark to the contrary, the ashes must be identified as the remains of a dead person. When you compare this scene to the account of the "last supper" in John 13 and link Rango with Judas, you can associate the ashes Rango ate with the baptized "dead body" morsel Judas received.

Now, throughout the movie there are inquiries made about Rango's identity. Rango is regularly asked who he is by various residents of Dirt. He asks himself several times, "Who am I?" This is misinterpreted by viewers and reviewers as existential. It's apparent to me that this was the intent of the movie makers, to misdirect those who don't perceive the deep meaning so the subliminal working would be effectual. Why is his identity such a big deal? Because so much hinges upon being able to identity the Beast correctly, as a poser, a fake, a counterfeit messiah.

Pay close attention so you don't miss this. The question of Rango's identity is nowhere more important than in the scene where Beans meets Rango right after his "birth" and "baptism", because one of the things baptism is appointed for is to reveal the identity of the one baptized! (John 1:31-34) This explains why it is, in Rango, that Beans is so intent on discerning who he is, and further, why it is that the chameleon gives her the song and dance, both figuratively and literally! This matter of Beans-144k wanting to discern the identity of the chameleon-lawless one is the key dynamic at a critical juncture in the Lord's plan!

Beans' first question is, "Who are you?" Rango responds with, "Who am I?" He doesn't answer by identifying himself but just mirrors the question back. Beans says, "I'm askin' the questions here!" Immediately, emphasis is put on the importance of the question. The identity and the role he plays are tied together. The role really defines the identity of the lawless one, who is referenced in Biblical texts by broad range of epithets, descriptive references. It's not a name of itself that is really the issue of interest. Beans then asks, "What are you involved in?" The answers to these questions identify the lawless one, as may be seen in the following passage.

8) Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders,

2 Thessalonians 2:8-9

That's what he is involved in, and his role. This allows his identity to be established! Baptism reveals.

So, Beans is not easily dissuaded from her inquiry into the chameleon's identity. Her intense inquiry prompts the chameleon to act like he misunderstands what she means by "role." He's not answering her question, and he won't. He does a little distraction and misdirection ploy and then breaks into a literal song and dance, what must be seen as some old-fashioned shucking and jiving. He sings, "Monkey's got a cracker..." Monkey? (definition 3), Cracker? Come on. Like he's the "monkey" and she's the gun or whip totin' "cracker."

The choice of Beans' peculiar dress and hair style featured throughout the movie serves to draw attention to the shuck and jive scene as one that is of special importance. She clearly resembles Scarlett O'Hara, the female lead in the film classic "Gone with the Wind." Her dress, hair, brooch and Southern accent - it's a fair match! The film's civil war era feature of white masters and black slaves makes the chameleon's overacted "Monkey has a cracker" song and dance all the more obviously a classic shuck and jive.

We see the diversionary tactics continuing even after Beans gets into the wagon to head back to town.

Beans: Today's Wednesday, and Wednesday's when we all get to it. So who are you really?
Rango: Well I'm a man of many epithets. There's my stage name, my pen name, my avatar. Had a pseudonym once but I had it legally changed.
[The Mariachi owl narrative closes the scene as they ride off towards town. The scene picks up again where Beans is about to drop Rango off. They are approaching the town but are far enough away where she won't be seen with him. Rango is still yakking away in his rapid-fire monologue.]
Rango: ... I had a CB handle. I'm actually one of the few men with a maiden name.
[Beans stops short of town, rolling her eyes. She drops him off.]

Did he ever disclose his identity? No. He rambled on, shuckin' 'n jivin' - continuing the "song and dance" routine. He goes to great extent to evade the questions. He dances and dances all around the name thing - up one side and down the other - but never provides a single one! Do you get the point being made? The lawless one will never disclose his identity. It must be spiritually discerned.

In the devil's Rango version, Beans does not figure it out. He does NOT want her to. However, knowing the biblical truth, while most of Israel won't figure it out yet, the 144k will, and through that baptism event and the lawless one's Judas-esque betrayal of Christ activity, the 144k will correctly identify the genuine messiah - and meet Him!

More to follow, Lord willing!

Death and Life - Steve Jobs Died

Apple's Steve Jobs Is Dead

I do hope he found peace with his Maker at the close of his life. If he did not find forgiveness before he passed from this mortal life, I can only think that there's going to be a long season of pay-back before restitution is finally made.

In contrast to death upon death, my friend Aaron Hermann's inspiring new blog titled Your Body is the Temple is a touching testimony of life and continuing redemption!

Part 18 - Rango - Beans as Israel

After several posts featuring Rango's trauma-based mind-control programming layer I'm now going to return focus to how the agendas of the antichrist Beast plan are presented. Certain characters are presented in biblical roles, for example, Rango appears as the Savior of Dirt (Adam - "red earth" - formed of the dust of the ground), who is the false messiah and antichrist Beast. The Mayor John plays the role of a counter to John the Baptist, the False Prophet of Revelation 17. The Red-tailed hawk represents Yahweh, the sovereign Creator. Beans represents Israel. What is concealed and revealed through Rango's development of this character is significant!

The Lord first tipped me off to the Beans as Israel identification in a scene where the land she inherited from her daddy is revealed as a key element of the plot. Beans wants to keep it by any legitimate means. The Mayor wants to acquire it by any means whatsoever. The plot of Rango generally revolves around the town's water shortage problem. The Mayor is causing the shortage as a means of acquiring all the land, so he can build "the future", in his words, a future of his own design. Without water, the residents move away. The Mayor, pretending to be kind and generous, buys their vacated and nearly worthless land at a discount. The hold-out landowner who interferes with his plan is Beans. In this scene, Rattlesnake Jake and Mayor John work together in a shakedown ploy, working Beans over to persuade her to sign over the deed to the land. The scene begins in Mayor John's office as he pours a glass of cool water for himself and one for Beans.

Mayor: I appreciate how difficult this is for you, Beans. But you're making a practical decision.
Rattlesnake Jake: Decisions! Decisions!
Mayor: There's no need for any more suffering. Your family's ranch is nothing but a waste land now. Sign the deed and relieve yourself of your father's burden.
Beans: My daddy was not a burden! [Without taking even one sip of the water, she throws it into the Mayor' s face] Keep your blood money and I'll keep my land!

What first caught my attention was the disconnect between what the Mayor said and Bean's response to it. If you assume this is just an innocent cartoon and nothing more is meant, you'll miss it. However, when you're clued in to the array of antichrist agendas embedded in this clever animated feature such a disconnect is like a red flag thrown on the field of play! Beans said, "My daddy was not a burden!" The Mayor never said or even suggested that he was. He said, "your father's burden," referring to the land her daddy conferred as an inheritance. Why did she say that? This query of mine had been prompted by the Lord and He immediately began to answer.

The land Beans inherited from her daddy represents the promised land, the heritage of the legitimate children of Israel. The Mayor and Jake seek to deprive Beans of her inheritance. The parallel in the Rango drama should be obvious. The Lord has made it very plain to me over the past couple decades how it is that, for His chosen people, the people and the land are bound together. The land occupied at present is a portion of the land promised to the children of Israel by the God of their Fathers, Abraham, Isaac and Jacob. Jerusalem itself is land promised to Benjamin. Israel's struggle is to survive, and her survival and identity are bound to the land. Pressure is continually being brought to bear to persuade the people to "sign over the deed" and vacate. A current ploy involves the creation of an independent state within their borders, a Palestinian state.

UN recognition of a Palestinian state receives public approval in Europe (The Guardian - 9/11/11) "Polls in France, UK and Germany show the majority of people back recognition of a Palestinian state by the UN"

One of the ways pressure has been brought to bear is through external control of Israel's water resources.

The Jordan River: Declining, Disappearing, Endangered (REVOLVE - 8/23/11)

When the Mayor told Beans, "There's no need for any more suffering," allusion is made to the suffering endured today by those whose hearts are bound to the land. Yet, there is need for more suffering until the Lord's own purposes are fulfilled.

When Beans refused the Mayor's offer to buy the land, she did so saying, "Keep your blood money and I'll keep my land!" Calling whatever price the Mayor offered "blood money" implies that if Beans would have accepted the offer it would have meant becoming an accomplice to murder through betrayal. The only way this makes sense is to see Beans as Israel. Many have taken and are taking such blood money to sell out the chosen people unto death, betraying those in particular who dedicate their lives to claiming the promise made by the God of their Fathers.

The reference Beans made to blood money for land also hearkens back to the betrayal of the Mashiach by Judas in the Garden of Gethsemane. The silver Judas received for the deed ultimately purchased the potter's field, a graveyard. (Matthew 27 and Zechariah 11) Another after the pattern of Judas is coming, with this animated feature Rango adding its attestation to that of the Bible and many other witnesses! Based upon this coming betrayal, the very life of the remnant of Israel truly is at stake.

Here's an interesting observation. Beans as Israel, the chosen people, is a fitting match as she is the most obvious SRA/DID chosen one in Rango's cast of characters. (See Part 14)

O seed of Israel His servant, Sons of Jacob, His chosen ones!

1 Chronicles 16:13

You'll note that the Mayor casts aspersions on the character of Beans' daddy when he calls the land conferred upon her as an inheritance, "your father's burden." Mayor John implies that, with the inheritance, her father cursed her instead of blessing her. Is this not the way Israel's inheritance is so commonly presented, maligning the God of her Fathers? Even among Jews it is sometimes heard in despairing tones, "Please G-d, next time choose someone else!"

Throughout the movie, Beans defends her daddy's character even at times when no attack is present, which highlights this element as one that means something. Her daddy's fate was rumored to be as one who, in Merrimack the banker's words when taking care not to offend Beans, "did not get drunk and fall down a mine shaft."

Another scene featuring Beans as Israel occurs when she freezes while Rango is in the company of some who are familiar with her condition.

Rango: Why does she do that?
Furgus: It's a survival reflex.
Doc: Her switch is just broken.
Rango: Well, that's an inconvenience.
Beans: [unfreezing with a start] It is not a rash! It is a birthmark!

That Beans should have a birthmark suggests Israel's birth right, who holds the land as part of her identity and that is, as suggested, required even for her survival. From the devil's perspective, Israel's survival is an inconvenience. He campaigns to claim the birthright for himself.

I'm going to show even more convincing evidence of this identity link, and then another scene that seems to be the real point of featuring this role.

The following scene really "sealed the deal" for me in coming to a full conviction about Beans in the role of Israel. This revelation insight had and continues to have an emotional impact on me. In this scene, Rango had just met Beans in the desert and he's going to discover her name and how she acquired it.

Rango: Uh...so, what's your name?
Beans: Beans.
Rango: That's a funny kinda name.
Beans: What can I say, my daddy plum loved baked beans.

BAKED BEANS? Oh no! Her name is a cryptic reference to cremation in the ovens of concentration camps during the holocaust! This is confirmed when, after a couple more lines of dialog, Rango begins to sample the contents of one of the many jars on her wagon.

Rango: Mmmm. Spicy!
Beans: You're eatin' his ashes!
Rango: Ooh! [spitting] You carry his remains?
Beans: No! His ashes. He loved to smoke. They never found the body.
Rango: Oh! Well, I'm sure he had his reasons.
Beans: What are you implyin'?

Just what is being implied? Consider the images from Buchenwald Concentration Camp - ThirdReichRuins.com. Think about it. Images that I've seen in pictures and movies of the smoke and ashes coming from the chimneys of cremation ovens will never depart from my memory. Offended? I am! Deeply! The giving of the name "Beans" to the character playing Israel must be a huge source of amusement for those who are in on the sick joke.

If you visit and read the Buchenwald page I linked you'll learn about the infamous wife of the camp commandant, Karl Koch. Her name was Ilse. The name of the actress employed to voice Beans? Isla Fisher. Hmmmmm. I have to think this too was intended to make a connection.

Now, being clued in to how Beans represents Israel and how Rango represents the lawless one provides insight into a dramatic sequence of enormous significance! The scene with dialog presents the coded events of a coming season that can hardly be over-valued! If you're not onboard with and actually pretty familiar with what I lay out in the Beyond the Veil series, this may go over your head. It is a scene that will be witnessed by the Bride, who has a key role to play!

In the next post... Lord willing!

Part 17 - Rango - RDF, Psychic Control, Warrior Monks and Weaponized Super-Soldiers

Since Part 10 I've been featuring elements of Rango, the Paramount / BlindWink / Nickelodeon animated feature, that reveal it as an instrument serving trauma-based mind-control agendas. After this post I intend to return to the other featured layer of Rango, where Horus and the mark of the Beast agendas are cryptically promoted.

To introduce this post, it must be said that I have no interest in speculation about what might be. I'm invested in following through with what the Lord sets before me. I'm going to share what most would deny but yet there are some who need some confirmation to help gain confidence in what the Lord has been revealing. This post is about the ability some of the chosen ones have to influence and control the thoughts of others, which I can tell you from personal observation is quite real. I'm going to introduce this as illustrated in a scene in Rango.

This scene occurs while the chameleon is in the saloon, having just introduced himself as Rango. He is engaging with the saloon patrons, who are very curious about who this stranger is.

"Hey! Are you the fellow that killed them Jenkings brothers?"
Rango: Uh-huh. Killed 'em with one bullet. Don't get no deader.
"All seven of 'em."
Rango: That's right. [clears throat] All seven of 'em.
"Exactly how do you do that, Mr. Rango?"
Rango: [clears throat] You don't gotta ask me that and I will be happy to tell you how. But you're all going to have to listen up! Because this is where it gets complicated.

[Cuts to another scene, then returns to the saloon scene, where Rango, like an actor on stage, is in the middle of relating a highly animated tall tale.]

Rango: ...the bullet hit the shovel ricochets back towards number three and it then broke again, igniting the thermos of pure grain alcohol - instantly vaporizing his bodily form leaving nothing but a charcoal statue with a high pitched squeal. [emits a high pitched squeal]
[The awestruck clientele responds as one] Ohhhhh.
"Aho-ho-Hold on there. That's only six. What happened to number seven?"
Rango: And number seven? Hell. He died of infection.

The crowd pauses for a moment then erupts in celebration, universally accepting Rango's tall tale as truth.

If this were "just a movie," we could just suspend disbelief and mindlessly go with the comic bravado. However, this is a media production with dark agendas that conceals yet can reveal much about the devil's schemes to the wise, and this scene is key in the development of the plot. Some folks can be made to believe what somebody says no matter how outlandish.

On another level, with Rango as the lawless one of 2 Thessalonians 2, the audience buy-in illustrates the delusion attending the miraculous revealing of the antichrist.

8) Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders,
10) and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved.
11) For this reason God will send upon them a deluding influence so that they will believe what is false,
12) in order that they all may be judged who did not believe the truth, but took pleasure in wickedness.

2 Thessalonians 2:8-12

From this perspective, those modeled by the saloon patrons are not merely gullible, they are rather subject to a powerful delusion, a deluding influence sent by God himself. From the point of view I want to focus upon here, the chameleon has switched to his Rango alter as a SRA/DID chosen one and the scene illustrates the ability to sell a version and influence the hearers to buy it. This goes beyond salesmanship, beyond the dynamic of an actor convincing his audience. This is more than just NLP, or neuro-linguistic programming. It's related to hypnosis. This compares to what will attend the revealing of the lawless one as a supernatural influence. It is sorcery, the casting of a spell.

The dynamic of Rango's saloon scene compares to a phenomena some have observed and labeled as a "reality distortion field." You may have heard this with reference to Steve Jobs, of Apple, Pixar Animation Studios and Disney.

"Reality distortion field (RDF) is a term coined by Bud Tribble at Apple Computer in 1981, to describe company co-founder Steve Jobs' charisma and its effects on the developers working on the Mac project. Bud Tribble claimed that the term came from Star Trek. Later the term has also been used to refer to perceptions of his keynote speeches (or "Stevenotes") by observers and devoted users of Apple computers and products."

"The RDF is said by Andy Hertzfeld to be Steve Jobs' ability to convince himself and others to believe almost anything with a mix of superficial charm, charisma, bravado, hyperbole, marketing, appeasement, and persistence. RDF is said to distort an audience's sense of proportion and scales of difficulties and makes them believe that the task at hand is possible."

Reality distortion field - Wikipedia

As I wrote earlier, some folks can be made to believe what somebody says no matter how outlandish.

The featured scene in Rango can be seen as something of a DreamWorks parody of competing animation studio Pixar's former CEO.

Andy Hertzfeld's list of attributes omits one essential, there is truly a supernatural force at work. Steve admits to having had a transformational experience with LSD, a spirit portal drug. He was trained by Buddhist monks, who commonly practice techniques of spiritual control. Web search: steve jobs control freak and you will discover how the desire to wield control must factor into any explanation of the Steve Jobs enigma. I can't say whether Steve is MK-ULTRA or not, but I do find it interesting how one of the main software tools developed and used by Pixar Animation Studios is called Marionette, the alternate name for Monarch Programming.

Any serious discussion of the RDF phenomenon must at some point come around to Bill Clinton, who practiced on some by asserting that "It depends on what the meaning of the word 'is' is," when questioned by the Grand Jury about his relationship with Monica Lewinsky.

"Steve Jobs is famous for having a “Reality Distortion Field” (RDF)—an aura of charisma, confidence, and persuasion, in which people report it almost impossible to avoid surrendering to the man and following his will when interacting face-to-face. Well—love his politics or hate them—Clinton is known for an RDF even stronger than Jobs’. Perhaps the strongest in the world."

Michael Ellsberg

Ellsberg concludes that this dynamic relates to eye contact. That may well be so, but there is more to it than that, because this works even when no eye contact has been or can be established. For some idea of what value there may be in the RDF, you may be interested in knowing that, despite Obama's own substantial RDF, Apple now has more cash than the U.S. government (CNN Tech - 7/29/2011). It remains to be seen what degree of exaltation Bill Clinton will attain before we've seen the last of him, but keep him in view. Watch and see.

The ability to read and to "write to" other's minds has been described in many ways. When this is operated by those considered mentalists or magicians, it is explained as the combination of learned natural skills and practiced arts of illusion, but don't be so gullible as to think that fully explains it. This dynamic may manifest in a variety of ways. Hypnotism itself is the practice of witchcraft, exercising mind-control through demonic influence.

Watch videos of mentalist Derren Brown like the following and consider everything you see.

[video] Derren Brown - How To Be Invisible
[video] Derren Brown - How To Fight Through The Mind
[video] Derren Brown - How To Win A Staring Competition

A chosen one may demonstrate the ability to read and "write to" the minds of others, exerting influential control over the thoughts and actions of individuals and groups. This is not me, telling you based upon hearsay. This is me, telling you from personal experience informed by revelation insight. I have been influenced. I have seen others influenced. This is reality!

Impressions may be planted even remotely so that they are accepted as truth and as genuine reality without the receiver's awareness and without the intervention of rational thought processes, and therefore without requiring any validating evidence. The projected and implanted impressions are simply accepted. A person being so influenced will perceive a personal experience according to the projected interpretation. They will believe a lie, however contradictory to the facts as actually experienced. How can that be? It just is, and if you have seen it and puzzled over it, what I'm sharing here may help you understand what the Lord has been revealing. Even seeing it myself over and over again, I could hardly believe it!

What I've referenced thus far to illustrate the abilities multiples have concerning mind control has been relevant but I'm going to direct you now to the testimony of a professed multiple. Let me encourage you to watch one or both videos on this page where you will hear the testimony of former super-soldier Duncan O'Finioan about MK-ULTRA and PROJECT TALENT. Duncan O'Finioan I've sampled reverse speech from both Duncan O'Finioan and Tom Corso and am convinced they are genuine. Those videos were recorded in 2006 and 2004. The following is more recent. [video] DUNCAN O'FINIOAN at the Project Camelot Awake and Aware Conference, Los Angeles, Sept 2009 When Duncan speaks about psychic projection and reception, I believe him.

In the context of programmed super soldiers, the ability to influence and control people's minds is very valuable. These abilities are of great benefit to alters programmed as agents on a wide variety of missions. The ability to control even more than cognitive processes or perception processes exists. Some can control the bodily functions of others with their minds, affecting health and the sustaining of life itself!

If you watch the "comedy" called The Men Who Stare at Goats, you'll see a version based on a book written by journalist. Jon Ronson. The movie's New Earth Army of warrior monks is based upon the First Earth Battalion associated with Lieutenant Colonel Jim Channon. The mental or psychic abilities shown in the movie are not strictly fictional. What is generally presented to us as fictional or mythological is not necessarily so. I'm discovering, like so many others in these last days, that many historical facts and legitimate truths have been concealed, but the Lord has opened to us what we need to know.

Consider what this Wikipedia entry has to say about abilities I've witnessed in real life.

Telepathy - In popular culture (Wikipedia)
"Some fictional telepaths possess mind control abilities, which can include "pushing" thoughts, feelings, or hallucinatory visions into the mind of another person, causing pain, paralysis, or unconsciousness, altering or erasing memories, or completely taking over another person's mind and body (similar to spiritual possession). Examples of this type of telepath include Professor Xavier, Psylocke, Jean Grey, Emma Frost, and numerous other characters in the Marvel Universe, along with Matt Parkman from the television series Heroes.

The radio crimefighter The Shadow had "the power to cloud men's minds," which he used to mask his presence from others.
The film Scanners concerns around people born with this kind of telepathy as well as those with telekinetic abilities."

The telepaths named are indeed fictional, but the abilities described are real.

"In 1979, the Peoples’ Republic of China publicly reported that several thousand of its children aged 8-14 were capable of telepathy, clairvoyance, X-ray vision, or psychokinesis. [Marcello Truzzi, "China's Psychic Savants," Omni, January 1985.] Having already heard about this program, the Central Intelligence Agency (CIA), National Security Agency (NSA), Defense Intelligence Agency (DIA), Lawrence Livermore Laboratories, and the US Army were simultaneously pouring billions of dollars into their own similar research."

The First Earth Battalion: Dare to Think the Unthinkable, Ideas and Ideals for Soldiers Everywhere

If you research Project Stargate, you'll find some very interesting related material. With regard to military activity and morals, consider the following reports.

General Petraeus Launching Probe On Reported Psy-Ops Manipulation Of Senators (2/24/11)

The not-so-surprising result, when foxes oversee henhouses: Pentagon clears 3-star general of alleged misdeed (7/27/11)

An excerpt from the above: "My job in psy-ops is to play with people's heads, to get the enemy to behave the way we want them to behave," Holmes is quoted as saying. "When you ask me to try to use these skills on senators and congressman, you're crossing a line."

We can see it's acceptable to Holmes so long as he is comfortable identifying the target as an enemy.

On a related note, consider what is being done with assistance from technology. Electromagnetic Frequency Mind Control Weapons

Mind Games
New on the Internet: a community of people who believe the government is beaming voices into their minds. They may be crazy, but the Pentagon has pursued a weapon that can do just that. - (Sharon Weinberger - The Washington Post - 1/14/2007)

In Earthpulse.com's description of "Controlling the Human Mind : The Technologies of Political Control or Tools for Peak Performance" by Dr. Nick Begich, we read: "This is the Century of the brain and the mind. The technologies that have advanced, under cover of secrecy and national security, now have the power to either enslave us or free us to our higher potentials. These technologies will impact our consciousness itself and as a result require an invigorated public debate, in the light of day." The EarthPulse page quoted has an interesting collection of links for further research into these technologies, including one to this pdf on
US Electromagnetic Weapons and Human Rights. (Peter Phillips - Sonoma State University - December 2006)

Mind-Reading Systems Could Change Air Security (Fox News - 1/8/2010)

Consider these videos and when they were made.

Science Channel Admits Microwaves Used in Mind Control (7 of 15)

[video] CNN: Electromagnetic Mind Control Weapons (1 of 2)

[video] CNN: Electromagnetic Mind Control Weapons (2 of 2)


If you read science fiction or fantasy literature, or watch movies, of which most are now sci-fi or fantasy (like Rango), you'll be presented with more and more frequent featuring of characters that have these abilities. The list referenced in the Wikipedia entry for Telepathy is only a small sampling of what you'll find. Perhaps the most famous example of influencing the thoughts of others with one's mind comes from a scene in the original Star Wars movie from 1977. The "Jedi mind trick" is pictured at a secure checkpoint as Obi-Wan Kenobi tells the weak minded soldier of the Republic, [video] These aren't the droids you're looking for.

"As of 2008, the overall box office revenue generated by the six Star Wars films has totalled approximately $4.41 billion, making it the third-highest-grossing film series, behind only the Harry Potter and James Bond films."

Star Wars (Wikipedia)

The Jedi mind trick has had a lot of exposure, but not so much as the Harry Potter films and books. In this very significant vehicle promoting witchcraft that does itself cast spells, the ability I've been describing is called legilimency. It is defined as "The magical mental method of sifting through another's thoughts and emotions, and even to 'implant' false thoughts and emotions into another's mind."

The movie currently ranked #29 most popular movie "All Time Worldwide" is Inception, starring Leonardo DiCaprio, nominated for 8 and winner of 4 Academy Awards. The plot revolves around the exercise of the ability to implant content in dreams many levels deep within a persons mind, in order to manipulate their actions. The act of "inception" is the planting of an idea within the person's subconscious mind.

In another film starring Leonardo DiCaprio, Catch Me if You Can, he plays the real life character, Frank Abagnale Jr., who operates with an amazing Reality Distortion Field effect! By the time he turned 19, he had, by deceptive means, assumed roles such as a teaching assistant (and actually taught sociology at Brigham Young University for a semester), a chief resident pediatrician in a Georgia hospital, a Pan American World Airways pilot, a Federal Bureau of Prisons agent and an attorney working at the Louisiana Attorney General's office!

If you follow the sci-fi series Fringe, an episode I haven't seen yet but am told is a "must see" is Fringe - Season 2 Episode 7 - "Of Human Action". The character Tyler has mind control powers. With his mind he controls what others think and do.

A movie I watched recently is called The Speed of Thought. The plot revolves around agents used by the NSA for their ability to read minds and who eventually become adept at controlling the thoughts of others.

Another featuring those who leverage these abilities I've seen twice already. The title, Push, refers to pushing thoughts. "Pushers have the ability to implant memories, thoughts and emotions into the minds of other people in order to manipulate them." Pushers can cause others to kill themselves. That's a desirable skill for a chosen one as a weaponized super-soldier, isn't it?

"Star Trek science consultant and writer André Bormanis, has revealed that telepathy within the Star Trek universe works via the "psionic field." According to Bormanis, a psionic field is the "medium" through which unspoken thoughts and feelings are communicated through space. Some humanoids can tap into this field through a kind of sense organ located in the brain; in the same manner that human eyes can sense portions of the electromagnetic field, telepaths can sense portions of the psionic field."

Telepathy - In popular culture (Wikipedia)

Mr. Bormanis knows things, as you can tell from this video I made featuring reverse speech sampled from the Threshold DVD extra "Behind the Fractal.". The psionic field is popularly referred to as psi, and you can read a good fringe science primer on the Wikia for Alternative Science - ESP page.

If you know there's something to what I've been describing, you might find yourself wondering how you might protect yourself from "psychic" probing, influence, control or attack. Well, lucky for you I'm selling a diverse collection of stylish and official "Bob Schlenker Tinfoil Hats" in the online store and they're all on special this week only! Just kidding. I doubt tinfoil is the solution, and neither is attempting to leverage what Rowling popularized in the Harry Potter series as Occlumency or what appears in the movie Push as the Shadow ability. So, I'm offering classes on approved Push Resistance Technologies and Techniques for $7,999.99 per enrollee. Call now to speak with one of our friendly helpful volunteers about enrollment! Again, just kidding.

Quite seriously, though, what defense do we have against this violation of our wills? First, a universal answer for all the "how to"s required: Draw near to the Lord Y'shua with careful obedience. This matter like everything else is all about Him. He must reveal how this demonic spiritual power does exist, and where, when and how it is manifesting. Genuine resistance to being influenced and controlled comes only with His help. I can tell you from experience, that works. This is probably the only reliable defence against supernatural or directed-energy technologies that read or remotely project voices and wave energies influencing thoughts, emotions and behavior.

In conclusion, what Rango reveals about a broad range of trauma-based mind-control attributes is impressive. What the Heavenly Father is doing to prepare His people for victory as overcomers is far more so! Praise the Lord!

Part 16 - Rango - More Evidence of Trauma-based Mind Control Programming

Here's yet another post in the series exposing the trauma-based mind-controlled slave layer of the animated feature titled Rango.

Again, due to the subject matter of this post, a caveat is called for.

"A word of caution for survivors of intensively systematic mind control and/or some form of ritualized abuse: There are numerous “triggers” in this article. It is therefore recommended not to read it unless appropriate support systems are in place or if you have a thoroughly reintegrated personality." (Project Monarch: Nazi Mind Control by Ron Patton)

In the last post I wrote about the Rango movie's water ritual line dancers as picturing an army of mind controlled slaves. The activation trigger was the bell of the clock tower as it chimed the Noon hour on Wednesday. Many clocks are featured in Rango, so many and so frequently it becomes obvious that there is some meaning intended. Both clocks and bells are used by handlers to trigger Monarch slaves to switch alters and thereby access targeted programming. One programming technique involves subjecting a slave to ritual abuse at the same time every day.

The following observation comes from what was noted about survivor Kim Noble's in The Art of Dissociation - PseudOccult Media Blog "'Hickory Dickory Dock', her programming related to this is that something [ritual abuse] occurred at six (as it says 'what happens when the clock strikes 6'). "

There's an example of the Noon clock trigger in Paramore's “Brick by Boring Brick” (See Paramore’s “Brick by Boring Brick”: A Song about Mind Control by the VC.) Consider the line: "But it was a trick - And the clock struck 12."

When you become informed about the use of clocks as programming tools, the meaning of the Paramore song and video and of the following conversation between Rango becomes painfully obvious. This is heard while they are marching out of Dirt to the holy spigot for the water ceremony.

Rango: This is a heck of a hoedown you got goin'. Still workin' out those steps. So, is this considered normal civic behavior?
Priscilla: Mmm-hmm. Every Wednesday. Just like clock-work.

Just like clock-work! Dissociation, as with the traumatizing abuse, right on schedule.

The clock-works particularly references an element of Frank L. Baum's Oz series that has been in use by programmers for a long time.

pg. 56 Book 3 Ozma of Oz, “DIRECTIONS FOR USING
For THINKING: --Wind the Clock-work Man under his left arm, (marked No. 1)
For SPEAKING: --Wind the Clock-work Man under his right arm, (marked No. 2)
For WALKING: --Wind Clock-work in the -middle of his back, (marked No. 3)

"N.B.--This Mechanism is guaranteed to work perfectly for a thousand years.” These instructions were used to build Dr. Green’s (Mengele’s) boxes and the robots."

From: The Illuminati ... Slave by Fritz Springmeier and Cisco Wheeler
SCIENCE NO. 5 - THE SKILL OF LYING, THE ART OF DECEIT -- THE USE OF FICTION

Alice in Wonderland is another popular work of fiction used in trauma-based programming. The White Rabbit was obsessed with time. "I'm late, I'm late. For a very important date!" White Rabbit is a basic code for "master."

"The stroke of midnight" is referenced in code words for Cinderella Programming.

Clocks and bells are common tools in Satan's toolbox. I wrote about these at length in the writing, Bells - Supernatural Enchantment and a Biblical Perspective. There is an aspect of this I'm really looking forward to exploring in another post, Lord willing, but it's in support of the trauma-based mind control layer that clocks appear in many of Rango's scenes.

"Monarch slaves have many clocks built into their systems. They have internal clock makers and internal clock keepers. In the movie [Labyrinth], clocks pop up everywhere just like in a Monarch’s mind. "

"The Illuminati ... Slave" - by Springmeier and Wheeler

As in Labyrinth, clocks seem to pop up everywhere in Rango, "just like in a Monarch’s mind."

There's one more observation I want to point out about the clocks. One scene in particular stood out for me. Beans, the character who is in perhaps the most obvious Monarch slave role, is seated in the Bank Manager's office. She's seeking credit and she is at the mercy of the banker. A grandfather clock appears in the office. If this seems familiar, you have probably connected some dots. Did the popular image of Yale's Skull and Bones Class of 1947 came to mind?



Let's see. Grandfather clock? Check. Bankers? * Check. Secret society practicing sadistic/Satanic ritual abuse with handlers and slaves? Check. Connect the dots.

* Skull and Bones Class of 1947: George H. W. Bush is the guy just to the left of the clock. A few Bonesmen bankers you may have heard about are:

• Austan Goolsbee - current Chairperson of the Council of Economic Advisers
• William Donaldson (Class of 1953) - appointed by Bonesman G. W. Bush as head of Securities and Exchange Commission in 2003
• Harold Stanley - co-founder of Morgan Stanley
• Stephen A. Schwarzman - Chairman, CEO & Co-Founder of Blackstone

Beyond the clock imagery allusions, Rango contains references to other Monarch programs like Carousel Programming. Yes, Rango is richly layered! It is a wicked tool! During the water ritual's line dance, the critters dancing form two lines. When they start dancing, they alternately move up and down in a trance with frozen expressions - just exactly like horses and such on a carousel (merry-go-round)!

"The Carousel in real life is used as a device to teach dissociation, and how the alters are to go up and down in trance. Sometimes you will see parents who seem to be so loving having their children ride for long periods on a carousel. They might actually be programming them in dissociation. An internal carousel is built into an internal system. Mirrors and shadows are placed around and perhaps in it. The carousel spins and moves up and down repeatedly. In the center of the carousel, the Programmers often place something or someone important."

"The Illuminati ... Slave" - by Springmeier and Wheeler

Reference is made to Camelot and Shakespeare Programming in the opening scene as the chameleon play-acted such a role. Later in the movie, Rango, after "autographing" a Bible, flippantly gives advice to the little guy, saying, "Burn everything but Shakespeare." (Shakespeare - whose works are believed by many to have been ghost-written by Sir Francis Bacon, occultist. See Secret Mysteries of America's Beginnings, Volume I: The New Atlantis)

Springmeier and Wheeler write: "The programmers like to have alters
identify themselves as “nobody”." After Rango has been run out of town, he says to himself. "Who am I? I'm nobody." He's not having an existential crisis. He's a Monarch slave. He is identifying himself to us as he is programmed to do!

Another standard programming system is called an umbrella. An umbrella was featured in the umbrella drink Rango enjoyed while in his terrarium. After sliding to a stop on a piece of shattered terrarium glass, he's flat on his back, dazed, looking up into the sky. The umbrella from the drink floats slowly down in a surreal scene, to land on the rim of the glass he still gripped in his hand, balancing momentarily before it topples to the pavement.

"U. Umbrella. - This is associated with military programming. An umbrella protects something, such as the Delta assassination alters. An umbrella must be taken down from the inside and so must this protective shield of the Umbrella program. One Umbrella system had 7 gates to it."
...
"Delta models are slaves whose sole purpose is assassination. Delta alters are alters within an Illuminati alter system which are programmed to be assassins. These alters are often some of the deepest in a system and in a Genie bottle or with Umbrella programming."

As you may recall from a previous post, Rango was assessed by Rattlesnake Jake for his killer instinct. Rango killed the hawk and was apparently ready and able to kill Jake. He had a Delta program alter, protected with an umbrella system.

Marionette Programming was featured with Rango as a handler and as a handler/slave.

"The painful rape of a child with its legs held in a butterfly configuration is used to get butterfly alters. To get a puppet, the body is given a drug which paralyzes the child. Then electro-shock is applied to certain muscles upon the command of the programmer. The effect is that the child has no control over his body, and the programmer can make the child’s body parts jerk and move by electro-shocking the muscles. The child actually becomes the puppet of the programmer. This is a very powerful program.

One of the names connected with Monarch programming is Marionette Programming. The child literally becomes a Marionette. This concept appears to have been cooked up by the Germans under Hitler. An alter System as a child is physically shown that they are a marionette puppet. Their muscles are electro-shocked in such a way as to take advantage of the natural reflexes. When electro-shocked that way, the victim’s body parts jerk out of our control at the whim of the programmer to prove to the victim that they are a puppet. At this time, the rules are given and rule number 8 is that the alters are their puppet. Illuminati programmer Dr. Mengele, used puppets in a dollhouse as he programmed. He did skits with his puppets. “Dance Marionette dance,” he’d say in his thick german accent."

"The Illuminati ... Slave" - by Springmeier and Wheeler

While Rango was play-acting in his terrarium, after being critisized by "Victor" about his character being undefined, he asks "Who am I? Why - I could be anyone." He responds in an affected voice, "I...I could be the sea captain returning from a mighty voyage, to reclaim his mechanical arm!" We hear a ratcheting sound as he repeatedly hits himself in the head with his arm that he's pretending is mechanical. Comical, yes, until we grasp that this is actually the ritual abuse of a Monarch victim on exhibit! He is helpless, a puppet that is controlled by another.

We see another example of marionette programming following that scene. It involves the doll that looks like a Barbie doll torso, naked and one-armed. In the Shakespearean production she played the stock role of damsel in distress.

Rango: It is I! The much anticipated hero returning to rescue his emotionally unstable maiden. Unhand her you jailers of virtue or taste the bitter sting of my vengeance!

If you follow the Vigilant Citizen's blog at all, you'll notice how frequently mannikins, dolls and stuffed animals are used in trauma-based mind control programming media. These props are used to identify the victims with them, who are unable to move on their own, helpless and entirely subject to those who manipulate them. Dolls and mannikins are used in connection with sexual abuse. This is what is pictured in Rango as he assumes the role of a handler. He play-acts the role of a Don Juan, a Latin lover, making the moves on the doll. She has no legs and can't get away. She has only one arm and can't fight him off. She has no head and can't resist with her own will. She is the "emotionally unstable maiden" who needs rescuing by a returning hero. She can't move her arm, so Rango, the handler, makes it move. He's in control. He expresses the sexual nature of the interaction by acting the "Don Juan" and looking at the bare breasts, asking with obvious interest, "Are those real?"

To the uninformed, this all "flies under the radar" and goes without notice, of course. When you are familiar with what is done to the chosen ones and why, you can't help but see it, and it is offensive. The devil is bad.

Broken mirrors are common images in mind-control signaling. These represent the fractured life of the multiple, the many separated fragmented identities. In Rango, we see the chameleon's life that is represented by his terrarium being shattered. His "family" speeds off into the distance leaving Rango alone. We see him sliding out of control down the road on a piece of the broken reflective glass. When we see him framed in the saloon mirror, the mirror is cracked. When Rango is in the vending machine trying to hide from the red-tailed hawk, the hawk taps the glass with his beak and cracks it, causing a fractured area to appear in front of Rango, who is traumatized in his licorice box "coffin."

Handlers are often slaves themselves. The abused become abusers. When Rango slides on the broken glass of his terrarium down the road, when he comes to a stop he finds himself having slid right alongside the doll torso. Her arm is around him. They are two of a kind. Helpless. Her arm is now a left arm, where earlier, her one arm was her right. Accidental, like a typical movie scene continuity issue? I doubt it. Not in Rango. I think the handler/slave "shoe" was now on the other "foot," or arm... right? Rango, who had just entered "his own story" was about to live out his slave programming.

There is a good reason to know about this. For some, this is very personal. For others, it may be FYI so you can make sense of what the Lord may be revealing about the world around you, as folks are taken in by this wicked scheme on the threshold of the Beast's soon revelation and the coming mark.

Lord, I thank you for preparing us for all that is here and what is coming. In Y'shua's holy name I pray.

Part 15 - Rango - Activation of the Mind-Controlled Army in a Black Awakening

Before I launch into this next episode in the stranger-than-fiction Rango series, here's a couple items of note. This year's Clinton Global Initiative just concluded. This annual event is a huge deal. It's promoted as a brilliant humanitarian thing, but it is rather Antichrist. Watch and see.

On the current theme of Rango-as-Monarch-programming-tool, I offer these two links that provide some excellent insight featuring the testimony and paintings of a SRA/DID survivor named Kim Nobel.

The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas (The Vigilant Citizen - 9/22/11)

The Art of Dissociation (PseudOccult Media - 12/1/2009)

What I've presented showing Beans and Rango as Monarch slaves and Rattlesnake Jake as Dr. Josef Mengele should leave little doubt that Rango is a canvas broadly painted upon with vivid attributes of MK-ULTRA styled trauma-based mind control programming. The striking feature length animation has more to reveal that some need to know, so I continue.

The last sentence from Part 14: "The reasonable conclusion is that Rango, the animated feature, is a Monarch tool, a device used to leverage Satan's Horus plan and bring the Beast and the mark of the Beast to reality through a remotely triggered mind-controlled army of zombie super-soldiers!" Zombie super-soldiers? Well, yes. Let's play Connect the Dots. Dance Alters. Assassin Alters. Universal triggers for joint missions. There's three categories of dots.

Russ Dizdar wrote about what he calls a black awakening, referring to when an army of sleeper agents will be activated to engage in battle. He has been documenting evidence of this plan for many years. Rango adds a corroborating witness in ways that are subtle yet convincing! I already presented Rango the chameleon as having an assassin alter, but beyond the individual we are shown a collective of chosen ones as an army.

The water ritual line dance I described in Part 5 as a dramatization of DNA transformation can also be seen as a collective of sleeper agents triggered to engage in battle. To merely illustrate the genetic assembly of DNA ladder rungs (the AT and CG base pairs), the two opposing rails could have been joined by less violent means, say, by the lines of dancers joining hands, but the connection made was by those on one side slapping those opposite in the face. Why the violence? It supports the Monarch programming layer. The chosen ones may use force to overcome their opponents. Rango, after being slapped, responds by knocking out the frail looking "gal" who slapped him. Assassin alters are serious, using even deadly force. Rango knocked her out then stole her water container, representing her life.

The mind-controlled slave army pictured as line dancers were called into battle array and subsequently into the engagement with a universal trigger, at the ringing of the bell as the clock struck Noon on Wednesday. As the bell chimed out the Noon hour, the Dirt dwellers went into a trance as mind-controlled Manchurian Candidates, a zombie army. This scene presents what might be called a black awakening, a collective activation (like Star Trek's Borg) for a common mission. The chosen ones are programmed with alters for individual missions and for collective missions. Triggers are in place that provide for mass activation.

In recent years, a cultural phenomenon related to mass activation has come to be very significant - the flash mob. These are typically planned events carried out by volunteers for entertainment purposes but are also for political (High-Spirited Flashmob Invades S.F. Financial District, Shuts Down Bank) and criminal objectives. If you Web search "zombie flash mob" you'll find plenty of results. There is power in this activity beyond what even the number of individuals directly involved suggests! There will be multiplied effectual power in the mass activation of sleeper agents programmed as a zombie slave army that is even now equipped with psychic weaponry to wield supernatural influence over many others. I hope to explain more about psychic weaponry in another post.

I'm well aware that this seems like science fiction, but based upon my personal experience and history plus years of faithfully watching according to the Lord's direction to watch, what I've learned from the Sovereign Lord opening up Bible prophecy and exposing the devil's plans has made it apparent that there are times appointed for slave army activation. The sovereign Lord's own agenda will ultimately be served by this, but the devil will score victories of sorts. In today's flash mobs, participants volunteer, but the chosen ones (presently estimated to number upwards of 100 million) are programmed and demonized slaves, carrying out their current missions but yet awaiting mass activation at the appointed times. There are crux moves scheduled on the Lord's "moadim" play book and His agents will be met with appropriate resistance from the forces of the rebel. This makes logical sense, and it is true.

After Rango steals the "lady's" water bottle, he joins the column that is already marching two by two out of town to the place where the "holy water spigot" ceremony is held. While Rango engages a couple of townsfolk in conversation, a character featured in the background is obviously a soldier, identified by the Civil War era hat he wears. This soldier is rather special, with an arrow through his head piercing his right eye that identifies him as enlightened via phallic Eye of Horus.

This soldier is highlighted in the following scene. Rango is equipping folks for a military style mission by passing out torches, and he comes to one with an arrow shot through his eye.

Rango: Whoah! Are you sure you're fit for duty there, soldier?
Sergeant Turley: What?
Rango: Well, you got a little somethin' in your eye there.
Sergeant Turley: Oh, that! [pointing to his left eye that has no arrow through it] That there is conjunctivitis, sir. It's hereditary.
Rango: Oh! Well...I'm glad to hear it's not contagious.

The arrow is a phallic symbol, as you can see from this collage of Valentine's Day images.

See the series of posts beginning here for many more examples: Part 23 - See, it's the "i" of Horus! The Incredibles, Swirl Eyes and Valentines By the way, I do hope to resume that series, at the Lord's provision.

The arrow through the eye is a phallic Horus Eye image that should be very familiar to those of you who have followed this blog for a while. It indicates that Sergeant Turley is enlightened, his third eye is activated. When Rango refers to something in Sergeant Turley's eye, the soldier points to his left eye that has no arrow through it, which, while it seems to be nothing more than a silly joke, provides insight for the wise. The soldier can see well out of the arrow-pierced eye, but the other has the problem, darker, as signaling Harmerty, Horus "who rules with two eyes."

In the screenshot presented here, Sergeant Turley's Eye of Horus is emphasized to assure we can identify it. Behind him is a scene framed like an eye. The light illuminating the scene floods in through the windows as dimensional portals. The horizontal divider present us with the Hermetic Maxim, "As Above, So Below." We get it.

Sergeant Turley says the condition is hereditary. It's a fact that the genetic transfer of programmed super-soldier skills is why the name of the Monarch butterfly labels this programming.

In this character we find a definite link between the trauma-based mind control layer and the Horus/Beast and mark of the beast layer. In the scene where we see him marching after having been triggered by the clock chiming, Sergeant Turley appears activated, marching in a column in the ranks of mind-controlled chosen ones. He has Horus Eye illumination and is later pictured being equipped by the Horus/Beast Rango with the ability to illuminate others.

Let's turn our attention to the featured dance routine. When the army was triggered at the chiming of Wednesday Noon and went into a trance, they danced. The dissociation triggered for warfare relates to dance. There are some dots to connect here.

If you watch SuckerPunch (“Sucker Punch” or How to Make Monarch Mind Control Sexy) you will see the focal character "Baby Doll" having a dance routine that is a dissociated alter state during abuse and is also coincident with a military mission. See also The Black Swan. Mind control programming and dance. (The Occult Interpretation of the Movie “Black Swan” and Its Message on Show Business) Dance music video is famously saturated with mind-control programming! Have you seen Joss Whedon's movie based on the cult favorite Firefly series titled Serenity? The girl named River Tam is a dancing mind-controlled psychic super-soldier. If you watch The Men Who Stare at Goats (2004) you will see early super-soldier training in dance. There's a reason for that. The First Earth Battalion (pictured in that movie as the New Earth Army) is legit.

The goddess worship trend advanced significantly by Starhawk's "Spiral Dance" does involve dancing as ritual (and ultimately DNA activation of the Eye of Horus). See Reclaiming Presents The 32nd Annual SPIRAL DANCE Saturday, October 29, 2011. This is warfare as through deception intending to bring submission of adversaries, comparing to First Earth Battalion methodology.

While you're connecting dots, the lyrics of the music video featured in the Vigilant Citizen's Blog post titled Jessie J’s “Price Tag”: It’s Not About Money, It’s About Mind Control are very telling. "It ain't about the money. We just wanna make the world dance. Forget about the price tag." Interpreting the hidden message is not difficult when we understand about the dance. The dance is the dance of a Monarch alter, with marionette programming, serving as a slave soldier in the army subject to Horus. This Horus is the Beast whose mark will seal the dancers, the one who will manifest in the power of the dragon Bob Dylan refers to as the commander in chief. The price tag is your soul, and they would have you forget about that. But, don't! Another line of the lyrics refers us back to Genesis chapter six and the days of Noah. "We need to kick it back in time when music made us all unite." What is the uniting but the hybridization resulting from the mating of the sons of god with the daughters of men? What is the music but that of the mating dance, bioacoustic signals bringing DNA transformation? There's more to follow from Rango on that theme, Lord willing!

When you can connect the dots you become aware of how the bizarre line dance scene that takes place in the main street of Dirt is a witness to the activation of an army of mind controlled slaves who serve the antichrist Horus agenda. This activity is appointed to counter the Lord's key activities. Yet, the Lord's preparation is fit. His agents will succeed in their appointed missions! Satan's counter will succeed in accomplishing only what has been appointed in the Sovereign Lord's plan, but many will fall by it, as it must be.

In conclusion, Rob Skiba has been sharing an interesting interpretation of the name, Y'shua. Hebrew letters have a number of meanings associated with them, and the letters spelling Y'shua can be interpreted in the following way. "The hand that destroys the establishment or the activity of the eye." You can identify the referenced EYE, right? Y'shua will prevail. His agents are being prepared. If you know this, praise the Lord!

Adidas - Triple Helix buzz, etc.

Adidas Triple Helix campaign

Triple Helix Revealed

SF students without vaccinations barred from class (San Francisco Chronicle - 9/16/11) "Some 2,000 San Francisco students who still lacked proof of a whooping cough vaccination one month into the school year were barred from class Thursday and told not to return until they got the shot." -- So, Govt. schools require shots in yet another sign of motion towards the mark of the Beast.

Google adds Visa, Amex, Discover cards to Wallet

Part 14 - Rango - Beans as a SRA/DID multiple

I'm continuing to expose the trauma-based mind-controlled slave layer of the animated feature titled Rango. This is one of Satan's devices that supports the work of the other layer evident in Rango, the Horus or Antichrist Beast scheme.

Again, due to the subject matter of this post, a caveat is called for.

"A word of caution for survivors of intensively systematic mind control and/or some form of ritualized abuse: There are numerous “triggers” in this article. It is therefore recommended not to read it unless appropriate support systems are in place or if you have a thoroughly reintegrated personality." (Project Monarch: Nazi Mind Control by Ron Patton)

In Part 13 I presented Rattlesnake Jake as Dr. Green, Josef Mengele's Monarch programming identity, featuring a scene where he was abusing Beans. Once you come to recognize Jake as a handler, perceive Beans as a Monarch slave. Then, you can begin to understand the quirk for which Beans is known. She freezes. This happens when dissociating, which has been observed in some SRA/MK-ULTRA/Monarch victims. This freezing has been called catatonia but has also come to be referred to by therapists as tonic immobility.

"Tonic immobility is a basic defense strategy which has not been studied in depth in humans. Data suggest(sp) that it may be a relatively frequent phenomenon in victims of rape and sexual abuse, but its occurrence has not been systematically explored in other types of trauma." (Traumatic Events and Tonic Immobility)

One victim left the following testimony on a forum for PTSD (Post-Traumatic Stress Disorder). "I was eventually driven into a state of catatonia but my abusers. It was part of mind control programming. Catatonia was the 'tabla rassa' or empty minded state they wanted to try implant behaviors and directions. This is not a successful method of mind control." (PTDS Forum - post by Mercy on 8/24/11)

Certainly, the mind-control programming was not completely successful with Beans because she was the one who was suspicious of the Mayor, suspecting he was responsible for the town's water shortage. She was personally investigating the matter and agressively challenging the official story.

Clues scattered throughout the script suggest that Beans is suffering from tonic immobility resulting from trauma-based mind-control programming.

The first time Rango sees Beans freeze they are alone in the desert. As she unfreezes she finds Rango standing with his arm around her.

Beans: What?
Rango: What are you doing?
Beans: What...what are you doin'?
Rango: What am I doin?
Beans: You're...
Rango: What...do
Beans: You're cuddlin' me.
Rango: You were frozen.
Beans: No, I wasn't.
Rango: Yes, you were. You stopped talking.
Beans: Well, uh...it's...it's a defense mechanism. Actually, lots of lizards have it.
Rango: You're making that up!


"It's a defense mechanism," she says. Interpreted, what happens is that she dissociates in response to some trigger and this manifests in tonic immobility. This scene where Rango is "cuddlin'" Beans is less an attempt by the folks responsible to be cute than it is an allusion to the sexual abuse linked to tonic immobility. Victims are helpless to defend themselves against their abusers.

In another scene, the following exchange is heard after Beans freezes.

Rango: Why does she do that?
Furgus: It's a survival reflex.
Doc: Her switch is just broken.
Rango: Well, that's an inconvenience.

The SRA/DID multiple switches from one alter to another, like throwing a switch. Dissociating is a survival reflex. Bean's switch is broken. Her programming needs adjustment, maintenance, a season of reprogramming.

In another scene, allusion is made to two famous Monarch tools, "going through the looking glass," from Alice in Wonderland (..."some place wonderful") and, what is referred to as "going over the rainbow," from The Wizard of Oz. When a multiple is being programmed, the dissociation is encouraged by directing a slave to go to such a safe happy place when the trauma is being induced through severe abuse. Consider the following dialogue in this regard.


Rango: You ever feel like those things are lookin' at you? [referring to the cactus behind him]
Beans: That's a Spanish Dagger. But around here we just call 'em the Walkin' Cactus.
Rango: Walkin'?
Beans: There's an old legend they actually walk across the desert to find water. When I was a little girl I'd stay up late watchin' them to see if they move. I thought if I could follow them, they'd lead me to some place wonderful. Some place with enough water for everyone. Night after night I watched 'em. I never saw 'em move.
Rango: But you're still watching.
Beans: Who didn't wanna find some place wonderful?
Rango: We'll find the water, Beans. I promise you.


The following paragraphs are excerpted from the VC's "Origins and Techniques of Monarch Mind Control" article.

"Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals. Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children."

"In each case, the slave is given a particular interpretation of the movie’s storyline in order to enhance programming. For example, a slave watching The Wizard of Oz is taught that “somewhere over the rainbow” is the “happy place” dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them. Using the movie, programmers encourage slaves to go “over the rainbow” and dissociate, effectively separating their minds from their bodies."

It's common for the trauma inducing activity that creates Monarch-SRA/DID slaves to include confinement in boxes, cages or coffins. This was Monarch slave Rango's situation when the film opened and we see him in his terrarium, confined, restricted to that small box that defined the lonely world where he lived in solitude. This is the context for understanding the following scene.

[A wolf is heard howling in the night.]
Beans: That's such a lonely sound. You ever get lonely?
Rango: Sometimes.
Beans: I can't imagine it. You're such a charmer and everyone likes you so much. I never made friends easily like that.
Rango: No?
Beans: No. We're pretty isolated out there on the ranch. Sorta of like being sealed up in a little box. Don't really see uh...a lot of folks.
Rango: I wouldn't know what that's like.

Beans describes what Rango knew quite well, isolation in an environment provided by a handler as "sealed up in a little box." When Rango is pictured in a vending machine inside a box of licorice it is as though he is trapped in a coffin, helpless, doomed. References to Monarch programming really do appear throughout this animated feature!

I'm going to close this post with one more observation, one that involves the opening sequence when the chameleon was presented in his "little box" terrarium, playing out his fantasy role as a Shakespearean actor. The names of two of the characters Rango shares the stage with reveal the Monarch programming relationships.

Rango: People, we've talked about this! Acting is reacting.
[Turning to address the palm tree]
Rango: Victor, you were wooden! There, I said it.
[Turning to address the wind-up plastic fish in the pool]
Rango: Mister Tims, you were good. Perhaps a little too good! What's that, Victor?
[Turning again to address the palm tree]
Rango: My character's undefined? That's absurd! I know who I am. I'm theeee....I'm the guy! The protagonist, the hero! Every story needs a hero! I mean, who else is better qualified to bask in the adulation of his numerous companions!

The character represented by the palm tree is the one who has the insight and the role as Rango's critic, a role with authority. His name is Victor, as one who has victory over an opponent, the conqueror. The fish is a plastic wind-up fish, mechanical, walleyed, with a blank look. The plastic fish is named Mr. Tims. Victor - Mr. Tims. What's Mr. Tims' first name? Vic? Vic Tims? Victor - Vic Tims, victims? Right. Victor - the Monarch handler. The critic, whose judgment matters because he is the conqueror. Mr. Tims is the Monarch slave, the victim, mechanical, controlled, rigidly programmed, emotionally - a blank.

Am I reaching here? No, this is in keeping with everything else in view. The reasonable conclusion is that Rango, the animated feature, is a Monarch tool, a device used to leverage Satan's Horus plan and bring the Beast and the mark of the Beast to reality through a remotely triggered mind-controlled army of zombie super-soldiers!

Predictive Programming, Subliminal Subversion, Microchipping, Transhumanism, etc. Links of interest

Click the link to watch the embedded video on Vimeo: Predictive Programming and the Human Microchipping Agenda from John Smith

[video] Watchman Video Broadcast 08-28-11, Subliminal Subversion

The Hospital Gestapo: You May Never See Home Again

Transhumanism, PsyWar and B.E.P.’s “Imma Be” By LVB - VC collaborator

"Last month, Visa announced new policies that will give U.S. banks a reason to issue smart cards and stores several reasons to accept them, starting in 2015. Eric Schindewolf, product manager for smart cards at Wells Fargo & Co., says Visa's announcement is a "watershed" moment." (US gets chance to catch up on credit card security)

Part 13 - Rango - Rattlesnake Jake as Dr. Josef Mengele

Due to the subject matter of this post, a caveat is called for.

"A word of caution for survivors of intensively systematic mind control and/or some form of ritualized abuse: There are numerous “triggers” in this article. It is therefore recommended not to read it unless appropriate support systems are in place or if you have a thoroughly reintegrated personality." (Project Monarch: Nazi Mind Control by Ron Patton)

Trauma-based programming leverages intense fear. Victims are terrorized to create trauma, which causes them to dissociate. Many animated features and other movies targeted for children have terrifying sequences that makes them useful as vehicles for programming. I remember how scenes from The Wizard of Oz terrified me as a child, the scenes in the Wicked Witch of the West's castle and, most particularly, scenes with the flying monkeys! I was traumatized! The Wizard of Oz is commonly used in Monarch programming. Rango, which has already been shown to contain mind-control elements, has the signature traumatizing sequences featuring Rattlesnake Jake.

"One thing discovered by research into the genetic transmission of learned knowledge by humans to their children was that people are born with certain fears. Snakes, blood, seeing internal body parts, and spiders are all things that people are born fearing. The phobias toward these things are passed down genetically from one generation to another. In searching for traumas to apply to little children, the Programmers found that these natural phobias which occur in most people from birth will work “wonderful” to split the mind." (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

"By now, we should all be hip to the notion that animation isn’t just for children, but parents drawn in by Rango’s cutesy poster art may find themselves up late with a traumatized tween. A villainous rattlesnake’s dripping fangs and machine-gun tail are enough to give grown-ups nightmares." (Film review titled: Rio versus Rango)

Those responsible for such lure the families by presenting an attractive front. Unsuspecting parents bring their children to the theater and the kids are traumatized, and, if not, for some, it's because they are already dissociating.

I mentioned earlier in this series how Rattlesnake Jake's biblical identity was ambiguous, but I believe his identity on the Monarch programming layer is that of master programmer "Dr. Green," Josef Mengele. Lending some support to my supposition is the observation of how those responsible for Rango gave nods to Clint Eastwood in a pseudo-cameo as the Spirit of the West, presenting a Monarch handler role.

Frequent allusion was made in Rango to Clint's movies like "High Noon" and others where he played characters like "the man with no name." In such films referenced, he played a fearsome and largely compassionless gunslinger who left scores of dead in his wake. The Spirit of the West is featured as one of Rango's Monarch handlers. ("Don't know that you got a choice, son," he says, drawing Rango inside a frame.) Jake is similarly featured, and for others besides Rango.

Here's some relevant background on Mengele.

"The Germans and Italians under the Nazi and Fascist governments began to do serious scientific research into trauma-based mind control. Under the auspices of the Kaiser Wilhelm Medical Institute in Berlin, Joseph Mengele conducted mind-control research on thousands of twins, and thousands of other hapless victims. Himmler supervised genetic research. The Nazi research records were confiscated by the Allies and are still classified."
. . .
"When the Monarch Programming started, the top men were Illuminati. Originally, Joseph Mengele was the lead programmer. He had already achieved the rank of Grand Master (later Ipssimus) within the Illuminati. He had become skilled in music, in Kabbalistic Magic, in dancing, in abortions, and in torture (by the way, Mengele had a sadistic mother) and programming children. Many of the concentration camp children that Mengele programmed still survive and still love him to this day as “Daddy”. Mengele disappeared from Auschwitz in Jan. 1945, several months before the final chaos began in the Third Reich. He disappeared so the Illuminati could smuggle him to the U.S., so that his exceptional knowledge of programming--honed and fined tuned on thousands of concentration camp child victims could be put to use on a grande scale in the U.S. He traveled worldwide but especially in western U.S. doing his programming accompanied by his pair of two black servants. "
. . .
"Mengele was known by people in the camps by his victims as the Angel of Death, Vater (father), Vaterchen (daddy) and Schoner Joseph (beautiful Joseph). Monarch mindcontrolled slave victims who were programmed by him know him by names such as Doctor Green, Papa, David and Fairchild. Monarch slaves remember the cadence of his shiny black boots as he marched back and forth while programming them." (The Illuminati Formula...)

I see many kinds of clues to Mengele's presence scattered about Rango.

Dr. Mengele carried a violin, which was used during programming. The mariachi band of owls that provides the occasional narrative for the movie featured a violin playing owl. That narrative continually mentions Rango's impending death - but he does not die. Mengele would famously bring a victim near to death and revive them in the last moments possible. Shortly, I'll present a scene where Jake does just that very thing!

Mengele was always attentive to his well-groomed appearance and Jake sports a thin moustache of a sort that requires meticulous grooming.

Mengele was known as the Angel of Death and Rattlesnake Jake was called the Grim Reaper, the storied angel of death.

Mayor: Our new Sheriff has been playing the hero for so long, he's actually starting to believe it. Call in Rattlesnake Jake.
Bad Bill: Uh...Jake's the Grim Reaper. He never leaves without takin' a blimin' soul.

Jake, as though he were the Angel of Death, threatens to take a soul straight down to hell.

Rattlesnake Jake: Listen close you pathetic fraud. This is my town now. If I ever see you again, I will take your soul straight down to hell!

I assembled a popular image of the grim reaper together with one of Mengele and a Totenkopf. Mengele was frequently seen wearing the hat you see him wearing in this collage as a member of the SS-Totenkopfverbände (SS-TV), the Death's-Head Unit. The Totenkopf is a skull and crossed bones. The Totenkopf in this image is what appears on Mengele's hat, enlarged here so you can see it more clearly. Mengele frequently wielded a scalpel, an instrument he used to bring death to many. The Angel of Death as the Grim Reaper?

Notice how Jake said "This is my town now." Remember, Dirt is located in the desert outside Las Vegas. Mengele spent time programming in the western U.S. as you may recall reading from the earlier excerpts from "The Illuminati Formula..." ("He travelled worldwide but especially in western U.S. doing his programming"). According to Ron Patton, one of the major programming sites was in or by Las Vegas!

"Other places recognized as major programming sites are Langley Research Center, Los Alamos National Laboratories, Tavistock Institute and areas in or by Mt. Shasta, CA, Lampe, MO and Las Vegas, NV." (Project Monarch by Ron Patton)

Jake's claimed town of Dirt suggests Mengele's "town," the programming facility in or by Las Vegas where he probably terrorized victims in just the way Jake does!

Earlier, I mentioned a scene where Jake, in the manner of Mengele, brings a victim near to death and revives them. He does this to Beans.

[Holding Beans in a death grip like a constrictor.]
Rattlesnake Jake: You do what he says, or by all the fires of the black pit I'll squeeze them pretty brown eyes out of your skull!
Mayor John: Now hold on Jake! That don't mea-
[Jake turns to threaten and terrorize Mayor John.]
Rattlesnake Jake: Let me do my job! You brought me in, now we're going to play this thing out to the end.
[Jake turns his attention back to Beans]
Rattlesnake Jake: Sign the damn paper, woman!
Beans: Go to hell!
Rattlesnake Jake: Where do you think I come from? Look into my eyes. I wanna see you die.

At that point, Beans shudders as Jake's grip tightens even further - and her eyes close as in death. Rango has now returned to town and is out in the street. As he calls Jake's name, Jake loosens his grip on Beans and she revives. Bringing victims to the brink of death and reviving them is a programming technique that was refined by Mengele. When Jake says that he'll "squeeze them pretty brown eyes out of your skull," is he doing a little NLP (Neuro-linguistic programming) to reference Mengele's Totenkopf?

Wouldn't this traumatize a child? Look at the images. Consider the script. What effect does viewing and listening to this abuse potentially have upon trauma-based mind-control victims? It supports their programming.

As the film audience, we have consented to being shown "people" being viciously abused. Handlers force their slaves to watch others being abused and killed. We may be desensitized to being shown such abuse in movies, but to SRA/DID multiples, trauma-based programming victims, this is powerful.

Dr. Lecter 's list of Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control includes three features of this scene, and an important fourth.

11. Hung in painful positions or upside down
19. Application of snakes, spiders, maggots, rats, and other animals to induce fear and disgust.
20. Near-death experiences; commonly asphyxiation by choking or drowning, with immediate resuscitation.

Here's item 22. Forced to perform or witness abuse, torture and sacrifice of people and animals, usually with knives. That's where we, the audience, come in.

If you think such scenes are really of no consequence, there are some videos I recommend watching that feature a mentalist at work and illustrate how influential subtle cues can be when used with skill.

[video] Derren Brown - How To Be Invisible

[video] Derren Brown - How To Freeze People

[video] Derren Brown - How To Hypnotize People Through Phone Booths

[video] Derren Brown - How To Master NLP

The movies we watch, the commercials, ads, logos, all are designed to program you and I. Supernaturally, a spell is cast.

So, Rango's Rattlesnake Jake is a Monarch or SRA handler. Have you noticed how his hat closely resembles the Spirit of the West's? Perhaps they are alike so we associate them together in the context of both playing handler roles.

Rango is a programming tool. Let this speak to you about the time we live in, and the urgency of staying awake and watching according to the Lord's command in Mark 13:37.