Trending: Code SS - More Hidden Evidence of Nazi Influence

In addition to what was put on exhibit yesterday, here's more examples of the Nazi and Neo-Nazi symbolism embedded in the media.

Aaron has been watching, The Colony, a new series on the USA Network. From this plot summary on Wikipedia you can quickly see how it's a take on 1920s and 1930s Germany as the Nazi Party rose to power, but with the alien angle played up. I believe the fallen angels were responsible for the rise and dominance of Hitler and the Nazi Party, and the show is set in the City of Angels, Los Angeles. (LA = 12+1 * mastery of time). Aaron noted that the “Red Hats” seem to model the Brownshirts, and that at one point during a scene when they are raiding a house a person says, “you didn't need to bring them in like storm troopers.” The Nazi Brownshirts were the SA, short for Sturmabteilung, which literally means Storm Detachment.

Here's a telling screenshot. There's an obvious allusion to the iconic banner displays of the Nazi swastika flag.

Decoding the logo, which appears to have been divined according to theurgic magickal practice, if you take the zoomed out big picture view, it looks like an eye, a kind of serpent eye. The bird is an eagle, Amaru, the feathered serpent, and the falcon and sky god Horus. It's a Horus Eye and all-seeing eye. One layer of symbolism suggests the surveillance state. There's a 666 (Revelation 18:13) evident in the six arc segments formed by the bird, together with the two sixes of the inner and outer circles. (The value of the letter O as the 15th letter. * 1+5=6) The logo also hints at the Black Sun, which is at the heart of the Nazi Occult religion of the SS.

Here's a telling image that's not at all obvious - and this kind of embedding betrays the supernaturalism and dark agenda behind the show!

Starfish Sushi. Acronym: SS. Schutzstaffel. It's a sign, literally a physical store sign and a sign to us that signals something important. The SS is also a rough equivalent to HH, Neo-Nazi code for Heil Hitler, because the H and S are both the 8th letters, one from the front and the other from the back. H, S, 8 - any one substitutes for any other in their versatile substitution cipher. How do we know this is intended as a signal? There's redundancy and there's some other Occult symbols in the scene. The arcing line drawn from the star (as ANGEL, in the City of Angels, a falling star-angel) reaches over to touch the second S in Sushi. That Star+S connection supports the acronym of the two words. The SS is also a signal 88, and this combines with a numbering of 14 to signal the Neo-Nazi code 14-88. Count the letters and include the space. Fourteen character places. When you sum up the letter values of the name you produce a doubled 88. STARFISHSUSHI = 176 = 2 * 88

Two instances of SS are produced in the name plus graphic elements and two 88s in the gematria of the name. That's evil genius. Evidence of theurgy.

You'll note how the row of lights features a cross circle and Mark of the Beast design, being hemispherical with crossing bands. Another symbol in play is the collection of bicycles. I've identified how bicycles picture dimensionally transiting vehicles in other media, and this definitely plays on the alien as falling angel layer. Note the two palm trees in the screenshot. The palm tree signals victory over death. Seig Heil: Hail Victory. As twin pillars they signal a stargate, as for the transdimensional bicycles, and the pair signals time travel programming in Illuminati mind control contexts.

Here's a picture of the brownshirts parading their bicycles past Adolf Hitler at a rally in Dortmund, 1933. Hmmmmm.

The SA, storm troopers or Brownshirts were effectively superseded by the SS in 1934.

Aaron has also just been led to watch Falling Skies, on TNT. It ended last year after 5 seasons and 52 episodes (a time number as weeks in a year). Aaron noted that the entire first episode was loaded with time references and symbolism. Immediately after he stopped a clip he made for me, the character Tom Mason was shown coming up out of the ocean and onto the sandy shore with rocks all over it. Aaron noted that the first words spoken were "It's time" - "so many options, so little time" - and a couple repeats of "It's about time." There's a hint of Revelation 13:1 in TMs coming out of the sea. Water and sand are both used as metaphors to signal time. The stones are also involved in that layer of symbolism, as a search of the blog will document. There's also the Mason/Freemason and Mason jar container-avatar-host angles in play. Aaron noted that there was a battle at a high school and that the sign outside of the school read, "The future is in the hands of our youth." Future. Youth. Time words. 'In the hands of" means Control. Aaron said that after that there's a scene with an empty swimming pool (emptied of water-as-time), and that it became rather evident that the battle scenes were signifying a time war. I note that the title, Falling Skies, is composed of 12 letters, and one space between the words makes a total of 13 character places. This composition speaks of time and the mastery of time. It suggests that Falling Skies bears witness to the time wars we've been writing about that are described in the Bible, where heavenly domains will be emptied as skies thrown down to earth, to a lower dimension!

Like, The Colony, Falling Skies was about a global invasion by extraterrestrials and their control over the Earth. Having just watched, Iron Sky, I can tell you that one Nazi connection that exists is through the roles played in both by the mining of helium-3 from the moon. Such a thing as that just isn't a common plot element.

The show featured an SS in the occasional use of a classic Chevy Camaro.

The branding of the Super Sport performance line has been on my radar for some time as signaling the Nazi SS. Here's some billboard imagery sponsored by GM.

Detroit, GM's headquarters. It's got a tough image. The SS is known as a muscle car. Muscle is sometimes a euphemism for the thugs who use force to intimidate and manhandle the people on their boss' turf. Like the Gestapo, and SA - and the SS - The Nazi Muscle.

What car had a bud vase? The VW Beetle. There's a Nazi connection in this car and brand's history. Here's some excerpts from Wikipedia. In June 1934, Ferdinand Porsche received a contract from Adolf Hitler to design a "people's car" (or Volkswagen). In 1937, Porsche joined the National Socialist German Workers' Party (becoming member no. 5,643,287) as well as Schutzstaffel (SS). By 1938, Porsche was using the SS as security members and drivers at his factory, and later set up a special unit called SS Sturmwerk Volkswagen. In 1942, Porsche reached the rank of SS-Oberführer. Mentioning the Bud vase in an ad for the SS? Okay. Noted.

While watching Flash on The CW network, Aaron noted these classic muscle cars featured in a street race. Here's another Chevy SS.

How do we know their intent in using this car? The licence plate is a tip-off. TXI-195. Sum up the numbers 195 with the letter values. They sum to 68, and 6+8 = 14. SS as 88, together with the value of 14 conceals the Neo-Nazi code, 14-88!

Here's the muscle car driven by Wally West, a new addition to the cast. Wally West. WW. Code 33.

Wally's classic Mopar muscle wears plate 6EG-488. There's an 88 in there. 88 is HH or “Heil Hitler” so maybe, Sexy G for 88 - the Masonic G-eye (tract), the target of lusty sodomites? Or, perhaps because a G resembles a 6, 6EG is like 6E6 or sixty-six. “66 for 88.” Their 88 HH champion of the abyss ~ Abyss for Herr Hitler - an antichrist.

Part 3 - Code N.E.W.S. - Network (1976), the London 2012 Olympics and CERN

Since publishing part 2 I had another insight about the One Times Square Building. The glowing time ball and brilliantly lit building is the Eye of Horus - the illuminating capstone of the pyramid on the Great Seal. Look at the map. The Building is separated from the wedge shaped square. It's a match. The illuminated triangle eye appears on the One dollar bill. ONE Times Square - the Monad or Monas worshiped by the illumined elite. The dollar bill has features numbering 13 all over it. Time is money. Mastery of time. One Times Square is an ad revenue generating giant. Note how the news giant Thomson Reuters is adjacent to the former headquarters of the New York Times, keeping the N.E.W.S. ritual in play. On those quarter days when ManhattanHenge is celebrated, these kinds of rituals do add toward the sum, advancing the agendas of the illumined.

Some of the space-time symbolism of the news is rather subtle, but when it comes to the New York Times and Times Square, it's far less so. The space time ritual of the countdown sequence of the Opening Ceremony of the London 2012 Olympics has been given recent ink, and a lot of it was pretty subtle. What was done in London that was far less subtle came during the first segment of the Closing Ceremony. It was all about Code N.E.W.S., as you'll soon see.

First, here's some vintage Code N.E.W.S. - an influential and award winning film from 1976 titled, Network. Network is mostly about network news. Here's an inspiring clip from the news anchor of fictional UBS Evening News. Caveat: The language used is offensive.

Network - Peter Finch/Howard Beal's rant - I'm as Mad as Hell

The first thing you'll notice is the array of clocks and the bank of phones on the news set next to the anchorman. The clocks show the time in major cities around the globe. Space-Time. News. Is that set unusual? Not at all, As I recall, it was a familiar arrangement on network news broadcasts. I remember lots of clocks and maps.

On the camera in the studio, we see the station's logo. UBS, in a circle in a square. Square ~ space. Circle ~ time. In Occult gematria, UBS is 21+2+19= 42. That's the time number 21*2. When Z=1, UBS is 6+25+8=39. That's 13*3, or 13+13+13. The network saved by the news. Masters of time and space-time. Ritual. Magick.

When Howard Beale, played by Peter Finch, delivers his impassioned plea on live television, he encourages his audience to act now, in the moment.

“All I know is that first, you've got to get mad.... So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window, open it and stick your head out and yell, I'm as mad as hell and I'm not going to take this anymore!”

He uses the words, first, now, right now; time words that inspire action and increase emotion. This space-time ritual is driven with powerful emotionalism, generating and harnessing "psychic" energy, as some would call it, and this supernaturalism is an important feature of ceremonial and ritual magick. When witches cast a spell, they cast a magic circle and raise energy for the spell. When ready, they release it out into the universe. Consider what happens next in light of that observation.

Faye Dunaway's character asks a studio technician, “How many stations does this go out live to?” Again, space and time. His reply: “Sixty -seven stations. I know it goes out to Louisville and Atlanta- ” He's cut off, but consider the space-time symbolism of his brief response. The number 67 transforms to 13, as 6+7. The cities named provide us with an L and an A. L=12 and A=1. Thirteen. The broadcast signal goes out to many stations in many cities - space. The number 13 signals the mastery of time and space-time domains.

When the people have their heads stuck out the windows and are yelling, the thunder and lightning suggests that a downpour is imminent. An open window is like a door, a portal between space-time dimensions. The highrise apartment buildings present a grid, strengthening the symbolism of space. The threatening storm brings the idea of a heavy rain. Water as time.

One final observation about Code N.E.W.S. in Network. The film came out in '76. 7+6=13. Howard Beale inspired rebellion; the Spirit of 76, it may be said, in the year of America's bicentennial celebration. In magickal space-time ritual.

Another epic N.E.W.S. ritual was done in London during the closing ceremony of the XXX Olympiad. I wrote a post about the ceremony in 2012, and my commentary on the segment of interest was along the lines of Howard Beale's observations in Network. (Howard Beale: Turn off your TVs * Caveat: contains offensive language)

“A bold declaration was made by the Illuminati programmers about the state of London. The city was presented as a model with newspaper covering everything. Buildings, pavement, cars, trucks, bicycles and people were covered with it. The bustling activity of daily life was accompanied by hypnotic music, then becoming chaotic noise. It was then called rush hour. Traffic came quickly into grid lock, and “Churchill” began to yell STOP from his tower perch until it all came to a halt. It was a comedy sketch, but when you get the picture you might not think it's funny at all! Even though the picture was dignified by calling attention to the content of the newsprint as being from classic literature instead of London's famous tabloids, the statement actually being made in this dramatic and cryptic fashion should be taken as being far more offensive to Londoners than that. London is programmed. Everything there and everything done there is according to script. Mind control, exercised through print media. The sad truth is, the programmers are absolutely correct in their depiction. The joke is on the Londoners, especially those who participated in the farce, making a mockery of themselves in the sketch that must be acknowledged by those with a seeing eye as the insider's great satire. ”

(Part 40 - 2012 London Olympics - The Closing Ceremony and the Rise of the Phoenix )

Like with the film, Network, my primary interest here is in the space-time ritual of Code N.E.W.S. The Closing Ceremony began with a segment called, Rush Hour. A day in the life of the city of London was dramatized inside the stadium. Nearly every person and thing on the set was covered with newsprint.

London 2012 Olympics - Closing Ceremony

The commentator described it in these words. “And the show will begin with a journey to a day in the life of the city from the early morning rush hour to a glittering sunset.” A journey to a day. So, if we journey to a day in a literal sense it follows logically that our destination is not today but some other day. Time travel. His commentary uses space-time language. While he said that line, a singer and piano player appeared. Their stage was a flat bed truck covered in newsprint. The piano was covered in the same.

Emeli Sandé sang a verse and the chorus of "Read All About It, Pt. III". That's the classic line said by purveyors of the news. Space is wrapped in the N.E.W.S. From North to East to West to South. The headlines and columns celebrate the past. Time.

Another song performed during Rush Hour was, Because, a Beatles song sung by a choir called, Urban Voices Collective. Here's the lyrics of verses 1 and 3.

Ah, because the world is round, it turns me on
Because the world is round, ah

Love is old, love is new
Love is all, love is you

Again, SPACE and TIME. Code N.E.W.S.

The ceremony began rather like the Opening Ceremony had two weeks earlier with another countdown, first synchronized with a fly-over of the Thames-Isis by numbered places and then accompanied by the chiming of Big Ben and the chanting crowd. By starting at the stroke of 21:00 hours the schedule silently stamped the event with the time number that is the mirror of 12. The date was 8/12/12. Redundant 12. As seen in the video linked above, when the show begins we see a tranquil scene, the pre-dawn city. Dawn - TIME. The Sun rises in the East. We're going to go to “glittering sunset,” we are told, which happens in the West. Scale models of landmarks like Big Ben, the London Tower Bridge and the Gherkin are laid out on a 3D grid resembling the Union Jack. SPACE-TIME. The London Eye is positioned centrally.

The iconic structure that the stadium's version of the Eye was modeled on is actually revolving over the water at the bank of the Thames. The Thames-Isis was clearly established as the river of time during the Opening Ceremony. The London Eye is alternately known as the Millennium Wheel. Millennium, that's a span of time. The rotating London Eye resembles a kind of water wheel like what used to power mills or a paddle wheel that drives river boats. It's a water-as-time wheel. The real London Eye is supported by a structure that has the appearance of a compass, the kind used to draw circles. The Circle of Time. That circle was positioned on the spoked hub of the stadium's Union Jack to form the XO of space time (and the MOB, and 66 abyss, and to establish the celestial throne of the goddess of the Thames-Isis). The XO form was repeated as a fractal in the structure inside the model of the London Eye. There's another fractal of space in this design. The city of London has been laid out on the Union Jack. The flag of the UK represents the whole United Kingdom, so by superimposing the symbolic city over the symbolic flag both are represented in a fractal kind of arrangement. But there's another scale to this ritual SPACE fractal, a global kingdom, because the audience ringing around the stadium has assembled there from every nation around the globe. Because they ring around the crosses of the flag, there's an additional scale to the XO fractal that begins inside the Millennium Wheel and expands to include the wheel as the circle inside the flag's crossings. This is powerful space-time ritual! It's worth mentioning here that the stadium is very near to the Prime Meridian, and about 4 miles north of Greenwich, where time is accounted.

Winston Churchill (Timothy Spall) appears inside the top of Big Ben, which has folded open at its top in 4 opposing directions. The clock faces on Big Ben are visible. We will see how newsprint covers the tower, on which is the likeness of a weather map. North East West South. Code N.E.W.S.

Churchill. CHURCH-ill. in a bell tower or steeple. Its a biblical high place! While he recites Caliban's speech, the city begins to awaken and the light of dawn is simulated. Traffic circulates counter-CLOCKwise around the city. Spewing the words of the demigod beast Caliban, words of enchantment coded to the bell of Caliban and linked to the stone marker at Thames Head.

Rush hour is a high energy time and the scene quickly becomes chaotic, with tempers flaring. Traffic comes to a standstill. Churchill, from the space-time control tower of Big Ben shouts, Stop, three times, and the city goes quiet. We never make it past the morning rush hour. Time itself is stopped. It's continuing the space-time manipulation ritual I described a couple weeks ago in the series, The London 2012 Olympics: Revisited. For what reason has time been stopped? For Prince Harry's arrival, who is representing the Crown. He was introduced with a fanfare, and a kind of drum roll. Four newsprint covered jackhammers stood in for the drummers. The drumming jackhammers are doing what drummers do, keeping TIME. The jackhammers are making a rift in the pavement, opening up a rift in the dimensional barrier. Think about what they are showing us in this mega N.E.W.S. ritual. Time is stopped. Pavement is jackhammered to open a rift in space-time so that the royal son can be introduced. “Caliban.” Antichrist Beast. The half breed. Apollo, whom they openly worship. Horus.

I'm going to close out this brief series with an insight into connections between the Olympics and CERN's LHC. The jackhammers are percussion instruments, like the LHC collider at CERN is a percussion instrument. I've previously offered insight into how the LHC appears to be intended as a kind of time machine, which operates in parallel with the magick of time manipulation ritual.

Science+Magick in Space-Time Ritual. It has become quite apparent that their efforts are bearing fruit.

The bloggers at CERN posted this video of chaotic music that reminds me of the Rush Hour segment before Churchill commanded the stoppage.

Indie band Deerhoof experiment with sound at CERN

Four panels. Space-time. Deerhoof. Think - Cernunnos, the horned god of magic invoked still today by witches.

Science+Magick in Space-Time Ritual. Maybe this should terrify you. If you're not secure in the Lord Y'shua, it really should.

Part 3 - The Avengers - STARK Tower as Space-Time Ark - Tower of Babel, Chrysler Building, Grand Central and Times Square

This is not intended to be an exhaustive study but there are a few more items to be shared that support the identification of the symbolic Stark Tower as a space-time ark and also shed on the Occult nature of some non-fictional neighboring locations.

First, here's a couple relevant news item published during the 3 days when our Internet connection was down.

Portal & Alien Cube UFO Over Texas? (Event witnessed on June 29, 2015)

FBI investigating 11 attacks on San Francisco-area Internet lines (Published July 1, 2015) Trending, cables cut. Note the numbering of 11 attacks.

At an hour and forty four minutes into The Avengers, after the Tesseract is used to open the portal, Thor battles Loki on the Stark Tower, right near the sign. These demigods knock the letter K off the sign and we see it tumble to the ground. The letter K is the alphabet's 11th, and this numbering is important. The numeral 11 as a pair of ones pictures two columns or the sides of a column, which is also a tower, a construction often identified as a stargate. When the K has been knocked off the sign, what's left? STARK - K = STAR, and star is a metaphor for angel. The STARK Tower is a STAR - K tower, a STAR 11 tower. The Stark Tower is a STAR-K stargate and a ST-ARK or space-time ark.



The numeral 11 signaled by the K is an ancient symbol linked to Isis. Isis is the pillar. Compare to the supports spanning heaven and earth in the zodiac from the temple in Dendera, Egypt, on the ceiling of the portico. The K falls during a minute of the movie (1:44) marked with 44. That also signals the goddess because the numbering of 4*4 is the Isis portion of the Pythagorean formula of the esoteric 47th Problem of Euclid. The 11 is specifically identified as the number of the Queen of Heaven in, The Book of the Law, Aleister Crowley's Thelema standard. The book's cover image has the title flanked by two pillars, which might be intereped as, 11. Crowley's O.T.O. had a mysterious eleventh degree that is known to involve anal sex magic. (XI° – Rocket to Uranus - Anal Intercourse and the O.T.O.)

The way The Avengers scene plays, the letter K is broken off when the two male demigods from Asgard cross their weapons, which doesn't mean nothing. I'll develop that esoteric layer because it is not unimportant or unrelated to the space-time hijacking and ark effort.

Thor lands on the tower and issued an order to his brother. “Loki. Turn off the Tesseract or I'll destroy it.” The XO platform where Loki had materialized and ascended the steps to reach is the same one where Iron Man lands and is basically transformed intoTony Stark.The copper ring flips up and he walks through it to be clothed and unclothed. It's the place of a symbolic dimensional transit, a stargate. You ascend there to become a god.

Loki had just been standing there enjoying the moment, holding his staff in his hand. Did you examine the above screenshot closely? That frame passes by in a moment, but there it is. He had been shown dramatically materializing on the Stark Tower and stepping on a platform with an XO design as the camera dramatically spirals around. The spiral is a goddess symbol, and very much connected with magic. Magic is Loki's specialty.

The XO symbol invokes the goddess as the union of the X and O establishes the throne of Isis, according to Kenneth Grant of the OTO. Validating that level of symbolism, a discharge of energy like a flash of lightning comes from Loki's staff as he battles Thor, god of thunder. The XO image plays as a hermaphroditic and sex magic emblem because its composed of the male cross and female circle. Between Loki and Thor, a sexual relationship is being implied. The form of this portal on the Stark Tower presents a figure known as the black sun, which is an anatomical reference like the Eye of Horus. Loki is a shape-shifting demigod and he's manifesting here in his horny helmet head form. Phallic. When he replies defiantly to Thor's demand to turn off the Tesseract, he thrusts his phallic staff out toward Thor and declares, “You can't. There is no stopping it.” Because of his accent, it sounds like he's calling him a, well, you get the picture. He says, “There is only - war,” and that could also be heard as, “There is only - whore.”This isn't all done just to be sly and crude, it's theurgy, and mass programming. It's how those gods are worshiped.

Leading up to when Loki materializes on the Tower, it was emphasized to me how there's a building up of subtle cross circle imagery in a brief sequence, to strengthen the impact of the platform's XO. The design of the ornate railing on a bridge presents an array of obfuscated versions, followed by a collection of umbrella tables in a dining plaza, and then the one in this screenshot that is cleverly composited in a Code 33 named restaurant window. The light arc implies the circle while the letters intersected by the same reflection imply the cross. TAU - a tau cross. I note that the sign of TAUR-US is also being suggested, which supports the abundant celestial Silver Gate imagery. The window sign lettering provides us with three instances of the naming of Ra, or Re.

It's a good exercise to remain mindful of these varied symbols that have been the subjects of so many posts to this blog. It should also be remembered that the cross circle is the heart of the sigil of Nodens, the god of the abyss. The letters X O transform to the number of the abyss (X=24~2+4=6 and O=15~1+5=6 XO ~ 66), and the name on the Stark Tower's sign also transforms to 66.

The Stark Tower's spiraling ziggarut design and its function as a platform for the opening of a dimensional portal in the heavens invites comparison with the ancient Tower of Babel. The account of that appears in the Bible in Genesis 11, the K numbered chapter. Biblical scholar E. W. Bullinger made the following observation in Appendix 12 of the Companion Bible. “We see evidence of it as early as Genesis 11:4, where we read of the Tower of Babel having "his top with the heavens". There is nothing about the wrongly supplied italics "may reach unto". The words, doubtless, refer to the signs of the Zodiac, pictured at the top of the Tower, like the Zodiacs in the Temples of Denderah, and Esneh in Egypt.” (See Part 25 - Celestial Stargates - The Tower of Babel having "his top with the heavens")

Compare the Stark Tower to the version of the Tower of Babel on the poster that states, “Europe: Many Tongues, One Voice.” Spiraling construction. Similar tops. Surrounded by water (the island of Manhattan). Presence of a crane. The poster version's crane is like a tau cross and it's placed in connection with the circle shape, providing an XO feature - like the stargate platform on the Stark Tower. A portal is opened in the heavens above the Tower through which stars fall to earth. Note the alignment of the EU stars in the array. The upside down star alignment means, Spirit into Matter. There are 11 visible “falling” stars in the array, the number given attention by the STAR-K sign's falling K. The design implies that there is a hidden star, which makes 12 total: Zodiac, and time. The poster suggests that the hidden star of the EU tower seems to reign from the penthouse, like Iron Man in Stark Tower, because Pepper (with 12% of the credit) lighted it up from there.

Genesis 11 (K) informs us about a city that was built in connection with the tower of Babel. When most folks think about the account, the city is usually minimized in comparison to the tower. I recommend reading the chapter to see that it is given attention distinctly. City and Tower. Manhattan and Stark Tower. What was recorded about the Tower of Babel suggests that it was all about opening a portal between the earth and heavenly domains. When the stargate is opened at the manifestation of the Antichrist, we believe a version of the heavenly Zion is going to manifest in this realm.


Here's another item I observed in the film that demands comparison. The art deco icon known as the Chrysler Building appears in many scenes. It was the platform from which Will Smith's character dramatically leaped in, MIB3 - Back In Time, in order to be sent back in time to 1969. MIB3 and The Avengers were both released into theaters in May of 2012. Alike, in timing. And, there's a Marvel connection because the Men in Black francise is based on the Marvel Comic series. There's a lot of crossover - call it allusion or whatever - because there's an import of meaning both ways between MIB3 and The Avengers that plays on the exoteric and on the esoteric levels I've been exposing.

The main character's name is Agent K. Or, simply, K. Why did Agent J, Smith's character, have to travel back in time? Because K was going to be killed - like the letter K getting knocked off the sign that subsequently fell to its destruction. K ~ 11. A rocket plays a significant role in the film: Apollo 11. Yeah. 11. And, there's the rocket's direct identification of Apollo, aka Apollyon, Abaddon, Thor, Amaru, Horus...

Here's an excerpt from Wikipedia's synopsis.

“In 2012, an alien criminal, Boris "the Animal", a Boglodite, escapes from a maximum-security prison on the moon and arrives on Earth, bent on taking revenge on Agent K, who shot off his left arm and captured him in 1969. He confronts K, who is with his partner Agent J, telling him he is "already dead". J then discovers that K was responsible not only for capturing Boris, but for deploying the "ArcNet", a shield that prevented the Boglodites from conquering Earth and led to their extinction. Boris travels back in time to kill the young Agent K. With history altered so that K is long-dead, J finds that only his memory has been unaffected, and no one from the Agency understands his obsession with K until Agent O, the new Chief, deduces that there has been a fracture in the space-time continuum. With K out of the picture, the ArcNet was never deployed, and there is nothing to protect the present-day Earth from the Boglodite invasion, so J must travel back in time to stop Boris and save K.”

A lengthy series could certainly be written about the film at this point. (Search the blog for MIB3 to find what I've already written.)

As presented by Columbia (goddess) Films, the future of man is literally riding on the phallus of Osiris, the Apollo 11 rocket.

Agents J and K are riding special cycles in this scene, set in Queens, NYC, featuring a fountain built for the 1964-65 Worlds Fair.

Bicycles are often props used to represent space-time transiting vehicles. See the wire-frame globe as 3D space and the ring of water as time. Intersecting rings are crossed circles, another space-time emblem. Fountains of the deep make allusion to creation and the flood of Noah.

In MIB3, like The Avengers, what's at stake is the destruction or the salvation of mankind. Familiar, right, for those of you tracking this blog? “Alien threat,” breaching our time-space domain resulting in destruction. (Genesis 6. An intended flip: Revelation 19:19)

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but [for the sake of ~ thanks to] the elect those days will be cut short. ~ Matthew 24:21-22

Agent J's time mission was required because the enemy (Boris “the animal” ~ Horus the falcon) “fractured” the space-time continuum. Again, familiar, right? Aaron and I think this is why “the model is masked” in the present season, and why time needs to be reset. ArcNet. Allusion to the rainbow - shielding from alien threat. It's a good descriptive of the bow set in the clouds after the flood, the sign of a covenant made by the Creator with man and the earth assuring that what happened won't happen again. Rainbow - evidence of different physics in the atmosphere, a heavenly realm. Accountability for the destruction wrought in the great deluge was attributed to those angels who fell to earth, in an “alien” incursion. They and those of that kind are behind the current threat, as it was in the days of Noah. The dimensional access is sought by hacking the rainbow, from one perspective.

So, a key to success in MIB3's plot is evident in how Agent J remembered. Aaron and I expect that model when time itself has been reset in reality, because of the mission and how that only makes sense if some will have an awareness, some beneficial kind of retention from this season's experience, and probably retained through association with a space-time ark.


Here's another comparison that offers insight in the transfer between similar things. In this screenshot, set against the backdrop of the Stark Tower we see Mercury / Hermes the psychopomp. He's the special agent who is assigned the task of escorting to and from the underworld. That's the abyss. You may recognize this as the iconic clock on Grand Central Terminal's 42nd Street entrance, a significant timepiece at perhaps the world's most famous transportation hub. The Terminal features prominently in several scenes, and the film invites comparison between the Stark Tower and neighboring Grand Central Terminal. The Lord had me drill in a bit to discover why. Like with the Tower of Babel connection I noted, similarity in features points to similarity in purpose. Grand Central Terminal like Stark tower like EU poster like Tower of Babel.

First, the centerpiece of the Hercules, Minerva and Mercury statuary in the screenshot is a clock. Right. The central object of the massive idol is a TIMEpiece. Isn't this display intended to show how the ancient gods rule over time itself? The clock is 13 feet tall, which combines both the meaningful number 13 with 12 (inches per foot - and hour divisions on the face). Wikipedia offers: “ At its unveiling in 1914, the 48-foot (14.6 m)- high trio was considered the largest sculptural group in the world.” It's a significant idol. Also from Wikipedia: “The main information booth is in the center of the concourse. This is a perennial meeting place, and the four-faced clock on top of the information booth is perhaps the most recognizable icon of Grand Central.” The centrality of time. This famous space is a transportation hub, and the reason for the focus on time is obvious. Trains run on tight schedules and passenger activity conforms to the Terminal's referential system. These observations speak on one level to the present reality that man's activity conforms to the referential system of time that is ruled over by the ancient gods. Consider the familiar names of the months and days of the week. You can't argue against the statement made, but that situation won't endure.

The Terminal is a train station. Trains traveling on tracks is a very familiar metaphor. Search this blog for Joel 2 train and you'll see how trains and train tracks represent beings and vehicles transiting stargates with some notable examples. A couple of notable train + water imagery films that come to mind are Snowpiercer and Polar Express. Passing through Grand Central Terminal, major sets of train tracks run right under the MetLife building, and the fictional Stark Tower stands in its place. Signaling the control of space-time (Parts 1 and 2 of this series) and controlling interdimensional traffic (via the Tesseract), that's what the Stark Tower is for in The Avengers, right? It's kind of an adjunct to the Grand Central Terminal that operates in a perpendicular plane.

The Terminal's 13 foot tall statuary clock faces 42nd Street. 42 = 21 + 21. Double Time Street. Another iconic place in Manhattan is Times Square. It's also bounded on one side by that same 42nd Street. Times Square ~ 21 squared or 21*21 ~ 42nd Street. Time geometrically is symbolized as a circle. Times Square ~ Circles Square. Time-Space. That place is known as The Crossroads of the World. Compare to Grand Central Terminal's function as a mega transportation hub, and that of the Stark Tower as the gateway for the invading Chitauri army's entry. Each year, the transition of the popular calendar is marked as the world watches the ball drop in Times Square and together chants the famous countdown. This mega ritual revelry derives from the historical practice at the Greenwich Observatory in London, where the world's standard for time has been established. Ships would set the clocks they depended upon to navigate the globe by synchronizing them with the dropping ball, which was carefully watched for from their mooring on the Thames-Isis River. Daily. At 13:00 hours. 13. 12. Again, like the 13 foot tall idol clock. Seen The Smurfs (2011), where water as time and Times Square are played up BIG?

The Grand Central Terminal (and Stark Tower) sits between Times Square and the Chrysler Building. All are connected by 42nd Street (21+21). Of interest, the Chrysler East property address is: 666 Third Avenue.

Now, recall how the power change from AC to DC was cryptically signaled in The Avengers, from Part 2 of this series. Here's a couple more quotes from Wikipedia. “A "secret" sub-basement known as M42 lies under the Terminal, containing the AC to DC converters used to supply DC traction current to the Terminal. During World War II, this facility was closely guarded because its sabotage would have impaired troop movement on the Eastern Seaboard. It is said that any unauthorized person entering the facility during the war risked being shot on sight; the rotary converters could have easily been crippled by a bucket of sand.” Shot on sight. That's serious. Why M42? M is the 13 letter, and there's the 21+21 numbering again, matching 42nd Street. Spilling sand. Hmmmmmm. Sand is a time symbol, the sands of time, like in the gym's Everlast heavy-bags. Troop movements on the Eastern Seaboard. Sea water as time. Troop movements. A hub for the transiting armed forces. Familiar stuff.

So, AC to DC conversion. Why bother cryptically signaling that to us in the framing of the Stark Tower launch and recruiting sequence? When we become aware of how Grand Central Terminal is given such a high level of attention and how the features compare, and see the similarity in function on the esoteric level, it makes sense. The Avengers is actually revealing Occult secrets of the Grand Central Terminal. Theurgy is at work, and the details are according to what is learned from the gods. The AC to DC bit has to do with establishing a key allegorical connection, which represents the legitimate supernatural connection. You know about energy vampirism, right? There is in this theurgic ritual we've been studying a drawing from and adding to a kind of cistern or reservoir of collected demonic spiritual energy. It's like when a witch raises energy inside a magic circle before sending it out into the world in the casting of a spell. A massive amount of human energy has been collected at Grand Central over the years, and harnessed through the design and no doubt supported by many Occult rituals. Grand Central was built and owned by the Vanderbilt (Illuminati) family.

We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life. ~ 1 John 5:19-20

With eyes that see, we examine the symbolism and glean what meaning there is in the beans spilled learn what the Lord would have us to know about what things really mean in this world. The trains of the Grand Central Terminal's transport system depend on the power conversion like what was illustrated with the Stark Tower, and the space-time ark depends on a power source off the grid - power drawn from another dimension as from the Tesseract and Stark arc reactor.

Tesseract. Anagram: A ST (space-time) SECRET. Add that alongside, ACT RESETS.

Have you been giving attention to the CERN LHC, and the D-Wave adiabatic quantum computer and not unrelated AI advances?

Plenty to chew on in this Anthony Patch clip, and this one too: Deadly Shots And Third Strand DNA/Interview from N68's The Great Work.

The latest from D-Wave Systems is the D-Wave Two, which has an approximately rated 512-qubit CPU. The increase over the approximately 128 qubit chips of the D-Wave One was accomplished by tiling the qubit pattern of the D-Wave One, a pattern named chimera by D-Wave Systems. Do you know what a chimera is, biologically? Think, beast, post human. Mark of the Beast. Image of the Beast.

Here's a few more connections of note to tie into this spider's web of time-space manipulation imagery.

The Main Concourse of Grand Central Terminal has an elaborately decorated astronomical ceiling, but there is an anomaly. Wikipedia offers, “ For example, Orion is correctly and beautifully rendered, but the adjacent constellations Taurus and Gemini are reversed both internally and in their relation to Orion, with Taurus near Orion's raised arm where Gemini should be. One possible explanation is that the overall ceiling design might have been based on the medieval custom of depicting the sky as it would appear to God looking in at the celestial sphere from outside, but that would have reversed Orion as well. A more likely explanation is partially mistaken transcription of the sketch supplied by Columbia Astronomy professor Harold Jacoby.” Here's a suggestion. It calls out that precise location to give attention to the Silver Gate, doorway to the underworld-duat.

Attention is given to that very place in the representation of the heavens on another famous ceiling, on the ancient temple's portico in Dendera, Egypt.The marker on the circular Dendera zodiac I mentioned is described in this quote, and the one opposite at the Golden Gate is also mentioned. “Then, beyond these "heaven-holders", on two sides of the work are rectangles patterned with rows of chevrons, symbol of water, which must represent the Milky Way Galaxy, the stream of the heavenly waters. This is apparent because when we look at the night sky we see the heavenly stream of the Milky Way cross the zodiac at Gemini/Taurus, and also at the opposite side of the sky at Sagittarius/Scorpio. The Dendera Zodiac precisely shows the chevron rectangles below Gemini/Taurus on one side, and below Sagittarius/Scorpio on the other side.” (The Circular Stone Zodiac of Dendera, Egypt -The most dynamic image of the heavens ever created ) The rows of chevrons described are extended wave glyphs. Think, Genesis 1 and the waters of the expanse. The Golden and Silver Gates are water gates, water-as-time gates. The celestial Silver Gate is what was opened up in The Avengers above Stark Tower. What do you think the Marvel Comics Silver Surfer character is spilling the beans on?

Bullinger believed the biblical text of Genesis 11:4 indicated how the tower of Babel probably featured the zodiac. I think he was right. Here's something. The Hoover Dam, a star map of the Pleiades in Taurus that was made to document the exact location in space and time of an event, and angelic guardians I call tuning fork angels. Water, falling, falling and falling generating massive amounts of energy, with a model of the throne of Zeus-Satan.

For a season in 1957, under that Grand Central Terminal's ritual zodiac ceiling sat a very significant rocket, the PGM-11 Redstone. MIB3 featured the rocket that launched ArcNet, Apollo 11. There's that 11 again. The Avengers featured Iron Man's occasional blasting off from the tower and blazing into the sky like a rocket man, and he went right up through the dimensional portal with a nuclear tipped missile to save the day, falling back through the portal to earth as it's savior.

Here's a collection of observations from Wikipedia: “The PGM-11 Redstone was the first large American ballistic missile. A short-range surface-to-surface rocket, it was in active service with the United States Army in West Germany from June 1958 to June 1964 as part of NATO's Cold War defense of Western Europe. It was the first missile to carry a live nuclear warhead. A direct descendant of the German V-2 rocket, the missile was the foundation for the Redstone rocket family, It was developed by a team of predominantly German rocket engineers relocated to the United States after World War II as part of Operation Paperclip. Redstone's prime contractor was the Chrysler Corporation.”

Connect the dots. Nazi science. The vendor was the same Chrysler Corporation that was headquartered in the Chrysler building seen in The Avengers and featured in MIB3. Nuclear tipped missile, like the one Iron Man sent through the stargate. Redstone. Red - Adam. Stone - crystal DNA. Ascending man into the heavens.

Wow. Potent. That's a lot of ritual energy!

Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle

The bicycle as a symbol of a transdimensional or interdimensional vehicle is well ingrained in our culture, even outside the mass media industry. Most of us grew up playing card games. The Bicycle brand of cards is very popular and their designs are probably familiar to most of us. They typically feature cherubs riding bicycles and support that with very obvious goddess symbolism.

I recently wrote about how bicycles are such a fit symbol for heaven's vehicles. They have 2 wheels, not unlike the “one wheel within another wheel” throne vehicle described in the book of Ezekiel. The cherub may be seen as a kind of bicycle operator.

9 Then I looked, and behold, four wheels beside the cherubim, one wheel beside each cherub; and the appearance of the wheels was like the gleam of a Tarshish stone. 10 As for their appearance, all four of them had the same likeness, as if one wheel were within another wheel. ~ Ezekiel 10:9-10

Ezekiel later recorded the following in a coded passage that is a lamentation over the king of Tyre.

13a You were in Eden, the garden of God... 14 You were the anointed cherub who covers, And I placed you there. You were on the holy mountain of God; You walked in the midst of the stones of fire. ~ Ezekiel 28:13a, 14

The hissing enchanter, the nachash, was in the Garden of Eden. As having been the anointed cherub who covers, he should well know how to represent heaven's vehicles. The cherub class of angelic beings is what's pictured as “Cupid” on the Bicycle cards. The folks responsible for their branding knew their symbols. The bicycle-as-heaven's-vehicle theme is certainly present in their Griffin deck. A griffin is a lion-eagle composite linked to the cherub, and multidimensional access and protection are the griffin's primary features.

And each one had four faces. The first face was the face of a cherub, the second face was the face of a man, the third the face of a lion, and the fourth the face of an eagle. ~ Ezekiel 10:14

The connection between bicycles and playing cards goes beyond the mimicry of engine noise with a flapping card in the spokes. The bicycle represents the way to travel what the deck of cards represents, time-space.

The typical deck of playing cards models a calendar as a representation of time-space. Rounding the counts, there is one card for each of the 52 weeks of the solar year. That's the Pagan calendar, which divides naturally into 4 seasons, on the celestial-terrestrial solstice and equinox events. There are 4 suits, hearts, clubs, diamonds and spades that match to the 4 seasons, as some consider it: Spring, Summer, Fall, Winter. In each suit, there are 13 cards, one for each week in the season. In addition to the solar calendar aspect there is also a lunar. There are 13 lunar cycles in the year, and each lunar cycle divides into 4 phases: first quarter, full moon, third quarter, and new moon. The assigned values of the cards in the deck (1+2+3...13 times 4 suits) totals 364, which is the nearest number to the count of days in a Julian (astronomical) year that divides by 4 without a remainder. Theurgy.

Some trace the history of this kind of deck to antiquity, to the ancient Order of the Magi and Atlantis. It seems likely to me that it came from fallen angels, who taught man some of the secrets of heaven.

And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals of the earth and the art of working them, and bracelets, and ornaments, and the use of antimony, and the beautifying of the eyelids, and all kinds of costly stones, and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray, and became corrupt in all their ways. Semjâzâ taught enchantments, and root-cuttings, 'Armârôs the resolving of enchantments, Barâqîjâl (taught) astrology, Kôkabêl the constellations, Êzêqêêl the knowledge of the clouds, Araqiêl the signs of the earth, Shamsiêl the signs of the sun, and Sariêl the course of the moon. And as men perished, they cried, and their cry went up to heaven... ~ Book of Enoch - 8

Most everyone is aware that Tarot cards are used for fortune telling. The common deck of playing cards is also used for divination. It's called cartomancy. Like astrology, it's not without a basis in reality. Lives and fortunes have been won and lost using these cards, and what are considered to be the fates and destinies of men influenced. Card tricks have drawn many into the practice of real magick. The face cards of the deck illustrate how the cards represent entities with a hierarchy of rank, like soldiers and angels, so the deck is played as a warring army. Did you ever play the simple game of War?


The Euchre Miracle

On a personal note, the Lord used a card game as a sign to me at a critical juncture in my life. I wasn't using the cards to divine, but the Lord chose the play of cards to give me a sign.

When He drew me to Himself in 1980 my life was in shambles. I had been perceiving a presence in my life, “interfering” with my plans, bringing me to ruin. I fought against the interference until I was brought very low, really, to the end of myself. I came to pour out my heart in that season, looking up into the sky and saying with all sincerity, “I don't know who you are, but if you want me, come and get me, because I'm done.” I knew he knew exactly what I meant, whoever it was. It didn't take long for Him to do just that. It could not be denied. I was not exactly an easy catch because I still had a huge struggle.

The Lord brought me into a community of saints where a particular Bible class was promoted as a foundation. I was skeptical and uncomfortable about making the commitment required to take the class. I felt like I was railroaded into it, frankly, but I just couldn't resist. It was probably 3 sessions into the course's 12 that I came to a point of crisis. If you have ever been in a place that was infested with cockroaches and watched them scatter when the light was turned on, well, that was my condition. I was like a bag of cockroaches, and the darkness was my comfort zone. Sitting in a room surrounded by people who were praying for me, having to listen for hours on end to the Bible being preached and taught, I felt like I was in the spotlight and there was no escape. Despite having had plenty of evidence to convince me that my prayer had been heard, it wasn't enough. I remember sitting at my desk at work the day after the unbearable session. Stressed. Overwhelming distress. I prayed again and it went something like this. “If you want me to do this class, give me a sign. Otherwise, I can't go back.” It was probably the next day at lunchtime that I got the sign, because the next Bible class would have been scheduled for that night.

Where I worked, there was always a card game going on during lunch hour in what we called the catacombs of the Pilot Plant. Since the small group of engineers and technicians I worked with played, I joined them on occasion. I almost never played, but just watched. The game was always Euchre, and the play in that tiny little room was always very serious and intense even though there was no gambling involved. A Euchre deck is just a regular deck, less all but the 9-10-J-Q-K-A cards. The game is played with 4 people, and 2 are partners so there are 2 opposing teams. Usually, you play a hand together with your partner, but if you have a really good hand you can play alone, taking greater risk for the chance to get double the points. To play a lone hand is not really that rare, but what happened to me that day was impossible. I can't say what went through the minds of the men in that room as I played one unbeatable lone hand after another, but I knew I was getting the sign I asked for. I caught on to what was happening pretty quickly. I got the best hand you could get, which I don't think I had ever even seen before, and then I got the same hand in the very next deal and played them both for the win. After a couple more consecutive lone hands that were unbeatable, I began to call the lone hand without even looking at my cards or caring who dealt it - and I would win all the tricks. Impossible. After a while, the “luck ran out,” tapering off in a gradual way that I knew was part of the sign. Alrighty. I went to class that night and saw it all the way through to graduation. My struggle to get free from oppression and possession was far from over but that battle was won - a significant victory! I'm so grateful for those dear saints the Lord engaged in the many battles fought on my behalf!

I never used cards for divining but the Lord certainly used them to give me a sign. He could have signaled me in any number of ways, but that's how He chose to do it.

Back to the Bicycle brand. Their history speaks very loudly to me about the significance of the bicycle as a stargate transiting symbol.

Bell Tower (The History of Bicycle® Cards)

“A Neo-Romanesque bell tower (4-stories high) was built in 1926 atop the company's 4-story main building entrance. This tower housed a fine set of 12 carillon bells, ranging in size from 1-1/2 to 5-1/2 feet. This was the first set of chimes built for radio broadcasting. The chimes were connected electronically to radio station WSAI, which was owned and operated by The United States Playing Card Company from 1922 until 1930 and located within the USPC complex. The main reason for the radio station was to promote the game of bridge by broadcasting bridge lessons. In those days, there was no limitation on the range of radio power and the WSAI transmission was so clear and strong that it could be picked up as far away as New Zealand. WSAI was eventually sold in the 1930's to the Crosley Radio Corporation.”

If you understand about the supernaturalism of bells and bell and clock towers, nothing much needs to be said about that. If you don't yet understand, see, Bells - Supernatural Enchantment and a Biblical Perspective. Note how the main reason for the station was to promote the game of BRIDGE. Sure, it was clever marketing for their product, but really it was far more than that because the esoteric symbolism is all about bridging the dimensions. Bells facilitate dimensional transit, and the bicycles represent the heavenly vehicles that transit the mecillah, the kingdom viaduct. I note that there are 12 face cards in the deck and 12 signs of the Zodiac, 12 months of the year and 12 tuned chimes in the playing card company's bell tower. The sound of the chiming carillon bells in the bell tower was local, and it may be understood that such devoted objects command the Baals or demonic Archon of the locality. The sound of those bells was wired right into the station for broadcasting their enchantment around the globe. It was a brilliant strategy. Evil genius.

The pictures above show their bell and clock tower in Cincinnati. On top of one of the buildings in the same complex you can see the company name flanked by what looks like two owl figures, the sign of the goddess. The company's iconic ace of spades appears in the window glass, with the door behind. It's the image of the gateway goddess they identify as Freedom, an identity I'll expand upon shortly.

By featuring the image of a cherub riding a two wheeler, the Bicycle brand demonstrates an understanding of the nature of their playing card business. The exercise of control over time-space that is implicit in the transiting of the stargates is signaled, and indeed, leveraged, in their bell tower. The corporate radio station that was devoted to broadcasting BRIDGE lessons around the globe had call letters that are revealing. WSAI -- W+S+A+I = 23+19+1+9 = 52 and there are 52 playing cards in the deck, one for each week of the year!

What's going on there? WSAI's original transmitter site was in Mason, Ohio. Right. Mason. Were those responsible for these things Freemasons? Probably. It wasn't exactly rare for industrialists to become members, but look beyond the organization of men into secret societies to the influence of the fallen angels in the lives of the illumined who rule as regents in this age. They practice theurgy and the sorceries of symbol magic and honor the celestial beings including the goddess of magic. They know what Confucius declared so aptly, that, “Signs and symbols rule the world, not words nor laws.” It is in no small part due to such means that they acquire the power and wisdom to rule over their domain. Hey, do you think that might have something to do with why the Lord commanded us about images in the second commandment? The more I learn, the more it seems so obvious.

The literal broadcasting of Bridge lessons from Mason, OH, certainly encouraged the use of playing cards like their own product. The effort placed their potent symbolic imagery before the people of the world. If the Occult symbolism surrounding the radio broadcast is perceived, consider also the supernaturalism of the broadcasting of a parallel transmission.

“A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you.” (from the popular wiccan magic book, Sacred Space - by Denise Linn)

When a witch describes the generation of, “a force field that strengthens you,” you may interpret that as the evocation of a deceiving demonic agency that aligns you to its own agendas and empowers you to carry them out. The enchantment deployed is a deception and control mechanism. Symbols in any medium are spirit transmitters. When visible or audible symbols (charged language, magic words, NLP, the reverse speech content...) are broadcast through the air, or if transmitted by means of fiber-optic cable, the distribution system functions as a multiplier. That's powerful. But let's talk about the power behind it. The goddess lurks.

Not long ago, radio was what everyone listened to. For many, family life and friendships revolved around favorite shows and sports broadcasts. Radio provided for a shared experience that served to unify its audience. It created a global Bridge game culture, in the case of WSAI. Before radio, newspapers or other publications served the purpose of extending communities beyond the constraining limits of personal interaction. Today, it's all that plus TV plus the Internet, especially through social media. Unification is the hallmark of the goddess. The goddess draws the world to herself to unite under one banner to be delivered to “her son,” the antichrist. The message of the growing phenomenon of the Marian apparition is hardly subtle.

The supernaturalism of broadcasting symbols is magical, literally, an enchantment. Logos that establish brand identities represent a common imagery and perception with a point of focus. There's nearly a thousand posts on this blog for documentation of how this is a great evil, an enchantment that enslaves and controls mankind, binding them together as a setup for the coming Antichrist, and, beyond, the mark of the beast, Armageddon and lake of fire judgment. In the big picture, it should be interpreted as the unfolding love test provided by the sovereign God in this the age of qualification, but let's consider the action at hand. The common ground provided by the focusing symbols and their broadcast distribution machinery is the operative domain of the goddess.

“So will Babylon, the great city, be thrown down with violence, and will not be found any longer... for your merchants were the great men of the earth, because all the nations were deceived by your sorcery. ~ Revelation 18:21b, 23b

With or without any broadcasting or widespread distribution, the symbols and symbol systems of playing cards and of the Bicycle branding function in the way of Mystery Babylon's pharmakeia.

Let's consider how the Bicycle brand honors the goddess and her work.

Our Lady of the Bicycle

Who is the Bicycle goddess featured on their iconic Ace of Spades, on the packaging for many of their deck designs and on the glass of the entry at their headquarters? Here's the official story.

Statue of Freedom (The History of Bicycle® Cards)

“The Ace of Spades carries another code [making reference to the joker card and the milestone marker, 808, which I'll address later], identifying the year in which the deck was printed. This Ace features, within the suit sign, a woman who rests her right hand on a sword and shield while she holds an olive branch in her left. The image was inspired by Thomas Crawford's sculpture, "Statue of Freedom." which, in 1865, had been placed atop the Capitol Building in Washington, DC.”

That personification of Freedom is Minerva and Athena, the national goddess. She stands inside the owl (goddess) over the dome (womb of Isis) on Capitol Hill, ritually in Jupiter's Temple (Capitoline). The land for Washington DC was granted by Virginia and Maryland, forever linking the federal district with the Virgin Mary. With the stars in the background she is a celestial goddess, as Isis or Venus, the Marian apparition. The shaded frame of the spade is the aureola that expresses the radiant glory or divine illumination of the goddess. This feature suggests that Our Lady of Guadalupe was another source of inspiration. See the resemblance in this image? The shape of the spade is an inverted heart form that is traced out in the heavens by the planet Venus, set as upon a pedestal. The branch held in her left hand identifies her as the constellation and Zodiac sign, Virgo. The virgin goddess. The brightest or alpha star of Virgo is, Spica, which is known in Hebrew as, tsemech, and in Arabic as, Al Zimach. It's “the branch,” a messianic reference. The celestial goddess is the mother of a messiah. Basically, the Bicycle brand's Ace of Spades is a Marian shrine that exalts that ancient entity known as the queen of heaven.

The home city of USPS and the Bicycle brand is Cincinnati, OH, which residents began referring to as the "Queen" city when it was enjoying it's early boom town status. Henry Wadsworth Longfellow wrote in his poem, Catawba Wine, that Cincinnati was “the Queen of the West.” For the Queen of Heaven promotion that is the Bicycle brand to be headquartered in the Queen city is, like their broadcasting from WSAI in Mason, OH, evidence of the practical ritual exploitation of theurgy.

Bicycle's ace of spades has some history that illustrates the very real influence of the goddess of war. The image of the card you see here appears alongside the following blurb on their website.

Ace of Spades (The History of Bicycle® Cards)

“The Ace of Spades served a famous purpose in the war in Vietnam. In February, 1966, two lieutenants of Company "C," Second Battalion, 35th Regiment, 25th Infantry Division, wrote The United States Playing Card Company and requested decks containing nothing but the Bicycle® Ace of Spades. The cards were useful in psychological warfare. The Viet Cong were very superstitious and highly frightened by this Ace. The French previously had occupied Indo-China, and in French fortunetelling with cards, the Spades predicted death and suffering. The Viet Cong even regarded lady liberty as a goddess of death. USPC shipped thousands of the requested decks gratis to our troops in Vietnam. These decks were housed in plain white tuckcases, inscribed "Bicycle® Secret Weapon." The cards were deliberately scattered in the jungle and in hostile villages during raids. The very sight of the Bicycle® Ace card was said to cause many Viet Cong to flee.”

Symbols are powerful, and not just when used in psy-ops deployed against the superstitious. The goddess of war that is the secret weapon is not imaginary, and her images are not devoid of supernatural presence. They are idols. The Bicycle brand has been used by soldiers in many theaters of war. Special decks other than those exclusive to the Secret Weapon have been used. Spotter cards that feature weapons and wanted enemy agents have been popular.

During WWII, the company produced a special deck that had a very fitting purpose. The cards were distributed to POWs in German camps. When moistened, the cards revealed sections of maps that had escape routes marked out. The goddess - facilitating escape and covert transit through enemy territory. Hmmmm. Brilliant.

You may recall from Alice in Wonderland how the feared Queen of Hearts was so quick to command, “Off with their heads!” She commanded all the cards in the deck as her guards and the army of Wonderland. The cards in the deck have rank like the soldiers and officers in an army. As above, so below, as the principle goes. The warring angelic hierarchy is manifest in the playing cards. Lewis Carroll and the Disneys and the Illuminati programmers who leverage the same imagery know what they are doing as they evoke the power of the goddess in the wielding of control.

The very real influence of the goddess is evident in the history of the two-wheeled vehicle that is the basis for the Bicycle brand. Mary, means, their rebellion. The goddess inspires rebellion, and we see her named as Liberty and Freedom where people have revolution and social activism in their hearts. I refer you to the following articles, and make note of the historical link between bicycles and revolutionary feminism and social activism. The bicycle and the Bicycle brand, which has been in continuous production since 1885, are symbols, and what is represented manifests in reality.

• The Importance of the Bicycle to the Early Womens Liberation Movement
• Annie Londonderry - Women on Wheels: The Bicycle and the Women’s Movement of the 1890s
• Social Movements and the Bicycle

Remember the painting, Liberty Leading the People, by Eugene Delacroix? Remember Coldplay and Viva la Vida? You may recall Coldplay's Strawberry Swing video, where the superhero passed the bicycle just prior to emerging into the presence of the banner waving goddess Liberty, who was leading the revolutionaries in battle.

The goddess as a queen bee was featured in both of those two Coldplay videos I have been writing about. The Bicycle brand exalts the goddess as the queen bee in making their famous Bee decks their premium casino quality cards. Notice how the stylized letter B presents the 13 of the Queen bee goddess of love, Venus and of “their rebellion,” Mary.

Here's a related image of the beehive and flower as a Royal Arch dimensional portal from the Masonic perspective. Notice how the arch presents a wheel within a wheel in a the arc of a ring variant.

You can see in the design of the Bicycle fan-back cards that the fans resemble the shells that are trademark Venus symbols. The bicycle in the fan is imagery that compares to the shell conveying Venus to the beach across the celestial sea. A fan is for moving air, creating currents of air. Air and water are both symbols of spirit.


I want to take this opportunity to expand on the observation I made about the dual ringed Masonic arch that compares to a wheel within a wheel style of bicycle. The imagery of a sliding ring within a ring is associated with stargate activation, usually as representing the operation of a coded magical lock mechanism. It's kind of like how the classic Captain Midnight secret decoder ring used a simple substitution cipher, and such mechanisms were used for transmitting secret messages in ancient times. I see such a “bicycle” in this screenshot from the pre-title scene introducing the “Disney Fairies” animation, Secret of the Wings (2012). This adventure tale about Peter Pan's Tinkerbell is probably worthy of its own series for the mining of all the stargate imagery involved. The pre-title sequence alone is LOADED! Whirlwinds, bridges, towers, helical coils, compass roses, mapped trees and rivers...The screenshot was captured in the sequence where the following narration was heard.

If you had wings to lift you and the second star your guide
you'd find a place where all the seasons flourish side by side
yet past the summer meadow and beyond the autumn wood
lies an icy land of secrets, a world, misunderstood.
But if your mind is open and your heart just has to know
your wings can take you farther than you ever thought you'd go.

The sawtooth ringed disk is like the other symbols, used for magickal navigation of the realms through time-space.

By the way, when you see the image of a rabbit on a bicycle, especially when it's the white rabbit who is obsessed with time and who led Alice down the rabbit hole into Wonderland, you should recognize the goddess and cherub psychopomp transiting the stargate.

Back to the cards. The spiritual reality of the influential role of the goddess is expressed in some of the games commonly played with cards.

The ace has one spot and typically has the value of 1 as the first card. The number one, means, unity. While engaged in writing this study, the headline news on 9/19 read: “Scottish leader quits, Queen urges unity.” It's a reflection of the Queen of Heaven's urging of unity, and an exhibit of why the esoteric Bicycle brand features her on their ace of spades.

In the game, Blackjack (21), the ace is assigned either one of two possible values, 1 or 11. The number 11 is a graphic of a pillar, or two pillars. As such, the 11 is used as an astrological symbol of Gemini, The Twins. As is Taurus, that's a Silver Gate sign that implies the presence and function of the goddess.

In the games of Hearts and Spades, cards of the Queen rank have the value of 13, a number that is astronomically linked to Venus. The game of Hearts is also known as Black Lady, The Dirty, Dark Lady, Slippery Anne, Chase the Lady, Crubs, Black Queen and Black Maria. The game has a play called shooting the moon, which adds yet another layer of goddess imagery.

The allure of the goddess is present with all games of “chance” and where there's a playing of the odds. Card players and gamblers have ever courted Lady Luck. Fortuna (Agathe) is her name, according to the culture reflected in the USPC bell and clock tower style of architecture. She is otherwise known as Tyche, the Seven Hathors, Meshkhenet, Isis-Renenutet... These have been called upon in the seeking of good fortune, and many a good luck charm, amulet or spell has been leaned upon for some advantage. The blessings of Victory, Justice, Liberty, Freedom and Columbia are likewise sought for the gaining of benefit and favorable outcomes in risky circumstances. The courting of Lady Luck is the evocation of the goddess, a practiced idolatry of a kind that often involves a magical working in the form of a good luck charm, like lucky socks, perhaps, or an act like crossing the fingers or kissing a ring. These expressions are not really unlike cartomancy in that such activities are inspired by the nature of the playing cards. Dice are similar. These also inspire gambling.

The goddess of Bicycle's Ace of Spades is the symbol of unity who draws and leads people to her Antichrist son. I see this imperative in the Bicycle Joker card.


The Joker

The Joker (The History of Bicycle® Cards)

“The Joker is an American invention dating from about 1865 and has made different appearances in the Bicycle® card line. The first type represented a man on a high-wheeled bike. The bicycle later acquired two wheels of normal size. Then followed a series of playing card kings on bikes. These cyclists wheel past a milestone marked "808." Contrary to some opinions, this number has no mystical meaning. It is merely a reference number distinguishing this brand from others (such as "606") by the same company.”

The joker is akin to the court jester, who was traditionally able to get away with subversive words and deeds under the protective cloak of providing amusement for the court. The Freemason's secretive Royal Order of Jesters comes to mind, who have transport and trade responsibilities. There's really nothing funny about any of that. It's all for their own amusement as they abuse genuine authority to exploit the benefits provided by their special cover.

So, no mystical meaning for the 808 on the milestone? Really? Why is it that the 808 is the only one of their many brand reference numbers to appear? Why does a code number appear at all, and why is it on a milestone marker? The thing about those who engage in Occult activities is that they serve the father of lies. They are deceived, and deceivers. There is a mystical meaning. It has to do with supporting the theurgy of the card deck and the primary mission of bringing forth the Antichrist beast.

There may be more to it, but this is what I see. If we take the milestone numbers on the Jokers, 5 8s can be produced. Count the number of 8s in 808 and 808. There are 4, plus 2 zeros. If the zeros are placed one on top of the other, another 8 is formed.

8₀8
8⁰8

If the jokers produce 5 8s and this is a milestone marker code, it suggests a refinement of the decks theurgy.

The introduction of the joker has to have an impact on the numerical value of the card deck. I noted earlier many of the features of the natural calendar that are inherent in the standard deck. The deck's total value comes up a little short of the number of days in the solar year. Producing 364 gives the closest round figure (divisible evenly by 4), but the astronomical-Julian year is 365 1/4 days long so the value of the deck is short by 1.25 days. If you assign each of the joker cards the value of 5/8, it produces the number of days exactly (364 + 5/8 + 5/8 = 365.25). This seems to crack the milestone marker code. The working of theurgy demands accuracy in the symbols.

The principle involved is described in Exodus 25, where Moses was given instruction about building the tabernacle that was an earthly model of a heavenly construct. Reference is made to that in Hebrews when describing the function of the Lord Y'shua as the High Priest.

1 Now the main point in what has been said is this: we have such a high priest, who has taken His seat at the right hand of the throne of the Majesty in the heavens, 2 a minister in the sanctuary and in the true tabernacle, which the Lord pitched, not man. 3 For every high priest is appointed to offer both gifts and sacrifices; so it is necessary that this high priest also have something to offer. 4 Now if He were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5 who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, “See,” He says, “that you make all things according to the pattern which was shown you on the mountain.” ~ Hebrews 8:1-3

Accuracy matters. Fallen angels know this, and they impart knowledge and wisdom to their illuminated servants.

The numbers 5 and 8 are produced by the planet Venus. In a cycle that takes exactly 8 Earth years to complete, a rosette is traced out that has a regular pentagonal figure. For that reason, the numbers 5 and 8 (also 13, the number of times Venus orbits during that cycle) are used signal the presence and activity of the goddess.

On the popular design of the joker, the vehicle is one of heaven's, the symbolic bicycle, a celestial transport. They are typically operated by a cherub. Who might represent himself as the cherub king? The king of Tyre, (bicycle tires?) of Ezekiel 28? As reaching the coded milestone marker on his bicycle, which presents theurgic calendar imagery, the image speaks to me of his reaching the milestone of gaining authority over the calendar, over time itself, with the assist from the goddess. The joke's on us, it seems to say, as he makes entrance through the twin pillar celestial silver stargate, bicycling into this realm as the returning king. The brand's promotion of the goddess with the time-space transiting king is really an essential pairing.

While researching the number 808 I discovered a claim that it was identified as the energy voltage of the God particle by the celebrated Nobel Prize-winning particle physicist Leon Lederman. He's the author of The God Particle: If the Universe Is the Answer, What Is the Question? and he's the one who gave the Higgs Boson the nickname, “the God particle.” The number 808 was derived from an analysis of the numbers he received in a dream while working on mathematical constructs for the Higgs Boson.

If there is a legitimate connection between the number 808 and the particle, the Bicycle joker's milestone marker makes a lot of sense. That atomic particle is believed to be the key to mass, and that has a direct bearing on the manipulation of time-space. The connection between the efforts to exploit the God particle (CERN LHC) and the opening of the stargate through which the ancient sun god and king will enter has been made many times on this blog. Could those responsible for the joker's milestone have received similar insight about the 808 milestone?

Because the number 8 represents a new beginning, and it is the common symbol representing infinity, the number 808 may be seen as a time wave symbol, where the value goes from infinity to zero back to infinity.

If you see the 808 milestone marker as an ancient standing stone, an interesting connection can be made with a TV show on the STARZ (stars = angels) network called, Outlander. A woman was transported back in time when she placed her hands on a standing stone monument. A coven of witches had just performed a Beltane ritual there in the moonlight. Standing stone ~ milestone marker ~ time-space stargate. Finding herself in the past, she soon encounters a man who looks like her husband's twin, who is his infamous ancestor. His nickname is Black Jack. That's a secret time code. The card game Blackjack is also called 21. The number 21 is a time number, generally meaning, the fullness of time. She and he may be seen to be linked through time, obviously. Her husband was the last person she interacted with before her transit, and Blackjack was the first significant contact, following.