The Flash's Subversive Agenda, Justice League, The Hateful Eight, etc.

A couple of themes that have been trending have made some more media productions worth noting.

Quentin Tarantino’s new film is called, “The Hateful Eight.” H8 (hate) is Neo-Nazi code. The film title is Neo Nazi Code. 88 ~ HH ~ “Heil Hitler”

Gods of Egypt - Trailer

Olympus - A Legend Will Rise - on Amazon - Wow! Rich.

Justice League: The Flashpoint Paradox (2013) [This cartoon animation is NOT recommended for viewing due to disturbing graphic violence]
“The Flash causes a temporal ripple that creates a fractured reality where the Justice League has never formed, Superman does not exist and a war rages between Wonder Woman and Aquaman. Flash teams with Batman and Cyborg to restore the timeline.”


The Flash on The CW continues to hold our interest. S1 Ep 15 is where the timeline was skewed. The skewed timeline continues on in the series, as in reality. So you understand the fundamentals of their particular spin, here's insight into the imagery that advances a subversive agenda. “The CW” is Code 33 and Code 66, for a foundation.

The lightning sigil is a modified Nazi SS rune. One is overlaid on the other. Nazi Science - übermensche with powers like unto Odin and Thor. The winged helmet motif touches on the Wagnerian magical helmet, the Tarnhelm. The attention given to Captain Cold and Heat Wave smacks of the Ice and Fire of Horbiger's Welteislehre cosmogeny. The winged helmet and his speed are also identifying The Flash as Mercury, the fleet messenger of the gods and psychopomp, master of traversing dimensional boundaries. The lightning sigil highlighting the letters L and A in The Flash title calls out their combined values. 12+1=13 ~ the mastery of time and space-time. The Flash demonstrates just that very ability.

It's entirely Occult. As is customary, the themes are woven tightly together and the sodomite gateway sex magic is fundamental.

Barry Allen: Secret sodomite identity: Bury Alan-anal
Barry's beloved girl, Iris West. Secret sodomite identity: The “brown eye” which is slang for the anus aka the Eye of Horus, because Iris (eye) is brown. “The iris is a thin, circular structure in the eye, responsible for controlling the diameter and size of the pupil and thus the amount of light reaching the retina.” Think, sphincter. Why West, as in, Iris West? To "Go West" is to take the left hand path. It's the path of the sun, their sun god. It is a metaphor for changing the sexual orientation to the perverse and rebellious, moving in the direction from heterosexual to homosexual. In the vintage cartoon, Bimbo's Initiation, Going West is what is pictured when Bimbo visualizes the members of the fraternal order as Betty Boop clones. (Village People - Go West OFFICIAL Music Video 1979)

7 Ways ‘The Flash’ Challenges Traditional Masculinity (MTV News)

Ritual sodomy is the real and ancient means of acquiring superhuman powers, with the energetic flashes of white light being produced in the brain during initiation into the ranks of the illumined. This is why Cisco / Ramone continues to act more and more like a little girl. The time travel power Flash has will make sense if you understand Rocky Horror Picture Show as an initiation ritual. What it means to “Do the Time Warp” is to enter the trance state for mind-control programming as a result of ritual sodomy. “But it's the pelvic thrust... That really drives you insane. Let's do the Time Warp again.”

On that subject, that same theme pervades Back to the Future, and it's also leveraged in, The Lake House, with Keanu Reeves and Sandra Bullock, which I mentioned recently. The mail box as “male box” is the time portal device. “But it's the pelvic thrust... That really drives you insane. Let's do the Time Warp again.” The isolating glass house is a metaphor for the mind control slave's core inside the programming structure of multiple identities. The dog as psychopomp.

---

DICAPRIO RAPED BY BEAR IN FOX MOVIE
“TUE DEC 01 11:01:02 2015 ET

The new movie 'REVENANT' features a shocking scene of a wild bear raping Leo DiCaprio!

The explicit moment from Oscar winning director Alejandro Inarritu has caused maximum controversy in early screenings. Some in the audience escaped to the exits when the Wolf of Wall Street met the Grizzly of Yellowstone.

The story of rural survivalism and revenge reaches new violent levels for a mainstream film.

The bear flips Leo over and thrusts and thrusts during the explicit mauling.

"He is raped -- twice!"

Not to be outdone, DiCaprio rips open a horse and sleeps naked in its carcass!

For director Inarritu, 'BIRDMAN' was just the appetizer.

FOX has given the movie an award-qualifying release on Christmas Day.

Developing...”

By the way, in LGBT lingo, a bear is a hairy homosexual man. That's what's being signaled in the esoteric layer.

Part 2 - Code N.E.W.S.

In Part 1, evidence of the space-time symbolism of the news was presented to illustrate how it's being used in the magickal practice of theurgy. It's used in the branding of major news sources of today, of yesterday, and in popular media that includes the comic book superhero, Superman. I called the Daily Planet's iconic ringed globe that sits atop their skyscraper a time ball, and here's why.

Probably the biggest time ritual in our day has to do with a time ball on top of a building. The time ball near the Royal Observatory in Greenwich, England, is the basis for it, but the one in Manhattan's Times Square is the big deal today. Who among us isn't familiar with what happens there on New Years Eve? As many as 2 million gather into the wedge or triangle shaped "square" every December 31. That's 12/31, when the time number 12 combines with the mirrored number of the mastery of time on the last day of the year. At the stroke of Midnight, again, the time number 12, the time ball has dropped to mark the transition into the new year and the arrival of January. That's the month devoted to Janus, the god of time. The personification of the gods of time, Saturn or Kronos, is often featured during the pagan revelry as Father Time. Most of us are well aware of all that, but not so much with the connection with the news.

The tower and triangle called a square is forever tied to the newspaper, the New York Times. The time ball tops One Times Square, which was built by the newspaper as their headquarters. The building was completed in 1904. The location is 42nd and Broadway. The 42 is the time nmber 21, doubled. Code N.E.W.S.

About the ball drop (Wikipedia): “The event was first organized by Adolph Ochs, owner of The New York Times newspaper, as a successor to a series of New Year's Eve fireworks displays he held at the building to promote its status as the new headquarters of the Times, while the ball itself was designed by Artkraft Strauss. First held on December 31, 1907, to welcome 1908, the ball drop has been held annually since, except in 1942 and 1943 in observance of wartime blackouts.”

In another excerpt from Wikipedia: “Despite the Times leaving the building, One Times Square remained a major focal point of Times Square due to its annual New Year's Eve "ball drop" festivities (the ball itself has remained atop the tower year-round since 2009), and the introduction of an electronic news ticker at street-level in 1928. Following its sale to Lehman Brothers in 1995, One Times Square was re-purposed as an advertising location to take advantage of its prime location within the square. Most of the building's interior remains vacant (aside from its only major tenant, a Walgreens pharmacy which occupies its lower levels), while its exterior features a large number of traditional and electronic billboards. Due to the large amount of revenue that its ads pull, One Times Square is considered one of the most valuable advertising locations in the world.”

It's an advertising tower, for generating revenue. Money. TIME is Money, so it is said, and money is thus leveraged in magickal ritual as a metaphor for TIME. The history of New Year celebrations has been tracked back to ancient Babylon and the worship of the gods Marduk and Nabu, their idols and temples. A ceremonial battle took place on the last day of the celebration, celebrating Marduk's victory over the forces of evil. The only major tenant occupying the time ball building is Walgreens, a pharmacy. Pharmakeia. The Sorcery of Mystery Babylon.

The Ball and Ball drop revelry celebrates the celestial gods and the mastery of space-time. NYC is a major celestial Silver Gate city. That's a link between heaven and earth, a portal of supernaturalism. Evidence of this is easily seen in the setting of recent films in Times Square including, The Sorcerer's Apprentice (2010), The Smurfs (2011), The Avengers (2012) and even in Ex Machina (2015), where in the closing scene, the deadly AI has escaped to a place of wondering at the opportunities presented at, The Crossroads of the World.

According to the official website for the Times Square, the time ball is a geodesic sphere, that is 12 feet in diameter, and it weighs 11,875 pounds. “The Ball is illuminated by 32,256 Philips Luxeon Rebel LEDs (light emitting diodes). Each LED module contains 48 Philips Luxeon Rebel LEDs - 12 red, 12 blue, 12 green, and 12 white for a total of 8,064 of each color.” Do you think it's for no reason that the number 12 is embedded so redundantly? Luxeon Rebel. Lux. Light. Lucifer. Eon. Time. Rebel. In the book of Genesis, rebellion is linked with the number 13 - in the context of time.

Twelve years they had served Chedorlaomer, but the thirteenth year they rebelled. ~ Genesis 14:4

About Superman, the iconic ringed globe above the building where he, as reporter Clark Kent, is employed is the time ball. See Metropolis as modeled on NYC and the Daily Planet on the New York Times. Some of the comic's iconography pictured the time ball as a ringed planet, like Saturn. Superman's adoption of the real Space-Time Ritual of the New York Times multiplies that very real ritual magick. It's become a distinctive aspect of Code N.E.W.S.! If you were to view One Times Square as a monument to Saturn, you would be seeing it as the high place it truly is.

“Since the 1996 New Year's Eve celebration, the current Mayor of New York City has been joined by a special guest, selected yearly to recognize their community involvement or significance, in ceremonially "activating" the ball drop by pressing a button, resembling a smaller version of the ball itself, at exactly one minute to midnight.” (Wikipedia) For the festivities of 2002–2003, the mayor was joined by community heroes, Christopher and Dana Reeve. Christopher Reeve was the actor who played Superman when he turned back time. Ritual. Magick.

News agencies and the reports they spread through the full spectrum of media have an inherent symbolism that is being exploited by the illumined. The illuminated round ball in the square is symbolic of ritual sodomy illumination and mind control masters and their slaves. (Why has Dunkin Donuts identified itself with the place? Donut - prison slang is anatomical. $19.99 pricing mirrors 666)

So, the One Times Square tower under the time ball is an advertising tower, for generating money. One of the small number of tenants in the building is Western Union. Their business is the transfer of money. TIME is Money. The financial district with the NYSE is on Wall Street, just down the street at the south end of Broadway. There's another time connection to be made here that goes through another Times Square.

In Rochester, a city in Upstate New York near to where I grew up, there's an iconic Art Deco building called Times Square. Local Freemasons laid the cornerstone for it in a ceremony on October 29, 1929.The Times Square building was known as the Genesee Valley Trust Building because it was their building. Times Square was a large bank. Today, it appears to be an office of Citizen's Bank. Time is money. Linked to the Stock Exchange through space-time ritual?

The building was home to a 25-foot mural painted by a famous local artist, Carl W. Peters. The Mural was called, Rochester Past, Present, and Future. Memorializing the passage of TIME in a place in SPACE. The Times Square Building features a notable construction on top. It's not a time ball but something called the Wings of Progress. Progress, is defined in terms of the passage of time. The four “wings” are like feathers or feathered wings, rounded on top, as might be enclosed in an elongated ball. The opposing wings form an X from above or below. The rounding plus the X presents the combined XO of space-time. The building is a twelve-story building supporting four aluminum wings that are 42 feet (13 m) high, weighing 12,000 pounds each. These numbers aren't random - they're ritual! Forty-two, like the Times Square at 42nd Street in Manhattan - double the time number 21. That also converts to 13 meters - signaling the mastery of time. It's a 12 story building with wings that weigh 12 thousand pounds each. Time. The arrangement of four-square wings marked with 12 each means TIME SQUARE. Wings. Time flies like an arrow. The building is like a feathered time arrow.

Why are the wings made of aluminum? Here's the thing. On the table of elements, Aluminum is in the 13th group. It has the atomic number 13. AND - the abbreviation is, "Al" - which in gematria is 1+12 =13. MASTERY OF TIME!

I believe the idea here was to model the cherubim above the ark of the Covenant, which is connected with the earthly throne of the Most High God, and documented as a moveable center of time.

The cornerstone was laid on the very day the stock market crashed, which triggered the Great Depression. That was “Black Tuesday,” October 29, 1929, or 10/29, 1929.
1+0+2+9=12
1+9+2+9=21
Those are the mirrored time numbers that were given to Aaron and I as signs in April. 12:21

The construction was completed in 1930.
1+9+3+0=13
Thirteen. The mastery of time.

Across the street from the Times Square building is the local newspaper, The Democrat & Chronicle. It's the D & C. D is 4 C is 3. 4 + 3 = 7. 4 x 3 = 12. Code N.E.W.S.

I find it more than a little interesting how Peregrine falcons are now nesting there. It started with one pair in 1998. There's now 5 generations, with dozens of offspring. One of them, named Beauty, is living here in Pittsburgh, PA. There are 24/7 live webcam feeds online where you can watch the nesting birds. The Perigrine Falcon. Horus - Ra. Egyptian sun gods associated with time and the passage of time.

More to follow, Lord willing!

Part 1 - Code N.E.W.S.

In this season of diverse signs on the theme of time and space, an observation made a couple weeks ago continues to hold my interest. News agencies and the reports they spread through the full spectrum of media have an inherent symbolism that is being exploited by the illumined.

News, is defined as, “newly received or noteworthy information, especially about recent or important events,” and as, “information not previously known to someone.” These have to do with time; newly, recent, previously. I'm not the first to notice how the word, NEWS, is an acronym of the four cardinal directions: North-East-West-South. That has to do with space. NEWS is a Space-Time signaling word, and it's exploited as such for mind-control and ritual magick. Code N.E.W.S.

The news is often seen or heard or alluded to in the context of other time related words, like with the world famous papers, the London Times, New York Times and the Los Angeles Times.

When names are associated with the news that identifies the frequency of publication or broadcasting, it supplements the time aspect. Examples include the Daily News, Newsweek, the Evening News or the Six O'Clock News, or even the Saturday Evening Post.

The famous publication, Time Magazine, has been in continual publication since 1923. Time, is a weekly news magazine. There is nothing unusual about any of this naming, but the fact that this is all so utterly common and familiar has nothing to say about what it is or isn't, with regard to its nature and purpose.

When the news is discussed in the context of the Occult, the god known as Hermes or Mercury has to be considered. Papers like the San Jose Mercury News come immediately to mind. Many papers are named the Herald or the Tribune, or in combination as the Herald Tribune. Mercury is the swift winged messenger of the gods and the patron of heralds and tribunes. His winged rod with the winding serpents is the herald's staff. His staff was able to produce an effect known as eye-mazing, which describes the casting of a spell that put people in a slumbering trance-like state. (That spell-binding device is now connected in most peoples minds with medical services. There's a reason for that beyond simple ignorance and confusion with the rod of Asclepius.) When it comes to the reporting of news in this world where the god of this age holds sway, this ancient eye-mazing god is being ritually engaged.

We know that we are of God, and that the whole world lies in the power of the evil one. ~ 1 John 5:19

Hermes or Mercury is also the patron of boundaries and of the travelers who cross them. His evocation in the ritual magick of Code N.E.W.S. is for the breaching of space-time dimensional barriers for the traversing of heavenly and earthly domains.

I referred to Code N.E.W.S. in Part 1 - The London 2012 Olympics: Revisited. The commentator for the 2012 London Olympics Opening Ceremony was giving us the NLP laden prelude to a guided Journey along the Thames, engaging the audience in a space-time manipulation ritual. He spoke of “the man of the hour” who would be striking the bell, saying, “Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.” Papers - implying NEWSpapers. “No Briton has ever done it before,” which is to say that it was the first TIME. “In all the papers all over the world,” - NEWSpapers all over the WORLD. North. East. West. South. World. SPACE.

The presence of Time-Space ritual in connection with NEWS is most evident and the sorcery (pharmakeia) most potent when associated branding imagery contains other symbolic references to time or space-time mastery.

Until recently I couldn't understand the branding of CNN. I knew there was some kind of potent Occult meaning behind the brand imagery of that dominant force in western news. It's Code N.E.W.S. The letters, n, overlap, forming the wave glyph. Water-as-Time. The letter, C, is a homonym of the word, sea, which is filled with water and waves. The watery seas appear in the image of the attending globe, which also evokes the concept of space. The white line running through the red script is the channel where water flows as through a water pipe. In addition to all that, there is what's inherent in the cardinal directions of the acronym of news, and what is new in time.

The parent company of Cable News Network is Turner Broadcasting System (TBS), and TIME Warner. Their slogan is “Go There. This is CNN.” “Go There,” evokes a relocation, transporting us through space-time. According to their own press release copy, “'CNN. Go There.' is the new brand campaign that signifies a commitment to what CNN can and will be. With an unmatched global footprint, CNN has the capabilities to go where no one else can.” So, it signifies a commitment to what CNN can and will be. When? In the future. That time language is paired with equally obvious space language.

These observations I'm making reveal the demonstrated religion of the illumined elite, the expression of the worship of their gods. It's called theurgy. It's a form of ritual magick. It's also called the sorcery or pharmakeia of Mystery Babylon.

Also inherent in the word, NEWS, is Code 47. The gematria of NEWS when A=1 is 14+5+23+19=61 and 6+1=7, a fundamental time number. When Z=1, NEWS is 13+22+4+8= 47. This is the number that evokes the production of Horus in this dimension through the union of Osiris and Isis. It also involves space-time. You can see from this graphic how the time numbers 7 and 12 are inherent in the esoteric 47th Problem of Euclid.

Consider the branding of MSNBC, one of CNN's main competitors in the West. It's the union of NBC and MSN. When they bend the name around the corner it fits perfectly within the 3.4.5 dimensioned right triangle that is the basis for the esoteric 47th Problem of Euclid. I made this graphic. I didn't stretch it in any direction, just resized one relative to the other so we could see how it fits. Oh, my! What an amazing coincidence, right? No. It's not a coincidence. It's evidence of the ritual, supporting through redundancy the Code 47 features of the gematria of the word, news.

The traditional NBC branding is the bird with the colorful feathers. “Proud as a Peacock” is their familiar slogan. The colors of the rainbow are represented in order, in a radial fashion. The colors pictured in their logo are in the sequence expressing movement counter-clockwise, i.e. counter-CLOCKwise. I think they are modeling the face of a clock. The feathers occupy the positions of the hours on the upper half of the face, with the the bird's head straight up at 12 o'clock like hands. With that hour being called out for special attention by use of the different element, the time number 12 is emphasized. The bird's neck and head is the white light that splits into the rainbow. The rainbow is a space-time dimensional construct, a bridging construct. The N at the center of MSNBC's linear logo is given emphasis. The letter, N, is used as a portal or stargate letter. (See this post, Part 29 - Signs of Horus Worship - Nationwide, Jr Nation and Comet Ison) The letter, N, is the 13th from the end of the alphabet. Thrteen, signaling the mastery of time and space-time dimensions.

Another major news source is Fox News. Because of their familiar 21st Century FOX movie animations, we tend to see their beacons of light sweeping the sky in the Fox News logo. One is like the other. A century is a span of TIME lasting 100 years. The number 21 is a time number, the mirror of 12. We don't do this consciously, but our minds automatically scan things to identify relationships, and this provides the possible contexts from which we derive meaning. The process imports the time elements through the connection. I see another clock in their brand imagery, with hands sweeping around the face, and also a sundial with a shadow being cast by the gnomon. Fox is, of course, f=6 o=6 (1+5) x=6 (2+4) Code 666, and they are magnifying the XO MOB.

Superman. I've written many posts in the last 5 years about the Occultism involving this fictional character. Superman is a news reporter in his secret identity as Clark Kent. He works in the big city at a paper called the Daily Planet. Daily Planet. Time + Space. On top of the newspaper's towering skyscraper is their icon, a globe.

What planet has a ring around it? It's not the Earth but Saturn. Saturn, the god of time! Cronus, Chronus or Kronos. The Daily Planet; the planet that rules the “daily,” or time.

In other renderings of the building, the ringed planet appears on top of a pyramid like the obelisk that is the phallus of Osiris, a god of time. In another rendering, the building is composed of four opposing towers, presenting an X form. With the spherical globe, that's the familiar XO form. See the four towers as a modeling of North, East, West and South. N.E.W.S. It's the Daily Planet newspaper building. On top, there's a time ball. Keep that identification in mind. We'll be returning to that concept.

Remember, Superman, the film from 1978 starring Christopher Reeve? He resets time into the past to change the outcome of events. He demonstrates the powers of Saturn that are connected with his alter identity. Here's a clip of the epic scene. clip from Superman (1978) turning back time. Watch for the other time symbols, the water (Hoover Dam) the rocks. Superman demonstrates the meaning of his NEWSpaper's icon, spinning rings around the earth. He turns back time, resetting it in the past. Superman's romantic interests have names with L. L. as their initials. Lois Lane. Lana Lang. (allusion to Fritz Lang and wife Thea von Harbou - Metropolis (1927)) Superman's nemesis was named Lex Luthor. Why all the double L naming? L, is the 12th letter. It factors into the space-time ritual.

To be continued, Lord willing.

The Bicycle as an Occult Symbol

I recently demonstrated how the bicycle is one of the objects used in Occult signaling media to represent heaven's vehicles, which are interdimensional transports for entities that generally appear in bodily forms. I'll be making reference to that post with the assumption that it is fresh in your mind: Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators

The bicycle can be used as a symbol in a biological or metaphysical context where demonic spirit enters or exits a body, where it represents the mechanism or mechanisms of opening the dimensional portals or stargates in the mind. Entheogenic drugs, sexual ritual, trauma inducing or brain wave disrupting stimuli, these are combined in systematic methodologies to bring a person into a dissociative or susceptible trance state. Because that kind of stargate transport mechanism may also be represented by a bicycle, it compares to the symbol of the pine cone or the pineapple that represents the activation of the pineal gland. They signal the bringing of illumination with the knowledge of good and evil.

In the first example, an E.T. movie poster, the imagery attending the flying bicycle supplements and extends the symbolism of the bicycle. The moon is a goddess symbol, and her presence is really necessary for proper theurgic ritual. The feminine connection is easily seen in the word, menstrual, which describes the lunar cycle but is most frequently used with reference to the woman's fertility cycle. The huge full moon provides illumination, and that's symbolic. The pine trees also present both fertility and illumination symbolism. Pine trees bear pine cones, which are the seed. The pine cones are implicit in the picture even though they're not illustrated.

And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. ~ Genesis 1:11

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on. If you're new to this blog, welcome! You may want to explore this series to get a foundation of understanding about The Sodomite Gateway.

In relationship with the fertile female moon, the pine tree is the fertile seed producing male. The pine tree has the phallic form. Ritual celestial sex is pictured by the pine tree touching the moon. There's another key aspect in view. Given that we're being “mooned,” sodomite gateway imagery is evoked as a major mechanism of illumination. While the illumination aspect of the full moon is obvious, in the pine tree symbol it's hidden. It's only revealed when you grasp how the pine cone represent the pineal gland. The full moon and pine tree illumination is emphasized by making them touch because of the added layer of kundalini-pineal illumination. Now, what we're going to discover is how the bicycle symbol compares to that with matching sexual, regenerative and illumination symbolism. We'll see that there's more symbolism involved. The moon is a celestial body, with angelic body connotations, and the pine tree is an evergreen, a symbol of eternal life or immortality. The bodily transformation aspect is also inherent in the symbolic bicycle.

In The Wizard of Oz, as the bicycle turns into a broom, Miss Gulch turns into the Wicked Witch of the West. Bodily transformation occurs, which is a change of garments in code language.

The broomstick-bicycle ridden by the witch has a history in pharmakeia. Witches would and perhaps still do smear entheogenic flight-inducing ointment on a broomstick to use it as an applicator. It is then ridden, as you see in these images. The broom is also used as a ritual phallus for sodomizing, where the broom is “ridden” with or without the “benefit” of pharmakeia. SRA handlers use certain kinds of drugs to encourage dissociation. They also use many kinds of instruments when sodomizing slaves to induce them to “go over the rainbow.” That's the expression Illuminati programmers use to make reference to bringing a slave into a trance state for programming. Technically, that's how Miss Gulch got to Oz on her bicycle, becoming the Wicked Witch of the West. The bicycle is equivalent to the broom.

On one level, see Miss Gulch as the Illuminated and illuminating slave-handler, who operates transdimensional magick as she traumatizes Dorothy. She held Toto captive and was taking him to be destroyed. She used a bicycle-broom to bring trauma - and Dorothy subsequently went over the rainbow. Watch the film and see it unfold from this perspective.

This bicycle-as-broom and as the mechanism of bringing dissociation explains the controversial music video that Queen made for their song, Bicycle Race, from their Jazz album, 1978. “The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was edited or even banned in several countries.” (Wikipedia) The video is suggestive that riding a bicycle is a euphemism for sexual intercourse, but there's a layering that is more esoteric. A sequence is featured where the bicycles are lined up at the starting line and the racers ring their bicycle bells. The bell ringing is a dimensional transit signal that complements that of the bicycle-seat-as-broom applicator of the flying ointment.

The song was written by the band's flamboyant frontman, who went by the name, Freddy Mercury. Mercury = Hermes = Anubis. Wimbledon Stadium is primarily a greyhound racing facility. Fast dogs, like Mercury-Anubis. The music video combines the imagery of the goddess and the psychopomp, leveraging the bicycle-seat-as-broomstick-applicator and flight symbolism. Historically, a stadium (Greek) is where the gods are worshiped with sporting contests. It's a kind of temple, just like with the Olympics. The lyrics are a lot of nonsense unless you interpret them with this understanding.

Here's the lyrics with commentary. The style feature of word association is a simple way to mix and match the symbols without any need for it to make sense to the listener. The themes (even linking 2x the beast with the office of the American Presidency) identify this popular song as a pretty high level bean spilling Illuminati vehicle.

Bicycle Race - Queen

Bicycle bicycle bicycle...
I want to ride my bicycle
I want to ride it where I like [expressing the basic tenet of Aliester Crowley and principle of Thelema - “Do what thou wilt shall be the whole of the Law”]

You say black I say white [knowledge of good and evil - the bicycle riding is how one gets into that illuminated state]
You say bark I say bite [“a dog's bark is worse than his bite” - reference to the dog star Anubis-Sirius - making a greyhound race connection in the music video]
You say shark I say hey man
Jaws was never my scene [flip it - being a predator is his scene]
And I don't like Star Wars [angel wars is his scene]
You say Rolls I say Royce [vehicles driven by the elite, Illuminati - also, their engines powered British aircraft in war time - - angel wars. Their engine names are symbols of the gods: Eagle, Falcon, Hawk, Kestrel (Falcon), Peregrine (Falcon), Goshawk, Buzzard, Vulture. Then, there's the Merlin and Griffon. ]
You say God give me a choice
You say Lord I say Christ [Here's the key. The choice he wanted and promoted is another lord and christ that is not mine. ]
I don't believe in Peter Pan [implying that my Lord is merely fictional]
Frankenstein or Superman [in those classics of fantasy literature may be found the alternate he chose]
All I wanna do is
Bicycle bicycle bicycle...

Bicycle races are coming your way
So forget all your duties oh yeah! [duties = doodys - scatological-defecation - ritual trauma and sodomy bringing dissociation, which makes you forget as you go into trance. The bicycle races are code for the programming rituals.]
Fat bottomed girls they'll be riding today [butt reference]
So look out for those beauties oh yeah
On your marks get set go [marks = the ritual's targeted victims]

Bicycle race bicycle ...

You say coke I say caine [cocaine - pharmakeia - and a naming of the offspring of Eve and the Nachash - Cain is related to his Choice.]
You say John I say Wayne [reference to the baptizer beast, the Papal high priest. John WANE - John 3:30: “He (Jesus) must increase, but I (John the Baptist) must decrease.”]
Hot dog I say cool it man [Enthusiasm for the coming baptism/anointing - phallus of Osiris involved in the regeneration-transit event]
I don't wanna be the President of America [associating the beast with the office of the Presidency]
You say smile I say cheese [wear an insincere face - false identity]
Cartier I say please [Jewelry (Jew-Israel) and timepieces - the time element that is key to the transit!]
Income tax I say Jesus [reference to Judas Iscariot, who was responsible for the finances]
I don't wanna be a candidate
For Vietnam or Watergate [V(ietnam) W(atergate) ~ V W = VVV=666 because V=vav, the 6th letter of the Hebrew alphabet. The signal of the beast and his mark is once more being associated with America and the office of the President.]
Cos all I want to do is
Bicycle ...I want to ride it where I like

The bicycle is featured briefly in Coldplay's “Strawberry Swing” video (@2:09). It appears during a dimensional transit sequence in the context of Illuminati mind control as well as in the baptism of the lawless one. The superhero models an exit from the underworld. He passes by 2 skulls and then a bicycle on his way out. Heads without bodies signal dissociation.

Skulls, like his colorless garment, indicate that he's in the underworld, the place of the dead. It's a resurrection sequence that draws upon the lion-fish as the sea creature that swallowed Jonah, signaling the sign of Jonah. In trauma-based mind control programming, children are bonded to dolls and teddy bears, which (and sometimes pets and people) are then dismembered to create trauma. Mickey Mouse ears are a very common symbol of Illuminati programming. He's inside the GI tract sewer drain pipe and emerges from the man's top hat, which is sodomite gateway imagery. The bicycle symbol has to be interpreted in this context. It's a vehicle for dissociation, for “going over the rainbow.” Related to the broom, it has distinct sexual “ram”-ifications.

Another music video where the bicycle is a dual symbol is Miley Cyrus - We Can't Stop. The exercise bike is leveraged like a regular wheeled bicycle, for dimensional transit and as the dissociative mechanism.

The entheogenic element is obvious as Miley sings these lyrics.

So la da di da di, we like to party
Dancing with Molly [party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop

The expression of Thelema appears like in Queen's Bicycle Race, “I want to ride my bicycle - I want to ride it where I like.”

The obvious pretext of the bicycling is to enlarge her butt for twerking, but it really just accents the ritual sodomy aspect. The illumination wrought is emphasized by comparing her companion's appearance to hers. She is white on white and he is black on black. That's the signal of the knowledge of good and evil - the illumination. He hand signals the Baphomet and wears the logo for Astrid Andersen clothing on his shirt. Astrid ~ Astre or Aster, star. Star = angel. The name, Astrid, means, beautiful or beloved god, divine strength - power of god. The name, Anderson, decodes to son of man. The scene in the exercise room is pretty rich. In the first image, we see Miley, ridding the bicycle as from one dimension (grid) into another (window).

For more decoding of the video, see the following, or search this blog for Miley Cyrus.
Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!

A psychedelic song from a 1968 is about a white bicycle. More of the same. White = divine illumination. The band? Tomorrow. The future, time code. The psychedelic implies the entheogenic, the shamanic journey. The cover art illustrates the kundalini activation enlightenment.

Tomorrow (1968) 'My White Bicycle'

Riding all around the street
Four o'clock and they're all asleep
I'm not tired and it's so late
Moving fast everything looks great. [The ritual is past, ending typically at 3 AM to leverage the 60+60+60 or 666. Everyone has cleaned up and heads for home - but the high persists]

See that man, he's all alone
Looks so happy but he's far from home [Dissociated - the core persona is sad and isolated, trapped, but there's a happy face front alter]
I ring my bell, smile at him [The handler's voice - dimensional transit - gone to that happy place over the rainbow]
Then I kick over his garbage bin [butt trauma - ritual sodomy]

The rain comes down but I don't care [the rain man - the sodomizer]
The wind is blowing in my hair
Seagulls flying in the air [Dissociated, in the trance state. Wind = spirit and seagulls are unclean birds, demons.]

The lamppost hangs, his hand in space
shines no light upon my face [The face behind the mask of the front alter is buried within.]
Through the darkness we still see
My white bicycle and me [The third eye, inner vision, astral projection and remote viewing]

Policeman shouts but I don't see him
They're one thing I don't believe in [another authority has control]
He'll find some charge but it's not theivin' [in the context of the ritual, “charged” objects have resident spirit empowering them, like the slave.]

The lyrics naming the lamppost and policeman allude to a familiar classic. “Daisy Bell” is obviously code for the goddess of love who fires the darts. The bicycle built for two is the sexual vehicle that facilitates ascent into the realm of the half-crazy.

Bicycle Built For Two

There is a flower
Within my heart,
Daisy, Daisy!
Planted one day
By a glancing dart,
Planted by Daisy Bell!
Whether she loves me
Or loves me not,
Sometimes it's hard to tell;
Yet I am longing to share the lot -
Of beautiful Daisy Bell!

Daisy, Daisy,
Give me your answer do.
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle built for two.

We will go 'tandem'
As man and wife,
Daisy, Daisy!
'Peddling' away
Down the road of life,
I and my Daisy Bell!
When the road's dark
We can both despise
P'licemen and 'lamps' as well;
There are 'bright lights'
In the dazzling eyes
Of beautiful Daisy Bell!

Daisy, Daisy,
Give me your answer do!
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle made for two.

I will stand by you
In 'wheel' or woe,
Daisy, Daisy!
You'll be the bell(e)
Which I'll ring you know!
Sweet little Daisy Bell!
You'll take the 'lead'
In each 'trip' we take,
Then if I don't do well,
I will permit you to
Use the brake,
My beautiful Daisy Bell!

Queen's Freddy Mercury was illuminated. He knew things, making reference to the classics to leverage and extend their Occult imagery. It's theurgy. Yes, all this has been going on for a very long time - certainly predating the invention of the bicycle.

When the subject of bicycle races comes up, sooner or later the most famous one will probably be mentioned: The Tour de France. The organizer's logo makes it evident that they're on to the plot. The stylized title pictures a bicycle being raced. The wheels are sun wheels. It's Apollo's sky chariot being ridden across the sky. One wheel is the ancient dot in circle symbol of the sun, which is also a male-inside-female reproductive symbol. The other is the orange circle. The circumference crosses the R, making it an Rx or eye of Horus and prescription or pharmakeia symbol. The big controversy about the race usually involves doping. There's a theme. Opposite the R and connected through the circle of the orange sun is the letter e. The sun god is Re. The centennial anniversary poster shows the bicycle racing through time, in a Fibonacci goddess spiral.

Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators

Series Links: Decoding “The Penitent Man”

Bicycle and basket symbolism is pretty well established in the media industry. Bicycles represent heaven's vehicles, UFO craft, and also the ritual sexual activity of trauma-based mind control programming. Those at the scene of the Pretty Parlor picture heaven's vehicles, which are used to traverse between dimensions. Baskets are related, representing transport containers, for both crew and cargo. You'll find a good foundation for understanding their role in these last days in this study, Heaven's Vehicles.

This movie poster features the iconic getaway scene from E.T. the Extra-Terrestrial (1982). The alien is inside the basket as the boy pedals the bicycle through the heavens. The audience understands that the E.T. inside the basket is providing the magic or mentally influencing the physics that enables the bicycle's flight. He's the acting psychopomp. The presence of the facilitating goddess appears as the symbolic identity of the moon. It's given plenty of emphasis, and her light bathes the scene.

The symbols in E.T. probably borrow from The Wizard of Oz, a film that is well referenced in this scene from The Penitent Man. The antagonist, Miss Gulch, rides a bicycle with a basket on it. In this sequence of screenshots we can see her outside the window of Dorothy's bedroom as she and Toto are whisked away to Oz. The house is inside a cyclone in a scene I decode here as the transiting of the celestial Silver Gate: Part 10 - Celestial Stargates - 11:11 Ritual.

Miss Gulch turns into the Wicked Witch of the West. Notice how the bicycle becomes the witch's broom. These are used to fly through the heavens. Combined with the whirlwind, this is potent imagery.

The basket on Miss Gulch's bicycle represents a dimensional container, a special compartment that is used for transport. Think Zechariah 5, where the woman was carried in an ephah-basket.

5 Then the angel who was speaking to me came forward and said to me, “Look up and see what is appearing.” 6 I asked, “What is it?” He replied, “It is a basket.” And he added, “This is the iniquity of the people throughout the land.” 7 Then the cover of lead was raised, and there in the basket sat a woman! 8 He said, “This is wickedness,” and he pushed her back into the basket and pushed its lead cover down on it. 9 Then I looked up—and there before me were two women, with the wind in their wings! They had wings like those of a stork, and they lifted up the basket between heaven and earth. 10 “Where are they taking the basket?” I asked the angel who was speaking to me. 11 He replied, “To the country of Babylonia to build a house for it. When the house is ready, the basket will be set there in its place.” ~ Zechariah 5:5-11 (NIV)

I referenced that passage earlier when I described the baskets of vintage clothing on the Pretty Parlor's patio table. The vintage clothing represents beings in other-dimensional bodies. They are contained within the baskets for transport. Dorothy's dog Toto was put inside Miss Gulch's basket. When she put the basket with Toto inside on her bicycle and rode away, a theurgic ritual manifested, one that was recreated for E.T.'s iconic scene. Toto, the E.T. alien Anubis, who facilitates the flying bicycle stargate transit. Note the hoop-arch dimensional portal form of the handle - and of the lid or door.

During the Wizard of Oz, Toto is seen to leap from three different baskets, and in each case, that action signals a stargate transit. The first instance is when he leaps out of the basket to the ground while Miss Gulch is riding her bicycle down the road. The exit is related to the leaping or falling off of a pedestal, where gravity acting over a distance appears to be the stargate imagery of significance. We next see Toto leap from a basket and off a pedestal when he escapes from the Witch's castle.

In the third instance, Toto is with Dorothy and the wizard in the basket of his hot air balloon. Toto isn't inside a picnic basket this time but he is inside the balloon's basket. He growls at a Siamese cat held nearby and leaps out of the basket and off the raised platform-pedestal, to signal another transit event. (Siamese - Twins - Gemini - Silver Gate) Dorothy follows, joining him in transit. The wizard then ascends in the basket of the balloon, making yet another dimensional transit because he's heading for home, and that's how he got to Oz in the first place.

Hot air balloons that are used as unpowered airships have baskets called gondolas. Powered airships like blimps and zeppelins also convey their crew and cargo inside gondolas. These constructs are sometimes featured in media where they represent transdimensional vehicles. In the TV series, Fringe, airships with gondolas fill the skies of the alternate universe. That imagery was used to alert the viewer that the scene has changed from taking place in our universe to the alternate. A zeppelin is featured in the film, Sky Captain and the World of Tomorrow (2004). This CosmicCatacombs reviewer called the style of the film, retrofuturism. Retrofuturism is a bridging of time-space that joins the past and future together in the present. In the “real world,” this gondola symbolism is leveraged by the Hermes-Mercury-Anubis branded Goodyear blimp, which is a very familiar sight to most of us. The reason for that is the ritual magick that involves the eye-mazing wand, the caduceus. Other gondolas, including the Venetian rowing boats themselves, are also used to represent the crew and cargo containers of transdimensional vehicles. The London Eye, like all Ferris wheels, has gondolas, and note well that the iconic ride is set upon the bank of the Thames-Isis.

Elevators are like gondolas that ascend and descend. The one in The Penitent Man's lobby at the Biltmore signaled another stargate transit, and the elevator is used in many films and TV shows in the same way. Are you familiar with Willy Wonka & the Chocolate Factory? Willy Wonka said, “An elevator can only go up and down, but a Wonkavator goes sideways and slantways and longways and backways and frontways and squareways and any other ways that you can think of...” A similar dimensional compartment transport is leveraged in this Heineken commercial, The City. The, “Eve,” closing scene with the star-red star goddess transition is priceless.

Trains, cable cars, buses, bicycles, baskets, gondolas, whirlwinds, elevators, phone booths, terrariums... Sometimes, the industry presents the “alien” vehicles openly in the form of flying saucers and such, but the role of their own vehicles is far too important to neglect using secret symbols to advance their Occult scheme.

What is it about the bicycle in particular that makes it such a fit symbol? Many have bells on them, which, like those on the fringe of the High Priest of Israel's garment, are for entering into the presence of the divine. Their spoked wheels present us with the ancient rayed symbol of the sun and sun god, and the medicine wheel and calendar wheel, a circle of time. The spoked wheel may be used to complement other layers of symbolsim by signaling pi or the Star of Ishtar or the sodomite gateway (like tires of every kind). Because of how transiting vehicles are often pictured as vogue, being rowing, sailed or paddled, the fact that pedaling provides the motive power probably factors in. Perhaps the main reason why bicycles are such a fit symbol for heaven's vehicles is because they have 2 wheels. The vehicle throne of God that is described in Ezekiel features 4 “bicycles,” after a fashion.

15 Now as I looked at the living beings, behold, there was one wheel on the earth beside the living beings, for each of the four of them. 16 The appearance of the wheels and their workmanship was like sparkling beryl, and all four of them had the same form, their appearance and workmanship being as if one wheel were within another. 17 Whenever they moved, they moved in any of their four directions without turning as they moved. ~ Ezekiel 1:15-17

A wheel within a wheel is a 2 wheeled construct, technically, a bicycle, even though the wheels of the throne vehicle aren't configured in the familiar way. The cover art for “The Time Machine” edition of Classics Illustrated (1956) obviously grasped the concept. The folks who designed the vehicles you see in the poster for MIB3 illustrate another version.

The time travel that took place during the MIB3 film wasn't done using these vehicles, but in another scene they demonstrate their understanding of the wheel-within-a-wheel celestial chariot concept to us as the MIB ride around a special globe at night. The globe features rings representing the paths of orbiting celestial bodies.

With the water of the fountain, allusion is made to the waters that are above and below the expanse called heaven (Genesis 1:6-10). The wheel-within-a-wheel “bicycle” is used to navigate the heavens. It's a space ship, a flying saucer, one of heaven's vehicles akin to the throne of god, a chariot of the gods.

That style of bicycle has been used for mass ceremonial entertainments, like during the opening and closing of recent Olympic Games. Here's a picture of one from Beijing, 2008. The vehicle was used to represent an egg in a massive scale fertility ritual. Eight eggs were fertilized in a conception scene, set within a celestial-supernatural context that centered on the baptism and anointing of the lawless one. That scene was very personally significant because the Lord used it to lead me down this path of interpreting symbolism on a greatly expanded scale.

During Beijing's London Ceremony, three ordinary bicycles were ridden alongside a different kind of vehicle, a red bus, which had a key symbolic role as a heavenly throne. The ordinary bicycles traveled with the celestial throne vehicle so they were obviously passing through the heavens in the same manner. London's iconic double-decker bus was used to convey the gods and goddesses who were involved with the revealing of the lawless one, and very specific sequences were presented to model their ascent and descent. When the bus stopped at the bus stop, the bicyclists rode through without stopping.

The bus was labeled, London 2012, and we saw it arrive in Beijing in 2008. It ritually traversed time-space, arriving as from the future, then returning home after its mission had been accomplished. “To London - 2012,” the bus stop sign reads. A place. And, a time. The bus stop sign features a simple image of the classic flying saucer. The three bicycles that attended its arrival were following a star, according to the very subtle clues provided during that incredibly richly layered Occult ritual. (Olympic Ceremony Symbolism - Part Three)

Before moving on to more bicycle imagery I should make a few more observations from the scene of the transits at the Pretty Parlor. (No, I really wasn't done yet. ;)) I should mention some other shows like The Matrix that use the phone booth for dimensional travel or transformation: Dr Who (the Time Lord), Bill & Ted's Excellent Adventure (1989) and Superman.

The red octagonal “goddess” stop sign is used for traffic control. In the context, its for regulating interdimensional traffic, of course. There's another kind of vehicle in the stargate alignments that I neglected to mention, a car that travels the streets where vehicular traffic is symbolically controlled by the goddess.

At the Pretty Parlor, there are three bicycles, just like how there were three in Beijing's London Ceremony. In this screenshot, all three overlap. There's a vesica piscis included in the stargate transit alignments described in the previous post, which adds another notable layer of Osiris+Isis=Horus imagery. All three bicycles actually overlap inside that vesica piscis, creating an asymmetrical triquetra from the wheels involved. Triple goddess, maiden, mother crone? Triple helix DNA? Probably, yes, and yes.

See the curbing at the edge of the street? Like a hedgerow to a hedgewitch, the curb represents a dimensional barrier in the context of being traversed. Both Pyatt and Darnell hop the curb and cross the street in this sequence.

Remember Coldplay's video of Strawberry Swing? The curbing at the Pretty Parlor compares to the curbing at the bottom of the pavement layer of that stage set. In this screenshot, Chris Martin, the superhero, passes a bicycle as he models a dimensional transit. He makes crawling poses that look like he's racing a bicycle when he makes his exit through the underworld pipe. It looks like he's riding at night with the headlight on. He had already passed by two other objects, a skull and then another skull with Mickey Mouse ears. These three objects are actually related to each other as mind-control imagery, which I'll be addressing shortly.

Beyond that of the bicycle are other symbols shared between Strawberry Swing and the whirlwind transit scene of the Wizard of Oz. In the heavenly abode of the sky-god-squirrel, Chris sneaks past a rocking chair. Auntie Em flies by in the twister in her rocking chair. How vogue! Vogue, also means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Two farm hands can be seen sailing along in the whirlwind, rowing a boat across the sky. Chris Martin paddles a cloud up to the sky castle. Same difference. Some goddess symbols appear separately: A complete tree with roots included; the rooster with the henhouse pyramid (herald of the dawn of the sun god - a showy keeper of time); a dairy cow. Broken pieces of fencing are see flying by because the dimensional boundary is being breached.

Another film that presents the bicycle in a conspicuous way is all about breaching time-space. The plot device in the film, Supercollider (2013), involves the opening of a time portal with a supercollider that is obviously based on the CERN LHC. The opening scene is set at a stepped temple kind of area where the rider of a purple rimmed bicycle leaps into the air.

Signs of dimensional transits appear scattered throughout the film, howbeit not very expertly. A picture of Kiev is featured with a bridge that speaks to me of the kingdom viaduct, the mecillah and stargate. Inside the supercollider's control room, we see the sign, Zero Point, which makes reference to the energy that the collider research is intending to produce. Zero point energy is connected with propulsion systems that derive their energy as from another dimension. Near the sign we see a stuffed dog, signaling Anubis, the dog star, and nearby there is a flower in a vase shown to signal the requisite presence of the goddess. The youth gathered at the “step-temple” where the stunt bike riding is done seem to be doing what unsupervised youth do when they congregate, with hints of substance abuse / entheogenic activity.

With that, I close here with the intent to present examples in another post of the bicycle as a symbol of how the dimensional barrier is breached by other means.