Part 10 - Signs of Horus Worship - DC and HORUS Whores in the Capitol

Series Links: Signs of Horus Worship

A few days ago I posted a link to a news article (to the Notable Stuff section of this blog's side bar) about the US House of Representatives and the accepted level of corruption that goes without general acknowledgement. The members of the House are as harlots, selling themselves in the marketplace, so I retitled the link more appropriately to, House of Representatives = wHORes

I have further noted how the acronym HORUS appears in their title, only very minimally scrambled. Their anal eye of Horus and Capitol Dome brand imagery is the perfect complement. House of Representatives, United States = HORUS.

I've written on occasion about how the Capitol Dome as the womb of Isis is mating very literally, by ceremonial magick, with the Washington Monument, the obelisk and phallus of Osiris. This ritual sex magick is for the manifestation of Horus in the earth, and it's in that very location where the HORUS is found, the House of Representatives, United States! This is operative and symbolic at the same time.

The representation of Capitol Hill as the owl seen in any overhead view identifies that owl as another image of Horus. Call it the Amarucan Eagle and you'll have the equation.

These features are evidence of the worship of Horus and represent the modern expression of the ancient Egyptian magick.

So, sometimes the name of the sun god is concealed as an acronym, sometimes it's in word symbols like “studio,” spelled out openly in iPhone operating systems (iOS), and sometimes it's just reversed. SUROH = HORUS.

The designation of where the HoR, US is located, the District of Columbia, is another sign of Horus worship, with the shorthand DC expressing it very simply. With DC representing the 4th and 3rd letters of the alphabet, the reference to the esoteric Pythagorean triple 3.4.5 should by now be quickly recognized. DC signals the union of Isis and Osiris that produces Horus.

Washington DC is the more complete expression that identifies Washington as the Horus identity, and the underside of the Capitol Dome provides a witness to that in Brumidi's scene of the Apotheosis of Washington. It's not George Washington or Hiram Abiff whose apotheosis is really in view. It's about the raising of Horus as the Beast in the concrete expression of the union of Osiris and Isis. More confirmation of the Washington identity appears in the Washington Monument. This is the phallus of Osiris, so Washington represents the resurrecting Osiris manifesting as Horus. The dimensions of the Monument are telling. The 555 is the Horus number 5 repeating the number of resurrection, 3 times. The 666 identifies it with the beast and his mark. The pyramid capstone expresses the esoteric 3.4.5 solution to the 47th Problem of Euclid. Most folks will dismiss this collection of observed facts as following from mythical and figurative artistic expressions, but watch and see what comes of it.

DC is leveraged by DC Comics, responsible for Superman and the TV series Arrow.

One of their fictional goddess heroines is branded with the winged disk, which I've written about numerous times. See Wonder Woman as Isis with a golden Code 33 symbol.

DC Shoes is a pretty major DC brand. The seven pointed star is what I believe refers to Apollo as Alcyone of the Pleiades in Taurus. The Isis feminine appears in the vesica piscis-like intersection. Code 33 is signaled in the outline of the framing top and bottom. I believe the opened D imparts magickal balancing. The registered trademark signals Harmerty as matching to the oval Eye of Horus produced in the union of Osiris-3-C and Isis-4-D.

Call of Duty is a CD, equivalent to the DC. It's got the union Osiris and Isis production of Horus with evident Duty-as-doody metaphor, as exploited in Disney's Wreck-It Ralph. The MW is Code 33, with both characters being of the rotated numeral 3 kind.


The DC is more subtly leveraged in this ad for Bethel College. Spirited Connections. You get what the spirited connection really is here, right? D union C. Bethel - the house of God. That's Horus, folks. That's their brand identity. Read it for yourself.

WHAT?!?! 22 Mummies - 22-ships convoy - 12 and 22 in Covid news - and with "Time is Running Out" in ad

Our latest video has been published, featuring:
Updates to The Open Scroll
22 Mummies paraded through Cairo
Tankers "in 22-ships convoy" aground in Suez Canal
Modlily ad: "Time is Running Out!" featuring 12 and 22 with Code 666
"Confirmation of reset positive with 12 and 22" (news of Hanna Greene)
300 year old prophecy by influential Rabbi points to sign of (false) Messiah's arrival
Aaron reads Psalm 61

WHAT?!?! 22 Mummies - 22-ships convoy - 12 and 22 in Covid news AND in "Time is Running Out" ad


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Part 21 - Code 33 - Continuum on SyFy and the CBS Eye

Series Links: Code 33

Picking up where right we left off, sometimes the appearance of KC will be more subtle, as in the naming of a character Kasey or Casey. The name may also have the acronym KC, like with the CK of Clark Kent, Superman's cover identity. (Part 19) An example is found in the SyFy channel's current series, Continuum. This Canadian series stars actress Rachel Nichols in the role of a female “supersoldier” (Beta-Delta programming) from the future named Kiera Cameron. The Code 33 theme of the Illuminati programming of deadly agents is central to the show as it pivots around various agendas and ops being carried out. An entire blog could be devoted to the show's symbolism, but this one won't be because there's other ground to cover.

The character upon whom KC must depend upon is from “the past” who also lives in her future time. Played by Erik Knudsen, the character's name is Alec Sadler. It's not hard to recognize this cryptic reference to Alexander, as in “the Great.” This key historical character is seen by some as Apollyon the destroyer, a Horus identity. He may well be a king described in the seventeenth chapter of the book of Revelation, verses 8-11 as the one who was and is not, yet will come.

The show's name makes reference to the continuum of time and history that is a framework exploited as the central plot device.

time - the continuum of experience in which events pass from the future through the present to the past
history - the continuum of events occurring in succession leading from the past to the present and even into the future; "all of human history"
(Based on WordNet 3.0)

I've been watching the show with interest because this plays upon aspects of how the Adversary actually works his schemes. The blurb on the Season One DVD packaging reads: “CONTROL the PAST - SAVE the FUTURE.” This description of the show is really a concise summary of the Adversary's operative plan! This a really big deal that I'll explain more about shortly, after addressing some of the imagery.

By making all the letters in the blurb upper-case except for the two words “the,” attention is drawn to them as a redundant signaling of 33 (t+h+e ~ 20+8+5). The wordmark title of the show features a stylized letter O that generates several layers of Occult symbolism. First, the alignment of the doubled letter presents the intersection of two circles. With that, another very subtle 33 is formed as one 3 appears at the right edge with a mirrored version opposite. I see one more 33 appearing in the WM, both of which letters rotate to produce a 3. What's that? There's no WM in Continuum? Look above Kiera's head. Double U M.

Continuum is one of a small number of words spelled with consecutive letters “U.” With an awareness of how the letter u can be assigned the value of 6 and of how a trio of them may be leveraged to signal the mark of the beast, we cast a suspicious glance at the stylized O. Can you see that as another letter U, with the stretching of the sides lent by the doubling and a little erasure of the superfluous bits? UUU=666.

That this triple U feature is valid and intentional becomes rather obvious when considering the title with this revised spelling. The first 4 letters now make a crude reference to the female genitalia. The stylized form of the intersecting letters suggests the vesica piscis that is symbolic of the same reproductive anatomy. The word in crude popular usage makes reference to certain gender specific behaviors, which some may see as descriptive of the lead character.

Kiera Cameron may be seen in the role of Isis because her continual motivation involves her young son, whom she leaves when she is taken from her present into the past. What this is telling us is that her identity, how she sees herself, is as a mother. The thing about Isis is primarily that she regenerates and mates with Osiris to produce a son, Horus. Sam is probably short for Samuel, which means, “Name of God” or “God has heard.”

The stylized O presents a version of the vesica piscis that is reclined when compared to the usual orientation. This has been used by the CBS network to craft their familiar all seeing eye. On the DVD packaging the eye is emphasized as the Eye of Horus by spelling “Helios” in close proximity. Helios = IO ~ 10 “All 10 Episodes”

I'm going to take this opportunity to shine some real light on the dark eye of CBS, featuring this particularly useful imagery from the website of a sub-brand. “OUTDOOR” is a codeword for the anus and a reference to ritual sodomy, as illustrated by Led Zeppelin when they titled an album, “In Through the Out Door.” That's the Horus Eye that is the brand identity for CBS. Their eye on the world is superficially the camera lens through which the news and other content is brought to the network's viewers. The Occult meaning is that it is the Eye of Horus.

“...Always ON.” (There's the familiar “power button” kind of signal) It's the ancient Egyptian city of “ON” aka “Heliopolis.” The subtle reflections signal the Hermetic Maxim and provides for the inherent magickal dynamic of the symbol, making it so: As Above, So Below.

That Maxim is invoked in this ad for the premiere of Continuum. We see the 2012 city of Vancouver, BC, basically, today. Reflecting in the water is the city of 2077, the future. It's a kind of Rosetta Stone, guiding us to an interpretation the two intersecting circles in the title. The upper circle is 2012, the present world. The lower circle is the future, world, 2077. This is a symbol of the continuum of time and history.

Since this is all about the continuum, I see the setting of Vancouver, BC as a reference to the BC that used to be in popular use as a calendar reference, meaning: Before Christ. There is most definitely a messianic angle here in the Code 33 rich environment! Horus! The sun god king who was and is not, and yet will come.

(Wikipedia) “Every episode begins with the plot of the show narrated by a Voiceover from the POV of Kiera Cameron.

2077. My time, my city, my family. When terrorists killed thousands of innocents, they were condemned to die. They had other plans. A time travel device sent us all back 65 years. I want to get home but I can't be sure what I will return to if history is changed. Their plan, to corrupt and control the present in order to win the future. What they didn't plan on was me!”

This premise is not unlike the io9 brand. (i=9 o=15 so io9 = 9+15+9 = 33) “WE COME FROM THE FUTURE.” (search this blog for more insight into this brand imagery)

“Their plan, to corrupt and control the present in order to win the future.” “CONTROL the PAST - SAVE the FUTURE.” As I mentioned earlier, this is really a concise summary of the Adversary's operative plan. If your eyes have been opening to see the symbols testifying to the control exercised over our present world by the Horus worshiping elite and their mind controlled slaves, you need no further demonstration of that operative principle. I've written on occasion about time missions being appointed, about clockwork angels, time truncation and such. Aaron and I are so grateful to know that those who are involved are being well prepared for special ops on this peculiar mission field!

God will shorten time because if He doesn't all flesh would be lost, not saved. This will not come as a necessary benefit for the elect, as some suppose. He's rather enlisting the elect to be His special agents, to be commissioned for the shortening of those days.

And if those days were not shortened, no flesh would have been saved; but because of the chosen, shall those days be shortened. ~ Matthew 24:22 (YLT)

Shhhhh. This is above top secret. :)

The Devil has big game. He still loses.

I'm convinced that a huge exhibition of “controlling the past to save the future” is going to come in 2015, according to the declaration of 2 Thessalonians 2:2. This grandest of extravaganzas will be a deception to the effect that the day of the Lord has come, and the evidence and circumstance will be very, very, very nearly undeniable. Watch and see.

Part 5 - On Twelves and Thirteens - Signs of Time and its Mastery

Series Links: On Twelves and Thirteens - Signs of Time and its Mastery

There are still more exhibits that really speak to us on this theme.

As I wrote recently, “Verse 9 of Joshua 4 declares that these 12 stones from the promised land were set up by Joshua. Joshua was the 13th stone mover in the ritual because 12 other men had each removed one stone.” It was Joshua who was leading Israel, demonstrating the function of the 13th with mastery over the 12 tribes. (A stone does represent a tribe, and that is one of the identifications that should be kept in mind. )

Now, when Joshua led Israel in the taking of Jericho we see another remarkable expression of mastery over space-time in a 13th.

6:1 Now Jericho was tightly shut because of the sons of Israel; no one went out and no one came in. 2 The Lord said to Joshua, “See, I have given Jericho into your hand, with its king and the valiant warriors. 3 You shall march around the city, all the men of war circling the city once. You shall do so for six days. 4 Also seven priests shall carry seven trumpets of rams’ horns before the ark; then on the seventh day you shall march around the city seven times, and the priests shall blow the trumpets. 5 It shall be that when they make a long blast with the ram’s horn, and when you hear the sound of the trumpet, all the people shall shout with a great shout; and the wall of the city will fall down flat, and the people will go up every man straight ahead.” ~ Joshua 6:1-5

And so it came to pass. Let's do the math. One lap for each of 6 consecutive days followed by 7 on the 7th day makes 13 laps in total. When the 13th lap was complete, the walls fell flat. How does that happen, meanwhile protecting a family that lived in the wall? It's a miracle, sure, and one that involved a dramatic manipulation of space-time. Make note, it's in the context of war. Time war, fought over space-time domain. Circling the city, enclosing in a circle of time. Jericho had been tightly shut, sealed. My God invented ritual, and what things are done at His direction accomplish His good pleasure, and this brings victory for the obedient. It's not magick - it's according to The Truth and genuine love, faith and hope!

Let's do some more math.

One lap around the city revolved through 360 degrees or 12*30. The entire ritual had all the men of war of the “time” people Israel revolving through 13*360 or 4680 degrees. The time+distance ritual was particularly divided, so if we consider the first part we have 6*360 or 2160 degrees. The second part produces 7*360 or 2520 degrees. These numbers are naturally derived from the ritual and are very special numbers!

2160 = 6*6*6*10.

If you give Code 666 a broad consideration you're going to have to take this into account. It's not all about the mark of the beast because there's a deeper foundation that involves space-time bridging, heaven and earth, spirit and flesh. The number 216 has a special geometric feature in that it's the smallest cube that's also the sum of three cubes. 3^3 + 4^3 + 5^3 = 6^3. Three cubed plus four cubed plus five cubed equals six cubed. This observation is noted in Plato's dialogue, the Republic, and 216 is generally considered to be Plato's number, the number he meant in his cryptic description.

In that equation of the summed cubes you should note the familiar digits of the Pythagorean triple of Euclid's 47th Problem. Euclid, author of Elements, was a student of Plato's work. In that 2D geometrical problem, the squares of the digits are represented in a proof of the Pythagorean Theorem involving area. If you raise this geometrical construction one dimension from 2D to 3D, where the areas of the squares become cubes that represent volumes, the picture becomes really interesting. The base 3.4.5 triangle is the smallest integer representation of the right triangle, and 216 is the volume of the smallest cube that's also the sum of three cubes, and that has the same numbers as a basis. Those who like to flaunt their knowledge of geometry and space-time embed instances of 666 and 3.4.5 and 47 over and over again, with imagery of squares, cubes, circles, spheres, triangles and pyramids, and the tools of their construction; squares and compasses. These express the knowledge of the illuminated ancients. Secrets of heaven were and still appear to be taught by fallen angels. But, who knows the best secrets of heaven but the sovereign Creator Himself, who conceals and reveals all things as it pleases Him. It seems likely to me that each instance of Code 47 features an inherent symbol of time (as I already illustrated), and further invokes space-time in the volume with a 216 or 6*6*6 suggested in raising it up another dimension. Esoterically, the 47th Problem suggests the ritual invocation of Horus in this space-time dimension, and the esoteric calculation of Revelation 13:18. That's chapter thirteen. And, yes, 18 is 6+6+6.

Here is the wisdom! He who is having the understanding, let him count the number of the beast, for the number of a man it is, and its number [is] 666. ~ Revelation 13:18 (YLT)

As for dealings with volume measurements, that's something we've been very curious about in recent weeks. Think of the 12 stones taken out of the Jordan when Israel had crossed over, and 12 others were put back in. Aaron had a puzzling dream last year which the Lord has brought to our minds for discussion many times since. One of the declarations he heard as we were being washed out of a building in a second wave of water was, Displaced by water and time. Then he heard, God will make a place for us. Volume. Time displacement. Space time ark. Time mission.

Have you seen the movie, “Pi”? Kabbalists and other very obsessive Occultists claim that 216 is the numerical value of Gevurah, the fifth sephirot in the kabbalistic tree of life, and the sum of the letters in God's 72 hidden names. The Shemhamphorash. Since the Devil doesn't make counterfeit 216 dollar bills, there's probably some underlying secret of heaven being exploited. That's an interpretation of the first 6 days of the ritual.

An interpretation of the 7th day's ritual involves the number 2520, but let's first consider the redundant appearance of the number 7. Seven revolutions on the seventh day. Seven priests blowing seven horns. By extension, the redundancy might be taken to suggest multiplying the number to produce 7 squared or 49, and it follows that 4+9=13 in a production of another 13, but let's fix our attention on the number that is naturally produced in the circling around the city. The familiar 2520 produced by the 13*360 factors out to 12*21*10. The mirrored time numbers, amplified! This number is famously produced in a biblical account where another wall was involved in a miraculous sign, in the context of war and an epic defeat. The 5th chapter of Daniel gives the account.

5:1 Belshazzar the king held a great feast for a thousand of his nobles, and he was drinking wine in the presence of the thousand. 2 When Belshazzar tasted the wine, he gave orders to bring the gold and silver vessels which Nebuchadnezzar his father had taken out of the temple which was in Jerusalem, so that the king and his nobles, his wives and his concubines might drink from them. 3 Then they brought the gold vessels that had been taken out of the temple, the house of God which was in Jerusalem; and the king and his nobles, his wives and his concubines drank from them. 4 They drank the wine and praised the gods of gold and silver, of bronze, iron, wood and stone. 5 Suddenly the fingers of a man’s hand emerged and began writing opposite the lampstand on the plaster of the wall of the king’s palace, and the king saw the back of the hand that did the writing. 6 Then the king’s face grew pale and his thoughts alarmed him, and his hip joints went slack and his knees began knocking together. ~

So, Jerusalem's Temple factors in, which functions as “the temple at the center of time.” The kingdom's wise men were called in to divine the meaning, and on their failure, the prophet Daniel was brought before the king. The Lord brought the sign and its interpretation

22 Yet you, his son, Belshazzar, have not humbled your heart, even though you knew all this, 23 but you have exalted yourself against the Lord of heaven; and they have brought the vessels of His house before you, and you and your nobles, your wives and your concubines have been drinking wine from them; and you have praised the gods of silver and gold, of bronze, iron, wood and stone, which do not see, hear or understand. But the God in whose hand are your life-breath and all your ways, you have not glorified. 24 Then the hand was sent from Him and this inscription was written out. 25 Now this is the inscription that was written out: 'MENE, MENE, TEKEL, UPHARSIN.' 26 This is the interpretation of the message: ‘MENE’—God has numbered your kingdom and put an end to it. 27 ‘TEKEL’—you have been weighed on the scales and found deficient. 28 ‘PERES’—your kingdom has been divided and given over to the Medes and Persians.” ~ Daniel 5:22-28

Daniel brings forth an interpretation, and the judgment pronounced was manifest immediately. Verse 26 speaks loudly about the numbering that pertains to an end of a domain of authority.

“MENE, MENE, TEKEL, UPHARSIN” is the terminology of the monetary system of the day. Money. It's an amount equivalent to 2,520 gerahs. There's that number again that factors out to 12*21*10, the mirrored time numbers, amplified! As it has long been said, Time is Money - and money, conversely, is TIME! Belshazzar's time was up, his reign was finished.

While the writing was being interpreted to the king, Cyrus of the Medes and Persians secretly gained access through the city of Babylon's water (as time) supply. He had been manipulating the rivers of the region. “(1.190) Having, however, thus wreaked his vengeance on the Gyndes, by dispersing it through three hundred and sixty channels, Cyrus, with the first approach of the ensuing spring, marched forward against Babylon.” (Cyrus takes Babylon: Herodotus) Dividing a river into 360 channels? Why would he do that? Why, indeed! Water as Time, the circle of time in 360 degrees. He also manipulated the flow of the Euphrates, which enabled his army to easily penetrate the city's defenses. The army entered through the unrestricted riverbed where water still flowed, breaching the walled city through the water gates. Control of water in warfare signals time as a weapon in multidimensional domains.

There is insight to be had in comparing the fall of Jericho with the fall of Babylon, where there are several similar features. The common 2520 feature is certainly a key space-time connection. We can take, key, rather literally, as it pertains to the breaching of the walls of defended zones.

It should at least be mentioned here that the book of Daniel famously describes time in sets of sevens, and some consider a prophetic year to be one of 360 day duration. There are 2520 days in 7 years of 360 day length.

With regard to Jericho's ritual, the full number produced by the encirclings of Jericho is 13*360 or 4680 degrees. Aside from the evident and important signaling of the mastery of time-circles, I note that the number is 468 times 10, and 468 is the sum of 10 consecutive primes, which is rare. (29 + 31 + 37 + 41 + 43 + 47 + 53 + 59 + 61 + 67) What that might mean on an esoteric level, I don't know.

About the number 2520, it's now become very personal to me. Aaron and I have been witnessing signs frequently and regularly that often affirm points we've been making or are about to make on this blog. Some come via dreams or visions and some just while wide awake, through different kinds of events and observations. I was using the English gematria calculator on September 3rd to explore some things the Lord was bringing on a space-time topic. (Code: NEWS as an acronym of North East West South.) I plugged in my name to calculate the value. ROBERTWILLIAMSCHLENKER = 252 which is 12*21. The mirrored time numbers! The next day, on 9/4, I had a vision shortly after laying down for a nap. I was sound asleep, but suddenly I had to open my eyes - and, as I was about to do so, I was suddenly very alert, thinking very distinctly in forming the words that, I have to open my eyes. As they open, I was immediately focusing on the digital alarm clock showing 2:52. I flash to the numbering of my name from the previous day's discovery. Wow! OK. I thought, I should take a picture of that, but then thought, no, by the time I get the camera booted up the minute will surely have passed. The next time I was alert I checked the time, 3:33. Okay. I see that's kind of an exclamation point, and I equate that to the geometry of the earth and the 1/3 that marks off 2012 nautical miles distance. At that time, I began to be puzzled about the appearance of the clock, not because it looked abnormal but because it was normal. It occurred to me that as I had been reflecting on the clock and the 2:52 while I was not really conscious, the display I had in my mind was in bright red digits, and the clock was large, and it had been immediately in crisp focus, right in my face. It wasn't tilted even though I was laying on my right side with my head on the pillow, and my eyes didn't need to adjust to focus on the clock. It dawned on me that the observation of the 2:52 on the clock was a vision or a dream. I may have witnessed it at 2:52, but it wasn't a natural experience.

It was yet one more clock sign in a growing list of notable clock signs. We're coming up on a one year anniversary of a very special one, the apple clock sign of Yom Teruah.

The number 21 was always my favorite number. In elementary school, the class was seated in alphabetical order, and I remember how it seemed I was almost always student #21.

In 1999, the Lord engaged me as a kind of tour guide on a trip to the timeless place, with an agenda of showing Stephany that her Lord was the Lord of Time. Aaron's water baptism last year was notable with regard to symbols and time features, and perhaps the Lord will ordain the sharing of the testimony at some point. We are continuing to gear up for what we believe is going to be a time mission that will involve a time reset. Pray for us, if you would, as the Lord may lead. What an interesting season this is!

Part 1 - The London 2012 Olympics: Revisited

The season of the 2012 London Olympics continues to be brought to our minds in this season, and the reason has to do with space-time manipulation.

The folks responsible for the Olympics have just published a video of the Opening Ceremony on their YouTube channel, on the 3rd anniversary of the occasion. This link will take you there, about 8 and a half minutes in. The Complete London 2012 Opening Ceremony | London 2012 Olympic Games. You'll hear a very cleverly scripted emphasis on time with a subtext of the manipulation of space-time, then see that demonstrated in a well produced fly under and over of the symbolic river of time. The video presentation of the flight from the observer perspective engages the viewer very personally in an Occult ritual that extends that of the actual event.

When the clip begins, you'll hear the stadium PA system announcement: “Ladies and gentlemen. We have one minute until we go live to the world.” There's the combination theme, right there! MINUTE = TIME and WORLD = SPACE. To go live means, broadcast begins, in real time, or with minimal delay. A subtle third theme woven in is, LIVE = LIFE.

A countdown is underway, counting off the seconds. This isn't unusual, of course, and neither is it unusual for ceremonies to feature a review of the history of the games and that of the host city and country, but I encourage you to look beyond that to see the emphasis placed upon time. In every commentary on such a topic it's going to be rife with words relating to time and space, but you'll notice how the descriptive language and specific subjects give emphasis to the space-time theme.

The broadcast commentator says: “... and what you hear from the public address announcer, we are one minute away from the official start of the games of London 2012, and they will be started by the ringing of the Olympic bell, the largest harmonically tuned bell in the world. It was made at the Whitechapel Bell Foundry whose workshop is just a few miles down the road from the stadium. The foundry also created the Liberty Bell in 1752 and Big Ben in 1858. The Olympic bell will remain here in the Olympic Park for the next 200 years. And, it will be struck by the man of the hour, the man who rode with the greatest pride down the Champs Elysées. Need I tell you more? Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.”

The commentator focuses attention on the Olympic bell. The German word for bell is, glocke, which is closely related to our word for clock. (Die Glocke aka Nazi Bell - Time Travel) Bells and clocks are very intimately connected. Bells have long been rung to mark off the hours of the day and the watches kept by mariners. He mentions the Liberty Bell and Big Ben, giving the dates they were produced. Dates. Time. London has long kept time by the chiming of Big Ben, which is the name of the large bell. When you mention Big Ben, it's often the clock tower that comes to mind. After the initial crack had been repaired, the Liberty Bell had been heard ringing out from the steeple of the Pennsylvania State House in Philadelphia. The State House has been renamed Independence Hall, and that clock tower is memorialized on the one hundred dollar bill. Clock and implied bell on money. Time is money - money as time.

The commentator says the bell will be kept in the Olympic Park for the next 200 years. The Prime Meridian very nearly cuts through the Olympic Park, which is located very near to Greenwich where time was kept at the Royal Observatory. I've documented how the Olympic Park marks off time arcs from the Temple Mount in Jerusalem relative to the exact season of the establishment of Israel as a state. The time arcs for the 1948 London Olympics also sweep right through the Olympic Park. That's where the bell will be kept, and the commentator curiously declares just how long it's intended to be kept there. How odd. Unless you grasp how this language is a ritual establishing the connection between the bell and the ringing of the bell and time.

He says it's going to be struck by “the man of the hour.” HOUR = TIME. He's referring to Bradley Wiggins and his ride down the Champs Elysées, who had just won the Tour de France. The riders made a dramatic turn counter-clockwise around the landmark Arch of Triumph. The symbolism of the Arch is huge, and because the streets radiate outward as 12 spokes (like on the face of a clock), and because the Prime Meridian in Paris was the biggest competition for the world's standard for time (a competition that was memorialized in the plot of Jules Verne's novel, “Twenty Thousand Leagues Under the Sea”), that boast of a Briton's celebrated victory in Paris, in the context of the emphasized time theme, serves to magnify it even more.

“Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.” Think about it. What is he not telling us? What kind of papers? NEWSpapers. “Code NEWS” - North East West South. The cardinal spacial directions on the globe of the earth, our 3D world. “No Briton has ever done it before,” which is to say that it was the first TIME. In the NEWSpapers all over the WORLD. SPACE. The first TIME. SPACE-TIME!

Danny Boyle, who was responsible for the Opening Ceremony, was quoted as saying about the stadium and bell, "You will feel different when you're in there and you hear it ring. When you hear it it's very sweet. It's ancient, so it reminds you of the past. It's also timeless, so it evokes the future. That was how communities notified each other something important was about to happen.” So, Boyle himself explicitly identified the ringing of the bell with time, and timelessness. It reminds you of the past. It evokes the future, he said. Literally? Was he using that statement to notify those of us in the global community that something important was about to happen with the ringing of the bell? When the giant bell did ring in the stadium, Aaron clearly heard in the spirit, “It has begun.” We knew the Lord meant by that simple but cryptic declaration something more than that the games in London had begun, but exactly what, we still don't know for sure. We suspect it has to do with the actual hijacking of time itself, marking some key point of transition.

On that morning of the Opening Ceremony, the 27th of July, 2012, bells were rung all over the UK for 3 minutes beginning at the stroke of 8:12 am. All the Bells - Martin Creed's “Work 1197.” Massive ritual. Work 1+1+9+7 = 18 = 6+6+6. Three minutes of ringing: 60+60+60 seconds. The XXX Olympiad was being welcomed, and XXX transforms to 666 when X as the 24th letter is assigned the value of 6 (as 2+4). Remember this recent post where a connection was made between the numbering of 666 and time in the ritual encircling of Jericho for the 6 days (through 2160 degrees, the amplified number of Plato - 216) as a foundation for Israel's triumph on the 7th. When the 13th circuit was made, victory came as it were through acoustic weapons with the blowing of trumpets and shouting. By beginning at 8:12, Martin Creed was able to work that key time number 12 into the ritual. By setting the duration of the ringing to 3 minutes, the principles of symmetry and balance assured that the central minute numbered 13 received emphasis - the mastery of time. I think more is meant in Martin's line drawing of a kind of bell shaped curve than just a bell. I believe it is a bend in the Thames-Isis, which was made ritually TIME resonant with the bells (probably above Greenwich and the Prime Meridian), and a graphed amplitude over TIME cycle of a standing wave harmonic from mid-anti-node through a node to another anti-node!

The exalted British warlock Aleister Crowley declared what the practicers of that kind of magick know, that bells may be used as weapons. And so they are.

When the initial countdown of that ceremonial sequence ends, we hear from the PA announcer: “Ladies and Gentlemen. The Isles of Wonder.”

Because of what we were being told by the commentator, we were led to anticipate hearing the ringing of the bell when that countdown ended and the Isles of Wonder film began, which was a simulated transport back to the beginning of time. Bells are for the facilitation of transits across the borders of space-time domains. An example of this may be seen in how the High Priest of Israel accessed the presence of the most High God in the Most Holy Place on Yom Kippur.

33 You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34 a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35 It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die. ~ Exodus 28:33-35

The official start of the Ceremony came at the stroke of 21:00 hours, another primary time number, the mirror of 12. The short film called, “Journey along the Thames,” began at that moment, which was directed by Boyle and produced by the BBC. It's a two-minute film, which provides an embedded time number for the ritual, 120 seconds, an amplified 12. The scripted time language ritual of the commentary leading up to hour 21 is subsequently demonstrated in that 120 second long film. It really is a TIME ritual, and the featured Thames of the journey is the ritual River of Time. The observer perspective style of the film does more than entertain us. It more actively engages us in the ritual. The film's journey repeats the imagery of space-time and the manipulation of space-time, which strengthens the ritual and reveals with more clarity what the magickal working is about, what it is actually for.

The commentator is our tour guide on this excursion down the river that takes us from the source eastward to the Olympic Park. He's carefully not telling us what's really important, like, for instance, how the river has long been known as the Isis. From the headwaters to Oxford it's still known as the Isis. She's the ancient goddess of magic with an important role to play in stargate transits, where the mastery of time is essential. Ancient images of the goddess of many names picture Inanna, or Ishtar, with water symbols in her hands, as a goddess who wields authority over time. As I've demonstrated (Our Lady of the Olympics), the Zeus and Apollo worshiping Olympic organizers are big on goddess worship.

Now, as the film begins, its exactly the stroke of hour 21, a number signaling time itself and timelessness. We find ourselves underwater in the river of time, with stones, and signs of life appear. We see a frog and we emerge with it out of the water. We're looking at a stone marker like a headstone monument. It's obviously been placed in connection with the XXX Olympiad because it bears the theme of the Opening Ceremony.

It's the ancient past, primordial. The suggestion of the bell ringing at hour 21 sent us back to the beginning, to the source of the river of time and life. As we pause to ponder the inscription on the stone we're joined by an ancient creature, a blue dragonfly, which seems to be examining the marker with us and inviting us to follow it. We've all been taught to connect amphibians with evolution. Darwin was a Brit, and the ceremony is all about honoring Brits. The frog emerging from the water pictures a step in our own evolution. The dragonfly is, to many people, a universal symbol of immortality. This pictures the next step in “our” evolution. The frog; our past, the dragonfly; our future. This picks up the “live” or life theme from the intro scenario and reveals that immortality and the river of life is at the core of what is ultimately an ascension ritual.

Note that the bug is a DRAGON fly. Beelzebub: Lord of them that fly. My hope is in a different god, the Creator, and a better resurrection.

The inscription on the featured marker stone is important.

ISLES OF WONDER - THIS STONE WAS PLACED HERE TO MARK THE SOURCE OF THE RIVER THAMES

I believe a major key to the ritual is the connection between this stone and the bell that was the focus of the previous commentary, which is located in the stadium seen at the film's end. Shakespeare's production of, The Tempest, provided the Opening Ceremony's theme, “Isles of Wonder.” It's derived from a speech given by the demigod hybrid monster Caliban. The bell is inscribed with a line from that speech. “BE NOT AFEARED, THE ISLE IS FULL OF NOISES.” One memorial object is like the other, ritually linked together by the common words and the fundamental nature of the inscribed objects. There exists a standing wave relationship, a resonance through time and distance. I'll explain more shortly.

It should be mentioned that the headwaters of the Thames-Isis have long been marked with stones, and even an inscribed monument at Thameshead or Thames Head. River Thames: The Source

Leaving behind the source and stone, we follow the dragonfly along the serpentine Thames-Isis river of time. Let's jump ahead to another major key to this potent space-time manipulation ritual. When we pass through the London Tower Bridge, special attention is given to the Occult Olympic Rings sigil-logo as our view immediately turns from looking forward to looking back. We immediately ascend to a height at a point directly above where the world's time is officially kept, in Greenwich, at the Prime Meridian. We're not told that this is what's going on, but it's clearly that. The zenith was significant to the astronomers at the Royal Observatory where time was kept. We're given something of a misdirection in the pretext that this segment was honoring the popular BBC show, the EastEnders. While that seems pretty obvious, the segment is only roughly similar to the show's famous intro. The mention of EastEnders wasn't devoid of appropriate esoteric meaning, however, because it provides the cardinal compass direction, East, in connection with a word that has to do with a limit of distance and time, End.

As the journey along the Thames-Isis has gone fully to it's eastern limit, we descend to witness one last sequence before our arrival just North of there in the days just prior to NOW, at our destination, the Olympic Park and Stadium, as preparation for the Opening Ceremony nears completion. We see travelers in the London Underground (the underworld - like the name of the band from Cardiff that furnished music for the ceremony) with trains in tunnels, with modern scenes and faded black and white imagery as from the past. Time travelers once more, making dimensional transits like angels traversing between space-time realms along the ancient stargates, the mecillah. Joel 2. The theme continues with regular cars in a tunnel, and then we're underwater again, immersed in the river of time like back at the source - and suddenly we emerge to find ourselves looking at the stadium in the Olympic Park. A big cloud appears, and a cloud represents an angelic transdimensional vehicle. (Heaven's Vehicles - UFOs - Fake and Genuine and The Kingdom Viaduct) The cloud also alludes to The Tempest's speech of Caliban that links the stone and the bell.

Be not afeard: the isle is full of noises,
Sounds, and sweet airs, that give delight, and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometimes voices,
That, if I then had wak'd after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me; that, when I wak'd,
I cried to dream again.

William Shakespeare, The Tempest, Act 3, Scene II - Caliban's Speech

At this point the nature of the ritual can be explained. I'll follow that with a few more relevant observations about the “Journey along the Thames,” but here's my understanding of the ritual working of the manipulation of space-time. Be patient - it's coming. It will surely help if you're familiar with the series we wrote on the 2012 London Olympics

A fundamental of the working has to do with William Blake's poem, “And did those feet in ancient time,” which is the basis of the song known as, Jerusalem, that was sung in the stadium just after the Journey film, another countdown from 10, and the bell was struck. The poem provided the inspiration for the sets and sequence of the Opening Ceremony. This all has to do with establishing Jerusalem, the heavenly city or Zion, in England's green and pleasant land. Note how the film's cloud in the Olympic Park also alludes to this poem. Mostly, note the zeal and dedication to the task. This is the foundation of the ritual.

And did those feet in ancient time
Walk upon England's mountains green:
And was the holy Lamb of God,
On England's pleasant pastures seen!

And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?

Bring me my Bow of burning gold;
Bring me my Arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!

I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In England's green & pleasant Land

“And did those feet in ancient time” aka “Jerusalem” - William Blake

Blake was illuminated. He wasn't inspired to honor the Creator's plan and agency but rather what is counter to that. It's an antichrist work.

“"And did those feet in ancient time" is a short poem by William Blake from the preface to his epic, Milton a Poem, one of a collection of writings known as the Prophetic Books. The date of 1804 on the title page is probably when the plates were begun, but the poem was printed c. 1808.” (Wikipedia) Why 1804 on the title page? 1+8+0+4 = 13. Asserting the mastery of time. In the preface to, Milton, right below where the poem appeared, Blake placed a verse from the Bible. Numbers 11:29. Pay attention to the NUMBERS, we're told in the way of the Occultists! 1+1+2+9 = 13. Mastery of time.

Here's Blake's favorite and best known painting, titled, “The Ancient of Days setting a Compass to the Earth.” It's a SPACE-TIME title. Ancient. Days. TIME. Earth. SPACE. See him inside a circle, with a compass that draws circles - of time in space. The painting is of course a graven image, done contrary to the 2nd commandment, so it's an idol and therefore not truly representative of the one with that biblical title. The one in the image is the Titan known to the Romans as Saturn (see the image as a ringed planet), and to the Greeks as Kronos - the false keeper of time worshiped by the ancients. Zeus famously subdued Kronos, acquiring his powers.

The Zeus worshiping IOC and those like Blake are not ignorant of such matters. Their intent has been to bring a literal transference, in space and time, to manifest a messianic heavenly city and kingdom among us. This is why the word, ZION, is encrypted into all of the recent Olympic logos, as part of this wide-ranging ritual working.

More to follow, Lord willing!

"Operation Avatar" - Microchip Implanting, Bioforming - Tailoring Earth Suits

Recent news speaks loudly about what's already beginning to manifest, which some know in such terms as the great work or the alchemical wedding. Lucifer has been leading mankind down the path where he can merge the realms of heavens and earth. His agent will make a grand reentry as the returning messianic sun king. The plan has to do with a “reimagination” of the ancient union of the sons of god with the daughters of men, as per Genesis 6 and the reproductive activity in the Garden of Eden.

The Telegraph report: Scientists hail the most 'advanced anti-ageing serum' in the world

“A most advanced anti-ageing serum ever created is going far deeper in the pursuit of the ultimate skincare regime, right into our DNA.
...
Clinical trials over 18 months suggested that ‘Geneu’ – pronounced ‘gene you’ reduces fine lines and wrinkles by up to 30 per cent within just 12 weeks. But, intriguingly, it has not been created by a cosmetics giant, but by one of Britain’s leading scientists.
...
His genetic skincare range is possible because of his latest invention, a handheld microchip device, which can sequence DNA in 30 minutes at a fraction of the cost of other methods. He recently won European Inventor of the Year 2014 for the breakthrough. Prof Toumazau admits that some of his academic colleagues have raised eyebrows at his move from health into skincare. But he hopes that by bringing the technology into the consumer arena it will help the public get used to the idea of DNA checks which will ultimately benefit their health and encourage an era of personalised medicine. He is also hoping the microchip will eventually be used to test how well people can process medications like statins so that doses can be altered depending on the individual.
...
The beautylab in New Bond Street, London, could be a set from a James Bond film, with its futurist décor and strobe-lit testing pods. Once inside, doctors take a cheek swab before isolating the DNA strands in front of the client and injecting them into the microchip which is then fed into a sequencing computer. In 30 minutes the profile is ready and a serum can be created. Dr Maria Karvela, one of the scientific advisors at Geneu, who administers the test said: “As soon as I heard about Chris and the microchip I wanted to be part of it. It really is cutting edge science.”

The following excerpt describes what I believe will be an important part of the mark of the beast.

“I have come to have a degree of confidence that it will be administered as an implanted microchip that is introduced in the context of health care. As a transducer, it will vibrate to initiate a genetic change, replicating the DNA of the beast to transform one's body and blood (soul). This will afford recipients a kind of temporary immortality but they will literally trade their soul for it. It will make of them avatars, hosts for the disembodied spirits that were purged in the flood of Noah. Thus enslaved, they will be granted access to the beast systems for economic provision. They will be installed as a node in a corporate other-dimensional hive mind. ”

(Series Links: Code MOB)

To soften us up for that transformation, our environment, drugs, vaccines, electro-magnetic and light energies across the spectrum, food, air and water have being modified.

The Liberty Beacon report: Chemtrails Not Just for Weather Modification Anymore: Vaccines On The Wind

Here's what I wrote in, The Avatar Stratagem

“People, those of us who are descended from Adam are being genetically groomed to become avatars. The ancient dead who were responsible for corrupting the Earth and for the judgment that was the great flood are preparing for themselves physical bodies. Each requires a host vehicle, the portal for reintroduction into this world. They are the off-planet invasion force, alien to this realm but now adjoined to it. The Avatar Stratagem describes the scenario pivoting on the crucial host relationship, where we must conceptually link the hybrid avatar construct to the biblical therion, beast. A covert op is underway, working to convert Yahweh's assets, hijacking His heritage people.”

Here's what Aaron Hermann wrote in, Part 1 - A Bioforming Pandemic: Killing Some and Enhancing Others.

“I believe that in the not-too-distant future we will experience a global pandemic event that will serve as a significant escalation of Satan's continued effort to bioform humanity. I believe that the pandemic will be caused by a government-funded, man-made bio-weapon superbug that will be engineered to selectively target people with specific DNA profiles in an effort to identify, isolate, and enhance those whose ancestry traces back to the Serpent-Seed bloodlines. For those meeting this specific DNA profile, the superbug will initiate a "viral loading" process that will act as a foundational layering, or enhancement process serving as a precursor to the Mark of the Beast. It is important to note that "Chosen ones", trauma-based mind control victims, Satanic Super Soldiers, and/or psi-warriors will also be included in this enhancement process.”

“Once this is completed the survivors will be softened up a great deal more for the implementation of the Mark of the Beast, which will be the last in a long line of tactical moves made by Satan to permanently alter their DNA and transform them into hybrids that are able to be used as avatars for the disembodied Nephilim spirits that will wage war against God at Armageddon.”

See also, Pharmaceuticals -The Sorceries of Babylon.

These logos testify of the merger. The match.com imagery features different kinds of mark of the beast imagery, with the merging of man and Osiris (green) / Baphomet. The two heads intersect, which is a crossing circle XO mark of the beast symbol. The three green periods transform to 666 as O(15~1+5=6). The “woman's” legs present a 3.4.5 right triangle, signaling the esoteric solution to the 47th Problem of Euclid, which is the production of Horus through the union of Osiris and Isis. The Masonic square and compass “Generative” emblem is suggested by that square in connection with the conical-round form of the skirt/dress. That skirt-dress provides the circle that joins with the Tau cross legs to signal another mark of the beast. Note: Three words opposite three words. Code 33.

Christian Mingle. Interesting premise. What about 1 Corinthians 7?

CM ~ Code 33. The “fish” is the antichrist beast. That shape is the crossing of circles, the cross circle XO mark of the beast. In commercials, they overlap two wedding bands to produce redundant imagery. The big M featured in proximity is perhaps the main Occult symbol for the “13” beast and the goddess, and the union of the (up) heavenly male with (down) earthly female. The letter "n" that is also effected is 13 when Z=1. Redundancy. A key connection is suggested between the fish and the letter "g" and because the fish is a fertility symbol. They produce many eggs, but mostly it's because it's identified with the phallus of Osiris and the substitute that Isis made to magically produce Horus. They dwell in the watery abyss. The "g" of the fish linking matches to the generative G featured by Freemasons.

“Find Gods Match for You” - Have you caught on to which god yet?

And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay. ~ Daniel 2:43 KJV

Update: Of related interest:

Controversial DNA test comes to UK

http://theopenscroll.blogspot.com/2010/11/hey-google-dont-be-evil.html

http://theopenscroll.blogspot.com/2010/11/hey-google-dont-be-evil-2.html

http://theopenscroll.blogspot.com/2010/11/more-branding-signaling-mark-of-beast.html

Also...

Does rampant AI threaten humanity?
Stephen Hawking warns artificial intelligence could end mankind
Elon Musk: ‘With artificial intelligence we are summoning the demon.’

Time cloak used to hide messages in laser light

Decoding "Too Much" by the Dave Matthews Band

The song "Too Much" by the Dave Matthews Band was nominated for a Grammy in 1997 for "Best Rock Song." It didn't win, and never hit the top of the charts but it did very well for the band. Like so many other popular songs, the real subject and what's being dramatized in the music video is completely misunderstood by the popular audience. This is about one of the horrors of mind control programming, the forced ingestion of bodily excretions (i.e. "pizza"), and this ties in to the previous post to this blog, about the petition to be allowed to drink the foul red mummy sewage from the sarcophagus recently found in Alexandria, Egypt.

You will find the official music video on YouTube: "Too Much" by the Dave Matthews Band

The video features the band playing on a small stage like in a private studio. There is a backstage area that has a machine. A woman pours something from a very traditional fireplace ash bucket into the machine and turns the crank. The liquid that looks like it came from Marina Abramovic's performance art rituals comes out, flowing through a tube. This is force feeding a man who has been given a kind of clown mouth, who shakes as he ingests it.

Then, we see her with a look of disgust and contempt.

She looks disgusted because this is a disgusting sewage concoction, "pizza." She is the SRA handler, or programmer, abusing the victim in a way that builds trauma.

This kind of thing is more commonly presented to the public that you might suspect.

If you haven't studied about this practice of traumatizing mind-control victims, I recommend that you do, so you learn to see what you're looking at. It's gross and disturbing, but this is a reality, and being naive or in denial doesn't help anybody deal with reality. Seek the Lord Y'shua to give you courage and wisdom, to know how to pray.

Victims are fed and then told that if they pee or poop they will have to drink and eat it. They are not given any potty break, so it's just a matter of time. When they can't hold it anymore, they are forced to eat and drink it. They are forced to eat and drink the spit and sewage and vomit and semen and menstrual flow and blood and puss and this kind of torture brings the slave to a point where they can't bear the trauma. There are other horribly cruel abuses that go along with this, emotional and physical, including rape and sodomy. Young children are forced to give oral sex to adults and to receive it also.

Here's one victim who goes by the name of Kim Noble. She is reported to have 21 whole personalities or alter identities, and 13 of these alters paint. The one known as Ria Pratt paints vivid scenes of torture, illustrating this pedophile abuse.

The result is that the victims check out, mentally, to isolate themselves from the unbearable reality. This is called dissociation. They literally lose their minds, and this is the point of the abuse, so the programming system can then be installed that makes them an undetectable and completely loyal slave. They are called multiples because they have multiple identities, that are compartmentalized. This kind of thing is known as SRA DID or referred to as Monarch or MK-Ultra programming. It's been going on for thousands of years in association with the ruling families around the world, but since WWII this has been refined with multiplied numbers and magnified impact on the world. It may be said that this evil is a foundation of how time itself has been skewed, requiring a reset to fix it.

Here's how the song begins.

"Straight in. suck up and go,
cool it, swallow, swallow
Breathe deep, take it all
it comes cheap
Push it through the doors
because in between the lines
I'm gonna pack more lines
so I can get in

Ooh traffic jam got more cars
than a beach got sand
Suck it up suck it up suck it up
fill it up until no more
I'm no crazy creep, I've got it coming
to me because I'm not satisfied
The hunger keeps on growing

I eat too much
I drink too much
I want too much
Too much"

It's not about gluttony. It's about being tortured by forced ingestion. After they dissociate the slaves are programmed to want this, and they crave the "charge" it gives them. They become crazy for pizza. If you understand what we covered in the last post and in our PizzaGate videos Parts 6-8, especially what we showed you about Aleister Crowley's The Book of Lies, you'll get it.

So the excess this video goes on about so energetically isn't just a quirky frolic. It's the victim's story about being brought to the place of exceeding the bearable limit of trauma, leading to dissociation. Here's more of the lyrics.

"I've got to get it somewhere
I mean, you never know, maybe you're dreaming
Who do you think you're watching
Who do you think you need
Play for me, play more.
ten times in the same day
I need more. I'm going over my borders
I'm going to take more, more
from you, letter by letter."

It's not a dream but the going over the rainbow to the land of Oz or down the rabbit hole to Wonderland.

Who, indeed. Which identity in the array has to be called up to be accessed?

Apparently, stepping through the alphabet is part of the programming "game." That's probably way too many repetitions to endure.

The visual part of the music video complements the theme. Backstage, a character is introduced who is a programmer or handler, witch and high priestess. She is dimly lit when she's introduced, like a shadow, because she operates off-stage, in the shadows. She is also modeling the goddess (bent elbow pose), and ultimately, Lucifer. She has a feather boa, which is a symbol of the feathered serpent dragon worshiped as Amaru and by many other names. Compare her to the goddess with the Code 33 rainbow eye beams in the Comet Ping Pong Pizza painting. The parachute is a symbol that compares to an umbrella. It catches air as spirit as one falls to the earth out of heaven. She is a fallen angel. The parachute (poop chute) pictures the rayed anus sodomite gateway to illumination.

One of her hats is like an orange butterfly, which signifies, Monarch Programming. She pours something from a fireplace ash bucket into a machine and turns the crank. If you have seen our pizzaGate video on the Goonies film, you know that the ashes from a fireplace are from logs (poop) that are burned and then typically shoved through the ash hole under the grate to be collected down below. Right. The ash hole.

As she turns the crank that processes and supplies the strange brew, dark figures stand by. Demons - aids, on standby. Green is Satan's color. The green resonates Emerald City where the wizard rules Oz. The machine's crank has a spoked sun wheel design, like what is so common to the set of Emerald City and Dorothy's farm. Sun worship, of Apollo, Horus, etc. This witch is like the pretty Glinda, the "good" witch. She's also like the wizard of Oz himself, working behind the curtain with a machine while the show is put on.

This disgusting liquid is fed to a man. The hat on the head is resonating Alex in Clockwork Orange. The hat is a butt and sodomy symbol.

Then, we see her with a look of disgust and contempt. "Pizza - gross!"

The victim looks like a clown, a joker with big lips around the tube (bowels) receiver. The programmers mock and scorn the victims. The goggle-like glasses worn by the hat wearing men make the hat-as-butt symbol redundant because this is about glASSes, and this is why we see magnifying glASSes also being featured. They also are for enhancing vision, meaning third eye illumination.

The camera and viewer perspective passes through a ring of lights. This viewport is the sodomite gateway of illumination.

This victim has dissociated and has multiple identities. In this scene, they are bobbing up and down mimicking a carousel or Merry-Go-Round, which is the training for how one alter is accessed or called up while the others all go down. They are all very wooden.

Again, the victim is being force-fed by the goddess-handler-witch. She's gloved. Her hands never get dirty. She has the slave "eating out of her hand." That expression means, doing whatever she wants.

This car appears because it is a Dodge Viper, a deadly snake. Satan. Reflections of the goddess appear, who dances with a feather boa - feathered serpent. This is a demonic vehicle for the transport of demons, for the installation of Legion, many demons. The wheel is a 5-spoked magic pentacle. A tire is another common anus symbol.

Again with the multiples, increasing in number as the programming continues. They all wear suits, meaning, changing alters is like changing suits.

There's a dinner party that resonates the Mad Hatter's tea party and Rocky Horror Picture Show's Time Warp gala. A frenzied gluttonous orgy of apparent cannibalism is served by a butler, as in the house of the elite, like in "Eyes Wide Shut". What suggests meat in a meat locker hangs from the ceiling, resembling body parts.

It looks like a grotesque head on the table near the big shell dish.

Big magnifying glASS - can see plenty good now, with the seeing eye of sodomite Luciferian illumination.

The goddess, exalted over the scene, is content with her work.

They show you what's on stage, which seems to be acceptable, though a bit quirky and spastic. And they show you what's going on backstage, at least a thin slice of it. Even though they're putting some of it on exhibit, they hide what it means. They can't put it all right out there in the open, but just enough, in the way of obfuscation. That's how their spells work, deceiving, making captives of the ignorant. Mystery Babylon the Great.

If you read what we wrote about the desire to drink the red mummy sewage juice and Aleister Crowley's recipe for Cakes of Light, you may have already made this connection with the machinery of the "Too Much" music video. The ashes in the ash bucket are from the burning and the machine is thus making cakes of Light.

From "The Book of the Law" - Liber AL vel Legis:

"23. For perfume mix meal & honey & thick leavings of red wine: then oil of Abramelin and olive oil, and afterward soften & smooth down with rich fresh blood.
24. The best blood is of the moon, monthly: then the fresh blood of a child, or dropping from the host of heaven: then of enemies; then of the priest or of the worshippers: last of some beast, no matter what.
25. This burn: of this make cakes & eat unto me. This hath also another use; let it be laid before me, and kept thick with perfumes of your orison: it shall become full of beetles as it were and creeping things sacred unto me.
26. These slay, naming your enemies; & they shall fall before you.
27. Also these shall breed lust & power of lust in you at the eating thereof.
28. Also ye shall be strong in war."

And again, this is really about making war on their enemies. You and I.

13 But He answered and said, “Every plant which My heavenly Father did not plant shall be uprooted. 14 Let them alone; they are blind guides of the blind. And if a blind man guides a blind man, both will fall into a pit.” ~ Matthew 15:13-14

See what you're looking at. Again, let it speak to you about the condition of the world and how it got to be this way.

We have some good news and some bad news. The bad news is, it's going to get worse before it gets better. The good news is, for those who are found worthy, it's going to get better - WAY BETTER! The Lord Y'shua has a plan - and it's working perfectly!