Part 12 - The Sodomite Gateway - The Black Sun - Nazi Blight

When you become aware of the sodomite signaling around you it raises questions. If you can accept what the Lord showed me some 20 years ago, that Adam was sodomized in the Garden by the “serpent tree,” you can follow the dynamic of this activity as it threads through the historical record up to the present and beyond, and make better sense of it. When our eyes begin to open to the legitimate reality of sodomy as a ritual gateway and means of worship and communion with the gods, of acquiring supernatural power, that's when we really begin to perceive the agendas, roles and objectives of people, their organizations and the events where sodomite methods have been concealed.

Most folk are under the spell, not wanting to believe this and so they won't. Most of them would claim those who do believe it, simply want to and therefore do. Decent folks have a natural aversion to openly acknowledging such things as are being used to create trauma and demonization, and our adversary, the devil, takes full advantage of this. This leads, of course, to ignorance, which is fully exploited. I'm here to deal with that. Still. The symbols bear witness to the truth, when you love the Truth, Y'shua, and when your eyes are open to see what the Revealer of Secrets has to reveal.

“Sodomy has a spiritual component in it that is far more sinister than anybody recognizes. It is the most underrated evil power to the general public. But to the people who are in the know, they know that this is the ultimate rebellion against God Himself. This is what they hope to use to gain the whole human race for their side and defeat God Himself.”

“The belief in the occult world is if you could sodomize God, you’d get God’s power. You become as gods through sodomy; that’s the way the Greek gods became gods. Alexander the Great was a great sodomizer and his Greek army was the most fierce. Hitler tried to pattern his SS and military after the Greek warriors using sodomy. When you put that all together, the civilizations that God wiped out boiled down to the practice of sodomy.”

Deprogrammer Interview with Marion Knox: In the House of the Strongman, Sodomy is the Key - by Elana Freeland

"They took with them the most perverted aspects of Nazi Germany and brought them over to the United States."

Kay Griggs, Former Marine Colonel's Wife

Books have been written on the subject of homosexual activity and the Nazi Party, like The Pink Swastika, for example, so to think Hitler succeeded in patterning his SS and military after the Greek warriors using sodomy is an easy conclusion, given the signaling imagery used at the time. If you can interpret it the message is pretty clear. What worked well for Alexander worked well for Hitler.

These examples witness to the practice of sodomy as connected to the same ancient gods as the Greeks. They testify that sodomy was central in making Hitler's band of cruel warriors capable of great evil. The imagery associated with the SS (Schutzstaffel - Protection Squadron) and the SA (Sturmabteilung - Storm Detachment or Stormtroopers) tells a convincing story. I'm not even going to take the time to explore the obvious Mengele (SA and SS) and subsequent ML-ULTRA line of evidence, which famously features ritual sodomy as a fundamental ritual activity (pursue that as the Lord leads)

The SA (Sturmabteilung - Stormtroopers) played a key role in Hitler's rise to power in the 1920s and 1930s. The SS started out as a branch of the SA but after the Night of the Long Knives in 1934, they were effectively superseded by the SS.

Here's a collection of images I made to tell the story of the SA.

These storm troopers were often called "brownshirts" because of their uniforms. Like UPS, the Big Brown Machine, there's a focus here on a kind of package delivery. I subtitle this: “How to OWN Apollo”

The pin from 1938 (blue background) borrows heavily from da Vinci's Vitruvian man, cluing us in on the A for Apollo/Arrow/Anus/Anatomy lesson so we can stop wondering what they really mean.
Reference:
SA Competition 1938 Koblenz Day Badge, produced for the 'Competition Days' Wettkampftage for Gruppe Westmark July 2-3 1938.

The pin or medal from the SA competition in 1936 took place a little over a month following the Nazi Summer Olympics in Berlin. Someone in the design studio seems to have been particularly inspired. The clever key does explain nicely. Acorn = Sword = Arrow
Reference:
Wettkampftage der SA-Gruppe Niedersachsen 26-27.9.1936 Braunschweig “Wettkampftage” means “Days of competition”
This sporting event for SA took place on September 26-27 1936 in Braunschweig, a city in Lower Saxony (Niedersachsen), Germany

Remember, this is characteristic behavior,that, like cannibalism, stems from their nature. The Acorn does not fall far from the tree. They are like their fallen angel ancestors. The folks at UCHC also know their oak anatomy, choosing a variant that shows they know nuts when they see them.

The SS (Schutzstaffel) who split off and superceded the SA seem to have taken ritual sodomy to a new level. Their runic SS has a Z for Zeus in the negative space between the lightning bolt weapons of Zeus. The bolts are also two men, facing the same way. The SA runic symbol of their former association illustrates the basis for it. Two modern cousins are shown. The imagery here should already be familiar from previous posts.

The secret of the Black Sun (Schwarze Sonne) is revealed in recognizing it as their god's asset, the ultimate sodomite portal. The 12 spokes are as the solar year zodiac and the 12 solar year cycle of planet Jupiter (Zeus), the father of Apollo.

The Black Sun. Leave it to the one who masquerades as an angel of light to put the sun where the sun don't shine.

“The belief in the occult world is if you could sodomize God, you’d get God’s power. You become as gods through sodomy; that’s the way the Greek gods became gods. Alexander the Great was a great sodomizer and his Greek army was the most fierce. Hitler tried to pattern his SS and military after the Greek warriors using sodomy. ”

Deprogrammer Interview with Marion Knox: In the House of the Strongman, Sodomy is the Key - by Elana Freeland

This explains why the high ranking SS generals held their dark rituals there and that chamber of the Black Sun, ringed about by “Royal Arse” windows, was referred to as the center of the world. There must have been demonic direction to build it there and in that way. It was a temple for ritual sodomy and worship of the god who owned them and that they wanted to own.

“The mosaic is located in the ground floor room of the North-Tower of the castle, in the so-called Obergruppenführersaal ("Obergruppenführer hall", completed 1939-1943). The "Obergruppenführer" (literally: "Upper-Group-Leaders") were the highest ranking SS-generals. It is not known if the SS had a special name for the ornament, or if they attributed a special meaning to it. The sun wheel is significant for the Germanic light- and sun-mysticism which was propagated by the SS. In their studies on sense characters, the sun apart was interpreted as "the strongest and most visible expression of god", the number twelve as significant for "the things of the target and the completion". The mosaic at Wewelsburg itself is dark green on a whitish/greyish marble floor. Probably a golden disc was originally located in the middle of the ornament.”

“Traditional Christianity was to be replaced by a "völkisch" (folkish or racial) cult. Instead of Christianity, Himmler wanted a moral doctrine derived from the pre-Christian pagan Germanic heritage. Cultic ceremonies and rituals were part of the everyday life of the SS. The Wewelsburg was to be a center of a "species-compliant" religion (German: "artgemäße" Religion)”

“The North-Tower of the castle was to be the center of a planned circular estate, 1.27 kilometres in diameter. The architects called the complex the "Center of the World" from 1941 on.”

“The North-Tower, which had survived a ruin after 1815, only assumed importance for Himmler starting in the autumn of 1935. In the process of Himmler establishing the castle as a cult site (an ideological and religious center of the SS), the tower was to serve the highest-ranking SS leaders as a meeting place and probably as location for quasi-religious devotions. Nothing is known about the possible way and the kind of arrangement of designated ceremonies in the tower—the redesigned rooms were never used. According to the architects, the axis of the North-Tower was to be the actual "Center of the World".”

Black Sun (Schwarze Sonne)

I noted with interest how the SS is interpreted as the Protection Squadron or Defence Corps. The copy cat themed Fringe Division logo from a previous post names it as a Department of Defense agency. Their role in the alt-verse is somewhat like the SS, with authority wherever they go.

After WWII, many Nazi scientists were brought to America, including Joseph Mengele, a Captain of the SS. Sodomy was not new to America, but it would apparently never be the same. To be able to understand why we see sodomy signaling everywhere and accept what it means, it helps to see past the cover stories we've been sold. Why would anyone want to whitewash what the Nazis did? Because it's even their own cover, that's why. Think about it.

Symbolic logos - The History Channel, Verizon and the right triangle

I'm still in the midst of the series on "The Iron Giant" (No - really!) and am at the present time still pretty focused on a collateral study, a major update to what I've posted about pharmakeia. Until it's ready to post I'm continuing with some important peripheral items. First up, some links of interest.

Clinton evolves into Obama's `Mr Fix It'

Here's another striking revelation on the number 9, the single digit number representing the Beast and his mark, a triple helix DNA transformation strategy of Satan. Remember, the iron giant was dismembered in that movie heavily identified with the number nine and its theme. US actor cuts off neighbor's head, then kills friend
"Daniel Wozniak, who recently starred in the lead role as Guido Contini in the musical "Nine" at a theatre company, is accused of dismembering the body of Samuel Herr, 26, on May 21, leaving his torso at the Los Alamitos Joint Forces Training Base and scattering the limbs and head in a park. "

Human-animal hybrids in life vs. death struggle

Scientist infects himself with computer virus
"Our research shows that implantable technology has developed to the point where implants are capable of communicating, storing, and manipulating data," Gasson said in a news report. "This means that, like mainstream computers, they can be infected by viruses, and the technology will need to keep pace with this so that implants, including medical devices, can be safely used in the future."

Census workers can enter your apartment in your absence

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The other day a friend pointed out the recently updated logo of The History Channel. I've been considering what that might mean for a while, and now I'd like to share some insight into that and a related logo, Verizon's, which has an important symbolic element in common with that of The History Channel.



The History Channel logo presents a large golden letter H as its main feature. We think "History," of course, but it really signifies Horus on a deeper level, the featured god of The History Channel's backers. The golden color is one clue, which is the color of the statue's head, Nebuchadnezzar, the king of Babylon, in Daniel 2. In Isaiah 14 a figure is used where the king of Babylon is a metaphor for Satan. And, Satan is associated with Horus as the dragon is to the Beast in Revelation 13. This compares to another Horus identity, the golden Apollo in this poster promoting the 1936 "Nazi" Olympics.

The Roman Catholic Church, which preserves the Horus worship tradition in many ways, presents the solar disk where we see The History Channel's font type for the H in use. The IHS has nothing to do with the son of the Most High Yahweh, but everything to do with Isis, Horus and Set, a trinity of gods worshiped in their Egyptian identities. The "christian" cross on the crossbar of the letter H is the Triple Tau cross.

This Triple Tau cross emblem, placed in the center of a triangle and circle -- both emblems of the Diety -- constitutes "the jewel of the Royal Arch" as practiced in England, (pictured in a Masonic patch on the right) where it is so highly esteemed as to be called the "emblem of all emblems," and "the grand emblem of Royal Arch Masonry."

You see on the left another popular Roman Catholic version of the IHS solar disk that features an additional layer of occult symbolism, highlighting the triple helix DNA transformation that is such a key element in the scheme being signaled. Like The History Channel, their version of HISTORY is all about honoring Horus and preparing for His return.

The stylized H of The History Channel logo has four deltas within, two pointing up and two down, one pair in each pillar. Each opposing pair signals the sons of god with the daughters of men.

The red elements are three in number and they are mixed with the white, signaling the triple helix blend of white divine sons with red earth Adamic daughters of men. When watching the History Channel and the logo is presented, these elements are added in a sequence to the H. The long base suggests one pyramid partly enclosing the Horus H, if you trace the lines suggested by the angled ends to a point. That point is at the top of the H crossbar. The two elements at the lower left by themselves form a right-pointing delta, which isn't really a signal delta in the default alignment because it points neither up nor down. However it is a right triangle. When these two on the left are considered together with the third red line on the bottom, another right triangle is formed.

Right triangles are signaling what is generally attributed to Pythagoras by the occult societies. The vertical element typically signifies the heavenly sons of god and the horizontal, the daughters of men, with the hypotenuse representing their union - the triple-helix offspring.

For the right pointing triangle of The History Channel logo, the hypotenuse itself is vertical, so it seems a little weak compared to similar symbols.

Another popular occult logo featuring a right triangle belongs to Verizon Wireless. It includes a red right triangle that means the same as every other Pythagoras version used for signaling Satan's schemes. Theirs is aligned so it resembles a check mark, seeming to signal "ok." Notice how the letter Z is called out, which should be familiar to those of you who follow this blog. Zeus. Z for Zeus, equivalent to Osiris, aka Satan, the serpent, dragon and father of Horus/Apollo/Jupiter, etc.

These images are from some promotional marketing materials I received in the snail mail a few months back. Real subtle, eh?

"The Technological Transformation Has Begun." Hint. Hint.

"Get Ready to Rule the World." Hint Hint.

Yeah, we get it. Brag, Brag, Brag. The Zeus/Horus ploy will bring the Beast and the mark of the Beast. But yet, my God reigns in truth and His kingdom is in Heaven now and will come on Earth as it is in Heaven - soon!

9) wherefore, also, God did highly exalt him, and gave to him a name that [is] above every name,
10) that in the name of Jesus every knee may bow -- of heavenlies, and earthlies, and what are under the earth --
11) and every tongue may confess that Jesus Christ [is] Lord, to the glory of God the Father.
Philippians 2:9-11 (Young's Literal Translation)

Addendum

Just after I posted this blog I checked my email. The first thing I noticed was the email from Verizon Wireless - the "Media Store Newsletter" they spam their subscribers with. This doesn't really need commentary does it? It's just so much more of the same. Oh, Lord. What an onslaught.

Draw those who will be saved, Lord. Draw them near and love them up big.

Part 6 - What does the Olympic Rings logo really mean?

When we know what the Olympic rings logo signifies we can better understand what is signaled in the varied contexts where we find it. The logo's appearance on the "Olympischer Fackellauf" poster (Olympic Torch Relay - Berlin - 1936) speaks volumes to me! Interpreting the symbolic imagery exposes some profound connections between the antichrists Adolph Hitler and Barack Obama.

Links between these two have been made by many in the past couple of years, most recently with regard to this week's passage of the ObamaCare bill that echos the Nazi Aktion T4 program. Obama's leadership of America follows the pattern of Hitler's leadership of Germany. The occult signaling of Satan's plan reveals that Obama has picked up where Hitler left off. The symbols bear witness to this, validating what many suspect and what some know by revelation insight. Behind these two lies another, even Apollo.

When you consider only the blue elements of the "Olympischer Fackellauf" poster you perceive an early morning scene. We can identify the western face of the Temple and altar of Zeus, which has been in Berlin where those Olympic games were being held. Looking eastward, we see it in silhouette against the brightening sky. Dawn approaches, and the rising Sun in this context represents the dawn of Apollo.

Consider the following prayer, offered by high priestess Maria Nafpliotou in the Temple of Hera on October 22, 2009. "Apollo God of Sun and the idea of light send your rays and light the sacred torch for the hospitable city of Vancouver and you Zeus give peace to all peoples on earth and wreath the winners of the Sacred race." The cauldron flame was then lit by means of focusing the rays of the Sun using a parabolic mirror. Ritually, Apollo, God of Sun, answered their prayers. This lighting of the torch initiated the "sacred" (unholy) "fackellauf" that carried the flame to Vancouver's cauldrons.

Olympism's spiritual light comes from Apollo. His presence is suggested in the poster's imagery by the way the scene is lit. The gradient lighting presents the dawn of "Apollo God of Sun and the idea of light." Relative to the temple and altar of Zeus, we're presented with a view that anticipates Apollo's coming to his temple. Relative to the Olympic rings, Apollo god of Sun should be understood as the unseen ring's identity.

Here are some passages of scripture that relate to both the genuine and counterfeit events in view. 2 Peter 1:19, Malachi 4:1-3, Psalm 19:1-6, Zechariah 14:4, Ezekiel 43:1-5, 2 Thessalonians 2:1-12, Revelation 13:1-10, Luke 11:33-36

It can be said that both Hitler and Obama are keepers of the flame, fellow torch bearers. These two men, renowned for their elaborate and carefully attended personal branding, even share the "Apollo Brand" in Obama's sunrise logo and Hitler's "sun wheel" or "solar cross" swastika! I'll elaborate shortly, but let me state plainly that Apollo god of Sun has not yet dawned in his ultimate incarnation. While Hitler and Obama have borne the torch that was carried in ages past from the "mountain of the gods" by such as Nimrod, Nebuchadnezzar, Antiochus Epiphanes and Nero before them, this torch relay that is the greater Olympischer fackellauf has not yet reached the flame's final destination. One who was and "is not" awaits the dawn.

The occult imagery presented by the IOC is as richly endowed with meaningful symbols as anything I've seen put out by the likes of the Roman Catholics or any secret society. It's the nature of symbols to both conceal and reveal. When we consider the fackellauf poster's stylized temple some startling "dots" are presented that invite "connection." I perceive in this a number of literal temples that each, while themselves genuine, represent a greater spiritual reality. This is the same kind of modeling that is known by students of the Bible. The tabernacle built in the post-Exodus wandering, and, later the Temple built on Mt. Zion in Jerusalem, were constructed according to the pattern shown to their builders by the Lord God. The earthly versions were genuine and Yahweh was present, but these were temporary and symbolic of a greater and lasting spiritual reality and construct.

The temple and altar of Zeus pictured in the poster represented what was then becoming known as the Third Reich. It is the counterfeit of the "Millennial Reign of Christ" when Y'shua HaMashiach will rule, enthroned as the King of Kings.

Some versions of the temple of Zeus are the:

• Acropolis, Mount Olympus, Greece - destroyed by the Roman Theodosius II in 426 BC.
• Pergamon - moved from the ruins of the ancient Greek city's acropolis in what is now, Bergama, Turkey, to Berlin, beginning in the 1880's. This is the one referenced in Revelation 2 as the seat of Satan. The Great Altar of Zeus was built by Eumenes II, mentor to Antiochus IV Ephiphanes, the Seleucid king of "antichrist" notariety.
• Zeppelintribüne, Nuremberg, Germany - declared by the architect Albert Speer to be modeled after the Pergamon altar, for use in Nazi party rallys and large scale pageantry. This version was flanked by a pair of torch cauldrons, which was according to the pattern of the Temple of Zeus on Mount Olympus.
• DNC stage in Mile High Stadium, Denver, CO - built in 2008 as the stage set for Obama's acceptance (8/28/08) of the DNC's nomination for presidency.

I doubt anyone would dispute that the stylized temple of the poster relates to the Pergamon altar of Zeus in Berlin. There is an obvious association of Berlin with Mount Olympus. The ancient temple from the Greek city Pergamon ranks among Germany's most highly prized cultural acquisitions. The horses on the flanking columns strengthen the association. The other poster from the Berlin Olympics of 1936 picked up the horses and rooftop of the Eastern face (See image on right - "rear side") of the Pergamon temple. Yet, the stylized version isn't an exact match. The raised center section suggests the Zeppelintribüne version, which Speer built on a larger scale. Nuremberg's Zeppelintribüne was in use at the time of the 1936 Olympics in Berlin, but still under construction.

Ok. Now, I'm going to present a series of images. These feature the Altar and Temple of Zeus.





More to follow - Lord willing!

Part 2 - What does the Olympic Rings logo really mean?

Where did this evil logo come from? It was designed in 1912 by the Jesuit trained Pierre de Coubertin, the man I introduced in an earlier post as the founder of the modern Olympic Games. The rise of this symbol's popularity came in association with the 1936 Summer Olympics in Berlin. It was famously used by the Nazis to promote the Third Reich. It was at these same games that, through Nazi influence, (Carl Dium) the tradition of lighting the flame on Mt. Olympus by the sun and running the relay through different countries began. Hitler and the Nazis knew their occult symbols, to be sure! Pierre de Coubertin had one ready that was fit for the task!

When Pierre designed the logo he not only chose the form of the pyramid but was also inspired to use elements that individually identify the body of the pyramid as the peoples of the whole world, and collectively identify them as those who receive the mark of the Beast. The rings, their colors and the way they are connected represent all the people of the world, linked together, and undying!

The colors chosen represent the five inhabited continents of the world, with the blue, yellow, black, green, red (on the white background), according to De Coubertin, standing for those colors that appeared on all the national flags of the world at that time.

In number as in color, the rings represent the five inhabited continents of the world, according to De Coubertin, "the five parts of the world which now are won over to Olympism and willing to accept healthy competition."

The association of all the people of the world with the number five is biblical. I've observed that the popularly misrepresented sign of The Feeding of the Five Thousand is a prophetic type of the feeding the bread of life to the whole world. The bread of life (John 6) is the son of God, who came down from heaven. Zeus/Satan is well aware of this, inspiring De Coubertin's five elements of the Olympic logo that present the anti-bread from heaven being fed to the whole world!

This meaning of the logo's five rings becomes quite clear when you grasp what was meant by de Coubertin's use of the term, "Olympism," as when he explained the five rings as signifying "the five parts of the world which now are won over to Olympism." Consider an excerpt from the book "Philosophy of Olympism" by Ljubodrag Simonovic. "As far as the relation between Olympism and religion is concerned, Coubertin, unlike many of his followers who try to conceal the true nature of modern Olympism, is crystal clear: "The first essential characteristic of ancient and of modern Olympism alike is that of being a religion."" So, if we can simply accept de Coubertin's own explanation, the five rings of the Olympic logo represent the nations of the world that are won over to the religion called Olympism.

His declaration of the meaning of the colors as those of every national flag compares to the other statement he made about the number five, that it represents the five inhabited continents of the world. Obviously, the scope of his vision for Olympism is global and totalitarian.

I recommend that you read at the very least, the "Olympism as a Positive Religion" section of Simonovic's book, to give you a perspective on the Olympic phenomenon of today as one that has followed a charted course.

When the five rings of the truncated pyramid body are summed with the one of the completing capstone, the six of the completed pyramid represents the completed man, whose number is six.

We find a similar testimony on the obverse side of the great seal of the U.S. When the double deltas are traced in the glowing array of 13 stars a significantly numbered configuration appears. Seven stars are encircled by a ring of six! The seven, representing spiritual perfection, or, divinity, is inside the six, man. This is the higher level of the completed man, represented in the Olympic rings via its numerous levels of symbolism. In this we see the union of the sons of god with the daughters of men, the serpent's offspring produced through the mark of the beast!

As for the interlocking rings themselves, the origin of these symbolic elements can be traced back to Carl Jung. Yes, that Carl Jung - the one who wrote that, "The psychological mechanism that transforms energy is the symbol." According to Carl, the ring meant continuity and the human being. What is the ring, then, but the symbolic image of a human with continuity, undying, with eternal life? The ring portends the triple helix transformation I've been blogging about for a few months that will counterfeit a resurrection body! The ring is as the ouroboros. Looking around at the state of things today, I have to say Jung's belief about a symbol being a psychological mechanism that transforms energy is pretty well validated. Wouldn't you agree?

The interlocking of the rings speaks of these things:

• The marriage bond, as between the anti-Bridegroom and anti-Bride.
• Linked and locked together, the freedom of the individual to act independently of the others is limited.
• The interconnection of those who receive the mark of the Beast. This is the connection established between an individual and the others connected into the Beast network. This connection enables the interaction referred to in the NCR.com slogan, "Experience a new world of interaction." (By the way, they now have a new marketing sequence of three scenes. Perhaps the previous version was just a bit too obvious? Perhaps they didn't appreciate the exposure?) This creates a brotherhood of man infused with the same family DNA. Those connected are grafted into the bad tree, permenantly.
• The female, identifying the daughters of men. The symbol created by the linked rings is a version of what's referred to as the vesica piscis. Because the shape resembles the female vulva it's recognized as another symbol of the female.

The formation of the "female" vesica piscis highlights another signification of the Olympic rings logo. The form created by tracing around the outside of the rings is that of a downward pointing delta, the daughters of men symbol. The four vesica piscis add to the downward pointing delta to present a redundant testimony and amplify the magnitude of the symbol's influence.

What does the standard presentation of the Olympic rings on a rectangular white banner mean? The white rectangle (male) represents the divine sons of god, so, yet once more, it's the occult presentation of the sons of god with the daughters of men. Redundancy. I think we're beginning to catch on to what the Olympic rings logo means!

More coming, Lord willing!