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Tuesday, November 12, 2013

Part 11 - Celestial Stargates - Biblical Pillars of Heaven

Yesterday, in my waking season, the Lord was reminding me of a remarkable day when He gave me some insight into stargates back around '97 or '98. Here's what I wrote about it.

Between heaven and earth, there is a highway of sorts. This "high" way is a viaduct that will be a well traveled route for many who worship in the New Jerusalem in days to come. Let me tell you how I discovered this fascinating fact. Not too long ago, I woke up with a phrase running through my mind that just wouldn't go away. Until I got home from work that evening, I kept thinking, "The Assyrian is in the land. The Assyrian is in the land." When I realized the Lord was teaching me that the Assyrian was a symbol of a people in the land, I understood that he was about to show me something special based upon that knowledge. When I got home and began to search it out, I made an awesome discovery! Adding my knowledge of the Assyrian symbol to what I already knew from the "Iron Gate" studies about Egypt being a type of heaven, I discovered the meaning of the Hebrew word "mecillah," meaning a highway, staircase or viaduct.” (The Kingdom Viaduct)

I debated reproducing the entire study here. Instead of doing that I'm suggesting you just go read it now, as the Lord leads. It may be that it will open to you why an overcomer is made a pillar in the temple of the Heavenly Father, and why that's so awesome.

He who overcomes, I will make him a pillar in the temple of My God, and he will not go out from it anymore; and I will write on him the name of My God, and the name of the city of My God, the new Jerusalem, which comes down out of heaven from My God, and My new name. ~ Revelation 3:12

A decade later, the Lord called my attention to a ritual modeling of that mecillah that provided more insight and gave a degree of closure to what still seemed to me to be such a peculiar insight. Now, it's making a whole lot more sense!

The modeling was a dramatic element of a very public Illuminati ritual, performed in the way a soccer ball was ceremonially escorted to a bus during the London Ceremony. That was a richly symbolic 8 minute show sandwiched within the closing ceremonies of the Beijing Olympics. (Olympic Ceremony Symbolism - Part Four) The mecillah is a way of ascension and descension bridging heaven and earth, a stargate that may be represented in symbol as a ladder, stairway or viaduct.

Here's a picture from Rochester, NY, as seen from a vantage point fairly near to the statue of Mercury (Hermanubis) that has been exalted into the skyline. They do seem to know their stargates in Rochester. (Series Links: Rochester, NY and the Gateway to High Falls)

A stairway to heaven was dynamically woven of the flesh of man during the London Ceremony. This ritual enactment was set in the very specific context of 2 Thessalonians 2's ascension to a heavenly throne!

3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:3-4

In other language, this is Horus transiting the Silver Gate. He descends to incarnate in the chosen human vessel, while that genetically groomed man ascends to a celestial throne in the bridging union of body, soul and spirit. This antichrist merging represents the Devil's crux move. The agency of the Pope who baptizes and anoints him as the officiating High Priest is the beast John saw rising out of the land, and this is the agency of Anubis wielding the ankh. The place of restraining may be considered the Duat, the underworld and place of the dead as it is known to the Egyptians and their royal heritage.

6 And you know what restrains him now, so that in his time he will be revealed. 7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. (or, GONE FROM AMONG) 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; ~ 2 Thessalonians 2:6-8

When we read, “so that in his time he will be revealed,” it must be observed that there is an appointed time. On the calendar, this will be fulfilled on the 13th day of the first month, on the Lord's calendar. By our accounting, Spring of 2015. But that's the BIG secret, of course. ;) He, the antichrist agency of Horus, must be restrained until the appointed time. Too soon or too late - no good.

The Adversary is not ignorant about matters of timing. Within the limits of what my Lord has granted him for the outworking of His purposes, his knowledge is sufficient.

28 When He came to the other side into the country of the Gadarenes, two men who were demon-possessed met Him as they were coming out of the tombs. They were so extremely violent that no one could pass by that way. 29 And they cried out, saying, “What business do we have with each other, Son of God? Have You come here to torment us before the time?” ~ Matthew 8:28-29

“Gadarenes,” according to J. B. Jackson, means: “reward at the end.” Strong's Dictionary offers for the KJV substitute, “Gergesenes,” is, "a stranger drawing near." Flag on the field, fellow students. “When He came to the other side into the country of the Reward at the end / A stranger drawing near.” Think about it. Names are instructive. There's a suggestive preface to what may be interpreted as a parable. I don't doubt the legitimacy of the historical account as recorded, but it's also esoteric. They were coming out of the tombs, the place of the dead, as the underworld or Duat? They cried out as one, in two part harmony like mirror twins, in a Gemini-Silver Gate signaling, perhaps? The demons cast into the pigs immediately executed a freefall into a watery place named “circuit, or revolution” (Galilee) within the flow of “their descent” (Jordan), which perished their hosts and cast them into an abyss across the dimensional divide. The fall from a high place is a theme I haven't finished exploring yet. The Siamese (twins) cat leaping down off the pillar in A-Jax's “Insane” was just one example!

The sovereign Lord is ultimately in charge of every matter, and the Adversary's attempts to override His authority, even that which is over time itself, will appear to succeed. Keyword: Appear. For a season.

The messages being presently communicated to us in media echo how we are in the final countdown. It's time. We can't stop. These are expressions of confidence. You can accept that those who have ordained this proclamation have good reasons for being so confident. The rituals from the 2012 London Olympics and Paralympics were efficacious. There have been many more since then. The time has come for transition, for the unfolding sequence of trigger events and the eruption of chaos. A complex plan is being worked out. I will continue to decode the Occult messaging systems and bear witness to the greater truth according to the Lord's provision. If all this is speaking to you, take the words of 1 Thessalonians 5 to heart. Press in to all the Lord has for you, while this season for writing about chronos kai kairos remains, because it won't last much longer.

The Bible is not at all mute about the matter of stargates, and the matter of concealing and revealing is being capably managed by the Lord Y'shua. To get what some of us need to get from this I'm going to reference some relevant passages. I'm acutely aware of how very little I know about most things. What I do know confidently is that the Lord is attending most wonderfully to the provision of our daily bread. I'm not interested in theory, as speculative and academic. These are practical matters, for those to whom it is appointed.

There will be more than one instance of breaching the Silver Gate. It is likely that, as Steve Quayle is now reporting, stargates are opening already. When the antichrist beast manifests, that will be a notable, even pivotal breach. When the mark of the beast is implemented in a gambit leveraging his serpent DNA, and when the time lock on the 70 generations containment of Enoch's description is sprung, the expression, “all hell breaks loose” will be realized as never before. These things must be so. When it will be considered that things are beyond recovery, that will not quite be the full truth of the matter.

This passage in Amos 9 bears witness to the pillars that are stargates. The knob struck is the heavenly and underworld end of the stargate while the threshold is the pillar's base upon the earth.

I have seen the Lord standing by the altar, and He saith: `Smite the knob, and the thresholds shake, and cut them off by the head -- all of them, and their posterity with a sword I do slay, Not flee to them doth the fleer, nor escape to them doth a fugitive. 2 If they dig through into sheol, from thence doth My hand take them, and if they go up the heavens, from thence I cause them to come down. 3 And if they be hid in the top of Carmel, from thence I search out, and have taken them, and if they be hid from Mine eyes in the bottom of the sea, from thence I command the serpent, and it hath bitten them. 4 And if they go into captivity before their enemies, from thence I command the sword, and it hath slain them, and I have set Mine eye on them for evil, and not for good. ~ Amos 9:1-4 (YLT)

The New Living Translation renders Amos 9:1: “Strike the tops of the Temple columns, so that the foundation will shake.

According to the NET Bible, verse 2 reads, “Even if they could dig down into the netherworld, my hand would pull them up from there. Even if they could climb up to heaven, I would drag them down from there.” The netherworld; sheol, aka the Duat.

When the Lord says, “and I have set Mine eye on them for evil, and not for good,” that's THE evil eye that all the apotropaic amulets, MIB style ArcNets, The Fifth Element-like beaming and symbol magick in the world won't protect against. The exit strategy of those who would flee is flawed. Foiled. They will be flummoxed, and snake-bit.

The Hebrew words kaphtor and caph are stargate or mecillah constructs.

Knob: kaphtor Strongs H3730. Genesius observed that this word appears to be compounded from “to cover,” and “ to crown,” “ hence, a crown, chaplet, circlet of columns, of the golden candlestick.

If you track the word, kaphtor, you will see how it describes elements designed into the golden lampstand that lit the Temple in Jerusalem (At the Center of Time, as coined by David Flynn). The menorah is a model, as all those things are, of heavenly things. The celestial lights are as the flame of a lampstand or golden candlestick whose base is set upon the earth.

God placed them in the expanse of the heavens to give light on the earth, ~ Genesis 1:17

Threshold: caph (pronounced saf) Strongs H5605. Threshold, sill, door-keeper - also translated gates. See 1 Chronicles 9:19 and 1 Chronicles 9:22. (Are you familiar with Series Links: Threshold? It's the stargate plot operating through the triple-helix DNA transformation of the Beast and his mark. )


This version of a temple with pillars from Dendera is not the figurative equivalent of an 8 dollar bill. The ancients had secrets of heaven, not all of them, certainly, but enough to do what was required. This ancient representation is more the equivalent of a large and legitimate denomination of currency, albeit a most clever counterfeit.

Amos 9:4 - “I command the sword
Revelation 1:16 - “out of His mouth came a sharp two-edged sword

12 Then I turned to see the voice that was speaking with me. And having turned I saw seven golden lampstands; 13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. 14 His head and His hair were white like white wool, like snow; and His eyes were like a flame of fire. 15 His feet were like burnished bronze, when it has been made to glow in a furnace, and His voice was like the sound of many waters. 16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. ~ Revelation 1:12-18

Are you paying attention to the celestial symbolism? That is the genuine as provided by THE WORD Himself with a legitimate use of symbols in the expression.

When the clever producers of the A-Jax music video “Insane” chose pillars as symbols of the stargates and set candlesticks upon them, it was not of their own invention.

More to follow, Lord willing!

Sunday, September 29, 2013

Part 28 - Signs of Horus Worship - Nachash, Beguiling


Picking up where I left off, the merchant of athletic shoes, New Balance, brands themselves with a winged Nachash. Their logo is also a winged B (bee, makes honey but stings), for beast. A letter B featured in a layered symbolic context may be taken as an obfuscated number 13 with the 1 and 3 stuck together, the number with a composite meaning of the rebel lord beast. Because N=13 in RAS, the uniting of the N and B emphasizes the shared symbol, 13. BEAST! The winged Nachash! The N and B overlap so that what remains of the N appears as a pyramid, with the capstone appearing at the base, as the negative space. It's the sun god BEAST!

Because they make running shoes, the winged foot of Hermes / Mercury is modeled by every wearer. This is suggested to us in the collection of brand images below where the copy reads, “GOOD FORM RUNNING.” The winged rainbow colored shield of the NBN promo supplements the brand's winged logo to validate the symbol, including even a 5 point star, Horus. By applying the rainbow theme to the word “INDOOR,” they are referencing the sodomite “rainbow bridge” that is the anatomical “out door” from the flip side perspective.


The lightning bolt splitting the mirrored letters R of “POWERRUN” calls attention to Zeus, in whose honor the games are held. The attention given the R says “Horus Eye.” The positioning of the NB logo over the letters ER calls attention to that pair, and following the direction suggested by their reversed R we read, Re, the sun god. That bolt splitting the mirrored pair speaks to me of mind control programming and the creation of mirrored alters. New Balance makes a model 999 shoe, as pictured. 999~666! The slogan is, “A more intelligent approach to building shoes.” The winged serpent Nachash opens the Horus Eye and grants illumination, enlightenment and gnosis. I take it that's the secret behind their more intelligent approach.


New Balance Athletic Shoe, Inc. is known as NBAS. The company was founded in 1906 as the New Balance Arch Support Company. The name has changed but it's still the same NBAS. What is it about this letter string? NBAS in English gematria has the values 36 and 72 (RAS). I find this to be of interest because of how the lightning on the POWERRUN imagery mirrors the two letters R when splitting and reassembling. R=18, so RR, and there is no space between them, suggesting the single number 36. RR is then equivalent to NBAS in value, and I see that as being very significant! The RAS of NBAS is double the forward, as 36+36 = 72. If this seems familiar, I covered an example of this in some depth here, Mind-Control Programming - A-JAX 'INSANE', toward the end of the post. It's very relevant because it deals with the 36 cell magic square of the sun that is used to bind and control demons and the 72 goetic or gateway demons claimed to guard the portals. These numbers mean plenty to those who worship the winged Nachash.

New Balance ~ NB ~ Nachash, Beguiling.


The Northwest Airlines logo suits their business identity as an abstraction of the compass pointing out the direction of northwest, but there's far more to this Occult symbol than that! The Northwest Airlines livery decorates the giant bird's “tail feathers” with the N to identify it as Nachash. The N cuts the circle to square it and make a symbol of ritual sodomy, which is how the Nachash / Horus is worshiped. The triangle in the circle is an alchemical symbol of ritual sodomy illumination associated with the Philosopher's Stone. We see that marking the bird's tail, appropriately enough. The circle element is a simple sun symbol, which is often seen in motion across the sky in a ritual performance of sex magick.


The circle is also a symbol of the female, as is the triangle that points downward. In this context, the N is the male penetrating the circle to picture fertilization and the giving of birth. This speaks to me of the Nachash and the woman in the Garden of Eden, conceiving and then bearing Cain. He's been bragging about it ever since.

It also speaks to me of Osiris and Isis and the bringing forth of Horus. The production of Horus is magnified by reason of the referencing of the quadrant where 345 degrees is found, the northwest. That's a big enough deal to demand mention here but reserve a more detailed presentation for another time, Lord willing. The Northwest Airlines symbol is a magickal Horus Eye.

The triangle element is the equilateral form used to signal the beast and his mark through the transformation of the measure of internal angles as 60+60+60 to 666.

When you rotate this logo clockwise the N become a Z, for “Zeus,” which reveals this as a sun pyramid symbol where the triangle is the capstone. This is the layer of Occult symbolism where the offset unbalancing the form makes sense, as you can see from this illustration where I've traced around the elements as suggested.

The Z is also for Zion, which has been so emphatically signaled by the Zeus worshiping Olympic logos in recent years! Zion is being called to our attention here through the imagery of the sides of the North.

[A Song, a Psalm, by sons of Korah.] Great [is] Jehovah, and praised greatly, In the city of our God -- His holy hill. 2 Beautiful [for] elevation, A joy of all the land, [is] Mount Zion, The sides of the north, the city of a great king. 3 God in her high places is known for a tower. ~ Psalm 48:1-3 (YLT)

Zion has been represented by some as a pyramid, and others as a cube. The expression, “sides of the North,” makes little sense in our “physical” time-space until a higher dimensionality is acknowledged. I believe this is what the Nachash logo of the Northwest Airlines is representing. Keep in mind how there is a genuine that is matched and countered by the Adversary. There is an esoteric layer of alchemical geometry where the triangle represents 3-space and the surrounding circle represents time. The N is mostly inside but also outside the circle, invoked, breaching, covering, and if what I wrote in Part 27 about the Nachash is fresh in your mind you'll see how this is a validating insight. Inherent in the compass implied by the Northwest Airlines logo is the reference standard for direction, North. The pinnacle of the capstone on top of the pyramid is as North, which defines the sides of the north, which trace down to the base. There is a perspective that sees all 4 as the sides of the North.

Here's a very relevant passage from Isaiah.

13 And thou saidst in thy heart: the heavens I go up, Above stars of God I raise my throne, And I sit in the mount of meeting in the sides of the north. 14 I go up above the heights of a thick cloud, I am like to the Most High. 15 Only -- unto Sheol thou art brought down, Unto the sides of the pit. ~ Isaiah 14:13-15 (YLT)

A figure being referred to as an amplituhedron is a gem-like hyperstructure described in this recent and very pertinent article, A Jewel at the Heart of Quantum Physics. There's plenty I could import from that, but I'll leave it to you to follow through according as the Lord may lead.

With any reference in branding to a object called a compass there is a potential allusion to the instrument of the same name used to draw arcs and circles. The connection this makes to Illuminated Freemasonry deserves mention here. Especially since Northwest Airlines features a single letter inside a compass!


The alchemical standard Atalanta Fugiens also deserves mention. Note, the framing square as a cross is lying on the ground. Note also how this is being drawn by the master teacher on a wall of masonry (Masonry) that is partially occulted.

With all that said, let's return to the UNOH brand introduced in the Part 27. The university, like the airline just featured, is named for the quadrant of the 345 degrees that implies the sex magick production of Horus. The wings of the Nachash are the compass needle that points to the northwest.

Think about it. Connect the dots.

I found this image promoting the UNOH Racers volleyball team, with a taping of the hand signaling the classic 3.4.5 Horus hand.

Coincidence just doesn't seem like a very satisfying explanation for it.

More to follow, Lord willing!

Monday, January 27, 2014

Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate


The Silver Gate transit of Horus is sometimes pictured in some creative and pretty bizarre ways. So are the symbols concealing and revealing the secrets of the timing of the end of the age. The music video for “We Can't Stop” by Miley Cyrus provides such content, and more! Accompanying this music video's Silver Gate imagery is a reference to the pivotal celestial sign of 1991. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age. I can't cover this all in a single post, so there will be more to follow, Lord willing!

Miley Cyrus is the current edition of the “former Disney girl-gone-bad” collection. She has made headlines in recent months for her obscene stage performances. While this post was being written, she performed at Clive Davis' annual pre-Grammy gala at the Beverly Hilton Hotel. Despite her embarrassing public behavior, she continues to be involved in media ritual.

Here's the official music video this post is focused upon, although I recommend not watching it. There's no nudity but be forewarned that it is indecent and very offensive. If the production seems cheaply done, don't be fooled into thinking it's amateurish. Like with “Crazy Kids” by Ke$ha, the apparent lack of sophistication and budget belies the evil genius behind the effort.

Miley Cyrus - We Can't Stop

The general content has become standard fare for the industry. The celestial stargate transit imagery I'm going to point out shortly is attended by Monarch programming symbolism, including plenty of Beta sex kitten programming. The drug theme is prominent, and the imagery of bondage, abuse, homosexuality, sodomy, incest and pedophelia is pervasive. The lyrical theme might seem like it's just a bunch of spoiled bratty kids but it's really more than that. You might take it as a sign of the routine Illuminati programming of children at 3 years old having frozen them in that stage of development, and yet, there's still more to it.

It's our party we can do what we want
It's our party we can say what we want
It's our party we can love who we want
We can kiss who we want
We can live how we want

This defiant youth, rebel, anarchist, lawless shtick is what some call a “care free attitude.” That's a bit mild. They actually care very deeply about unrestrained evil. It's an exhibition of Aliester Crowley's Thelema motto, “Do what thou wilt shall be the whole of the law,” which he claimed was not really about the unrestrained expression of the individual's own will. It's about the full and unrestrained expression of the will of their god. By one name, that god is Horus. “Thou,” in “Do what Thou wilt,” is not the individual but Horus. This has been a major theme on this blog and this is the most basic meaning of the video.

Miley's wild house party is celebrating the coming incarnation of Horus. This is the familiar pep rally for the agents of the chaos that has been called the Black Awakening, the action that will usher in the social order being prepared for the returning ancient king's welcome.

So la da di da di, we like to party
Dancing with Molly
[party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things
Things don’t run we
We don't take nothing from nobody

Again, the song and video are programming the expendable agents whose role it is to forge this age into the one in which the incarnating Horus will be received.

At 1:38 into the video, the modeling of a Silver Gate transit begins to unfold. This sequence begins with a collection of ratty stuffed does arrayed in a circle. They appear to be cloned like as if in a kaleidoscope that multiplies a radial section by reflecting it in adjacent mirrors. You have to point a kaleidoscope at the light. The little doe clones all face in and wear sun glasses, with their shadows radiating outward. This scene represents the Zodiac, which rings around the Earth. A deer with sunglasses has features of both people and animals, and the Zodiac is populated with the forms of people and animals.

You can draw a circle through the sunglasses, which represents the path of the sun through the heavens, the ecliptic. Generally, sunglasses signal the worship of the sun god. As filtering the light into the eyes, the sunglasses represent the blinds of Occult obfuscation. There's a concealing and a revealing at hand. As sunglasses are known as shades, there is in this scene a witness to those spirits so called. A bhuta or a kama-rupa is a ghostly astral copy of a man that was. Shades are considered to be decaying astral corpses. Biblically, think Rephaim and the spirits of the dead that are appointed for another incarnation for the purposes of judgment. The decrepit stuffed critters in the celestial setting of the Zodiac are such shades, and we will see their vision of the dead Osiris coming out from among them as resurrecting into Horus.

Count the deer. There are 11, and yes there are actually 12 signs in the Zodiac. Where's the missing sign?

I'll describe another layer of symbolism later, but first consider the 12th sign pictured as this other doe clone. It appears next in sequence after the Zodiac set, flashed briefly just before we see the stuffed bobcat-like critter being pulled across the floor. We get a better view of the sign when we see Miley wearing a fur coat and carrying little “Bambi.” The deer is wearing Miley's sunglasses. This is the 12th doe, the circle's missing constellation that is actually the first in the sequence: Virgo. Miley and the doe are Virgo. The doe has a fur coat, and so does Miley. The doe is wearing Miley's sun glasses. Miley gives us an unblinking stare that might well be her best impression of a “deer in the headlights.”

In the circle of the Zodiac, Virgo is at the head and Leo is at the end. This is implied by the design of the Sphinx. This is familiar, right? This mystery of the Sphinx is demonstrated by Miley as she pulls the bobcat behind her. The bobcat is a big cat representing Leo, the lion. She is Virgo, and the golden chain in her hand that is Leo's assumed leash implies the other constellations. We don't see the entire chain at once, which must be, in part, to make allowance for the unseen links in the Zodiacal chain connecting Virgo with Leo.

Woven into this symbolism is the transit of Horus through the celestial Silver Gate. The strange looking bobcat being slid across the floor is a fierce beast. It's Horus, of course! He's poised to pounce, a predator and lion king sun god who is springing forth into our dimension. He is stuffed, mummified, that long dead Osiris who is about to spring into life in the resurrected Horus. The count of deer in the stylized Zodiac presents the 11 that is a simple Twin graphic to signal Gemini, the Twins. The doe clones are all twins; again, Gemini. The white color that dominates the set is equivalent to silver in heraldry, and these are also represented by the same Egyptian hieroglyph. Yes, it's another cryptic vignette of Horus transiting the Silver Gate.

A waveform appears at the bottom of the curtain that speaks to me of the repeating cycle of the sun crossing over the equator, a testimony of the sun god's manifestation in the earth. It also suggests to me the hieroglyph for the watery abyss, which is being traversed.

Isis and Anubis are also present and active. Virgo is Isis, and so we see Miley with the little doe towing the beast by his golden leash. It's through the magick of Isis that Osiris resurrects into Horus. The psychopomp Anubis leads the way in this passage out of the underworld Duat in the guise of the little stuffed doe. Anubis is the god of embalming, of mummification, the taxidermist's trade.


The stuffed animals all bear witness to his identity and presence in the scene. Miley's fur coat is another witness, which has been processed by the tanner to accomplish the same purpose of the preservation of select portions of the body of the dead.

Notice how there's no slack in the chain that pulls the beast. It doesn't droop, it's perfectly straight. Together with the horizontal and vertical edges of the video frame, a right triangle is suggested. That chain is the hypotenuse. This evokes the formula of the 47th Problem of Euclid. The hypotenuse represents Horus, as produced through the union of Osiris and Isis. That golden chain is the golden Apollo, Horus. This is a fitting picture with Isis as Miley standing upright and vertical, and with Osiris as the beast on the perpendicular horizontal base.

Early in this series and while addressing Ke$ha's “Crazy Kids” video, the chains seen around the necks of people and animals were identified with the Theurgists concept of the Great Chain of Being. This is in play here. Some of these chains are the utility kind that has toroidal links. The twinned torus speaks of The Twins and Taurus, the celestial Silver Gate.

By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)


The scenes that immediately follow that bizarre Silver Gate sequence repeat the message in a different way to give us the validating redundancy.

According to legend, Apollo, son of Zeus, was born on the floating island of Delos. Leto gave birth to him under a palm tree. This is dramatized for us by Miley as she floats in the water wearing a suit with palm trees on her breasts.

And as soon as Eileithyia the goddess of sore travail set foot on Delos, the pains of birth seized Leto, and she longed to bring forth; so she cast her arms about a palm tree and kneeled on the soft meadow while the earth [of Delos] laughed for joy beneath. Then the child [Apollo] leaped forth to the light, and all the goddesses raised a cry. Straightway, great Phoibos, the goddesses washed you purely and cleanly with sweet water, and swathed you in a white garment of fine texture, new-woven, and fastened a golden band about you.” (Homeric Hymn 3 to Delian Apollon 2 - 148 (trans. Evelyn-White) (Greek epic C7th to 4th B.C.))

The video producers present the bobcat beast leaping forth into the light with a golden band or chain around him as the newly born son of Leto, adorned by the Phoibos.

There is a celestial aspect to this. According to Greek legend, Asteria (root meaning of “star”) was a Titan goddess of astrology. After fleeing the advances of Zeus she leapt into the sea and became the island of Asteria, also called Delos. The censored sign over her mouth with golden chains connecting it to the sunglasses bears further witness to the bringing forth of the sun god, Apollo. Leto was restricted in where she might give birth. She gave birth on the floating Asteria because Hera, Zeus' wife who was known for her morality, banned her from giving birth on a mainland or a normal island. Leto was censored. So it is that we see the sign on Miley attached to her sunglasses reading, “CENSORED.” Miley represents Leto, famously censored by Hera.

When you see Miley in the pool with a doll dressed exactly like her, it speaks of the birth of Artemis to Leto, Apollo's twin.

It is remarkable that Leto brought forth Artemis, the elder twin, without travail, as Callimachus wrote, as if she were merely revealing another manifestation of herself.” (Wikipedia)

The doll is Artemis, “another manifestation of herself”; Miley-Leto.

The doll obviously speaks of Gemini, the Twins, to add even more Silver Gate imagery.

Miley and the doll also symbolize the twinning of Illuminati trauma-based mind-control programming. Much, much more could be written about all that layering, because the video is just smothered in it.

It should be noted that the palm tree is the phoenix palm, the familiar Occult symbol of victory over death. The birth of Apollo to Leto is equivalent in symbol to the resurrection of Osiris into Horus as wrought by Isis, the long sought manifestation of victory over death.


Before we get into the very special time element embedded in this video, let's return to the vignette where Miley-Isis-Anubis was towing the beast to get more of what's there for us.

I had previously identified Miley and the doe clone she was carrying as the 12th sign of the Zodiac, Virgo, noting how there was another layer of symbolism evident. On this level, the sign missing from the 11 remaining in the Zodiac is Leo, the big cat, who is being dragged away. See the celestial realm as containing star-angel beings and not just physical lights. This beast poised to pounce is going to spring through the Silver Gate into our earthly dimension. It has to leave there to get here. The 11 stuffed and scruffy shade critters are left behind after the Horus entity has left that habitat, which is the Duat, underworld abyss, the place of the dead. At present, in reality, the antichrist entity referenced as Horus is among others of like kind, but it soon will depart from among them to become separate. This is literally what the following passage declares, with a literal rendering of “taken out of the way” being, “gone from among.”

7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. ~ 2 Thessalonians 2:7-10

This is the “apostasia” of verse 3, the “standing away from,” pictured in a very elegant but bizarre way in this brief video sequence. It is not meaning “apostasy” as we know the word! (See The Sign for the Bride - Part 1)

Let no one in any way deceive you, for it will not come unless the * apostasy * comes first, and the man of lawlessness is revealed, the son of destruction ~ 2 Thessalonians 2:3

This departure and the separation created thereby is a key aspect of the transit of Horus through the celestial Silver Gate into our earthly realm.

This pillar or bridge or viaduct being traveled is named in the second chapter of Joel, where we find an explanation for more of the video's imagery. This is synchronized with the song lyrics on the audio track.

The dimensional bridge is identified as the mecillah in the Hebrew Bible. I already shared these versions of the verse in Part 15 - Celestial Stargates - Operative Black Magick but I'm going to repeat them here.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

“In his path” is the Hebrew word “mecillah.” It's the viaduct or way of ascending and descending between the realms, a stargate.

And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)

They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

This traversal is very often (and I mean VERY often) pictured in symbol by a train on railroad tracks with the individual cars all linked together and traveling in a line. No recognizable train is in sight in this video, but the long narrow silver vents on the floor between the beast and the drapery speak to me of the train tracks. The sled the beast slides along on is as a car in the train. It's Leo, the caboose on the golden Zodiac chain led by Virgo, right? It's the orderly procession where everyone marches along in line.

This sliding of the beast along the mecillah is synchronized with the lyric, “And everyone in line,” and now you know why!

Here's what's being sung while this prophetic drama unfolds on screen. This verse is about finding a private place while you're out clubbing to do illicit drugs and get high, but only superficially. This segment begins with a twerking scene then cuts right into the celestial stargate transit sequence.

To my home girl here with the big butt
Shaking it like we at a strip club
Remember only God could judge us
forget the haters cause somebody loves ya
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

Have you ever “turned up” somewhere? You went there and upon your arrival you were found present in that location. It's the encoding of the Silver Gate transit described in Joel 2:8 (above). Read the whole chapter. It's about God's judgment, which is why that's in the verse of the song, evoking the theme to set the context for us! In the execution of God's judgment, these appointed agents will transit the mecillah in single file, like the cars of a train along their track. They will be “all so turned up here.” The producers of “We Can't Stop” know it. We are going to get “freight trained” and it won't be stopped. Judgment is even now arriving, and those agents will be “getting turned up” right on schedule.

This message of “We Can't Stop” compares to what you will find in the music video by A-Jax, “Insane.” (See Parts 8 and 9 among others.) In both of the Silver Gate transit sequences where the cat jumps off the pillar and the candlestick-hourglass falls, it ends with the Anubis guy wearing keys around his neck and the words, “I can't hold it in, you can't stop me.” When Horus' is triggered, the transit will not be stopped.

One of the features of Silver Gate modeling involves time. The activation of the celestial stargate is presented in the context of a manipulation of the continuity of time through a truncation or reset action. Time keeping pieces like clocks and timers are some of the more obvious symbols used but sometimes a reset is suggested by the way scenes are sequenced. The stargate sequence in “We Can't Stop” begins with the 11 doe Zodiac. It's followed by the doe carried by Miley, then the bobcat beast, then Miley and the doe. I see a reset in the cutting of scenes from the doe to the cat and back to the doe. Virgo appears then Leo and then it's back to Virgo. In the context of the Zodiac you can see this as a time loop that implies a reset.

You can also interpret that as a positional looping, like the trace of a planet undergoing retrograde motion in that region of the sky. What leads me to that observation is a later scene that references a very special celestial sign, the sign of Yom Teruah, 1991, which involved just such a motion!

The referencing of this sign is a big deal because it is the sign of the Lord's coming in judgment and the basis for the count of Shemitah that identifies to us that it is truly this present Shemitah that is the one appointed for the conclusion of this age! If you're not familiar enough with the sign to have confidence in what it means, well, you've really got some catching up to do on some very important matters, critical matters, it must be said.

Wednesday, September 17, 2014

Part 9 - Decoding The Penitent Man (2010) - Standing Waves of Time-Space


As this series nears its end, there's just a few more pertinent observations I'd like to make.

After buying roses for his wife, Dr. Pyatt heads home, where he is going to be shot by future-Ovid. On his way, we see him in an impressive sequence of symbolic stargate transits. There's one as he enters the lobby of the Biltmore Apts. The writer-director claimed that most of the filming was done inside the Masonic building, “The Landmark on the Sound,” so that may be what we're looking at in this scene.



We see Jason Pyatt and the arch in this screenshot, unreflected, and a series of reflections. The design of the arch mimics a triple arch, which speaks to me of an emphasized Royal Arch Degree symbol of Freemasonry with its triple tau cross. (Triple Tau ~ T-he T-ime T-unnel) What is so striking about this scene is the effect created by the large mirrors on the opposing walls. The set multiplies reflections, repeating as many times as a particular viewing angle allows. The images each represent a moment in time. The reflections travel to the camera lens at the same speed but the greater distance covered by consecutive images make them not only smaller but older. Any reflected image you see is older than what is being reflected. Think of an echo, where the delay is exaggerated because sound travels much more slowly. The fixed distance between the opposing mirrors in the entryway establishes a frequency of resonance relative to the image inversion. It's a tuned standing wave. The scene suggests time waves. As Above, so below, the Hermetic Maxim, is also being evoked.

In this scene, Jason Pyatt is just about to pick up his mail from his box in the array of boxes in the lobby. He has just used the mailbox at the corner of the Pretty Parlor, a time-bridging construct (Part 3), and we can assume that the mailbox he's about to unlock with his secret combination contains mail sent from another time. Mail always takes at least a day from when it's mailed to when it's delivered, so it always comes from the past, in that sense, and each piece is always postmarked with a date and location (time-space), but the themes of the film involve time spans that are not of the customary linearity. The echoing time wave reflection scene kind of bridges Pyatt's interactions with the mailboxes. It definitely has something to say about the bridging of space-time.

This clever illustration of resonating time waves compares to how it's done in “Insane,” a music video by A-Jax. There, the transit scene was created in a room full of framed mirrors.


They present the resonating time wave as a stack of panes or concentric frames, as if we're looking head-on into the inversion mechanism. Remember, smaller images are older. We see the colors of the rainbow in the sky because it's a rainbow bridge. Each color has a different frequency and a different wavelength. Light behaves as having the nature of both particles (photons) and waves (with interference patterns) as it is observed traveling through time-space. The video also features the mirror like in Alice Through the Looking Glass, as a portal through the character passes into other dimensional spaces.

You may recall how the mirror was used for a past-into-present transition during the recent Olympic Ceremonies in Sochi, Russia. But the framing or paneling of the stargate portal is not just all about the mirror.

Heliofant's viral video, I, Pet Goat II provides a similar illustration of a transit by utilizing the concentric frame technique. In their version, it's a celestial scene and they go so far as to show us their mystical Jesus coming through in the Anubis gondola, making entrance from out of the Milky Way and underworld duat.

The Penitent Man draws heavily from The Wizard of Oz, and we find in that classic two different styles of concentric time wave frames. The first features rectangular frames on a circular ring in the stargate transit where Toto leaps off out of the basket and off the pillar to escape the witch's castle. Dorothy is standing on a panel of the Zodiac ring that has concentric frames while wearing the coveted ruby slippers. Those are the stargate transiting objects formerly worn by the Wicked Witch of the East. She's not personally making the transit like Toto, but the way she appears in the scene is supporting that transit. She is the facilitating goddess.


You can see the style of the grid more clearly in this next screenshot.


Those same ruby slippers are involved in the transit scene when Dorothy is returning home from Oz. Instead of curved rectangular frames we see concentric circles around Dorothy's head.

It's not uncommon in sci-fi for the effects caused by an event that happens in a moment of time to be likened to the ripples on the surface of the water caused by the pebble that falls in. The animated concentric circle imagery creates a mesmerizing trance inducing mind-control signalling effect, and a time wave dimensional transiting effect. The concentric rings and rectangles or curved rectangles compare in symbol. When I address matters of squaring the circle, I'm usually interpreting a symbol in the context of the sodomite gateway, but that has a root in the exercise of control over the breaching of time-space to bridge the dimensions.

This is leveraged constantly by Verizon Wireless in mail promotions, ads, commercials and in-store displays. You even get a special animated version when you boot up their phones, with supplemental wave form echoing audio.

Hey did you happen to see the recent MTV VMA show? The set had the performers entering from offstage through a Time Tunnel style portal onto a central vortex stage. Stargate and sodomite gateway imagery and mind-control imagery was everywhere!

The point of it all is to bring forth Horus, their Antichrist hero by any and every means, and their schemes are working.

The fundamental reality represented by the repeating rings or panels is evidenced in the cycles of time recorded in biblical history, in past, present and future history. Dr. Stephen Jones demonstrates the principle quite effectively in his book, Secrets of Time in Prophecy. I've discussed time cycles frequently on this blog and on TheOpenScroll.com. Events echo through time forward and back through what generally appears as the apparent linear construct. I've tracked the heptadic ripples flowing out from the revealing of the lawless one coming up in April of 2015, which intersected our “pond surface” in 2008, 2001 and 1994. The Devil knows plenty about how these things work, and he's been busy spilling the beans in coded language of symbols in every fit medium. He's soon going to exploit time itself, as granted by the Sovereign God, for the fulfillment of His own purposes.

More to follow as I wrap this up, Lord willing.

Saturday, October 04, 2014

The Sign of Yom Teruah - Falling Apple Clock, Antichrist and the Time Mission

Yom Kippur will soon begin. (sunset to sunset, 10/5-6) As with Yom Teruah, we have a sense of expectation about what the day may bring. While it's still the weekly Shabbat here, I want to finish addressing the sign of Yom Teruah that was the fall of the kitchen clock. The apple clock has a mounting system that doesn't permit such a fall by any natural means whatsoever, and no structural failure was involved. Much more could be written about what this signals, but for the present, this must suffice.

That fallen clock I wrote about in the previous post wasn't the first peculiar sign received on a holy day. Six years ago, on Yom Kippur, I received one of two signs that pertained most immediately to writings about bells. That sign had involved penny rolls and the number twenty-two in the form of eleven eleven, and it had meaning that was evident in the context. As I look back, another reason why that sign was given on Yom Kippur is evident because of what I've learned more recently. Gemini stargate, celestial Silver Gate... The imagery of Yom Kippur for those who practice Judaism is that of a gate that swings closed, ending this season (The Days of Awe) for teshuva, repentance. As Rabbi Michael Strassfeld notes in The Jewish Holidays, A Guide and Commentary, “The dramatic last service, neilah, focuses on the image of the gates of heaven closing, presenting us with our last chance to do teshuvah.”

The clock sign modeled the stopping and resetting of time that will take place when the lawless one is being revealed in April of 2015. When a man is baptized by the Pope he will receive a supernatural anointing. He will become an avatar for Horus, the entity that transits the Silver Gate to make his way from his present abode to manifest in our realm. The activation of the stargate will involve a time hack, stopping time. When the Lord ends the appointed season of restraining, the Adversary will be granted what is necessary. The sovereign God has ordained a time reset that will assure the enemy's defeat. Everything will unfold just as the Creator has appointed it, and recorded it in the Bible. He conceals and reveals precisely what He will, to whom He wills, when He wills.

The clock that fell to the floor has distinctive features that are fitting for a stargate transit symbol. It's an apple clock. The falling apple ~ Newton ~ discovery of gravity as an apple fell off the tree on his head. Gravity ~ things leaping or falling off a pedestal picture a stargate transit, and usually there's some kind of clock in view. The face of the clock isn't flat because there's a wedge cut out of it. Seen from below or above, it has a kind of half hourglass figure. The hourglass fell, like A-Jax Insane's transit. The apple clock - the apple goddess, Aphrodite, Venus, Mary, Isis... Present and accounted for in this transit model.

The apple clock fell to earth in a modeling a leg of the journey in Satan's fall. The apple suggests the fruit of the tree of knowledge of good and evil. Think: Seed of the Nachash of Genesis 3:15. Remember the apple rolling across the checkerboard floor in the “I, Pet Goat” schoolroom?

When the clock hit the floor the battery was ejected, stopping time, in a figure. On picking it up, Aaron noted that the hands read, 12:09. It's a 21 signal (12+9) and that number means, time, and the fullness of time. When time stopped it was the end of time, the end of an appointed season. Time stopping is required in the stargate activation. CERN and LHC - success with the supercollider and a leveraging of the God particle. Aaron reset the clock and hung it back up on the wall. When some most welcome insight came later in the day, he exclaimed how that act modeled the time reset mission that is appointed for some saints to participate in. (The dragon will then know that time is short.) We take the signal 21 as another confirmation of what the Lord has been revealing about the time mission, which was confirmed already from the “Live Die Repeat: Edge of Tomorrow” film. The battery expires in 2019. That's when the Stone Kingdom of Daniel 2 arrives at the expiration of this age, perhaps on Yom Teruah (I can't say I know that day with full confidence) and also marking Yom Kippur as the start of the Yobel, the Jubilee!

Less than half an hour after the clock fell, Bill Clinton's daughter Chelsea tweeted that she and Marc had a girl. Aaron and I independently noted, the apple doesn't fall far from the tree.

Bill Clinton is a grandpa; Chelsea gives birth to baby girl
The baby was born Friday, a Clinton spokesman said.
Chelsea Clinton @ChelseaClinton
Marc and I are full of love, awe and gratitude as we celebrate the birth of our daughter, Charlotte Clinton Mezvinsky.
12:32 AM - 27 Sep 2014

(Awe - The Days of Awe between Yom Teruah and Yom Kippur -- “Stop the Clock! SPAWNing shock and awe...” from Uli Jon Roth's Tempus Fugit)

The name, Charlotte, means: Feminine manly. The Bible clearly declares how men should not be effeminate or women, manly. It's an offense and a sign. Baphomet. Hermaphrodite. Adam Kadmon. It signals a putting back together what the Creator separated, and called good. It's an unmaking of what is good, recreating in another image, female dominant (Charlotte is a girl) and contrary to the original. I don't know if the baby's first outfit was a pant suit, but I digress.

The Clinton-Mezvinsky union was interfaith, Jewish+Christian tradition. The baby produced is a melding. This is clearly messianic.

The sign came on Yom Teruah, an anniversary of when the Messiah was born, in 2 BC. Anniversary #2015, if I counted correctly. Bill Clinton has always been the one the Lord uses to model the Antichrist to me, as I've documented for many years. Here's another instance, whose only child of an only child was born on the Messiah's birthday.

Do you know about Shabtai Tzvi (Sabbatai Zevi), who with the help of the Vatican convinced many of the world's Jews that he was the messiah!

“An expose of the effects of Tzvi, a 17th century messiah, on the history of modern Israel. Discover who the modern players are, their politics involving Israel and the Jewish people, and their plans for the state of Israel and its people. The religious beliefs of the follows of Shabtai Tzvi continue to affect us today.”
Shabtai Tzvi, Labor Zionism and the Holocaust - by Barry Chamish

Are you familiar with the late J. R. Church's presentation titled, Tickling the Tail of the Dragon? During some trips to Israel, the crowds chanted, "Clinton! Ruler of the universe!" During his second inauguration, Clinton put his hand on the Bible, on Isaiah 58:12.

Those from among you will rebuild the ancient ruins; You will raise up the age-old foundations; And you will be called the repairer of the breach, The restorer of the streets in which to dwell. ~ Isaiah 58:12

Of particular interest is the end of part 3 and beginning of part 4 in the video series I posted to my YouTube account. You will hear the reported testimony of a minister who professed to be a Rothschild, converted to Christ. He claimed to have grown up with Bill Clinton. He claims that Rabbis kissed Bill's hand, and that he was designated as the “Segulah Yeled Ekletos” in a ceremony, the “Royal Boy Chosen.” Barry Chamish presents information on the Rothschild family and the fact that they were Sabbatean Jews. It follows that Bill Clinton is too. Link: Bill Clinton - Shabtai Tzvi - messiah accepted by Jews and supported by Vatican.

In the recent retro animated feature time travel film, Mr. Peabody and Sherman (2014), why does Bill Clinton appear in the scene with Presidents Washington and Lincoln and other historical figures, who all came through the portal from the past? He's current, right? Hmmm. And, he's come from the past, apparently. He's a prime candidate for the Horus Avatar.

The apple connections have “Avalon” threads weaving through Led Zeppelin's “The Battle of Evermore” and Uli Jon Roth's album lyrics of “Under a Dark Sky (Sky of Avalon).”

Avalon: (Welsh: Ynys Afallon; probably from afal, meaning apple) is a legendary island featured in the Arthurian legend. It first appears in Geoffrey of Monmouth's 1136 pseudohistorical account Historia Regum Britanniae ("The History of the Kings of Britain") as the place where King Arthur's sword Excalibur was forged and later where Arthur was taken to recover from his wounds after the Battle of Camlann. Avalon was associated from an early date with mystical practices and people such as Morgan le Fay.” (Wikipedia)

Avalon is sometimes linked to Glastonbury, England, and sometimes, to Bardsey Island. Remember the London Olympics opening ceremony, when people streamed out of the underworld from underneath the “goddess” tree that lifted up from the model of Glastonbury Tor - for the Industrial Age and Dark Satanic Mills segment?

Recall this scene from the London Paralympics?


Stonehenge and floating apples. A hedge represents a dimensional barrier. Remember Outlander's time travel through the standing stone circle, from the recent post? The protagonist traveled back into the year Mayer Amschel Rothschild was born (1743), a notable descendent of Bill Clinton.

The stargate will open soon, as exposed by the symbol magick rituals. The normal flow of time will be interrupted and there will be a truncation and reset.

Aaron and I aren't sitting around making stuff up. This isn't for drama or entertainment's sake. I hope your paying attention and giving heed to your personal preparation as the Lord directs. Our time is nearly up.