The Sign of Yom Teruah - Falling Apple Clock, Antichrist and the Time Mission

Yom Kippur will soon begin. (sunset to sunset, 10/5-6) As with Yom Teruah, we have a sense of expectation about what the day may bring. While it's still the weekly Shabbat here, I want to finish addressing the sign of Yom Teruah that was the fall of the kitchen clock. The apple clock has a mounting system that doesn't permit such a fall by any natural means whatsoever, and no structural failure was involved. Much more could be written about what this signals, but for the present, this must suffice.

That fallen clock I wrote about in the previous post wasn't the first peculiar sign received on a holy day. Six years ago, on Yom Kippur, I received one of two signs that pertained most immediately to writings about bells. That sign had involved penny rolls and the number twenty-two in the form of eleven eleven, and it had meaning that was evident in the context. As I look back, another reason why that sign was given on Yom Kippur is evident because of what I've learned more recently. Gemini stargate, celestial Silver Gate... The imagery of Yom Kippur for those who practice Judaism is that of a gate that swings closed, ending this season (The Days of Awe) for teshuva, repentance. As Rabbi Michael Strassfeld notes in The Jewish Holidays, A Guide and Commentary, “The dramatic last service, neilah, focuses on the image of the gates of heaven closing, presenting us with our last chance to do teshuvah.”

The clock sign modeled the stopping and resetting of time that will take place when the lawless one is being revealed in April of 2015. When a man is baptized by the Pope he will receive a supernatural anointing. He will become an avatar for Horus, the entity that transits the Silver Gate to make his way from his present abode to manifest in our realm. The activation of the stargate will involve a time hack, stopping time. When the Lord ends the appointed season of restraining, the Adversary will be granted what is necessary. The sovereign God has ordained a time reset that will assure the enemy's defeat. Everything will unfold just as the Creator has appointed it, and recorded it in the Bible. He conceals and reveals precisely what He will, to whom He wills, when He wills.

The clock that fell to the floor has distinctive features that are fitting for a stargate transit symbol. It's an apple clock. The falling apple ~ Newton ~ discovery of gravity as an apple fell off the tree on his head. Gravity ~ things leaping or falling off a pedestal picture a stargate transit, and usually there's some kind of clock in view. The face of the clock isn't flat because there's a wedge cut out of it. Seen from below or above, it has a kind of half hourglass figure. The hourglass fell, like A-Jax Insane's transit. The apple clock - the apple goddess, Aphrodite, Venus, Mary, Isis... Present and accounted for in this transit model.

The apple clock fell to earth in a modeling a leg of the journey in Satan's fall. The apple suggests the fruit of the tree of knowledge of good and evil. Think: Seed of the Nachash of Genesis 3:15. Remember the apple rolling across the checkerboard floor in the “I, Pet Goat” schoolroom?

When the clock hit the floor the battery was ejected, stopping time, in a figure. On picking it up, Aaron noted that the hands read, 12:09. It's a 21 signal (12+9) and that number means, time, and the fullness of time. When time stopped it was the end of time, the end of an appointed season. Time stopping is required in the stargate activation. CERN and LHC - success with the supercollider and a leveraging of the God particle. Aaron reset the clock and hung it back up on the wall. When some most welcome insight came later in the day, he exclaimed how that act modeled the time reset mission that is appointed for some saints to participate in. (The dragon will then know that time is short.) We take the signal 21 as another confirmation of what the Lord has been revealing about the time mission, which was confirmed already from the “Live Die Repeat: Edge of Tomorrow” film. The battery expires in 2019. That's when the Stone Kingdom of Daniel 2 arrives at the expiration of this age, perhaps on Yom Teruah (I can't say I know that day with full confidence) and also marking Yom Kippur as the start of the Yobel, the Jubilee!

Less than half an hour after the clock fell, Bill Clinton's daughter Chelsea tweeted that she and Marc had a girl. Aaron and I independently noted, the apple doesn't fall far from the tree.

Bill Clinton is a grandpa; Chelsea gives birth to baby girl
The baby was born Friday, a Clinton spokesman said.
Chelsea Clinton @ChelseaClinton
Marc and I are full of love, awe and gratitude as we celebrate the birth of our daughter, Charlotte Clinton Mezvinsky.
12:32 AM - 27 Sep 2014

(Awe - The Days of Awe between Yom Teruah and Yom Kippur -- “Stop the Clock! SPAWNing shock and awe...” from Uli Jon Roth's Tempus Fugit)

The name, Charlotte, means: Feminine manly. The Bible clearly declares how men should not be effeminate or women, manly. It's an offense and a sign. Baphomet. Hermaphrodite. Adam Kadmon. It signals a putting back together what the Creator separated, and called good. It's an unmaking of what is good, recreating in another image, female dominant (Charlotte is a girl) and contrary to the original. I don't know if the baby's first outfit was a pant suit, but I digress.

The Clinton-Mezvinsky union was interfaith, Jewish+Christian tradition. The baby produced is a melding. This is clearly messianic.

The sign came on Yom Teruah, an anniversary of when the Messiah was born, in 2 BC. Anniversary #2015, if I counted correctly. Bill Clinton has always been the one the Lord uses to model the Antichrist to me, as I've documented for many years. Here's another instance, whose only child of an only child was born on the Messiah's birthday.

Do you know about Shabtai Tzvi (Sabbatai Zevi), who with the help of the Vatican convinced many of the world's Jews that he was the messiah!

“An expose of the effects of Tzvi, a 17th century messiah, on the history of modern Israel. Discover who the modern players are, their politics involving Israel and the Jewish people, and their plans for the state of Israel and its people. The religious beliefs of the follows of Shabtai Tzvi continue to affect us today.”
Shabtai Tzvi, Labor Zionism and the Holocaust - by Barry Chamish

Are you familiar with the late J. R. Church's presentation titled, Tickling the Tail of the Dragon? During some trips to Israel, the crowds chanted, "Clinton! Ruler of the universe!" During his second inauguration, Clinton put his hand on the Bible, on Isaiah 58:12.

Those from among you will rebuild the ancient ruins; You will raise up the age-old foundations; And you will be called the repairer of the breach, The restorer of the streets in which to dwell. ~ Isaiah 58:12

Of particular interest is the end of part 3 and beginning of part 4 in the video series I posted to my YouTube account. You will hear the reported testimony of a minister who professed to be a Rothschild, converted to Christ. He claimed to have grown up with Bill Clinton. He claims that Rabbis kissed Bill's hand, and that he was designated as the “Segulah Yeled Ekletos” in a ceremony, the “Royal Boy Chosen.” Barry Chamish presents information on the Rothschild family and the fact that they were Sabbatean Jews. It follows that Bill Clinton is too. Link: Bill Clinton - Shabtai Tzvi - messiah accepted by Jews and supported by Vatican.

In the recent retro animated feature time travel film, Mr. Peabody and Sherman (2014), why does Bill Clinton appear in the scene with Presidents Washington and Lincoln and other historical figures, who all came through the portal from the past? He's current, right? Hmmm. And, he's come from the past, apparently. He's a prime candidate for the Horus Avatar.

The apple connections have “Avalon” threads weaving through Led Zeppelin's “The Battle of Evermore” and Uli Jon Roth's album lyrics of “Under a Dark Sky (Sky of Avalon).”

“Avalon: (Welsh: Ynys Afallon; probably from afal, meaning apple) is a legendary island featured in the Arthurian legend. It first appears in Geoffrey of Monmouth's 1136 pseudohistorical account Historia Regum Britanniae ("The History of the Kings of Britain") as the place where King Arthur's sword Excalibur was forged and later where Arthur was taken to recover from his wounds after the Battle of Camlann. Avalon was associated from an early date with mystical practices and people such as Morgan le Fay.” (Wikipedia)

Avalon is sometimes linked to Glastonbury, England, and sometimes, to Bardsey Island. Remember the London Olympics opening ceremony, when people streamed out of the underworld from underneath the “goddess” tree that lifted up from the model of Glastonbury Tor - for the Industrial Age and Dark Satanic Mills segment?

Recall this scene from the London Paralympics?

Stonehenge and floating apples. A hedge represents a dimensional barrier. Remember Outlander's time travel through the standing stone circle, from the recent post? The protagonist traveled back into the year Mayer Amschel Rothschild was born (1743), a notable descendent of Bill Clinton.

The stargate will open soon, as exposed by the symbol magick rituals. The normal flow of time will be interrupted and there will be a truncation and reset.

Aaron and I aren't sitting around making stuff up. This isn't for drama or entertainment's sake. I hope your paying attention and giving heed to your personal preparation as the Lord directs. Our time is nearly up.

Part 9 - Decoding The Penitent Man (2010) - Standing Waves of Time-Space

Series Links: Decoding “The Penitent Man”

As this series nears its end, there's just a few more pertinent observations I'd like to make.

After buying roses for his wife, Dr. Pyatt heads home, where he is going to be shot by future-Ovid. On his way, we see him in an impressive sequence of symbolic stargate transits. There's one as he enters the lobby of the Biltmore Apts. The writer-director claimed that most of the filming was done inside the Masonic building, “The Landmark on the Sound,” so that may be what we're looking at in this scene.



We see Jason Pyatt and the arch in this screenshot, unreflected, and a series of reflections. The design of the arch mimics a triple arch, which speaks to me of an emphasized Royal Arch Degree symbol of Freemasonry with its triple tau cross. (Triple Tau ~ T-he T-ime T-unnel) What is so striking about this scene is the effect created by the large mirrors on the opposing walls. The set multiplies reflections, repeating as many times as a particular viewing angle allows. The images each represent a moment in time. The reflections travel to the camera lens at the same speed but the greater distance covered by consecutive images make them not only smaller but older. Any reflected image you see is older than what is being reflected. Think of an echo, where the delay is exaggerated because sound travels much more slowly. The fixed distance between the opposing mirrors in the entryway establishes a frequency of resonance relative to the image inversion. It's a tuned standing wave. The scene suggests time waves. As Above, so below, the Hermetic Maxim, is also being evoked.

In this scene, Jason Pyatt is just about to pick up his mail from his box in the array of boxes in the lobby. He has just used the mailbox at the corner of the Pretty Parlor, a time-bridging construct (Part 3), and we can assume that the mailbox he's about to unlock with his secret combination contains mail sent from another time. Mail always takes at least a day from when it's mailed to when it's delivered, so it always comes from the past, in that sense, and each piece is always postmarked with a date and location (time-space), but the themes of the film involve time spans that are not of the customary linearity. The echoing time wave reflection scene kind of bridges Pyatt's interactions with the mailboxes. It definitely has something to say about the bridging of space-time.

This clever illustration of resonating time waves compares to how it's done in “Insane,” a music video by A-Jax. There, the transit scene was created in a room full of framed mirrors.

They present the resonating time wave as a stack of panes or concentric frames, as if we're looking head-on into the inversion mechanism. Remember, smaller images are older. We see the colors of the rainbow in the sky because it's a rainbow bridge. Each color has a different frequency and a different wavelength. Light behaves as having the nature of both particles (photons) and waves (with interference patterns) as it is observed traveling through time-space. The video also features the mirror like in Alice Through the Looking Glass, as a portal through the character passes into other dimensional spaces.

You may recall how the mirror was used for a past-into-present transition during the recent Olympic Ceremonies in Sochi, Russia. But the framing or paneling of the stargate portal is not just all about the mirror.

Heliofant's viral video, I, Pet Goat II provides a similar illustration of a transit by utilizing the concentric frame technique. In their version, it's a celestial scene and they go so far as to show us their mystical Jesus coming through in the Anubis gondola, making entrance from out of the Milky Way and underworld duat.

The Penitent Man draws heavily from The Wizard of Oz, and we find in that classic two different styles of concentric time wave frames. The first features rectangular frames on a circular ring in the stargate transit where Toto leaps off out of the basket and off the pillar to escape the witch's castle. Dorothy is standing on a panel of the Zodiac ring that has concentric frames while wearing the coveted ruby slippers. Those are the stargate transiting objects formerly worn by the Wicked Witch of the East. She's not personally making the transit like Toto, but the way she appears in the scene is supporting that transit. She is the facilitating goddess.

You can see the style of the grid more clearly in this next screenshot.

Those same ruby slippers are involved in the transit scene when Dorothy is returning home from Oz. Instead of curved rectangular frames we see concentric circles around Dorothy's head.

It's not uncommon in sci-fi for the effects caused by an event that happens in a moment of time to be likened to the ripples on the surface of the water caused by the pebble that falls in. The animated concentric circle imagery creates a mesmerizing trance inducing mind-control signalling effect, and a time wave dimensional transiting effect. The concentric rings and rectangles or curved rectangles compare in symbol. When I address matters of squaring the circle, I'm usually interpreting a symbol in the context of the sodomite gateway, but that has a root in the exercise of control over the breaching of time-space to bridge the dimensions.

This is leveraged constantly by Verizon Wireless in mail promotions, ads, commercials and in-store displays. You even get a special animated version when you boot up their phones, with supplemental wave form echoing audio.

Hey did you happen to see the recent MTV VMA show? The set had the performers entering from offstage through a Time Tunnel style portal onto a central vortex stage. Stargate and sodomite gateway imagery and mind-control imagery was everywhere!

The point of it all is to bring forth Horus, their Antichrist hero by any and every means, and their schemes are working.

The fundamental reality represented by the repeating rings or panels is evidenced in the cycles of time recorded in biblical history, in past, present and future history. Dr. Stephen Jones demonstrates the principle quite effectively in his book, Secrets of Time in Prophecy. I've discussed time cycles frequently on this blog and on TheOpenScroll.com. Events echo through time forward and back through what generally appears as the apparent linear construct. I've tracked the heptadic ripples flowing out from the revealing of the lawless one coming up in April of 2015, which intersected our “pond surface” in 2008, 2001 and 1994. The Devil knows plenty about how these things work, and he's been busy spilling the beans in coded language of symbols in every fit medium. He's soon going to exploit time itself, as granted by the Sovereign God, for the fulfillment of His own purposes.

More to follow as I wrap this up, Lord willing.

Part 6 - Decoding Coldplay's Strawberry Swing - Vogue Interdimensional

Some of the notable stargate transit imagery in the official video for Coldplay's Strawberry Swing was already brought to light, but there's more, and there's still value in giving it some attention, even in this late hour.

Again, here's the official video, Coldplay - Strawberry Swing.



While these words are heard, “People moving all the time Inside a perfectly straight line,” Chris makes his vertical ascent in the pipe to emerge from the stove pipe hat. It's perfectly timed. While the rest of the verse is heard (Part 5), Chris ascends up to the sky castle on a cloud. I described this ascent as being on the kingdom viaduct, the mecillah. It's a time-space bridge that opens a lane for vehicular traffic. Upon reaching the sky castle on a cloud, a battle ensues.

From the heavens the stars fought, from their courses [mecillah] they fought against Sisera. ~ Judges 5:20

The cloud the superhero rides is a proper vehicle for ascent into the abodes of the gods.

As we read in Isaiah 19:1, “Behold, the Lord is riding on a swift cloud...” The superhero rides the cloud, like the Lord he imitates.

We see the miscreant squirrel-god's abode is with a cloud, not unlike the throne vehicle with the presence of the Lord God described by Ezekiel. He even wears a kind of rainbow suit.

4 As I looked, behold, a storm wind was coming from the north, a great cloud with fire flashing forth continually and a bright light around it, and in its midst something like glowing metal in the midst of the fire
...
27 Then I noticed from the appearance of His loins and upward something like glowing metal that looked like fire all around within it, and from the appearance of His loins and downward I saw something like fire; and there was a radiance around Him. 28 As the appearance of the rainbow in the clouds on a rainy day, so was the appearance of the surrounding radiance. Such was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell on my face and heard a voice speaking. ~ Ezekiel 1:4, 27-28

The tent of the Tabernacle in Deuteronomy is a model of what is in Heaven.

The Lord appeared in the tent in a pillar of cloud, and the pillar of cloud stood at the doorway of the tent. ~ Deuteronomy 31:15

So we see cloud pictured in the squirrel's sky castle that covers the threshold. The cloud castle is a clever and fanciful representation of what the tabernacle and temples were truly modeled on.

See this study (just updated and expanded), Heaven's Vehicles - UFOs - Fake and Genuine, for more insight.

Vogue

In Part 5, I presented the pitcher falling off the pedestal as a dimensional transit symbol that Strawberry Swing has in common with A-jax's “Insane” music video. They have another in common, the mode of propulsion. The superhero rides a smoke cloud that sails on the wind, paddling like he's in a boat on the water. This transport may be aptly described as, vogue. Vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.” It's a popular symbol!

From The American Heritage® Dictionary of the English Language: “vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots.] ... The Indo-European root of vogue is wegh-, meaning "" Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion."”

The “Insane” character with the Vogue hat wears a shirt with twin dogs that look like Anubis, with the twins referencing Gemini and the celestial Silver Gate. The utility chain of twinned torus (Taurus) construction presents a redundant witness, with keys suggesting his access to the locked gates. He makes with his crossed hands a winged figure. He's the psychopomp, able to traverse dimensions. He's Vogue, like Chris Martin who paddles the cloud vehicle because he's going, sailing on the wind and rowing, being transported in/on a vehicle.

Vogue, is signaled inside the cloud castle when we see Chris tiptoe past the rocking horse. Vogue: “to sway, rock -- to go, transport in a vehicle.” The rocking horse. A horse is most commonly ridden or used to pull a vehicle, even heavenly vehicles. See 2 Kings 6:17 and Isaiah 5:28. Consider Apollo's quadriga.

Vogue. It's a popular symbol! During the opening ceremony of the Sochi Olympics, the celestial transport with Horus at the mast (as sailing) moved across the sky under the stargate-signaling rods as the psychopomp rowed at the oars. Lobov, love, was within, the “feminine soul of Russia” - Mother Russia, the goddess of love, Venus, Mary.

The Queen of Pop, Madonna, had a hit song titled, Vogue, released in 1990. “Commercially, the song remains one of Madonna's biggest international hits, topping the charts in over 30 countries, including Australia, Canada, Japan, the United Kingdom and the United States. It became the world's best-selling single of 1990, selling over six million copies.” “ The video has been ranked as one of the greatest of all times in different critic lists and polls, and won three awards at the 1990 MTV Video Music Awards out of a total of nine nominations.” “Before Madonna popularized the dance, Vogue was performed mostly in bars and disco of New York City on the underground gay scene.”(Wikipedia)

(On that topic, the VMA awards are on tonight, and more mass ritual public performance magick will be attended privately by the undergrounders. There's extra attention now because of the celebrity shootings during a pre-party.)

The music video demonstrates Vogue to us as both the “Material Girl” icon of fashion and as the mother goddess involved with stargate transit.

Madonna - Vogue

The pedestals aren't there just to add a touch of class. You see goddess statues on pedestals, and a cat on the pedestal, like in A-Jax Insane - the cat goddess Bastet. It's the stargate symbol. The use of the black and white format does more than make homage to the early days of film. The Lord revealed to me that the Occult black and white motif is a reference to the tree of knowledge of good and evil. It's signaled with checkerboards and sometimes in film style.

The lyrics are all about the dimensional transit! Again, vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Lyrics - Madonna - Vogue

“I know a place where you can get away

Chorus
Come on, vogue Let your body go with the flow (go with the flow)

If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it

Oooh, you've got to
Let your body move to the music
Oooh, you've got to just
Let your body go with the flow
Oooh, you've got to
Vogue”

A dimensional transit is implicit in what is meant by this ritual sodomy euphemism whereby one aquires gnosis and illumination.

“If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it”

The illumined refer to the initiation as the new birth. (It's the Adversary's counterpart) The mechanism may be described as the installation of demons. Superstar = Chosen One.

The Mona Lisa painting is pretty Vogue. Chris tiptoed past the painting right before coming to the Vogue rocking horse. Mona = Madonna, and Lisa (derived from Elizabeth) is not unlike Melissa, the honeybee goddess. Remember from previous posts how that, in Strawberry Swing, the captive is the Queen Bee and the superhero is a bee.

In the goddess exalting and bean spilling animated feature, The Bee Movie, you'll find two scenes where a Vogue magazine is used to threaten the bee. Specifically, it's the large Italian Vogue. Italy, means, “calf-land or land of cattle” (same root as the Latin vitulus, a 1 year old calf). Consider how the offspring of Hesat (The divine cow goddess Hathor in earthly form) and Mnevis (the earthly bull form of Ra) is Anubis, the psychopomp.

The following screenshot reveals how Vogue is being used as an Occult reference. The fashionable art of the poster features his idol, the Virgin Mary and Madonna, the Killer Queen. She poses as the pinup girl with her vehicle. Vogue. The worker bee has one on his bookshelf just like it. Vogue. He's seen here about to sharpen his stinger as he gets ready to go.

A scene from a TomorrowLand festival pictures a young attendee wearing the fashionable goddess Vogue. Water in motion: Flow. (Also, wolf, backwards)

Progressive Insurance is Vogue. They are Progressive, advancing, going forward. Their iconic spokesperson is named Flo. Flow.

Progressive Insurance Commercial - Flowing with Flo at the Marina



Flomotion...Floin' With My Homies...Ebb n Flo... Listen for the music reminiscent of Venice with its gondolas. (I, pet goat II - Anubis) Watch for the part at the end where the goddess operates the “throttle of Osiris” on that vintage boat. Code 33: Flo ~ 6+12+15=33

Trending... Vogue.

Part 5 - Decoding Coldplay's Strawberry Swing - Space-Time and the Timed Fall from a Pedestal

The scene of the superhero's assault on the squirrel's sky castle presents stargate transit imagery that compares with other music videos I've decoded on this blog. I've already addressed some of the video's celestial stargate imagery but there's value in seeing more of what's there, and the role of the attending goddess.

The symbolic content of the video has to be suitable for the functional operation of the magick involved in the supernatural working, and that in that suitability we find a benefit. We can decode the symbolism to expose the Adversary's working plan.

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes. ~ 2 Corinthians 2:11

Again, here's the official video, Coldplay - Strawberry Swing.



When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity.

I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control.

• Part 8 - Celestial Stargates - Insane Freefall from the Duat
• Part 9 - Celestial Stargates - Insane Physics Across Time
• Part 13 - Celestial Stargates - Run Toto, Run!

See the cuckoo clock on the wall that is aligned in the shot with the base of the candle stick? Pedestal + clock. When the candlestick is knocked over to fall off the pedestal (the speed of light & gravity) for the first time, it manifests in the other dimension as an hourglass that falls and breaks on the floor. In the second incident, the hourglass is caught and reset, resetting time.

The pitcher knocked off the pedestal by the masked superhero falls to the floor and shatters at the base of the pillar the grandfather clock leans against.

In part, the pitcher speaks to me of a vessel containing time, which spills out as if a valuable quantity is lost. It's like the sands of time that spill out of the broken hourglass, or like water spilled out from the river of time (Wizard of Oz).

After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes.

The pedestal is a symbol of the celestial stargate, which spans heaven and earth. The construct is called mecilah, in the Hebrew Bible, which I sometimes refer to as the Kingdom viaduct. The operation of the stargate involves the exercise of control over time-space, which touches on the physics of gravity. (The objective of CERN, where attention is given to discovering the secret of mass.) In The Penitent Man (2010) (a major bean spilling film), according to the time traveler Mr. Darnell (meaning: “hiding place, hidden alcove or niche”), you have to simply speed up one end of a wormhole while slowing down the other, which is to manipulate the construct's change of distance over time. Distance - the pedestal. Time - the clock.

The imagery of the pedestal stargate transit can be found in the remnants of ancient Egypt, although every secret of heaven ultimately derives from the work of the Creator, the true and sovereign Yahweh.

In Strawberry Swing, a layer of dimensional transit imagery is added by the song lyrics. The following verse is sung during the ascension sequence that follows the superhero's exit from the lionfish through the drain pipe. The verse begins the moment he begins his vertical ascent (2:06) and ends when he reaches the sky castle (2:35).

People moving all the time
Inside a perfectly straight line
Don't you wanna curve away?
When it's such…
It's such a perfect day
It's such a perfect day

On the Illuminati programming layer it's a suggestion to leave the linear time line, to dissociate, to go into a trance state for programming. It's a perfect day when flies, “over the rainbow,” or falls down into Wonderland. That certainly involves the opening of a stargate, and the verse describes just that in more technical language. To curve away from the perfectly straight line is to change the vector that changes velocity. I hear in this the suggestion of a stargate transit matching the description in Joel 2.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

“In his path” is, mecillah It's a traffic lane where vehicles-entities travel like the cars in a train down the track. The following study is one that explores this further: Part 15 - Celestial Stargates - Operative Black Magick.

Another is this study: Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate.

(Miley Cyrus - We Can't Stop )
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

You “turned up” somewhere after traveling there. Have you ever made a bee line for the bathroom? Recall the bee dancing superhero's bee wings cape and the flight of the dancing Queen Bee.

Part 39 - Celestial Stargates - Light Rods, Tinsel and Pleats

Series Links: Celestial Stargates

This series was interrupted when I turned my attention to the Winter Olympics. While there's probably more blogging about those symbolic ceremonies to be done (which are rich with celestial stargate imagery), I'm returning back to this series to give special attention to the stargate imagery featured in the Fisht Olympic Stadium throughout the closing ceremony of the regular Olympics. A collection of large cylindrical rods hung from the ceiling that were painted with light. These dynamically lit rods were used to signify and ritually model the opened stargate as opened lines of transmission between the realms of the seen and unseen. The vertical lines of the light rods is a visual cue common to many settings where stargate transits are featured. They also illustrate the kind of radiation beaming from the stars that influences men on the earth.

Ancient Egyptians used the pictograph you see here to represent the energy beaming from the stars and the operative stargate. Parallel lines are drawn to connect the objects involved in the transmission, suggesting coherent rays of energy.

These images are gleaned from Magickal Egypt, a documentary by John Anthony West.

This is not the stuff of imagination, superstition or illusion. Energy from the stars, since the stars are associated with angels, represents the supernaturalism of Ephesians 6:12, as it is written, “our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places.”

19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the LORD your God has allotted to all the peoples under the whole heaven. 20 But the LORD has taken you and brought you out of the iron furnace, from Egypt, to be a people for His own possession, as today. ~ Deuteronomy 4:19-20

What powerful influence would draw them away to serve all the host of heaven but that supernaturalism of the false gods represented in those celestial lights as they actively sought to be worshiped? In the version of the text above (NASB), the language used for the motivation is a little soft. The Hebrew word used is more forcible and doubled, nadach nadach: to thrust, to impel.

Prior to the Exodus, a contest ensued when Moses was sent to the Pharaoh to encourage the release of the enslaved Israelites.

10 So Moses and Aaron came to Pharaoh, and thus they did just as the Lord had commanded; and Aaron threw his staff down before Pharaoh and his servants, and it became a serpent. 11 Then Pharaoh also called for the wise men and the sorcerers, and they also, the magicians of Egypt, did the same with their secret arts. 12 For each one threw down his staff and they turned into serpents. But Aaron’s staff swallowed up their staffs. ~ Exodus 7:10-12

6 So Aaron stretched out his hand over the waters of Egypt, and the frogs came up and covered the land of Egypt. 7 The magicians did the same with their secret arts, making frogs come up on the land of Egypt. ~ Exodus 8:6-7

The magicians of Egypt were not putting on a show with cheap tricks. Today, the public is told by the generally recognized and respected authorities that magic is just pretend and that the Devil is not real, and by their enchantments most folks simply accept those lies. For the first 22 years of my life, I was oblivious. Now, not so much.

The column or pillar is a popular representative form of the bridging mechanism. A simple cylinder is the simple geometric form of a squared circle, which is relevant as a symbol of illumination through ritual sodomy. The light rods employed in Sochi are, of course, cylinders.

During the closing ceremony of the regular Winter Olympics, South Korea, host country of the next planned Winter Games, presented their own ritual performance on the grand stage underneath the light rods. Their official logo was projected on the floor, for PyeongChang 2018. I see their logo as a glyph for Gemini, a Silver Gate symbol, and a star of the exact form used in ancient Egypt. Familiar, yes?

In this picture you see a technical illustration used by NASA, where a wormhole is pictured with colored rods of light surrounding it. When you watch films or TV shows that picture a star ship going into warp drive or traveling near or above the speed of light or other kinds of wormhole transits through space-time you will usually see special effects extending points of light into light rods. This is the addition of an extra dimension to a point to create a line. It's akin to the motion blur. Its a visual dynamic that suggests time-space is being spanned. This is the effect created by the light dynamic of the rods in Fisht Olympic Stadium.

The cylinders hanging from the ceiling of the Fisht Olympic Stadium were painted with light and used as animated decor throughout the ceremonies.

In some of the segments, these were supporting the theme of stargate transit. In others, they were illustrating the effects of star energy beaming into the stadium. I believe those stage props are magickal instruments that were employed in ritual for energetic transmissions beaming in and out of the Stadium. The objects in that collection was reported to number 204, which cannot be simply random.

• 204 balls may be stacked in a pyramid whose base is an 8 by 8 square, and which has 8 courses or levels. The pyramid and all its forms is believed to be very potent, energetically, and is associated with ancient Egypt and the worship of the sun god. It is associated with the Illuminati. The three 8s produced suggests 888, a number linked to the name Jesus in biblical gematria.
• 204 is a truncated triangular pyramid number. The truncated pyramid has special signification in connection with the Great Pyramid at Giza and as the representative form of the body or kingdom of the beast of Revelation 13:1, the head or capstone of that base.
• 204 is the number of squares of all sizes on a chessboard, an object often used to signify the presence of the knowledge of good and evil.

Those rods hanging from the ceiling were apparently also called a forest, so they must individually be trees, as trees in the Garden of Eden which are not of the natural kind that populate the forests on earth. The collection was also what seemed to be referred to at one point as the soul of Russia, which links to the Milky Way as a celestial river of souls.

In Sochi, when the flame was about to be extinguished at the climax of the Games, a scene transition combined two shots in the fade to overlay some key symbols.

The light rods representing the opened stargate were superimposed over the mirrors that represented dimensional portals. It was momentary - and brilliant. They were raised to reveal the mascots, illustrating the revealing of the lawless one who will come as Horus incarnates through the celestial Silver Gate. Evil genius.

What is represented by these rods on this grand scale is more simply and commonly modeled by draperies with vertical pleats or by vertical blinds at windows or by pillars with vertical lines ringing the shaft.
In Ke$ha's official Crazy Kids music video, cheap tinsel icicles hanging in doorways and wreaths were stargate props, with silver tinsel representing the Silver Gate and the gold, the Golden Gate.

This scene where Ke$ha sits between two bull dogs is brilliant. The Gold and Silver Gates are positioned in the Zodiac opposite each other, marking where the ring of the galactic plane intersects the ring of the Milky Way. There is an alignment of the two, and this is what we see with the Silver Gate pictured directly in front of the Golden Gate. The Golden Gate is represented in the golden tinsel hanging down, and the golden sunrise arc at the top of the golden backed couch. The Silver Gate is pictured as Ke$ha wears the vertical banded blue and white blouse. Her legs are crossed because she is crossing over the dimensional barrier. She's flanked by two bull dogs. Bulls signify Taurus and the two of them picture Gemini, The Twins. The celestial Silver Gate is flanked by Gemini and Taurus. The utility chains worn by the dogs are constructed of twinned torus links. Anubis, the escort to and from the underworld is the dog headed god, and in the celestial heavens he is represented by the Dog Star Sirius.

The producers of the official music video for We Can't Stop, by Miley Cyrus, modeled the stargate transit at the revealing of the lawless one by her dragging a stuffed bobcat across the floor. The backdrop is a simple white drapery, which is the color equivalent to silver in heraldry, and represented by the same Egyptian hieroglyph. The vertical pleats present the coherent beaming starlight structure of the stargate transited.

The same visual was employed in the official music video for Insane, by the South Korean “K-Pop” band A-Jax. The structure of the spinning chair's 5 ray wheeled base presents us with the stargate vortex image. As a backdrop we see the same subtle prop used in Miley's set.

The transdimensional construct was used to great effect in the industry changing film, The Matrix. Streaming columns of characters were used to represent the construct of the matrix, a virtual world created by the machines that held humanity captive in an artificial world of digitally generated illusion. It's really quite an impressive allegory. In their representation of another dimension interfacing with real world biology and physics, the filmmakers employed the dynamic light rod kind of effect in a variety of notable ways.

That film's illustration of the columns of streaming light as the interface between the realms was augmented with another kind using sound. The bell, which I've written plenty about (Bells - Supernatural Enchantment and a Biblical Perspective - also search this blog for tuning fork), is an ancient means of initiating travel between the dimensions. When Neo and the others who have been freed from the Matrix reinsert themselves into that realm, their only way back is by way of finding a phone.

To get an exit they have to wait for the phone to ring. When the hard-wired land line phone rings, which is an old school AT&T “Ma Bell” type bell phone, we're not told this but you should note that it triggers the ringing of a bell, which opens the stargate and facilitates the transit.

Stargate transit imagery is important to those who craft mass rituals. This is how they access the ancient entities represented in the celestial heavens, transmitting, broadcasting and receiving from the heavenlies. When their champion is incarnated in his host body after transiting the Silver Gate, most folks will be oblivious to what's going on. I'm hoping you will seize the opportunity while it remains to seek the Most High God and Father of His only begotten son, the Lord Y'shua while He may be found - with all your heart!