Part 10 - Celestial Stargates - 11:11 Ritual

Today is the 11th of November. As 11-11, it's a date for exploiting the twin pillars of Gemini by performing Silver Gate ritual. Apparently that's what the Illuminati Silver Gate-fest MTV EMA awards in Amsterdam are all about. Officially the ceremonial show was on the 10th this year. Since it began in 1994, it's been held exactly on the 11th twice, but it's always around this time, always in the 11th month.

The theme was obviously celestial. What's up with the kinky dwarf dressed all in black? Dwarf Star: “A black dwarf is a white dwarf that has cooled sufficiently such that it no longer emits any visible light.” (Wikipedia)

Here's Katy Perry, flying in the heavens.

If you've been attentive to this blog for a few weeks, you don't have to look far to see the ritual for what it is. The public nudity and crass behavior exhibited is shameful and offensive, and I won't recommend watching any of it. I watched enough to see what's going on. It's shocking what passes for popular youth entertainment now.

A new video with Miley Cyrus is also making news, which also celebrates the Silver Gate. Miley Cyrus covers her naked form in metallic silver for Future's Real & True video .

If you want to watch the teaser for the video that appears on that page, you can watch a 3 minute commercial that gives you the privilege of watching 30 seconds of the title. I'll save you the time.

FUTURE
REAL AND TRUE

There it is. That's apparently the opening of the video. This does send an important message. The Silver Gate that taps into the Duat really is going to open and metallic bodied beings are going to manifest in our realm. Be forewarned that iron doesn't mix so well with clay.

And in that you saw the iron mixed with common clay, they will combine with one another in the seed of men; but they will not adhere to one another, even as iron does not combine with pottery. ~ Daniel 2:43

Lady Gaga is apparently “passing her expiration date” and beginning to drive even her fans away with bizarre “broken down programming” behavior. Time for “rehab” yet? She performed at the 2011 MTV EMA awards, which was an 11-11 dated Silver Gate ritual. I decoded what I understood at the time here: Part 107 - The Sodomite Gateway - Lady Gaga as Illuminati Rosetta Stone.

Here's EMINEM, with his new M and M. Check out the awards given for the MTV EMA wins. What's the big M? M=13, a sign of the rebel lord beast. M is for Mars, the planet and god of war, sacrifice. See the planet Earth? A silver spring connects them as the vortex of the Silver Gate! The big silver M has twin pillars! The spring connects to it where the T is. The T is a Tau cross, a portal sign, and a T is for Taurus. The M-13 beast Horus is being ritually invoked through the agency of Mercury. M is for Mercury, aka Quicksilver, the Silver Surfer! It's Hermes, Hermanubis or Anubis.

Here's another Silver Gate ritual, from 1939 and MGM's classic, the Wizard of Oz. The famous twister is equivalent to the silver spring of the MTV EMA award. I believe one reason why the film begins in black and white is to present the twister in grayscale to emphasize the Silver Gate. (The black and white also emphasizes the knowledge of good and evil, which is imparted as she is transported symbolically through the sodomite gateway to a place over the rainbow, as dissociating during Illuminati “go over the rainbow” programming.)

Here's a sequence to illustrate the transit through the Silver Gate. As the scene goes, Dorothy has just left Professor Marvel, the traveling astrologer and mystic. She's returning home during the storm with her dog, Toto, and comes to the white picket fence around the house. There's two pillars flanking the gate. White is as silver, equivalent in symbol. The two pillars are Gemini, and she is about to go through the Silver Gate. In the background, we see the twister. One is the other, in symbol. Dorothy and Toto are Isis and Anubis, the Dog Star. This is becoming familiar, right?

Dorothy lingers, kicking at the gate. When it opens she goes through, passing directly across in front of the whirlwind as she does. It's difficult to perceive it in a screenshot but the funnel is at the top of her head as she passes through the gate. Note the “pyramid” in the background.

After crossing over, she turns around and looks at the gate. Instead of running to the house she turns and looks back at the gate, pausing. Right. We get it.

In 2 Kings 2, Elisha watched while Elijah was taken up to heaven in a whirlwind. What we see in the Wizard of Oz is like that, but different. They go to Oz, to “the land down under,” to the underworld. Isis and Anubis, the escort and psychopomp.

We have redundancy when, through the open window (portal), we see a chicken coop fly past that has also been taken up in the swirling vortex. A rooster perches and crows. The rooster is historically linked to Hermes-Mercury (and with Helios and with Leto, Apollo's mother). The chicken coop is a pyramid and the setting is Egyptian. The rooster is Anubis.

Hermes, JPL and NASA - Houston, we have a problem!
Hermes puts America to Sleep with his Magick Wand

Why is the house in the sky? Have you ever heard the song by The Fifth Dimension, The Age of Aquarius.Let the Sun Shine In? It's about astrology and a prophecy. The song was #1 for 6 weeks in the spring of 1969. Apollo 11 (Gemini #) “went to the Moon” that July.

When the moon is in the Seventh House
And Jupiter aligns with Mars
Then peace will guide the planets
And love will steer the stars.

What is called the Seventh House is also the House of Libra and Venus. The 12 zodiacal signs in the sky have an aspect as houses, and these are not only involved in astrological prophecy but they are regularly used for horoscopes. Diviners by the stars should find the symbolism very familiar. Remember, Dorothy had just had a divining session with the astrologer Professor Marvel.

This is the dawning of the Age of Aquarius
The Age of Aquarius

Let the sun shine,
Let the sun shine in
The sun shine in

The song closed encouraging the listener to receive the sun shine, the light of the sun god and sponsor of astrology. Who taught man such things? Such as Baraqiel, Kokabiel, Tamiel and Asradel. Fallen angels.

1) And Azazel taught men to make swords, and daggers, and shields, and breastplates. And he showed them the things after these, and the art of making them; bracelets, and ornaments, and the art of making up the eyes, and of beautifying the eyelids, and the most precious stones, and all kinds of coloured dyes. And the world was changed. 2) And there was great impiety, and much fornication, and they went astray, and all their ways became corrupt. 3) Amezarak taught all those who cast spells and cut roots, Armaros the release of spells, and Baraqiel astrologers, and Kokabiel portents, and Tamiel taught astrology, and Asradel taught the path of the Moon. 4) And at the destruction of men they cried out; and their voices reached Heaven. ~ Enoch 8

Where were you at 11:11 on 11/11? Being engaged in some sneaky Silver Gate ritual? Many were. This is not a side show kind of thing to the Illumined. It's their tap into the Duat.

Part 9 - Celestial Stargates - Insane Physics Across Time

In Part 8 I began to decode an elaborate dramatization of a transit through the celestial Silver Gate. I explained how both this realm and the underworld are being pictured by alternating scenes. I'm going to be looping through the two focal events involving the pillar that pictures the stargate.

Here's the Illuminati vehicle: A-Jax “Insane”



About 1 minute in, the cat on the pillar with the candlestick leaps to the floor. The guy sitting in the chair sees what's about to happen. Instantly, he appears by the column and tries to keep the candlestick from falling. That's the scene in the underworld. In this earthly realm, the patient in the asylum reaches to catch an hourglass but it falls to the floor and shatters. The outcome is different when the action repeats at about 2 minutes in, when the patient catches the hourglass, setting it on the shelf. What's being modeled in this is quite profound. The producers know how to expertly represent mind-control programming and they are no less skilled in this matter of the stargate.

The falling candlestick becomes the hourglass. This is a clever expression of the manipulation of our physical dimension. Light, gravity and time factor into Einstein's demonstrated equation of E=MC². Energy equals the mass of an object times the speed of light squared. If you can manipulate the value of one of the terms relative to the others you are able to exercise control over time-space.

• Falling signifies gravity: Mass is what gravity acts upon to produce what we call weight. To accomplish weightlessness you can either zero out gravity, or mass. M=E/C²
• The candlestick signifies light, and the moving candlestick, the speed of light: C = the square root of E over M.
• The hourglass signifies time: Time is a factor in the speed of light, which is generally assigned the value of 186,000 miles per second.

The key to the operation of the stargate involves the manipulation of time, and this is a very delicate matter. The video demonstrates this by the attention given to the fragile hourglass.

The expression about the “sands of time” derives from the hourglass, which is a timer. When the hourglass smashes on the floor, it's really time itself that is being broken, more properly, what we consider as the continuity of time, the linear flow perceived as sand passing through an hourglass. When an hourglass shatters, the sands of time escape. Think about that. It's picturing a time loss or truncation event. So, when the hourglass is later caught by the patient in the next dramatization about 2 minutes into the video, he sets it on the shelf with all the sand in the upper chamber, which illustrates the resetting of time.

A second witness to the disruption of time at the opening of the Silver Gate appears when the cat jumps off the pillar and we are shown a clock on the wall, lined up in the shot at the top of the pillar and base of the tipping candlestick. The clock is a cuckoo clock, which is to say that the clock is cuckoo, or time itself is acting crazy.

Most of us are familiar with the artificial construct called Daylight Savings Time. Where I live, we set our clocks ahead one hour in the Spring and back one hour in the Fall. That doesn't change time, of course, just our accounting of it. In the spring, we appear to lose an hour. One minute passes from 1:59 AM and suddenly it's 3:00 AM. Where did the 2 o'clock hour go? In Space Balls-speak, when time is reset with a truncation it may be asked when will then be now? Instead of the answer, “Soon,” the answer will be NOW! Suddenly, it's the future. No waiting. The operation of the Silver Gate involves the manipulation of time itself, where it's effectively “broken” then reset. There will be be a time jump, like the jumping of the cat off the pillar.

The time portal is pictured again as the cuckoo flies out of the clock in the underworld and is captured in the real world. The dimension breaching bird was in a pyramid shaped clock. The bird is Horus. It's caught in tightly clasped “Horus Hands” as a prize of great value.

The cuckoo clock seems to provide a redundancy to the symbolism of resetting time. At the 2:19 mark we're shown the Anubis dude with his face to the clock. It's 2 o'clock. Then he puts his face close and the little gates open. Little gates open. Yes, I repeated that. You're keeping the stargate context in mind, right? When the bird begins to appear, the clock is at 12 o'clock. The scene cuts to the asylum and then back to Anubis at the clock. Hey, it's 2 o'clock! Time is reset! That's insane! Crazy time!

When the cuckoo bird exits the clock's opened gate, it's not alone. It looks like a swarm. Beelzebub is the lord of them that fly. Many agents will be coming through the time portal. I believe there are multiple Silver Gate transit events in view..

About the cuckoo bird that was part of the clock mechanism, I believe there are what may be considered, clockwork angels. 911 - The Time Truncation Mission and RUSH - Clockwork Angels Tour

You have to consider the other crazy clocks and timers that feature in the video as adding weight to the importance of time in the transit scheme. On the digital clock, which appears prominently in the patient's room, random times of day appear. That object combines 2 of the 3 elements pictured by the falling candlestick that turns into an hourglass, time and light, having an LED display. Two other objects present time in combination with gravity, a mechanical metronome with an inverted pendulum and a pocket watch swung like a pendulum. The illuminati like these symbols. The pendulum is a notable feature of grandfather clocks, as seen in Skull and Bones class pictures. The pendulum is adjustable, so one can manipulate time. Think, As Above, So Below. This is related to frequency and wavelength, tones, harmonics, resonance...

The asylum authorities represented in the doctor and nurses were wielding control over time, which was pictured by their handling of the swinging pocket watch. They display an understanding of the triangle as space and circle as time. The alchemist who wields the compass exercies control over the space-time domain.

The key that finally materialized and was used to facilitate the patient's release was the evident fruit of the “speeding up of time,” if you note the frenetic and accellerating swinging of the pendulums.

If these things are compelling, you may want to give further consideration to the physics of general relativity and the freefall connection. (Introduction to General Relativity)

There's a figurative expression that goes like this, “If you could turn back the hands of time...” Is this even possible? Sure!

12 Then Joshua spoke to the Lord in the day when the Lord delivered up the Amorites before the sons of Israel, and he said in the sight of Israel, “O sun, stand still at Gibeon, and O moon in the valley of Aijalon.” 13 So the sun stood still, and the moon stopped, until the nation avenged themselves of their enemies. Is it not written in the book of Jashar? And the sun stopped in the middle of the sky and did not hasten to go down for about a whole day. 14 There was no day like that before it or after it, when the Lord listened to the voice of a man; for the Lord fought for Israel. ~ Joshua 10:12-14

The Amorites worshipped the celestial lights and gods, so this kind of thing is a demonstration of whose God is in control. That's a really notable observation because of what's coming when that exhibition of control is played like a high trump card in a high stakes hand in a game of cards.

A similar historical demonstration was made in the days of King Hezekiah. (Note: the location of that passage presents sets of pillar numbers related to the Silver Gate)

9 Isaiah said, “This shall be the sign to you from the Lord, that the Lord will do the thing that He has spoken: shall the shadow go forward ten steps or go back ten steps?” 10 So Hezekiah answered, “It is easy for the shadow to decline ten steps; no, but let the shadow turn backward ten steps.” 11 Isaiah the prophet cried to the Lord, and He brought the shadow on the stairway back ten steps by which it had gone down on the stairway of Ahaz. ~ 2 Kings 20:9-11

Brother Jim Wilhelmsen (Echoes of Enoch) made a video series (You Tube) about time travel in the Bible. In one of the episodes he included an excellent segment about those time manipulation events and their historicity.

Is the exploitation of the Silver Gate about time travel? Technically, yes. Since I'm touching on the subject, I want to make the point that everyone who has ever lived and died became a time traveler. No longer being bound to a flesh body (which is what had mass and was bound by the law of sin and death), they are removed from this temporal domain as being plucked up off the time line. They generally will reappear on the time line at the moment appointed for the dead to be raised (1 Thessalonians 4) in the resurrection event for which they qualified, according to the sequence of the barley, wheat and grape harvests.

1 Remember also your Creator in the days of your youth, before the evil days come and the years draw near when you will say, “I have no delight in them”; 2 before the sun and the light, the moon and the stars are darkened, and clouds return after the rain; 3 in the day that the watchmen of the house tremble, and mighty men stoop, the grinding ones stand idle because they are few, and those who look through windows grow dim; 4 and the doors on the street are shut as the sound of the grinding mill is low, and one will arise at the sound of the bird, and all the daughters of song will sing softly. 5 Furthermore, men are afraid of a high place and of terrors on the road; the almond tree blossoms, the grasshopper drags himself along, and the caperberry is ineffective. For man goes to his eternal home while mourners go about in the street. 6 Remember Him before the silver cord is broken and the golden bowl is crushed, the pitcher by the well is shattered and the wheel at the cistern is crushed; 7 then the dust will return to the earth as it was, and the spirit will return to God who gave it. 8 “Vanity of vanities,” says the Preacher, “all is vanity!” ~ Ecclesiastes 12:1-8

The passage of time is marked off by the celestial lights. Understanding this is really critical. The basis for all this is described in the account of creation.

14 Then God said, “Let there be lights in the expanse of the heavens to separate the day from the night, and let them be for signs and for seasons and for days and years; 15 and let them be for lights in the expanse of the heavens to give light on the earth”; and it was so. 16 God made the two great lights, the greater light to govern the day, and the lesser light to govern the night; He made the stars also. 17 God placed them in the expanse of the heavens to give light on the earth, 18 and to govern the day and the night, and to separate the light from the darkness; and God saw that it was good. 19 There was evening and there was morning, a fourth day. ~ Genesis 1:14-19

The reference system for time involves the Earth, and really, as David Flynn aptly demonstrated, the Temple Mount in Jerusalem very specifically. The obsession the Illumined elite have with Zion relates to the expression of control over space-time and a habitation beyond those constraints. The Clock of the Age involves the apparent rotation of the celestial lights around the earth, one sphere within another. A time reset will manifest in an adjustment to this celestial/terrestrial clock. I believe there will be a relative shift in grid alignment that will function like cylindars in a time lock. Keys to the stargates lock and unlock a time based security system.

When Fritz Springmeier and Cisco Wheeler describe the techniques and dynamics of Illuminati mind-control programming, they describe complex 3D and actually 4D security mechanisms in terms like clockworks. These mechanisms are understood to be demonically inspired and controlled. These are dimensional gateways, stargates. This is how these things work on both the programming and antichrist levels.

The physicists at CERN are bent on discovering what gives things mass because, if they can control that, they have a key to a time-space stargate. There's a reason why they seek hard after the exploitation of what they call the god particle. See what I wrote here for a sign that time itself is what they intend to exploit: More Observations While On Watch in 2010. It has been reported by witnesses how the operation of the LHC particle collider temporarily opened a dimensional portal.

Time is a servant construct. It's appointed for this age. There is a purpose for this temporal realm, but when that's fulfilled, this age is over. Then, time will be no more. Something else will be, another kind of servant construct for another purpose.

5 And the messenger whom I saw standing upon the sea, and upon the land, did lift up his hand to the heaven, 6 and did swear in Him who doth live to the ages of the ages, who did create the heaven and the things in it, and the land and the things in it, and the sea and the things in it -- that time shall not be yet, 7 but in the days of the voice of the seventh messenger, when he may be about to sound, and the secret of God may be finished, as He did declare to His own servants, to the prophets. ~ Revelation 10:5-7 (YLT)

Just over 13 years ago, I was blessed to experience what I can only describe as a trip to the timeless place, near to the Throne of the Most High where His glory was overwhelmingly manifest and worship flowed freely. What I'm telling you I see in this video is legitimate. Time will be broken and reset, operating a mechanism that facilitates the entrance of demonic agencies and their operation in this realm. That's really bad news, to put it mildly, because what is coming is going to cause men's hearts to fail for the terror of it. The good news is, this is not going to catch the sovereign God off guard. It's actually His plan that is unfolding, and He is GOOD! Do you trust Him? Does He trust you?

Part 8 - Celestial Stargates - Insane Freefall from the Duat

The transit through a stargate is being ritually modeled to us by people and animals doing a freefall, like Felix Baumgartner from Red Bull's Stratus capsule and Bullwinkle's Rocky off the high dive platform. Similar freefalls are featured in the “Wizard of Oz,” “I, Pet Goat II” and in the A-Jax music video for “Insane.” These have some very revealing elements in common, providing rich detail in the adding of symbolic layer upon layer!

So we return in this post to the A-Jax music video for “Insane,” where we find some very significant ritual modeling. Search this blog to find the foundation of what I've already written about this video's symbolism. I'm assuming you're familiar with that.



It's a simple action, basically. A cat jumps off a pillar onto the floor. The video makes a big deal out of that and a candlestick that gets knocked over in the process. Why? Because the Illuminati programmers behind it have a very important ritual to perform. The pivotal action takes place around one minute in, then again about two minutes in. What is being modeled to us can't be done effectively in one take because there are two key aspects involved. The set is identifying the Silver Gate very distinctly, setting the context for two modelings that establish the relationship of light, gravity and time in a way that spills some beans on a time truncation ploy.

The producers of “Insane” put Siamese cats in a paneled room. In various scenes they are all over the place, even on top of pillars. We associate “Siamese” with twins. The theme of twinning plays on the mind-control programming layer of symbolism and also on the parallel antichrist beast layer, as one Gemini symbol among many because there's more mirror twinning in this setting. One arrangement of the room has one half being mirrored to present identical sides. The pillar at the back of the room then has a mirror twin. The lamp on top of it is the kind that features twin candlesticks. In a version of the room that isn't mirrored there are still two pillars, with one of them becoming our focus of attention. It has a single candlestick on top, with a style that isn't twinned but, with a silver base and white column and white candle inside a clear globe, placed upon the white column just silently screams: “Silver Gate”!

To understand the music video's method of dramatic modeling, you have to link the patient in the room with the activity in the other rooms. The scenes set in the strange rooms represent what's going on in his insane mind (dissociated alters). For example, when the patient has a fan blowing on his face, we alternately see someone in a surreal room acting like they are struggling against a strong wind. This device that uses alternating scenes to picture concurrent realities effectively plays on both thematic layers of Monarch programming and antichrist beast manifesting. The patient's room in the asylum is the real world scene, this material space-time dimension. The alternating scenes set in the paneled room represent a heavenly realm. The pillar represents the connection as standing upon this earthly realm and reaching up into the heavenly. What primarily interests me in this post is how that which falls from the top of the pillar to the floor falls from heaven to earth via the Silver Gate.

The cat that leaps down does not appear in the earthly dimension. The candlestick, however, becomes an hourglass, and here is where things get real interesting! As Above, So Below. There's so much going on here. I'm going to loop through it a few times to explain what I'm seeing. This will take more than a single post.

Inserted within the pivotal alternating scenes of the pillar events (both at around one minute in, and then again about two minutes in) is a guy wearing a red plaid shirt and a Vogue hat. On his shirt we see a mirrored pair of dog's heads. Around his neck is a golden chain that functions as a key ring. His bizarre attire has a lot to tell us.

If you see him in connection with the fashion magazine, you're probably looking beyond the incredibly tacky look and seeing what is common between them, the imagery of the Illluminati sorcerers working a mass mind-control scheme that programs slaves and influences vain people through ritual magick. That's a fair perception, in a general sense, but minding the details affords us some very relevant insight!

The dog resembles Anubis, right? The shadows picture the shadow world, the underworld. The twinned dog is like the pair of pit bulls in Ke$ha's Crazy Kids, representing Gemini and the Dog Star (Sirius A and B). Those pit bulls wore chains around their necks. Mr. Vogue's twinned dog does too. So does he, and his has keys! Keys open and close locked doors, like celestial stargates.

The chain means what I've already covered at length in recent posts, representing the twinned torus stargate(s) and the Great Chain of Being.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)

As David Flynn observed:

“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'” (The David Flynn Collection - Kindle Edition)

How do you suppose folks bringing this stuff forth learn what to do, how and when? It comes from somewhere.

You may also interpret the keys on the chain around Mr. Vogue's neck as a sign that he has a secret, but we know what that is! His identity and role is that of Anubis, Hermes, Hermanubis, the psychpomp. He's the agent of the dimensional transit, the Dog Star navigating the Duat.

What's Vogue about that? It means to sail or row -- to go, transport in a vehicle -- water in motion -- to sway, rock -- a rowing, a course.

vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots. V., after the fashion magazine Vogue.]
Word History: The history of the word vogue demonstrates how sense can change dramatically over time even while flowing, as it were, in the same channel. The Indo-European root of vogue is wegh-, meaning "to go, transport in a vehicle." Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion." The French, who have given us many fashionable things, passed this noun on as well, it being first recorded in English in 1571.” (The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.)

The Silver Gate is at the center of the Duat, and the transit event being modeled to us includes a proper acknowledgment of the agency involved. It's how ritual magick is done. The being or beings transiting through the stargate are coming through from the underworld into our world. What we're seeing is the ancient religion of Egypt being practiced today. If you see this as a clumsy and merely superficial adaptation of symbols you're missing something. The ancient gods are being worshiped today. The religion of the Pharaohs is the religion of the Illuminated elite today. The ancient gods are quite real, and will manifest once again in this realm as in olden times. The cat was worshiped as a goddess, Bubastis. She was known as the Eye of Ra. This ritual is being performed as directed from the underworld, if you can see past the layer of the flesh. The Eye of Ra is being invoked. Horus will manifest again in a body of flesh in not many months time.

I'm going to pick this up in the next post, Lord willing.

In closing, I'll leave you with a picture of the Silver Gate that is trending in fashion today, clipped from the homepage of The Limited (Thanks Pam). Also trending, “It's Time”!

Part 7 - Celestial Stargates - Red Bull, The Bulls, Pit Bulls and Bullwinkle

One of the most visible brands in the world of sports features the Silver Gate, Red Bull, the Austrian energy drink company. They sponsor the reigning Formula 1 world championship team and driver. They host major sporting events and sponsor many teams and athletes across a wide range of activities. This symbol of the sun god coming through the Silver Gate is getting a lot of promotion! Their logo is a sun flanked by a mirrored pair of bulls. Twin bulls - Gemini-Taurus. I've decoded this brand before, uncovering many layers of symbols. Here's yet one more!

In the branding of the Red Bull Air Race you can see the name of Ra being called to our attention as the leading letters, and central in Air Race. The sun draws attention to how the Re in Red is also naming the sun god. The crossing of the legs of both letters R in Air Race suggests a pair of Rx style Horus Eyes. The Rx is linked to drugs, of course. Their drink is a powerful concoction that might be seen as a spell-inducing potion, pharmakeia, which works in parallel with the evident symbol magick.

The tail of the airplane is linked to the stylized letter A in such a way that a double X appears, which I've recently identified as the two connected stargates. The trace of the aerial loop forms a Horus Eye and Silver Gate! The plane's prop provides two Tau crosses, and the body and wings of the plane provide the third: Triple-Tau. It's signaling the Masonic Royal Arch degree that pictures the dimensional portal. I infer that the CE at the end provides a Code 33 that supports the WC-33 of World Championship.

Isis is frequently identified with the Silver Gate, and so it is with Red Bull's imagery. The bulls flanking the sun picture the reproductive organs of the female. Isis. The reproductive system of Osiris is represented by the stylized title, with the dB as his phallic package. Together, they bring forth Horus, and that's the story of the Silver Gate, right?

This company performed an extravagant ritual on October 14, 2012 with the Red Bull Stratos project. Austrian daredevil Felix Baumgartner set a new freefall record. This star-sailor fell from the sky to earth wearing a kind of astronaut suit bearing the energy drink's Silver Gate branding. He ascended in a capsule raised by a helium balloon. Helium ~ He. Helio - the sun. HE ~ Horus Eye. They missed their target date by a few days. The target was the 11th, the number symbol of the Twin pillars of Gemini.

Here's a Red Bull ad featuring their slogan, “Red Bull Gives You Wings.”

These wings are not for flapping around in the air we breathe. What wings represent is the ability to traverse dimensional barriers. There is a reality that underlies their slogan. Clearly, these are the familiar artistic versions of angel wings. Fallen angels.

The placement of their logo at the keystone position of an arch is brilliant, and putting it across a race track where vehicles travel through with high energy is just evil genius. It's more Silver Gate ritual, but down to earth. Taurus-Earth / Gemini-Air.

The Red Bull logo for the drifting event features the Silver Gate image on another arch, with the sun making its descent.

Another red bull branding is for the Chicago Bulls basketball franchise. This image is from their Twitter page. The stars set the celestial context. Taurus. Between the horns is the Silver Gate. The red may be linked to the sun disk. Inside the blue and white symbol is a check mark - that's the right triangle signaling the Pythagorean Theorem and esoteric 47th problem of Euclid. Its another portal symbol of the production of Horus in this realm!

There are other kinds of bulls that are not considered cattle. These also may represent Taurus with the benefit of just a little bit of obfuscation.

One example comes from Ke$ha's Crazy Kids music video. I neglected to identify the breed of dogs with Ke$ha on the couch. (Thanks Arthur.) Those dogs are Pit Bulls. Chaos-Abussos Taurus. Identical Pit Bulls are as twins, which again signifies to us the contellations of the Silver Gate, Gemini and Taurus!

Then there's Bullwinkle. This star of network TV cartoons was introduced in 1959 and was on the air in several versions of shows until 1964. Bullwinkle was a moose who appeared with Rocky, a flying squirrel. The horned moose was a bull. The ending of his name, “winkle” is like “twinkle,” like a twinkling star in Taurus, the bull.

His co-star Rocky wore a helmet and goggles like a pilot of open cockpit airplanes. He was a flying squirrel, but those critters don't actually fly. They glide. It's not freefall, but the result is that they descend from the sky to the earth. That's a familiar theme, right? Rocky was just his nickname. His full name is Rocket J. Squirrel. Rockets go into space, and that was the Mercury and Gemini era. Rocky's color is like silver.

Rocky and Bullwinkle were close companions, often seen shaking hands, or with Bullwinkle holding Rocky. Together, like the constellations Taurus and Gemini.

I wrote a little about Bullwinkle and Rocky in Part 95 - The Sodomite Gateway - Singin' in the Rain: Pharmakeia, where I featured Bullwinkle's hat gag.



It was a humorous take on the stage magician's classic trick where he reaches into a top hat and pulls out a rabbit. A hat can be a symbol of the anus and ritual sodomy, that which a head goes into. The rabbit hole is a metaphor for the rectum, as derived from the story of Alice in Wonderland. Pulling a rabbit out of the hat makes the symbolism redundant, removing any doubt as to what is meant. Ritual sodomy is a magickal act, so the stage magician's trick makes every performance a public ritual. The Silver Gate is evident in the gag when you picture the hat on Bullwinkle's head, a dimensional portal between the horns of a bull. Isis and the Silver Gate. This was a regular routine used to segue into a commercial. As such it was a transitional device.

Another iconic schtick involved a freefall, like Felix Baumgartner's Red Bull Stratus stunt. Rocky would perform the high dive, a classic circus stunt. He would leap off a platform atop a high ladder (reaching from earth into the heavens). He was a glider (with jet plane sound effects) and didn't need to land in the customary target zone, a tub of water. He would jump off the platform but Bullwinkle would jump into the tub. This linked them together in a way that speaks to me of the Gemini-Taurus partnership.

One more thing the show was known for suggests the Occult practice of stargate ritual. Bullwinkle famously employed a theatrical device that represents an extension from that other dimension into our reality.

“The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction.” (Wikipedia)

Do Occultists know theater? Oh yeah!

I'll close out with a Silver Gate / Golden Gate ritual. It's Lady Gaga's latest, Venus. Yes, that's a scorpion on her face, covering her 3rd eye. See this Dail Mail article with video clips for more detail. She sings about Venus, the goddess of love. That's a planet, of course, a celestial body, and the scorpion is Scorpio, a celestial sign identifying the Golden Gate. Since she has the Golden Gate symbol on her face, I wonder if she's going to have a Silver gate symbol on her backside, because that's the back door. If she “moons” us at any point, that's enough to do it.

The rainbow bridge pictured by the lighting is very definitely a stargate symbol. She sings, “Rocket number 9 take off to the planet to the planet, Venus.” Venus ~ Isis. I believe the 9th gate is associated with the Silver Gate. She sings, “Let's blast off to a new dimension...” A new dimension, you see, not just a planet. She sings, “Goddess of love just take me to your leader,” which can be taken as a prayer to the celestial goddess. “Take me to your leader” is a campy expression aliens would say when arriving on the earth, popular in pulp fiction and Drive-In movie fare. Horus is being invoked. As usual. The symbolism is muddied water, obfuscated, with a degree of plausible deniability, but my interpretation is consistent with the video imagery they've released so far.

We've got plenty of redundancy in these examples. The Gates of Silver and Gold have been important to the worshipers of Horus for a very long time. They exploit the symbols in ritual magick in every way imaginable.

Part 6 - Celestial Stargates - I Don't Think We're in Kansas Anymore

I left off in the previous post with an exhibit of how the celestial stargates were represented in the symbolism of NASA's Gemini and Apollo projects.

About Gemini, one of the goals involved NASA's first space walks. Remember Ke$ha's Crazy Kids music video? Well, here's where another link is made to the Silver Gate, because Will.i.am's space suit resembles those of the Gemini era, which you can see from the evolution of NASA astronaut space suits pictured here. The Gemini suit matches the symbolism of the utility chain around his neck that is a twinned torus.

What are we to make of these symbols of the Silver Gate being gold in color? As a “Great Chain of Being,” the gold in that symbol suggests the being linked to has a gold body, as the gods of Egypt were conisidered to have flesh of gold. That's just what we see in the suit, the gold body of the sun god. I suspect there is more to the gold-silver compositing than that. With the chain of twinned torus construction, the Silver Gate between the Gemini Twins and the twin horns of Taurus is very much in view, but I can see how both Gates together may be inferred. If the insight I shared about the energy dynamic of the stargates is valid, there are two toroidal fields aligned around their connecting axis, one counter-rotational to the other. This construct involving both Gates can also be considered as a twinned torus.

A good question to ask at some point is whether it even matters which Gate, or by what means entrance is given, so long as the god of their false religion or his agents come through? For most, it doesn't matter how or even when, but to others it matters plenty. I'm personally convinced of this because the Devil wouldn't be giving it such a major role if it weren't a big deal, and my Lord Y'shua wouldn't have Aaron and I giving it our attention now in this late hour if it didn't matter, a lot. As I understand things, a ritual only works if it's legitimate, which is to say, genuinely sponsored by the demon gods, and this is one context where such things do matter. Direction must be followed if the performance of a ritual is to bear the intended fruit. If Horus is coming through into our dimension as through a stargate, the symbols used in ritual will be an accurate representation; as above, so below. While varying degrees of obfuscation and misdirection factor into these expressions in the public domain, there are, in the shadows cast, the form of the requisite elements. What we're looking at in these ritual displays conceals and reveals what is planned, and with the Lord's eyes and ears, mind and heart, some among us have roles to play, and so we receive our provision in due time.

I introduced the pillars aspect of the stargates in Part 5, and I'm going to explore this for a while as we discover some remarkable models, and get more insight from the Bible.

Researcher David Flynn had made some interesting observations that deserve mention here.

“The twins of Gemini, whose Astrological glyph is two pillars II, were the inspiration for not only the foundation myths of Rome and Thebes, but also for Atlantis. Atlantis was ruled by seven sets of twins, the most famous king being the son of Poseidon, Atlas. The Atlas Mountains in Algeria lay directly under Sirius and Gemini. Atlas, it was said, held up the pillars where heaven and earth connected. According to Herodotus, the Libyans living around the Atlas Mountains professed to know the measurements of the earth:

“These mountains are very high and were believed to touch heaven, but were altogether inaccessible because of the density of trees and [they] call this mountain “the Pillar of Heaven”; and they themselves take their name from it, being called Atlantes.” [Herodotus]

In myth and accounts of the mystery schools, there has been preserved a tradition of “twin” pillars. Intriguingly, the passage above is the clue to the identity of the two pillars of legend. Two pillars were “built” by the pre-Flood civilizations so that the knowledge of heaven coming down to earth would survive. Josephus said that the remaining pillar in Siriac would attest to the fact that there was another pillar. The one pillar that survived the Flood, according to legend, was the Great Pyramid of Giza. The Great Pyramid was the counterpart on the earth of Isis' consort Osiris, a Pillar that extended from Giza towards the constellation Orion in the heavens. The other “Pillar of Heaven” was located on the Prime Meridian, as it extended to heaven anchored at its counterpart, Sirius.”

He connects Gemini not directly with the celestial Silver Gate but through two pillars on the earth. He identifies the Great Pyramid at Giza as one of the pillars, linking it to Orion in the heavens. The other pillar he links to the Prime Meridian, linking it with the Dog Star Sirius. The pillars he believed to be of Gemini are the region of the Silver Gate. The alignment of the celestial with the terrestrial is at least worth noting because there seems to be something to that. I'll explore some Prime Meridian - London - Greenwich connections soon, Lord willing. As for the pyramid - Orion - Gemini Silver Gate connection, here's more insight from Ke$ha's music video imagery.

In the Crazy Kids video, Ke$ha's wacky hand jewelry included two ringie thingies that had “Crazy” and “Kids” on them. Each of these were bracketed by little pyramids. Embedded inside “CRAZY” is “RA,” a feature that is made relevant by the pyramids. The flanking pyramids are Twins, and they are forms of pillars, which is Gemini or Silver Gate signaling. Ke$ha entered the house between the two pillars that flank the house's front porch. You can see one of them in some scenes where the Silver Gate wreath appears on the window.

Before I launch into some of the really remarkable exhibits of the pillars, it seems appropriate to offer a lengthy excerpt from David Flynn's Collection that Aaron came across. It contains a few valuable nuggets I intend to be referencing later. In the first paragraph, you'll discover the reason why, in the Wizard of Oz, the spiral start of the yellow brick road is wound up with a red one. It's alchemy. I'll set up for that with some more insight into the Golden Gate, as pictured by the yellow brick road. Yes, I already gave this some attention, but there's much more here that's worthy of our attention! Without understanding about the stargates that are so important in the religion of Illuminated sun worship, you miss so much of what's been embedded in their ritual vehicles.

In this screenshot's scene, we had just heard Dorothy and Toto being identified as witches. Dorothy denied it, offering that she's Dorothy Gale, from Kansas. The Witch of the North was just singing, “Meet the young lady who fell from a star. She fell from the sky. She fell very far. And Kansas, she says, is the name of the star.” Are you thinking STARGATE yet? Do they need to hit us over the heads, here?

The name “Kansas” is a Sioux word that means, “People of the South Wind.” Dorothy Gale, from Kansas. A “gale” is a strong wind, a storm at sea. She had just arrived in a whirlwind as one of the People of the South Wind. Her arrival caused the death of the Wicked Witch of the East. Another line from the song: “When she fell out of Kansas a miracle occurred.” The name, “Dorothy,” means “God's gift.” To the oppressed Munchkins, Dorothy's taking out the witch was like a gift from God. The names and locations are symbols that supplement the ritual, you see.

The scene overtly features three witches that are identified with the cardinal directions. Where's the missing 4th that's implied, the beautiful good Witch of the South? Why, she's not missing at all? Dorothy is a Gale, of the South Wind. Her familiar is her dog Toto. (As I read it, that's an acronym for The OTO, the Ordo Templi Orientis.) This is why the ruby slippers magically transferred from the dead witch's feet to hers. Her gingham dress is a subtle checkerboard print that pictures the knowledge of good and evil. Ceremonial casting of the magic circle involves the invocation of the four Guardians or Watchtowers of the cardinal directions. Proper ritual doesn't just leave one out.

This scene is revealed as one that is a key to the film by reason of how the names were chosen to augment it. Oz is the place that is “over the rainbow,” according to Dorothy's declaration. As a reference to Australia, “the land down under,” the setting is the underworld. With Oz as an obfuscation of On, the Egyptian underworld is being featured, which is known as the Duat. At the center of the Duat is the Silver Gate. At the opposite end of the axis extending through the celestial sphere is the Golden Gate. Dorothy Gale arrived on a vortex of the South Wind, falling from a star out of the sky, modeling to us the Silver Gate. She landed near the center of the spiral of the yellow brick road that represents the Golden Gate. The underworld is the place of the dead, and so it is that death marks the event.

This is all about the production of Horus, and with the name of Dorothy Gale, her initials signal just that in referencing the esoteric 47th Problem of Euclid. D is the 4th letter and G is the 7th. DG ~ 47!

In that screenshot above we see the two witches of the North and South ascending the steps. Above we see a large flower that represents the sun in the sky. They are ascending to the sun. The flower is also superimposed over the center of the spiral. Check out the set. Golden Gate: Scorpio-Water / Sagittarius-Fire.

There's one more item in the scene that really needs to be called out. While the creepy Munchkins repeat Glinda's line, “Kansas, she says, is the name of the star,” we see a male Munchkin emerge from a manhole in the middle of the yellow brick road. Are you familiar with the Sodomite Gateway series? Man hole. Think proctology, colonoscopy and prostate exams. He wears a red scarf around his neck as the bloody tie that binds. He's got a pipe in his mouth. Think, about that pipe, in his mouth. The man hole is a Horus Eye stargate. Again, this is in the middle of the yellow brick road. Bricks and mortar, Masons and fecal mud. Recall the storming of heaven to get the “gold pooper” in Puss in Boots. Recall Wreck-It-Ralph and the bricks in the dump Ralph slept in. If you need a refresher or you're new here, I recommend checking out those links.

Think about the line they sing as the Munchkin man climbs out of the man hole. “Kansas, she says, is the name of the star.” Kansas: People of the South Wind. Have you ever had “the wind”? What is the south wind but flatulence? These folks who script and execute the symbols are obsessed with the nether-world and nether-region. This is their power base. This is how rituals are done!

Dorothy is received into a carriage with sun wheels pulled by two horses. This models a heavenly vehicle. Behold, the chariots and horsemen of Oz! She is conveyed along the red-cinnabar spiral winding into the Golden Gate, as they sing, “Ding Dong, the Witch is Dead.” Ding, dong; that's the sound bells make. Bells are for dimensional transport! Off they go, through the Duat.

“Wake up, the Wicked Witch is dead. She's gone where the goblins go, Below - below - below. Yo-ho, let's open up and sing and ring the bells out.” They are celebrating the opening up of the stargate to the underworld, and death!

Here's David Flynn's excerpt.

“Belief in the transformation of blood-like cinnabar into gold dates from 133 BC when Li Shao-Chun appealed to the Emperor Wu Ti to support his investigations: Summon spirits and you will be able to change cinnabar powder into yellow gold. With this yellow gold you may make vessels to eat and drink out of. You will increase your span of life, you will be able to see the hsien of the P’eng-lai [home of the Immortals that is in the midst of the sea]. Then you may perform the sacrifices fang and shang and escape death.

Through the years, the Philosopher’s Stone of myth has taken on a wide range of powers; not only has it been called the “secret of life and health,” but it also possesses spiritual significance. The alchemists of the thirteenth century sought the Philosopher’s Stone while undergoing strict devotional ritual and purification. After completing spiritual rituals, the alchemist was thought worthy to perform his activities. Eventually the Philosopher’s Stone was thought to signify the force behind the evolution of life and the universal “binding power” which unites minds and souls.[921] Famous mystery school initiate Eliphas Levi, considered one of the master occultists of all time, wrote authoritative works on freemasonry and ceremonial magic. Levi’s most important work was The Dogma and Ritual of High Magic.

This book was followed by A History of Magic, Transcendental Magic, and The Key of Great Mysteries. Levi believed in the existence of a universal “secret doctrine” of magic throughout history. The most widely read Masonic initiate, Albert Pike, clearly derived inspiration from the works of Eliphas Levi.[922] Pike’s Morals and Dogma has been called the “Masonic Bible.” This honored American Freemason was the Sovereign Grand Commander of the Scottish Rite when he took the Cabbalistic occult doctrine of Eliphas Levi and put it in his own book. The Hermetic Order of the Golden Dawn, founded in London in 1888, adopted much of Levi’s magic. Mystery school adept Aleister Crowley, a former member, was born the year that Levi died and claimed to be the reincarnation of Levi.[923] Eliphas Levi claimed to have summoned the magician Apollonius of Tyana from the dead.

Apollonius (c.4 B.C.), and his legendary life imitated and counterfeited that of Jesus in the Bible. The parallels of Apollonius’s life were so convincing that many were persuaded to see him as “a christ” himself. Noted mystery school initiate Manly P. Hall wrote in The Phoenix that the wizard Apollonius was such a good counterfeit of Christ that he was the first candidate worthy of the name anti-christ. Levi stated that he was influenced by an earlier writer and occultist Francis Barrett. In turn he influenced another writer and occultist Sir Edward Bulwer-Lytton, with whom he visited in London in 1861. Bulwer-Lytton wrote The Last Days of Pompeii and other occult books helping to make magic fashionable to the last of the 19th century. Francis Barrett, a practically unknown author of The Magus published in 1801. This was a concise handbook on the occult, dealing with the magic of herbs and stones, magnetism, talismanic magic, alchemy and other means of creating the philosopher’s stone The Philosopher’s Stone was first mentioned by Zosimos the Theban (c. 250–300) in the third century.

In speaking of the Philosopher’s Stone, receive this stone which is not a stone, a precious thing that has no value, a thing of many shapes that has no shape, this unknown which is known by all.

Mars is the Philosopher’s Stone. Mystery schools through the ages have sought this “unknown which is known by all.” Modern initiates of the alchemical mysteries have created the NASA “space program,” JPL etc. in the hopes of attaining the power that Mars is said to possess. The red planet is the goal and inspiration behind the names of the first space probes to circle the earth. The final acquisition of the great work before the coming of the “Golden Age” will be the comprehension of the planet Mars.

The union of man with the lost knowledge from the red planet will be the end result of the transformative Great Work of the mystery schools through the ages. Though the modern organizations of space exploration seem, outwardly, purely scientific, a closer look at their origin and the people who helped create them reveals a different story. The traditions of the mystery schools of the ancient Pelasgians have continued to be preserved in such organizations as the Freemasons.

The first manned space program, project Mercury-Redstone officially began October 7, 1958 carrying astronaut Alan Shepherd. The sole objective of this spacecraft was to complete “orbits,” gyrus or circles around the earth in space. Mercury-Redstone was launched on the 5th day of the 5th month in 1961 at 9:33:00 A.M. or 13:33 Greenwich mean time.[924] It is not hard to see the illuminated numbers. Even the year 1961 fits the dualistic theme of conveying a higher message within symbolism. A 16 is a 19 turned upside down, and the Mercury-Redstone capsule itself was painted a tesselating black and white.[925] Alan Shepard later became the 5th man to walk on the moon. The name “Alan” is a French masculine version of “Helen” meaning “light”; the name of the primary participant in the space mission named for the Philosopher’s Stone was literally the Shepherd of light . The NASA manager of the Apollo Program Command and Service Modules and Gemini program was 33° Scottish Rite Freemason Kenneth S. Kleinknecht, eldest son of Christian Frederick Klienknecht who himself has held the highest Scottish Rite office, the Sovereign Grand Commander of the Southern Jurisdiction, since 1985. The Masonic mystery schools have always been in the forefront of the scientific community, from the founding of the British Royal Society to today’s NASA program in the United States.[926] Other NASA projects were connected to the mysteries through their names, dates and astronaut affiliations. Edwin E. “Buzz” Aldrin was a member of the Clear Lake Lodge Seabrook, Texas, taking part in Gemini 12 and Apollo 11. Leroy Gordon Cooper, Jr. of Mercury 7 and Gemini 5 was a brother of the Carbondale Colorado Lodge No. 82. John H. Glenn, Jr. belonged to the Concord Lodge, Ohio. Other freemasons who journeyed into the heavens for the sake of knowledge were: Virgil Grissom, Edgar D. Mitchell, and Walter Schirra.[927] The connection between the NASA space program and the occult organizations of the world, especially the progenitors of the post WWII political and scientific world, will be fully explained in the closing chapter.”

(Wikipedia)Flynn, David (2012-07-01). The David Flynn Collection (Kindle Locations 18696-18731). Defense Publishing. Kindle Edition.

Part 5 - Celestial Stargates - NASA's Obsession with the Two Pillars

Stargates connect the heavens and earth so they are sometimes illustrated as columns or pillars. An arch often pictures the arch of the heavens joined to the earth by two pillars. The stone at the top that locks the pillars together is called the keystone, which is also a stargate symbol. Gates provide access to a secure area so that aspect is often illustrated with keys, locks and keyholes. Examples of these symbols abound.

The Dendera Zodiac pictures the celestial dome supported by pillars personified as Isis and twins of Horus. This seems to imply that the heavens are all about Osiris resurrecting into Horus through the agency of Isis. This certainly harmonizes with my understanding of the Adversary's scheme. The union of Osiris and Isis is all about the production of Horus in this realm. The representation of the bridging pillars is a pictogram of how the heavens and earth are thereby connected. I've presented evidence that Isis and the Twins are very particularly identifying the Silver Gate, which seems to be the dimensional portal of primary interest. There's plenty more witnesses that echo that testimony!

NASA, which is and always has been an Occult organization, had a program named Gemini, flying missions in 1965-66. They represented it with this image, which speaks to their familiarity with the Silver Gate and the pillars as known from ancient times. It features the astrological glyph that looks like twin pillars, connected. It's claimed that the name Gemini was chosen for the project because the Gemini capsule would carry two men. Two stars appear, which suggests the twin stars of the constellation, Castor and Pollux. Stars are the familiar symbols representing angels or gods. These appear to be transiting the Silver Gate.

Here's what NASA has to say about that program on their mission page. They are spilling the beans in typical Occult style.

“November 11, 2006 marked the 40th anniversary of the launch of Gemini XII, the final mission in the groundbreaking program that bridged the gap between Mercury and Apollo. ”

Mercury and Apollo, aka Hermes and Horus. A familiar pairing, right? The Gemini project bridged the gap. OK. Between those gods and the Earth? Think about it. Gemini, that's the Silver Gate, from where the gods were claimed to descend from heaven to earth. Gemini XII names the full number of the primary signs of the Zodiac. Did you notice that the date to which they give special attention? November 11 is 11-11. The Gemini glyph resembles 11. Is 11-11 referencing the two pillars and the Silver Gate of Gemini? (Remember The 11 11 11 CRYSTAL SKULLS WORLD MYSTERIES GATEWAY IN L.A. EVENT?)

The agenda was to prepare the way for the Apollo mission. Again, that's a Horus mission. The objective of that program targeted the moon, the silvery moon, which is a symbol of the Silver Gate. Which mission was supposed to have landed men on the silvery moon? That would be Apollo 11! There's the pillar or pillars and Gemini glyph once again. They proposed to put man on the moon, and the converse of that is to bring Apollo down to earth through the pillar of the Silver Gate. Was that a ritual? Yes, and perhaps fabricated as a hoax for just that reason.

Claims have been made that Stanley Kubrick helped NASA perpetrate an elaborate hoax, faking the moon landing of July 20, 1969 in a studio. I have no real evidence to support or deny that, but my examination of the photos that were online in the late 90s made it pretty obvious that the shadows and other features were inconsistent. If the landing was legitimate, why were the photos staged? Would official agencies like NASA hoax the public? Have you looked into the pivotal event connected with 9/11/2001? (BTW, that's a major Silver Gate event I hope to cover shortly. Twin Towers. Right.) So, if the Apollo 11 moon landing was faked, and you have to be very skeptical given the evidence, we have to ask what reason they might have had for perpetrating such a deception. There may have been several objectives, but primarily I believe it comes down to a single word, ritual.

If you haven't caught on yet to the way of the Illumined elite, ritual establishes the reality of a thing. Their god directs them. They comply with his demands. The world changes. That's how it works, and how it will work right up until - it doesn't. My God has set the limit on their achievements, as He ever has, because His purposes will ultimately be served in all that He allows.

Neil Armstrong made some famous declarations during the mission. “The Eagle has landed.” The lunar lander module was named Eagle. That's the bird with many an alias, the phoenix and feathered serpent, Apollo (the mission it was associated with), and the god also known as Horus. According to the official account, just prior to descending to the lunar surface, the Lunar Module Eagle separated from the Command Module Columbia. Columbia is an alias of Isis. A warrior places his foot on a thing he has conquered as a proclamation of victory. Once landed, Osiris is once again joined with Isis. When about to set his own feet on the surface of the moon, the astronaut said, “That's one small step for [a] man, one giant leap for mankind.” The giants of old were hybrids, children of the gods, of the Horus kind. He came out of the Eagle, as a son of the Eagle and the Moon. This is ritual on a massive scale. It's about the Golden Gate but primarily, as I see it, the Silver Gate.

The plot of Men In Black 3 revolved around the Apollo 11 mission and the establishing of a protective shield (ArcNet) around the earth to guard against alien invaders. More on that as a Silver Gate ritual coming soon, Lord willing!

Here's the Apollo mission patch. Do you see the A as a portal with twin pillars? The three lights in the crossing identify the three stars in the belt of Orion. Orion, that's the Silver Gate! That Apollo-Moon mission was a Silver Gate ritual!

You can see the twin pillars of the Silver Gate in this 30th Anniversary graphic. I decoded many layers of other symbols here, in Part 79 - The Sodomite Gateway - Holy tIHS!.

Those folks at NASA know rocket science, and alchemy and mass mind-control programming. You know about Jack Parsons of JPL, right? He prayed to invoke the blessings of Pan before every launch. Have you read this post lately? Hermes, JPL and NASA - Houston, we have a problem!

Mercury, aka Hermes, Hermanubis, Anubis; these are given the supporting role in the NASA pantheon. This god's escort service and eye-mazing service are necessary as the way is being prepared for Horus to make reentry and splashdown, as it seems, through the Silver Gate.