The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway
The following excerpt is from Alice and Wonderland, one of the most well known sources used for programming.
“she ran across the field after it [the white rabbit], and fortunately was just in time to see it pop down a large rabbit-hole under the hedge.”
“In another moment down went Alice after it, never once considering how in the world she was to get out again.”
“The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.”
“Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled `ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.” (Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)
“In another moment down went Alice after it, never once considering how in the world she was to get out again.”
“The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.”
“Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled `ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.” (Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)
This scene is an allegory of trauma-based mind-control and programming with ritual sodomy that appears to have been written for use as a script. If I've learned anything about the way of this kind of evil, there's no chance this story is just an innocent children's story that has been adopted and repurposed for evil. I'm convinced it was a stealth weapon from its inception. The character of the author has been the subject of much controversy over the years. His history is of some interest, and a few miscellaneous items that serve to furnish some context are in order, so I'll address some of that, too.
An allegory can be taken at face value but the greater value is gained when the symbols are correctly interpreted. Alice is on her way to Wonderland.
Wonderland refers to the state of dissociation, the place where the mind goes during the trauma of ritual abuse, especially ritual sodomy. I've addressed this plenty in this series. There's a reason why one of the world's largest paedophile rings (famously “smashed” by Operation Cathedral in the late 90s) was called the Wonderland Club. (Web search: wonderland club largest ring -- Police: Global Child Porn Ring Broken) In Wizard of Oz language it's referred to as “going over the rainbow.” It's a getaway, a place of escape during the abuse.
The rabbit hole tunnel is a dirt tunnel, the GI Tract. Going down the rabbit hole means she is being sodomized. This transports her to Wonderland. All the bizarre and nonsensical activity in Wonderland represents the coded programming system, a highly structured set of symbolic elements that make little sense, unless you're the programmer or have the code book.
“Those who have been programmed have a locked-in three-year-old mindset which is the core of the programming. Say they’re eighteen or twenty years old and somebody comes up and knows the signal or says the code word to call out the three-year-old core. The person then goes into the three-year-old state to be sodomized, then the sodomites program into their minds what they want to program in, and when that person wakes up they probably don’t even remember that anything happened. Basically, a person reverts back to the three year old to be a total victim to the sodomy.”
Marion Knox
Marion Knox
The first evidence of the programming appears early, as she's falling. I'll explain more about that part of it shortly.
There is trauma involved with Alice falling, with this ritual sodomy abuse. Imagine falling in the dark. I don't have to imagine, personally, because I can well remember lying in bed as a young boy and being seized upon with terror out of a deep sleep, falling. I wasn't actually falling, but it was quite traumatic. I also walked in my sleep and frequently experienced sleep paralysis during that season. I was living at the street address of 666 West Main Street. Seriously. Was I abused? I don't believe I was, not by people. Was I abducted by aliens? I don't believe so. I was under demonic oppression, that I know. So, Alice, falling in the dark down a well, was experiencing trauma, and dissociating. The trauma of the experience is apparent at the book's end, when Alice wakes up from a nightmare that had been her entire Wonderland adventure.
`Hold your tongue!' said the Queen, turning purple.
`I won't!' said Alice.
`Off with her head!' the Queen shouted at the top of her voice. Nobody moved.
`Who cares for you?' said Alice, (she had grown to her full size by this time.) `You're nothing but a pack of cards!'
"You're nothing but a pack of cards!"
At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.
`Wake up, Alice dear!' said her sister; `Why, what a long sleep you've had!'Alice's Adventures in Wonderland - Chapter 12
`I won't!' said Alice.
`Off with her head!' the Queen shouted at the top of her voice. Nobody moved.
`Who cares for you?' said Alice, (she had grown to her full size by this time.) `You're nothing but a pack of cards!'
"You're nothing but a pack of cards!"
At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.
`Wake up, Alice dear!' said her sister; `Why, what a long sleep you've had!'Alice's Adventures in Wonderland - Chapter 12
Alice returns from Wonderland as waking up traumatized from a nightmare. (Just like how Dorothy returns from Oz in The Wizard of Oz. These programming standards are similar in so many respects, both, thinly veiled allegories of the same cruel matter. ) The trauma is evident. “...she gave a little scream, half of fright and half of anger...” “Off with her head” If there's a classic dissociation image, that's it! This clever allegory illustrates what Marion Knox described above. Alice was ritually sodomized and abused and programs were installed.
The Disney version of Alice in Wonderland from 1951 (which has probably been used to program thousands of children) departs somewhat from the book, returning Alice from Wonderland through another metaphor for sodomy. She, still dissociated in the Wonderland alter identity, views herself in the real world through the keyhole of the lock in a floating royal arch shaped door. The sodomite portal of course. The GI tract is vividly illustrated in the purple smoke-like spiraling tunnel.
Consider the signal Masonic degree and sodomite 33 formed by the door hardware's eyebrows and moustache-like hair, which is itself an orange bottom. See her yanking on the knob? Wink, wink. Yeah, it's pretty graphic. Disneyland ~ Wonderland. Club 33... What I wrote earlier about a layer of Wonderland's meaning being the coded programming system applies early, even as Alice is falling.
The signification of the briefly referenced empty jar of orange marmalade is a really big deal! This affords us some insight into the esoteric use of the color orange as a symbol. Sealing wax was required for canning items like orange marmalade. The seal is essential for preserving the ingredients. The jar is like a safe or a vault, a sealed and therefore secure container for valuable assets. The early reference to the empty jar signals that she is ready for programming to be installed. This is why there are cupboards and book-shelves on the sides of the well, with maps and pictures hung upon pegs. These represent the organized compartments, the programmer's code books with scripts and diagrams detailing the slave's alter systems.
“Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled `ORANGE MARMALADE', but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody, so managed to put it into one of the cupboards as she fell past it.” (Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)
I believe this allegory is described by Fritz Springmeier and Cisco Wheeler in The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave. “The color coding within the Illuminati Mind Control is fairly consistent,” they write.
Of the standard color coded system: “ORANGE. These special protector alters are scouts who warn of danger from internal or external threats.” That's a fitting color for a sentry position, the first named color as Alice falls down the well into Wonderland. The alternate color code system they describe seems equally fitting. “ORANGE. Guard alters which are heavily programmed for obedience.” Further insight into the meaning of the empty orange marmalade jar might be gleaned from their observation that “an orange book is used to specify some of the NSA’s security levels.” Technically, it's the book cover that's orange, a wrapper. It's a seal, like the peel on the orange, like sealing wax on the canned fruit.I've used the allegory of how baptism as the anointing with holy spirit is like canning in one of the writings in Beyond the Veil. We're cleaned and filled and sealed. (See http://www.theopenscroll.com/beyond_veil/appendices/baptism.htm) The devil understands this metaphor well. The programming done with ritual sodomy installs demons, unholy spirit. The initiation is claimed to be a counterfeit “born again” experience. It's canning. And, it's done “in the can,” in the butt, right? Hmmm. Mason jars. Yeah. OK. Dot. Dot. Connect.
“Alice's Adventures in Wonderland” continues, validating and extending these insights.
“`Well!' thought Alice to herself, `after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!' (Which was very likely true.)”
“Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)”
(Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)
“Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)”
(Alice's Adventures in Wonderland - Chapter I - Down the Rabbit-Hole)
Latitude and longitude identify locations on the map. The standard Illuminati system is represented as a 13x13x13 cell cube. It's complex and highly organized. There's nothing random about it.
I perceive the above excerpt as a guided descent, concealing and revealing the trance journey led by the hypnotizing handler, or in some cases, a programmer. Layers are typically color coded, and there is an orange layer. Here's a comparable script. Going down the rabbit hole to Wonderland is equivalent to going over the rainbow.
“Induction Training Script: "Breathe deep --- you are floating down ... down ... on a beautiful red cloud, and your whole body is red -- as you go drifting and floating .... rocking gently ... deeper ... and deeper ... down ... [this repeated, one time, for each color of cloud-orange, yellow, green, blue, and violet clouds.] "land very gently ... very softly ... in the center of a round, black pearl. see it glowing, softly, gently ... now turn and face the east ... and then the south ... and then the west ... and then the north open all of your inner senses." (Deeper Insights into the Illuminati Formula - THE MONARCH PROGRAMMING SCRIPT FOR OVER THE RAINBOW by Fritz Springmeier & Cisco Wheeler)
The directions for turning are in given in the precise way of casting a magick circle and invoking the Elements, the Guardians. This is basic witchcraft.
The oath of secrecy is a seal on the orange marmalade jar, like the orange cover of the NSA codes book. “Why, I wouldn't say anything about it, even if I fell off the top of the house!” she says. The blood oaths made in the sodomite ritual are serious. When Alice said, “she did not like to drop the jar for fear of killing somebody,” you have to know the canning jar is a matter of life and death. The container must remain intact or the goods will spoil, and someone will die.
Understanding about gatekeeper programs provides insight into why the rabbit hole turned into a well, and why the jar and cupboard are in the wall of the well to be encountered while Alice was still falling down.
“The Gatekeeper alters are just that. They protect the gates or portals to all System levels. Infrequently, the programmers may also call them “doorkeepers”, or “tollmen” & “toll women”. The victim may refer to them as guards or blockers, although Gatekeepers are more than guards, they are an entrance or portal to something. Gatekeepers may often be the alter that was split to get a particular section. Each gatekeeper may be at a deeper level trance than the one before it. When a Gatekeeper is split it creates a natural link to the alters that are created from itself. Then the Gatekeepers are given programming not to see what they have created and what they are natural portals to. These steps create a natural portal for the deeper alters. One-way mirrors are usually installed between the Gatekeeper and the section they guard, so that the deeper alters can see out, but the Gatekeeper can’t see in.” (The Illuminati Formula...)
Think about the common well. There's water down there. You look down, and what do you see? There's no light down under the water. Have you looked at a window when it's dark out and the light is on inside? All you see is a reflection. The surface of the water in the well is a reflecting mirror. If you were down under the water you could see out with no problem. The well is an esoteric description of a one way mirror. The well is a gatekeeper metaphor! If you look in the empty jar labeled orange marmalade as you're falling down, what do you see? Nothing. It looks empty. Get it? Falling Alice is the gatekeeper alter who can't see in.
Moving on, there's sodomy imagery embedded throughout the movie. The queen of Hearts wears hearts on her britches. Link the heart shape to the butt. Many of the characters in her kingdom carry around hearts on sticks. Sticks, stuck up the bum.
Playing cards, which are thirteen to a suit, are Occult objects by design. The number of cards in a deck is the number of weeks in the year. The pagan calendar is important in this scheme. The deck is used symbolically in the book and movie, on one level illustrating the programming system, with each card as an alter identity, splitting, mirroring, multiplying. The cards are also used to symbolize the slave army of the kingdom.
Here's a screenshot from the movie that has a lot to say about the sodomite portal as a tunnel of love. The arches overhead are the heart shape. The flanking cards are all mirrored, but connected, alters. The blood oath is pictured, the bonding, crossing their hearts, sodomizers and sodomized with erect lances up their heart-bottoms. The card facing us is the Jack. Check out his funky britches. It's the orange butt. “Jackass,” right? If it looks like his head is on backwards, it really is, illustrating the mental state of the victim.
What is pictured by this use of double decks of cards seems to be what is described by Wheeler and Springmeier in the Monarch Mind-Control Codes section as the programming of two part alter teams, called twinning and cross-programming. “Teams will be trauma and sexually bonded, as well as having mirror images with each others names.”
Here's another image from Disney's version that makes quite a clear statement. Alice was fleeing for her life from the Queen's army. “Off with her head”! She escaped into the intestinal maze on her way out. The suit of hearts followed her. 
Aaron and I watched the Disney version a couple nights ago. It's streaming on Netflix now if you want to watch it. It was pretty tedius getting through it, but it was a “must see” for us. While watching, the Lord hooked us up with insight into what is meant by the tea party. The tea party is a T party, an anal Triangle party, a ritual sodomite orgy. The tea is also the blend that emits from the victim's bottom after being sodomized. See Alice swimming in the blush “tea” as she flees the queen's army. Disgusting. Incredibly cruel, but Disney wasn't taking this story to a new place, it is the story!
We think this insight has a pretty broad application. Think politics. Think history. In Boston, the perps were all members of the Masonic lodge. We have been manipulated by the twisted sodomite elite who run the theater. Yes, we really have been duped. It has been thought that the 10/6 seen in the hat of the Tea Party's Mad Hatter is a note about taxes. I see it as a coded reference to the hybrid Beast whose coming is served by this scheme. The number 10 is IO, helios, or Apollo. The number of man is 6. I believe 10/6 is code for the coming Beast.
This allegorical classic includes some symbols that are familiar to Occult adepts and Illuminati witches - and to those of us who are catching on to the weapons wielded against the Lord's people. The hare is associated with Hermes, the psychopomp, who escorts people into the underworld. When Alice follows the white rabbit into the rabbit hole and tumbles deep underground, it's an allegory. Wonderland is the underworld. Demons are installed during sodomy. Demons make the programming work. The white rabbit's important job was that he was the Queen's herald. Who is the classical herald of the gods but Hermes, with his trademark caduceus or kerykeion, the herald's staff!
Consider the white rabbit and “Alice” in the underworld ritual, covered in Part 1 - "I, Pet Goat II" - Golden Magick Circle.Think about where Alice found the rabbit hole in the book, under the hedge. The hedge is the dimensional boundary. Hedge witchery is called that because they traverse into the other dimension, crossing the hedge at the border, in a figure. Wonderland is the underworld.
If you watched the Code Orange Underground video from Part 74 you experienced an allegory akin to Alice in Wonderland. Equate the manhole to the rabbit hole. Equate the orange inside with all its frenetic activity to Wonderland. At the end, we, the viewers, were backed out of Wonderland through the manhole into our real world. Video over. Buzz buzz. Hello!
When we first see the white rabbit in the Disney version, he's carrying a black umbrella, faithful to the illustration in Lewis Carroll's book. The black umbrella is a symbol of ritual sodomy, which I just presented in Part 75 in the example of Rihanna's music video Umbrella (Orange Version). The Wonderland programming is still very much a factor in our lives. A recent example was a commercial for a “Government Motors” vehicle, with an umbrella carried by ananimated doll in orange hair and dress, a creepy feline (Beta alter) wearing the falling star who crosses under the arched hedge as he passes through a gate. ("Imaginary Friends | Traverse | Chevrolet" - is no longer available).
Traverse dimensions. Dissociate, switching alters. “Re-imagined.” Right. It's a programming vehicle, the commercial, I mean. What do you suppose they mean by the cocoa puffs being overflowed out of the rayed bowl, spilled all over to get lapped up off the floor by a dog? It's Wonderland's tea party!
Chevrolet is the bow tie brand. Get it? The tie that binds. The plus sign. Orange. Disney's white rabbit carries the black umbrella and wears a bow tie. He's a Chevy guy. I think he chauffeurs a Traverse that doubles as a hearse. Charles Lutwidge Dodgson wrote Alices Adventures in Wonderland, publishing it in 1865 under his pen name, Lewis Carroll. Perhaps he was an early adopter of the umbrella and orange symbols. I don't know, but he was very obviously familiar with the means of obfuscation practiced by those on the left hand path. He was obsessed with a young girl named Alice Pleasance Liddell, and it is accepted that his popular books were something of a tribute to her. He closed his second book of two in the series with an acrostic poem, spelling out her full name. Through the Looking Glass - Chapter 12 - Which Dreamed it?
The Lewis Carroll Collectors Guild is a society dedicated to promoting pedophilia. The Wonderland Club was huge!
“In September 1998, another ring was raided – what the BBC described as “a larger and more sinister paedophile network called Wonderland.” The network was so named in honor of Lewis Carroll’s revered children's book, Alice's Adventures in Wonderland. Carroll was widely known to have a predilection for underage girls and boys, and is now something of a patron saint of pedophiles around the globe.” (The Pedophocracy by David McGowan)
The many threads of imagery promoted by Dodgson are woven into so much of the fabric of our perverse world. I'm so glad to finally see it for what it is, and so grateful for the privilege of sharing this with you!
Remember Rango? This screenshot says plenty.
Rihanna - Umbrella (Orange Version) ft. JAY-Z
We see in this image of a backlit Rihanna the formation of three triangles as she sits on her butt. This sets the scene for anal triangle illumination and a 9 (angles and sides) transformation. We're given a sultry “Harmerty” one eye look, aided by the hat, to tip us off to the hidden eye of Horus enlightenment theme. Her hand on top of her leg-triangle suggests that her handler is on top of her triangle. 
He's standing in the rain, flanked by six girls. In this scene they signal a tripled 666. They stand with their legs apart and their bare legs are highlighted. Flip the scene as reflected in the water and you have the Hebrew letter vav signaled by each girl. vav=6, so three of them is a 666 signal, and there's two sets of them. The third 666 is signaled by first identifying Jay-Z as a man and substituting the number for “man,” 6. Count the highlighted legs of the women. On the left, 6. On the right, 6. Together with Jay-Z, 666. 
Then we see her wearing black. The changed clothes signals dissociation has happened and she has escaped the trauma, switching to an alter identity. We see her beginning to dance with a focus on her wearing ballet shoes, pointing her feet and standing on her toes like a ballerina. We see her dipping down as if she's going on her knees, with a figure right behind her, all in black. Jay-Z, the handler-sodomizer. She's accepted being sodomized. 
She looks back at us over her shoulder, and we know her backside is towards us, so we take the hint. She'll make lots of moves that suggest this is really all about her backside. 
In this sequence we see her in yet another outfit. Another alter. The umbrella is collapsed. Held behind her back, the phallus is behind her. Her fish-net stockings present another grid and slice of the alter system being programmed in by her sodomizing handler. Here, she's wearing high heels. 
She's not really human anymore. The metallic skin illustrates the light body transformation as into a goddess. Sodomite sex magick does transform the DNA and it does advance one towards what will be completed in the mark of the Beast. 
It's more than a fashion accessory. 
One of the first in the sequence pictures Rihanna with her hands in a prayer posture, which might be taken as an homage to pop goddess 
She is seen here forming a triangle with her arm, while touching her palm to her forehead, the third eye illumination. 
In another clever posture, she forms more triangles, making the Kundalini gland connection for us. She touches her backside at the point of one triangle. She touches her forehead with another. With her legs, a sodomy signaling plus sign is formed by crossing a vertical with a horizontal. Finally, the raised rear end of her foot is identified with the rear end that is the focus of all this attention. Evil genius. 
“It's Pouring rain, it's Pouring rain
The last episode of the sci-fi series Fringe has just aired, ending the fifth and final season. It might be one of the higher level Illuminati programming vehicles on TV. The final episode spilled some beans about the revealing of the lawless one as baptized by the false prophet, even correctly identifying the year. As usual, it was delivered in a convoluted fashion, ever concealing from the ignorant while revealing to those who are familiar with the script and symbol language. I just posted about Code Orange, which featured an obfuscation of the appointed day of the year. The time is known, and there's only a little more than 2 years remaining. 
Before even that, I wanted to share another insight that I'm hoping will really speak to you. Those who produce Fringe know things. The devil and his crew are not stupid. They lie, and their knowledge is restricted, but there are coded communications passed into our world that conceal and reveal important messages that are some very prized secrets of the Illuminated Luciferians. Fringe uses a simple substitution cipher to present one word messages during the commercial breaks, one letter at a time. 
Here's the video: 
The video begins with an image of descending into a manhole. We're going underground, descending into the underworld, and we hear voices of preachers as if heard coming out of the pit. Here is metaphor for the ritual sodomy that creates the condition for programming.
Another tilted pane appears flickering on like a retro orange sign. “IN 2013 WE'RE TAKING IT TO ANOTHER LEVEL” The words stack like a pyramid. We're taking it to another level. Following their direction, we add another level, the capstone. The gradient lighting is brighter at the top. The capstone is going to be the brightest orange. Who's that? Out of the noisy din we hear the fiery preacher declaring “the lord is in this place”! We know the place, at the top of the pyramid. Which lord? Mine? No way! It's the 13th suggested by the previous panel, the rebel lord Beast! Their 13th beyond the 12 is like a witches coven, patterned on my Lord with his 12 disciples but with a twist. It was Judas who was truly different from the other 12. 
Scenes of the event begin. Since the Beast has, in ceremonial magick, just been elevated (by the Elevation Church) to his throne atop the pyramid as the head of his body (counterfeit Messiah), what follows is the ceremonial receiving of the mark of the Beast. We see in a fleeting image what I captured in this screenshot of the right hand mark stamping. 
The setting is fit for the gods and programming their worshipers with lots of triangle structures and “T”s (anal triangles and Lucis Trust Triangles) and grids of panels. We see the lawless one ceremonially received by the lawless hoards. 
That's not an inappropriate match, being that they are actually of the same kind. This logo should be interpreted as the sodomite gateway, orange, and the alchemical triangle in circle. It's the pyramid and capstone together, cleverly appearing with the top at the bottom, as superimposed. The capstone is hidden in plain sight because of a simple obfuscation, and a powerful cover spell. If we allow that the Elevation church symbol is a simple up pointing arrow, we must identify it as the symbolic phallus of Apollo in the simple but powerful sodomite sex magick symbol. The Elevation Church intends to elevate or ascend men and women, and indeed they are achieving their goals. 
Dancers with orange hair entertain. It looks like Saturday Night Fever in Sodom. They are clothed in purple.
I found this promotion image on a Code Orange Underground website, which declares, “THE REVIVAL CONTINUES, THE KINGDOM ADVANCES. A TOTAL OF 8 ENCOUNTERS THROUGHOUT 2013 WITH LEADERS FROM AROUND THE WORLD.” You can interpret that now, right?
The usual caveats apply, so if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. 
The classic TV game show Hollywood Squares is a similar allegory. The celebrities are stars (angels) set into a 9 paneled grid. They answer questions, enlightening the panelists who make a play of attempting to discern the truth amidst the clever fabrications that are usually lies intended to deceive. Based upon the game, tic-tac-toe, they use language like “X gets the square,” to reward the contestant for a successful call. They also say, “Circle gets the square,” referencing the alchemical squaring of the circle! In the picture I present here, the sodomite signaling plus sign is highlighted. The scoring alignments of rows and columns mock up a magick square, a tool of the kind of Enochian magick practiced by Dr. John Dee. Holly wood has long been used to make magick wands, not for stage tricks but for ritual use. Their magick is real, and many of the show biz celebrities are Illumined Occultists and SRA handlers/slaves; practiced deceivers who prey upon the ignorant with their ceremonial magick.
I watched episode 1 for the first time the night before starting this post. A movie titled 
The Illuminati songstress Jessie J models the doll house metaphor in her music video, “Price Tag.” She is herself a doll house, with many compartmentalized alters. What you see here is an equivalent to the Captain Kangaroo door, with many windows opening to rooms in the door. Jessie J's bare legs present us with the form of a pyramid, and the hands conceal and reveal how the handlers are at the top, in control. The triangle formed also signals the anal triangle or sodomite gateway as the means of producing this condition. The dormers signal us with sodomite plus signs. 
Dollhouse was created by writer and director, Joss Whedon, under Mutant Enemy Productions, and it was aired on the FOX network. Mutant Enemy. FOX=666. Connecting some dots?
On one level it models the switching from alter to alter. 
Dodgson was not himself an illuminated slave, handler and programmer. 
In this image you see Jessie J in the hall, pressing her fists to her head like in a vice. Pressure on the brain = ritual trauma. This forces the dissociation. 
At the tea party banquet, pink doors with panels with purple accents appear at one end. The message seems to be that they are her alters, every character.