Part 6 - Decoding Coldplay's Strawberry Swing - Vogue Interdimensional

Some of the notable stargate transit imagery in the official video for Coldplay's Strawberry Swing was already brought to light, but there's more, and there's still value in giving it some attention, even in this late hour.

Again, here's the official video, Coldplay - Strawberry Swing.



While these words are heard, “People moving all the time Inside a perfectly straight line,” Chris makes his vertical ascent in the pipe to emerge from the stove pipe hat. It's perfectly timed. While the rest of the verse is heard (Part 5), Chris ascends up to the sky castle on a cloud. I described this ascent as being on the kingdom viaduct, the mecillah. It's a time-space bridge that opens a lane for vehicular traffic. Upon reaching the sky castle on a cloud, a battle ensues.

From the heavens the stars fought, from their courses [mecillah] they fought against Sisera. ~ Judges 5:20

The cloud the superhero rides is a proper vehicle for ascent into the abodes of the gods.

As we read in Isaiah 19:1, “Behold, the Lord is riding on a swift cloud...” The superhero rides the cloud, like the Lord he imitates.

We see the miscreant squirrel-god's abode is with a cloud, not unlike the throne vehicle with the presence of the Lord God described by Ezekiel. He even wears a kind of rainbow suit.

4 As I looked, behold, a storm wind was coming from the north, a great cloud with fire flashing forth continually and a bright light around it, and in its midst something like glowing metal in the midst of the fire
...
27 Then I noticed from the appearance of His loins and upward something like glowing metal that looked like fire all around within it, and from the appearance of His loins and downward I saw something like fire; and there was a radiance around Him. 28 As the appearance of the rainbow in the clouds on a rainy day, so was the appearance of the surrounding radiance. Such was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell on my face and heard a voice speaking. ~ Ezekiel 1:4, 27-28

The tent of the Tabernacle in Deuteronomy is a model of what is in Heaven.

The Lord appeared in the tent in a pillar of cloud, and the pillar of cloud stood at the doorway of the tent. ~ Deuteronomy 31:15

So we see cloud pictured in the squirrel's sky castle that covers the threshold. The cloud castle is a clever and fanciful representation of what the tabernacle and temples were truly modeled on.

See this study (just updated and expanded), Heaven's Vehicles - UFOs - Fake and Genuine, for more insight.

Vogue

In Part 5, I presented the pitcher falling off the pedestal as a dimensional transit symbol that Strawberry Swing has in common with A-jax's “Insane” music video. They have another in common, the mode of propulsion. The superhero rides a smoke cloud that sails on the wind, paddling like he's in a boat on the water. This transport may be aptly described as, vogue. Vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.” It's a popular symbol!

From The American Heritage® Dictionary of the English Language: “vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots.] ... The Indo-European root of vogue is wegh-, meaning "" Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion."”

The “Insane” character with the Vogue hat wears a shirt with twin dogs that look like Anubis, with the twins referencing Gemini and the celestial Silver Gate. The utility chain of twinned torus (Taurus) construction presents a redundant witness, with keys suggesting his access to the locked gates. He makes with his crossed hands a winged figure. He's the psychopomp, able to traverse dimensions. He's Vogue, like Chris Martin who paddles the cloud vehicle because he's going, sailing on the wind and rowing, being transported in/on a vehicle.

Vogue, is signaled inside the cloud castle when we see Chris tiptoe past the rocking horse. Vogue: “to sway, rock -- to go, transport in a vehicle.” The rocking horse. A horse is most commonly ridden or used to pull a vehicle, even heavenly vehicles. See 2 Kings 6:17 and Isaiah 5:28. Consider Apollo's quadriga.

Vogue. It's a popular symbol! During the opening ceremony of the Sochi Olympics, the celestial transport with Horus at the mast (as sailing) moved across the sky under the stargate-signaling rods as the psychopomp rowed at the oars. Lobov, love, was within, the “feminine soul of Russia” - Mother Russia, the goddess of love, Venus, Mary.

The Queen of Pop, Madonna, had a hit song titled, Vogue, released in 1990. “Commercially, the song remains one of Madonna's biggest international hits, topping the charts in over 30 countries, including Australia, Canada, Japan, the United Kingdom and the United States. It became the world's best-selling single of 1990, selling over six million copies.” “ The video has been ranked as one of the greatest of all times in different critic lists and polls, and won three awards at the 1990 MTV Video Music Awards out of a total of nine nominations.” “Before Madonna popularized the dance, Vogue was performed mostly in bars and disco of New York City on the underground gay scene.”(Wikipedia)

(On that topic, the VMA awards are on tonight, and more mass ritual public performance magick will be attended privately by the undergrounders. There's extra attention now because of the celebrity shootings during a pre-party.)

The music video demonstrates Vogue to us as both the “Material Girl” icon of fashion and as the mother goddess involved with stargate transit.

Madonna - Vogue

The pedestals aren't there just to add a touch of class. You see goddess statues on pedestals, and a cat on the pedestal, like in A-Jax Insane - the cat goddess Bastet. It's the stargate symbol. The use of the black and white format does more than make homage to the early days of film. The Lord revealed to me that the Occult black and white motif is a reference to the tree of knowledge of good and evil. It's signaled with checkerboards and sometimes in film style.

The lyrics are all about the dimensional transit! Again, vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Lyrics - Madonna - Vogue

“I know a place where you can get away

Chorus
Come on, vogue Let your body go with the flow (go with the flow)

If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it

Oooh, you've got to
Let your body move to the music
Oooh, you've got to just
Let your body go with the flow
Oooh, you've got to
Vogue”

A dimensional transit is implicit in what is meant by this ritual sodomy euphemism whereby one aquires gnosis and illumination.

“If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it”

The illumined refer to the initiation as the new birth. (It's the Adversary's counterpart) The mechanism may be described as the installation of demons. Superstar = Chosen One.

The Mona Lisa painting is pretty Vogue. Chris tiptoed past the painting right before coming to the Vogue rocking horse. Mona = Madonna, and Lisa (derived from Elizabeth) is not unlike Melissa, the honeybee goddess. Remember from previous posts how that, in Strawberry Swing, the captive is the Queen Bee and the superhero is a bee.

In the goddess exalting and bean spilling animated feature, The Bee Movie, you'll find two scenes where a Vogue magazine is used to threaten the bee. Specifically, it's the large Italian Vogue. Italy, means, “calf-land or land of cattle” (same root as the Latin vitulus, a 1 year old calf). Consider how the offspring of Hesat (The divine cow goddess Hathor in earthly form) and Mnevis (the earthly bull form of Ra) is Anubis, the psychopomp.

The following screenshot reveals how Vogue is being used as an Occult reference. The fashionable art of the poster features his idol, the Virgin Mary and Madonna, the Killer Queen. She poses as the pinup girl with her vehicle. Vogue. The worker bee has one on his bookshelf just like it. Vogue. He's seen here about to sharpen his stinger as he gets ready to go.

A scene from a TomorrowLand festival pictures a young attendee wearing the fashionable goddess Vogue. Water in motion: Flow. (Also, wolf, backwards)

Progressive Insurance is Vogue. They are Progressive, advancing, going forward. Their iconic spokesperson is named Flo. Flow.

Progressive Insurance Commercial - Flowing with Flo at the Marina



Flomotion...Floin' With My Homies...Ebb n Flo... Listen for the music reminiscent of Venice with its gondolas. (I, pet goat II - Anubis) Watch for the part at the end where the goddess operates the “throttle of Osiris” on that vintage boat. Code 33: Flo ~ 6+12+15=33

Trending... Vogue.

Burning Man 2014 - Vulcanalia Rites + Wickerman + Cremation of Care

The annual Pagan festival known as Burning Man began this morning in Nevada. More large scale debauchery and ritual. Although it's not claimed to be, it is largely a modern celebration of Vulcanalia. It's also related to the Wicker Man Druidic sacrifice and the Cremation of Care (Bohemian Club and Grove) sacrifice to the Owl (not Moloch so much as Inanna-Ishtar).

“The festival of Vulcan, the Vulcanalia, was celebrated on August 23rd each year, when the summer heat placed crops and granaries most at risk of burning. During the festival bonfires were created in honour of the god, into which live fish or small animals were thrown as a sacrifice, to be consumed in the place of humans. The Volcanalia were part of the cycle of the four festivities of the second half of August (Consualia on August 21, Volcanalia on 23, Opiconsivia on 25 and Volturnalia on 27)
...
A flamen, one of the flamines minores, named flamen Volcanalis was in charge of the cult of the god. The flamen Volcanalis officiated at a sacrifice to the goddess Maia, held every year at the Kalendae of May.” (Wikipedia)

Vulcan = Satan
Maia = Mary-Isis-Venus-Aphrodite...

Such celebrations are intended to appease Vulcan, but it does not seem to be working.
Iceland volcano: Bardarbunga eruption begins (Aug 23, 2014)

Finland's Voice of Vulcanalia competition (Univeristy of Oulu) does not seem to have helped, either. http://www.oyy.fi/en/voice-of-vulcanalia-2013/ - https://www.facebook.com/Vulcanalia

Vulcan, honored in Star Trek with Mr Spock, from the planet Vulcan. Honored in Birmingham Alabama with a Statue of Vulcan in Vulcan Park. (Wikipedia) “The Vulcan statue is the largest cast iron statue in the world, and is the city symbol of Birmingham, Alabama, reflecting its roots in the iron and steel industry. The 56-foot tall statue depicts the Roman god Vulcan, god of the fire and forge.” The exalting of the idol over the city is an expression of who rules that domain as the local Baal.

Here's a short series written about last year's event.

Part 1 - Decoding Burning Man 2013, Cargo Cult and the Mysterious John Frum
Part 2 - Decoding Burning Man 2013, Dangers Beyond Rangers
Part 3 - Decoding Burning Man 2013 - Black (Rock City) Awakening

Heaven's Vehicles - UFOs - Fake and Genuine

The clouds of heaven and whirlwinds, feathered headdresses, chariots and wagons; merkabah, galgal and agalah...

The Adversary has heavenly vehicles that are commonly considered as UFOs or flying saucers that are piloted by aliens from distant planets. The one true God, the God of Abraham, Isaac and Jacob, also has heavenly vehicles. In the days to come, as in days gone by, both kinds will be playing an important role.

Since I first published this page to the site, the reports of UFO appearances and alien abductions have multiplied. The number of movies and TV shows and commercials featuring aliens and vehicles like flying saucers continues to grow. Many, perhaps most, now take it for granted that the future of the world is somehow in the hands of technologically and/or biologically superior off-world beings, with god-like abilities. It matters what we think about the subject because there's a legitimate threat, and it might not be what you think.

Read more: Heaven's Vehicles - UFOs - Fake and Genuine (updated and expanded)

Part 15 - Sochi Winter Olympics 2014 - The Queen of Peace Breaks the Ice (Paralympics Opening)

Series Links: Sochi Winter Olympics 2014

The goddess is uniting the world in preparation for her son. The role of the Marian goddess was modeled to us with brilliant subtilty during a segment of the opening ceremony of the 2014 Paralympics in Sochi, Russia, on March 7, 2014. A woman named Maria sang a lullaby as she rode a gigantic icebreaker across the stadium. The ship's name was MIR - Peace. Performers dramatized the ice being broken with stage props that made them resemble ice cubes. The immense stage looked like the frozen sea, being lit with the “multidimensional painting” (their words) projected on to the stadium floor. In her wake, fiery fallen angels moved in overhead and the performers under the wave of their influence formed the word, TOGETHER. The world was acting in concert, one in purpose. What happened next illustrated what's very soon to come, in reality.

You can watch the entire opening ceremony online. The segment of interest begins Breaking the Ice - Opening Ceremony | Sochi 2014 Paralympic Winter Games



Here's a description of the segment called, “Breaking the Ice” - from AroundTheRings.com, Sochi 2014 Paralympic Winter Games Opening Ceremony `broke the ice` in people's hearts.

“The final chapter of the Ceremony under the title "Breaking the Ice" began with a performance based on the plays of Anton Chekhov. Under the Cossack song "You, Russia, Mother Russia" sung by 400 singers, five large tables were placed on the stage, behind which guests sat. Accordion virtuoso and visually impaired musician Alexei Levchuk, performed a song written for the film "A Cruel Romance" together with a group of gypsies. Every minute the level of emotions intensified as laughter, shouting and cheering filled the arena. Suddenly the ice chandelier under the ceiling split into many small pieces, and the guests, delighted by the whirlwind of celebration, smashed plates and glasses. Moments later the flash of fireworks and the deep, low sound of a ship's horn signified the appearance of the huge Mir icebreaker, which sailed on stage and singer Maria Gulegina sang "Cossack Lullaby," based on the poetry by Mikhail Lermontov. The icebreaker easily crushed the blocks of ice in its path, as if breaking the barriers of misunderstanding between people. The author of this unique set, which is 42 meters in length, was the Oscar-winning production designer Eugenio Caballero of Mexico. When the ship sailed out of the blocks of ice, the word "Vmeste" (Together) in Russian and English appeared. Then the words turned into the emblem of the Paralympic Games, the Agitos.”

The ship's name is MIR, which means, peace. What the commentator is carefully not telling us is that the name of the singer provides the other key identifier in this grand metaphor. Maria Gulegina is the sole performer on the bow of the mighty ship, MIR. She represents the Queen of Peace, Maria, Mary. MIR was the name of the space station that orbited above the Earth for 15 years, we are told. The symbol represents the celestial goddess, The Queen of Heaven, who might well be called Our Lady of the Olympics.

“Breaking the Ice” is an idiom that means, “to initiate social interchanges and conversation; to get something started.” The commentator in this video's broadcast version interprets it to us in this way. “The ship is both physically and metaphorically breaking barriers, opening new channels of communication, tracing new paths for mankind.” The function of an icebreaker is to open a channel for other ships to travel through, when and where they otherwise could not. This is Mary's role, who is genuinely breaking the ice. In her wake, ice cube people swirl, broken from the sheet of ice shattered at her bow. They are united by her work. TOGETHER. E Pluribus Unum, as her work is described in branding peculiar to the USA. Out of many, one. Let it speak to you how the ice-cube people unite under the influence of firebirds, fallen angels that were shown to proceed out from the sun, as the sun god. See them as coming through the channel opened by the Maria of Mir, the icebreaker.

Leading up to the appearance of Maria, goddess of MIR, the song, “You, Russia, Mother Russia,” was heard. Yes, “Mother Russia” is the exalted goddess, Mary. What I wrote about Our Lady of the Nations is evident in this ceremonial exhibition. That traditional folk song was sung by 400 singers of the Pan-Russian Choir, with 4 being the Isis number (Code 47). Yes, Pan. That's the god to whom Jack Parsons (JPL) dedicated his rocket launches.

The goddess exalted as Mother Russia is uniting all the world, drawing them to herself. The force of attraction is pictured as the man and little girl are drawn so closely to the ship, Maria, goddess of MIR. The title of the article I quoted above says that the opening ceremony `broke the ice` in people's hearts. That's Mary for you, with her “Immaculate Heart.”

While the song that the commentator called, Mother of Russia, was sung, 5 tables were set up on the floor, over which appeared 5 huge chandeliers (1:43:09 mark). That number is the number of rings in the Olympic logo, which has been claimed to be an international symbol that represents all the people of the world joined in Olympism. The meaning of the number as representing all the people of the world is actually biblical. (The Feeding of the Five Thousand). What is known as "The Table of Nations" is presented in Genesis chapter 10 and 11. The Table of Nations ~ 5 tables. The chandeliers are lighting fixtures that illuminate the Table of Nations. The number 5 identifies the planet and goddess Venus. It's the Illumination of Mary described by St. Louis de Montfort. The number 5 is also signaling Horus (Code 47), providing the symbolism of the Horus Eye illumination.

These tables and chandeliers remained during the icebreaker scene as props to add their complementary symbolism. The floor becomes the frozen sea, populated with ice cube people who join with those who had been celebrating at the tables. Like the 5 chandeliers illuminating the Table of Nations, the Mir's floodlights shine down upon the performers that represent the population of the whole earth.

Maria, goddess of MIR is also the Great Harlot, Mystery Babylon. She sits upon many waters. Revelation 17:1. The meaning of the waters is explained in verse 15.

“And he said to me, “The waters which you saw where the harlot sits, are peoples and multitudes and nations and tongues. ~ Revelation 17:15

What was performed at the tables just prior to the introduction of the icebreaker supports that identification. At the 1:43:52 mark, we hear the commentator say, “The scene is set for a great celebration, a wedding celebration.” We see the bride and groom, with stylish seats that strongly suggest Venus, the star of the sea, Stella Maris. The song performed was written for the film, “A Cruel Romance.” Indeed, the romance with the goddess will be cruel. In her is found all the blood of the saints (“And in her was found the blood of prophets and of saints and of all who have been slain on the earth.” ~ Rev. 18:24) She will be burned with fire (Rev. 18:8) and thrown down with violence. (Rev. 18:21)

and the light of a lamp will not shine in you any longer; and the voice of the bridegroom and bride will not be heard in you any longer; for your merchants were the great men of the earth, because all the nations were deceived by your sorcery.” ~ Revelation 18:23

While the ship is exiting the scene, we see a Bride and groom waving goodbye.

The Goddess unites all the people of the world as the queen of peace. She is also the goddess of war. An icebreaker doesn't smash sheets of ice without violent force. The lyrics to what Maria was singing as the Mir broke the ice present us with a more full picture of what's going on in the world today, where the conflict in the process of uniting the world is ever more apparent. As Maria sings a lullabye, which is for putting children to sleep, so the Marian goddess lulls the world with her enchantments. They are oblivious to the destruction that awaits in their doomed rebelion against the authority of the Most High God.

Cossack Lullaby by Lermontov.

Sleep, my fine young baby
Lullabye, a-bye.
Quietly the clear moon looks down
Into your cradle
I will tell you stories,
I will sing you a song,
Sleep on, close your eyes,
Lullabye, a-bye.

The Terek runs over its rocky bed
And splashes its dark wave;
A sly brigand crawls along the bank
Sharpening his dagger;
But your father is an old warrior
Hardened in battle;
So sleep, my darling, undisturbed,
Lullaby a-bye.

The time will come, you will learn for yourself
The soldier's way of life,
Boldly you'll place your foot in the stirrup
And grasp your rifle.
Your fighting saddle I myself
Will embroider with silk
Sleep, my darling, my own one,
Lullaby a-bye.

Such a fine warrior you'll be to look at,
And a cossack in your soul.
I will watch you go, see you on your way,
And you'll wave your hand.
How many bitter tears silently
I will weep on that night when you go.
Sleep my angel, sweetly, softly,
Lullaby a-bye.

If you watch the sequence that follows the icebreaker's departure, you'll see the ice-cube masses form the Paralympic symbol, the Agitos, under the influence of the firebird demons that came in Mary's wake. It is an obfuscated 666, associated with the beast and his mark. (Part 42 - 2012 London Paralympics - Occult Closing Ceremony and the Agitos Symbol)

So much more could be written about how the producers of Sochi's Paralympics opener spill the beans on what's coming. It's the same plot I've been describing over and again. Are you catching on to how this isn't just a distracting sideshow?

In closing this post, I recommend reading chapters 17 and 18 of Revelation. Watch the scenes of the ceremony I described and reflect on those chapters. Note well verses 23 and 24 of chapter 18.

The goddess is preparing the world to come together as one, to receive her son. You do not want to be under her spell when that day breaks upon us. There will be great forfeit in that day, but great reward for a precious few.

Part 5 - Decoding Coldplay's Strawberry Swing - Space-Time and the Timed Fall from a Pedestal

The scene of the superhero's assault on the squirrel's sky castle presents stargate transit imagery that compares with other music videos I've decoded on this blog. I've already addressed some of the video's celestial stargate imagery but there's value in seeing more of what's there, and the role of the attending goddess.

The symbolic content of the video has to be suitable for the functional operation of the magick involved in the supernatural working, and that in that suitability we find a benefit. We can decode the symbolism to expose the Adversary's working plan.

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes. ~ 2 Corinthians 2:11

Again, here's the official video, Coldplay - Strawberry Swing.



When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity.

I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control.

• Part 8 - Celestial Stargates - Insane Freefall from the Duat
• Part 9 - Celestial Stargates - Insane Physics Across Time
• Part 13 - Celestial Stargates - Run Toto, Run!

See the cuckoo clock on the wall that is aligned in the shot with the base of the candle stick? Pedestal + clock. When the candlestick is knocked over to fall off the pedestal (the speed of light & gravity) for the first time, it manifests in the other dimension as an hourglass that falls and breaks on the floor. In the second incident, the hourglass is caught and reset, resetting time.

The pitcher knocked off the pedestal by the masked superhero falls to the floor and shatters at the base of the pillar the grandfather clock leans against.

In part, the pitcher speaks to me of a vessel containing time, which spills out as if a valuable quantity is lost. It's like the sands of time that spill out of the broken hourglass, or like water spilled out from the river of time (Wizard of Oz).

After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes.

The pedestal is a symbol of the celestial stargate, which spans heaven and earth. The construct is called mecilah, in the Hebrew Bible, which I sometimes refer to as the Kingdom viaduct. The operation of the stargate involves the exercise of control over time-space, which touches on the physics of gravity. (The objective of CERN, where attention is given to discovering the secret of mass.) In The Penitent Man (2010) (a major bean spilling film), according to the time traveler Mr. Darnell (meaning: “hiding place, hidden alcove or niche”), you have to simply speed up one end of a wormhole while slowing down the other, which is to manipulate the construct's change of distance over time. Distance - the pedestal. Time - the clock.

The imagery of the pedestal stargate transit can be found in the remnants of ancient Egypt, although every secret of heaven ultimately derives from the work of the Creator, the true and sovereign Yahweh.

In Strawberry Swing, a layer of dimensional transit imagery is added by the song lyrics. The following verse is sung during the ascension sequence that follows the superhero's exit from the lionfish through the drain pipe. The verse begins the moment he begins his vertical ascent (2:06) and ends when he reaches the sky castle (2:35).

People moving all the time
Inside a perfectly straight line
Don't you wanna curve away?
When it's such…
It's such a perfect day
It's such a perfect day

On the Illuminati programming layer it's a suggestion to leave the linear time line, to dissociate, to go into a trance state for programming. It's a perfect day when flies, “over the rainbow,” or falls down into Wonderland. That certainly involves the opening of a stargate, and the verse describes just that in more technical language. To curve away from the perfectly straight line is to change the vector that changes velocity. I hear in this the suggestion of a stargate transit matching the description in Joel 2.

They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks. ~ Joel 2:8

“In his path” is, mecillah It's a traffic lane where vehicles-entities travel like the cars in a train down the track. The following study is one that explores this further: Part 15 - Celestial Stargates - Operative Black Magick.

Another is this study: Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate.

(Miley Cyrus - We Can't Stop )
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

You “turned up” somewhere after traveling there. Have you ever made a bee line for the bathroom? Recall the bee dancing superhero's bee wings cape and the flight of the dancing Queen Bee.

The Pope and Coldplay - in the news

God will give me two or three more years, says Pope

“Because I know it will last only a short time. Two or three years and then I'll be off to the Father's House," he replied light-heartedly.”

In death, or ??? The timeframe fits. He's probably right.

---

Coldplay (subject of ongoing series of posts) - still really popular!

NFL to Coldplay: Pay to Play the Super Bowl - League Receives Chilly Reception From Artists Under Consideration for 2015 Halftime Show

“The National Football League doesn't usually pay the act that performs at halftime during the Super Bowl. But in a twist this year, the league has asked artists under consideration for the high-profile gig to pay to play, according to people familiar with the matter. The NFL has narrowed down the list of potential performers for the 2015 Super Bowl to three candidates: Rihanna, Katy Perry, and Coldplay, these people said. While notifying the artists' camps of their candidacy, league representatives also asked at least some of the acts if they would be willing to contribute a portion of their post-Super Bowl tour income to the league, or if they would make some other type of financial contribution, in exchange for the halftime gig. The pay-to-play suggestion got a chilly reception from the candidates' representatives, these people said.
...
The Super Bowl halftime show, which this year featured the Red Hot Chili Peppers and Bruno Mars, drew a record 115.3 million viewers in February, according to the NFL, more than the game itself. The entire event averaged 112.2 million viewers, according to Nielsen. That was more than double the size of the audience for the Academy Awards this year, more than triple the audience for this year's Grammy Awards and more than 11 times the size of MTV's most recent Video Music Awards.
...
Rihanna grossed $141.9 million on 90 shows around the world in 2013; Coldplay grossed $171.3 million on 67 global dates on their last tour in 2012, according to Pollstar.”

Olympic YOG DNA = ANY GOD - Another Opening Ceremony in China

Even in the midst of the apparent catastrophic failure of the present world order, the world just can't seem to get enough of the Olympics. Saturday night, I watched the opening ceremony for the The 2nd Summer Youth Olympic Games, in Nanjing, China. It was impressive on every level. The 2008 Summer Games in Beijing had set the bar unapproachably high for scale, but every other aspect of the presentation seemed to meet or exceed everything that has come before it. The projection technique that paints the stadium with imagery seems to be at least as good as in Sochi, even in the rain. A new technology projected animated 3D imagery into the air that was incredibly vivid. It was impressive for the broadcast audience and for those inside the stadium.

You can watch the entire ceremony online in HD. The 2nd Summer Youth Olympic Games



My interest in the show goes way beyond the superficial entertainment value. The ceremonial entertainment along with every other aspect of the Nanjing Olympic Games represents yet another Theurgistic mass ritual and “energy harvest” that is making the world ready to receive their (false) savior Apollo, son of Zeus, a subject that has been well documented on this blog and on TheOpenScroll.com. I'll just be touching on a few of the more notable elements in this post.

If you've been following this blog you should be very aware of the pending great hoax appointed for 2015. The opening ceremony was called “Light up the Future,” and it really bore witness to the hoax that will set the stage for the introduction and welcoming of the Antichrist beast. It will be a lighting of our very near future with Luciferian illumination, the illumination of Mary, which they demonstrate to us during the ceremony in a limited fashion. As described previously, a combination real and unreal imagery will be projected as a live global stream filtered from out of the past, present and future. The pan-media broadcast will be attended by a supernaturalism that will cause all but the elect to be deceived. (2 Thessalonians 2) If people do not even now perceive what is considered to be entertainments as the ritual modeling it really is, how can they possibly resist what's coming? If you don't know how to avoid being deceived in that hour, you just haven't been paying attention.

• Will No One Know the Day?
• The Sign for the Bride

Before I address the ceremonial symbolism, let's consider the branding imagery for the games. It looks simple but it's layered with Occult meaning. I've already written at length about the meaning of the Olympic rings, presenting the truncated pyramid that invites Zeus and Apollo, and the fertility goddess, raising Osiris into Horus (Code 47). The dialog box framing the YOG (Youth Olympic Games) DNA script also signals Code 47, accenting the signal right triangle. The numbers produced by the two frames create an instance of Code 13 in a way that distinctly sets it within the context of the goddess. The first frame has 5 sides. The second has 8. Together, there are 13. It's the rebel lord beast signal, as produced by the goddess. Venus traces out a 5 point rosette in exactly 8 earth years, which requires 13 of its own orbits around the sun. The series of 5-8-13 are a Fibonacci set, which is why the spiral is used as a symbol of the goddess who raises Osiris into Horus. The frames speak to me of SD cards, memory chips, which I believe is intended because the Occult imagery attending the Games is literally transferring collective memories.

The 2 letters “n” in the stylized title “nanjing” are arches that represent the Gates of China. The Gate of Nanjing was built in the 14th century (13 hundreds) and is one of the city's thirteen in total. Historically, it's a big deal, and there's that number 13 again. It's known as the Gate of China, of the whole nation. By coloring the letters and the framing gates of the letters n they are suggesting stargates, and this is established very early in the opening ceremony in a video that features the rainbow mascot traveling the rainbow bridge, passing between two pillars, followed by a crowd. (Not unlike London 2012.) It's a familiar scene. The stargates open and the Horus-lawless one travels down through the Gemini Silver Gate, followed by a horde.

The dragon framed armillary sphere plays a very important role in the ceremony, and this early scene creates the fundamental association with stargate transit events.

Let's give the branding of the Games some more consideration. The city of On is highlighted in the way YOG DNA is arranged. It's where the Olympian Apollo was worshiped as the sun god by other names like Helios, Amun Ra and Horus. Aaron noted that YOG DNA is a simple anagram for “ANY GOD,” and I believe that's the primary signification. Worship any god but the one true God - that's a fundamental message that's easily gleaned from the Olympics. Idolatry. Worship any and every god. Another signification is GOY DNA, which is a reference to the gene pool exclusive of Israel. (A non-Yahweh tree without their inheritance) The word, ZION, that is typically encoded in Olympic logos refers to a hijacked version of what the God of Abraham, Isaac and Jacob has promised His chosen people. I believe another intended anagram is, GAY NOD, because homosexuality is a key part of the agenda that advances the world toward the welcoming of their false savior.

The climax of the opening ceremony is always the lighting of the Cauldron. The preparation for this involved high ritual throughout! See Our Lady of the Olympics to learn how this honoring of the flame is an ancient magickal ritual that involves the goddess of many names - Hestia, Hecate, Artemis - aka Mary.

The “sacred” flame was lit and dedicated ceremonially on Mt. Olympus in the customary way, on April 30, 2014. Check the Zeus (Satanic) calendar and you'll discover that it's the greatest Witches' Sabbat! It's Beltane Eve connected with Walpurgisnacht, Roodmas Day and the Grand Climax. Don't think that's unintended.

For these games, 90 million people virtually and ritualistically carried the torch because of the provision made for engagement. “The torch relay was divided into two parts. The first part was a digital relay where people who downloaded an app were able to participate in the relay through an interactive option called "Give Me Fire." When using this feature users were able to pass the Youth Olympic flame to their friends by touching their devices together. The relay visited 258 different online locations from the 204 participating NOCs over a 98 day period.” (Wikipedia)

The torch is known as the "Gate of Happiness." A structure resembling a city gate is found on the top part of the torch. There's the stargate, a kind of Tower of Babel. The torch is a phallic symbol, of Osiris. (Gate of) Happiness = haPENIS = reproductive sex magick with the torch goddess produces Horus ~ opens the eye of Horus, illuminating the world.

The Cauldron was lit in a way that had never been done before, which compares somewhat to the way the flame was sourced directly from the gods in heaven. The fire was started in Greece using a parabolic mirror to focus the sun's rays. When the Cauldron located above and adjacent to the Olympic Stadium was lit last night, it was when the last torch bearer touched that flame to a point on a special structure, which carried the flame around and to its top. The pyrotechnics were designed to launch fireworks, and like flaming arrows, they carried the Sacred Flame from that structure inside the stadium up to the Cauldron, lighting it with the flame that had been ritually sourced from the gods in the heavens on Walpurgisnacht. When you understand the structure as a representation of the gods in heaven and the fireworks as the fallen angel gods, you see how the ritual granted the gods another direct agency in lighting the Olympic Park, which must enhance the potency of the sacred flame's illuminating effect.

These images show the burning Cauldron as it's just been lit, then shortly after as the structure has gone fully neon - light activated.

The structure features an armillary sphere. That object has a central role throughout most of the ceremony. The central character, the “protagonist” who pursues the ancient dream carries one around. Early on, we're told this object was used to locate celestial bodies. The models we see during the ceremony are supposed to be referencing the one from the Yuan Dynasty (probably made in the 13 hundreds) found in Nanjing's Purple Mountain Observatory, along with the telescope replicated on the opposite side of the Olympic stadium.

More is meant by the device than to indicate a merely astronomical function. The key is in understanding its use in astrology and divination, and identifying the ancient gods as the celestial bodies. It is a universal idol that honors the host of heaven. Olympism is a religion, as the Baron Pierre de Coubertin insisted.

I write plenty about the 2nd Commandment and the consequences we reap unto ourselves for disobedience. It's bundled together with the command against the idolatry of worshiping the celestial bodies, which are more than simply lights in the sky. They represent the host of heaven, spiritual entities, angels.

15 “So watch yourselves carefully, since you did not see any form on the day the Lord spoke to you at Horeb from the midst of the fire, 16 so that you do not act corruptly and make a graven image for yourselves in the form of any figure, the likeness of male or female, 17 the likeness of any animal that is on the earth, the likeness of any winged bird that flies in the sky, 18 the likeness of anything that creeps on the ground, the likeness of any fish that is in the water below the earth. 19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the Lord your God has allotted to all the peoples under the whole heaven. ~ Deuteronomy 4:15-19

Those ringing the top of the columned armillary sphere represent the gods in the heavens, the celestial bodies. That's why there's an army of Nike goddess priestesses worshiping at the object, which is a temple. They are bathed in a waves of light of a roseate hue, as would have been heard in the singing of the Olympic Hymn. They are wreathing the gods who sponsor the Games.

Compare it with the famed scene from antiquity that was found on the ceiling of the portico at Dendera, in Egypt.

The producers of these Occult entertainments practice Theurgy. They exalt the celestial bodies to exploit the Seirai that unite the Orders of Being according to the direction they receive from that other realm of the spirit.

“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'”
(The David Flynn Collection - Kindle Edition)

Another student of the arcane noted the following.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'”
(A Summary of Pythagorean Theology by John Opsopaus)

The influences from the gods are being conveyed. Can you accept it? That declaration is entirely consistent with biblical revelation. This is why we see the same messages in symbol language repeating over and over again, in a seemingly endless variety of ways. The streams of narrative flow together like tributaries into a mighty river. The diverse masses are borne along in the collective flow, being readied to be poured out into their appointed destination. The Great Harlot Mystery Babylon sits on many waters.

As Aaron and I reviewed what we had been seeing during the ceremony, he noted how the armillary sphere temple resembled the machine built in the film, Contact (1997). As I explored the association it became apparent that the producers of the film and those responsible for the Olympic Ceremony were basically working off the same notes. Contact was based on Carl Sagan's best selling novel of the same name (published in 1985). From Carl's Wikipedia bio: “His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life...” Carl Sagan was involved with the film production but died before it was completed. He “knew stuff.”

The film stars Jodie Foster as Ellie Arroway. She was dropped (gravity) from a crane-like platform (pedestal) into a machine that looked like the Olympic armillary sphere. That was a stargate, built from the blueprints furnished by aliens) that transported her through a wormhole. She visited a distant place where she had interaction with a being she recognized as a dead ancestor (her father). There's a time manipulation because no time passed on earth during the event, while 18 hours (6+6+6) passed in her experience as the traveler. The fiery ARROWay was shot from the machine through a wormhole to reach her heavenly target. Likewise, flaming arrows were shot from the armillary sphere temple toward their target in the heavens. And, with everything else I'm noting, that can't be just a coincidence.

In the scene of the film where extraterrestrial contact is being discovered, the first content recognized in the coded digital message received from space is a video clip from a historical television broadcast. Claimed to be the very first television broadcast, it showed Adolf Hitler's brief address at the 1936 Summer Olympics in Berlin. So, it was the opening ceremony of the Olympics. The opening ceremony of the Olympics. There's a connection. You got that, right? There will be another link made, with Hitler, so keep that in mind.

It is a fact that Hitler officially opened those Games with these words, “I proclaim the Games of Berlin, celebrating the eleventh Olympiad of the modern era, to be open.” This is the translation from German, of course. In the film version, the character played by William Fichtner interpreted his message as, "I declare the Games in Berlin, at the celebration of the first Olympics of the new era, as open." I wonder if the Games in Nanjing where an allusion to this film was made through this armillary sphere temple might be considered as the first of a new era. With Sochi's Olympics and Paralympics past, I thought that particular body of ritual work was done. I was surprised to discover the YOG ceremony, stumbling upon it while I was programming the DVR to record some shows. Providence. Thank you Lord!

In Contact, William Fichtner's character was named Kent Clark. He was blind, but he had exceptional inSIGHT. You really have to “see” what's going on here and identify him with Clark Kent, the DC Comics character who wore fake glasses as a disguise to conceal his alter identity as Superman. He pretended to have poor eyesight but he really had X-ray vision. Make the connections here - Übermensch. Lebensborn = “Wellspring or Fount of Life” --- Hitler assigned his SS agent Heinrich Himmler to carry out this breeding program. Hitler made a profession to the effect that this effort was really about the hybridized line of the fallen angels, Nephilim. In the context of the Olympics, it's the agenda of populating the world with the gods of Olympus and their offspring.

Contact also contained video clips of President Bill Clinton (2 terms spanning 1993-2001) that were sourced from televised broadcasts. These caused some controversy. His digitally composited image, with his messages, were edited and set within quite another context to adapt the meaning for their purposes. Think about how that supports what I've presented about the coming hoax as a segue to the revealing of the lawless one! Reinterpreting the past in a broadcast of edited historical content. Bill Clinton. Alien contact. He was heard to say, “We will continue to listen closely to what it has to say as we continue the search for answers and for knowledge that is as old as humanity itself but essential to our people's future.” Hmmmm. ...“as old as humanity itself but essential to our people's future.” He was also heard to say, “We are monitoring what has actually happened.” Think about it. Beans are being spilled here.

You can watch the clips I referenced from Contact that feature Adolph Hitler and Bill Clinton here. The real Adolf Hitler and the real Bill Clinton in Contact

That's quite a pairing. Both, antichrists.

The following extract provides some useful insight.

“Jörg Lanz von Liebenfels (July 19, 1874 - April 22, 1954) was a Austrian occultist, former Cistercian monk, and founder of the Ariosophy movement. He was a friend of student of Guido von List. Lanz von Liebenfels helped found the "Guido-von-List-Gesellschaft" (Guido von List society) in 1905 and in 1907 he founded the "Ordo Novi Templi" (Order of the New Templars). He published the magazine 'Ostara', regularly read by Adolf Hitler. The magazine was founded in 1905 by Lanz, (name of the German goddess of Easter spring) took a huge spread in the German countries, reaching runs over 100,000 copies. It appeared in two series, from 1905 to 1917, eighty-nine numbers and published from 1922 to 1927, with twelve more numbers In 1904, he published his book 'Theozoologie' in which he glorified the "Aryan race" as "Gottmenschen" ("god-men"). Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch. Liebenfels states that "the Aryans are the masterpiece of the gods, and are endowed with supernatural and paranormal, powers derived from the Grail (Gotter-Elektron) emanating from 'centres of power' that confer absolute supremacy over any other creature. The emblem that Liebenfels chose to use was the swastika. ”

The Genesis of Übermensch (ThirdReichOccultHistory.com)

So, Hitler read von Liebenfels' magazine, “Ostara” (and took that same symbol for his Nazi party, the swastika). Ostara, that's Isis-Mary, Our Lady of the Olympics.

During the YOG DNA Games, the name Mary was heard many times in NLP rich dialogue throughout the entertainments (NBC Olympics production). It was always cloaked in the pretext of naming the commentator, Mary Carillo. I noted how the goddess of war and “their rebellion” was signaled when the color guard marched out to raise the national flag of China. It's a red flag. See Our Lady of the Nations. Red China is communist. The Queen of All unites all into one. The flag features 5 point stars, 5 of them. Horus, and Venus. The blood red Venus rose. The goddess was evoked throughout as the symbol rich flags of the nations were given plenty of broadcast coverage. When the Olympic rings symbol was dramatically created it was done through expanding concentric rings to pass first through a momentary formation of the triquetra, the triple goddess symbol and signal of the triple helix DNA that will characterize beast and mark of the beast genetics.

I'm going to repeat an excerpt from ThirdReichOccultHistory.com. “Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch.” Gotter-Elektron, the Electron of the Gods. Think, god particle, the Higgs Boson and CERN's LHC collider. During the opening ceremony, I believe the LHC was illustrated to us as the key to opening up the Silver Gate.

Recall the award medals from London, 2012.

See the armillary sphere as a standard model of the atom with orbiting electrons. Light beams were fired from the telescope like a laser cannon, representing the high energy particle beams fired from the accelerator. When the Cauldron was about to be lit, the light emitting telescope was aimed at the armillary sphere, and there was an impending particle collision! Consider the Gotter-Elektron - Vril - the Übermensch. When you see this image of the dragon legged armillary sphere behind the rainbow bridge I captured from the opening video segment, let it speak to you of the role of the LHC's particle collider in opening the stargate. That's the message implied. The YOG DNA rainbow clothed transdimensional antichrist mascot is a motion blur as he makes his from beyond, with a horde following after. Other entities will stream through. Ultimately the beast that will result in that antichrist spirit's incursion will be reproduced through DNA replication, his mark, and many duped humans will become hosts, avatars.


The runner with the torch bearing the sacred flame climbed up on a platform with other runners. Four runners in red attended her on the open upper deck, and others were visible inside the platform. Human ritual energy was represented, I believe, and the spirits of the underworld. The 5 on the deck represent Horus, and the goddess, and everyone in the world. The light of the torch is the Sacred Flame of Apollo carried by the Olympian goddess.

The platform moved across the stadium toward the atomic sphere. See the torch as the particle emitted from CERN's LHC. The flame is the inherent Vril Gotter-Elektron, the God Particle. When the flame reached the atomic particle construct, the torch was touched to a special place to trigger the pyrotechnics. There was an explosion, the particle collision. The result was spectacular as the collision reaction resulted in the intended illumination of the Olympic park, creating the Temple of Zeus under the roseate hue. The stargate opened and Horus came through. The people of the world were illuminated with opened eyes of Horus. The lawless one was received and celebrated, applauded by the masses. And so it will be in reality, as modeled by the IOC specialists in Theurgy.

When we see this image painted into the atmosphere we should consider the energy harvested from the human power cone as being channeled into the heavens from Purple Mountain's telescope and armillary sphere. The sky donut is a torus, the Silver Gate. In a flash, it was replaced by a momentary image of a starry seed-like object. A seed has been planted. The Tower of Babel gambit failed once, but the Memory Tower of Beijing's Olympic closing ceremony (seen in this image) and this impressive human cone sequence in Nanjing aren't for naught.

Prepare!