The ankh is the ancient Egyptian symbol of life and resurrection from the dead. It's also known as the “Key of Life” and the “Key of the Nile.” Those who worship Horus often conceal the symbol in plain sight, which has been documented in several posts to this blog. I discovered another ankh symbol that really deserves some attention. The name “Kahn” is an acronym of “ankh.” 
This is leveraged elsewhere but I doubt it's more evident than in how it's masterfully done in the Star Trek film franchise. If you understand about the ankh there is more insight to be gleaned from Star Trek about what's really going on. The bad guy in the recent “Star Trek Into Darkness” (2013) is named Kahn. This 12th film in the franchise (I'll refer to it as ST12) is a prequel to earlier films and TV episodes. It's most directly linked to the popular “Star Trek II: The Wrath of Kahn.” (1982) There's easily enough symbolic material for me to blog a series about these films but, as important as the themes are, they have been covered before. The film from 1982 (which I'll refer to as ST2) has been considered as the one that probably saved the franchise from extinction.
Decoding this screenshot from the title sequence at the end of the film, layered symbolism names the sun god Ra (framed in the word Wrath), right above the acronym for ankh. The little words “the” and “of” are both Code 33. They frame and draw attention to the name of Ra. The initial letters W and K present another Code 33 symbol. The W rotates to 3 and the value of K is 11, so 3*11 = 33. The color palette signals the familiar theme of the sodomite gateway by featuring both the signature orange and purple. The sun god is also named in the franchise title, twice! “Ra” is in “Star” (“ar” is nearly equivalent to Ra because the reflections are merely one step of obfuscation away) and also in “Trek,” because Re is another spelling that is equally valid. Note, the Star Wars title also names him twice!
This movie poster declares, “At the end of the universe lies the beginning of vengeance.” The Genesis device is featured in ST2, and this allegorical drama illustrates from certain perspectives key subjects of Genesis and Revelation, which are the beginning and end books of the Bible.
Kahn's head is pictured backlit with washed out illumination in a scene bathed with the color of sunlight. He is a sun god, a counterfeit Alpha (beginning) and Omega (end). This masquerade is about vengeance, and pride and envy. He models the genuine seen by John, described in Revelation.
16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. ~ Revelation 1:16-18
That little word, “lies”, is a key. It appears next to his head, on his left, in the light. “Kahn” sounds like “con.” See this as an admission of what's really going on. They can't tell you straight, but they'll conceal the truth in swirling shrouds of cover because this is how they work their craft. It's a “Kahn” job.
The colored beams in a star burst appears to represent the deployment of the Genesis device, and probably the ship's accelerating to warp speed, which is to go beyond a dimensional limit, symbolic of a rainbow bridge. This is also a mind-control programming device.
Here's some more generic observations I've made about Star Trek, which I offer before I explore their exploitation of the Kahn-as-ankh metaphor.
“Star” is a metaphor for angel. A trek is a slow or arduous journey. The esoteric story of Star Trek is about the fallen angels and their grand Enterprise. Aliester Crowley's Aeon of Horus is encoded into Star Trek's famous introduction.
“Space: The final frontier. These are the voyages of the Starship, Enterprise. Its 5 year mission - To explore strange new worlds - To seek out new life and new civilizations - To boldly go where no man has gone before.”
“Its 5 year mission” as I see it is code for ushering in the Aeon of Horus. 5=Horus. “Final Frontier” is Code 33 signaling as FF~33 in “phone keypad” code.
Where is it that no man has gone before? If one takes the left hand path all the way to the end, one ascends into the highest heaven in the place of God. If you're the kind that ignores Hebrews 8:1 and limits the focus of your attention to pronouncements resembling Isaiah 14:13-14, that probably works for you. However, Ephesians 4:10 is true, and He “that ascended up far above all heavens” to sit on the throne of God at His right hand is my Lord Y'shua, and His place is secure! And, He is the way for those who will be like Him.
The construction of the Starship Enterprise is a peculiar assemblage of a disk and three cylindrical pods. The triangle is seen as the ship is coming and going, and the form of a circle is seen from above and below. The triangle and circle together are the arcane geometrical representation of time-space and symbolic also of the sodomite gateway, the dimensional portal device leveraged from ancient times. Every cylinder is a “squared circle” object.
If you search the content of Fritz Springmeier and Cisco Wheeler's work, The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave, for the string “Star Trek” you'll find 52 results. Star Trek has always been an Illuminati programming vehicle. In their follow-up, “Deeper Secrets,” you'll find it 6 more times. The leveraging of Kahn as Ankh is certainly consistent with their claims.
If you have seen these films I'm featuring in this post you may have noted the similarities. In both, Kahn is the antagonist whose actions cause the deaths.
The IMDB's description of the plot of “Star Trek II: The Wrath of Kahn” reads, “With the aid of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using his son's life-generating device, the Genesis Device, as the ultimate weapon.” In the end, Kahn uses the Genesis Device and a planet is created. In doing that, he had to sacrifice himself and what's left of his ship and crew. Kahn thus modeled the destroyer and creator of worlds, Shiva doing the cosmic dance of the Nataraja, or biblically, Apollyon the destroyer, Abaddon. The angel of the pit in Revelation 9, from hell's heart as it were.
Here's a link to the IMDB synopsis of Star Trek II - The Wrath of Kahn (ST2). The film presents the familiar mix of truth and lies seen in movies like The Iron Giant and Rango. The formula is to source assemblies from the Occult bin, remix and spin. The role played by Kahn as the Ankh is rich. The ankh is the ultimate weapon, indeed. It's really a man like unto Kahn; Apollyon, Horus, the beast. Kirk's son made the Genesis device, which is to say that it's genetic and deals with heritage. Did you catch that? This is what I've oft described as the genetic counter-flood.
The Genesis device in ST2 was presented as an extension of the ankh because Kahn deployed it. What was the destruction/creation weapon in the book of Genesis but the great flood of Noah's day? The ankh “Key of Life” represents the counter to that. Consider also the genetic hijacking that was the gambit deployed by the Nachash in the Garden of Eden and thereafter. That's the earliest “Genesis device” deployed, his seed. When the 200 Watchers fell, taking wives from those on the earth as recorded in Genesis 6, it was another deployment of “the Genesis device.” That operational success of that ankh was impressive because the pure line from Yahweh through Adam was reduced to a single man, Noah. Yet, it failed because the sovereign God's plan that was really in play. The next-up weaponized ankh and Genesis device comes through the agency of the beast and his mark, and this is the Wrath of Kahn deal, revenge for the Nachash heritage being purged from the earth during the great flood of Noah's day. It's the blood of Kahn that resurrects both the tribble and Captain Kirk in ST12, the Nachash DNA of the beast replicated throughout mankind via his mark.
Kahn's full name is Kahn Noonien Singh. Here's my take, giving acronyms due consideration and exercising liberties as befitting symbols.
- Kahn ~ Ankh, the key of life
- Noonien
~ “neon ion” suggesting: “neon eye on”
~ “eon in On” (Heliopolis)
~ “One in On” (Horus is “the one” - MONAS) ONE ~ 15+14+5= 34 (Osiris+Isis) ~ also 12+13+22 = 47 (47th Problem of Euclid) - Singh ~ like “h-sing” - hissing - Nachash!
In ST2, which is currently streaming on Netflix, Spock dies from radiation poisoning, sacrificing his life to save the ship from the impending warp core breach. That's what you see in this image, where we're looking out from the radiated chamber as Kirk (William Shatner) and dying Spock (Leonard Nimoy) hand sign together on the window-wall. Spock is going to be resurrected, which is suggested in ST2 and which becomes a central plot element in ST3. See the featured opposing triangle-in-triangle symbol. It's as Solomon's Seal symbol and sign of the sons of god union daughters of men, which has a distinct death and resurrection aspect to it. Captain Kirk ~ CK~33. Warp Core ~ WC~33. Urban Slang for “warp core breach” means the equivalent of not making it to the WC water closet in a “#2 event.”
Spock's funeral was held in torpedo bay #2, and he was evacuated through torpedo tube #2 from the bowels of the ship as excrement, as it were, with reference to ritual sodomy's role in the scheme. He came to rest on the still forming Genesis planet. In ST12, Kirk dies doing the same thing Spock did in ST2, sacrificing himself to save the ship and crew. He is resurrected not long after dying. In the upper of these two images from ST12, we look out from the radiated chamber to see Spock's face as he watches the dying Kirk. In the lower image we're again looking out at Spock but we see Kirk's face distinctly in the reflection. They are superimposed, pictured as symbolically merged into one.
Their deaths result from radiation poisoning, and the element radium as Ra signals the sun god!
The god is also identified cryptically in ST12 by use of the words that appear on the window-wall of the radiated chamber. “DANGER AUTHORIZED PERSONNEL ONLY.” I noticed a subtle drawing of attention to the “ER” of “DANGER,” and many instances of attention being focused on the reversed “ER” of “PERSONNEL,” which appears as “RE” in shots looking out from inside the chamber. These are frequently associated to Spock's head, as labeling him a sun god type. You can see examples in those two images, where “RE” appears on both Spock's and Kirk's foreheads in the “money shot” of their merging and hand signing. When Spock has just witnessed Kirk's death he cries out with emotion, KAHN! Why yell Kahn? Is he just mad at him because he was responsible for his friend's death? No. Kahn is ANKH! Ra! Raise him!
Here's a couple reproductions of ancient art where the ankh is “coming to the rescue” under the ministration of Anubis and Isis.
In ST12 as in ST2, Kirk and Spock are hand signing together through the window wall as one dies. What is that sign? I wrote about it in 2010, in Hand Signals of the Great Dark Secret: Triple Helix DNA / Mark of the Beast. It would be appropriate to copy what I wrote here, but I'll leave it to you to go there are read that very relevant insight. It's about resurrection, Horus resurrection.
It has to do with what's represented on this old Jewish gravestone, a link Nimoy himself made.
Notice the forms composing the Starship Enterprise here, the circle-disk above and triangle formed below. The royal arch is the sun-anus dimensional portal with the triangle as the anal triangle. Triangle hands similar to these are formed when teams engage in remote viewing, and this must be seen as the third eye. When Spock makes the sign he says, “Live long and prosper.” It's not just a simple expression of good luck and farewell. With the hand sign it's a magical invocation of Horus for the casting of a spell. It's about resurrection from the dead, Osiris into Horus through Isis. Think about why the sign appears on the gravestone. What do you always see on gravestones but signs of resurrection. The Obelisk. The Cross. These are akin to the ankh. The hand sign is a 3.4.5 sign. Count towards the thumb. See what frames the triangle. This is for the sex magick production of Horus and Osiris resurrection, Holding the little and ring fingers together strengthens the V sign with a “down” triangle to match the “up.” By itself as being signed with one hand, like Spock does and as the familiar peace sign, it's V for Victory over Death. It's V as the Roman numeral 5, Horus. It's the V for Vulcan, the Roman god. I'll explain more about that later.
It's because of Kahn's work of activating the Genesis Device that Spock is resurrected in ST2. Genesis Device. GD 74 is as DG 47 - the production of Horus through the union of Osiris and Isis. That's the secret of the Genesis Device, the Kan-Ankh. It's because of Kahn's blood in ST12. Did you get that? Because of Kahn's blood! Beast DNA! The life of the flesh is in the blood (Leviticus 17:11). This theme is being signaled so redundantly for good reason!
Here's an image from Kirk's death scene in ST12 where another marking on the window-wall of the chamber is featured. Spock is pictured in the moment his head is perfectly framed. This superimposed money shot presents us with an image of Spock as the sun god beast. The symbol has to do with the radiation danger associated with the warp core, superficially, and as such it is the radium or Ra symbol. He is Vulcan, the god, seen as enlightened and enlightening in this sun-anus framing that is also a triskelion and triple helix DNA symbol. Recall the passage from Revelation 1 referenced earlier.
...His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. ~ Revelation 1:16b-18
There's Spock with his face framed “like the sun shining in its strength.” Inside the chamber there's Kirk, “at His feet like a dead man.” But Kahn is on hand, you see, ANKH, the Key of Life as in the hand of Ra: “I have the keys of death and of Hades.” This is the model, you see. It's the typical mash-up in this dramatic modeling of the film, but the meaning is clear enough through all the redundant exhibitions - and the plot will be playing out in real life in days soon to come. It's prophesied all throughout the Bible and the Devil is on hand with his modeling crew to assure those of us who are watching according to the Lord Y'shua's provision will see what we need to see.
The plot of ST12 pivots around 72 torpedoes. When Kahn is informed about a plot to destroy him that involves 72 torpedoes he perceives from that number what they really are, and so should we.
The number 72 is very important to those who have been made privy to that kind of knowledge of the fallen angels that particularly concerns the binding and loosing of demons and control over dimensional portals. The goetic demons number 72, which represent the dimensional gateways. The 36 cell magic square of the sun has to do with that. The magickal name of God (Shemhamphorasch) is claimed by some to have 72 syllables, and there are those who use this for invocation when performing binding rituals. The 72 torpedoes were casket-like pods containing supernatural beings in stasis. They were as kin to Kahn, who was among them until he was awakened. Each torpedo can be seen as a metaphor for the coffin of Osiris, or Hiram Abiff, according to Masonic obfuscation. More validation that these were celestial beings is provided in that these were claimed to be prototype photon torpedoes. Photons are the matter of light, Lux, Lucifer, Ra... these were light bodies, and deadly weapons. When you can link these 72 torpedoes to the goetic demons, binding magick and dimensional portals or stargates, the Star Trek “Kahn” job relating to the sun god beast and his ankh device becomes even more apparent.
Kahn and the others were put into stasis 300 years ago, it was claimed, stamping it with a magnified resurrection symbol because 3 is the resurrection number.
Those beings were Kahn's family and very important to him. His mission objective was to release them so they could control and rule the universe together. A related non-fictional version is one that involves the 200 Watchers who fell in Noah's day, who were put into stasis in the earth at the time of the great flood. I believe their release, probably with their children, the Nephilim, is appointed to come after 70 generations for a season of judgment, and that's a matter of great consequence. Although that release date is by natural accounting not to arrive for yet another half a millennium, there's a twist in the plot where an early release will be engineered. Time itself is not beyond manipulation. The coming release of this lethal force will match Kahn's mission. Ultimately, it's the campaign of Armageddon that's in view. Convert the sovereign God's heritage or destroy it, then storm every heaven and seize captives. It's an impressive plan, but doomed to failure.
The photon torpedoes that are life sustaining transports can be seen as arks. There is a counter flood intended and that implies a counter-ark in the Adversary's clever scheme.
In the title of the posters for ST12 I perceive a message that involves such an ark. Decoding this movie poster for a 3D showing of “Star Trek Into Darkness,” I see a distinct calling out of the letters “AR” in “DARKNESS.” See the line up of the man the space between the words and the 3D. AR~Ra! Complementing this, again, is the “AR” of “STAR” and the “RE” of “TREK.” These instances are each supported as positioned over the next line of the title. The R of “STAR” pairs with the A of “DARKNESS.” Doubled Ra. Reaching a little, the R of “TREK” pairs with the E of “DARKNESS.” Doubled Re. The alignment of AO spells the sun to reference the god, Helios, aka Ra and Horus.
3D is code for the third Eye, or Horus Eye, and in gematria it's a signaling of the 34, sex magick producing Horus through the union of 3-Osiris and 4-Isis. The 3D transforms to 666 (D=6) using the phone keypad code substitution. Note, IMAX or EYE Max. The “magic is in the Max” (Pepsi Max).
So, “AR” in “DARKNESS.” The sun god Ra in darkness. Lucifer's light is a dark light. The Black Sun comes to mind, an infamous organization with a magick symbol. There are many dark secrets being kept by the dark magicians. I find the following interesting.
“The former SS member Wilhelm Landig of the Vienna Circle "coined the idea of the Black Sun, a substitute swastika and mystical source of energy capable of regenerating the Aryan race". Rudolf J. Mund (also a former SS member and later also member of the Vienna Circle) discusses a relationship of the Black Sun with alchemy. The visible sun is described as a symbol of an invisible anti-sun: "Everything that can be comprehended by human senses is material, the shadow of the invisible spiritual light. The material fire is - seen in this way - also just the shadow of the spiritual fire."” (Wikipedia)
The poster artfully represents the esoteric theme of the film. The RAdiation of the warp core is the power source of the Starship Enterprise. It is a matter-antimatter reactor. The Black Sun.
Ra inside dARkness. Again, Kahn ~ ANKH. Notice how the stylized title's “SS” of “DARKNESS” resembles the runic SS of the feared Nazi Schutzstaffel.The regeneration of the Aryan race is really code for the revival of the Nephilim, which is an avatar scheme. It's the photon torpedo scheme, an ark scheme. Expanding beyond the “AR” in “DARKNESS” we see ARK - Into dARKness. This may and really should be taken as a warning to us, to you and I very specifically, that darkness is about to descend upon the world and that, in this counter-flood operation that is on near approach, there must be an entering into the ARK, which is Y'shua. The intent of those sending the message is not to bless us with such a fit warning but perhaps rather to give notice to the agents of chaos who are preparing to bring the black awakening that plunges this world into darkness, from which pit or chaos their ark of salvation, will emerge, the antichrist beast and Kahn-Ankh.
This poster illustrates a lone figure standing with his back to us at the breach in a wall. It's Kahn. We are in the darkness looking out at the light. The opening suggests the form of the Star Fleet badge, which is obviously intended. It's also the form of the letter A, for Apollo, Apollyon and Abaddon, the destroyer and fallen star angel of the pit in Revelation 9. The portal has the distinct form of the 5 pointed star - Horus. Kahn-Ankh is Horus. See the subtle letter X at the left as the sun god's mark, opposite the letter H with a cross. The city lies beyond, their hard sought Zion, seen inside the framing as the body of the beast pyramid, which has a capstone suggested up on top but who is identified at the bottom: Kahn stands on top of the scale model pyramid formed by the pile of rubble.
After identifying the scene as the breach the Lord brought this passage to mind.
6 “Is this not the fast which I choose, to loosen the bonds of wickedness, to undo the bands of the yoke, and to let the oppressed go free and break every yoke? 7 “Is it not to divide your bread with the hungry and bring the homeless poor into the house; when you see the naked, to cover him; and not to hide yourself from your own flesh? 8 “Then your light will break out like the dawn, and your recovery will speedily spring forth; and your righteousness will go before you; the glory of the Lord will be your rear guard. 9 “Then you will call, and the Lord will answer; you will cry, and He will say, ‘Here I am.’ If you remove the yoke from your midst, the pointing of the finger and speaking wickedness, 10 and if you give yourself to the hungry and satisfy the desire of the afflicted, then your light will rise in darkness and your gloom will become like midday. 11 “And the Lord will continually guide you, and satisfy your desire in scorched places, and give strength to your bones; and you will be like a watered garden, and like a spring of water whose waters do not fail. 12 “Those from among you will rebuild the ancient ruins; you will raise up the age-old foundations; and you will be called the repairer of the breach, the restorer of the streets in which to dwell. ~ Isaiah 58:6-12
Did you perceive profound layering in that reading?
What also came to mind was how Bill Clinton identified himself with this passage as the repairer of the breach. Clinton made allusion to this in January of 1997 during his second inaugural address. He was a little more descriptive in February.
“Just a few days before my second inauguration, one of our country's best-known pastors, Reverend Robert Schuller, suggested that I read Isaiah 58:12. Here's what it says: "Thou shalt raise up the foundations of many generations, and thou shalt be called the repairer of the breach, the restorer of paths to dwell in." I placed my hand on that verse when I took the oath of office, on behalf of all Americans, for no matter what our differences in our faiths, our backgrounds, our politics, we must all be repairers of the breach.” (1997 State Of The Union Address - Feb. 4, 1997)
That might seem pretty casual, but it was not. Much was made of this back in the day by J. R. Church (
Tickling the Tail of the Dragon) and others who gave their rapt attention to the phenomenon of this vile man's charismatic influence. Who is this Robert Schuller who “made the suggestion”?“Some of the three biggest ministers in the protestant world, Robert Schuller, Norman Vincent Peale, and Oral Roberts are all 33° Masonic brothers of 33° Freemason Billy Graham. (See Roberts, Oral. Miracle of Seed Faith, p.9.) Billy Graham has helped each of these brothers with their ministries. Robert Schuller taught principles of church growth to Unity School in Kansas City. A Christian, who used to be on staff there, said that Robert Schuller was fully aware that Luciferian Initiations were going on at the school and that he didn’t care. Robert Schuller, 33° Freemason, was helped into ministry by Billy Graham. Schuller also participates in the Monarch program and is also sexually serviced by Monarch slaves.” (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave,)
Snakes. Bill Clinton is a man who continues to charm the world. Hisssssss.
The release dates of films are often chosen for the value of their number symbols. “Star Trek Into Darkness” was released on May 17, 2013, May(5)+1+7 = 13. That's the signal for the rebel lord beast that repeats in the year. The release month was the 5th month, 5-Horus. The lawless one whose dramatic modeling is seen in Kahn, Spock and even Kirk will be revealed when he's baptized on the 13th day of the 1st month. That's his release date, so to speak, marked with a 13. That will be THE Star Trek into Darkness, as so many will discover, too late, to their shame and loss.
Here's an insight into the literary references made by Kahn in ST2.
“On Reliant's bridge, Khan, believing the Enterprise cannot escape the blast, quotes Moby Dick: "From hell's heart, I stab at thee. For hate's sake I spit my last breath at thee."” (IMDB)
The script had Kahn paraphrasing Melville's Moby Dick earlier in the film, but in the context, that really has to be making allusion to Robert Oppenheimer's iconic quoting of the Bhagavad Gita.
“J. Robert Oppenheimer, American physicist and director of the Manhattan Project, learned Sanskrit in 1933 and read the Bhagavad Gita in the original, citing it later as one of the most influential books to shape his philosophy of life. Upon witnessing the world's first nuclear test in 1945, he later said he had thought of the quotation "Now I am become Death, the destroyer of worlds", verse 32 from chapter 11 of the Bhagavad Gita.” (Wikipedia)
The dramatic event he witnessed was code named Trinity, an appellation whose origin was attributed to Oppenheimer himself, and one he explained in connection with death and resurrection through another literary reference.
“The exact origin of the name Trinity for the test is unknown, but it is often attributed to laboratory leader J. Robert Oppenheimer as a reference to the poetry of John Donne. In 1962, General Groves wrote to Oppenheimer about the origin of the name, asking if he had chosen it because it was a name common to rivers and peaks in the West and would not attract attention, and elicited this reply: "I did suggest it, but not on that ground... Why I chose the name is not clear, but I know what thoughts were in my mind. There is a poem of John Donne, written just before his death, which I know and love. From it a quotation: "As West and East / In all flatt Maps—and I am one—are one, / So death doth touch the Resurrection." That still does not make a Trinity, but in another, better known devotional poem Donne opens, "Batter my heart, three person'd God;—."” (Wikipedia)
John Donne is widely considered as the pre-eminent representative of the metaphysical poets.
By the way, if you view Oppenheimer as a national hero you might want to look into his alleged leaking of atomic secrets to the Soviets, who could not be considered America's allies even prior to what is considered the Cold War. (Allegations against Oppenheimer)
The tiered line of connection from Melville to Donne, stepping from what is actually said to what is really meant, is typical of Occult messaging. Underlying Kahn's quote from Moby Dick, which was already a notable symbolic layer, is yet another, a distinct embedding of the theme of death and resurrection that conceals and reveals the god who holds the ankh, that ancient key of life. Note this well, that what is appointed to them is not what ought to be sought, but rather a counterfeit. It is the matter of the beast and the mark of the beast.
In ST2, Spock sacrificed himself to save the ship becoming the SAVIOR of man. His body was sent to the planet created where Kahn had deployed the Genesis device, where Spock was subsequently raised from the dead. Does that seem familiar, somehow, reminiscent of Matthew 28:5-7 and Romans 10:9 perhaps? In ST12 followed the theme of ST2 but with switching Spock for Kirk, who was subsequently raised with Kahn's blood. Kahn is the resurrection, as it were, the ankh.
James T. Kirk's middle name is Tiberius, which is the Roman name of an old city on the shore of Galilee. That's the region of Benjamin where all Y'shua's disciples had lived, including Saul/Paul. They, as Benjamin, together symbolic of the Bride. Yes, it does get complicated, but there's some reward for the effort in making sense of what we're being shown, as the Lord Y'shua leads and grants insight.
ST12 (IMDB synopsis of Star Trek Into Darkness) opens with a scene that immediately presents two really important elements. The ancient astronaut theory is presented, where the planet's indigenous primitives (representing regular folk all around the world) see the advanced beings with their flying craft emerge from the sea and vanish into the heavens. One of them draws a picture of the USS Enterprise in the dirt. It looks like that's a card that's going to be played in the “king high flush”-like poker hand at the time of the revealing of the lawless one.
During this scene Spock has descended into a volcano in a fire suit, on a mission to snuff out the eruption that will destroy life on the alien planet.
You see him in the volcano wearing a “gold body” fire suit in the third panel of this movie poster. See how he is labeled RE, on his legs. Notice how this version lightly features (E of “trek” and E of “darkness”) the double E Code 33 or Horus 55, supplementing the Code 33 with CineMark (CM=33) and the 3D third EYE with the realD 3rd Eye and the XD Horus Eye.
This is actually being done in rebellion against the Star Fleet's 1st commandment, the “sacred” Prime Directive. He seems to be a kind of legalist but is actually a rebel. Rather like a Pharisee. OK. Full Stop. Spock is a hybrid, a half-breed. He's half Vulcan and considered to be a Vulcan. Check your history. Vulcan is the Roman god of fire and volcanos. Let it sink in. What are they telling us? This is allegorical, and not necessarily historical. The rebel god Vulcan is inside a volcano, saving the planet. From then, the alien saviors are worshiped as gods.
“The festival of Vulcan, the Vulcanalia, was celebrated on August 23rd each year, when the summer heat placed crops and granaries most at risk of burning. During the festival bonfires were created in honour of the god, into which live fish or small animals were thrown as a sacrifice, to be consumed in the place of humans.”
“It is recorded that during the Vulcanalia people used to hang their cloths and fabrics under the sun. This habit might reflect a theological connection between Vulcan and the divinized Sun.” (Wikipedia)
“It is recorded that during the Vulcanalia people used to hang their cloths and fabrics under the sun. This habit might reflect a theological connection between Vulcan and the divinized Sun.” (Wikipedia)
Eh, yup. It's the sun god alright. That bit about “thrown as a sacrifice, to be consumed in the place of humans,” well, human sacrifice is a requirement for those who sincerely worship the sun god.
Remember the Burning Man, held the week before Labor Day? Here's the header of the Burning Man Blog. See Spock, the Vulcan inside the volcano.
Dot. Dot. Connect! The website footer appears below. The Burning Man is the sun god, and Vulcan, On the sun and also inside the volcano.
An interpretation of the 
If they didn't mean that, why is F You right there in the Facebook+YouTube logo sequence? How many times have you been shown the F+You(Tube) message and not really seen it? 
Around the World in 80 Days (Jules Verne), One Flew Over the Cuckoo's Nest, Hannibal, Carrie, Apocalypse Now, Red Dawn (1984), The Birdcage (hugely popular in LGBT community) and many more. 
The idea of such a collaboration flies in the face of the customary spin put on WWII, that of the hatred of and complete domination of Arian over Jew. The racial aspect is certainly the key dynamic, where the Nachash “tree” family and family tree works to replace the sovereign Lord God's, but the historical facts bear witness to how a deception was employed in a more complex scheme to accomplish that objective. There really is a conspiracy at the top levels, where the Horus worshiping Illuminated brotherhoods are supra-national, manipulating the masses as in a theater like puppeteers hidden offstage. This becomes all too obvious as the common meaning of their imagery is recognized and accepted. They all worship Horus and the collusion of such entities in apparent conflict is continuing to bring the world into subjection.
The MGM Grand in Las Vegas has a form of a pyramid, not like the nearby Luxor version but with steps, and with the shape of the cross that can be seen from overhead. It's the mark of the sun god. The place is a temple, literally. 
The MGM lion is also Horus. The sphinx, seen by some as a guardian of the great pyramid, is an ancient Horus image. There's a reason why the lions appear as “the” royal family's icons and on the obelisk at the Vatican, with the equivalent eagle.
“Our side” is on this side of the portal, in this time-space realm. “Nationwide” has come from beyond through to our side. The imagery decodes to interpret what is meant by “Nationwide.” Hint: This is a sign of Horus worship.
With the N having the value of 13 in RAS (akin to the M, forwards), it also identifies the rebel lord beast. These are consistent and unambiguous identifying symbols, and very familiar. 
Here's their logo. Uh-oh. Right. Butterflies. Monarch trauma-based mind-control programming. Business focused upon traumatized and vulnerable children. (Take down a note. These are the children of “Nationwide.”) A Nationwide Children's Hospital commercial I saw on TV presented an animated version of this imagery, and the butterflies were emerging from the frame as through a blank window. The blank frame represents a dimensional portal, through which winged entities may emerge. 
The dimensions of the Nationwide Coat of Arms is a redundant witness to the production of Horus, representing the 3-Osiris union 4-Isis through the framing escutcheon's dimensions. The ratio of the width of the inner frame to the height of the outer frame is precisely 3:4. This is illustrated in the diagram to link it to that esoteric proof of the Pythagorean Theorem that is known as the 47th Problem of Euclid. The argent and the dimensions of the frame combine to conceal and reveal the nature of this portal. 
Many of you may be noticing that the phrase "final countdown" is now trending. I believe that this is a representation of the Holy Spirit on the move throughout His people as the Lord continues to perform His mighty work in this late hour. Bob and I are far from the only ones who have noticed this trend, and I am sure that we are not the only ones who are feeling the unmistakable heavy impression that time is very short until the world, and life as we know it, is forever altered and "the big reset" is underway. 
In part 2 of this series I discussed the Mercedes commercial featured during the Super Bowl that guaranteed us a thrilling fourth quarter and how that this was referring to more than just the final quarter of the game. The Holy Spirit has been showing many of us that the fourth quarter of 2013, October through December, may very well be the time frame when a very significant event, or events, transpires and forever alters the national and international landscape. As we begin to look at possible time frames and scenarios, I believe it will become rather apparent that the focus on the fourth quarter of this year is genuine.