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Saturday, July 28, 2012

Part 31 - 2012 London Olympics - Opening Ceremony - Ring of Fire = Magick Circle

I watched the Isles of Wonder themed Opening Ceremony televised by NBC and it certainly was the mega ritual expected. I perceived a couple magick circles being cast. One was the Cauldron, which was done with a huge magickal ritual. Another was during the industrial scene, where they “forge” a ring that was burning with flames.

Here's the official commentary for that scene.

“All of the energies unleashed by the industrial revolution are now trained on the center of the stage and the forging of a massive ring. And here's one of the magic moments, especially for the people actually - uniquely for the people in the stadium tonight because not only are you watching this ring being forged by these workers, but here at the stadium you can smell it. They have found a way to pump that smoke, that sulphur smell, that factory smell, out to the 65,000 plus people in attendance. They're getting an eyeful, an earful and now a nose full.”

The forging of a ring is obfuscated language for the casting of a circle. Technically, what they pictured being done in that scene wasn't forging at all. It was casting. They cast a ring. The ring is a circle, so they actually cast a circle! The ring was gold, so they cast a magick circle of gold, just like I described in “I, Pet Goat II”! Inside the circle that was cast you can see the Squared Circle, only very slightly obfuscated. This illustrates the quadrants of the four elements. The magick circle is the space within which energies are raised and concentrated and focused for some ritual work to be accomplished. When witches cast a magick circle, fire is visualized on the circle, and the one in the stadium was lit with real fire. Magic moments? NLP! This is a MAGICKAL moment, literally! The smell of sulphur permeates the atmosphere when powerful demons are invoked. (Web search for: demons invoked sulphur smell) Did the theatrical folks have to supply the sulphur smell, or was that really just a by-product of their successful demonic invocation? Both, perhaps? Also, this was done while drummers were beating their drums, another common practice during the raising of energies.


Like the magickal rings forged in the fires of Tolkien's Mordor (Lord of the Rings), this one played quite a role in the ceremony. It was lifted up from the earth, ascending to join four others in the air and form the Olympic Rings, showering fire down from the heavens. They appeared to be elevated into the celestial heavens to appear over the circle of the Earth, to the accompaniment of Pink Floyd's Eclipse.

All that is now
All that is gone
All that's to come
And everything under the sun is in tune
But the sun is eclipsed by the moon.

The devil as the moon, eclipsing the true messiah, in symbol the Bridegroom Sun? This is a signal of the rise of the antichrist Beast, coming soon.

The ceremony was magickal. Not in any good kind of way. This mega ritual comes after last weekend, when a significant change had been noted by several folks who perceived it in the spirit of the Lord, as noted at the time on this blog. The world will never be the same.

Thursday, July 26, 2012

Part 30 - 2012 London Olympics - Casting Their Magick Circles

The witchcraft of the opening ceremony in London is not going to be merely theatrical, if we can accept what the clues are revealing. Continuing from the previous post, I'm going to point out what I see that hints at the four elements or watchtowers of circle casting. Since this has a directional aspect, I'll begin with a feature that may be intended for the purpose of obfuscation but very likely also serves to facilitate a more complex magickal scheme.

I assembled this pair of images to illustrate how the opening ceremony stage set inside the Olympic stadium (that can be overlaid with the Olympic medal to suggest a magick circle) exhibits a directional rotation of 1/4 turn clockwise. What might be the reasoning for doing that? I read where we are officially told that what looks like the River Thames in the "dark Satanic mills set is not actually the River Thames. Really? How is that water weaving through what is obviously London in the exact form of the Thames -- not the Thames? Why would we be told that? What are “they” being so careful to not tell us? Is this the image of the Thames in some other dimension, perhaps.

Within the mills set, we see a landscape that is so obviously patterned on the River Thames as it winds through London, with Glastonbury Tor to the west of the city, as it is in reality. However, this set, as laid out inside the stadium, is aligned differently. The reproduction of Glastonbury Tor is actually in at the north end, so the model was rotated 1/4 turn clockwise. If we ask why, and we really should, I believe the clues suggest that it serves a mystical purpose, serving to align the setting for a working of ritual magick.

With the model of the Tor as it is in actuality at the north, what appears is the standard for casting a magick circle: North-Earth-Green. As for the other 3 elements, I can't say much because the only other comparable object I've seen in the pictures of the stadium so far is the bell, located opposite the Tor at the south end. As an elemental, this would have to represent fire, which is an unlikely symbol since the bell as a magickal object far better represents air and the fifth element, spirit. It may be that the bell isn't intended as one of the four elements. Olympic Cauldron with the ceremonial Flame lit from the sun-lit torch will likely be placed at the south end. This is one of the well kept mysteries (Olympic stage is set, but where is the cauldron?), intended to be revealed during the opening ceremony with plenty of drama. Tomorrow will tell, I expect (which will be today, as the day when many of you will read this). There will possibly be two, one inside and one outside the stadium.

So, at present, there are no other relatively fixed objects around the stadium to be associated with the directional elements used in casting a circle. I'll be watching, Lord willing, and do expect to see at some point some further exhibit of the casting of a circle.

There are some objects placed around the sets built for the opening ceremony. In the pastoral "green and pleasant land" model, four maypoles claimed to represent the four national entities of the UK are pictured. Perhaps these are being used as symbols of the four elements in some casting of a circle.


We might see the yellow of the May pole on the east as the appropriate color for a typical circle casting, but the others just don't fit. In the alignment using the mills set's River Thames, the model Tor appears in the west, and then the bell opposite the Tor appears as an appropriate symbol for the elemental of east, air.

Really, I can only speculate as to the elemental symbols at this point. There's no clear evidence to claim with any confidence that the four elements are present in one configuration of the stadium or another, at least not yet. I wanted to present this in advance so you can watch with me, as the Lord leads, in an more informed way, and we shall see what we shall see.

I suspect, given the directional rotation of the opening ceremony sets, that the high level sorcery will have layered rituals, evidenced on multiple levels, which is why I present two potential schematics of the stadium with standard elementals marked, to help make what might be done to cast magick circles during the ceremonies more recognizable.

If there is no magickal spell intended during the XXX Olympiad, why was such a public ritual already performed? At the Winter Solstice in 2010, a ritual was performed when the pyramid lights were switched on at the Olympic Stadium by David Cameron, Prime Minister. This was according to the ancient practice of Saturnalia (Kronia to the Greeks) when candles and/or torches were lit to honor Saturn, aka Zeus, Satan. Note, this marked exactly 2 years to the day before the acclaimed ending date of this age on the Mayan long count calendar, December 21.

In one of the interpretations in Macrobius's work, Saturnalia is a festival of light leading to the winter solstice, with the abundant presence of candles symbolizing the quest for knowledge and truth. The renewal of light and the coming of the new year was celebrated in the later Roman Empire at the Dies Natalis of Sol Invictus, the "Birthday of the Unconquerable Sun," on December 25.

Saturnalia - Wikipedia

Now, a circle is not cast for its own sake. It is cast for a reason, and that is often to cast a spell. The demons are invoked, the energy is concentrated raised and, at the propitious time, the spell is cast and the energy or demonic supernaturalism is released out of the circle into the Universe, to manifest in this space-time. I don't have the magician's script for this mega ritual event but I do know a few things about the master plan so I'm pretty confident I know something about the spells intended to be cast. Some of this will be dramatized during the public ceremony, but I have to think there's plenty that will be done out of the public's view, in London, and around the globe, or beyond. If you don't know the plot, I develop it extensively on this blog and on my main site, so I'm not going to repeat it here but leave up to you to search it out for yourself.

The raising of energy in the sphere of a magick circle is essential, and we've heard Danny Boyle speak of this raising in clever NLP-ese. This is why he has two mosh pits, drawing the most intense kind of energy you're likely to see of this sort in public. This is split into two sections, probably to heighten the dynamic, plus he has another mosh pit at the other end, which looks to be pointed at the bell. Boyle has expressed his hope that these opposing mosh pits will do battle, intending to maximize the energy, which I propose is being collected to raise the energy being concentrated in the magick circle(s) for the casting of the mega spell.

This is not being done for the sake of drama, to entertain. Entertainment value was sacrificed during the London Ceremony closing the games in Beijing in 2008, and it will be sacrificed in London. Making a profit from the games is not high on the list of priorities, and neither is entertainment. The ceremony is not being done for show so much as to perform the rituals. Olympism is Zeus worship. Olympism is Satan worship. People who merely seek to be entertained will be disappointed. Those who openly seek to honor Zeus will not, because this surely being done on an overwhelming scale.

I've shown in this series how the front of the Olympic medal illustrates the stadium as a temple for worship of the gods. This is the arena for worshiping Zeus, in athletic competition and in ceremonial ritual. According to the Olympic Hymn, the world in general, as lit by the sun, and the virtual temples magickally created where they establish a zone with the ceremonial flame, are temples for the worship of Zeus. The temples for the worship of Zeus and the magick circles of pagan witches are not dissimilar, and are actually one in kind. Combining them is powerful. The magick circle is a sacred space to wiccans, a kind of temple. It is in this temple where they perform witchcraft. The circle helps them gain magic power. Satan receives worship of every sort that is not sponsored and sanctioned by the Sovereign Creator, the true God whom I serve.

Have you discovered this energy harvesting of the rainbow power being done in partnership with McDonalds? Surfin' the Bifröst - harnessing the dimensional bridge energy! The children log their activity and feed it to the Web site.


We might well ask why the Glastonbury Tor is so styled with the terraced hill resembling a swirling vortex? Well, probably because it actually is what it looks like, magickally! I wrote of the hill and tree and addressed some of the probable intent for it already (cosmic connection point, bridging to the underworld as a pathway, time link to 9-11 and Jesus's visit of legend), but there's still more to this that really begs to be addressed!

In the stadium's mosh pits near to the Tor, flags and banners will fly that have been made by children in the schools of Glastonbury. The activity links to the high energy concerts held there since 1970. The stage is there is famously a pyramid and there is a massive scale May pole on site. If that pyramid isn't being leveraged as a dark energy receiver and transmitter, they have really missed something. But, I doubt that that's been missed. This too seems to have ominous connections, like the devil's fingerprints are all over it. The first Glastonbury Festival held was in 1970, beginning the day after Jimi Hendrix died. You remember him, right? He's one of the famed members of the 27 Club, of the death meme. The festival has been celebrated ever since then. I believe there's dark energy transmission involved with the Tor and the mosh pit. I believe this is an energy feed from the past being exploited in the present. Call me crazy. That's how I see it.

We might also ask why there is such a grand scale smokestack in the stadium's mills set? That thing is gigantic! A smokestack is used to exhaust the smoke from fires, which are typically for converting the heat into mechanical and possibly electrical energy. A smokestack is the most evident sign of such industry. It signifies the harnessing and exploitation of energy on an industrial scale, and often employs a steam turbine. There's a powerful energy vortex associated with the smokestack, if your looking for the connection. This stack is in the “dark Satanic mills” set. Think about that. From the pictures I saw, it seems to exhaust from the underworld. What's going on there?

This makes me think of the highly celebrated fantasy literature, Lord of the Rings, written famously by England's celebrated literary giant, J.R.R. Tolkien. In the book, The Two Towers, (with a 9-11 connection there, to be sure!) there was a memorable scene in Peter Jackson's film version where the wizard Saruman had a fiery smoking work in a pit. That spoke to me of the underworld. In it, he made a hybrid army, the Uruk-hai. I wonder whether this might somehow be identified with that work in Isengard during Boyle's production. It's been leaked that Boyle will be featuring some kind of engagement between Mary Poppins and the Dark Lord Voldemort (of the Harry Potter franchise), two other famed fictional magicians of UK invention. If he doesn't involve Gandolf or Saruman in some kind of exhibition of wizardry, I'll be very surprised. Especially because the Uruk-hai are modeled on the Nephilim, the hybrid spawn of the ancient gods that this Olympic ritual ultimately intends to restore to this realm.


In Peter Jackson's film trilogy, Saruman's Uruk-hai are bred from pits beneath Isengard and when the time is "right" they are dug up by lesser orcs working for Saruman, who are occasionally killed by the newborn Uruks. Jackson's depiction of the Uruks being spawned from the mud came from Tolkien's old description of orcs being "bred from the heats and slimes of the earth." It is said they were a result of cross-breeding orcs and "Goblin-men", instead of Orcs and Men. In Tolkien's writings "Goblin" is just another term for orc.”
...
“footnote #5 "We are the servants of Saruman the Wise, the White Hand: the Hand that gives us man's-flesh to eat." Tolkien, J. R. R. (1954), The Two Towers, The Lord of the Rings, Boston: Houghton Mifflin (published 1987), "The Uruk-hai", ISBN 0-395-08254-4”


Uruk-hai - Adaptations (Wikipedia)

Will the opening ceremony feature also dimension traversing Timelord Dr Who, with his hypercubic interface resembling a phone booth? Will it mean more than a nod to popular entertainment? I'm really curious what may be signaled in the details and context of such an appearance!

the MAGIC CIRCLE provides a sacred and purified space in which all rites, magickal work and ceremonies are conducted. It offers a boundary for a reservoir of concentrated power and acts as a doorway to the world of the gods...Within the circle it becomes possible to transcend the physical, to open the mind to deeper and higher levels of consciousness."
...
7. Redefining Reality. The circle becomes an island that the magician forms as the only true reality. The magician assigns directions to this new reality.
8. Space between Worlds. Here the circle is neither entirely in the material plane nor is it fully within the spiritual plane. It acts as a bridge connecting different planes of existence.
9. Omnipresent Now. The circle allows us to take advantage of non-linear time, while allowing the magician to remain with normal linear time. In the timeless reality, all things exist or have existed or will exist, in this realm the magician performs acts of scrying and divination.


What is a Magic Circle

I've written about the Temple at the Center of Time principles as the arcs of time from the establishment of the State of Israel bracket the Olympic Park. I've discussed quantum entanglement, suggesting bridge mechanisms and dimensional portals through space-time and have called attention to certain times and places that may be so linked. The distinction between physics and magick is blurring, but not just in my mind as though my tin foil hat has blown off and my sanity has fled. The world is changed and changing. Today's world and everyday life seems more and more surreal to many of us.

Quantum physics seems crazy, defying the laws of physics that were long accepted as defining our physical reality. CERN and the particle physics of LHC, which the Olympic medals magickally links, plays a role. The genetic tempering of food, man and beast, plays a role. The mistreatment of innocent people plays a role. Sin. It's being judged. The Lord is bringing an end to it. This is why the world is changing so rapidly, because we're reaching the end of it. The Olympic mega ritual that has been and probably will be, has been appointed in this season to bring forth a necessary change. Watch and see. The sovereign Lord God has a plan, and it is working perfectly. Draw near to Him, where peace and joy may be found in abundance!

As I write it is mere hours away from when Work #1197 will begin, where bells across the UK will be rung with enthusiasm. That's NOT a good thing! No doubt, the largest harmonically tuned bell will also be rung, the “Bell of Caliban” that hangs in the stadium. “Be not afeard. The isle is full of noises

The excerpted speech from The Tempest follows. It may seem poetic in a good way, but when you consider the sounds and sweet airs speak of demonic voices and enchantments, and that the magick is real and evil, there is nothing good that can come of it!

Be not afeard. The isle is full of noises,
Sounds, and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep
Will make me sleep again; and then in dreaming
The clouds methought would open and show riches
Ready to drop upon me, that when I waked
I cried to dream again

I've addressed the role of the bell in some depth already, but it bears repeating and highlighting. The bell is a ritual object that is often used to begin and end a spell. It is used to summon and dismiss demonic entities, calling them from and then returning them to another dimension. I believe this will be it's function during All The Bells, and during the opening ceremony, the closing ceremony, and as bookending the games in one macro mega ritual. As I've mentioned earlier in a post dedicated to it, one of the rituals is likely to be a bell, book and candle spell. The bell ringing is a death spell!

Now that I've seen pictures of the model of the bell, if it is faithful to the supporting context as seen in the pictures above, there might be what's called the Triangle of Solomon or the Triangle of the Art associated with it. On the platform under the bell appears a triangle. I wrote about this ritual object as it was suggested by the roof of the burning house on the "I, Pet Goat" blackboard. At the high level of magickal ritual expected of those behind the occult Olympics, I have to think there is such a magical implement in the ritual involving the stadium's magick circle. If a Triangle of Solomon is under the bell, that's got to be a very bad thing. Very bad indeed. Lord help us.

Wednesday, July 25, 2012

Part 29 - 2012 London Olympics - Golden Magick Circles

If the opening ceremony of the London Olympics is intended to be the mega magick ritual it seems, those sorcery sponsoring agents would surely have an interest in making it as powerfully effective as it can be. Witchcraft spells are typically performed in the context of a magick circle. Are there signs of intent to cast such a circle, or that such a circle has been cast? I believe so. I think more evidence will become evident during the ceremony. If you are led to watch the televised ceremonies, you may recognize the casting of a magick circle prior to when the main rituals are performed.

The post titled, Part 1 - "I, Pet Goat II" - Golden Magick Circle, introduces the magick circle as a segue to this post. If you haven't read that yet, you may want to pause to do so now. I'm going to be making some observations about a couple circles that relate to overlays of the Olympic medals, which brings some really intriguing items to light. I'm also going to be pointing out what hints at the four elements or watchtowers of circle casting.

I began to think about the magick circle after I wrote about the Olympic medal as a magickal medallion and schematic of dark energy in Part 25 of this series. I gave it more thought after discovering how the Shard sits at the perimeter of the medal when overlaid on the map of London. Having a sense of the importance of the medal's mapping or aligning function, I considered what role the River Thames might play in the context of the Olympic Stadium's set for the "dark Satanic mills segment of the opening ceremonies. I overlaid the medal on that model landscape as I had done with the map of London and found that it fit rather neatly within the stadium, as I will illustrate shortly.

It seems likely to me that the medal represents magick circles, legitimate, real, magick circles. The gold medal compares in my mind to the gold magick circle in “I, Pet Goat II.” One is a ring and the other is a disk, technically, but both can represent the intersection of a bounding sphere.

In the Olympic medal version, the two characters that many perceive in the logo appear inside the magick circle, performing ritual sex magick.

Some perceive sodomy in this logo, with the dot in the middle of the logo being part of the phallus of the character on the right. The triangle in the negative space represents both the arrowhead of that phallus and the anal triangle of the "london" character. That certainly will seem fitting to many Londoners, who say this is how they feel they are being treated by the IOC, partners and participants represented by the Olympic logo. Personally, I have to think this situation is one of the logo's intended messages. That golden phallus locates at the Isle of Dogs (male prostitute) Pumping Station with Mudchute Park just south of it. Think about it. Check the map for yourself. Is that too subtle? Can we take a hint?

In the logo's Simpsons metaphor, the logo's peculiar stacked elements we are told means 2012 breaks out to the 21 being the male “Bart,” the High Priest inside the circle. The 02 of the 2012, is “Lisa,” the High Priestess. The medal is illustrating a sex magick ritual being performed in a magick circle by a high priest and high priestess!


Now, comparison with a map of London will illustrate how the 02 of the 2012 is nearly centered on the O2 arena, the Olympic venue. To me, this really validates the medal and its overlay on the map as being in the mind of the logo designer. BTW, that's Satan, ultimately. I haven't vetted this, but I heard in a video that Wolff Olins has indicated that the Olympic logo they designed was spirited, which I took when I heard it as a confession that it was divined. I believe it was, whether it has been admitted or not. The 02 “Lisa Simpson” of the medal overlay aligning with the O2 venue that speaks to me of the womb of Isis is evil genius.

Since the 02 High Priestess so obviously matches to the O2 venue, I have to give consideration to how the 21 High Priest might have some similar correspondence to provide the balance that seems so essential to the working of ritual magick. To what does the 21 High Priest map? Well, to an 80 foot tall “Prospero” with white gloves and a wand, apparently, according to rough photos taken while the set referred to as the "dark Satanic mills" of William Blake's Jerusalem was under construction. Magus to magus - it's a match, but this time in the stadium instead of out in the other magick circle mapped on the actual river.

Whether this is what will appear during the actual ceremony remains to be seen. I think it's almost a given that Boyle and company are going to "have some fun" by entertaining us with magic show stage trickery, while in reality there is real magick of a sinister sort being worked.

In the matching of the 21 High Priest to the magus inside the stadium set, there may be some esoteric stamping of the number 21 that intends to harmonize with the 02-O2 pairing. The number 21 is important to esoteric Zeus worshipers because in the Roman alias, Jupiter, his identifying symbol resembles this number. As you can see from this collection of images I made to illustrate the sodomite logo of the G4S security company, the Jupiter glyph looks like 21. Could the giant model of the sorcerer wielding the wand represent the god identified by the 21 glyph, as an idol, a substitutionary agent? The model magus has been said to be 80 feet tall. That's about 24 meters. Will the actual height be 21, providing another connection for a magical working?

Before moving on, I want to make an observation based on the idea that the character Prospero of Shakespeare's play, The Tempest, is based on Dr John Dee, who was at the least a very influential man in Francis Bacon's day. Noting that Prospero was seen to be set in place on what represents the Isle of Dogs, I perceive a homosexual link. The word dog is old slang for a homosexual male prostitute and Dee's popular esoteric image of Monas Hieroglyphica pictures, in stick figure language, the use of such a dog.

Now, notice how the Shard is on the London mapped medal's edge, precisely marking due west as a Watchtower, a Guardian elemental. The Olympic Park is due North. I suspect that has all been in the plans for quite some time. This observation leads me to suspect that there has been a ritual marking of the opposing cardinal points too. It seems likely that some special lighting will identify them, as candles often mark the cardinal points of the compass in the casting of circles.

These two medal overlays appear to be related, with one connecting to the other through the implied overlays on the River Thames and its stadium version. The medal overlaid in the stadium is located at the capstone of the pyramid-triangle of the medal overlaid on the actual River Thames. I wonder if there is a magical linking here, with a multiplication factor in the energy collected and harnessed by these connected golden magick circles, for the release of some amplified spell into the Universe from the concentrated power that rises in these magick circles. I have to think the pyramids mentioned in Part 25 factor into the directed supernaturalism of this dark energy scheme. There really is way too much in play to discount all of it as some freaky cosmic coincidence.

Now, when a circle is cast it is usually visualized by the one casting the circle as though flames of fire are appearing on the circle.

As you travel around the circle, visualise energy blasting from the instrument (or your fingers) down towards the circle like a flame. This flame continues to flicker on the outline of the circle like fire as you continue around with the circle.

(SEE CAVEAT ABOVE) Introduction to Casting the Magic Circle

The stadium in the Olympic Park in London is pictured with flames around it in this video. (at 2:14-2:25) Isn't this graphically illustrating it as a magick circle? London Olympic Stadium is a PAGAN ALTAR set up for OCCULT OPENING CEREMONY. Watch closely what's done with the white laser lights beaming into the sky while the flames go around the stadium. The magick circle is actually a sphere, right? The sphere boundary as the circle is cast seems to be illustrated by what is done with the laser beams. You may want to watch the entire video. It proposes the entire stadium as an altar. I have already presented the awards podium as a ritual altar. If they set this podium up at the north end of the stadium, where the Glastonbury Tor model will be during the opening ceremony, that fits the standard placement of the ritual altar within the magick circle.

There's more to this, and I will continue in another post, Lord willing!

Tuesday, July 24, 2012

Part 1 - "I, Pet Goat II" - Golden Magick Circle

A viral video titled I, Pet Goat II - from Heliofant, features a broad range of occult imagery to tell a complex and highly stylized story about the approaching dawn of the new age. The VC provided his interpretation in a recent post, The Esoteric Symbolism of the Viral Video “I, Pet Goat II” There's plenty more that could be said about it but I just want touch fairly lightly on it to segue into a post about the London Olympics, then perhaps follow up with a few more insights from the featured scene. Several magick circles are evident in London and in the Olympic Park within which ritual magick is being and will be performed. I want to use one of the scenes from I, Pet Goat to introduce the magick circle, so I'll focus on that.

Caveat and warning: While this is no witchcraft manual, some detail in the description is necessary for educating about how to identify the magick circle, so check with the Lord about whether this post is for you. If there's any doubt, skip it.

The magick circle is the basic fundamental of witchcraft. It will usually be a circle on the floor or ground that is generally visible, and four elements will often be represented in some manner in the direction of the cardinal points of the compass. There's a high degree of flexibility in the construction, which is why I'm being so broad in the description of the appearance. A blond girl, modeled on Lewis Carroll's Alice in Wonderland, sits on the floor in a meditative position within a circle painted in gold. The circle pictured isn't the ideal circle in size, but it is appropriate for the intent of the video. Several other items featured in the setting identify it to us clearly as a magick circle.

Count the number of those seated on the floor. Including her there are 13, a coven. She is the High Priestess. A more normal size magick circle might encompass them all, in this tight little group. They represent her coven, but that's not all. The reason the beings outside her little circle are misshapen and indistinct is this; they represent the demons she has invoked. This is why they're bound with a strand of barbed wire.

“By creating sacred space and invoking the elements, we can raise power within the circle, and charge the energies with our magical intent. Working with the elemental spirits and the four directions, we can direct our inner work to manifest in our outer world: "as above, so below.”
casting a circle

The magick circle is the interface with the realm of the spirits and gods, a dimensional gateway. The circle drawn in one plane is merely the representation of the intersection of a sphere, like a surrounding bubble in three dimensions. It's the boundary for a reservoir of concentrated power. The casting of a circle is the generation of this space, and it involves the elemental spirits, demons. How this is done varies widely from one coven to another, ranging from the very formal to the very informal, but it typically involves invoking the Guardians of the four elements. These elemental spirits are also referred to as Watchtowers. When the circle has been cast, the intended ritual that the space was created for can be carried out. For many kinds of spells, after the energy has been raised, it is released out into the physical world. Then, the Guardians are thanked and dismissed as the circle is ritually closed.

In "Alice's" spell, the apple is her ritual tool. As we follow the apple we see it as a symbol of her spell, working. When the lights dim, her eyes close and she drops the apple, which rolls out of the circle. This is the High Priestess going into the Alpha state, between the realms. The energy of the spell is raised and the apple representing the magickal spell rolls out of the circle to picture it going out into the physical world. The spell is cast over against the Obama puppet. The apple magically splits and seeds from both halves grow together and blossom into a lotus flower. The Obama puppet sees it and is terrified.

Now, the four elements used in Alice's ritual are illustrated in this image composite. Matching to the four directions, symbols of the elements are evident that were apparently ritually used to invoke the elemental Guardians as the circle was cast. At the blackboard and on the clock above it, we see three elements that identify the direction, fire, red (flames of the burning house) and the time of day, Noon. Clearly, this is South. Opposite that is North, and we see Earth and green, the color of the vegetation surrounding the white rabbit. On one side, we have Air, Yellow, East. Decorating that wall we see a large yellow flower and a stag leaping into the air. Opposite that is a wall of windows, with fogged glass, a blue tint, and snow outside; Water, West.


Alice's golden magick circle was cast using recognizable symbols of the four elements, in the appropriate configuration, but Heliofant has taken liberties with the standard. In a peculiar twist (and for this video, I suppose that's a relative thing), this example presents elements indicating a reversal of East and West. A map with North at the top has West on the left, correct? Not this one! There's no mistaking how the symbols of the elements indicate East and West, and they are obviously reversed. Why? I think the explanation takes into account the perspective of the underworld setting. If you place the map on the window glass facing out, you'll see East on your left. This perspective of the directions from behind the map illustrates what would be seen from underneath the magick circle, from the underworld looking up. I think this was done to illustrate how this magical scene is inverted as though it were taking place in the underworld.


As the scene ends, the "camera" moves outside, and as it goes you can see the word OZ appear above the blackboard. Oz is the land down under, suggesting the classroom stage set is the underworld.

Another clue is the white rabbit pictured on the North-Earth wall behind Alice. In the Alice in Wonderland story, Alice follows the white rabbit down the rabbit hole into a strange realm where many things are backwards. When the lighting dims and the apple drops, Alice is still in the light, and light shines on the white rabbit too, linking them together. This serves to call attention to Carroll's fantasy and perhaps suggest the rabbit is also operating between the realms, as the hare is the symbol of Hermes, escort to the underworld. The rabbit has sinister red eyes. The East-West inversion seem fitting for Wonderland, where things are backwards.

This magick circle seems to be operated by a witch in the underworld, upside down.

I don't know what this means, but I noticed how the exit at the northeast lit up red in the dim lighting of the Alpha state, like there was some kind of polar reversal, flipping North to South.

The pentagram is an important ritual image or object used for invocation and banishing, and we see one in I, Pet Goat's magickal puppet show. The stage is dark, and we see a nearly lifeless George Bush puppet. When the spotlight shines on him, he immediately breaks into a lively dance. The spotlight is the pentagram, and his coming to life is thus attributed to the demonic invocation. Satan was already shown to be pulling the strings.

The apple itself is a cryptic pentagram.

The apple has been revered throughout history as being sacred of the Goddess. In modern mythology, the apple became associated with the Tree of Knowledge, which Eve took and ate. The reason the apple is considered associated with the Goddess is revealed by cutting through the centre of the apple. Hidden in the apple's core, is a natural pentacle. This is the sign of the Goddess Kore (Core) - the Greek Holy Virgin, the inner soul of Mother Earth (Demeter). Just as Kore the Virgin was hidden in the heart of Mother Earth and represented the World Soul, so her pentacle was hidden in the apple. Kore is also an alternative name of Kali.

Wicca - The History of the Pentagram-Pentacle

The hexagram is another symbol commonly used in ritual magick for invocation and spell casting, and these appear as the large snowflakes at the lower left of the blackboard.

I want to present yet further evidence of spell casting concealed in the burning house drawn on the blackboard. The roof of the house has a "squared circle inside, which is the essential form of the magick circle. The circle inside the triangle roof suggests the Triangle of Solomon, which is also called the Triangle of the Arts. This is said to be the second most important tool for the Conjuring Magician next to the magick circle. This has to sit outside the circle, perhaps just a few feet away. Demons conjured will appear in the triangle. According to one magician, “Some Magicians such as the Great Crowley would use Fresh Blood of a Sacrificed animal in the Triangle to attract the Demon. For Blood is the Life force and Demons thrive on it. Crowley would Sacrifice three white doves and pour the Blood into each corner of the Triangle... the Demon would stay until the life force was exhausted, then Demon would leave. ” When you look at the burning house, you can look at the red as flames of fire. If you consider the roof as the Triangle of Solomon, you can see the red as the blood of the sacrifice, used to attract the demons conjured.

Well, that's enough of a foundation to segue into the Olympic post, and I'll follow up this one with a few more noteworthy observations about this creepy Masonic Temple-floored scene in future posts, Lord willing.

Monday, July 23, 2012

"Watchman, how far gone is the night?”

There is absolutely no shortage of ominous reports coming forth from various media outlets clearly signaling the lateness of the hour. The links being presented today are serious and worth the time and attention that serious matters require. These links, in addition to the post of similar fashion presented in "BeforeItsNews - The Status of “Police State” Prep" bear witness to the fact that time is almost up and the current "frying pan" season is quickly transitioning into the necessary "fire" season. The "Police State" apparatus is in place, the net has been securely fashioned with all knots in place, and the world as we have known it shall soon cease to be.


As watchmen, Aaron and I have seen the day coming when the window of opportunity to freely blog and testify online would close. It feels like that time is pretty near. This past weekend, we sensed another transition taking place. We can't clearly identify it but something is different. It seems like the rapid tapering of the "frying pan" season, with the "fire" season on near approach. Our report as watchmen compares to that of Jeremiah in chapter 32:

The siege ramps have reached the city to take it...

These headlines and others like them have been expected, and many voices of the saints have borne similar witness with visions, dreams and prophetic declarations.

We are not on the precipice of the great tribulation. We know when it is not because we have confidence in when it is. You should too, by now. So, we're not staring in the face of the "rapture" or the revealing and anointing of either the false prophet or the antichrist beast.

In America, we are very soon to be bounced. I don't know exactly when, but shortly after America exalts itself in victory over Iran and her 'king." The "good ship USA" has already been nearly completely scuttled and is about to be sunk, for the purpose of being raised again in a new form, one that's fit for the global order within which the two beasts may arise.

If you haven't yet learned to hear the Lord's voice and abide with it, you should well be shaken by this report. The hour is late. If you have been taking comfort in the Lord in the face of this coming trouble, I'm thrilled! God is good!

He who dwells in the shelter of the Most High Will abide in the shadow of the Almighty. 2 I will say to the Lord, “My refuge and my fortress, My God, in whom I trust!” 3 For it is He who delivers you from the snare of the trapper And from the deadly pestilence. 4 He will cover you with His pinions, And under His wings you may seek refuge; His faithfulness is a shield and bulwark.

5 You will not be afraid of the terror by night, Or of the arrow that flies by day; 6 Of the pestilence that stalks in darkness, Or of the destruction that lays waste at noon. 7 A thousand may fall at your side And ten thousand at your right hand, But it shall not approach you. 8 You will only look on with your eyes And see the recompense of the wicked. 9 For you have made the Lord, my refuge, Even the Most High, your dwelling place. 10 No evil will befall you, Nor will any plague come near your tent. 11 For He will give His angels charge concerning you, To guard you in all your ways. 12 They will bear you up in their hands, That you do not strike your foot against a stone.

13 You will tread upon the lion and cobra, The young lion and the serpent you will trample down. 14 "Because he has loved Me, therefore I will deliver him; I will set him securely on high, because he has known My name. 15 “He will call upon Me, and I will answer him; I will be with him in trouble; I will rescue him and honor him. “With a long life I will satisfy him And let him see My salvation.”
~ Psalm 91

14 “In righteousness you will be established; You will be far from oppression, for you will not fear; And from terror, for it will not come near you. 15 “If anyone fiercely assails you it will not be from Me. Whoever assails you will fall because of you. 16 “Behold, I Myself have created the smith who blows the fire of coals And brings out a weapon for its work; And I have created the destroyer to ruin. 17 “ No weapon that is formed against you will prosper; And every tongue that accuses you in judgment you will condemn. This is the heritage of the servants of the Lord, And their vindication is from Me,” declares the Lord.
~ Isaiah 54: 14-17

22 Then Moses led Israel from the Red Sea, and they went out into the wilderness of Shur; and they went three days in the wilderness and found no water. 23 When they came to Marah, they could not drink the waters of Marah, for they were bitter; therefore it was named Marah. 24 So the people grumbled at Moses, saying, “What shall we drink?” 25 Then he cried out to the Lord, and the Lord showed him a tree; and he threw it into the waters, and the waters became sweet.

There He made for them a statute and regulation, and there He tested them. 26 And He said, “If you will give earnest heed to the voice of the Lord your God, and do what is right in His sight, and give ear to His commandments, and keep all His statutes, I will put none of the diseases on you which I have put on the Egyptians; for I, the Lord, am your healer.”
~ Exodus 15:22-26
19 Thus says the Lord, “Go and buy a potter’s earthenware jar, and take some of the elders of the people and some of the senior priests. 2 Then go out to the valley of Ben-hinnom, which is by the entrance of the potsherd gate, and proclaim there the words that I tell you, 3 and say, ‘Hear the word of the Lord, O kings of Judah and inhabitants of Jerusalem: thus says the Lord of hosts, the God of Israel, “Behold I am about to bring a calamity upon this place, at which the ears of everyone that hears of it will tingle. 4 Because they have forsaken Me and have made this an alien place and have burned sacrifices in it to other gods, that neither they nor their forefathers nor the kings of Judah had ever known, and because they have filled this place with the blood of the innocent 5 and have built the high places of Baal to burn their sons in the fire as burnt offerings to Baal, a thing which I never commanded or spoke of, nor did it ever enter My mind; 6 therefore, behold, days are coming,” declares the Lord, “when this place will no longer be called Topheth or the valley of Ben-hinnom, but rather the valley of Slaughter. 7 I will make void the counsel of Judah and Jerusalem in this place, and I will cause them to fall by the sword before their enemies and by the hand of those who seek their life; and I will give over their carcasses as food for the birds of the sky and the beasts of the earth. 8 I will also make this city a desolation and an object of hissing; everyone who passes by it will be astonished and hiss because of all its disasters. 9 I will make them eat the flesh of their sons and the flesh of their daughters, and they will eat one another’s flesh in the siege and in the distress with which their enemies and those who seek their life will distress them.”’

10 “Then you are to break the jar in the sight of the men who accompany you 11 and say to them, ‘Thus says the Lord of hosts, “Just so will I break this people and this city, even as one breaks a potter’s vessel, which cannot again be repaired; and they will bury in Topheth because there is no other place for burial. 12 This is how I will treat this place and its inhabitants,” declares the Lord, “so as to make this city like Topheth. 13 The houses of Jerusalem and the houses of the kings of Judah will be defiled like the place Topheth, because of all the houses on whose rooftops they burned sacrifices to all the heavenly host and poured out drink offerings to other gods.”

14 Then Jeremiah came from Topheth, where the Lord had sent him to prophesy; and he stood in the court of the Lord’s house and said to all the people: 15 “Thus says the Lord of hosts, the God of Israel, ‘Behold, I am about to bring on this city and all its towns the entire calamity that I have declared against it, because they have stiffened their necks so as not to heed My words.’
~ Jeremiah 19

23 They came in and took possession of it, but they did not obey Your voice or walk in Your law; they have done nothing of all that You commanded them to do; therefore You have made all this calamity come upon them. 24 Behold, the siege ramps have reached the city to take it; and the city is given into the hand of the Chaldeans who fight against it, because of the sword, the famine and the pestilence; and what You have spoken has come to pass; and behold, You see it.
~ Jeremiah 32:23-24



By Bob Schlenker (theopenscroll@) and Aaron Hermann (theultimateplan@)

Please feel free to contact us through our Gmail accounts.

Sunday, July 22, 2012

Part 28 - 2012 London Olympics - Ripples through Time

There's now less than a week remaining in the countdown to the London Olympics, and there's still plenty to be addressed in advance of it. In the news, there's the ongoing matter of G4S and their claimed deficiencies. There's no shortage of controversy over the militarization of the region around the Olympic venues and what residual effect that alone might have on England. It was announced that the opening ceremony has been "shortened," the consideration being the easing of departure from the Olympic Park given the early morning hour scheduled. Some are saying the numbers expecting to attend are falling due to concerns about security and the buzz about mysterious symbolism. Imagine that. So, there's all that, but what I really want to address is still more on the lines of occult ritual and other weirdness. Aaron Hermann has more posts coming on these matters, too, Lord willing. We plan to watch the opening ceremony together and make some notes.

If you missed the announcement in a previous post, the interview I gave in June for an Olympics special radio show with host Henrik Palmgren of Red Ice Creations is now online. I'm one of several guests who offered some thoughts on the subject. I've finished listening to both segments now, and there's some excellent insight offered by the guests. Henrik did a commendable job with this challenging presentation. There may be a follow-up interview sometime during the games or shortly following.


Before I go any further, I want to admit to having been fooled by a prank site's report that led me to claim a sample taken from Glastonbury Tor was transported to the Olympic Stadium for use in their Opening Ceremony set. I have no legitimate report of such a thing being done. I apologize for misreporting that and any impact it may have had, and have updated the record on this blog to correct that mistake.

On the subject of Glastonbury Tor, there are a few things I want to note in connection with the featuring of the Tor inside the Olympic Stadium during the opening ceremonies. It's quite prominent, situated directly opposite the Bell of Caliban.

“As a source and repository of legends, Glastonbury is distinguished above all other places in England. Episodes from the Grail cycle, the tales of King Arthur's heroes, and other items of prehistoric lore adapted to Christianity are located in its surrounding landscape, and its ancient reputation as a gateway to another world is continually reaffirmed by its natural attraction to mystics.”

The Dimensions of Paradise - John Michell

Glastonbury Tor is a famous hill at Glastonbury, Somerset, England with some interesting legends surrounding it. The roofless St. Michael's Tower on top is the only apparent feature, but the version in the stadium replaces that with a fake tree. There must be a good reason for the substitution, and I believe you'll soon see what that is! While so far as I can tell it is being called an oak, it's claimed to represent the Holy Thorn, of legend. What is meant by this set of symbols, and what might be intended through the probable use as magickal implements?

First of all, oak, as you may know, is associated with Zeus, aka Satan. “Holy Thorn” is an oxymoron. Calling any thorn holy is contradictory because they are by nature the result of a curse. See Genesis 3 for clarity on this. Some call this a tree of life, but it compares rather to the tree of knowledge of good and evil. This is a counterfeit tree of life, that of death, associated with an antichrist false messiah and Zion, and a serpent seed Beast bloodline. Glastonbury is referenced as the green and pleasant land of Blake's Jerusalem, which Boyle has set as a major theme. Legend tells of Jesus visiting Glastonbury with his uncle Joseph of Arimathea.


The focal point of Boyle’s “Green & Pleasant” set will be the sacred Glastonbury Tor, topped by a cosmic Hawthorn tree. Legend has it when Joseph of Arimathea set his walking staff on the ground to sleep, it miraculously took root, leafed out, and blossomed as the “Glastonbury Thorn”! Symbolically, ancient trees atop sacred mounds are said to create “cosmic connection points”. While the branches reach into the heavens, the roots reach for the underworld.

The 2012 Olympics and Stargate London Symbology - Chad Stuemke

An author in the UK has recently written of a tree displacing St. Michael's Tower in a fictional work, notably claimed to be prophetic in nature, written through visions had in his dreams. Here's an excerpt from his blog where he comments on Boyle's version of Glastonbury Tor.

And yet, it is not the Tor as you would know it, because the iconic image of the conical hill with the striking outline of St Michael’s Tower on its peak has been replaced by a Tor that now has a tree at its top. Nothing remarkable in that, you might say: except for the fact that this exact thing happens in a key scene from Watchers, the first book of the Tilly Greenway series.

Without giving too much away for those of you who have not yet read the book, here is the paragraph that describes the event:

“Up thrust the tree in a mass of flickering silver and grey. At first its slender trunk grew inside the walls of the tower, but as it got taller its branches pushed outwards, cracking the tower to pieces. The top stones fell first, cascading away down the Tor. Then the rest gave way until even the foundation stones, deep-set and strong, fractured and crumbled to dust.”

“In an instant the tower had gone and there in its place stood a majestic tree.”

The arrival of the tree on top of the Tor is pivotal to the Tilly Greenway story in many ways. It is an Ash Tree with good reason.

To the druids, the Ash symbolised the gateway from the subconscious (which was represented by the “nemeton” or “oak-grove”) to the conscious mind. With the appearance of the tree at the top of the Tor, a portal for the awakening of sacred knowledge is created. This forms a pathway along which this sacred knowledge can travel, from our subconscious into our conscious minds, where we can act on it more deliberately.


Olympic Ceremony Features Scene from Watchers!

Such a magickal tree was featured in The Fountain, with a Mayan prophetic theme, and is suggested in Knowing, at the close in a scene alluding to The Garden of Eden.

Is the tree on the hill a cosmic connection point, bridging the stadium with the underworld? Is the symbolic Tor with the oak-Holy Thorn intended as a portal for the awakening of sacred knowledge? Is there going to be magick ritual performed during the Olympics involving the Zion elements I've been noting at the stadium and Olympic Park, perhaps further involving the geography of legend from Jesus' visit? If there's something legitimate about any of this, how might it manifest?

There are a few other facts of note relative to the featuring of the model Tor, some 9-11 connections, which amps up the OMINOUS factor!

Remains of a 5th century fort have been found on the Tor. This was replaced by the medieval St. Michael's church that remained until 1275. According to the British Geological Survey, an earthquake was recorded on 11 September 1275, which was felt in London, Canterbury and Wales and this quake destroyed the church.

Glastonbury Tor - Wikipedia

Check the date. 9-11. A tower. Destroyed on 9-11. It remains in that state, never having been rebuilt, so it is a monument to 9-11. Right. The monuments to 9-11 at Ground Zero in NYC are inverted black cubes, a symbolic watery abyss portal to the underworld. The tree on the Tor in the recreated green and pleasant land, is it a monument to 9-11 and portal to the underworld. Is it possibly even linked to NYC's? Is the tree on the Tor implying another 9-11 through this connection, relative to what may be invoked to come through the portal?

Could it be that even the distance between Glastonbury Tor and the Olympic Stadium is significant in this link? There are 119 miles between them (Thanks Phil), the same number Boyle has brought to our attention as the number of animals being used to populate the green and pleasant land for the opening ceremony. The number 119 reverses to 911, of course. Could that feature be one of the reasons why the stadium is where it is?

Aaron Hermann's sequence of posts on this blog have brought our attention to the conspicuous missing goose as a possible signal that our goose is cooked, as the euphamism goes. There's a reason why there will be 10 chickens and 10 ducks and only 9 geese, because it sends a signal. A 119 says 911.

Seventy of those 119 animals will be sheep, and they will be in a pen. This speaks to me of people, sheeple as livestock penned in by a totalitarian state. The Table of Nations of Genesis 10 involves 70 nations, according to Jewish tradition. The Olympics are all about the nations right, about being globally inclusive of everyone? So, 70 sheep in a pen, what does that say to you, something that rhymes with global domination, perhaps? Is this pen of sheep numbered according to the Table of Nations to be considered alongside the 80 foot tall Prospero with the magick wand in the “dark Satanic mills” set, who may captivate the entire world as mind-controlled puppet slaves from his enchanted isle?

The 119 animals are one short of 120, the number of years assigned to man by God in Genesis 6:3. Is there some suggestion in this that they are going to cut short the life intended for man by God? Here's that scripture, in its context.

Now it came about, when men began to multiply on the face of the land, and daughters were born to them, 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. 3 Then the Lord said, “ My Spirit shall not strive with man forever, because he also is flesh; nevertheless his days shall be one hundred and twenty years.” 4 The Nephilim were on the earth in those days, and also afterward, when the sons of God came in to the daughters of men, and they bore children to them. Those were the mighty men who were of old, men of renown. ~ Genesis 6:1-4

The Nephilim, these are the ancient giants being celebrated during the Olympics and Cultural Olympiad, Caliban's kin, if you will.

By the way, Jesus' supposed kin, Joseph of Arimathea was said to have died at Glastonbury on July 27th, A.D. 82. There's another connection. July 27, which is when the opening ceremony of the London Olympics is scheduled, right? The one that features the reproduction of the Glastonbury Tor, right? The one with a symbolic tree claimed to represent the one that magically appeared because of Joseph's staff, right? That's kind of a twist on the Club 27 death meme, right? Right.

Another historical item relating to July 27 should at least be noted here.

The Roman Martyrology mentions the Seven Sleepers of Ephesus under the date of 27 July, as follows: "Commemoration of the seven Holy Sleepers of Ephesus, who, it is recounted, after undergoing martyrdom, rest in peace, awaiting the day of resurrection." The Byzantine Calendar commemorates them with feasts on 4 August and 22 October.

Seven Sleepers - Wikipedia

Hey, August 4. Obama's birthday. Where that may actually have taken place, well, take your pick.
I think the following excerpt from Parables Blog is fitting, which identifies a connection that just begs to be made here.

It was unanticipated that London would be selected as host of the 2012 Olympics. Paris was the frontrunner. When the IOC announced that London had been chosen people were stunned. Some unseen force had made certain that London would be the host city for the 2012 Olympics. The next day the city of London experienced massive deaths and injuries as a terrorist event occurred on her subway system. Was a ritual sacrifice demanded as reward for this selection? Were the spiritual forces of wickedness in high places being offered up a sacrifice to insure that these games were spiritually charged with Satanic power?

For those unfamiliar with the London Subway bombings, they have been as controversial in England as the 911 bombings have been in America. Many have suggested that the government of the UK was behind the bombings, that those accused of setting off explosions were themselves victims.

If you have been following the posts in the series titled Babylon Rising, you will be aware of the Satanic nature of the Olympic games being held in London. I believe the timing of London’s announcement as host of the XXX Olympiad, and the deaths and injuries that followed the very next day in London, were linked. A human sacrifice was offered to Satan, and you can be certain that these Olympic events will reveal the presence and power of Satan. His cunning is already visible in the symbols, buildings, rites and images associated with the 2012 games. The opening and closing ceremonies will be profoundly marked as Satanic rituals of the highest order.


Parables Blog - Joseph Herrin

Here's another item of interest. These London Olympics will mark the 40th anniversary of the Munich Olympics, when 11 Israeli participants were slain by a group called Black September. September, the 9th month. A 9 and 11. The number 40 years is the number of trial, biblically. For example, this was how long the Israelites wandered in the wilderness after rejecting the words of the men of faith, the spies Joshua and Caleb. After 40 years, the trial period is over and things happen.

Here's some news I think is really important to keep in mind.

Mossad reportedly fears Iranian attack on Israeli athletes at Olympics Well, it is the 40th anniversary, and Iran is going to be engaging in war in the very near term, as per Daniel 8. America must be the victor, and then be bounced.

London braces for Israeli strike on Iran during 2012 GamesOlympic planning committee fears a military showdown during the largest sporting event in the world

My take: Not at all unlikely, but probably will not stop the games.

“This present window of opportunity, during which a truly peaceful and interdependent world order might be built, will not be open for too long – We are on the verge of a global transformation. All we need is the right major crisis and the nations will accept the New World Order.”

David Rockefeller, speaking at the UN, Sept. 14, 1994

Another odd bit in the news: Mayor of London Calls Upon Sun God Ra - For Change In Olympics Weather Forecast. Boris is clearly at a loss.

Monas - Hidden Meaning of McDonald's Golden Arches, and the Great Seal of the United States

I had long pondered the meaning of the famous golden arches promoting McDonald's, home of the Big Mac. I had a few ideas but it didn't really settle until I saw where someone showed letters of the name under the arches, parsing McDonalds as suggested by the form into monas. Then it came together. Whoever did the graphic unscrambled the word to an anagram, mason. While that's certainly valid, the direct derivation of monas really spoke to me because of Dr John Dee's alchemical glyph, the monas hieroglyphica, which testifies to the same theme I perceived in the graphical golden arches; the sodomite gateway.


Uh, hey! Do you want fries with that? The Baphomet hand signals celebrating the partnership with the London Olympics are furnished by McDonalds board members Doug Goare (President, McDonald's Europe) and Steve Plotkin (West Division President - McDonald’s USA) (if I've identified them correctly). The temporary facility pictured here in London's Olympic Park is at present the largest McDonalds in the world.

I understand the golden arches as a symbol of the sodomite gateway. The letter "m" is the simple graphic form of a male backside, another in the collection I've presented recently. As arches, the basic elements compare to the royal arch of Freemasonry, a squared (sides and bottom) circle (arched top) sodomite gateway symbol, and the joining of heaven (arched top) and earth (the bottom on the earth). You could say the letter M is for Mason, (Masonic McDonald's Golden Arches Logo) and Monas. As the 13th letter of the alphabet, it does duty as a rebel lord Beast signal, a key esoteric meaning of that number. If you rotate many of the McDonalds logo versions clockwise 90 degrees, a 13 appears, with the golden arches forming the 3. From many of those versions, the string Monas can be parsed, as suggested by the positioning of the elements. The golden color alludes to the sun and symbolizes the god Apollo, Horus. It is also the alchemist's MacGuffin, you might say, the golden light body of the transformed.

This early style McDonalds restaurant illustrates the style with all the customer interaction happening between the golden arches, a sun worship temple between the portals.

By definition: Monas - a singular metaphysical entity from which material properties are said to derive. My take on it is that monas is on one level the equivalent of Baphomet, the merging of man with the gods and of the genders that counterfeits the first Adam, when he was in the initial state as created in the image of Elohim. Dee's Monas Hieroglyphica expresses most simply the transformational act of sodomy, which was first performed in the Garden of Eden with the serpent-nachash and Adam and Eve in a bid to merge mankind into one in his image, ultimately replacing Elohim's creation and displacing Elohim.

The monas-mason connection prompted me to give some more consideration to the great seal on the back of the dollar bill, which has been decoded in a couple ways to derive the word “Mason.” I haven't found the versions entirely satisfying, including the one insisted upon by Doc Marquis. I believe the more deeply hidden esoteric embedding is that of monas, which is more directly derived by the tracing of the implied hexagonal star.

Are the American institutions of McDonalds and the Federal Reserve all about the monas? Until you get hold of how the symbols conceal and reveal what's really going on, it seems dubious. When you can read between the lines of what they say and do, and interpret and accept the witness of the symbols, it becomes rather obvious.

By the way, I believe Doc Marquis is a shill. This picture from the Future Congress site (A conference I attended exactly one year ago, as I write) has him presenting a sly pyramid eye + 666 signal. Reformed and on my side? I don't buy it. I engaged him very briefly in conversation one-on-one while in Branson last year, asking a pointed question and getting a, well, interesting, response. Shill. He claims to be a converted-redeemed Illuminati witch, seventh generation. Shill. Filtered info = disinfo.

Saturday, July 21, 2012

V for Vendetta: Spilling the Beans on Pandemics and Vaccines


By Aaron Hermann

I had intended my next post to be the third installment of the "Cooked Goose" portion of the ongoing 2012 London Olympic Series, but The Lord had something else in mind. The Lord directed my attention to the film "V For Vendetta" last Saturday, and I have been camped on it ever since. I believe there is good reason for the brief detour due to the major plot theme of a false flag viral attack orchestrated against the people of England as the catalyst event used to bring a Totalitarian government regime to power, resulting in an Orwellian Police State. As I was watching the movie it became rather apparent that this film must be included in the ongoing discussion of a potential forthcoming global pandemic as a "9-11" catalyst event bringing forth a worldwide "9-12" Police State.

(Before I get into the analysis of the film, it must be noted that the presentation of the move contains several time-line discrepancies in regards to how the story is told and at what point in time the said events were to have taken place. It is beyond the scope of this post to address these matters, but for those astute movie-buffs out there that may be reading this please know that I am aware of those inconsistencies; however, it is my contention that what the movie presents directly to us in the form of the plot development trumps whatever else may be being signaled within the layers of obfuscation. As such, this post will be dealing with the major thematic plot element of the government created virus unleashed upon the people to cement their power structure.)

This first video clip is the scene where "V" lays out the entire story of who was responsible for creating the virus, why they did it, and the outcome of the false flag attack.

Our story begins, as these stories often do, with a young up-and-coming politician. He's a deeply religious man and a member of the conservative party. He is completely single-minded convictions and has no regard for the political process. Eventually, his party launches a special project in the name of 'national security'. At first, it is believed to be a search for biological weapons and it is pursued regardless of its cost. However, the true goal of the project is power, complete and total hegemonic domination. The project, however, ends violently... but the efforts of those involved are not in vain, for a new ability to wage war is born from the blood of one of their victims.

Imagine a virus - the most terrifying virus you can, and then imagine that you and you alone have the cure. But if your ultimate goal is power, how best to use such a weapon? It is at this point in our story that along comes a spider. He is a man seemingly without a conscience; for whom the ends always justify the means and it is he who suggests that their target should not be an enemy of the country but rather the country itself. Three targets are chosen to maximize the effect of the attack: a school, a tube station, and a water-treatment plant. Several hundred die within the first few weeks. Until at last the true goal comes into view.

Before the St. Mary's crisis, no one would have predicted the outcome of the elections. No one. But after the election, lo and behold, a miracle. Some believed that it was the work of God himself, but it was a pharmaceutical company controlled by certain party members made them all obscenely rich. But the true genius of the plan was the fear. A year later, several extremists are tried, found guilty, and executed while a memorial is built to canonize their victims. Fear became the ultimate tool of this government. And through it our politician was ultimately appointed to the newly created position of High Chancellor. The rest, as they say, is history.

The "young up-and-coming" politican "V" references is Adam Sutler, who is the man who becomes the High Chancellor (dictator) of England through the chaos brought forth via the false flag viral attack he was responsible for orchestrating. You will notice that the sigil Sutler uses is a red double-cross. The immediate take-away is the massive, conspiratorial double-cross that the government officials perpetrated against their citizens. What some may not realize is that the red double-cross is actually "The Cross of Lorraine". The Cross of Lorraine is a powerful sodomy symbol and has a very interesting history, which is worth pursuing as The Lord leads. If you are lead to pursue such a line of inquiry, I recommend starting here.

The Cross of Lorraine and the red sash on the railing are worth our attention as they are another stark example of the in-your-face signaling method employed to display the Satanic Ritual Abuse and trauma-based mind control programming practiced by the global elite. The red sash serves as a graphic reference to the ritual sacrifice by disembowelment resulting in bloody guts that Bob covered in "Part 19 - 2012 London Olympics - Bloody Guts Death Ritual Magick".

Sutler and his partners-in-crime developed their viral bio-weapon at a secret government facility called "Larkhill Detention Centre". Whether or not there is a detention center there I cannot say, but Larkhill is an actual place with historical ties to the military, and is located within the Stonehenge World Heritage Site.

Undesirable members of society were "disappeared" and taken to the facility where they were detained and subjected to experimentation as Sutler and his fellow conspirators were looking to perfect their bio-weapon and necessary cure. Another clip of the movie explains in greater detail what was taking place at the Larkhill facility:

May 23rd: My first batch of subjects arrived today, and I have to admit that I am very excited. This could be the dawn of a New Age. Nuclear power is meaningless in a world where a virus can kill an entire population and its wealth remains intact.

May 27th: Commander Prothero toured the lab with a priest, Father Lilliman. All I was told was he was here to monitor for rules and rights violations...made me nervous, but afterwards the commander assured me there wouldn't be a problem.

June 2nd: I kept wondering if these people knew how they might be helping their country if they might act any differently. They're so weak and pathetic. They never look you in the eye. I find myself hating them.

August 18th: Of the original four dozen over seventy-five percent are now deceased. No controllable person has yet emerged.

September 18th: There is one case that continues to give me hope. He exhibits none of the immune system pathologies the other subjects developed. I discovered several cellular anomalies in his blood that I have been unable to categorize. Mutations seemed to have triggered the abnormal development of basic kinesthesia and reflexes. The subject said he could no longer remember who he was, or where he was from. Whoever he was, he is now the key to our dream, and the hope that all of this would not have been in vain.

November 5th: It started last night. Around midnight the first explosion tore open the entire medical section. All my work...gone. I was trying to understand how it could have happened and I saw him, the man from room five. He looked at me, not with eyes, there were no eyes, but I know he was looking at me because I felt it.

This clip and corresponding collection of images demonstrates the horrors suffered by those detained and experimented on. The vast majority of them died due to what was done to them as the secret government program sought to perfect their false flag bio-weapon virus that would be used against the people to catapult them into power and cement their hegemonic control.

As "V explained in the first video clip, Sutler and his group were successful in developing the most terrifying virus imaginable and the cure. It was necessary for them to develop the cure while they were perfecting their virus for two main reasons. Firstly, to inoculate themselves in advance to ensure they did not suffer the same fate as those they unleashed the virus upon. Secondly, to have the cure for the disease on hand so that they could use the fear created by the pandemic as leverage against the populace so that they would be willing to accept any measure necessary so long as the chaos was brought to an end and their safety was ensured. The true evil genius of this dynamic is displayed as the people representing themselves as the "saviors" with the ability to end the chaos were the people responsible for creating it. They were able to restore order by providing the cure the populace demanded, and by doing so they were able to cement themselves firmly in power enabling them to unveil their police state apparatus. This is a prime example of the Hegelian Dialectic at work.

"V" informs us that "three targets are chosen to maximize the effect of the attack: a school, a tube station, and a water-treatment plant." When "V" discusses the effect of the attack we must conclude that the desired effect is not just maximizing casualties, but also generating as much fear, panic, and chaos as possible. Imagine a reported viral bio-weapon terrorist attack on an elementary school, water treatment plant, and major public transportation hub. What do you think the public response would be? Fear, panic, an chaos would rule the day as people began a mad scramble to procure necessary survival items.

In the movie the media is complicit in the affair pumping out headline after headline perpetuating the fable of the terrorist strike as the propaganda machine continues to spew the necessary deceitful bile needed to maintain the panic, fear, and chaos. I do not believe it is a stretch to proclaim that the media in "real life" is guilty of the very same tactics!

Fear stemming from the the fleshly desire to preserve one's life at all costs turns people into mindless puppets focusing on nothing but "peace and safety", rendering all discernment and rational thought null-and-void which is exactly what those in power count on.

In light of the ongoing discussion about possible false flag scenarios surrounding the 2012 London Olympic Games, I believe it is critical to point out two things pertaining to this film. Firstly, London is the epicenter of the entire film and the ground-zero point of origin of the viral bio-weapon false flag event. As if that were not ominous enough, you will notice that the number of reported dead in the film is 80,000 people. It is beyond any conceivable notion of coincidence that the London Olympic Stadium was designed to hold 80,000 spectators!

I would be remiss if I did not mention another rather ominous tie-in between the film and the 2012 London Olympic Games. Just at St. Mary's was chosen to be the point of origin for the viral bio-weapon in the film, those responsible for the Cultural Olympiad preceding the Olympic Games selected "St Mary's Lighthouse in Whitley Bay" as the point to direct a rainbow colored laser light-show to mark the beginning of the Cultural Olympiad leading up to the Olympic Games. Notice that the selected location of St. Mary's Lighthouse is found on a body of water, Whitley Bay, which is rather similar to the false flag target of Three Waters water treatment facility in the movie, is it not?

There is another ominous signal presented in the film that neatly fits within the discussion of the potential for a weaponized Bird Flu false flag attack being carried out at the 2012 London Olympic Games. We address this possibility in great detail in Part 24 and Part 26 of the "2012 London Olympics" series. The image to the right appears during a newscast within the movie. What immediately caught my attention is the large "Avian Flu" graphic on the screen, but if we look closely we can see there is even more being signaled. The date on the broadcast is August 21, which can be read as 8-21, which can then be rendered "8+2+1=11". We have the eleven, but where are the nine? During the audio of the clip we are told that nine suspects were arrested under suspicion of hoarding Avian Flu vaccine. There we have it folks, yet another "9-11" signal presented within the context of Avian Flu and vaccines!

"V For Vendetta" provided a very strong "9-11" signal and it did not fail to provide the subsequent "9-12" signaling image as well. This image is taken from the clip describing the atrocious clandestine activities taking place at Larkhill Detention Centre where the viral bio-weapon and cure were discovered. You can clearly see the "219" on the glass in the background, and if we simply reverse that number we have the "9-12" signal. It must be noted that they present this "9-12" signal within the context of the vaccine/cure that was the means of putting an end to the fear and chaos, which then cemented the power structure and ushered in the police state.

The "9-12" police state world that existed in the movie was one where the citizens were forced to deal with such things as government imposed curfews, blacklist censorship, audio sweeps attempting to listen to what everyone was saying, retinal identification scans, arbitrary detainment of anyone for any reason, and quarantining of citizens at the government's will. This is the type of world that was brought about by the false flag viral bio-weapon, and if you think that something like this could never happen in the "real world" then you simply haven't been paying very close attention to everything that is happening around you.

I find this particular image rather powerful as it manages to say what it would take many posts to convey. I will end this post with one simple question:

"Do you believe that our current government, and world leaders, could be accurately characterized as a Coalition of the Willing?"

I certainly do.





By Aaron Hermann