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Wednesday, June 20, 2018

Secrets of The Crossing (ABC Network)

While we've been receiving insight about the pending time reset, some of the TV media we've been watching dances all over the now familiar themes in ways that are just not very subtle. A recent show on the ABC network called The Crossing is one that came to us as a very timely and unmistakable sign! If you've been tracking with what we've been sharing about the pending time reset you'll see why.

Some of the popular issues of the day are central to the plot and these may be where certain propa-gendas are advanced, manipulating perceptions of and opinions on transhumanism and disease control, on how governments deal with refugee populations, surveillance, government cover-up conspiracy and cross-agency cooperation. Woven into this sci-fi drama are subtle layers of mind control programming and trauma-sodomy based Illuminati programming themes.

Our primary interest has to do with how the show spills the beans about The Crossing of Israel over the Jordan River into the promised land. We understand that miraculous crossing as more than just a historical account. The Devil does too, and he has to blab about it, and there's a benefit for those of us who are paying attention! Not unlike how it is with the refugees of the show, our very survival depends on THE Crossing over into our past.

The Crossing debuted on April 2 and aired its final episode on June 9. The show was canceled after the first season even though the ratings weren't terrible. We think the show was intended for a single season and tied off with its agenda complete. Over the years, insiders have blown the whistle on how the CIA dictates the content for the entertainment industry. If this isn't one of those vehicles, well, it's probably dictated from higher up the supernatural chain.

As the show begins, a crowd of 500 people suddenly appear underwater off the coast of Port Canaan, Oregon. Most drown in the water but there are 47 survivors. This is discovered as they wash ashore. They are helped by the local authorities and camp on the beach until the Feds get involved and they are subsequently interned, sequestered. Time travel is part of the plot because the refugees are from the future. They fled from a genocidal war where they were being exterminated by a transhuman-superhuman population they called, APEX. They crossed over as a last ditch effort to survive. It is discovered that they weren't the first travelers from their time. The first wave had secretly traveled back to a point in time a few years earlier, on a mission to "save the future" by stopping the threat before it starts. Their desire to block the development of the transhuman APEX is a variant of the "go back in time to kill Hitler" trope. There are some big plot holes but none of that kind of analysis is directly relevant to our interest here.

The network promoted the TV series by associating it with another esoteric themed show, Lost, but most folks will never see them as being all that similar. When they promoted the show on the side of a train, the promoters signaled their understanding of the value of dynamic esoteric symbolism. Trains are very commonly employed as dimension transiting vehicles, which we've shown on this blog.

One of the little things that should get your attention is the number of survivors, which is 47. Code 47 - which has to do with the production of Horus through the union of Osiris and Isis and also the path of the sun as it crosses over and under the equator (sun god worship). These themes are relevant, but the actual count of survivors is 48, because one APEX crossed over and survived without being accounted with the others. That's a time number, the number of hours in 2 days, and the story hinges on travel into the past, to save the future of mankind.

The biggest tip-off to deciphering the allegory is the name of the town where all the action happens, Port Canaan. For the refugees who sought a safe haven, this definition of, port, is easily applicable. "A place along a coast that gives ships and boats protection from storms and rough water; a harbor." Another definition of, port, is, "a gateway or portal, as to a town." This relates to our current series on the pending reset of time into the past! When Israel crossed over the flooded Jordan River (Joshua 3-4) across from Jericho they set up camp at Gilgal. This was their port of entry into the land of Canaan. Welcome to Port Canaan, Israel!

There are several clues that tell us The Crossing is an allegory about Israel's crossing over the Jordan into the promised land. One scene in particular informs us that this identification is important enough that it's concealed with symbolism that indicates a cover spell of sodomite sex magic. What secrets are they concealing and revealing in the customary way of the Occult? The war decisive kind, relative to the real war, the non-fiction one which continues to escalate in this increasingly strange season.

We'll point out some of the clues that identify the allegory and illustrate where it's covered up with the sodomite symbol magic. We'll also direct attention to the beans spilled on the importance of the stone circle construction in transdimensional crossings, which is a big deal.

The refugees washed up on Thorn Beach. This is esoteric code because a thorn is a metaphor for the kind of people who populated the promised land. (See Genesis 3:18 and Who is Cain's Father")

Joshua said, “By this you shall know that the living God is among you, and that He will assuredly dispossess from before you the Canaanite, the Hittite, the Hivite, the Perizzite, the Girgashite, the Amorite, and the Jebusite. ~ Joshua 3:10

The names of the characters are more than a little suggestive for the biblically literate. One of the recognized leaders of the refugees is named Caleb. Think - Joshua and Caleb, two of the twelve men who spied out the land of Canaan and the only ones who gave a favorable report of Israel's prospects. Other important characters are Leah (wife of Jacob-Israel), Rebecca (mother of Jacob-Israel) and Naomi (book of Ruth - Ruth's mother-in-law). The local Sheriff of Port Canaan is the show's lead character, played by Steve Zahn. His name is Jude Ellis. On the refugee angle, think - Ellis Island, New York City's famous port of entry. For over 60 years it was the gateway for over 12 million immigrants to the U.S. The Sheriff is usually just called, Jude. Think - Judah, the tribe from which came the Messiah, son of David, because he's an authority figure who plays the role of savior. Also, think, Jude, the little book that comes just before Revelation.

Although the allegory seems obvious when these elements are pointed out, it's a fair bet that it flew under the radar of the vast majority of viewers.

(Worth noting is the very significant casting resonance involving the role played by Georgina Haig. Those who followed the series, Fringe, will recognize her as Henrietta Bishop, the only child of Olivia Dunham and Peter Bishop. When you watch the finale, this will make a lot of sense.)

With the imagery of this scene from episode 2, "A Shadow Out of Time," the connection with Israel's crossing of the Jordan should now seem completely obvious to some church-going folk, but this is right where the cover spell appears!



The store in Port Canaan is called Canaan Surplus. "Great American Camping Store." If you have ever heard the once popular gospel song, Camping in Canaan's Happy Land, you get it. The refugees from the future were literally camping, first in tents on the beach, and then, in a very common kind of camp with cabins and bunks. Camping, like Israel, in Canaan's happy land. The connection is undeniable but who really noticed, or cared? Well, we did - and do! Notice that there are two flanking campfires. While Israel camped in the wilderness they were between two pillars of fire by night.

The sodomite imagery that we have been learning about and exposing for the past six years dominates the scene. The signs - are signs, if you can interpret the symbolism!


"CUSTOMER PARKING AT REAR OF STORE" - PARK, backward, is KRAP. Coprophagia. "CUSTOMER CRAPPING AT REAR OF STORE" Who does that? BUMS! (as butts) KRAP-ING AT REAR - obviously! REAR - as butt. The arrow is a phallic symbol. Phallus + Butt = Sodomy.

The other sign compares. It looks innocent enough, at first glance:

Canaan Surplus "Great American Camping Store"

The adjacent letters are exploited to produce three instances of the word, anus, and one of, anal. The butt slang, can, appears 3 times, including where the letter N is concealed in the letter, M, in, CAMPING. It's the CAN PLAN, a sodomite agenda.

The Canaanites and other "thorns" in the land were famously like those in Sodom and Gomorrah - sodomites. The name of the town, Port Canaan, can be taken as the Portal to the land of the sodomites, or, the Sodomite Gateway, as our long running series is titled.


More sodomite imagery complements what the signs declare, with the brick wall (signature MASONic brick and mortar model of men cemented together through the bond of ritual sodomy). The car is parked (krap-ed) on the wet (with rain-as-semen) ASSphalt with its trunk-butt near a wood post (phallus - which would be BUMped with the BUMper) under the anal CAN-PLAN sign. Each campfire features several sticks of wood-as-phallus. We note that the word, CAMP, is Code 33 (3+1+13+16=33), and this word is heard frequently throughout the show - and much of it is filmed at the camps. We see Reece, the APEX (the un-numbered 48th) who crossed over, leaving the store and crossing the street with her Canaan Surplus booty.

On the time-space theme, we note the publications in the newsstand signal, Code News. News, is an acronym for the cardinal directions: North, East, West, and South. This is in connection with the TIME arrow on the sign: "time flies like an arrow."

The pairing of sodomy and time and dimensional transiting has become very familiar. We produced a 10 part video series about this between 3/28/16 and 7/9/17, which we highly recommend. The Pairing of Time Travel with Sodomite Programming in Film and TV

We learned that sodomy imagery acts like a cloaking device, like a mask. This function is related to how ritual sodomy binds a slave to secrecy and how it is used for the compartmentalization of memories in the slaves alter system for protection. When we find the sodomy imagery cloaking this particular scene, it tells us there is something here that's valuable enough to hide. The Canaan Surplus sign is where we find the reference to the gospel song about camping in Canaan's happy land. This is what completely exposes the allegory of The Crossing - and this insight opens the way to the other secrets. Like the deeper meaning of their show's title graphic!

As we lead up to those deeper secrets, those of you who have been following The Open Scroll for a while know that, given the sodomy and time travel themes, the exaltation of the goddess has to be involved. The iconic image of The Crossing is a circle with "The Crossing" inside. Cross Circle - XO. In the animation, they add the circle of the network's logo to cross it with the larger one, crossing circles to add redundancy. You may have noticed the same motif in the radial spoke design of the campfires on the Canaan Surplus sign. The union of the X and O establishes the celestial throne of the goddess, but that's not all! The X implicit in "The Crossing" signals SPACE in connection with the circle that signals, TIME. It's a circle of water-as-time and with that is the sand of the beach, earth, space. It's a clever bit - because that's what the show with the time travel plot is about.

This alternate title graphic is another illustration of the opening of the wormhole portal from the future into the past. What's less obvious is that the well positioned "CROSS" in "The CROSSING" title emphasizes the cross-in-circle imagery of goddess exaltation. What might also be less obvious is how they also present an image of the one eye or hidden eye, the "eye of Horus" that is the sodomite gateway to illumination exploited to go down the rabbit hole or over the rainbow.

The regular icon seen in the animated gif above has sand (fecal) and water. If you're familiar with our video series on, Back to the Future, you will probably recognize this as a variant of the flux capacitor, fluxing.

In the iconic image from the show we see the beach formed into a circle. The circle is an expression of time in a geometric figure. Water is also a metaphor for time, and the water flows in and out as the waves crash on the beach. The beach repeats the theme with the sands of time (as passing through an hourglass). The water and sand in a circle with the endlessly cycling waves compares to the Ouroboros, the familiar symbol of the circular (or figure 8) snake that eats its own tail. This round beach is a stone circle, with a variety of sizes that includes those tiny little ones we call sand. This stone circle beach is a pulsing time portal, through which the refugees arrived in their past. This iconic image of The Crossing is a stargate, a portal through time. A port is, "A gateway or portal, as to a town." The refugees from the future found themselves in Port Canaan.

Remember the allegory? Get some coffee or tea, some fresh air. Take a deep breath. We really want you to get this.

This iconic image from the recent ABC Network show pictures THE CROSSING of the Jordan River as Israel made their dramatic entrance in the land of Canaan. This is intentional! As we develop this further it should become apparent, and also the reason why this show was broadcast when it was.

In Part 18 of the ongoing series about the pending reset of time we share a key insight about how sets of 12 stones were arranged in a circle. In the biblical account this construction is an undisclosed secret until it's revealed! A big deal is made of the 12 stones that were removed from where the priests stood in the middle of the Jordan as they held the Ark of the Covenant. They were taken to where they lodged, where they first Camped in Canaan's Happy Land, organized around the tabernacle and Ark (as they faced the tabernacle) in Gigal. The stone circle from around the Ark was relocated to a place given that name meaning (sacred) circle of stones! We understand the Ark that was encircled by the stones while it was held in place to function as a mobile "center of time," which is a strange seeming but yet very well documented reality, with reference to David Flynn's work and Sir Isaac Newton's before him.

Another set of 12 stones went back into the riverbed to ritually form another circle, and this is a really big deal. Here's a hint, the narrative says they are there to this day - in time.

9 Then Joshua set up twelve stones in the middle of the Jordan at the place where the feet of the priests who carried the ark of the covenant were standing, and they are there to this day. ~ Joshua 4:9

When the priests who carried the ark dipped their feet in the Jordan the waters were cut off. There was an interruption in the time continuum. After Israel had crossed over around the ritually crossing stone circles that were being swapped out in the riverbed, the priests carried the Ark over into the land of Canaan, and when they came up out of the riverbed the flow of water was restored but changed. When the waters of the Jordan began to flow again it was a kind of reboot of the time stream, with time flowing differently. Think about fluid dynamics, picturing the water flowing through the modified riverbed. Think about the water of the Jordan flowing at the intersection of Israel's crossing over past a different stone circle from the former one that had been moved to Gilgal. There is a perspective where the former stone circle was history, the past, and we have this testimony in how the narrative emphasizes that it became a memorial. The new stone circle came from the promised land where Israel was going, so this is as from the future - back in time. And this influenced the flow of the river of time.

Now, look at the iconic round beach picture of The Crossing and compare the flow of the Jordan river-of-time across the stone circle. The intersection is an oscillating portal through time. This is identified with the arrival of a people from the future into Port Canaan, on the Pacific coast.

Think about the crossing of the Jordan. This is what the iconic circle beach image of The Crossing is bearing witness to in connection with the show's major second wave teleportation event. When Israel crossed over, they went from a season where they were isolated as within a kind of pocket universe. They were fed manna, bread from heaven, and drank water that came from a rock. Nourished from the heavenly realm with DAILY bread and the water of time. Their clothes and sandals didn't wear out, which is to say that they were not subject to the effects of time. Many aspects of their lives were suspended during that trial period, like circumcision, like eating the produce of the land and consuming the livestock they brought from Egypt and herded into the promised land. But the season of their wandering was very evidently one that was identified with time. Everyone who was over the age of 20 when the report brought by Joshua and Caleb was rejected had to serve their death sentence. Have you ever considered that all those peculiar features might be concealing a prophecy that might someday be revealed? This has something to do with time-space dimensions, the Lord's protection, warfare, as they were being purged of those who could not bear it, and transits.

Have you ever considered this passage from Revelation?

13 And when the dragon saw that he was thrown down to the earth, he persecuted the woman who gave birth to the male child. 14 But the two wings of the great eagle were given to the woman, so that she could fly into the wilderness to her place, where she was nourished for a time and times and half a time, from the presence of the serpent. 15 And the serpent poured water like a river out of his mouth after the woman, so that he might cause her to be swept away with the flood. 16 But the earth helped the woman, and the earth opened its mouth and drank up the river which the dragon poured out of his mouth. 17 So the dragon was enraged with the woman, and went off to make war with the rest of her children, who keep the commandments of God and hold to the testimony of Jesus. ~ Revelation 12:13-17

Let it speak to you about the biblical language of dimensional transiting. We have learned to recognize the expression, "a time and times and half a time" as technical language describing the fundamentals of space-time transiting physics. There is nothing new under the sun, indeed. The woman, a faction of Israel, follows a precedent set during the exodus and the reentry into the land of Canaan.

When those 500 people from the future who made The Crossing arrived in their past, they washed up with the tide on the beach. Israel made their entry into Canaan through the river, flowing around the ritual stone circle as it was overflowing all its banks (Joshua 3:14, 4:18), which is to say, at high tide, which is a phenomenon linked to the moon. Israel had crossed over against Jericho, which means, Moon City. They made their landing in their "Port Canaan," Gilgal, which means a (sacred) circle of stones. There is distinctive time-space portaling aspect involved, and this has something to reveal about us in our time as we anticipate the reset of time into the past.

Was it a coincidence that Israel's armies crossed over in battle array, in of groupings of fifties and hundreds, and that the number of people in the second wave of The Crossing numbered 500? We think not.

The crossing over of both waves is in the context of war, and it is strategic. The Adversary is still bent out of shape about the conquest of Jericho, about the decimation and humiliation as Israel went in and seized the land and largely routed his own offspring from had been so firmly entrenched. Like with Sodom and Gomorrah... like at the flood of Noah... He's bitter and is still bent on taking revenge. The war is on, people. You might see the war as an undercurrent that compares to the Cold War that remains the subject of spy thrillers. On other fronts, though, the battles are fierce and bloody - and this is escalating. If you're not seeing it, you're out of touch. So, The Crossing is strategic. It has to do with time travel and exploiting it as a strategic maneuver that is ultimately war-decisive.

There is a perspective in which we, you and I, are like the refugees who are fleeing into the past to avoid extermination because this is for the sake of salvation. The reset of time into the past is not simply a teleportation event. It's appointed for the restoration of the biblical timeline, when all things will be fulfilled at their appointed times in their appointed ways.

There's still one notable observation to be made about the allegory, and it involves something we haven't yet mentioned in the series about the schedule of the pending reset of time. It's important, so I'll introduce it here.

15 and when those who carried the ark came into the Jordan, and the feet of the priests carrying the ark were dipped in the edge of the water (for the Jordan overflows all its banks all the days of harvest), 16 the waters which were flowing down from above stood and rose up in one heap, a great distance away at Adam, the city that is beside Zarethan; and those which were flowing down toward the sea of the Arabah, the Salt Sea, were completely cut off. So the people crossed opposite Jericho. ~ Joshua 3:15-16

Downstream, the waters were merely cut off, but upstream, the waters rose up in one heap. That must have been pretty high. The place name, Jordan, means, their descent. The Jordan river is the river of time, and "their descent" is the aging influence of time in this age that brings all to descend into corruption and decay until time is no more. The Jordan River is also the river of life, which pictures the natural life as it flows from the time of conception and birth and follows the winding path of "their descent" into death. The Aribah is what is commonly known as the Dead Sea. The place where the waters rose up in one heap while Israel crossed over the Jordan is called Adam, yes, the name of the first man. We recognize the Jordan River as a picture of more than just the life of an individual but also of the whole of mankind. Adam was "a great distance away," according to the text, and even in Joshua's day that was a very long time ago. It was in their genetic heritage, as it was in time, that they were downstream by a great distance from Adam. Consider this. It was the fallen angel Watchers (sons of god) who were responsible for the corruption of the heritage of Adamic man that quickly necessitated the cleansing flood of Noah's day. Do you know that they made landfall at the same place where the Jordan River begins? Yes - Mt. Hermon! That's where "their descent" begins, a fact that bears witness to the esoteric interpretation offered here. The lineage of Adam, who was made in the image of God was reduced in number to a single man, Noah, and the lineage descended from him suffered even further corruption over time. By the time of Joshua's crossing, even God's chosen people Israel were "a great distance from Adam" both in time and genetic purity. The point at which man who was created in God's image was most pure was in Adam himself. When the water of the Jordan rose in one heap at Adam it represented the pinnacle of God's pure heritage, which is to say, the apex.

When those who were responsible for "The Crossing" chose to call their genetically enhanced superhumans by the name, APEX, they chose one that we see as being relative to their carefully kept secret allegory. The Jordan river of life and of time had an apex when it rose in one heap at Adam. Much could be written about how the Luciferian transhumanist "Übermensch" movement has been striving for the apex of human potential that will be realized in the biblical Antichrist and replicated throughout humanity through the mark of the beast. What some call, Adam Kadmon, the primordial or supreme man, is the essence of this counterfeiting operation, and it seems triple helix DNA describes the physicality of the manifestation.

We find the timely broadcast of The Crossing encouraging as one in a long line of validating signs to us. We pray that this insight is helpful and inspiring. The Lord assures that we have everything we need, for hope, faith and love, and to know His steadfast presence and personal care is really not an option for us. We need His help continually. No exaggeration.

Sunday, May 17, 2015

Daniel 7 - Interactive - "alterations in times and in law"

Yesterday, I published another interactive presentation of thematic symmetry online, one in a series that pertains to our continuing passionate inquiry into where we are now on the Lord's schedule of appointments. I chose to analyze the thematic symmetry of this chapter because it conceals and reveals important things about time.


Update: That presentation has been expanded to feature 8 consecutive chapters from Daniel, including 7 through 12.

Last month, the Lord indicated to Aaron and I that the book of Daniel held keys to understanding this very unique season so we're using all the tools at our disposal, which the Lord has so generously provided. Applying the techniques of structural analysis alongside an investigation into the meaning of the Hebrew texts is already yielding fruit, and we're really just getting started.

I'm going to make a few observations about Daniel 7 and this fascinating chapter's unusual symmetry.

First, this chapter contains an instance of what I call the keystone pattern, which is a time code. There's actually a nested embedding of the pattern, and you can explore what's been written here for more detail: The Keystone Pattern - Three Things Then the Fourth (Daniel 7 - The Fourth Beast).

A verse of notable interest is Daniel 7:25.

He will speak out against the Most High and wear down the saints of the Highest One, and he will intend to make alterations in times and in law; and they will be given into his hand for a time, times, and half a time. ~ Daniel 7:25

“They,” possibly refers to the saints but definitely to times and laws. That is not about a former Pope's institution of Sunday Law, changing the Sabbath from day 7 to day 1, or about changing holidays or time zones or calendars. Religious or moral laws have been a traditional focus but the symmetry of the passage, which reveals the highly structured context for our guidance, should make it plain that it's time itself, the familiar continuity of space-time that is the subject, and that the law is not the Mosaic Law but rather the natural laws of physics. In the days of Noah, a special sign of the bow in the clouds was given, and that bears witness to how changes had been made to physical laws involving light and its travel through the sky, a heaven above earth.

If you explore the interactive presentation you'll discover that there are 4 elements highlighted when you hover your mouse cursor over the interesting line of verse 25.

9 “I kept looking until thrones were set up, and the Ancient of Days took His seat; His vesture was like white snow and the hair of His head like pure wool. His throne was ablaze with flames, its wheels were a burning fire. 10 “A river of fire was flowing and coming out from before Him; Thousands upon thousands were attending Him, and myriads upon myriads were standing before Him;
...
18 But the saints of the Highest One will receive the kingdom and possess the kingdom forever, for all ages to come.’
...
21 I kept looking, and that horn was waging war with the saints and overpowering them 22 until the Ancient of Days came and judgment was passed in favor of the saints of the Highest One, and the time arrived when the saints took possession of the kingdom.
...
and wear down the saints of the Highest One, and he will intend to make alterations in times and in law; and they will be given into his hand for a time, times, and half a time.

During this past Pesah, when the Lord was pouring out such favor in that season of such high expectation, our attention was given to the trending highlighting of verses numbered 21 and 22, in many chapters. The pair in Matthew 24 is one example. Here in Daniel 7, the symmetry identifies the pair as an element of some note.

Compare verses 9 and 10 to the description of the throne vehicle in Ezekiel chapters 1 and 10. The throne was that of the Ancient of Days, a title that has everything to do with time. The river of fire is interesting, with the use of the standard Hebrew words for river and fire. The river of fire is like a river of water, a metaphorical river of time. See Revelation 22:1. Think about the “lake of fire” as a place where time is not experienced as we do in these bodies in this time-space realm. With the throne ablaze with flames and wheels that were a burning fire, this was a fiery other-dimensional contraption, a time-space machine. (Of related interest: Heaven's Vehicles - UFOs - Fake and Genuine and The Kingdom Viaduct)

There's lots more to be said about all this. Lord willing.

Time and physical laws are not going to be continuing as they have, and are quite probably already in flux. Have you been paying attention to how you perceive the passage of time now, or have you noticed what others can be overheard saying about how time strangely seems to either be passing very slowly or quickly? When CERN's LHC was in operation in 2012, we wonder if there wasn't already some change manifesting.

Monday, November 25, 2013

Part 19 - Celestial Stargates - River and Serpent Symbolism

In this post you'll find some useful background for further exhibits.

The river is a symbol that frequently appears with the stargate theme. Anubis is often represented navigating a river, with Isis and Osiris usually nearby. The Golden and Silver Gates mark where the ecliptic crosses the Milky Way, and both the ecliptic and the Milky Way are considered as rivers. In the celestial region of the Silver Gate, a decan of Taurus is The River, Eridanus, so it may be seen that the appearance of a river in the context of Silver Gate signaling is supplemental. The river is sometimes pictured as a serpent. The river and serpent themes are worth exploring.

Fundamentally, the reference standard is the biblical text, and as I noted the importance of Zion to those who exploit the stargates let's begin with a description of the holy city, the New Jerusalem.

1 Then he showed me a river of the water of life, clear as crystal, coming from the throne of God and of the Lamb, 2 in the middle of its street. On either side of the river was the tree of life, bearing twelve kinds of fruit, yielding its fruit every month; and the leaves of the tree were for the healing of the nations. ~ Revelation 22:1-2

That's quite a river! A similar expression appears in the 47th chapter of Ezekiel as part of a lengthy text about what is coming.

1 Then he brought me back to the door of the house; and behold, water was flowing from under the threshold of the house toward the east, for the house faced east. And the water was flowing down from under, from the right side of the house, from south of the altar. 2 He brought me out by way of the north gate and led me around on the outside to the outer gate by way of the gate that faces east. And behold, water was trickling from the south side.
...
12 By the river on its bank, on one side and on the other, will grow all kinds of trees for food. Their leaves will not wither and their fruit will not fail. They will bear every month because their water flows from the sanctuary, and their fruit will be for food and their leaves for healing.”
~ Ezekiel 47:12

Water has to be considered an essential for life, so the “river of life” is a pretty obvious signification. The “river of time” is another signification when it comes to stargates. Some consider that the Milky Way is a kind of river, and a stargate, as well as a place where souls dwell, which is obviously not of this dimension. The Milky Way describes a dense band of celestial lights, which are associated with resurrection bodies in 1 Corinthians 15.

While the river of the New Jerusalem will manifest in our future, the River Jordan has had an important role in our past. It was there that John baptized in preparation for the arrival of his cousin, the Lamb of God. The symbolism of baptism is this, that there is an immersion in the water that represents the death of the one being dipped. (bapto) The coming up out of the water pictures the receiving of new life that is not the old life of the flesh. Wet = dead and dry = alive. ( Baptism - The Prophecy) The name “Jordan” means “their descent.” The path of the Jordan tells the tale of the life of man according to the flesh that leads to an end in the Dead Sea. The headwaters of the Jordan are on Mount Herman, where the 200 Watchers fell to earth, with definite “stargate” implications. The sea of Galilee is on the river, which means circuit. It's kind of a circle of life, and is often pictured in type as the time of great tribulation. The River Jordan was also where miraculous healing took place, and where the crossing over by Elijah and Elishah in 2 Kings 2 must be seen in a stargate context, as also the crossing described in Joshua 3 marking the end of the wilderness wandering and the crossing over of the Hebrews into the Promised Land.

What happened when John baptized Jesus in the River Jordan can be seen as a notable stargate event, with the opening of the heavens attended by visual and audible signs.

13 Then Jesus arrived from Galilee at the Jordan coming to John, to be baptized by him. 14 But John tried to prevent Him, saying, “I have need to be baptized by You, and do You come to me?” 15 But Jesus answering said to him, “Permit it at this time; for in this way it is fitting for us to fulfill all righteousness.” Then he permitted Him. 16 After being baptized, Jesus came up immediately from the water; and behold, the heavens were opened, and he saw the Spirit of God descending as a dove and lighting on Him, 17 and behold, a voice out of the heavens said, “This is My beloved Son, in whom I am well-pleased.” ~ Matthew 3:13-17

Celestial signs also attended my Lord's baptism (When Jesus was Baptized - The Celestial Signs), and I believe some will attend the coming counterfeit's baptism, along with supernatural manifestations that will astound and deceive nearly everyone at the opening of another stargate - in less than a year and a half from now.

It may well be asked whether the signs will involve the area recognized as the celestial Silver Gate? Quite possibly. Is this what the Jesuit astronomers assigned to the Vatican Observatory on Mt Graham are so interested in monitoring, or some related sign? Do you think anyone would get a straight answer from them?

An interesting question arises as to whether we might project into the future to see what the signs will be. While that seems like a perfectly reasonable expectation, I have looked to see what celestial configurations of interest might be found at the time of interest and discovered nothing of that speaks to me of significance. Frankly, I have come to the place of having little confidence that the linear continuity we've observed for so long will continue much longer, due to the shifting of time through a purposeful manipulation.

When it comes to what Daniel recorded in the 7th chapter, we've generally made some assumptions that may not be correct.

'He will speak out against the Most High and wear down the saints of the Highest One, and he will intend to make alterations in times and in law; and they will be given into his hand for a time, times, and half a time. ~ Daniel 7:25

It's generally interpreted to mean that the king who is that lawless beast and incarnation of Horus will attempt to alter the holy day calendar with ambiguous results, and that it is the saints of the Highest One that will be given into his hand for the specified season. There may be another way to interpret what it is that is given into his hand. I have given the Hebrew and LXX text some consideration, comparing it with Daniel 2:21, and find no reason to reject an interpretation where this verse is declaring how the ability to alter time and physical law is what is going to be granted for a season (referencing the usual continuum as a standard of duration). The Adversary has already changed the accounting of times and governmental and religious laws across the board, if you're honest. (See here for an example: Part 21 - Rochester, NY - The Clock of Nations and World Domination.) What do you think the CERN LHC's investment of vast resources is really expected to produce for a result? When I explore (Lord willing) the further symbolism of the hourglass as a wormhole through time-space, what is being presented in media by the Occult means of concealing and revealing through symbols really bears witness to the Adversary's expectation of wielding such control.

When I think about rivers and stargates I have to reflect upon an awesome experience I had a few years ago. I heard into the heavenly realm an angelic choir, and it was unforgettable. I was living relatively near to the Golden Gate of the US, in attendance at a school production with some of the saints I was blessed to enjoy fellowship with at the time. My friend Jacob (Mennonite) was a school teacher in a kind of one room schoolhouse situation with children ranging in age from 10-15 years or so. This production was for family and friends and was being hosted in a simple old country grange hall south of Oroville, CA. (The tallest dam in the country is just to the north, on the Feather River. Lake Oroville is the second largest man-made lake in California.) The theme of the production was, rivers, so the arts and crafts and presentations songs were about rivers. The songs were mostly hymns and songs of praise. I was really enjoying being there, and during one of the songs I closed my eyes so I could focus on what I was listening to. It sounded pretty much like how you might expect a small choir of such folks to sound, until suddenly it was as if the song was entirely set about with perfection and I became aware that I was hearing an angelic choir. I can't really describe what that experience was all about or how it sounded, but it was unique to my experience. I've had supernatural experiences while singing and praising and worshiping, to be sure, but not like that. That the song was about rivers and what was being sung probably had something to do with the experience, but I can't recall the lyrics or even the song title. As I write this post, what I can say with confidence is that it was certainly an example of the river and stargate themes coming together. Having recently reflected upon my having been to what I know only as the timeless place, with a clear sense of it being near to the Throne of God, what these two experiences have in common is that both had no real visual component. While going to the timeless place was a shared experience, with one other person involved, so far as I know, no one else at the Grange Hall shared my experience. Apparently it was just for me. I'm really looking forward to hearing that again, and even more so just being on that other side!

In the symbolic stargate transit examples that I've been observing since the Lord began to open these things up to me, it's the context of ancient Egypt that is frequently established with imagery of Anubis, Isis and Osiris. The rivers of note are then the River Nile and the river of the sky (including the Duat), which is traveled by the sun god. The big annual event in Egypt involved the flooding of the Nile. The celestial sign that was watched closely as a signal was the rising of Sirius after a 70 day period of being out of sight, so the terrestrial and celestial rivers are connected. The annual flooding represented both death and life to their culture, physically - and spiritually. The Nile has been dammed to control the flow, beginning with the Aswan Low Dam completed in 1902, an effort that was upgraded with the completion of the Aswan High Dam in 1970, but for thousands of years, until little more than a century ago, the annual cycle of life and death was unavoidably central to what the earthly and celestial rivers were about. Those who worship Horus today (which includes most folks in the world whether they realize it or not) still have this theme driving their lives. Most of what I've been blogging about for the past 3 years bears witness to the veracity of that statement.

The river is part of the story of the bringing forth of Horus, because it is in the Nile where the reproductive aspect of Osiris remains. When Set killed him, chopped him into pieces and threw them all in the Nile, Isis was able to retrieve all of them but one, his phallus. That was eaten by a fish or perhaps a crocodile, which means it would have become part of the ecosystem of the Nile, a cycle of life, out of death. The phallus of Osiris used by Isis to magically regenerate him into Horus is what the obelisk represents. This obelisk is considered to be a frozen serpent. The Nile might be considered something of the unfrozen or flaccid version of the phallus of Osiris, because it retains his generative principle.

The Duat or underworld can be equated to the watery abyss.

About Eridanus, the decan of Taurus, Wikipedia presents the following.

According to one theory, the Greek constellation takes its name from the Babylonian constellation known as the Star of Eridu (MUL.NUN.KI). Eridu was an ancient city in the extreme south of Babylonia; situated in the marshy regions it was held sacred to the god Enki-Ea who ruled the cosmic domain of the Abyss - a mythical conception of the fresh-water reservoir below the Earth's surface.
...Eridanus is connected to the myth of Phaëton, who took over the reins of his father Helios' sky chariot (i.e., the Sun), but didn't have the strength to control it and so veered wildly in different directions, scorching both earth and heaven. Zeus intervened by striking Phaëton dead with a thunderbolt and casting him to earth. The constellation was supposed to be the path Phaëton drove along; in later times, it was considered a path of souls.
...Another association with Eridanus is a series of rivers all around the world. First conflated with the Nile River in Egypt,...

Rivers resemble serpents as they wind through a landscape, obviously, but there is a stronger connection between rivers and serpents, from ancient times. From Ancient Egyptian Legends, by M. A. Murray, [1920], at sacred-texts.com, you will find the following excerpts.

The Regions of Night and Thick Darkness

“When the world came into being, there were two rivers, the river of Egypt and the river of the sky. Great is the Nile, the river of Egypt, rising in his two caverns in the South beyond the cataract, flooding the land of Egypt and bringing joy and good harvests to Ta-mery. Great and mighty is the river of the sky, flowing across the heavens and through the Duat, the world of night and of thick darkness, and on that river floats the Boat of Ra. Boat of Millions of Years is its name, but men call it the Manzet Boat in the dawn, when Ra rises in splendour on the eastern horizon of heaven; the Mesektet Boat is it called in the evening, when Ra enters in glory within the portals of the Duat, where the mountain of Manu lifts its peaks to the western sky. On the western horizon is the mountain of Manu. and on the eastern horizon the mountain of Bakhu; vast and huge are they, raising their crests above the earth, and the sky rests upon their summits. And on the topmost peak of the mountain of Bakhu dwells a serpent; thirty cubits in length is he, and his scales are of flint and of glittering metal. He guards the mountain and the Great Green Waters, and none can pass by him save Ra in his Boat.”

"Watercourse of Ra" is the name of the first country of the Duat. Sombre is this land, yet not wholly dark; for “on either side the river are six serpents, coiled and with heads erect, and the breath of their mouths is a flame of fire.” In the cabin of the Boat is Ra, dead and lifeless; in the prow are Up-uaut, the Opener of the Ways, and Sa, and the goddess of the hour. Round about the cabin are a company of gods; these are they who guard Ra from all perils and dangers, and from the attack of the abominable Apep. Slowly goes the Boat of Ra, passing through the Duat, to regions of thick darkness, of horror and dismay, where the dead have their habitations, and Apep lies in wait for the coming of Ra. Thus passes the first hour of the night, and the second hour is at hand.

At the entrance of every country of the Duat is a gate; tall are the walls, and narrow is the passage; upon the walls are spearheads, sharp and pointed, that no man may climb over. The door of the gate is of wood, turning on a pivot, and a monstrous snake guards the door. None may pass by him save those only to whom his name is known. At the turn of the passage are two great hooded snakes, the one above, the other below. The breath of their mouths is fire and poison mingled; through the narrow portal on every side they send forth streams of flame and venom. At either end of the passage stands a warder, keeping watch. Then the goddess of the first hour makes way for the goddess of the second hour, and she calls aloud the name of the Guardian of the gate. Flung wide are the portals, the fire and poison cease, and the Boat of Ra passes through.
...
Engulfed is the great river and lost beneath the shifting sands, and where it ran is now a deep ravine. The walls of rock rise high and steep, and ever the way winds and turns between the rocks. Men call this place Re-stau, the Mouth of the Tomb. Even in this gloomy desert Osiris has dominion; Lord of Re-stau is he called, therefore none need fear when traversing the narrow path. And now the Boat of Ra can no longer float upon the water, but is changed into a great and mighty serpent with glittering scales. At the prow is a serpent's head with eyes watchful and fierce, at the stern is a serpent's head with poison-fangs prepared. Over the sand it glides as a boat glides over the water.

It may be seen that both rivers and serpents have long been symbolic of death, life and time - and stargates. Serpents often coil to form what resembles a spiraling vortex, the stargate dynamic. Serpent imagery is often used to represent helical strands of DNA, which is mostly water. The Ouroboros, which is typically pictured as a serpent in a loop with its tail in its mouth, is believed to have been inspired by the Milky Way. It's a symbol of immortality and eternity, death and rebirth, the cycles of life and time, and also is sometimes compared to the phoenix. (See also Ouroboros (CrystaLinks))

More to follow, Lord willing!

Sunday, August 07, 2016

Rio Olympics - Opening Ceremony (of the birth canal) - and TIME

There's been plenty of controversy surrounding Brazil in recent months, and some of that is due to their responsibility for hosting the Summer Olympics in Rio de Janeiro. The games began a couple days ago and were immediately controversial, as many identified the stadium as seen during the opening ceremonies as a big vagina. The first gold medal went to the USA, for marksmanship, so the whole gun/violence thing became an issue with some. We wrote very little leading up to these Olympics, and while there is relatively little of consequence to write about the opening ceremony there are a few observations that really do need to be logged.

The Olympics are always a big deal because they are very influential and, very simply, they are openly dedicated to Zeus and Apollo. The activities from start to finish are all about honoring the ancient gods and goddesses with sports and arts. There is no effort made to conceal this but they do not openly reveal the fact that this is all attended by private and public mass Occult ritual. The Bible identifies Zeus with Satan in Revelation 2:13 because the throne of Zeus was in Pergamum. The Olympics are literally, Satanic rituals. Most folks don't care, even professing Christians, but some do. This presentation is for you, whose eyes are being opened to see what the Lord Y'shua would have you to see about this age.

What stands out to us so far has to do with the worship of the goddess, as the goddess of time and fertility. This has to do with the Olympics themselves and also our access and interface with them, the NBC network. We can't speak to what's going on elsewhere because our experience is pretty much limited. We have discovered that some really important aspects that had been presented elsewhere were filtered out of our regional experience so it is assumed that this is the case once more. So, we're just going on what we've got.

Goddess worship? Some of this is superficial. The elements of feminine beauty and excessive sexuality were openly featured with the scantily clad dancers associated with the goddess worshiping Catholic Lenten season's "Mardi Gras" Carnival that Rio is famous for, with Gisele parading around like the stadium was her catwalk and with the history of The Girl from Ipanema.

The demographic of the city of Rio de Janeiro is such that it ranks first among Brazilian peripheries in the percentage of Catholics - 51.09% (2009). You can bet that there are plenty of idols dedicated to the goddess that look like these in this little collection, which I have labeled as Images of the Divine Feminine. If you don't see these as being artfully modeled on the female genitalia, you're missing what is so obvious to so many.

It's no accident that the stadium looked like a big vagina. Reproductive imagery is what you find in reproductive ritual magic and that's what was going on. It's not all about that, but much of what's going on in Rio right now really is, so let's give that our attention.

The ceremonies compare to those in Beijing, where the reproductive ritual was far more extensive and equally explicit. The more I studied that imagery the more I saw in those Chinese ceremonies, and the more stunning the reality that nobody was calling it out for what it so undeniably was!

When I sought to discover the meaning of the Olympic Rings logo, after reviewing the posters for the Olympics over many years it became apparent that, on one level, the logo was being leveraged as a symbol of the pubic patch of the female and that this was an honoring and evocation of the goddess of love and fertility. Here's a few posters where this rings-logo-as-pubic-patch is featured.

These posters from the Exposition/ Olympic Games in Paris 1900 were from an era before the rings logo but the sexual engagement of the god (Eiffel Tower as phallus) and goddess and the exaltation of the Queen of Heaven that is so broadly worshiped in Paris is pretty obvious.


If you're not familiar with this study, we recommend it for more insight. Our Lady of the Olympics

The opening ceremonies always climax with the lighting of the cauldron. The practice has come to be that, to build drama for the conclusion of the torch relay and victorious lighting of the cauldron, they surprise us with a creative formation of the Olympic rings logo. These ceremonial highlights are connected because both have to do with the goddess.

This year, the parts of the Olympic Rings were hidden inside a number of mirror like boxes. When they opened up like a bunch of jack-in-the-boxes, rings of palm trees sprung up. Trees are goddess symbols. By name, the palm is specifically identified with her identity as Victory (victory over death) - and as Easter (Think Palm Sunday, Ash Wednesday...). You can't discount the so-called "christian" goddess identities because the giant overlooking Rio is called Christ the Redeemer. He's not my Lord but an unholy idol, call him Zeus or Saturn or antiChrist. These palm trees formed the Olympic Rings logo, the pubic patch of the goddess . It's her bush, in slang. Clever, right?

Right after the Olympic Rings appeared and the celebrants applauded with delight, the cauldron was then ready to be lit. The flame, torch and cauldron have to do with the goddess of the hearth, Hestia. The flame is lit by ceremonial priestesses at the temple of Hera on Mt. Olympus. Hera was the wife of Zeus. You can see the goddess behind the ceremonial lighting of the Cauldron in the lyrics of the Olympic Hymn.

The Olympic Hymn

Immortal spirit of antiquity
Father of the true, beautiful and good
Descend, appear, shed over us thy light
Upon this ground and under this sky
Which has first witnessed thy unperishable fame

Give life and animation to these noble games!
Throw wreaths of fadeless flowers to the victors
In the race and in the strife
Create in our breasts, hearts of steel!

In thy light, plains, mountains and seas
Shine in a roseate hue and form a vast temple
To which all nations throng to adore thee
Oh immortal spirit of antiquity!

The Hymn is overtly honoring the male parent, Father of the true... who is identified elsewhere as Zeus, but covertly this poetic Hymn is an evocation of the blessing of the goddess. Who wreaths the victors but Nike? Check the award medals and see whose image is featured. The language used, like breasts, roseate hue, (ROSE colored), the thronging of adoring nations, this is the stuff of goddess worship. Once the cauldron is lit, the Olympic Stadium and entire Park become a temple.

Whether just a single name of the gods is named or one gender of the gods is identified in this ceremonial worship, the point really is that these ancient gods are the fallen, the enemies of the Most High God of Abraham, Isaac and Jacob, father of my Lord Jesus Christ. The Illumined often worship their god in his identity as Lucifer.

It's left to us to discern and interpret the Occult imagery and put it together. The Olympic rings and the stadium they were presented in go together. When you understand the goddess imagery you can put the pieces of the puzzle together. Here's a rendering that's pretty graphic. It reveals how the opening ceremony is the opening of the birth canal of the goddess. She's the love goddess and great harlot, ready for business, and the fertile queen mother preparing for birth.

Now, what stands out to us in connection with the goddess evocation and exaltation is the matter of the signaling of time and the mastery of time. Some of this is due to the Olympics and some to NBC's presentation.

One of the items of interest is rooted in a fundamental of the celebration of the Olympics. There is an ancient mythology involving a conflict between the titan Cronos (Kronos) and his children, most particularly, Zeus. You can research this yourself to discover how the lighting of the torch and cauldron may be interpreted as a victory celebration. So, the lighting of the torch celebrates how Zeus has defeated his father Cronus and thereby acquired all that was his, even the mastery of time itself. While that's pretty universally applicable to every opening ceremony of the Olympics, Rio's is special. For one thing, Rio de Janeiro, means, January River. January is dedicated to Janus, Roman god of time. (See this post: January River Olympics for Space-Time Mastery) For another thing - and this is big - the cauldron that now burns in Rio de Janeiro's Olympic Park has a design that speaks very loudly to me that this is a ritual object, illustrating our being propelled through time. The cauldron is animated like a golden clockwork, with paddles that move as making passage in a whirling vortex through the river of time, with spheres as bubbles in the water-as-time.

See it here: Cauldron makes its final ascent kicking off Rio Games

We've been tracking with how numbers that appear in the elapsed time counters of media presentations are leveraged in the way of the Occult to add another layer of meaning and magical influence. I first learned about this activity when the Lord brought it to my attention in connection with the NBC presentation of the Beijing Olympics in 2008. In our DVR recording of the opening ceremony in Rio, we note more of the same.

In the 13th minute of the second hour, a commercial is aired. The elapsed time on the counter is that of a minute that signals the mastery of time. It's a one minute commercial, and our recording has it offset by two seconds, which is probably attributable to a Xfinity DVR time synchronization issue.

I found the commercial of that minute on YT. McDonald's - Time After Time. The song is a cover version of Cyndi Lauper's "Time After Time." The commercial is done in a split frame. One is the past, the other is the present - but the two are linked. In the end, we see that the little boy who passes things between the frames as through time itself is the girl's father. Is this yet another boastful exhibition of having the mastery of time - presented in a 13 signaling minute? YES! During the January River “River of Time” Olympics!

Following that commercial, another begins at 1:13:58 on our DVR counter. It's for a movie, Pete's Dragon. The word, Timeless, appears on screen, which is fitting, since the minute 12 signaling cycling time and minute 13 signaling the mastery of time has passed.

I was curious what might be found in minutes 12 and 13 of NBC's presentation on Xfinity and found this to be of interest. They feature the dancing queen bee goddess! The goddess of time!

One of the commentators is Hoda Kotb, an Egyptian (Isis, Hathor, etc. ) host (together with Kathie Lee Gifford) of the 4th hour of NBC's Today Show. She appears during minutes 12 and 13 dressed in a striped bee suit, wearing the multiple bracelets that identify her with the queen bee Inanna/Ishtar as in this classic image.


She does a little bent elbow gesture as part of a dance move when she models for us, the party activity. She's appears this way during minutes 12 and 13 because she's the goddess of time and dimensional transiting, as wielding the waves (water as time) and riding the griffin and pulling the chariot between the realms.

Her "costume" is like that of the girl in the bee suit in the viral Virgin (MARY) Airlines safety video.

The opening and closing ceremonies of the summer and winter games have received plenty of our attention in recent years. Beginning with the closing ceremonies in Beijing, 2008, the Lord led me to gain insight into what was going on, bringing some stunning revelations about the Olympic signs and a small number of related signs. Most of my attention was focused on the 8 minute long London Ceremony. By the time that Olympics season arrived, Aaron had been brought into the work, and what we saw then remains very central to us, because the mass Occult ritual magic we observed has indeed changed our reality. The biblical timeline has been skewed. Our reality in what we perceive as the present is not yet fixed, not yet set with permanence.

Soon enough, the sovereign God will intervene and bring corrective action, bring the fix for this evil, bringing this age to its appointed end - and justice in an exhibit of the ultimate mastery of time, and of His patience - and love!

Tuesday, June 26, 2018

Israeli scientist, Saul Kullok, discovers significant evidence of the end coming in 2019!

Here's some breaking news that is incredibly significant and timely - the announcement of an Israeli scientist's discovery that points to 2019 as a major prophetic transition! There are several compelling reasons why we consider this as another indication of the pending reset of time in 2019.

My information is based on an article by Adam Eliyahu Berkowitz, published today on the website of Breaking Israel News: Israeli Scientist Finds Mathematical Formula that Proves Prophecy (quotes below are from that article)

Saul Kullok's space-time correlating methodology compares somewhat to that of the late David Flynn, researcher of Sir Isaac Newton's earlier explorations of the subject matter. This was observed by SkyWatchTV in an article published earlier today. Over the years, based upon Flynn's findings, we made some significant discoveries of our own! We'll be sharing these and providing some links for documentation.

Saul Kullok has not yet published his work, officially, but what he tells the reporter seems credible, based on our familiarity with the application of related principles. Certainly, his conclusion that the year 2019 is a notable end point agrees with our observations. At least, when we identify the year 2019 as the pivot of the reset of time and subsequent to that as the final year of shemitah #861!

"Kullok discovered that major events affecting the return of the Jewish people to the Land of Israel can be numerically obtained by a mathematical relation between two observable physical factors: the inclination of the planet and the latitude of the Biblical borders in Israel."

Kullok expresses his formula like this: “The inclination of the planet on the year of the immigration plus the constant angular value equals the latitude of a border of Israel.” It's a time-space thing, embedded in and maintained by the sovereign Creator. David Flynn's observations on "The Temple at the Center of Time" correlated the year of an event (BC and in a comparable way, AD) to the distance between where the event happened and the location of the Ark and foundation stone in the former temple on Mt Zion.

The first example Saul provided during the interview involves our current focus, fixation, really, on the matter of Israel's entrance into the promised land!

"Kullok gave several examples of the accuracy of the algorithm, the first being the entrance of the Jews into Israel after the Exodus from Egypt. Based on sources in the Bible and the Talmud, Kullok placed the Exodus from Egypt at 1,476 BCE. “This means that the Children of Israel came into the Land of Israel in 1,436 BCE, which according to my formula correlates with the latitude of Jericho, their entry point into the land,” Kullok said."

Kullok's approach leads him to consistent and accurate results, and if this applies to history past it invites projection into history future.

"But Kullok’s formula is not limited to the past. The latitude of the southernmost point of the Arnon River corresponds to next year. “The results show the year before an aliyah (immigration to Israel, literally ‘ascending),” Kullok said. “This means that in two years, there will be an aliyah which, according to the calculations, will be the largest yet. Since it is the most southern latitude of all the borders of Israel, this is the final aliyah and there will be no more exiles.” Kullok made one final comment on the nature of his formula. “Since the formula bears accurate results based on the Biblical borders of Israel, what is known as Greater Israel, the relevance of these borders is prophetic and still relevant today.”"

Saul is obviously interpreting this predictive time-space phenomenon with respect to Israel's entrance into the land promised to them, which began to be occupied under Joshua's leadership. We don't think he's wrong, but the nature of this event should be seen as more literally 'ascending' than an immigration in the way of days previous to that. He said, "Since it is the most southern latitude of all the borders of Israel, this is the final aliyah and there will be no more exiles." What an awesome conclusion - and we agree - with notable caveats.

While there may be some limited application relative to next year, this primarily has to do with the entrance of the children of promise into their land at the beginning of the millennial kingdom age when Y'shua rules as their King. We know the Bride has a role to play in that final aliyah with respect to interaction with 144k sons of Israel (Romans 11). We know that mission critical interaction is appointed for 2015 - one version of which has already passed while another is yet to be!

We see the glorious and VERY EXCITING mystery of Romans 11 as in a shadow of Kullok's profound observation. (What Will Their Acceptance be but Life from the Dead?)

"Kullok said that this inclusion of Christianity in these preordained times signifies its role in the prophesied return to Israel. “Jewish and Christian endeavors toward returning the Jews to Israel are necessarily very different,” he said. “But they are nevertheless complementing each other while working towards the same goal. They represent a two-sided parallel process, each in accordance with the words of the prophets of Israel.”

We are convinced by much evidence that the final aliyah Kullok mentions will happen after the 2019 concluding shemitah #861. This coming 2019 concludes shemitah #860, and time must first be reset, which will also return the values of the parameters of Saul's apparently reliable formula.


The grand entrance into the promised land that is so highly anticipated is the subject of the 3rd and 4th chapters of the book of Hebrews. There, it is connected very directly with the crossing over the Jordan under Joshua's leadership.

4 For He has said somewhere concerning the seventh day: “And God rested on the seventh day from all His works”; 5 and again in this passage, “They shall not enter My rest.” 6 Therefore, since it remains for some to enter it, and those who formerly had good news preached to them failed to enter because of disobedience, 7 He again fixes a certain day, “Today,” saying through David after so long a time just as has been said before, “Today if you hear His voice, Do not harden your hearts.” 8 For if Joshua had given them rest, He would not have spoken of another day after that. 9 So there remains a Sabbath rest for the people of God. 10 For the one who has entered His rest has himself also rested from his works, as God did from His. ~ Hebrews 4:4-10

We recommend reading all of chapters 3 and 4. That prophecy is appointed for Today - this 7th millennial day - and the Today that will be the seventh day rest of the shemitah week #861, in "2019b." Joshua = Y'shua = salvation. This is the book of HEBREWS! A Hebrew is one who traverses, passes over, or crosses over. A Hebrew is "one from beyond (the river)," [Collins English Dictionary] or one from the other side (of the river) [Oxford English Dictionary 2nd. Ed.] We connect that with the crossing of the Jordan, which is Israel's most significant river crossing, and identify it on a very important level as a dimensional transiting as over across the river of time.

The boundary that Saul Kullok connects with 2019 is the Arnon River. The modern name is Wady el-Mojib. This enters the Dead Sea from the east about 11 miles north of el-Lisan. We see a connection with 2012, which is WHEN time will be reset to at the bounding extremity of 2019!

"The latitude of the significant east-west section of the border delineated by the Arnon River bears an additional prophetic result, corresponding to the years 1947-1951. More significant than the UN Partition Plan establishing the State of Israel, 700,000 Jews immigrated to Israel in these years."

Saul links the latitude of that bounding river with the years 1947-1951 and the wave of aliyah that corresponded to the establishment of the modern state of Israel. We made a similar connection between the time of the establishment of the modern state of Israel and the boundaries of another region based upon David Flynn's principles! The boundaries of the 2012 Olympic Park in London were precisely identified by arcs drawn from the Temple Mount at a distance corresponding to the exact span of time! That means so much to us because during that season leading up to and during and following those Olympics, we were very aware of some time rituals taking places, with pronounced echoes in the past. In 2015 we knew for sure that those echoes or time waves also reached forward in time.


Here's an excerpt from one of the blog posts in a series that remains extremely relevant.

"The duration of this settling of the claim of independence spans from May 14, 1948 to July 24, 1949. In TCT terms we project this into the range spanning 1948.37 to 1949.56 nautical miles from the Temple Mount. (July 24 is 205/365 or 0.56 years, and 1949 is not a leap year) As you can see from the map image (that can be easily verified on your own), this neatly brackets the Olympic Park. You can dismiss it as coincidence or call it synchronicity if you like, but it's more than that. Fact: The establishment of the State of Israel maps to the Olympic Park." (Bob Schlenker - Part 5 - 2012 London Olympics - State of Israel maps to Zion Olympic Park)

Resources:
Temple at the Center of Time [David Flynn] - Easy Distance & Time Converter
David Flynn - Gone on Ahead (UTAH Beach - Direct Hit!)

“Since the formula bears accurate results based on the Biblical borders of Israel, what is known as Greater Israel, the relevance of these borders is prophetic and still relevant today.” (Saul Kullok)

We have to agree!

You just can't plan this kind of thing. This is so fitting for the 21st installment in this series - a number signifying the fullness of time!

Friday, April 24, 2015

Following the Trail Through Daniel: "Time Continuity to Turn Aside"

Continuing from the previous post, let's launch into some very interesting passages that directly correspond to Matthew 24:21-22. In the following image, you see a screen capture from the interactive version of Matthew 24. Verse 21 and verse 15, its companion element, are highlighted for comparison.


We know these elements match because of the symmetry of the themes in the context. This observation isn't of some random factoid but rather the acknowledgment of one of the Author's hidden ways of directing the student. With confidence in the connection, we may apply what we've learned about verse 21 to increase our understanding of verse 15.

Therefore when you see the ABOMINATION OF DESOLATION which was spoken of through Daniel the prophet, standing in the holy place (let the reader understand), ~ Matthew 24:15

The expression, “let the reader understand,” stands out. Y'shua would sometimes declare, “He who has ears to hear, let him hear.” In verse, 15, that's for the reader, not the hearer or listener. It's for us. Reading. Now. He is helping, opening our ears.

So, we're directed into the book of Daniel to get more insight into what is meant, and that direction is so obvious that it's almost like a flashing neon arrow. As we follow that direction, we take with us what has been learned about the megas thlipsis. We know that it's a unique season that features a time war, the elect's special op and the subsequent reset that manifests in a replay of the recent past, with changed outcomes.

A traditional view of the abomination of desolation sees it as having been modeled before. These are easily discovered. Wikipedia identifies three instances: The re-dedication of the Temple to Zeus by Antiochus IV Epiphanes in 167 BC, the worship of the Roman Standards on the Temple Mount under Titus in 70 AD and the building of the Dome of the Rock by the Umayyad Caliph Abd al-Malik ibn Marwan in 691 AD. I'm not rejecting those or any interpretations that focus on what manifests strictly in this realm and involves an earthly Temple. However, what we're into here is beyond the natural order of things, a perspective that will become more apparent in the book of Daniel.

The abomination of desolation is the subject of Daniel 12:11, 11:31 and a little more loosely, of Daniel 9:27. Let's begin with chapter 12.

The following image is a screenshot from the interactive version, showing the highlighted target verse with its thematic companion. Feel free to explore the interactive version (click on the image to load it in your browser) until you're convinced that the highlighted elements are matching, as claimed.


Here's some commentary about verses 5-7, excerpted from a recent post.

“The river is the river of time. Two stood by it, one on each bank, on the earth but distinctly separated by time, which is to say, in different referential systems. The man dressed in linen who was above the waters of the river was over the river of time, above or beyond time and unbound to either referential system. One standing on a bank asked him a question about time which, of course, would pertain to his particular frame of reference. The man dressed in linen swore by Him who lives forever, which is a descriptive that pertains to time and declares the relevant domain of His authority, which is time. The answer given contains a very interesting reference to how long it would be. Although it is typically interpreted to simply indicate the span of three and a half years, there's more to it than just that. The expression, “time, times and half a time” literally refers to time, multiplied time and fractional time.”

I've also written about the expression, “time, times and half a time,” that it suggests the manipulation of a time-space portal. (“The Penitent Man” ...manipulate a wormhole to facilitate time travel ... speeding up one end (times) while slowing down the other (half a time).)

The secret key to understanding involves knowing that the management of time or time-space is in view. Are you catching on? Let the reader understand. We're dealing with time in flux, shifting, with disruptions of the regular flow of time. The perceived continuum will be set in disarray, and this provides the setting for the unfolding of the prophecies. The numbers of days given in verses 11 and 12 must be understood to apply within the framework of this unique season when non-linear progressions are a reality.

Moving on to Daniel 11, the following image is a screenshot from the interactive version I published a few days ago. Again, we see the highlighted target verse with its thematic companion; and again, feel free to explore the interactive version (click on the image to load it in your browser) until you're convinced that the highlighted elements are indeed matching.


As you reflect on the companion to the verse that names the abomination of desolation, what should come to mind is 2 Thessalonians 2.

36 “Then the king will do as he pleases, and he will exalt and magnify himself above every god and will speak monstrous things against the God of gods; and he will prosper until the indignation is finished, for that which is decreed will be done. ~ Daniel 11:36

3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:3-4

I've written at length about that context, with a central event being a baptism and anointing that will manifest as a sign for the Bride. That's the sign that is appointed for the 13th day of the 1st month, even the very one that passed by just a few weeks ago. It's so far unfulfilled, but that's not yet the end of the matter. The revealing of the lawless one will still come right on schedule, at the appointed time.


The English word, “apostasy,” is translated from the Greek word that literally means, a standing away from. The thematic companion reveals that it has everything to do with transitions in the heavenly realm. You may recall my dramatic history with this passage and this very pairing, going all the way back to 1991. Consider the time words in verses 6 and 7: restrains him now - in his time - already at work - now restrains - until. Also, in verse 3, unless the *standing away from* comes first. Clues, important clues.

There are good reasons why I've been laboring to bring forth these thematic exhibits. They provide those of us who seek after it with significant benefit in this season!

The Lord permits His Adversary to acquire a degree of control over space-time for a limited season, to accomplish His own purposes. Stargates will be opened and transits will be made, and great delusion will be poured out. Matthew 24 reveals that all but the very elect will absolutely be deceived. This happens in the context of great tribulation. This is what the abomination of desolation is about.

A penetrating look at the passage in 2 Thessalonians 2 adds further insight to those we've visited in following a well marked trail from Matthew 24. Although there is language that clearly points us to the physical, natural and earthly, there is a deeper layering where supernatural activites are pictured, heavenly realms are accessed and time-space is manipulated. When considering these passages, lift up your eyes. Seek the Lord's help in seeing not the earthly but where thrones are heavenly and kings and warriors are angelic and wars are time wars.

4 Now if He were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5 who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, "SEE," He says, "THAT YOU MAKE all things ACCORDING TO THE PATTERN WHICH WAS SHOWN YOU ON THE MOUNTAIN." ~ Hebrews 8:4-5

Therefore it was necessary for the copies of the things in the heavens to be cleansed with these, but the heavenly things themselves with better sacrifices than these. ~ Hebrews 9:23

Let's return to give our target verse in Daniel 11 a closer look.

Forces from him will arise, desecrate the sanctuary fortress, and do away with the regular sacrifice. And they will set up the abomination of desolation. ~ Daniel 11:31

Fortress. Young's literal (YLT) translates it as, stronghold.

3 For though we walk in the flesh, we do not war according to the flesh, 4 for the weapons of our warfare are not of the flesh, but divinely powerful for the destruction of fortresses. ~ 2 Corinthians 10:3-4

3 For though we walk in the flesh, we do not war after the flesh: 4 (For the weapons of our warfare are not carnal, but mighty through God to the pulling down of strong holds;) ~ 2 Corinthians 10:3-4 KJV

In Daniel 11:31, see the fortified sanctuary as one that is not carnal, and the warring as not being of the kind that is after the flesh.

Here's how the NASB lexicon renders the Hebrew of, “and do away with the regular sacrifice.”
To turn aside continuity. Think: Space time continuum. The KJV lexicon renders it, “To turn off continuance.” The natural flow of time is going to be disrupted, and, while there will be a significant impact on the natural order, it will be influenced by what impact there is on the heavenly order.

Let's return to our target verse in Daniel 12.

From the time that the regular sacrifice is abolished and the abomination of desolation is set up, there will be 1,290 days. ~ Daniel 12:11
According to the NASB Lexicon, “From the time that the regular sacrifice is abolished” is rendered literally as, “time continuity to turn aside.”
Can't we begin to accept that in the literal sense, knowing now what we're really facing?

Thursday, July 13, 2023

What's the Piano Got to do With Death and Birth? - Part 1: 16 Examples of "Either/Or"

This post announces a video presentation and supplements it with some detailed observations about the nature of the content.

These 16 examples show the piano is either linked to death, or it is linked to life, even birth. We have more examples of these, plus many more where both life and death are linked to the piano in the same clip.

To Watch: "What's the Piano Got to do With Death and Birth? 16 Examples of "OR" Part 1"


(full HD version for streaming or download)

Please leave your comments here on this blog post or on the Bitchute video.

Resources referenced in the video:
Janus Ritual - Real, Effectual - and Common!
Find the "playlist" for the piano stargates series here.
Find the "playlist" for the Piano-Janus series here.

Clip list:

1) Stay Close S1E6
2) Rick and Morty S3E3 Outro
3-5) Roger Rabbit
6) Total Recall 2012
7-8) 1883 S1E4
9-10) Mrs. Davis S1E2
11) The Undoing S1E3
12) The Undoing S1E6
13-14) Winter's Tale
15-16) Vera S1E3


Stay Close S1E6

doors and going through doorways-88 * Janis, god of doors and passages
reflection of the keyboard and the pianist's hands * Janus mirror
2 pairs of hands of the pianist plus those in the reflected image * resonates with * the 2 pairs of hands involved in the strangulation of the
murder victim
victim walks through door (Janus) doorway-88
"It's over. No more" (Janus, god of beginnings and endings) "killing" (Janus rules over birth and death)
"Return back and Reset Code" 22: assassin's pink-22 fingernails victim's gold (gold is Au=22 * a=1 u=21) watch (time piece)

Rick and Morty S3E3 Outro

The season and this particular episode are the standouts:
From https://en.wikipedia.org/wiki/Rick_and_Morty_(season_3): "The third season of Rick and Morty delivered the highest ratings in Adult Swim's history and was the top-rated comedy among millennials on television." -- "the show's first Emmy Award which it won for the third-season's standout episode "Pickle Rick", in the category for Outstanding Animated Program."
From https://rickandmorty.fandom.com/wiki/Concerto): "Concerto is a minor, one-time villain, who only appeared in the ending credits of "Pickle Rick" as well as in the theme song for Season 3."
S3E3 evokes Code 33
Concerto (has piano teeth and piano hammer elbows) plays the "Moonlight-113 Sonata"
circular rings of the keyboard evoke the circle of time and the circle of life
piano case is a hinged thing (Janus)
Time language and gematria:
murder weapon-88 and pianist-88 * resonates with the piano (standard is 88 keys)
"You'll-22 NEVER get-13 away-22 with-21 this, Concerto!"
"That-13 is where-22 you're mistaken, Mr-13 Sanchez-113. This shall be my greatest performance of-21/12 all TIME."
rope-54-54, die-18-18-18-108, pink-22, candles-22, Jaguar-22

Who Framed Roger Rabbit?

This Robert Zemekis film stars Christopher Lloyd, like his most popular film, "Back to the Future." * casting resonance as power adder
Roger Rabbit is accused of murdering Marvin Acme-22-13 *power combo*

Scene (in a bar): Toon killed his brother
Death (Janus) by dropping a piano displays gravity, which is caused by the warping of time (Janus)
resonates with the 88 key piano: murder weapon-88, chuckling-88, Dolores-88, bottle-88 * 88
Budweiser Beer & Beer Bottle & bottle bottle BB-22*88
bar-21/12, neon-21 sign-22, pool-22 table-13 *power combo*

Scene (in a theater): Toon got the drop on us
what changed Eddie into a sourpuss * Janus, god of life's major transitions
bank robbery of a zillian simoleons * time is money
"I'll-21 tell-13 you. A toon killed my brother." - "a little dive-22" - "Only-21 he-13-13 got-12 the-12 drop on us. Literally. Dropped a piano on us from 15 stories. Broke my arm-22. Teddy-22 NEVER made-22 it. I NEVER..."
murder weapon-88
focus on pulling EARS * anagram ARSE, sodomite gateway, the reason for Roger's expression, "Put-12 'er-13 there, Pal" * PP as slang for urine and penis, and PP-22
"all those TIMES" "all the TIMES" (Janus, god of time)

Scene (on stage): Piano Dualing Ducks
This is the controversial scene where Donald calls Daffy a "goddamn stupid nigger", rather than the sanitized line "doggone stubborn little" they would like us to think we hear. Chuck Jones Jones "accused Zemeckis of robbing Richard Williams of any creative input and ruining the piano duel that both Williams and he storyboarded." (Wikipedia) Another is a scene were Jessica Rabbit exposes herself. (#24 here: https://www.eightieskids.com/2018/08/naughtydisney-3/)
black and white pianos- resonating with the black and white keys, evoking the knowledge of good and evil, Luciferian illumination and the sin in the garden of Eden.
Piano duel-21/252(252=12x21), Daffy-21/252(252=12x21), duck-12, ducks-13
cannon blows a hole-22 in the piano.
hook-22 removes pianos-88 but the bench-22 remains

Total Recall (2012)

This clip was also featured in our Piano Stargates in Media series: https://theopenscroll.blogspot.com/2022/07/total-recall-2012-mkultra-janus-blade.html
key-13(Janus) *power combo* -- on the Yamaha-113/22 *power combo* piano.
"the-12 key-13" * time and the mastery of time, repeated 3 times.
2 identities(Janus) - one has 2 faces with 1 being a mask, and the unmasked man has 2 faces, one having been surgically altered. Janus is the god with 2 faces.
"start from the top" beginnings(Janus).
The key-13 to the projected message is the piano key-13 * Janus, god of keys. With 13 being the mastery of time number, that key-13 facilitated the communication between the past and present identities, illustrating the mastery of time.

1883 S1E4

Scene (Trail boss is angry):
crossing the river (of time) / water-as-time
the major transition on their journey * Janus, god of journeys and major transitions
Oregon-88 resonates with piano*88 and pianist-88
sees a piano in a wagon-21. "G- damn-22 it." * emotional charging up the ritual.
"he-13-13 unloads his-18-18-216 wagon-21, he-13-13 goes back to Fort-22 Worth" strongly evokes "Return back and reset code 22"
"You have-18-18-216 the-12 journey(Janus)! That's it!"
"They-22 gonna-21 hate you."
"At least they'll be alive-22 to do it."
As they leave camp, we see the piano on the ground while piano music plays softly in the soundtrack - and the piano left behind receives more attention by lingering in the scene.

Scene (cowgirl plays piano):
dump-54-54, "way-13 west-13", trunk-21, trunks-22, wind-22, play-54-54-18-18
"I do, I DID," changing tense - I don't play-54-54-18-18 ANYMORE."
"Well, you can-18-18-108 play-54-54-18-18 ONCE-222 MORE-21."
wears blue-13 * garment represents a body fit for a particular dimension, which resonates with the dimension transiting Code 88 piano and pianist-88 * wearing buttons-666
The piece she is playing is the Moonlight-113 Sonata (like "Total Recall (2012) and this is while people are crossing the river (of time) and some die! people are drowning/dying-22 in the water-22 as time - (crossing the river of time) - Journey - Janus.
she cries-54 while she plays
cattle are driven across the river while piano music plays softly in the soundtrack. Piano Stargate
steer-22, water-22, whoop-13, "get-13 up-222 cow-13" "come-18-18-216 hey"
dead-22 woman-21 floats down the river, wagon-21 stuck in water-22
graves dug for those who died, bury-21 by a tree-21
Her narrative is charged up with Janus ritual and love language:
"born on this journey...leaving a place and seeking another, and the journey was the necessary, miserable road between the two." * Janus rules over birth and journeys
"the-12 land-13 and I-54 had-13-13 struck a deal-22-13 *power combo*"
"as long as I loved-22 it..." "No matter how much we love-54-54-18-18 it, the-12 land-13 will NEVER love-54-54-18-18 us back."

Mrs. Davis S1E2

Scene (classroom):
Lady-21/252 bugs-13 on the wall-12
tree-21 in the back of the classroom with an owl-13 in a hole-22 in the trunk-21
Time binding - 13th minute with 12 on the counter.
"...called this MORNING...'48 Wurlitzer..." * 48 is the number of hours in 2 days
piano was lost-12
wears gold*22 bracelets and ring
"My wife's dead-22"
"...hear the sound AGAIN..." "HURRY up-222"

Scene (field of pianos):
piano music plays while car-22/13 drives
find-21, wind-22 blowing hair-216 (6*6*6) in the field-216 (6*6*6) of pianos-88
man is pianist-88 playing piano *PP-22
"Hello!" "Hi!" HH-88
"where-22 do I know you from?" "YESTERDAY"
Song lyrics: "Someone really LOVEs you..." Charged up with love

The Undoing S1E3

Scene (calm conversation):
Repetitive time soaked language focusing on the mastery of time and the beast and his mark! * 13 signifies rebel, lord and beast, plus the mastery of time.
"You have-18-18/216 (beast code) ALWAYS-18 had-13/13 an-12 ...LONG-21 AFTER they-22 are-21 dead-22..."
"He's-13 not-13 that-13 monster. He's-13 (pause) he-13/13 can't be. He-13...He's-13 not-13 that-13 monster. Dad-18/54 he's-13 not-13"
"with-21 Haley-21 Fitzgerald-54-54"
piano*88 by window-88 with vertical-fold-draperies * evoking imagery of open stargate
"It makes-13 me miss mom-13" * alliteration with 4 "m" words in a row, m is 13th letter magnifying the mastery of time and the "rebel-lord-beast"
Please-22, stop, end(Janus)

Scene (heated discussion):
in segue, flashback of murder resonating "return back and reset code 22"
"Please-22...Please-22..."
patriarch pianist-88 seated at the piano. Context, planning a defense against a charge of murder. Main topic is the probable murder weapon as potential evidence.
Elena-222, house-22, "I didn't kill her-22!", "...shut-22 up-222!"

Winter's Tale

Scene (the father greets a visitor):
trees-22 and a stone lion-22 on each side of the stairs leading up to Janus-arch doorway-88.
While the piano music is heard in the background:
"Good AFTERNOON..."
"We have-18-18-216 fever in-13 the-12 house-22"
"Is it your wife that needs-88 spectacles, Mr. Penn-22?."
"Dead-22."
"I'm-22/13 sorry." *power combo*
"Eight YEARS AGO. Still, NEVER stop missing them. It's-12 for-21 my daughter. She'll be FINISHED SOON-18/18."
"It is nice-22..."
Brahms played by Beverly * BB-22-88

Scene (Beverly dies):
"Please-22 don't go-22/13." * "to go" is the meaning of the root word for, Janus.
kiss-13 on mouth-22 *power combo*

Vera S1E3

Scene (outdoor party):
A father gives an emotional speech about the murder of his daughter and his wrongful blaming of another girl.
"eleven YEARS" evokes Janus, god of time
"burying" two; one literally, the other figuratively
He honors the latter by playing a recording of her playing a piece on the piano*88, lifting up-222 the boombox (BB-22-88). pianist-88, beer bottle (BB-22-88), lanterns-113
We see trees-22 (anagram reset) and a car-22-13 *power combo* through an open gate(Janus). We hear the car-22-13 door(Janus) slam shut-22.

Scene (murder confession):
A man confesses to a murder in a scene that alternates with a view of a piano and the playing of the piano. murder weapon-88


Curious about the pending reset of time? Learn more here: The Pending Reset of Time

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