Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)

In this post I'm going to decode the main music video of the title song of Coldplay's 4th studio album. “Viva la Vida” has become the band's most successful song. When the symbolism of the song is understood the set may be seen better for what it was, an Occult ritual exaltation of Venus, the Marian goddess. You should know that what I'm going to show you isn't unique, but this is an example that it notable for its popularity and for the role it played during the London Paralympics. Vida la Vida was performed in a set with Strawberry Swing during the closing ceremony, and this post is supplemental to the ongoing series. The parts 44 and 45 of that series I recently posted to this blog are recommended reading.

Here's the primary official music video. I'll present the alternate supplemental version later.

Coldplay - Viva La Vida



The visual imagery of the video begins with a large red rose. Several more images of the rose appear occasionally throughout the video, which ends with the metaphor of the band as roses, losing petals in the wind. It begins and ends with the rose, and everything inside is related to it. The entire video is presented with a veneer of the characteristic cracks and tint of old paintings. Together with the background imagery and the band's attire it suggests the scene is taking place inside the painting featured on their album cover, “Liberty Leading the People," by Eugène Delacroix. The connection between the rose and the painting has to do with the symbolic woman who waves the flag, Liberty. She is also known in France by the name, Marianne. “Marianne” is a portmanteau of Maria, or Mary, and Inanna. She is the ancient rose goddess who is becoming most widely venerated today as the Virgin Mary. The band is identified with the revolutionaries who are led by the rose goddess, and with the rose goddess herself as the petals drift off in the final scene.

Plenty more goddess imagery appears. The string instruments have bodies that suggest the hourglass figure of the female. The electric guitar female body displays a red letter V, for Virgin, for Venus-Aphrodite, and for Victory, as Victoria-Nike. Chris Martin wears a red V on his shirt to mark him as hers. The cello and violin are played with a bow, which suggests the bow and arrow goddess Artemis-Diana. At 44 seconds in, an Isis numbering marker, he looks up to the heavens and hand-signals a subtle V to his mouth. A couple seconds later he gestures another V with two fingers. Churchill's V for Victory - Victoria. Some would call it a peace sign, given what he's singing at the moment, and it is - a sign of the Queen of Peace. That same gesture was making the triangle eye - the Horus Eye. That's the sodomite gateway to illumination and, in the context, probably linked to what's called the Peace of Mary and Illuminati mind-control programming. He flashes another V at 1 minute in and then strikes his first “bent elbow” W goddess pose of the video at 1:05. That's the signature posture of Inanna-Ishtar. A brief second later, at 1:06, he gestures some owl ears to confirm the reference to Ishtar. The rings of string bracelets and the banding on their arms makes further reference to Ishtar. When Chris is awkwardly throwing his arms out behind him he's modeling a delta wing, making a V and bee wings, as a servant and soldier bee of the Queen's hive. Images of the rose pass through the background. More goddess dancing bee W-goddess moves follow, with a hands crossed over the chest at 2:04 to add another goddess gesture. At 2:50 we see the sky opening for a Marian apparition, with Chris doing a little hand magick in our faces. At 3:33 we see him worshipfully raise his hands against the mystical backdrop of the appearing goddess.

A hobbyist Masonic archivist stated it very simply in SYMBOLISM OF THE BEE.
“In Christian allegory a queen bee sometimes represents the Virgin Mary, the hive symbolizing the Church.”

If you're interested in researching the bee goddess here are two very useful resources.

• Beedazzled + Beewildered + Beegotten by Andrew Gough
• The Venus Blueprint by Richard Merrick. This excellent book decodes the symbolism of the Rosslyn Chapel, demonstrating how two major themes involve the bee and hive and the Venus Rose.

Even the drum and bell instruments support the goddess theme. The cymbal and drums of the goddess Rhea were said to attract and dispel swarms of bees. Bell or Belle is used in many names to reference the goddess. It means, beautiful (like the name Frida), and makes reference to Venus-Aphrodite. Examples abound; Annabelle, Marybelle, Isabelle, Bella (Twilight franchise), Maybelle and Maybelline, Lisabelle, Tinkerbell... The bell and drum are also used for witchcraft. The bell is used magically for evoking demon gods and goddesses and even as a supernatural weapon. Drumming raises energy for the ritual.

If you examine what the goddess Liberty carries in the featured painting you'll notice how a rose is concealed within the red of the flag. I don't doubt that Chris Martin is aware of that fact, and what it means on more than one level. What do you think inspired the video opening scene's morphing-fluttering red rose, or is it just there for no reason? Liberty is the rose goddess they worship and serve, aka Mary. Hiding the rose makes it occult, by definition.

The hidden rose emphasizes the secrecy represented by the expression, sub-rosa, under the rose. Under the secret rose of the flag you can find another hidden symbol in her fluttering garment. The ends cross, forming an X. It's the mark of the sun god Horus, but let's connect the dots. The esoteric scene presents us with the rose cross ~ rosy-cross ~ Rosicrucian. Too subtle? The artist painted himself into the scene. He is the resolute looking fellow wearing the stove-pipe hat and holding a musket. The meaning of the name, Delacroix, is, “of the cross.” He placed himself in the scene sub-rosa, under the rose, secretly. Where does “of the cross” appear in relation to the hidden rose and the other hidden cross? That's not very subtle. Was the artist telling us that his companions in the illuminated brotherhood of the thorn bush kind were secretly behind the revolution, as inspired and led by the goddess? That's how the symbols read. Delacroix was a member of the National Guard, and it seems likely that the Rosicrucians, with the Marian Jesuits, were manipulating the conflict from every angle - as led by the goddess Mary, “their rebellion.”

Here's an excerpt from: The False Prophet Azazel by John of the Gentiles.

Appendix A - The Rose Cross of Azazel
“According to an esoteric reading of the Tarot, a Red Rose represents Venus (Azazel‘s human wife), while a Red Cross represents the angel Azazel. The combined Rose-Cross in one respect represents the sexual union of Azazel and his human wife. The word 'Rosicrucian,' is German for 'Rose Cross,' a term synonymous with Red Cross. In addition to this, the word 'rose' is an anagram for Eros, the name of the Greek god of Love, who was the first born son of the angel Azazel and of his human wife. The 18th Degree in Freemasonry is commonly known as the Rose-Croix (Rose Cross), a fact showing the relation to and establishing a link between these two seemingly diverse organizations.”

Elsewhere, the author identifies Azazel with Horus, I believe rightly.

The musket Marianne carries in her other hand is fitted with a bayonette. She is Athena-Minerva, goddess of war. The secret form presented is that of a lightning bolt, that weapon of Zeus that is also associated with the goddess. A related example of Liberty holding lightning is the Statue of Liberty, who holds a torch whose flame is the imprisoned lightning, according to the poem associated with her.

“A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.”

In that first verse of the poem she is the mother of exiles, and I believe this makes reference to the exiled Nephilim, who are being welcomed. The poem was written by Emma Lazarus. I find it interesting that the name Lazarus is associated with resurrection, which is very much the Queen Bee goddess thing. It's also associated with Spiritualism and punishment in the Bible. Relevant. I believe Emma is a goddess name. It certainly is today! The Goddess Emma? Jennifer Lawrence and Emma Watson merged to create 'internet goddess'.

The Statue of Liberty is an idol of the goddess honored by Delacroix and Chris Martin. It's linked to France in that exact period of time of the featured painting, and with Freemasonry as the French brotherhood's gift to their brothers in America. She is the goddess of their common revolution. She bears a torch and a tabula ansata, a tablet evoking the law. What law is this? Upon that tabula ansata is inscribed the date of the Declaration of Independence, July 4, 1776. A broken chain lies at her feet. Her law is rebellion. She is the Spirit of 76, and 7+6=13, rebellion. She is Mary, their rebellion.

What is meant by Liberty is a freedom from tyrannical rule, but in the context of those who follow the goddess and operate in the way of the occult, Liberty really represents a rebellion against the authority of the one true sovereign God. Their exalted revolution is intended to secure freedom from what is seen as the ultimate tyrant by seizing His throne. Being in charge, they hope to live forever and escape judgment and the due consequences of their wicked deeds.

The goddess sponsors this revolution as she makes way for the entrance of the Antichrist beast. This is what Coldplay is promotion with their revolutionary theme and symbols of the rose and bee.

Marxist art historian Giulio Carlo Argan defined “Liberty Leading the People” as the first political work of modern painting. Maybe, but beyond the politics of revolution it's a significant occult religious painting, and Coldplay is not the first to leverage it. For Americans, Howard Chandler Christie's poster, History of America, is clearly derivative, illustrating my country's national goddess composite of Nike-Athena who was usually called Columbia or Freedom. Patriots are following the goddess spirit of rebellion, or Mary, if you will.

So-called Christian patriotism is rampant in America, even amongst most of what I call the bike lane collective. Steve Quayle and Pastor Lankford and the Hagmanns have been blasting those who believe what was written to us in Romans 13 about civil obedience. They encourage picking up the sword, as Jim Wilhelmsen and Russ Dizdar. Those who live by the sword will die by the sword. Is my God not able to bring down even the walls of Jericho with the sound of voices and trumpets if he wills, or destroy the entire army of Egypt without a single sword being raised? Have they never read Matthew 26:52 in context? It's not a question of whether one is afraid of dying by the sword. It's a matter of trusting in the Lord, not presenting a show of bravado. It's about finding your life that is of the greater value!

For whoever wishes to save his life will lose it; but whoever loses his life for My sake will find it. ~ Matthew 16:25

Where else have we seen the red V symbol featured in the video? Have you ever seen the film, V for Vendetta? The bloody red V is set inside a circle. The circle itself is a goddess symbol. Their version conceals the head of an owl, the mark of Occult goddess worship. Alan Moore is responsible for the comic book and film. He has openly admitted to being a wizard and communicating with extradimensional beings. The main character of V for Vendetta stages revolutionary actions against the government. He's known as V, and we are led to see this as the Roman numeral of a room where he was kept. The number 5 is linked to Venus because of the points of the rose it traces out in the heavens. He leaves red roses with the victims he assassinates. Do you see the connections here? He wears a Guy Fawkes mask and follows in that revolutionary's footsteps. Guy failed in the famous Gunpowder Plot of 1605. “Remember, remember, the 5th of November...” the poetic tribute goes. Guy was a Catholic, leading Catholics in a revolt against King James I in attempt to install a Catholic Queen on the throne. It was a revolt led by the worshipers of Mary. You're connecting the dots with Viva la Vida, right?

Where else have we seen the red V symbol? In the TV series, “V” (for Visitors), the reptilian sky Queen was named Anna. Namesake: Inanna. She had a daughter named Lisa and her mother was named Diana. Three goddess names, three generations, modeling the Maiden, Mother, Crone. (Another example of triple goddess naming is in The Matrix, with the character named Trinity.) I'm not suggesting these are simply bad names but informing you how they are used in signal contexts. The blood red V is for 5-Venus and Victory, and ultimately through the Isis-Horus & Mary-Jesus (her counterfeit) in the bringing of their hopeful triumphant result of Victory over death. The Visitors were duping the world with false promises of healing, which has always been linked to the goddess apparitions. Another promised involved a gift of Blue Energy that would solve many problems, which I believe is linked to the blue-skinned goddess Shiva-Kali. I believe there is a connection between the V - for visitors and the Latin name Viator, meaning, “voyager, traveler,” which is the masculine form of, Beatrice, (Princess BEE - Great Britain) and, Beatrix, (Queen BEE - Netherlands).

The revolution, bee and rose themes are repeated in the song's official alternate video. After decoding that one I'll attend to the lyrics.

Part 42 - 2012 London Paralympics - Occult Closing Ceremony and the Agitos Symbol

Well, that's it. What is being called the golden Summer is over. With the close of the Paralympics, what I've searched out about what happened during the closing ceremony provides further validation of some things presented earlier in this blog series. The essential message I perceive is this: They have achieved their goal. The mass ritual of the Paralympics closing ceremony completed what began with the opening of the XXX Olympiad on July 27. Curses have been generated by high level practitioners of sorcery. It appears as though the threats many of us have perceived being signaled through occult means are beginning to manifest, and I must say, it feels like it's right on time.

London 2012 Paralympics Closing Ceremony

All the noisy signaling of terrorist activity that had built before the games faded during the season spanning the Olympics and Paralympics. The closing ceremony on 9/9 played to a packed stadium. It seems people breathed a collective sigh of relief. “That's over - and now we can go back to ignoring the conspiracy theorists who `cry wolf.` ” Really? What was announced symbolically as I read and interpret the publicly exhibited evidence of their mega ritual magick speaks to me of subtilty. The alchemist's deadly work is a covert operation, sub rosa. Watch and see what begins now to unfold in their global theater.

The Paralympics closing ceremony seemed to many like a Coldplay concert that was accompanied by non sequitur entertainments and occasionally interrupted by various ceremonial activities relating to closing out the London Paralympics. Questions are raised about the integrity of what we're told about the games even if we consider the ceremony very superficially, as just a big UK festival-style party thrown to celebrate the end of the Olympics season. Many asked why the party featured two non-Brits, Rihanna and Jay Z? That's reasonable, given how the whole deal is supposed to highlight the UK. Did Britain finally run short of local talent? I think not. I believe there's a message being sent about the Illuminist IOC and operations with their elite Luciferian co-conspirators. Rihanna and Jay Z aren't really foreign at all. They are in-house talent, from the branch just across the pond. I don't have any insight into who made that puzzling decision but I do know that, behind the scenes, the sovereign God moves and the agencies of Satan (aka Zeus) are engaged to accomplish His purposes. The choice of two artists from the US may be a statement that a focus of attention for this season is now on the US. While the customary transition to Brazil was in the spotlight with an 8 minute long ceremony to recognize the Rio 2016 games, a shift of attention off London rather to the US seems to be suggested. If this is what was signaled, it portends the big trouble so many of us have been expecting. I'll be expanding on that shortly.

Because so much attention was given to the flame, even labeling the ceremony, “Festival of Flame,” it must be seen that special emphasis was placed on the ceremonial extinguishing of the Olympic flame. Underlying that act is the death curse of ritual magick called the bell, book and candle. (See Part 12 - 2012 London Olympics - Death Rituals: A "Bell, Book and Candle" Mega-Ritual on the BBC) I identified the cauldron as the candle that represents the life of the one being cursed. When the candle is extinguished and knocked to the floor, it represents the life of that individual being extinguished and their soul consigned to darkness outside the light of God. The flame that had been lit from the sun on Mt. Olympus was put out in just that manner at the close of the XXX Olympiad. The same cauldron was relit from the 4 flames that had been lit on the highest summits in England, Wales, Scotland and Northern Ireland. Near the end of the ceremony on 9/9, a second bell, book and candle spell was cast as that flame of the thorn bush Cauldron was extinguished and it was “knocked” to the floor. I think this is where the emphasis on the flame is placed, elevating the power of the ritual magick and therefore the potency of the curse.

For whom were these curses of death intended? Take a hint from what happens to the accursed “candle,” which had acquired the dark energy of the entire London Olympic season that had begun with the lighting of the torch in Greece. The copper thorns are being gifted to the 204 participating nations, very nearly the full count of entities that qualify for participation. Is your country accepting their gift, a Trojan horse with hidden emissaries from hell? Mine is.

The way that fire was featured during some very dark post-apocalyptic scenes strengthens the theme of death and destruction. The mega ritual as one celebrating the bringing of death was highlighted by the theme of the passing of the seasons. The cycles of life and death would be the expected symbolism there but, along with the theme of good vs evil that was also featured, one side dominated. Evil. Death. My point is emphasized with some punctuation in the title of Coldplay's last song, “Every Teardrop Is A Waterfall.” Think about it. Tears will be multiplied. Not tears of joy, I can assure you! Despite the "feel good" party version we are still being sold, I'm betting it will be revealed to some as akin to a trip to the dentist, where the laughing gas comes just before the root canal.

Londoners will some day see the logos for the Olympic season for what they really are. One presents London being sodomized by the Olympics. The other presents London being sodomized by the Paralympics. The XXX Olympiad closed, in my NBC version, with “Take That.” The Paralympics closed with “Every Teardrop Is A Waterfall.” Ominous. Very, very ominous.

If you've been following this blog for a while you know that it is through ritual sacrifice and ritual sodomy and cannibalism that the Luciferian Zeus worshiping Illuminists achieve their goals. The sodomizing sex magick of the London Olympics branding is more than a shallow gesture like "flipping the bird." It's saying, we're using you, hijacking you as our slaves. It has been said that if you sodomize god you get his power. This really is a legitimate dynamic. The IOC and their sponsors have hijacked London through their sodomite sex magick rituals during this season. According as Rothschild sodomy brings illumination, we were publicly presented with the Enlightenment theme of the Paralympics opening ceremony. In the closing ceremony we see the illuminated slave army triggered and doing the bidding of their programmers.

By viewing the imagery of the closing ceremony through that lens, we may recognize scenes of a 9-12 (post 9-11) world as a prison planet with a prowling army of mind-controlled super-soldier guards, genetically enhanced as chimeric beings, beasts. The theme of the change of the seasons speaks to me as a signal of a stepped or staged plan having been put into play. The burning destruction of the accursed cauldron thorns begins.

I intend to present Coldplay's closing song as a Monarch slave anthem (in the Sodomite Gateway series) and then step through some of the ceremony to document what I've been proposing. That will be forthcoming, Lord willing, but I want to close this post out by expanding a little more on the red, blue and green Agitos, the symbol of the Paralympics.

I introduced this brand in Part 41 as three obfuscated sixes with reference to the 666 of Revelation 13 and the mark of the Beast. I also identified the image as a triple helix DNA symbol, also associated with that mark. The “Tae-Geuk” shapes in the version used from 1994-2004 might have been perceived as being just too obviously three sixes, so the agitos were swapped in and rotated independantly. Although it's still pretty easy to recognize the 666 signal there is a higher degree of plausible deniability, and, more than that, the subliminal and supernatural impact (symbol as demonic portal) is enhanced.

The Paralympic motto had been “Mind, Body, Spirit” during the “Tae-Geuk” era. The Agitos era motto is, “Spirit in Motion.” London's Channel 4 writes that, “The three Agitos, from the Latin meaning "I move", surrounds a central point symbolising motion, and emphasises the role of the Paralympic movement in bringing athletes together from all corners of the world to compete.” “The shape also symbolises the Paralympic vision "To Enable Paralympic Athletes to Achieve Sporting Excellence and to Inspire and Excite the World"” Excite the world? I think we can read between the lines about the excitement being sexual, and that the inspiration is the enlightenment of ritual sodomy.

agitos

• “I put something in motion, drive, impel; drive by rowing, row about; shake, throb.
• I brandish, wield.
• (of cattle) I drive, conduct; tend, control.
• (of animals) I hunt, chase, pursue.
• I drive to and fro, toss about, agitate, disturb.
• I rouse or stir up, excite, move, urge, drive or impel someone to something, insist on.
• I disturb, disquiet, provoke, agitate, vex, trouble, torment.
• I reprove, assail, blame, decry, scoff, deride, insult, mock.
• I am engaged in, do, accomplish, have, hold, keep; celebrate; practise, exercise.
• (of time) I pass, spend.
• I live, dwell, abide, sojourn.
• (of the mind) I drive at something in the mind; turn over, study, weigh, consider, meditate upon.
• (of the mind) I am occupied with, devise, contrive, plot, design, intend.
• I deliberate upon, confer about, discuss, debate, investigate.
• (with sat and genitive) I have enough to do, have trouble with, I am fully engaged in.”

agito - wiktionary

Read through the list of meanings a few times and seek the holy sprit about which are most relevant. This “agito” dynamic really speaks loudly to me of aggressively coercive motion toward the mark of the Beast, literally Antichrist Spirit in Motion.

The brand really crosses over to overlap the Sodomite Gateway series because the Paralympics is even more symbolic of sodomy than the other London Olympic imagery. The London guy's anal triangle is the same triangle that is the illuminating head of the Paralympic guy's phallus. Sodomy. That imagery is shared with the regular London Olympics logo. What is added by the Paralympics version is the embedding of the obfuscated letters q and u, for “queer,” homosexual. Also, (warning - graphic) the two agitos forming the letter q can be interpreted anatomically as the buttocks of a sodomizer, facing right towards the reclined green, or as his scrotum.

Ultimately, the sodomizer is Horus because the entire logo forms the upper case letter R, the familiar esoteric variant of the eye of Horus. He is Apollyon the destroyer, son of Zeus, the ancient and returning god who will rule an earthly kingdom for a brief but incredibly intense season.

Flying the 666 flag over No. 10 Downing makes a statement about who runs what. And, how.

Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 2)

Continuing from part one, in this post I'll illustrate how the revolution, bee and rose themes are repeated in Coldplay's Viva la Vida official alternate video, then decode the lyrics.

Coldplay - Viva La Vida (Anton Corbijn Version)



The Anton Corbijn version complements the other official video. The painting that provided the background for that one, which is also featured on the album cover, is featured throughout. The king carries it around as his most cherished posession and a link to the past, putting it on display in various scenes. Identifying the setting and the identity of the king helps interpret the symbols.

The church-like building is the Ridderzaal (Hall of Knights), the main building of the 13th century Binnenhof in The Hague, Netherlands. It supplies the three themes of the revolution, the bee and the rose. The round window is called a rose window, and that one features the 8 rayed star pattern of the goddess. There are lion symbols adorning it and the other buildings, another symbol of the goddess. The Ridderzaal has long been used for the state opening of Parliament on Prinsjesdag (Prince's Day) , which is the third Tuesday of September. With Tuesday being the 3rd day of the week, Code 33 is stamped on the event. The royal throne is located inside the Ridderzaal. When the video was made, Queen Beatrix was the monarch, who ruled from 1980 to 2013. Her throne bore the letter B. Queen Bea, B, or Bee. If you never heard of her, you should know that she's a member of the Bilderberg Group, which was co-founded by her father. The secretive group of elites meets in the Netherlands in Oosterbeek in the Hotel de Bilderberg. From what little has been reported about their activity, sedition and global revolution seem to be their purpose.

Revolution and bees are highlighted in the identification of the king, as portrayed by Chris Martin. Students of history will readily identify him as Napoleon's brother, Louis Napoleon Bonaparte. Martin's crown and mantle (which he wears over the same clothes he wears in the other official video), resemble those of the French sovereigns of that Napoleonic period. In 1830, when Delacroix's, Liberty Leading the People, was painted, Louis was in exile. He had been appointed by his brother as the King of Holland, reigning from 1806 to 1810. The French had occupied the Hague, and King Louis would have sat upon the throne in the Ridderzaal. The orange pendants seen in the video illustrate how the monarchy had returned after his departure to the dynasty of William the Orange. The red, white and blue pendants in one scene indicate the rule of France. The downward triangle shaped pennants are feminine and more subtle goddess symbols.

The Star of Inanna is evident in the iconic badge of the Napoleonic era, as you see in this painting of King Louis.

In this screenshot from the video, we see him adoring the rose goddess Liberty in the painting. He wears the bee-adorned mantle and the bee-fleurs-de-lis Marian crown, which I'll elaborate on shortly. He's at the seashore (the birth of Venus - Stella Maris) and flashing us a V to signify that she is Venus.

Botticeli painted, The Birth of Venus, and included both the scallop shell and rose symbols of the goddess as she floated ashore.

The Mormons, with their grand Tabernacle in Salt Lake City, adore the Bee Goddess. They identify themselves with the word, Deseret (Deseret Industries), which comes from the Egyptian word for honeybee. They combine the scallop shell with the beehive on doorknobs. Doorknobs are the mechanism of opening doors, it should be noted. Holiness to the Lord. (click image for high-res) Not really my Lord, and not really holiness.

Back to the video imagery. Chris plays King Louis as obsessed with the painting and with the Hague, and acts rather depressed. The following excerpts from Wikipedia offer some insight into Chris' portrayal of the exiled King.

“His request to visit the Netherlands was denied several times by King William I of the Netherlands, but King William II of the Netherlands allowed him a visit in 1840. Although traveling in the Netherlands under a false name, some people found out that it was their former king, which led to a cheering crowd gathering under the window of his hotel room. It is said that he was quite moved by this demonstration of affection from his former subjects.”

“Louis supposedly had a poor mental condition at times, and supposedly suffered from periods of mental illness. Louis's "poor mental condition" may have been periods of depression caused by trying to hide his homosexuality or bisexuality. These periods of depression or mental instability (records fail to distinguish) would plague Louis, and consequently Napoleon, until his death.”

Because another key identity of Viva la Vida is Frida Kahlo (Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo), who was also bisexual, there's another theme to be added to the others. This sexual “diversity” is common to many Marian goddess worshipers. Romans 1 speaks loudly about our day.

Napoleon was known as The Bee. The dark spots on the white part of Chris' robes are actually bees. They are broadly claimed to be a symbol of immortality and resurrection, and the connection must be made to the bee goddess. Chris' crown is identified with the fleurs-de-lis, which is most likely a form derived from both the bee and the bundled reeds of Ishtar. The fleurs-de-lis is a symbol of Mary to the Catholics.

The Coat of Arms of King Louis abounds with goddess symbolism. There's an 8 point star of Ishtar along with several other rosettes and bee-fleurs-de-lis, bees, a pair of lions and a pair of eagles on the blazon, and swords (Athena-Minerva). The scepter is crossed with a hand sign of Horus that represents the union of Isis and Osiris that produces Horus, whose mark is the X of that crossing. The white glove represents the isolation from their wicked deeds done in secret, their apearance of purity that a whitewashed selpuchre exhibits.

The lighthouse represents the torch and illumination of the goddess, and the reflecting surface of the water is the mirror named in the lyrics, an Aphrodite symbol, as well as signaling “as above, so below.”

When he lets his bee adorned robe flutter in the breeze he is miming the bee in flight.

Chris appears like a giant in a couple scenes at The Hague. This complements and explains a puzzling line in the lyrics, spilling the beans about the real subject, a much more ancient ruler who is in exile, asleep as in a kind of death, and who will arise and return. He will be received with more acclaim than with King Louis' reception in 1840 in the Netherlands!

Lyrics aside, to say that the alternate video draws heavily from Depeche Mode's, Enjoy the Silence, would be an understatement. Anton Corbijn directed that one too, which was released in 1990.

Depeche Mode - Enjoy The Silence (Official Music Video)

That video provides more support for the analysis above. What is meant by “The Silence” is demonstrated in the closing scene. The king comes out of the darkness and declares, “Enjoy the Silence,” putting his finger to his lips. He strikes the classic Harpocrates pose, who is the boy Horus. Leading up to that we see very brief flashes of a long stemmed rose. The rose appears on the covers of the single and album cover (Violator - ! VIOlaTOR - and note that LA=12+1=13). The goddess, playing a supporting role behind the scenes. The wandering king wears the France's royal crown and robe like what Chris Martin wears in the derivative alternate Viva la Vida video, so the ornamental bees and comparable fleurs-de-lis and the The Royal Bee are given attention. He passes by trees, goddess symbols. He passes by one that presents a huge V as he walks. 5-Venus, Victory, the Virgin Mary, Viator, the voyager or traveler, Beatrix, Beatrice, BEE. Instead of a painting, Depeche Mode's king carries a wooden framed beach chair, which is what you sit in when you're on the beach gazing at the surf. It's a symbol of the adoration of Venus, born of the sea foam. Mary draws the world to herself, uniting them. The point is demonstrated at the end, with Harpocrates. The Silence is their great secret, modeled over and again. Horus is returning from exile to claim his throne. The rose-bee seafoam goddess brings him into the world.

“In 1990, a promotional video for "Enjoy the Silence" was shot by French TV (for the TV Show "Champs-Élysées" with Michel Drucker) featuring Depeche Mode lip-syncing the song while standing atop the World Trade Center at the WTC rooftop World observatory. ” (Wikipedia) How appropriate, for a promotion of Mystery Babylon, the Harlot who fornicates with the kings and merchants of the earth.

Let's give the lyrics of the song some consideration.

Viva La Vida Lyrics (my comments in parenthesis)

I used to rule the world (The sun god with His Queen consort)
Seas would rise when I gave the word (lunar tides - the moon goddess)
Now in the morning I sleep alone (the morning star becomes the evening star)
Sweep the streets I used to roam (black awakening)

I used to roll the dice (reference to the work of illuminated French poet, Stéphane Mallarmé. “A roll of the dice will never abolish chance”)
Feel the fear in my enemy's eyes (threatening offensive might being wielded)
Listen as the crowd would sing
"Now the old king is dead! Long live the king!" (The intended outcome of the revolution, which is the overturning of the sovereign God's authority and installing of the created Lucifer on the throne through his son: Osiris, raised-transformed-returned from exile as Horus through the regenerative magick of Isis. )
One minute I held the key (Revelation 9 - key to the abyss - the goddess)
Next the walls were closed on me (bound under the earth for an appointed 70 generations)
And I discovered that my castles stand
Upon pillars of salt and pillars of sand (Reference to Sodom, Lots wife. The castle-fortress-abode has no enduring foundation)

(chorus 1)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing (Reflecting on 70 AD when the armies of Roman's Titus destroyed Jerusalem and reduced the Temple to fine rubble in the sacking of her plunder. A perceived triumph as a notch in the Adversary's belt. The ZION concealed in Olympic logos compares as an expression of their desire to lay seige to the holy city in a coup d'etat. This is the seditious Jesuit and secretly militant Romish church's game plan. Ave Maria.)
Be my mirror, my sword and shield (Mirrors = Venus-Aphrodite-Hathor, petitioning Mary as the able leader into battle as Victory, Liberty and Columbia and Freedom )
My missionaries in a foreign field (conquistadors, the army of priests establishing missions, and Mary herself - the able recruiter, drawing, drawing...)
For some reason I can't explain
Once you go there was never
Never an honest word (He is of the character of his father, the father of lies, incapable of being straight up. “You” could tell the truth, but once you go, there's never an honest word. He's not able to explain because that would be telling the truth, and he must lie.)
And that was when I ruled the world (And so it will be on his return)

It was the wicked and wild wind (4 winds of the 4 corners of the earth - dimensional construct)
Blew down the doors to let me in (dimensional breach)
Shattered windows and the sound of drums (the acoustic effect)
People couldn't believe what I'd become (the Antichrist)
Revolutionaries wait (Revolutionaries - codeword for Marian goddess worshipers bent on overthrowing the Creator.)
For my head on a silver plate (allusion to John the Baptist reprised, the counterfeit, the papal beast and False Prophet. John the Baptist was killed because of a king's promise to a dancer, and her evil mother. Salome has become a symbol for dangerous female seductiveness. Mary-Athena-Minerva -- Queen Jezebel. Also alludes to the fatal wound to the head of the beast, healed. The healing is a goddess thing.)
Just a puppet on a lonely string (marionette ~ MARIANette - Lonely? The Lonely Goatherd marionette show from The Sound of Music film, run by Maria. Also, the implied lotus-apple blossom president-king from I Pet Goat II. The “hanging goddess” is Ariadne, and Artemis)
Oh, who would ever wanna be king? (doomed to destruction - not a great finish)

(chorus 2)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name (The fallen ones are not appointed for salvation. There is a restoration of all things, but that doesn't change the truth that no salvation is appointed for them.)
Never an honest word
But that was when I ruled the world

Oh oh oh oh oh oh oh

(repeat chorus 2)

In closing, the reference to Mallarmé in the rolling of the dice deserves some more attention, but that's another post.

A Sampling of Examples (#3) Transit of Venus Ritual Enactments

Sneaky. The producers of these mass rituals are very sneaky, indeed. Here's a sampling of secret rituals performed in plain sight for large audiences. If you have wondered what happened to our timeline/reality, what you see in this exhibit might speak to you about how it happened.

Examples include:

"Roar" ft Katy Perry - Super Bowl 49 Halftime Show
The University of Phoenix and The Lion King
"Queens before the Flaming Sun King" - Festival of Flame 2012 Paralympics Closing
"Princess of China" - 2012 Paralympics Closing Festival of Flame
"Princess of China" ft Coldplay & Rihanna - the official music video
“We Found Love" Rihanna - 2012 Paralympics Closing Festival of Flame
"Beauty's Dramatic Entrance" - "Beauty and the Beast - 2012" Pilot
"Strawberry Swing" ft Coldplay - official music video
"Rose Window Transits" - "The OA" Series Finale
"The Queen Drops In" - "Skyfall" stunt London 2012 Olympics Opening Ceremony
Queen's Diamond Jubilee - Thames River Pageant - June 3, 2012

 The full-content video on Bitchute

The full-content video on Brighteon

(decontented)

This video is #3 in the Transit of Venus series. Find "playlist" here: Video & Audio Content

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Curious about the pending reset of time? See The Pending Reset of Time

Decoding Flo's Dream - Miscreant Squirrel on a Cloud

Progressive Commercial: Flo's Dream



Miscreant squirrel. Obsessed with acorn. Captivity. Cloud-nest. Goddess and Silver Gate and mind control programming symbols. This all seems so familiar. Oh yeah! Coldplay's Strawberry Swing! I just published a post covering these same subjects. Progressive's marketing dept - Coldplay fans? Have the producers gone to the same school or are they just drawing from the same well of inspiration? What matters is the result, which advances the agenda of the dark side powers.

Flo's bedroom scene is Progressive's comical take on the Vogue. Flo, who lives to sell insurance, is iterating through the kinds of policies offered instead of counting sheep. It takes a turn when she has obviously succeeded in her effort to help her fall asleep.

Chipmunk family reunion.
Someone stole the nuts.
Squirrel Jail.
Justice!

Most would think it crazy to say so, but Flo's dream is a swipe at the true God's character. It's the dream of the Adversary to bind the Creator and seize the spoils. It's supported by the ancient rebellion leading goddess. The victorious chipmunk holding the acorn at the end is Lady Justice. The flower gives it away.

The video opens with some Illuminati mind-control programming symbolism. The carousel - carousel programming. The music box music. The unicorn - magickal androgyne. On the padded headboard are diamonds, symbols of Chosen Ones, Illuminati programmed multiples. Flo puts herself into a dream state with the trigger sequence of policies, with the enchanting music, into a trance state for programming.

There's a Jezebel jab, with the flipped theme of stealing the nuts. The female robs the male of masculinity by usurping his authority.

Goddess imagery abounds. Lady Justice, the chipmunk. The white picket fence looks like a scallop shell - Venus, on the sea foam cloud. Piggy bank - pig-boar symbol of Inanna-Ishtar. Flo's pillow forms an angel wing. Her bed is a vehicle. FloW - Vogue. To go, transport in a vehicle. Progressive, advancing, going forward.

On the hood of Flo's bed-car, the P (Progressive) is the 11th letter from the end (RAS - where Z=1), the pillar and Gemini twins number, set between the racing stripes that are a pillar. The white of the car is argent, in heraldry, the equivalent of silver. She is the goddess and the Silver Gate transiting vehicle is seen with the cloud. On the padded headboard you can see the line of XXXX that conceals the W of the Goddess, the M of the beast, the Masonic square and compass... Just because it's common and subtle doesn't mean its not legitimate. Symbols are deeply layered.

The closing scene is a Progressive nightlight. Nice touch. The Night Light in the sky is the moon, a goddess symbol. Re is the sun god. progREssive, with Re right over the plug.

I found this Code 33 collage in my inventory of previously unpublished stuff. The Certified Snapshot Agency Code 33 Royal Arse-Arch.

The life preserver is the sodomite orange with divine white squared circle, the sodomite gateway. The I "heart" insurance button adds a bonus feature - the heart butt for the goddess of "heart." The life preserver is a Mark of the Beast circle X. Think about it. Folks will take it as a life preserver, but it will actually cause it to end as they trade it in for an epic loss. Note the subtle bent elbow W pose.

The North American Demo Boat Show has the 8 point Star of Inanna and compass Rose goddess symbols, plus the Azazel-Horus red cross.

The Progressive sponsored Boat Show ads feature suns and the red spiral of life to celebrate the sun god and his goddess.

progressive = 16+18+15+7+18+5+19+19+9+22+5 = 153

The 153 is a resurrection number. See John 21, with 153 fish caught in the net. Could that be why Progressive sponsors boat shows and not car shows? Vogue: to sail or row, to sway or rock, water in motion. Progressive Flo. Goddess. Stargates. Raising Horus from Osiris from out of the Milky Way.

Ode to Flo -- Progressive Insurance Commercial

Part 6 - Decoding Coldplay's Strawberry Swing - Vogue Interdimensional

Some of the notable stargate transit imagery in the official video for Coldplay's Strawberry Swing was already brought to light, but there's more, and there's still value in giving it some attention, even in this late hour.

Again, here's the official video, Coldplay - Strawberry Swing.



While these words are heard, “People moving all the time Inside a perfectly straight line,” Chris makes his vertical ascent in the pipe to emerge from the stove pipe hat. It's perfectly timed. While the rest of the verse is heard (Part 5), Chris ascends up to the sky castle on a cloud. I described this ascent as being on the kingdom viaduct, the mecillah. It's a time-space bridge that opens a lane for vehicular traffic. Upon reaching the sky castle on a cloud, a battle ensues.

From the heavens the stars fought, from their courses [mecillah] they fought against Sisera. ~ Judges 5:20

The cloud the superhero rides is a proper vehicle for ascent into the abodes of the gods.

As we read in Isaiah 19:1, “Behold, the Lord is riding on a swift cloud...” The superhero rides the cloud, like the Lord he imitates.

We see the miscreant squirrel-god's abode is with a cloud, not unlike the throne vehicle with the presence of the Lord God described by Ezekiel. He even wears a kind of rainbow suit.

4 As I looked, behold, a storm wind was coming from the north, a great cloud with fire flashing forth continually and a bright light around it, and in its midst something like glowing metal in the midst of the fire
...
27 Then I noticed from the appearance of His loins and upward something like glowing metal that looked like fire all around within it, and from the appearance of His loins and downward I saw something like fire; and there was a radiance around Him. 28 As the appearance of the rainbow in the clouds on a rainy day, so was the appearance of the surrounding radiance. Such was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell on my face and heard a voice speaking. ~ Ezekiel 1:4, 27-28

The tent of the Tabernacle in Deuteronomy is a model of what is in Heaven.

The Lord appeared in the tent in a pillar of cloud, and the pillar of cloud stood at the doorway of the tent. ~ Deuteronomy 31:15

So we see cloud pictured in the squirrel's sky castle that covers the threshold. The cloud castle is a clever and fanciful representation of what the tabernacle and temples were truly modeled on.

See this study (just updated and expanded), Heaven's Vehicles - UFOs - Fake and Genuine, for more insight.

Vogue

In Part 5, I presented the pitcher falling off the pedestal as a dimensional transit symbol that Strawberry Swing has in common with A-jax's “Insane” music video. They have another in common, the mode of propulsion. The superhero rides a smoke cloud that sails on the wind, paddling like he's in a boat on the water. This transport may be aptly described as, vogue. Vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.” It's a popular symbol!

From The American Heritage® Dictionary of the English Language: “vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots.] ... The Indo-European root of vogue is wegh-, meaning "" Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion."”

The “Insane” character with the Vogue hat wears a shirt with twin dogs that look like Anubis, with the twins referencing Gemini and the celestial Silver Gate. The utility chain of twinned torus (Taurus) construction presents a redundant witness, with keys suggesting his access to the locked gates. He makes with his crossed hands a winged figure. He's the psychopomp, able to traverse dimensions. He's Vogue, like Chris Martin who paddles the cloud vehicle because he's going, sailing on the wind and rowing, being transported in/on a vehicle.

Vogue, is signaled inside the cloud castle when we see Chris tiptoe past the rocking horse. Vogue: “to sway, rock -- to go, transport in a vehicle.” The rocking horse. A horse is most commonly ridden or used to pull a vehicle, even heavenly vehicles. See 2 Kings 6:17 and Isaiah 5:28. Consider Apollo's quadriga.

Vogue. It's a popular symbol! During the opening ceremony of the Sochi Olympics, the celestial transport with Horus at the mast (as sailing) moved across the sky under the stargate-signaling rods as the psychopomp rowed at the oars. Lobov, love, was within, the “feminine soul of Russia” - Mother Russia, the goddess of love, Venus, Mary.

The Queen of Pop, Madonna, had a hit song titled, Vogue, released in 1990. “Commercially, the song remains one of Madonna's biggest international hits, topping the charts in over 30 countries, including Australia, Canada, Japan, the United Kingdom and the United States. It became the world's best-selling single of 1990, selling over six million copies.” “ The video has been ranked as one of the greatest of all times in different critic lists and polls, and won three awards at the 1990 MTV Video Music Awards out of a total of nine nominations.” “Before Madonna popularized the dance, Vogue was performed mostly in bars and disco of New York City on the underground gay scene.”(Wikipedia)

(On that topic, the VMA awards are on tonight, and more mass ritual public performance magick will be attended privately by the undergrounders. There's extra attention now because of the celebrity shootings during a pre-party.)

The music video demonstrates Vogue to us as both the “Material Girl” icon of fashion and as the mother goddess involved with stargate transit.

Madonna - Vogue

The pedestals aren't there just to add a touch of class. You see goddess statues on pedestals, and a cat on the pedestal, like in A-Jax Insane - the cat goddess Bastet. It's the stargate symbol. The use of the black and white format does more than make homage to the early days of film. The Lord revealed to me that the Occult black and white motif is a reference to the tree of knowledge of good and evil. It's signaled with checkerboards and sometimes in film style.

The lyrics are all about the dimensional transit! Again, vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Lyrics - Madonna - Vogue

“I know a place where you can get away

Chorus
Come on, vogue Let your body go with the flow (go with the flow)

If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it

Oooh, you've got to
Let your body move to the music
Oooh, you've got to just
Let your body go with the flow
Oooh, you've got to
Vogue”

A dimensional transit is implicit in what is meant by this ritual sodomy euphemism whereby one aquires gnosis and illumination.

“If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it”

The illumined refer to the initiation as the new birth. (It's the Adversary's counterpart) The mechanism may be described as the installation of demons. Superstar = Chosen One.

The Mona Lisa painting is pretty Vogue. Chris tiptoed past the painting right before coming to the Vogue rocking horse. Mona = Madonna, and Lisa (derived from Elizabeth) is not unlike Melissa, the honeybee goddess. Remember from previous posts how that, in Strawberry Swing, the captive is the Queen Bee and the superhero is a bee.

In the goddess exalting and bean spilling animated feature, The Bee Movie, you'll find two scenes where a Vogue magazine is used to threaten the bee. Specifically, it's the large Italian Vogue. Italy, means, “calf-land or land of cattle” (same root as the Latin vitulus, a 1 year old calf). Consider how the offspring of Hesat (The divine cow goddess Hathor in earthly form) and Mnevis (the earthly bull form of Ra) is Anubis, the psychopomp.

The following screenshot reveals how Vogue is being used as an Occult reference. The fashionable art of the poster features his idol, the Virgin Mary and Madonna, the Killer Queen. She poses as the pinup girl with her vehicle. Vogue. The worker bee has one on his bookshelf just like it. Vogue. He's seen here about to sharpen his stinger as he gets ready to go.

A scene from a TomorrowLand festival pictures a young attendee wearing the fashionable goddess Vogue. Water in motion: Flow. (Also, wolf, backwards)

Progressive Insurance is Vogue. They are Progressive, advancing, going forward. Their iconic spokesperson is named Flo. Flow.

Progressive Insurance Commercial - Flowing with Flo at the Marina



Flomotion...Floin' With My Homies...Ebb n Flo... Listen for the music reminiscent of Venice with its gondolas. (I, pet goat II - Anubis) Watch for the part at the end where the goddess operates the “throttle of Osiris” on that vintage boat. Code 33: Flo ~ 6+12+15=33

Trending... Vogue.