Part 12 - Celestial Stargates - Silver Gate Mass Ritual

The post Aaron just put up was numbered 911 in the count of posts to this blog. What a fitting numbering! Emergency! Call for help (to the One in whom help truly is)! We didn't plan that, but, there it is.

A transit through a stargate was pictured as a cat jumping off a column or pillar in the music video “Insane.” When I understood about the meaning of the candlestick that turned into an hourglass, what came to mind was the Wizard of Oz and the hourglass in the castle of the Wicked Witch of the West. When I watched the scene where it was featured, Dorothy and Toto were being held captive. I saw the hourglass was set upon a pillar.

When Toto leaped off the pillar and ran down the stairs, jumped over the lifting drawbridge to span the moat and escaped the castle, I knew this was a parallel dramatization of the Silver Gate, then Golden Gate. I'm going to expand on that, Lord willing, after first presenting the pillar leap vignette from “I, Pet Goat II” (which should be read as “Gemini” as the glyph implies). It's a leveraging of the most significant mass Silver Gate ritual in recent times!



The video is still being presented on the Heliofant.com home page.

This viral video is in large part a ritual invocation of Horus as coming through the Silver Gate. After the introductory scenes we see a kind of apocalyptic view of New York. A stylized but easily recognizable image of the smoking and collapsing Twin Towers is accompanied by haunting and hypnotic music. The Twin Towers are a Gemini symbol, twin skyscrapers, reaching from the earth into the heavens. One of the stylized twins has a human form with the suggestion of a bare bottom because the Silver Gate is considered to be the back door.

The date they were destroyed, 9-11, is also a Silver Gate symbol, which is sometimes identified as the 9th gate, and the numeral 11 illustrates a graphic of one or two pillars. Counting from Virgo as the 1st sign of the Zodiac, Taurus is the 9th constellation. The Twins are Gemini.

Timing and time itself is a key factor in the stargate operation and ritual, as I've demonstrated at some length, and to emphasize that feature a clock tower is highlighted in this scene. It's midnight, like the 12 o'clock hour we that appeared on the “Insane” video's cuckoo clock. An allusion to the Midnight Cry.

Some of the horrific imagery burned into our memories by the media includes the falling bodies of those who leaped from the burning Towers. Those traumatized victims fell to earth out of the sky in freefall, to their deaths. The evidence that has been examined for many years contradicts the official versions, exposing how the event was carefully planned and executed. It was a ritual sacrifice, and very particularly marked as a Silver Gate ritual.

It might be considered insensitive to illustrate the scene with terrified victims falling to their deaths, so Heliofant illustrates it in connection with the burning Twin Towers but with a degree of separation. While the burning Twin Towers recede into the background, we see a single character leaping from a high place into the water. Yet, I suspect Heliofant's reasons for representing it this way have more to do with symbolic meaning than sensitivity.

The leaper on a column is costumed. He spins around before he leaps as a choreographed move, suggesting to us that this was a choreographed or staged event. When we're shown a crescent moon in the sky (eclipsed, actually) with a figure popularly identified as Osama bin Laden wearing US Army fatigues and a CIA badge, we see their identification of the event as a false flag op, which they extend by further suggesting that it's about oil. Given how Satan's hands were pictured earlier controlling Bush and Obama as marionettes, we see this scene as consistent with the theme of control being exercised as from off stage, as theater. Putting it all together, I believe what's really in view illustrates a Silver Gate mass ritual staged as a sacrifice to Satan.

Just like with the MTV WMA ceremonies that have been held in every 11th month, a certain kind of energy is harvested and exploited. If you think this isn't a real dynamic, you've been missing an important point of these posts. A magician understands about the building and releasing of energy. The pivotal event of 2001 was effectual ritual magick as the sacrifice involved about 3000 lives, or so it is reported. There was also ritual involved in the reporting of the event, then and since. I believe that every time someone who accepts the fabricated story and is emotionally engaged by it sees or hears of the event, or some memory of it is triggered, there is a reenactment of the ritual for further benefit to those who planned and executed the operation.

The emergency phone number 911 is also a Silver Gate symbol. We have been programmed to recall and respond to this programmed imprint of 911 in the midst of trauma. That harvesting ritual is being repeated over and over again!

Now, as the observer's point of view in the video demonstrates that we are continuing to back up, we pass through a narrow passage (back door) and find ourselves alongside Anubis, in the misty underworld Duat. The impression made in their image of the narrow passage is that of a keyhole, which punctuates the scene as the Silver Gate transit. The false messiah is in the boat, still in a trance, which is to say that this ritual is invoking and facilitating the coming of Horus.

After the Bin Ladin and oil sequence we look down upon the stylized Statue on Liberty Island to see another signaling of the Silver Gate. The apparent ice formation is the head of a dog, a celestial constellation, Canis Major, the same one pictured in the opening sequence as the stick figure guard dog. It's Anubis! The Statue's pedastal appears as a star. Dog Star. It's Isis and Anubis, together. The idol is Isis, as identified in Part 2. In scenes and texts of ancient Egypt (and promotions of the Golden Age of the Pharaohs), Isis and Anubis are often pictured together.

The next image looks up into the Silver Gate, establishing the celestial heavens as our frame of reference. A portal momentarily opens at the center of the vortex in the shape of a 5 point star. Horus, comes through the Silver Gate!

There is some parallel layering in this sequence that is mind boggeling, but just can't be covered in this post. Soon, Lord willing!

Hold Fast to that Which You Have Been Given for the Hour of Testing is Soon Upon Us

By Aaron Hermann

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A short time ago the Lord gave me a word to share as I was reading the book of Revelation. I had just finished reading the following

10 Because you have kept the word of My perseverance, I also will keep you from the hour of testing, that hour which is about to come upon the whole world, to test those who dwell on the earth. 11 I am coming quickly; hold fast what you have, so that no one will take your crown. 12 He who overcomes, I will make him a pillar in the temple of My God, and he will not go out from it anymore; and I will write on him the name of My God, and the name of the city of My God, the new Jerusalem, which comes down out of heaven from My God, and My new name. 13 He who has an ear, let him hear what the Spirit says to the churches.’ ~ Revelation 3:10-13

It was immediately after reading this that the Lord gave me this message to share.

"Tell my people to hold fast to that which they have been given for the hour of their testing will soon be upon them."

Whenever I receive a Word like this from the Lord I press in and seek Him as to when and how to deliver His word, and if there is anything else I need to share. It has been nearly a week since I was given this word, but it was not time to share the message until this evening.

The Lord has made it very clear over the past couple of days that the message He gave me was given in the context of the hopeful bride candidates of Y'shua HaMashiach and the hour of testing they will soon experience. A significant part of this testing will come in the form of betrayal and persecution coming from the rest of the church. Many folks ministering in Babylon write and speak quite frequently about the war the world is raging on Christians and how the world is persecuting the body of Christ. While that is true, there is a deeper level of persecution and betrayal that will take place and it will be the "heads of house", the leaders of the Christian community, who lead their people to betray and persecute Y'shua's Bride.

The ministers of Babylon have done a terrific job at convincing their blinded followers that all of the church is the Bride of Jesus Christ. However, that is simply not true and the vast majority will not come to recognize this truth until it is far too late. The Lord has been doing a very special work with a small number of folks that will make up His bride. The bride of Y'shua will be taken out of the body of the last Adam just as Eve was taken out of the body of the first Adam to be his bride.

What the Lord has given me to write to you has been modeled in the Bible, and I encourage you to seek Him for confirmation of what I am sharing with you here.

As I sat down to begin writing this, the Lord took me to something Bob wrote quite some time ago called "The Testimony of Gethsemane." I have referenced this several times over the course of the last two years, but it is especially relevant now as we have entered into a very special season. As I was reading what the Lord showed Bob all those years ago it became quite clear that the Lord was speaking to me about division, and how the testing that will soon be upon us will serve as a means to separate and divide people into their rightful place in the eternal hierarchy.

“As I wondered and prayed, it came to me that the very location of the event typified separation. Indeed, even though such a thing is never stated directly, the entire Mount of Olives is a symbol of division and separation. As I checked every mention of this location in the Bible, this signification became very clear. Knowing that the Mount of Olives is always associated with division affords us greater insight, because all that the Bible records as being said and done on the Mount can be considered from that perspective. Though it may seem a small matter, this insight has led me to some very important lessons about the Lord's plans for the latter days of his church.

Deception will mark the time of the end as His coming approaches. Division will occur as many are deceived by the many who come in the name of Jesus Christ. We continue reading in the context about nation rising against nation, and kingdom against kingdom, the turning away of many from the faith, betraying and hating each other, the love of most growing cold but that those who stand firm to the end will be saved, and even the departure of those who are in Judea as they flee to the mountains. Then we read of the prominent separation as two men will be in the field; one will be taken and the other left. Two women will be grinding with a hand mill; one will be taken and the other left. Could division be more pronounced?

Consider how the series of parables found in the balance of the discourse reveals the basis for division between the owner of the house and the ones who watched, the faithful and wise servant and the wicked servant, the five foolish and the five wise virgins, and the various servants who stewarded the master's talents while he was away. Finally, note the son of man's activity as "he will separate the people one from another as a shepherd separates the sheep from the goats." Yes, division is so obviously the theme here!

In that account, we learned about the sheep being separated from the goats by the shepherd, but in the next, we will learn about sheep that are separated from the shepherd as they fall away on account of him. This, too, is declared while on the Mount of Olives.

When they had sung a hymn, they went out to the Mount of Olives. 31) Then Jesus told them, "This very night you will all fall away on account of me, for it is written: "'I will strike the shepherd, and the sheep of the flock will be scattered.' ~ Matthew 26:30-31

(Similarly; Mark 14:26. Also see Luke 22:39)”

The Testimony of Gethsemane - Part 1 - (The Mount of Olives)

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Then Jesus went with his disciples to a place called Gethsemane, and he said to them, "Sit here while I go over there and pray."
~ Matthew 26:36

The word "Gethsemane" means "oil-press place." It was an olive grove on the Mount of Olives with a name that suggests a place where the olives are processed into oil. Oil is a symbol both of the spirit and of understanding. In order to bring forth the liquid (oil) from the olive, an oil press causes great pressure on it. Jesus is the olive root according to Romans 11:16, supporting every olive branch and therefore every olive in the tree. Did he experience pressure in that place? Indeed he did! The tremendous pressure upon him can be seen to bring forth liquid in Luke 22.

And being in anguish, he prayed more earnestly, and his sweat was like drops of blood falling to the ground. ~ Luke 22:44

The external fluid came forth like the internal fluid. Gethsemane indeed!

I have noted a number of significant instances of separating in the account. First, we see our Lord separating himself, Peter, James and John from the other disciples and then further separating himself from those aforementioned three. (Matthew 26 and Mark 14) This curious matter is what initially arrested my attention when the Lord was opening to me the association between the Mount of Olives and the meaning of division. Y'shua made a point of telling them to stay where they were, insuring that they would remain as he had separated them. Later in the account, Judas singled Y'shua out by betraying him with a kiss. He distinguished very particularly in this manner, separating him from the others present. Strange, isn't it? As if they wouldn't have been able to recognize him on their own. I believe part of the reason this was noted in the account is because of the primacy of the division theme. It is interesting that the agreed upon sign of betrayal was a kiss, an act of the parting of the lips. At the scene of the arrest, one of the disciples separated a man's ear from his head. In the account given in the gospel of John, the names are given and may therefore be seen as important to know. Simon Peter ("Simon" means "hearing") used one of the two (the number two signifies division) swords to separate the servant (whose name "Malchus" means "kingly") of the high priest's right ear from his head. Note that the cutting off of an ear impairs the ability to hear, and that the ear's healing restores the hearing. In the time of antitypical fulfillment, the "kingly" of the "High Priest's servants" whose hearing has been impaired will receive ears to hear because of the use of the "sword" given "Simon Peter" to wield. After Y'shua was arrested, they took him away, separating him from his disciples who themselves were scattered, causing a complete separation among them. Like the mention of the names in the above account, another feature unique to John's record is the recording of a very strange event that dramatically emphasizes the number two (division , separation) by way of repetition.”

The Testimony of Gethsemane - Part 2

Part 11 - Celestial Stargates - Biblical Pillars of Heaven

Yesterday, in my waking season, the Lord was reminding me of a remarkable day when He gave me some insight into stargates back around '97 or '98. Here's what I wrote about it.

“Between heaven and earth, there is a highway of sorts. This "high" way is a viaduct that will be a well traveled route for many who worship in the New Jerusalem in days to come. Let me tell you how I discovered this fascinating fact. Not too long ago, I woke up with a phrase running through my mind that just wouldn't go away. Until I got home from work that evening, I kept thinking, "The Assyrian is in the land. The Assyrian is in the land." When I realized the Lord was teaching me that the Assyrian was a symbol of a people in the land, I understood that he was about to show me something special based upon that knowledge. When I got home and began to search it out, I made an awesome discovery! Adding my knowledge of the Assyrian symbol to what I already knew from the "Iron Gate" studies about Egypt being a type of heaven, I discovered the meaning of the Hebrew word "mecillah," meaning a highway, staircase or viaduct.” (The Kingdom Viaduct)

I debated reproducing the entire study here. Instead of doing that I'm suggesting you just go read it now, as the Lord leads. It may be that it will open to you why an overcomer is made a pillar in the temple of the Heavenly Father, and why that's so awesome.

He who overcomes, I will make him a pillar in the temple of My God, and he will not go out from it anymore; and I will write on him the name of My God, and the name of the city of My God, the new Jerusalem, which comes down out of heaven from My God, and My new name. ~ Revelation 3:12

A decade later, the Lord called my attention to a ritual modeling of that mecillah that provided more insight and gave a degree of closure to what still seemed to me to be such a peculiar insight. Now, it's making a whole lot more sense!

The modeling was a dramatic element of a very public Illuminati ritual, performed in the way a soccer ball was ceremonially escorted to a bus during the London Ceremony. That was a richly symbolic 8 minute show sandwiched within the closing ceremonies of the Beijing Olympics. (Olympic Ceremony Symbolism - Part Four) The mecillah is a way of ascension and descension bridging heaven and earth, a stargate that may be represented in symbol as a ladder, stairway or viaduct.

Here's a picture from Rochester, NY, as seen from a vantage point fairly near to the statue of Mercury (Hermanubis) that has been exalted into the skyline. They do seem to know their stargates in Rochester. (Series Links: Rochester, NY and the Gateway to High Falls)

A stairway to heaven was dynamically woven of the flesh of man during the London Ceremony. This ritual enactment was set in the very specific context of 2 Thessalonians 2's ascension to a heavenly throne!

3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:3-4

In other language, this is Horus transiting the Silver Gate. He descends to incarnate in the chosen human vessel, while that genetically groomed man ascends to a celestial throne in the bridging union of body, soul and spirit. This antichrist merging represents the Devil's crux move. The agency of the Pope who baptizes and anoints him as the officiating High Priest is the beast John saw rising out of the land, and this is the agency of Anubis wielding the ankh. The place of restraining may be considered the Duat, the underworld and place of the dead as it is known to the Egyptians and their royal heritage.

6 And you know what restrains him now, so that in his time he will be revealed. 7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. (or, GONE FROM AMONG) 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; ~ 2 Thessalonians 2:6-8

When we read, “so that in his time he will be revealed,” it must be observed that there is an appointed time. On the calendar, this will be fulfilled on the 13th day of the first month, on the Lord's calendar. By our accounting, Spring of 2015. But that's the BIG secret, of course. ;) He, the antichrist agency of Horus, must be restrained until the appointed time. Too soon or too late - no good.

The Adversary is not ignorant about matters of timing. Within the limits of what my Lord has granted him for the outworking of His purposes, his knowledge is sufficient.

28 When He came to the other side into the country of the Gadarenes, two men who were demon-possessed met Him as they were coming out of the tombs. They were so extremely violent that no one could pass by that way. 29 And they cried out, saying, “What business do we have with each other, Son of God? Have You come here to torment us before the time?” ~ Matthew 8:28-29

“Gadarenes,” according to J. B. Jackson, means: “reward at the end.” Strong's Dictionary offers for the KJV substitute, “Gergesenes,” is, "a stranger drawing near." Flag on the field, fellow students. “When He came to the other side into the country of the Reward at the end / A stranger drawing near.” Think about it. Names are instructive. There's a suggestive preface to what may be interpreted as a parable. I don't doubt the legitimacy of the historical account as recorded, but it's also esoteric. They were coming out of the tombs, the place of the dead, as the underworld or Duat? They cried out as one, in two part harmony like mirror twins, in a Gemini-Silver Gate signaling, perhaps? The demons cast into the pigs immediately executed a freefall into a watery place named “circuit, or revolution” (Galilee) within the flow of “their descent” (Jordan), which perished their hosts and cast them into an abyss across the dimensional divide. The fall from a high place is a theme I haven't finished exploring yet. The Siamese (twins) cat leaping down off the pillar in A-Jax's “Insane” was just one example!

The sovereign Lord is ultimately in charge of every matter, and the Adversary's attempts to override His authority, even that which is over time itself, will appear to succeed. Keyword: Appear. For a season.

The messages being presently communicated to us in media echo how we are in the final countdown. It's time. We can't stop. These are expressions of confidence. You can accept that those who have ordained this proclamation have good reasons for being so confident. The rituals from the 2012 London Olympics and Paralympics were efficacious. There have been many more since then. The time has come for transition, for the unfolding sequence of trigger events and the eruption of chaos. A complex plan is being worked out. I will continue to decode the Occult messaging systems and bear witness to the greater truth according to the Lord's provision. If all this is speaking to you, take the words of 1 Thessalonians 5 to heart. Press in to all the Lord has for you, while this season for writing about chronos kai kairos remains, because it won't last much longer.

The Bible is not at all mute about the matter of stargates, and the matter of concealing and revealing is being capably managed by the Lord Y'shua. To get what some of us need to get from this I'm going to reference some relevant passages. I'm acutely aware of how very little I know about most things. What I do know confidently is that the Lord is attending most wonderfully to the provision of our daily bread. I'm not interested in theory, as speculative and academic. These are practical matters, for those to whom it is appointed.

There will be more than one instance of breaching the Silver Gate. It is likely that, as Steve Quayle is now reporting, stargates are opening already. When the antichrist beast manifests, that will be a notable, even pivotal breach. When the mark of the beast is implemented in a gambit leveraging his serpent DNA, and when the time lock on the 70 generations containment of Enoch's description is sprung, the expression, “all hell breaks loose” will be realized as never before. These things must be so. When it will be considered that things are beyond recovery, that will not quite be the full truth of the matter.

This passage in Amos 9 bears witness to the pillars that are stargates. The knob struck is the heavenly and underworld end of the stargate while the threshold is the pillar's base upon the earth.

I have seen the Lord standing by the altar, and He saith: `Smite the knob, and the thresholds shake, and cut them off by the head -- all of them, and their posterity with a sword I do slay, Not flee to them doth the fleer, nor escape to them doth a fugitive. 2 If they dig through into sheol, from thence doth My hand take them, and if they go up the heavens, from thence I cause them to come down. 3 And if they be hid in the top of Carmel, from thence I search out, and have taken them, and if they be hid from Mine eyes in the bottom of the sea, from thence I command the serpent, and it hath bitten them. 4 And if they go into captivity before their enemies, from thence I command the sword, and it hath slain them, and I have set Mine eye on them for evil, and not for good. ~ Amos 9:1-4 (YLT)

The New Living Translation renders Amos 9:1: “Strike the tops of the Temple columns, so that the foundation will shake. ”

According to the NET Bible, verse 2 reads, “Even if they could dig down into the netherworld, my hand would pull them up from there. Even if they could climb up to heaven, I would drag them down from there.” The netherworld; sheol, aka the Duat.

When the Lord says, “and I have set Mine eye on them for evil, and not for good,” that's THE evil eye that all the apotropaic amulets, MIB style ArcNets, The Fifth Element-like beaming and symbol magick in the world won't protect against. The exit strategy of those who would flee is flawed. Foiled. They will be flummoxed, and snake-bit.

The Hebrew words kaphtor and caph are stargate or mecillah constructs.

Knob: kaphtor Strongs H3730. Genesius observed that this word appears to be compounded from “to cover,” and “ to crown,” “ hence, a crown, chaplet, circlet of columns, of the golden candlestick.”

If you track the word, kaphtor, you will see how it describes elements designed into the golden lampstand that lit the Temple in Jerusalem (At the Center of Time, as coined by David Flynn). The menorah is a model, as all those things are, of heavenly things. The celestial lights are as the flame of a lampstand or golden candlestick whose base is set upon the earth.

God placed them in the expanse of the heavens to give light on the earth, ~ Genesis 1:17

Threshold: caph (pronounced saf) Strongs H5605. Threshold, sill, door-keeper - also translated gates. See 1 Chronicles 9:19 and 1 Chronicles 9:22. (Are you familiar with Series Links: Threshold? It's the stargate plot operating through the triple-helix DNA transformation of the Beast and his mark. )

This version of a temple with pillars from Dendera is not the figurative equivalent of an 8 dollar bill. The ancients had secrets of heaven, not all of them, certainly, but enough to do what was required. This ancient representation is more the equivalent of a large and legitimate denomination of currency, albeit a most clever counterfeit.

Amos 9:4 - “I command the sword”
Revelation 1:16 - “out of His mouth came a sharp two-edged sword”

12 Then I turned to see the voice that was speaking with me. And having turned I saw seven golden lampstands; 13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. 14 His head and His hair were white like white wool, like snow; and His eyes were like a flame of fire. 15 His feet were like burnished bronze, when it has been made to glow in a furnace, and His voice was like the sound of many waters. 16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. 17 When I saw Him, I fell at His feet like a dead man. And He placed His right hand on me, saying, “Do not be afraid; I am the first and the last, 18 and the living One; and I was dead, and behold, I am alive forevermore, and I have the keys of death and of Hades. ~ Revelation 1:12-18

Are you paying attention to the celestial symbolism? That is the genuine as provided by THE WORD Himself with a legitimate use of symbols in the expression.

When the clever producers of the A-Jax music video “Insane” chose pillars as symbols of the stargates and set candlesticks upon them, it was not of their own invention.

More to follow, Lord willing!

Part 10 - Celestial Stargates - 11:11 Ritual

Today is the 11th of November. As 11-11, it's a date for exploiting the twin pillars of Gemini by performing Silver Gate ritual. Apparently that's what the Illuminati Silver Gate-fest MTV EMA awards in Amsterdam are all about. Officially the ceremonial show was on the 10th this year. Since it began in 1994, it's been held exactly on the 11th twice, but it's always around this time, always in the 11th month.

The theme was obviously celestial. What's up with the kinky dwarf dressed all in black? Dwarf Star: “A black dwarf is a white dwarf that has cooled sufficiently such that it no longer emits any visible light.” (Wikipedia)

Here's Katy Perry, flying in the heavens.

If you've been attentive to this blog for a few weeks, you don't have to look far to see the ritual for what it is. The public nudity and crass behavior exhibited is shameful and offensive, and I won't recommend watching any of it. I watched enough to see what's going on. It's shocking what passes for popular youth entertainment now.

A new video with Miley Cyrus is also making news, which also celebrates the Silver Gate. Miley Cyrus covers her naked form in metallic silver for Future's Real & True video .

If you want to watch the teaser for the video that appears on that page, you can watch a 3 minute commercial that gives you the privilege of watching 30 seconds of the title. I'll save you the time.

FUTURE
REAL AND TRUE

There it is. That's apparently the opening of the video. This does send an important message. The Silver Gate that taps into the Duat really is going to open and metallic bodied beings are going to manifest in our realm. Be forewarned that iron doesn't mix so well with clay.

And in that you saw the iron mixed with common clay, they will combine with one another in the seed of men; but they will not adhere to one another, even as iron does not combine with pottery. ~ Daniel 2:43

Lady Gaga is apparently “passing her expiration date” and beginning to drive even her fans away with bizarre “broken down programming” behavior. Time for “rehab” yet? She performed at the 2011 MTV EMA awards, which was an 11-11 dated Silver Gate ritual. I decoded what I understood at the time here: Part 107 - The Sodomite Gateway - Lady Gaga as Illuminati Rosetta Stone.

Here's EMINEM, with his new M and M. Check out the awards given for the MTV EMA wins. What's the big M? M=13, a sign of the rebel lord beast. M is for Mars, the planet and god of war, sacrifice. See the planet Earth? A silver spring connects them as the vortex of the Silver Gate! The big silver M has twin pillars! The spring connects to it where the T is. The T is a Tau cross, a portal sign, and a T is for Taurus. The M-13 beast Horus is being ritually invoked through the agency of Mercury. M is for Mercury, aka Quicksilver, the Silver Surfer! It's Hermes, Hermanubis or Anubis.

Here's another Silver Gate ritual, from 1939 and MGM's classic, the Wizard of Oz. The famous twister is equivalent to the silver spring of the MTV EMA award. I believe one reason why the film begins in black and white is to present the twister in grayscale to emphasize the Silver Gate. (The black and white also emphasizes the knowledge of good and evil, which is imparted as she is transported symbolically through the sodomite gateway to a place over the rainbow, as dissociating during Illuminati “go over the rainbow” programming.)

Here's a sequence to illustrate the transit through the Silver Gate. As the scene goes, Dorothy has just left Professor Marvel, the traveling astrologer and mystic. She's returning home during the storm with her dog, Toto, and comes to the white picket fence around the house. There's two pillars flanking the gate. White is as silver, equivalent in symbol. The two pillars are Gemini, and she is about to go through the Silver Gate. In the background, we see the twister. One is the other, in symbol. Dorothy and Toto are Isis and Anubis, the Dog Star. This is becoming familiar, right?

Dorothy lingers, kicking at the gate. When it opens she goes through, passing directly across in front of the whirlwind as she does. It's difficult to perceive it in a screenshot but the funnel is at the top of her head as she passes through the gate. Note the “pyramid” in the background.

After crossing over, she turns around and looks at the gate. Instead of running to the house she turns and looks back at the gate, pausing. Right. We get it.

In 2 Kings 2, Elisha watched while Elijah was taken up to heaven in a whirlwind. What we see in the Wizard of Oz is like that, but different. They go to Oz, to “the land down under,” to the underworld. Isis and Anubis, the escort and psychopomp.

We have redundancy when, through the open window (portal), we see a chicken coop fly past that has also been taken up in the swirling vortex. A rooster perches and crows. The rooster is historically linked to Hermes-Mercury (and with Helios and with Leto, Apollo's mother). The chicken coop is a pyramid and the setting is Egyptian. The rooster is Anubis.

Hermes, JPL and NASA - Houston, we have a problem!
Hermes puts America to Sleep with his Magick Wand

Why is the house in the sky? Have you ever heard the song by The Fifth Dimension, The Age of Aquarius.Let the Sun Shine In? It's about astrology and a prophecy. The song was #1 for 6 weeks in the spring of 1969. Apollo 11 (Gemini #) “went to the Moon” that July.

When the moon is in the Seventh House
And Jupiter aligns with Mars
Then peace will guide the planets
And love will steer the stars.

What is called the Seventh House is also the House of Libra and Venus. The 12 zodiacal signs in the sky have an aspect as houses, and these are not only involved in astrological prophecy but they are regularly used for horoscopes. Diviners by the stars should find the symbolism very familiar. Remember, Dorothy had just had a divining session with the astrologer Professor Marvel.

This is the dawning of the Age of Aquarius
The Age of Aquarius

Let the sun shine,
Let the sun shine in
The sun shine in

The song closed encouraging the listener to receive the sun shine, the light of the sun god and sponsor of astrology. Who taught man such things? Such as Baraqiel, Kokabiel, Tamiel and Asradel. Fallen angels.

1) And Azazel taught men to make swords, and daggers, and shields, and breastplates. And he showed them the things after these, and the art of making them; bracelets, and ornaments, and the art of making up the eyes, and of beautifying the eyelids, and the most precious stones, and all kinds of coloured dyes. And the world was changed. 2) And there was great impiety, and much fornication, and they went astray, and all their ways became corrupt. 3) Amezarak taught all those who cast spells and cut roots, Armaros the release of spells, and Baraqiel astrologers, and Kokabiel portents, and Tamiel taught astrology, and Asradel taught the path of the Moon. 4) And at the destruction of men they cried out; and their voices reached Heaven. ~ Enoch 8

Where were you at 11:11 on 11/11? Being engaged in some sneaky Silver Gate ritual? Many were. This is not a side show kind of thing to the Illumined. It's their tap into the Duat.

Part 9 - Celestial Stargates - Insane Physics Across Time

In Part 8 I began to decode an elaborate dramatization of a transit through the celestial Silver Gate. I explained how both this realm and the underworld are being pictured by alternating scenes. I'm going to be looping through the two focal events involving the pillar that pictures the stargate.

Here's the Illuminati vehicle: A-Jax “Insane”



About 1 minute in, the cat on the pillar with the candlestick leaps to the floor. The guy sitting in the chair sees what's about to happen. Instantly, he appears by the column and tries to keep the candlestick from falling. That's the scene in the underworld. In this earthly realm, the patient in the asylum reaches to catch an hourglass but it falls to the floor and shatters. The outcome is different when the action repeats at about 2 minutes in, when the patient catches the hourglass, setting it on the shelf. What's being modeled in this is quite profound. The producers know how to expertly represent mind-control programming and they are no less skilled in this matter of the stargate.

The falling candlestick becomes the hourglass. This is a clever expression of the manipulation of our physical dimension. Light, gravity and time factor into Einstein's demonstrated equation of E=MC². Energy equals the mass of an object times the speed of light squared. If you can manipulate the value of one of the terms relative to the others you are able to exercise control over time-space.

• Falling signifies gravity: Mass is what gravity acts upon to produce what we call weight. To accomplish weightlessness you can either zero out gravity, or mass. M=E/C²
• The candlestick signifies light, and the moving candlestick, the speed of light: C = the square root of E over M.
• The hourglass signifies time: Time is a factor in the speed of light, which is generally assigned the value of 186,000 miles per second.

The key to the operation of the stargate involves the manipulation of time, and this is a very delicate matter. The video demonstrates this by the attention given to the fragile hourglass.

The expression about the “sands of time” derives from the hourglass, which is a timer. When the hourglass smashes on the floor, it's really time itself that is being broken, more properly, what we consider as the continuity of time, the linear flow perceived as sand passing through an hourglass. When an hourglass shatters, the sands of time escape. Think about that. It's picturing a time loss or truncation event. So, when the hourglass is later caught by the patient in the next dramatization about 2 minutes into the video, he sets it on the shelf with all the sand in the upper chamber, which illustrates the resetting of time.

A second witness to the disruption of time at the opening of the Silver Gate appears when the cat jumps off the pillar and we are shown a clock on the wall, lined up in the shot at the top of the pillar and base of the tipping candlestick. The clock is a cuckoo clock, which is to say that the clock is cuckoo, or time itself is acting crazy.

Most of us are familiar with the artificial construct called Daylight Savings Time. Where I live, we set our clocks ahead one hour in the Spring and back one hour in the Fall. That doesn't change time, of course, just our accounting of it. In the spring, we appear to lose an hour. One minute passes from 1:59 AM and suddenly it's 3:00 AM. Where did the 2 o'clock hour go? In Space Balls-speak, when time is reset with a truncation it may be asked when will then be now? Instead of the answer, “Soon,” the answer will be NOW! Suddenly, it's the future. No waiting. The operation of the Silver Gate involves the manipulation of time itself, where it's effectively “broken” then reset. There will be be a time jump, like the jumping of the cat off the pillar.

The time portal is pictured again as the cuckoo flies out of the clock in the underworld and is captured in the real world. The dimension breaching bird was in a pyramid shaped clock. The bird is Horus. It's caught in tightly clasped “Horus Hands” as a prize of great value.

The cuckoo clock seems to provide a redundancy to the symbolism of resetting time. At the 2:19 mark we're shown the Anubis dude with his face to the clock. It's 2 o'clock. Then he puts his face close and the little gates open. Little gates open. Yes, I repeated that. You're keeping the stargate context in mind, right? When the bird begins to appear, the clock is at 12 o'clock. The scene cuts to the asylum and then back to Anubis at the clock. Hey, it's 2 o'clock! Time is reset! That's insane! Crazy time!

When the cuckoo bird exits the clock's opened gate, it's not alone. It looks like a swarm. Beelzebub is the lord of them that fly. Many agents will be coming through the time portal. I believe there are multiple Silver Gate transit events in view..

About the cuckoo bird that was part of the clock mechanism, I believe there are what may be considered, clockwork angels. 911 - The Time Truncation Mission and RUSH - Clockwork Angels Tour

You have to consider the other crazy clocks and timers that feature in the video as adding weight to the importance of time in the transit scheme. On the digital clock, which appears prominently in the patient's room, random times of day appear. That object combines 2 of the 3 elements pictured by the falling candlestick that turns into an hourglass, time and light, having an LED display. Two other objects present time in combination with gravity, a mechanical metronome with an inverted pendulum and a pocket watch swung like a pendulum. The illuminati like these symbols. The pendulum is a notable feature of grandfather clocks, as seen in Skull and Bones class pictures. The pendulum is adjustable, so one can manipulate time. Think, As Above, So Below. This is related to frequency and wavelength, tones, harmonics, resonance...

The asylum authorities represented in the doctor and nurses were wielding control over time, which was pictured by their handling of the swinging pocket watch. They display an understanding of the triangle as space and circle as time. The alchemist who wields the compass exercies control over the space-time domain.

The key that finally materialized and was used to facilitate the patient's release was the evident fruit of the “speeding up of time,” if you note the frenetic and accellerating swinging of the pendulums.

If these things are compelling, you may want to give further consideration to the physics of general relativity and the freefall connection. (Introduction to General Relativity)

There's a figurative expression that goes like this, “If you could turn back the hands of time...” Is this even possible? Sure!

12 Then Joshua spoke to the Lord in the day when the Lord delivered up the Amorites before the sons of Israel, and he said in the sight of Israel, “O sun, stand still at Gibeon, and O moon in the valley of Aijalon.” 13 So the sun stood still, and the moon stopped, until the nation avenged themselves of their enemies. Is it not written in the book of Jashar? And the sun stopped in the middle of the sky and did not hasten to go down for about a whole day. 14 There was no day like that before it or after it, when the Lord listened to the voice of a man; for the Lord fought for Israel. ~ Joshua 10:12-14

The Amorites worshipped the celestial lights and gods, so this kind of thing is a demonstration of whose God is in control. That's a really notable observation because of what's coming when that exhibition of control is played like a high trump card in a high stakes hand in a game of cards.

A similar historical demonstration was made in the days of King Hezekiah. (Note: the location of that passage presents sets of pillar numbers related to the Silver Gate)

9 Isaiah said, “This shall be the sign to you from the Lord, that the Lord will do the thing that He has spoken: shall the shadow go forward ten steps or go back ten steps?” 10 So Hezekiah answered, “It is easy for the shadow to decline ten steps; no, but let the shadow turn backward ten steps.” 11 Isaiah the prophet cried to the Lord, and He brought the shadow on the stairway back ten steps by which it had gone down on the stairway of Ahaz. ~ 2 Kings 20:9-11

Brother Jim Wilhelmsen (Echoes of Enoch) made a video series (You Tube) about time travel in the Bible. In one of the episodes he included an excellent segment about those time manipulation events and their historicity.

Is the exploitation of the Silver Gate about time travel? Technically, yes. Since I'm touching on the subject, I want to make the point that everyone who has ever lived and died became a time traveler. No longer being bound to a flesh body (which is what had mass and was bound by the law of sin and death), they are removed from this temporal domain as being plucked up off the time line. They generally will reappear on the time line at the moment appointed for the dead to be raised (1 Thessalonians 4) in the resurrection event for which they qualified, according to the sequence of the barley, wheat and grape harvests.

1 Remember also your Creator in the days of your youth, before the evil days come and the years draw near when you will say, “I have no delight in them”; 2 before the sun and the light, the moon and the stars are darkened, and clouds return after the rain; 3 in the day that the watchmen of the house tremble, and mighty men stoop, the grinding ones stand idle because they are few, and those who look through windows grow dim; 4 and the doors on the street are shut as the sound of the grinding mill is low, and one will arise at the sound of the bird, and all the daughters of song will sing softly. 5 Furthermore, men are afraid of a high place and of terrors on the road; the almond tree blossoms, the grasshopper drags himself along, and the caperberry is ineffective. For man goes to his eternal home while mourners go about in the street. 6 Remember Him before the silver cord is broken and the golden bowl is crushed, the pitcher by the well is shattered and the wheel at the cistern is crushed; 7 then the dust will return to the earth as it was, and the spirit will return to God who gave it. 8 “Vanity of vanities,” says the Preacher, “all is vanity!” ~ Ecclesiastes 12:1-8

The passage of time is marked off by the celestial lights. Understanding this is really critical. The basis for all this is described in the account of creation.

14 Then God said, “Let there be lights in the expanse of the heavens to separate the day from the night, and let them be for signs and for seasons and for days and years; 15 and let them be for lights in the expanse of the heavens to give light on the earth”; and it was so. 16 God made the two great lights, the greater light to govern the day, and the lesser light to govern the night; He made the stars also. 17 God placed them in the expanse of the heavens to give light on the earth, 18 and to govern the day and the night, and to separate the light from the darkness; and God saw that it was good. 19 There was evening and there was morning, a fourth day. ~ Genesis 1:14-19

The reference system for time involves the Earth, and really, as David Flynn aptly demonstrated, the Temple Mount in Jerusalem very specifically. The obsession the Illumined elite have with Zion relates to the expression of control over space-time and a habitation beyond those constraints. The Clock of the Age involves the apparent rotation of the celestial lights around the earth, one sphere within another. A time reset will manifest in an adjustment to this celestial/terrestrial clock. I believe there will be a relative shift in grid alignment that will function like cylindars in a time lock. Keys to the stargates lock and unlock a time based security system.

When Fritz Springmeier and Cisco Wheeler describe the techniques and dynamics of Illuminati mind-control programming, they describe complex 3D and actually 4D security mechanisms in terms like clockworks. These mechanisms are understood to be demonically inspired and controlled. These are dimensional gateways, stargates. This is how these things work on both the programming and antichrist levels.

The physicists at CERN are bent on discovering what gives things mass because, if they can control that, they have a key to a time-space stargate. There's a reason why they seek hard after the exploitation of what they call the god particle. See what I wrote here for a sign that time itself is what they intend to exploit: More Observations While On Watch in 2010. It has been reported by witnesses how the operation of the LHC particle collider temporarily opened a dimensional portal.

Time is a servant construct. It's appointed for this age. There is a purpose for this temporal realm, but when that's fulfilled, this age is over. Then, time will be no more. Something else will be, another kind of servant construct for another purpose.

5 And the messenger whom I saw standing upon the sea, and upon the land, did lift up his hand to the heaven, 6 and did swear in Him who doth live to the ages of the ages, who did create the heaven and the things in it, and the land and the things in it, and the sea and the things in it -- that time shall not be yet, 7 but in the days of the voice of the seventh messenger, when he may be about to sound, and the secret of God may be finished, as He did declare to His own servants, to the prophets. ~ Revelation 10:5-7 (YLT)

Just over 13 years ago, I was blessed to experience what I can only describe as a trip to the timeless place, near to the Throne of the Most High where His glory was overwhelmingly manifest and worship flowed freely. What I'm telling you I see in this video is legitimate. Time will be broken and reset, operating a mechanism that facilitates the entrance of demonic agencies and their operation in this realm. That's really bad news, to put it mildly, because what is coming is going to cause men's hearts to fail for the terror of it. The good news is, this is not going to catch the sovereign God off guard. It's actually His plan that is unfolding, and He is GOOD! Do you trust Him? Does He trust you?

Part 8 - Celestial Stargates - Insane Freefall from the Duat

The transit through a stargate is being ritually modeled to us by people and animals doing a freefall, like Felix Baumgartner from Red Bull's Stratus capsule and Bullwinkle's Rocky off the high dive platform. Similar freefalls are featured in the “Wizard of Oz,” “I, Pet Goat II” and in the A-Jax music video for “Insane.” These have some very revealing elements in common, providing rich detail in the adding of symbolic layer upon layer!

So we return in this post to the A-Jax music video for “Insane,” where we find some very significant ritual modeling. Search this blog to find the foundation of what I've already written about this video's symbolism. I'm assuming you're familiar with that.



It's a simple action, basically. A cat jumps off a pillar onto the floor. The video makes a big deal out of that and a candlestick that gets knocked over in the process. Why? Because the Illuminati programmers behind it have a very important ritual to perform. The pivotal action takes place around one minute in, then again about two minutes in. What is being modeled to us can't be done effectively in one take because there are two key aspects involved. The set is identifying the Silver Gate very distinctly, setting the context for two modelings that establish the relationship of light, gravity and time in a way that spills some beans on a time truncation ploy.

The producers of “Insane” put Siamese cats in a paneled room. In various scenes they are all over the place, even on top of pillars. We associate “Siamese” with twins. The theme of twinning plays on the mind-control programming layer of symbolism and also on the parallel antichrist beast layer, as one Gemini symbol among many because there's more mirror twinning in this setting. One arrangement of the room has one half being mirrored to present identical sides. The pillar at the back of the room then has a mirror twin. The lamp on top of it is the kind that features twin candlesticks. In a version of the room that isn't mirrored there are still two pillars, with one of them becoming our focus of attention. It has a single candlestick on top, with a style that isn't twinned but, with a silver base and white column and white candle inside a clear globe, placed upon the white column just silently screams: “Silver Gate”!

To understand the music video's method of dramatic modeling, you have to link the patient in the room with the activity in the other rooms. The scenes set in the strange rooms represent what's going on in his insane mind (dissociated alters). For example, when the patient has a fan blowing on his face, we alternately see someone in a surreal room acting like they are struggling against a strong wind. This device that uses alternating scenes to picture concurrent realities effectively plays on both thematic layers of Monarch programming and antichrist beast manifesting. The patient's room in the asylum is the real world scene, this material space-time dimension. The alternating scenes set in the paneled room represent a heavenly realm. The pillar represents the connection as standing upon this earthly realm and reaching up into the heavenly. What primarily interests me in this post is how that which falls from the top of the pillar to the floor falls from heaven to earth via the Silver Gate.

The cat that leaps down does not appear in the earthly dimension. The candlestick, however, becomes an hourglass, and here is where things get real interesting! As Above, So Below. There's so much going on here. I'm going to loop through it a few times to explain what I'm seeing. This will take more than a single post.

Inserted within the pivotal alternating scenes of the pillar events (both at around one minute in, and then again about two minutes in) is a guy wearing a red plaid shirt and a Vogue hat. On his shirt we see a mirrored pair of dog's heads. Around his neck is a golden chain that functions as a key ring. His bizarre attire has a lot to tell us.

If you see him in connection with the fashion magazine, you're probably looking beyond the incredibly tacky look and seeing what is common between them, the imagery of the Illluminati sorcerers working a mass mind-control scheme that programs slaves and influences vain people through ritual magick. That's a fair perception, in a general sense, but minding the details affords us some very relevant insight!

The dog resembles Anubis, right? The shadows picture the shadow world, the underworld. The twinned dog is like the pair of pit bulls in Ke$ha's Crazy Kids, representing Gemini and the Dog Star (Sirius A and B). Those pit bulls wore chains around their necks. Mr. Vogue's twinned dog does too. So does he, and his has keys! Keys open and close locked doors, like celestial stargates.

The chain means what I've already covered at length in recent posts, representing the twinned torus stargate(s) and the Great Chain of Being.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)

As David Flynn observed:

“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'” (The David Flynn Collection - Kindle Edition)

How do you suppose folks bringing this stuff forth learn what to do, how and when? It comes from somewhere.

You may also interpret the keys on the chain around Mr. Vogue's neck as a sign that he has a secret, but we know what that is! His identity and role is that of Anubis, Hermes, Hermanubis, the psychpomp. He's the agent of the dimensional transit, the Dog Star navigating the Duat.

What's Vogue about that? It means to sail or row -- to go, transport in a vehicle -- water in motion -- to sway, rock -- a rowing, a course.

vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots. V., after the fashion magazine Vogue.]
Word History: The history of the word vogue demonstrates how sense can change dramatically over time even while flowing, as it were, in the same channel. The Indo-European root of vogue is wegh-, meaning "to go, transport in a vehicle." Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion." The French, who have given us many fashionable things, passed this noun on as well, it being first recorded in English in 1571.” (The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.)

The Silver Gate is at the center of the Duat, and the transit event being modeled to us includes a proper acknowledgment of the agency involved. It's how ritual magick is done. The being or beings transiting through the stargate are coming through from the underworld into our world. What we're seeing is the ancient religion of Egypt being practiced today. If you see this as a clumsy and merely superficial adaptation of symbols you're missing something. The ancient gods are being worshiped today. The religion of the Pharaohs is the religion of the Illuminated elite today. The ancient gods are quite real, and will manifest once again in this realm as in olden times. The cat was worshiped as a goddess, Bubastis. She was known as the Eye of Ra. This ritual is being performed as directed from the underworld, if you can see past the layer of the flesh. The Eye of Ra is being invoked. Horus will manifest again in a body of flesh in not many months time.

I'm going to pick this up in the next post, Lord willing.

In closing, I'll leave you with a picture of the Silver Gate that is trending in fashion today, clipped from the homepage of The Limited (Thanks Pam). Also trending, “It's Time”!

Part 7 - Celestial Stargates - Red Bull, The Bulls, Pit Bulls and Bullwinkle

One of the most visible brands in the world of sports features the Silver Gate, Red Bull, the Austrian energy drink company. They sponsor the reigning Formula 1 world championship team and driver. They host major sporting events and sponsor many teams and athletes across a wide range of activities. This symbol of the sun god coming through the Silver Gate is getting a lot of promotion! Their logo is a sun flanked by a mirrored pair of bulls. Twin bulls - Gemini-Taurus. I've decoded this brand before, uncovering many layers of symbols. Here's yet one more!

In the branding of the Red Bull Air Race you can see the name of Ra being called to our attention as the leading letters, and central in Air Race. The sun draws attention to how the Re in Red is also naming the sun god. The crossing of the legs of both letters R in Air Race suggests a pair of Rx style Horus Eyes. The Rx is linked to drugs, of course. Their drink is a powerful concoction that might be seen as a spell-inducing potion, pharmakeia, which works in parallel with the evident symbol magick.

The tail of the airplane is linked to the stylized letter A in such a way that a double X appears, which I've recently identified as the two connected stargates. The trace of the aerial loop forms a Horus Eye and Silver Gate! The plane's prop provides two Tau crosses, and the body and wings of the plane provide the third: Triple-Tau. It's signaling the Masonic Royal Arch degree that pictures the dimensional portal. I infer that the CE at the end provides a Code 33 that supports the WC-33 of World Championship.

Isis is frequently identified with the Silver Gate, and so it is with Red Bull's imagery. The bulls flanking the sun picture the reproductive organs of the female. Isis. The reproductive system of Osiris is represented by the stylized title, with the dB as his phallic package. Together, they bring forth Horus, and that's the story of the Silver Gate, right?

This company performed an extravagant ritual on October 14, 2012 with the Red Bull Stratos project. Austrian daredevil Felix Baumgartner set a new freefall record. This star-sailor fell from the sky to earth wearing a kind of astronaut suit bearing the energy drink's Silver Gate branding. He ascended in a capsule raised by a helium balloon. Helium ~ He. Helio - the sun. HE ~ Horus Eye. They missed their target date by a few days. The target was the 11th, the number symbol of the Twin pillars of Gemini.

Here's a Red Bull ad featuring their slogan, “Red Bull Gives You Wings.”

These wings are not for flapping around in the air we breathe. What wings represent is the ability to traverse dimensional barriers. There is a reality that underlies their slogan. Clearly, these are the familiar artistic versions of angel wings. Fallen angels.

The placement of their logo at the keystone position of an arch is brilliant, and putting it across a race track where vehicles travel through with high energy is just evil genius. It's more Silver Gate ritual, but down to earth. Taurus-Earth / Gemini-Air.

The Red Bull logo for the drifting event features the Silver Gate image on another arch, with the sun making its descent.

Another red bull branding is for the Chicago Bulls basketball franchise. This image is from their Twitter page. The stars set the celestial context. Taurus. Between the horns is the Silver Gate. The red may be linked to the sun disk. Inside the blue and white symbol is a check mark - that's the right triangle signaling the Pythagorean Theorem and esoteric 47th problem of Euclid. Its another portal symbol of the production of Horus in this realm!

There are other kinds of bulls that are not considered cattle. These also may represent Taurus with the benefit of just a little bit of obfuscation.

One example comes from Ke$ha's Crazy Kids music video. I neglected to identify the breed of dogs with Ke$ha on the couch. (Thanks Arthur.) Those dogs are Pit Bulls. Chaos-Abussos Taurus. Identical Pit Bulls are as twins, which again signifies to us the contellations of the Silver Gate, Gemini and Taurus!

Then there's Bullwinkle. This star of network TV cartoons was introduced in 1959 and was on the air in several versions of shows until 1964. Bullwinkle was a moose who appeared with Rocky, a flying squirrel. The horned moose was a bull. The ending of his name, “winkle” is like “twinkle,” like a twinkling star in Taurus, the bull.

His co-star Rocky wore a helmet and goggles like a pilot of open cockpit airplanes. He was a flying squirrel, but those critters don't actually fly. They glide. It's not freefall, but the result is that they descend from the sky to the earth. That's a familiar theme, right? Rocky was just his nickname. His full name is Rocket J. Squirrel. Rockets go into space, and that was the Mercury and Gemini era. Rocky's color is like silver.

Rocky and Bullwinkle were close companions, often seen shaking hands, or with Bullwinkle holding Rocky. Together, like the constellations Taurus and Gemini.

I wrote a little about Bullwinkle and Rocky in Part 95 - The Sodomite Gateway - Singin' in the Rain: Pharmakeia, where I featured Bullwinkle's hat gag.



It was a humorous take on the stage magician's classic trick where he reaches into a top hat and pulls out a rabbit. A hat can be a symbol of the anus and ritual sodomy, that which a head goes into. The rabbit hole is a metaphor for the rectum, as derived from the story of Alice in Wonderland. Pulling a rabbit out of the hat makes the symbolism redundant, removing any doubt as to what is meant. Ritual sodomy is a magickal act, so the stage magician's trick makes every performance a public ritual. The Silver Gate is evident in the gag when you picture the hat on Bullwinkle's head, a dimensional portal between the horns of a bull. Isis and the Silver Gate. This was a regular routine used to segue into a commercial. As such it was a transitional device.

Another iconic schtick involved a freefall, like Felix Baumgartner's Red Bull Stratus stunt. Rocky would perform the high dive, a classic circus stunt. He would leap off a platform atop a high ladder (reaching from earth into the heavens). He was a glider (with jet plane sound effects) and didn't need to land in the customary target zone, a tub of water. He would jump off the platform but Bullwinkle would jump into the tub. This linked them together in a way that speaks to me of the Gemini-Taurus partnership.

One more thing the show was known for suggests the Occult practice of stargate ritual. Bullwinkle famously employed a theatrical device that represents an extension from that other dimension into our reality.

“The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction.” (Wikipedia)

Do Occultists know theater? Oh yeah!

I'll close out with a Silver Gate / Golden Gate ritual. It's Lady Gaga's latest, Venus. Yes, that's a scorpion on her face, covering her 3rd eye. See this Dail Mail article with video clips for more detail. She sings about Venus, the goddess of love. That's a planet, of course, a celestial body, and the scorpion is Scorpio, a celestial sign identifying the Golden Gate. Since she has the Golden Gate symbol on her face, I wonder if she's going to have a Silver gate symbol on her backside, because that's the back door. If she “moons” us at any point, that's enough to do it.

The rainbow bridge pictured by the lighting is very definitely a stargate symbol. She sings, “Rocket number 9 take off to the planet to the planet, Venus.” Venus ~ Isis. I believe the 9th gate is associated with the Silver Gate. She sings, “Let's blast off to a new dimension...” A new dimension, you see, not just a planet. She sings, “Goddess of love just take me to your leader,” which can be taken as a prayer to the celestial goddess. “Take me to your leader” is a campy expression aliens would say when arriving on the earth, popular in pulp fiction and Drive-In movie fare. Horus is being invoked. As usual. The symbolism is muddied water, obfuscated, with a degree of plausible deniability, but my interpretation is consistent with the video imagery they've released so far.

We've got plenty of redundancy in these examples. The Gates of Silver and Gold have been important to the worshipers of Horus for a very long time. They exploit the symbols in ritual magick in every way imaginable.