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Showing posts sorted by relevance for query Ke$ha. Sort by date Show all posts
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Monday, November 19, 2012

Part 51 - The Sodomite Gateway - Victory Junction and the March of Dimes

As I parade more of the pedophile branded childrens charity imagery before you the horror and scale of ritual abuse should be starting to sink in. This is not just the work of a few random perverts. Ritual sodomy and the exploitation of young children is being done toward the goal of global domination. You are a witness to the reality of an army of mind-controlled and psi powered slaves that are being created and supported. What is playing out on the world stage is just what the Bible declared, which few want to accept. Let the messages broadcast so redundantly and potently through these brands engage you. Being ignorant or numb is no real benefit.

Warning: If you have issues with SRA DID triggers or with descriptive language relating to trauma-based ritual abuse, you may want to skip this post. This subject matter is fit for the healthy and mature, who want to know what's really going on.

In Part 47, I featured the BBC charity, “Children in Need,” awarding their website a Pedobear for their creepy pedophile promotion. A reader who does his homework shared his discovery in a comment, pointing me to a recent post on the charity's blog, Shop ‘til you drop to show your spots!. Thanks, Revolution Harry! Pudsey bear has a companion named Blush, a girl bear with a bow on her head. The bow or anything tied may be signaling ritual sodomy, which is the tie that binds. I have to say that's the case here because her name is a validating clue. Blush (definition number 7 - The Urban Dictionary) refers to the mix of blood, fecal matter and semen that emits from the anus after rough sodomy.

Here's one of the lines from Ke$ha's song, “Die Young.” “That magic in your pants, it's making me blush.” Connect the dots. (Project Files: Black Awakening: The Ritual Sacrifice - Ke$ha “Die Young” - ISIS - Madonna)

Blush's bow with the rainbow colored dots is a homosexual-signaling and dimensional bridge-signaling and light phenomena-on-her-head symbol that alludes to the days of Noah. Connect those dots! This "rain-bow" signals the illuminated condition of Rothschild sodomy, with a link pointing back to ancient history, when the Devil's sodomite and genetic migration scheme to hijack Adamic man had nearly achieved total victory.

Pudsey, the phallic Top and Blush, the Bottom. Can I award the BBC's “Children in Need” charity a double Pedobear?

During the recent Olympics, the BBC was responsible for the local broadcast. As the Lord was teaching me about the sorcery taking place and how to recognize the physical evidence I came to perceive the BBC as the Bell, Book and Candle network. This associates them with common objects used by witches and a famous spell. I believe their operations are bewitching the UK, and wherever their influence extends. The magickal cloaking over their network extends to their charity work. Jimmy Savile wasn't the real problem over there. Cleaning house at the BBC or Parliament or even with the Royals isn't going to solve the problem. The problem goes deeper. The solution is going to be entirely thorough, and it is coming, but things will get far, far worse before they get better. If this speaks to you, draw near and near to the cleansing agent whose blood is pure, Y'shua!


Victory Junction is the charity most closely associated to NASCAR. This organization claims benefit to children but their brand imagery declares something else.

Their Recycle for Victory promotion features the black sun, or black hole sun, which should be familiar by now. The object resembling a tire backlit by the sun is the rayed symbol of ritual sodomy, the anus, filled with illumination that is white with a ring of star-angel yellow. The recycle phallic arrow symbol provides the triangle, the anal triangle, for the triangle in circle alchemical squared circle sodomite gateway.

The sun is eclipsed, here, a testimony that Horus, the ancient sun god, once shone and will yet again. The Aeon of Horus is dawning.

The cars stacked around it form a truncated step pyramid, the body of the Beast kingdom. The Beast and his mark are signaled in the three arrows presented in rotation around the Sprint phone, which mirror to reveal the obfuscated 666.

Notice the number on the car, 1. The car opposite is a mirrored number 1. Hmmmm. The other cars are the same, so we count 1,2,3 on one side, with a mirrored set on the other: A 3 balanced by a 3. This is an obfuscated instance of 33, a sign of the 33rd degree of Freemasonry! This signal number signals the illuminating Rothschild sodomy!

This Recycle for Victory imagery looks so familiar. Where have we seen it before? Ahhh, it's the Anja chakra! Mirrored sides? Check. Triangle in circle? Check. Something we perceive as a 3? Check. It's marketing third eye illumination through kundalini activation, the sodomite gateway, but we already knew that. When it comes to symbols casting spells, layered redundancy works powerful magick!

If we follow the direction of the esoteric imagery, what is meant by “Recycle for Victory” is the scheme of recycling you for Lucifer's victory. You are the raw material. Add one strand of DNA and you are recycled, formed into another image with the mark of the Beast!

The charity's logo features a checkered flag. Taking an “As Above, So Below” perspective provides the signature Masonic floor. Lest we miss that fraternal order's mark, the upper heaven-blue band is distinctly separate from the lower earth-green band to give us one more application of the Hermetic Maxim. That same signal is frequently made with two arms of a figure, but here it's made with the right arm pointing up and the legs pointing down.

The child and tire span heaven and earth. How that feat is accomplished is through that tire on which the child sits. Yeah, that tire. As with the Recycle for Victory imagery, their signal butt donut is filled with white light. The swinging child reaches towards the red heart, the now familiar sign of ritual sodomy. If we consider that the child's hand and the heart are outside the main content panel, the dissociation of the traumatized victim while in the hands of the handler is pictured. When being ritually programmed with traumatizing sodomy, the child is triggered to dissociate, who goes to their happy place, over the rainbow.

I believe what is meant by Victory Junction involves the junction of two bloodstreams and souls, bonded in ritual sodomy. This is their means of achieving victory. This is as it must be until the Lord Y'shua puts an end to it! The words Victory Junction are visually balanced in the graphic by the checkerboard. If we equate them, the message is familiar. The black and white grid signals the joining of the opposites on many levels, the junction, the union. To Lucifer's horde of stumblers along the left hand path, this is what victory looks like.

This explains why, at the end of a race, the checkered flag is shown to and awarded the victor! The white flag is thrown to signal the race's last lap. The white flag means surrender in military language. The message is sent that we should surrender to the merging of the two natures, the mark of the Beast transformation. The checkered flag as a reward makes us want that. Evil genius!



Update: 11/25:

The Recycle For Victory graphic is an inverted winged solar disk, what's commonly called Horus Behedeti. You see it here compared with the logo for the Rosicrucians. Both feature a solar disk flanked by feathered wings, with a triangle formed inside the solar disk. Both also feature words on top, with a centered letter O at the 12 o'clock position. Obviously, they share a common meaning and influence, which has to be intended.

I haven't really addressed the winged disk before, so I'd like to take this opportunity. Many people recognize the winged sun as a symbol of the sun's motion across the sky. It is commonly accepted by folks who are convinced there are no gods that simple superstitious cultures like to worship things they can see and touch, so they worship the sun as something really tangible that has lots of influence in their lives. However, there are gods, and they direct their worshipers in how they want to be worshiped. Horus Behedeti is one example.

There is a genuine, and there is a counterfeit.

But unto you that fear my name shall the Sun of righteousness arise with healing in his wings. ~ Malachi 4:2

This partial screenshot of the website for the Ancient Mystical Order Rosea Crucis demonstrates their awareness of what regular readers already know.


Da Vinci's Vitruvian Man cryptically illustrates sodomy. The Rosicrucians identify the familiar sketch with “The Key to Universal Wisdom,” and, in that same graphic, invite visitors to “Discover how extraordinary you really are.” If you understand about the Rosetta Stones of Freemasonry, this esoteric promotion of the sodomite gateway should speak to you about the meaning of their AMORC branding with Horus Behedeti.

The triangle in the AMORC sun disk is the alchemical Philosopher's Stone signaling the squaring of the circle, the anus and ritual sodomy. Their version contains an ankh, the magickal royal Egyptian symbol that has several layers of meaning, including the power of resurrection life. The wings signify the ability to traverse across dimensional boundaries. Horus Behedeti, including both the AMORC and Recycle for Victory versions are magickal symbols. They represent the sodomite gateway and are symbol portals charged with an ancient supernaturalism that you may well identify with the pharmakia of Mystery Babylon.

This powerful symbol is widely known and leveraged, as you can see from this collection of logos representing mostly vehicle manufacturers. Vehicles are used for transport, and with wings signaling transdimensional capability, there is in this a statement being made about what was and what is coming. I've included Honda, whose winged allusion to Hermes / Mercury imagery is a close companion.

What Tom Horn wrote in PETRUS ROMANUS (Pt 15) - Magic Squares, 666, and Human Sacrifice? is very relevant. In his discussion of the ceremonial rituals done by the Scottish Rite Freemasons in Washington DC that pertain to the raising of Osiris, he describes a role played by the winged sun disk.

But it is very important to note how, when this ritual is carried out in the Temple Room of the Heredom, it unfolds below a vast thirty-six-paneled skylight that forms a stylized Magic 666 Square. Around the four sides of the skylight can be seen the Winged Sun-Disc. This positioning above the altar is in keeping with historical occultism. Egyptian magicians employed the same symbolism above the altar for invoking the sun deity. In the St. Martin's Press book Practical Egyptian Magic it is noted: “Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the altar in an easterly direction and used when invoking the protection and co-operation of the sylphs.” The Renaissance occultist Paracelsus describes these sylphs as invisible beings of the air, entities that the New Testament book of Ephesians (2:2) describes as working beneath “the prince [Lucifer/Satan] of the power of the air, the spirit that now worketh in the children of disobedience.”

The skylight with the 6x6 grid is pictured here. It is covered by a pyramid of glass and is positioned directly above the the Grand Temple altar.

Detail of their version of Horus Behedeti appears below to illustrate this “Rosetta Stone” of ritual sodomy, whose magick is used in high sorcery for the invocation of Horus, inviting him through the portal to manifest in this realm. This symbol was inspired by the ancient gods for their worship, and to invoke their presence. This magick worked in ancient times, and it works today.




I clipped this promo off the Christian Post, a popular mainstream evangelical publication. The featured work isn't to benefit children, but it is that of a youth group engaged in setting an example for others to follow. Isn't that a strange way to picture a Bible, especially with washed out lighting in what's technically called the gutter? This makes more sense when you see it as someone's backside, wearing a version of the fashionable cheerleader's butt-print / booty shorts. The enhanced shining light graphic adds the validation that what we're looking at is the backside promoting the sodomite gateway. If you consider the edges as letters, this clever graphic is an m on m, the Mason on Mason. We've seen that before! If you rotate the image a quarter turn clockwise you'll have a 33. Again, we've sure seen that before! Those Masons do have their minds in the gutter!

The Freemasons present a Bible on a stand, opened, and place upon it the square and compass. The message is that access to the book of life and its mysteries is through squaring the circle, the practice of illuminating ritual sodomy, and initiated thereby, through the mastery of their ancient magickal craft.


A children's charity called The March of Dimes is familiar to most of us. Their brand features a line art drawing reminiscent of Madonna aka Isis, the goddess of magick and regenerative Horus producing sex magick. Uh, why is it that the child just looks like a butt, or is that a phallus being cradled by a baby like in the UNICEF brand? Given the purple color, the message I perceive is that it's both. The presence of the registered trademark informs me that this pairing of lines represents the seeing eye of the Harmerty pairing. There's nothing good here.


You don't have to be a famous charity to have an offensive logo. This one I found looks like a family crest. If so, that's one messed up Illuminati family! The graphic is the sodomite Mason on top with his third leg poised over the victim.

Friday, November 08, 2013

Part 7 - Celestial Stargates - Red Bull, The Bulls, Pit Bulls and Bullwinkle

One of the most visible brands in the world of sports features the Silver Gate, Red Bull, the Austrian energy drink company. They sponsor the reigning Formula 1 world championship team and driver. They host major sporting events and sponsor many teams and athletes across a wide range of activities. This symbol of the sun god coming through the Silver Gate is getting a lot of promotion! Their logo is a sun flanked by a mirrored pair of bulls. Twin bulls - Gemini-Taurus. I've decoded this brand before, uncovering many layers of symbols. Here's yet one more!

In the branding of the Red Bull Air Race you can see the name of Ra being called to our attention as the leading letters, and central in Air Race. The sun draws attention to how the Re in Red is also naming the sun god. The crossing of the legs of both letters R in Air Race suggests a pair of Rx style Horus Eyes. The Rx is linked to drugs, of course. Their drink is a powerful concoction that might be seen as a spell-inducing potion, pharmakeia, which works in parallel with the evident symbol magick.

The tail of the airplane is linked to the stylized letter A in such a way that a double X appears, which I've recently identified as the two connected stargates. The trace of the aerial loop forms a Horus Eye and Silver Gate! The plane's prop provides two Tau crosses, and the body and wings of the plane provide the third: Triple-Tau. It's signaling the Masonic Royal Arch degree that pictures the dimensional portal. I infer that the CE at the end provides a Code 33 that supports the WC-33 of World Championship.

Isis is frequently identified with the Silver Gate, and so it is with Red Bull's imagery. The bulls flanking the sun picture the reproductive organs of the female. Isis. The reproductive system of Osiris is represented by the stylized title, with the dB as his phallic package. Together, they bring forth Horus, and that's the story of the Silver Gate, right?

This company performed an extravagant ritual on October 14, 2012 with the Red Bull Stratos project. Austrian daredevil Felix Baumgartner set a new freefall record. This star-sailor fell from the sky to earth wearing a kind of astronaut suit bearing the energy drink's Silver Gate branding. He ascended in a capsule raised by a helium balloon. Helium ~ He. Helio - the sun. HE ~ Horus Eye. They missed their target date by a few days. The target was the 11th, the number symbol of the Twin pillars of Gemini.

Here's a Red Bull ad featuring their slogan, “Red Bull Gives You Wings.”


These wings are not for flapping around in the air we breathe. What wings represent is the ability to traverse dimensional barriers. There is a reality that underlies their slogan. Clearly, these are the familiar artistic versions of angel wings. Fallen angels.

The placement of their logo at the keystone position of an arch is brilliant, and putting it across a race track where vehicles travel through with high energy is just evil genius. It's more Silver Gate ritual, but down to earth. Taurus-Earth / Gemini-Air.

The Red Bull logo for the drifting event features the Silver Gate image on another arch, with the sun making its descent.

Another red bull branding is for the Chicago Bulls basketball franchise. This image is from their Twitter page. The stars set the celestial context. Taurus. Between the horns is the Silver Gate. The red may be linked to the sun disk. Inside the blue and white symbol is a check mark - that's the right triangle signaling the Pythagorean Theorem and esoteric 47th problem of Euclid. Its another portal symbol of the production of Horus in this realm!


There are other kinds of bulls that are not considered cattle. These also may represent Taurus with the benefit of just a little bit of obfuscation.

One example comes from Ke$ha's Crazy Kids music video. I neglected to identify the breed of dogs with Ke$ha on the couch. (Thanks Arthur.) Those dogs are Pit Bulls. Chaos-Abussos Taurus. Identical Pit Bulls are as twins, which again signifies to us the contellations of the Silver Gate, Gemini and Taurus!

Then there's Bullwinkle. This star of network TV cartoons was introduced in 1959 and was on the air in several versions of shows until 1964. Bullwinkle was a moose who appeared with Rocky, a flying squirrel. The horned moose was a bull. The ending of his name, “winkle” is like “twinkle,” like a twinkling star in Taurus, the bull.

His co-star Rocky wore a helmet and goggles like a pilot of open cockpit airplanes. He was a flying squirrel, but those critters don't actually fly. They glide. It's not freefall, but the result is that they descend from the sky to the earth. That's a familiar theme, right? Rocky was just his nickname. His full name is Rocket J. Squirrel. Rockets go into space, and that was the Mercury and Gemini era. Rocky's color is like silver.

Rocky and Bullwinkle were close companions, often seen shaking hands, or with Bullwinkle holding Rocky. Together, like the constellations Taurus and Gemini.

I wrote a little about Bullwinkle and Rocky in Part 95 - The Sodomite Gateway - Singin' in the Rain: Pharmakeia, where I featured Bullwinkle's hat gag.



It was a humorous take on the stage magician's classic trick where he reaches into a top hat and pulls out a rabbit. A hat can be a symbol of the anus and ritual sodomy, that which a head goes into. The rabbit hole is a metaphor for the rectum, as derived from the story of Alice in Wonderland. Pulling a rabbit out of the hat makes the symbolism redundant, removing any doubt as to what is meant. Ritual sodomy is a magickal act, so the stage magician's trick makes every performance a public ritual. The Silver Gate is evident in the gag when you picture the hat on Bullwinkle's head, a dimensional portal between the horns of a bull. Isis and the Silver Gate. This was a regular routine used to segue into a commercial. As such it was a transitional device.

Another iconic schtick involved a freefall, like Felix Baumgartner's Red Bull Stratus stunt. Rocky would perform the high dive, a classic circus stunt. He would leap off a platform atop a high ladder (reaching from earth into the heavens). He was a glider (with jet plane sound effects) and didn't need to land in the customary target zone, a tub of water. He would jump off the platform but Bullwinkle would jump into the tub. This linked them together in a way that speaks to me of the Gemini-Taurus partnership.

One more thing the show was known for suggests the Occult practice of stargate ritual. Bullwinkle famously employed a theatrical device that represents an extension from that other dimension into our reality.

The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction.” (Wikipedia)

Do Occultists know theater? Oh yeah!

I'll close out with a Silver Gate / Golden Gate ritual. It's Lady Gaga's latest, Venus. Yes, that's a scorpion on her face, covering her 3rd eye. See this Dail Mail article with video clips for more detail. She sings about Venus, the goddess of love. That's a planet, of course, a celestial body, and the scorpion is Scorpio, a celestial sign identifying the Golden Gate. Since she has the Golden Gate symbol on her face, I wonder if she's going to have a Silver gate symbol on her backside, because that's the back door. If she “moons” us at any point, that's enough to do it.

The rainbow bridge pictured by the lighting is very definitely a stargate symbol. She sings, “Rocket number 9 take off to the planet to the planet, Venus.” Venus ~ Isis. I believe the 9th gate is associated with the Silver Gate. She sings, “Let's blast off to a new dimension...” A new dimension, you see, not just a planet. She sings, “Goddess of love just take me to your leader,” which can be taken as a prayer to the celestial goddess. “Take me to your leader” is a campy expression aliens would say when arriving on the earth, popular in pulp fiction and Drive-In movie fare. Horus is being invoked. As usual. The symbolism is muddied water, obfuscated, with a degree of plausible deniability, but my interpretation is consistent with the video imagery they've released so far.

We've got plenty of redundancy in these examples. The Gates of Silver and Gold have been important to the worshipers of Horus for a very long time. They exploit the symbols in ritual magick in every way imaginable.

Monday, November 04, 2013

Part 3 - Celestial Stargates - Isis, the Dendera Zodiac & I, Pet Goat GEMINI

In Part's 1 and 2 we saw Lady Liberty as Isis in scenes picturing the celestial Silver Gate. The Silver Gate is the region where the path of the sun crosses the Milky Way between Gemini and Taurus, so what does this have to do with Isis, or Isis and Anubis? As I introduced it in the series about Ke$ha's Crazy Kids music video, Isis was often pictured wearing the celestial Silver Gate crown that is the representation of the bull, Taurus, with twin horns that frame the disk as a portal. She is the mother who births Horus, from one perspective. From another, she is likewise responsible for bringing forth Horus as the agent who impregnates herself in magickally resurrecting dead Osiris. As David Flynn (gone on ahead) has noted, the Egyptians consistently paired Isis with Anubis, and the appearance of the jackal-headed god of the underworld often implies Isis is nearby in symbol.

In the Dendera Zodiac, which is regarded very highly for the valuable insight it provides, we see figures that resemble Isis and her son Horus, twinned, as pillars holding up the celestial sphere. Two of the positions marked out by the four pillars of Isis are Scorpius and Taurus, the Golden and Silver Gates, which appear to be indicated by the two pointers (appearing in this alignment at the 5 and 11 o'clock positions).


Is this a coded testimony about the significance of Gates as pillars between heaven and earth and the key to raising Osiris into Horus? Given the redundancy of ritualistic representations I've been seeing, that seems likely.



Once again, here's the video of “I, Pet Goat II” that is still being presented on the Heliofant.com home page.

Below the Silver Gate in the celestial heavens is Orion, the sign sometimes identified with Osiris. Osiris is resurrected by Isis into Horus, who then traverses the realms as birthed through the Silver Gate to incarnate in our realm as the antichrist beast John saw rising from the sea.

Consider how the Statue of Liberty resembles the figure of Orion, who holds something aloft in the right hand and something closer to the body in the other. With a torch in hand, the flames appear right in the celestial Silver Gate. Usually, a club is pictured in Orion's hand. The hieroglyphic for “club” and “silver” are one and the same, as you see here. Orion and the Statue of Liberty appear to be linked, and thus both Osiris and Isis appear, who together produce Horus, who comes through the opened stargate at the appointed time. These symbols are composite identities.

I've compiled quite a few notes on how Lady Liberty and other symbols in NYC represent the Silver Gate, and Lord willing, these will be the subjects of future posts.

Here's a couple bonus items of interest. Columbia Pictures / Sony Pictures Animation - Intro|Logo: The Smurfs 2 (2013) | SD
Tracking Orion & Sirius in Ancient Civilizations #2 Egyptian God of Resurrection

As I mentioned in an earlier post, David Flynn noted that Sirius and Virgo are the dual representation of the knowledge of Eve brought down from heaven by the serpent, and the sign Virgo is another representation of Isis. “The knowledge of Eve” is an expression that may be taken according to the meaning, carnal knowledge, because the serpent knew her sexually. His knowledge of Adam was different from his knowledge of Eve in an important way. He knew them both according to the way of sodomy, but having conceived with Eve his knowledge was expanded. Both ways are reproductive and both are dimensional gateways. The serpent extended his life into this realm in a body of flesh when Eve bore Cain and those sisters who shared his paternity. The Nachash exploited another gateway when he engaged them in sodomy and their eyes were opened, knowing both good and evil. These gateways continue to be exploited. They are both natural and supernatural, functionally linking the two together.

The celestial and astrological symbolism begins in the very first frame of the video, where we're shown a closeup of an electrical insulator with barbed wire looped around it. It resembles a doorknob on a fenced enclosure. There's the theme, right in our faces. The fenced enclosure represents the celestial heavens and the circle of the Zodiac, with each box a constellation. The barbed wire and fenceposts picture the equatorial grid lines of Right Ascension and Declination. The stick figures we see are as constellation figures that are commonly represented by drawing lines that connect the stars. Concealed in this clever imagery is the heavenly dimension and access portal of the Silver Gate.

This image of the heavens illustrates the Silver Gate between Gemini and Taurus with the equatorial grid's “fence posts and wires.” The dotted red lines mark the boundaries that are officially assigned to each constellation. These contain them, boxing them in, as we see pictured by the array of wooden containers inside the video's celestial enclosure. Stars are suggested by the snow-like ash falling from the sky.

I want to offer some “side bar” commentary at this point. Historically, this opening scene makes allusion to Nazi camps like Auschwitz, where ash fell thickly upon the ground as multitudes of bodies were cremated in the furnaces. The figure of a man with a dog on a leash is a guard and guard dog. The barcoded goat pictures the prisoner as livestock, tattooed with coded numbers and inventoried using the IBM Hollerith punch card technology. This is what's coming back into vogue, with enhancements. This is their message, on one level, which is underscored by the appearance of the bell around the neck of a goat. It's a bellwether. I, Pet Goat, i.e. This will soon be YOU!


A bellwether is any entity in a given arena that serves to create or influence trends or to presage future happenings. The term is derived from the Middle English bellewether and refers to the practice of placing a bell around the neck of a castrated ram (a wether) leading his flock of sheep. The movements of the flock could be noted by hearing the bell before the flock was in sight.” (Wikipedia)

Back to the celestial symbolism, while there is a goat represented in the Zodiac, Capricorn, that sign is inconsistent with the context of the identifying symbols. What is fully consistent with other symbols in the setting is to see the conjuring goat as Isis, the magickal one. The goat's horns actually represent the horns of Taurus just like on the crown of Isis. The hole in the crate is the Silver Gate. As the goat's head appears suddenly out of the hole in the crate, the goat becomes the symbol of the agent who's coming through that portal. The goat is a bellwether but also the god Pan, or Cernunnos or Baphomet, aka Satan, Lucifer and as the primary identity, Horus.

This is what's pictured in another one of Heliofant's wallpaper downloads. The silvery moon next to the New Age Messiah's head. See Horus, coming through the Silver Gate. The word “hedj” that means the color white is used for silver and for the moon. I have many other examples in the queue that validate the Moon as a Silver Gate symbol.

Note well the other entities AND THE ARMADA that are pictured as coming through the portal. Where they come from, which is also the realm enclosed within the camp, is suggested by a decan of Taurus, Eridanis, the river or watery abyss, the fiery pit!

The symbols in the opening scene that that serve to identify the celestial region are most evident before the goat appears: The stick figures on the crate and the bank of floodlights. The man walking his dog is Orion with Canis Major under Gemini. The six lights are the Pleiades, the six visible stars of the Seven Sisters in the constellation Taurus.

This image illustrates how to locate Sirius and the Pleiades through the sightline of Orion's belt. Sirius, the Dog Star, is known as Alpha Canis Major. It's the brightest star in the heavens. Orion's belt is perhaps the most easily recognized figure and the most brilliant constellation, and the Pleiades are unique and popular cluster. Orion walks his Dog Star in Canis Major to the Pleiades. It's the story of the Silver Gate!

With the goat as the agent coming through the Silver Gate, we see it pictured as presently trapped inside the heavenly enclosure. The wires are both barbed and electrified, securing the perimeter as a containment grid with restraining forces both seen and unseen. 2 Thessalonians 2:6-7. The insulator's appearance as a doorknob suggests how the security of the containment system will be breached, with the control mechanism operating in both the seen and “charged” unseen realms. I note that such wires are steel, and according to that metallic gate I was given insight several years ago. The Iron Gate and a NOTABLE breach event are presented in the incredibly exciting twelfth chapter of Acts! See Passing Through the Iron Gate.

The second scene of the video vividly illustrates a connection between the celestial beings and those of us on earth, as the Presidents George W. Bush and Barack Obama are pictured as marionettes, controlled from above by the hands of Satan. Strings connect the unseen with the seen. Like the chains that were so prominent in Ke$ha's Crazy Kids music video, I suspect these puppet strings are seirai, bearing witness to the reality of the agencies of this age's operative control and it's dimension spanning mechanism.

Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'” (The David Flynn Collection - Kindle Edition)

The dimensions are linked, just as the Bible declares.

18 I also say to you that you are Peter, and upon this rock I will build My church; and the gates of Hades will not overpower it. 19 I will give you the keys of the kingdom of heaven; and whatever you bind on earth shall have been bound in heaven, and whatever you loose on earth shall have been loosed in heaven. ~ Matthew 16:18-19

My Lord knew about the gates of Hades. If such a construct were not genuine he wouldn't have legitimized it by naming it and ascribing the property of strength. (The same Greek word translated “gates” in verse 18 appears in Acts 12:10's reference to the iron gate of the prison.) My Lord promised to give the keys of the kingdom of heaven to Peter. The authority to bind and loose what is in heaven here on earth is not the stuff of science fiction, myth or fantasy.

The star in a circle that is the sorcerer's pentacle is the hieroglyph of the Duat, the Egyptian underworld. The symbol is a portal. Think about it. Does it work?

In the video, when the shadow of the dancing Bush marionette is cast by some light from above upon the floor, it has the form of a star with the shadow of a man inside. A star is an angel, in metaphor. The president and other elite and even most people in the world are as puppets being controlled offstage, supernaturally, by angelic beings through demonic agencies. This starlight imagery bears witness to the puppet strings as the Theurgist's seirai, “A Great Chain of Being.” This 3D world is as a projection of the higher dimension, as we know a 2D shadow to be a projected image of a 3D object. As I was considering the image on the floor, the Lord gave me to see the checkerboard as a symbol of the knowledge of good and evil. That's a profound insight.

More to follow, Lord willing.

Monday, January 27, 2014

Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate


The Silver Gate transit of Horus is sometimes pictured in some creative and pretty bizarre ways. So are the symbols concealing and revealing the secrets of the timing of the end of the age. The music video for “We Can't Stop” by Miley Cyrus provides such content, and more! Accompanying this music video's Silver Gate imagery is a reference to the pivotal celestial sign of 1991. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age. I can't cover this all in a single post, so there will be more to follow, Lord willing!

Miley Cyrus is the current edition of the “former Disney girl-gone-bad” collection. She has made headlines in recent months for her obscene stage performances. While this post was being written, she performed at Clive Davis' annual pre-Grammy gala at the Beverly Hilton Hotel. Despite her embarrassing public behavior, she continues to be involved in media ritual.

Here's the official music video this post is focused upon, although I recommend not watching it. There's no nudity but be forewarned that it is indecent and very offensive. If the production seems cheaply done, don't be fooled into thinking it's amateurish. Like with “Crazy Kids” by Ke$ha, the apparent lack of sophistication and budget belies the evil genius behind the effort.

Miley Cyrus - We Can't Stop

The general content has become standard fare for the industry. The celestial stargate transit imagery I'm going to point out shortly is attended by Monarch programming symbolism, including plenty of Beta sex kitten programming. The drug theme is prominent, and the imagery of bondage, abuse, homosexuality, sodomy, incest and pedophelia is pervasive. The lyrical theme might seem like it's just a bunch of spoiled bratty kids but it's really more than that. You might take it as a sign of the routine Illuminati programming of children at 3 years old having frozen them in that stage of development, and yet, there's still more to it.

It's our party we can do what we want
It's our party we can say what we want
It's our party we can love who we want
We can kiss who we want
We can live how we want

This defiant youth, rebel, anarchist, lawless shtick is what some call a “care free attitude.” That's a bit mild. They actually care very deeply about unrestrained evil. It's an exhibition of Aliester Crowley's Thelema motto, “Do what thou wilt shall be the whole of the law,” which he claimed was not really about the unrestrained expression of the individual's own will. It's about the full and unrestrained expression of the will of their god. By one name, that god is Horus. “Thou,” in “Do what Thou wilt,” is not the individual but Horus. This has been a major theme on this blog and this is the most basic meaning of the video.

Miley's wild house party is celebrating the coming incarnation of Horus. This is the familiar pep rally for the agents of the chaos that has been called the Black Awakening, the action that will usher in the social order being prepared for the returning ancient king's welcome.

So la da di da di, we like to party
Dancing with Molly
[party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things
Things don’t run we
We don't take nothing from nobody

Again, the song and video are programming the expendable agents whose role it is to forge this age into the one in which the incarnating Horus will be received.

At 1:38 into the video, the modeling of a Silver Gate transit begins to unfold. This sequence begins with a collection of ratty stuffed does arrayed in a circle. They appear to be cloned like as if in a kaleidoscope that multiplies a radial section by reflecting it in adjacent mirrors. You have to point a kaleidoscope at the light. The little doe clones all face in and wear sun glasses, with their shadows radiating outward. This scene represents the Zodiac, which rings around the Earth. A deer with sunglasses has features of both people and animals, and the Zodiac is populated with the forms of people and animals.

You can draw a circle through the sunglasses, which represents the path of the sun through the heavens, the ecliptic. Generally, sunglasses signal the worship of the sun god. As filtering the light into the eyes, the sunglasses represent the blinds of Occult obfuscation. There's a concealing and a revealing at hand. As sunglasses are known as shades, there is in this scene a witness to those spirits so called. A bhuta or a kama-rupa is a ghostly astral copy of a man that was. Shades are considered to be decaying astral corpses. Biblically, think Rephaim and the spirits of the dead that are appointed for another incarnation for the purposes of judgment. The decrepit stuffed critters in the celestial setting of the Zodiac are such shades, and we will see their vision of the dead Osiris coming out from among them as resurrecting into Horus.

Count the deer. There are 11, and yes there are actually 12 signs in the Zodiac. Where's the missing sign?

I'll describe another layer of symbolism later, but first consider the 12th sign pictured as this other doe clone. It appears next in sequence after the Zodiac set, flashed briefly just before we see the stuffed bobcat-like critter being pulled across the floor. We get a better view of the sign when we see Miley wearing a fur coat and carrying little “Bambi.” The deer is wearing Miley's sunglasses. This is the 12th doe, the circle's missing constellation that is actually the first in the sequence: Virgo. Miley and the doe are Virgo. The doe has a fur coat, and so does Miley. The doe is wearing Miley's sun glasses. Miley gives us an unblinking stare that might well be her best impression of a “deer in the headlights.”

In the circle of the Zodiac, Virgo is at the head and Leo is at the end. This is implied by the design of the Sphinx. This is familiar, right? This mystery of the Sphinx is demonstrated by Miley as she pulls the bobcat behind her. The bobcat is a big cat representing Leo, the lion. She is Virgo, and the golden chain in her hand that is Leo's assumed leash implies the other constellations. We don't see the entire chain at once, which must be, in part, to make allowance for the unseen links in the Zodiacal chain connecting Virgo with Leo.

Woven into this symbolism is the transit of Horus through the celestial Silver Gate. The strange looking bobcat being slid across the floor is a fierce beast. It's Horus, of course! He's poised to pounce, a predator and lion king sun god who is springing forth into our dimension. He is stuffed, mummified, that long dead Osiris who is about to spring into life in the resurrected Horus. The count of deer in the stylized Zodiac presents the 11 that is a simple Twin graphic to signal Gemini, the Twins. The doe clones are all twins; again, Gemini. The white color that dominates the set is equivalent to silver in heraldry, and these are also represented by the same Egyptian hieroglyph. Yes, it's another cryptic vignette of Horus transiting the Silver Gate.

A waveform appears at the bottom of the curtain that speaks to me of the repeating cycle of the sun crossing over the equator, a testimony of the sun god's manifestation in the earth. It also suggests to me the hieroglyph for the watery abyss, which is being traversed.

Isis and Anubis are also present and active. Virgo is Isis, and so we see Miley with the little doe towing the beast by his golden leash. It's through the magick of Isis that Osiris resurrects into Horus. The psychopomp Anubis leads the way in this passage out of the underworld Duat in the guise of the little stuffed doe. Anubis is the god of embalming, of mummification, the taxidermist's trade.


The stuffed animals all bear witness to his identity and presence in the scene. Miley's fur coat is another witness, which has been processed by the tanner to accomplish the same purpose of the preservation of select portions of the body of the dead.

Notice how there's no slack in the chain that pulls the beast. It doesn't droop, it's perfectly straight. Together with the horizontal and vertical edges of the video frame, a right triangle is suggested. That chain is the hypotenuse. This evokes the formula of the 47th Problem of Euclid. The hypotenuse represents Horus, as produced through the union of Osiris and Isis. That golden chain is the golden Apollo, Horus. This is a fitting picture with Isis as Miley standing upright and vertical, and with Osiris as the beast on the perpendicular horizontal base.

Early in this series and while addressing Ke$ha's “Crazy Kids” video, the chains seen around the necks of people and animals were identified with the Theurgists concept of the Great Chain of Being. This is in play here. Some of these chains are the utility kind that has toroidal links. The twinned torus speaks of The Twins and Taurus, the celestial Silver Gate.

By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)


The scenes that immediately follow that bizarre Silver Gate sequence repeat the message in a different way to give us the validating redundancy.

According to legend, Apollo, son of Zeus, was born on the floating island of Delos. Leto gave birth to him under a palm tree. This is dramatized for us by Miley as she floats in the water wearing a suit with palm trees on her breasts.

And as soon as Eileithyia the goddess of sore travail set foot on Delos, the pains of birth seized Leto, and she longed to bring forth; so she cast her arms about a palm tree and kneeled on the soft meadow while the earth [of Delos] laughed for joy beneath. Then the child [Apollo] leaped forth to the light, and all the goddesses raised a cry. Straightway, great Phoibos, the goddesses washed you purely and cleanly with sweet water, and swathed you in a white garment of fine texture, new-woven, and fastened a golden band about you.” (Homeric Hymn 3 to Delian Apollon 2 - 148 (trans. Evelyn-White) (Greek epic C7th to 4th B.C.))

The video producers present the bobcat beast leaping forth into the light with a golden band or chain around him as the newly born son of Leto, adorned by the Phoibos.

There is a celestial aspect to this. According to Greek legend, Asteria (root meaning of “star”) was a Titan goddess of astrology. After fleeing the advances of Zeus she leapt into the sea and became the island of Asteria, also called Delos. The censored sign over her mouth with golden chains connecting it to the sunglasses bears further witness to the bringing forth of the sun god, Apollo. Leto was restricted in where she might give birth. She gave birth on the floating Asteria because Hera, Zeus' wife who was known for her morality, banned her from giving birth on a mainland or a normal island. Leto was censored. So it is that we see the sign on Miley attached to her sunglasses reading, “CENSORED.” Miley represents Leto, famously censored by Hera.

When you see Miley in the pool with a doll dressed exactly like her, it speaks of the birth of Artemis to Leto, Apollo's twin.

It is remarkable that Leto brought forth Artemis, the elder twin, without travail, as Callimachus wrote, as if she were merely revealing another manifestation of herself.” (Wikipedia)

The doll is Artemis, “another manifestation of herself”; Miley-Leto.

The doll obviously speaks of Gemini, the Twins, to add even more Silver Gate imagery.

Miley and the doll also symbolize the twinning of Illuminati trauma-based mind-control programming. Much, much more could be written about all that layering, because the video is just smothered in it.

It should be noted that the palm tree is the phoenix palm, the familiar Occult symbol of victory over death. The birth of Apollo to Leto is equivalent in symbol to the resurrection of Osiris into Horus as wrought by Isis, the long sought manifestation of victory over death.


Before we get into the very special time element embedded in this video, let's return to the vignette where Miley-Isis-Anubis was towing the beast to get more of what's there for us.

I had previously identified Miley and the doe clone she was carrying as the 12th sign of the Zodiac, Virgo, noting how there was another layer of symbolism evident. On this level, the sign missing from the 11 remaining in the Zodiac is Leo, the big cat, who is being dragged away. See the celestial realm as containing star-angel beings and not just physical lights. This beast poised to pounce is going to spring through the Silver Gate into our earthly dimension. It has to leave there to get here. The 11 stuffed and scruffy shade critters are left behind after the Horus entity has left that habitat, which is the Duat, underworld abyss, the place of the dead. At present, in reality, the antichrist entity referenced as Horus is among others of like kind, but it soon will depart from among them to become separate. This is literally what the following passage declares, with a literal rendering of “taken out of the way” being, “gone from among.”

7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. ~ 2 Thessalonians 2:7-10

This is the “apostasia” of verse 3, the “standing away from,” pictured in a very elegant but bizarre way in this brief video sequence. It is not meaning “apostasy” as we know the word! (See The Sign for the Bride - Part 1)

Let no one in any way deceive you, for it will not come unless the * apostasy * comes first, and the man of lawlessness is revealed, the son of destruction ~ 2 Thessalonians 2:3

This departure and the separation created thereby is a key aspect of the transit of Horus through the celestial Silver Gate into our earthly realm.

This pillar or bridge or viaduct being traveled is named in the second chapter of Joel, where we find an explanation for more of the video's imagery. This is synchronized with the song lyrics on the audio track.

The dimensional bridge is identified as the mecillah in the Hebrew Bible. I already shared these versions of the verse in Part 15 - Celestial Stargates - Operative Black Magick but I'm going to repeat them here.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

“In his path” is the Hebrew word “mecillah.” It's the viaduct or way of ascending and descending between the realms, a stargate.

And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)

They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

This traversal is very often (and I mean VERY often) pictured in symbol by a train on railroad tracks with the individual cars all linked together and traveling in a line. No recognizable train is in sight in this video, but the long narrow silver vents on the floor between the beast and the drapery speak to me of the train tracks. The sled the beast slides along on is as a car in the train. It's Leo, the caboose on the golden Zodiac chain led by Virgo, right? It's the orderly procession where everyone marches along in line.

This sliding of the beast along the mecillah is synchronized with the lyric, “And everyone in line,” and now you know why!

Here's what's being sung while this prophetic drama unfolds on screen. This verse is about finding a private place while you're out clubbing to do illicit drugs and get high, but only superficially. This segment begins with a twerking scene then cuts right into the celestial stargate transit sequence.

To my home girl here with the big butt
Shaking it like we at a strip club
Remember only God could judge us
forget the haters cause somebody loves ya
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah

Have you ever “turned up” somewhere? You went there and upon your arrival you were found present in that location. It's the encoding of the Silver Gate transit described in Joel 2:8 (above). Read the whole chapter. It's about God's judgment, which is why that's in the verse of the song, evoking the theme to set the context for us! In the execution of God's judgment, these appointed agents will transit the mecillah in single file, like the cars of a train along their track. They will be “all so turned up here.” The producers of “We Can't Stop” know it. We are going to get “freight trained” and it won't be stopped. Judgment is even now arriving, and those agents will be “getting turned up” right on schedule.

This message of “We Can't Stop” compares to what you will find in the music video by A-Jax, “Insane.” (See Parts 8 and 9 among others.) In both of the Silver Gate transit sequences where the cat jumps off the pillar and the candlestick-hourglass falls, it ends with the Anubis guy wearing keys around his neck and the words, “I can't hold it in, you can't stop me.” When Horus' is triggered, the transit will not be stopped.

One of the features of Silver Gate modeling involves time. The activation of the celestial stargate is presented in the context of a manipulation of the continuity of time through a truncation or reset action. Time keeping pieces like clocks and timers are some of the more obvious symbols used but sometimes a reset is suggested by the way scenes are sequenced. The stargate sequence in “We Can't Stop” begins with the 11 doe Zodiac. It's followed by the doe carried by Miley, then the bobcat beast, then Miley and the doe. I see a reset in the cutting of scenes from the doe to the cat and back to the doe. Virgo appears then Leo and then it's back to Virgo. In the context of the Zodiac you can see this as a time loop that implies a reset.

You can also interpret that as a positional looping, like the trace of a planet undergoing retrograde motion in that region of the sky. What leads me to that observation is a later scene that references a very special celestial sign, the sign of Yom Teruah, 1991, which involved just such a motion!

The referencing of this sign is a big deal because it is the sign of the Lord's coming in judgment and the basis for the count of Shemitah that identifies to us that it is truly this present Shemitah that is the one appointed for the conclusion of this age! If you're not familiar enough with the sign to have confidence in what it means, well, you've really got some catching up to do on some very important matters, critical matters, it must be said.