Part 3 - The Avengers - STARK Tower as Space-Time Ark - Tower of Babel, Chrysler Building, Grand Central and Times Square

This is not intended to be an exhaustive study but there are a few more items to be shared that support the identification of the symbolic Stark Tower as a space-time ark and also shed on the Occult nature of some non-fictional neighboring locations.

First, here's a couple relevant news item published during the 3 days when our Internet connection was down.

Portal & Alien Cube UFO Over Texas? (Event witnessed on June 29, 2015)

FBI investigating 11 attacks on San Francisco-area Internet lines (Published July 1, 2015) Trending, cables cut. Note the numbering of 11 attacks.

At an hour and forty four minutes into The Avengers, after the Tesseract is used to open the portal, Thor battles Loki on the Stark Tower, right near the sign. These demigods knock the letter K off the sign and we see it tumble to the ground. The letter K is the alphabet's 11th, and this numbering is important. The numeral 11 as a pair of ones pictures two columns or the sides of a column, which is also a tower, a construction often identified as a stargate. When the K has been knocked off the sign, what's left? STARK - K = STAR, and star is a metaphor for angel. The STARK Tower is a STAR - K tower, a STAR 11 tower. The Stark Tower is a STAR-K stargate and a ST-ARK or space-time ark.



The numeral 11 signaled by the K is an ancient symbol linked to Isis. Isis is the pillar. Compare to the supports spanning heaven and earth in the zodiac from the temple in Dendera, Egypt, on the ceiling of the portico. The K falls during a minute of the movie (1:44) marked with 44. That also signals the goddess because the numbering of 4*4 is the Isis portion of the Pythagorean formula of the esoteric 47th Problem of Euclid. The 11 is specifically identified as the number of the Queen of Heaven in, The Book of the Law, Aleister Crowley's Thelema standard. The book's cover image has the title flanked by two pillars, which might be intereped as, 11. Crowley's O.T.O. had a mysterious eleventh degree that is known to involve anal sex magic. (XI° – Rocket to Uranus - Anal Intercourse and the O.T.O.)

The way The Avengers scene plays, the letter K is broken off when the two male demigods from Asgard cross their weapons, which doesn't mean nothing. I'll develop that esoteric layer because it is not unimportant or unrelated to the space-time hijacking and ark effort.

Thor lands on the tower and issued an order to his brother. “Loki. Turn off the Tesseract or I'll destroy it.” The XO platform where Loki had materialized and ascended the steps to reach is the same one where Iron Man lands and is basically transformed intoTony Stark.The copper ring flips up and he walks through it to be clothed and unclothed. It's the place of a symbolic dimensional transit, a stargate. You ascend there to become a god.

Loki had just been standing there enjoying the moment, holding his staff in his hand. Did you examine the above screenshot closely? That frame passes by in a moment, but there it is. He had been shown dramatically materializing on the Stark Tower and stepping on a platform with an XO design as the camera dramatically spirals around. The spiral is a goddess symbol, and very much connected with magic. Magic is Loki's specialty.

The XO symbol invokes the goddess as the union of the X and O establishes the throne of Isis, according to Kenneth Grant of the OTO. Validating that level of symbolism, a discharge of energy like a flash of lightning comes from Loki's staff as he battles Thor, god of thunder. The XO image plays as a hermaphroditic and sex magic emblem because its composed of the male cross and female circle. Between Loki and Thor, a sexual relationship is being implied. The form of this portal on the Stark Tower presents a figure known as the black sun, which is an anatomical reference like the Eye of Horus. Loki is a shape-shifting demigod and he's manifesting here in his horny helmet head form. Phallic. When he replies defiantly to Thor's demand to turn off the Tesseract, he thrusts his phallic staff out toward Thor and declares, “You can't. There is no stopping it.” Because of his accent, it sounds like he's calling him a, well, you get the picture. He says, “There is only - war,” and that could also be heard as, “There is only - whore.”This isn't all done just to be sly and crude, it's theurgy, and mass programming. It's how those gods are worshiped.

Leading up to when Loki materializes on the Tower, it was emphasized to me how there's a building up of subtle cross circle imagery in a brief sequence, to strengthen the impact of the platform's XO. The design of the ornate railing on a bridge presents an array of obfuscated versions, followed by a collection of umbrella tables in a dining plaza, and then the one in this screenshot that is cleverly composited in a Code 33 named restaurant window. The light arc implies the circle while the letters intersected by the same reflection imply the cross. TAU - a tau cross. I note that the sign of TAUR-US is also being suggested, which supports the abundant celestial Silver Gate imagery. The window sign lettering provides us with three instances of the naming of Ra, or Re.

It's a good exercise to remain mindful of these varied symbols that have been the subjects of so many posts to this blog. It should also be remembered that the cross circle is the heart of the sigil of Nodens, the god of the abyss. The letters X O transform to the number of the abyss (X=24~2+4=6 and O=15~1+5=6 XO ~ 66), and the name on the Stark Tower's sign also transforms to 66.

The Stark Tower's spiraling ziggarut design and its function as a platform for the opening of a dimensional portal in the heavens invites comparison with the ancient Tower of Babel. The account of that appears in the Bible in Genesis 11, the K numbered chapter. Biblical scholar E. W. Bullinger made the following observation in Appendix 12 of the Companion Bible. “We see evidence of it as early as Genesis 11:4, where we read of the Tower of Babel having "his top with the heavens". There is nothing about the wrongly supplied italics "may reach unto". The words, doubtless, refer to the signs of the Zodiac, pictured at the top of the Tower, like the Zodiacs in the Temples of Denderah, and Esneh in Egypt.” (See Part 25 - Celestial Stargates - The Tower of Babel having "his top with the heavens")

Compare the Stark Tower to the version of the Tower of Babel on the poster that states, “Europe: Many Tongues, One Voice.” Spiraling construction. Similar tops. Surrounded by water (the island of Manhattan). Presence of a crane. The poster version's crane is like a tau cross and it's placed in connection with the circle shape, providing an XO feature - like the stargate platform on the Stark Tower. A portal is opened in the heavens above the Tower through which stars fall to earth. Note the alignment of the EU stars in the array. The upside down star alignment means, Spirit into Matter. There are 11 visible “falling” stars in the array, the number given attention by the STAR-K sign's falling K. The design implies that there is a hidden star, which makes 12 total: Zodiac, and time. The poster suggests that the hidden star of the EU tower seems to reign from the penthouse, like Iron Man in Stark Tower, because Pepper (with 12% of the credit) lighted it up from there.

Genesis 11 (K) informs us about a city that was built in connection with the tower of Babel. When most folks think about the account, the city is usually minimized in comparison to the tower. I recommend reading the chapter to see that it is given attention distinctly. City and Tower. Manhattan and Stark Tower. What was recorded about the Tower of Babel suggests that it was all about opening a portal between the earth and heavenly domains. When the stargate is opened at the manifestation of the Antichrist, we believe a version of the heavenly Zion is going to manifest in this realm.


Here's another item I observed in the film that demands comparison. The art deco icon known as the Chrysler Building appears in many scenes. It was the platform from which Will Smith's character dramatically leaped in, MIB3 - Back In Time, in order to be sent back in time to 1969. MIB3 and The Avengers were both released into theaters in May of 2012. Alike, in timing. And, there's a Marvel connection because the Men in Black francise is based on the Marvel Comic series. There's a lot of crossover - call it allusion or whatever - because there's an import of meaning both ways between MIB3 and The Avengers that plays on the exoteric and on the esoteric levels I've been exposing.

The main character's name is Agent K. Or, simply, K. Why did Agent J, Smith's character, have to travel back in time? Because K was going to be killed - like the letter K getting knocked off the sign that subsequently fell to its destruction. K ~ 11. A rocket plays a significant role in the film: Apollo 11. Yeah. 11. And, there's the rocket's direct identification of Apollo, aka Apollyon, Abaddon, Thor, Amaru, Horus...

Here's an excerpt from Wikipedia's synopsis.

“In 2012, an alien criminal, Boris "the Animal", a Boglodite, escapes from a maximum-security prison on the moon and arrives on Earth, bent on taking revenge on Agent K, who shot off his left arm and captured him in 1969. He confronts K, who is with his partner Agent J, telling him he is "already dead". J then discovers that K was responsible not only for capturing Boris, but for deploying the "ArcNet", a shield that prevented the Boglodites from conquering Earth and led to their extinction. Boris travels back in time to kill the young Agent K. With history altered so that K is long-dead, J finds that only his memory has been unaffected, and no one from the Agency understands his obsession with K until Agent O, the new Chief, deduces that there has been a fracture in the space-time continuum. With K out of the picture, the ArcNet was never deployed, and there is nothing to protect the present-day Earth from the Boglodite invasion, so J must travel back in time to stop Boris and save K.”

A lengthy series could certainly be written about the film at this point. (Search the blog for MIB3 to find what I've already written.)

As presented by Columbia (goddess) Films, the future of man is literally riding on the phallus of Osiris, the Apollo 11 rocket.

Agents J and K are riding special cycles in this scene, set in Queens, NYC, featuring a fountain built for the 1964-65 Worlds Fair.

Bicycles are often props used to represent space-time transiting vehicles. See the wire-frame globe as 3D space and the ring of water as time. Intersecting rings are crossed circles, another space-time emblem. Fountains of the deep make allusion to creation and the flood of Noah.

In MIB3, like The Avengers, what's at stake is the destruction or the salvation of mankind. Familiar, right, for those of you tracking this blog? “Alien threat,” breaching our time-space domain resulting in destruction. (Genesis 6. An intended flip: Revelation 19:19)

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but [for the sake of ~ thanks to] the elect those days will be cut short. ~ Matthew 24:21-22

Agent J's time mission was required because the enemy (Boris “the animal” ~ Horus the falcon) “fractured” the space-time continuum. Again, familiar, right? Aaron and I think this is why “the model is masked” in the present season, and why time needs to be reset. ArcNet. Allusion to the rainbow - shielding from alien threat. It's a good descriptive of the bow set in the clouds after the flood, the sign of a covenant made by the Creator with man and the earth assuring that what happened won't happen again. Rainbow - evidence of different physics in the atmosphere, a heavenly realm. Accountability for the destruction wrought in the great deluge was attributed to those angels who fell to earth, in an “alien” incursion. They and those of that kind are behind the current threat, as it was in the days of Noah. The dimensional access is sought by hacking the rainbow, from one perspective.

So, a key to success in MIB3's plot is evident in how Agent J remembered. Aaron and I expect that model when time itself has been reset in reality, because of the mission and how that only makes sense if some will have an awareness, some beneficial kind of retention from this season's experience, and probably retained through association with a space-time ark.


Here's another comparison that offers insight in the transfer between similar things. In this screenshot, set against the backdrop of the Stark Tower we see Mercury / Hermes the psychopomp. He's the special agent who is assigned the task of escorting to and from the underworld. That's the abyss. You may recognize this as the iconic clock on Grand Central Terminal's 42nd Street entrance, a significant timepiece at perhaps the world's most famous transportation hub. The Terminal features prominently in several scenes, and the film invites comparison between the Stark Tower and neighboring Grand Central Terminal. The Lord had me drill in a bit to discover why. Like with the Tower of Babel connection I noted, similarity in features points to similarity in purpose. Grand Central Terminal like Stark tower like EU poster like Tower of Babel.

First, the centerpiece of the Hercules, Minerva and Mercury statuary in the screenshot is a clock. Right. The central object of the massive idol is a TIMEpiece. Isn't this display intended to show how the ancient gods rule over time itself? The clock is 13 feet tall, which combines both the meaningful number 13 with 12 (inches per foot - and hour divisions on the face). Wikipedia offers: “ At its unveiling in 1914, the 48-foot (14.6 m)- high trio was considered the largest sculptural group in the world.” It's a significant idol. Also from Wikipedia: “The main information booth is in the center of the concourse. This is a perennial meeting place, and the four-faced clock on top of the information booth is perhaps the most recognizable icon of Grand Central.” The centrality of time. This famous space is a transportation hub, and the reason for the focus on time is obvious. Trains run on tight schedules and passenger activity conforms to the Terminal's referential system. These observations speak on one level to the present reality that man's activity conforms to the referential system of time that is ruled over by the ancient gods. Consider the familiar names of the months and days of the week. You can't argue against the statement made, but that situation won't endure.

The Terminal is a train station. Trains traveling on tracks is a very familiar metaphor. Search this blog for Joel 2 train and you'll see how trains and train tracks represent beings and vehicles transiting stargates with some notable examples. A couple of notable train + water imagery films that come to mind are Snowpiercer and Polar Express. Passing through Grand Central Terminal, major sets of train tracks run right under the MetLife building, and the fictional Stark Tower stands in its place. Signaling the control of space-time (Parts 1 and 2 of this series) and controlling interdimensional traffic (via the Tesseract), that's what the Stark Tower is for in The Avengers, right? It's kind of an adjunct to the Grand Central Terminal that operates in a perpendicular plane.

The Terminal's 13 foot tall statuary clock faces 42nd Street. 42 = 21 + 21. Double Time Street. Another iconic place in Manhattan is Times Square. It's also bounded on one side by that same 42nd Street. Times Square ~ 21 squared or 21*21 ~ 42nd Street. Time geometrically is symbolized as a circle. Times Square ~ Circles Square. Time-Space. That place is known as The Crossroads of the World. Compare to Grand Central Terminal's function as a mega transportation hub, and that of the Stark Tower as the gateway for the invading Chitauri army's entry. Each year, the transition of the popular calendar is marked as the world watches the ball drop in Times Square and together chants the famous countdown. This mega ritual revelry derives from the historical practice at the Greenwich Observatory in London, where the world's standard for time has been established. Ships would set the clocks they depended upon to navigate the globe by synchronizing them with the dropping ball, which was carefully watched for from their mooring on the Thames-Isis River. Daily. At 13:00 hours. 13. 12. Again, like the 13 foot tall idol clock. Seen The Smurfs (2011), where water as time and Times Square are played up BIG?

The Grand Central Terminal (and Stark Tower) sits between Times Square and the Chrysler Building. All are connected by 42nd Street (21+21). Of interest, the Chrysler East property address is: 666 Third Avenue.

Now, recall how the power change from AC to DC was cryptically signaled in The Avengers, from Part 2 of this series. Here's a couple more quotes from Wikipedia. “A "secret" sub-basement known as M42 lies under the Terminal, containing the AC to DC converters used to supply DC traction current to the Terminal. During World War II, this facility was closely guarded because its sabotage would have impaired troop movement on the Eastern Seaboard. It is said that any unauthorized person entering the facility during the war risked being shot on sight; the rotary converters could have easily been crippled by a bucket of sand.” Shot on sight. That's serious. Why M42? M is the 13 letter, and there's the 21+21 numbering again, matching 42nd Street. Spilling sand. Hmmmmmm. Sand is a time symbol, the sands of time, like in the gym's Everlast heavy-bags. Troop movements on the Eastern Seaboard. Sea water as time. Troop movements. A hub for the transiting armed forces. Familiar stuff.

So, AC to DC conversion. Why bother cryptically signaling that to us in the framing of the Stark Tower launch and recruiting sequence? When we become aware of how Grand Central Terminal is given such a high level of attention and how the features compare, and see the similarity in function on the esoteric level, it makes sense. The Avengers is actually revealing Occult secrets of the Grand Central Terminal. Theurgy is at work, and the details are according to what is learned from the gods. The AC to DC bit has to do with establishing a key allegorical connection, which represents the legitimate supernatural connection. You know about energy vampirism, right? There is in this theurgic ritual we've been studying a drawing from and adding to a kind of cistern or reservoir of collected demonic spiritual energy. It's like when a witch raises energy inside a magic circle before sending it out into the world in the casting of a spell. A massive amount of human energy has been collected at Grand Central over the years, and harnessed through the design and no doubt supported by many Occult rituals. Grand Central was built and owned by the Vanderbilt (Illuminati) family.

We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life. ~ 1 John 5:19-20

With eyes that see, we examine the symbolism and glean what meaning there is in the beans spilled learn what the Lord would have us to know about what things really mean in this world. The trains of the Grand Central Terminal's transport system depend on the power conversion like what was illustrated with the Stark Tower, and the space-time ark depends on a power source off the grid - power drawn from another dimension as from the Tesseract and Stark arc reactor.

Tesseract. Anagram: A ST (space-time) SECRET. Add that alongside, ACT RESETS.

Have you been giving attention to the CERN LHC, and the D-Wave adiabatic quantum computer and not unrelated AI advances?

Plenty to chew on in this Anthony Patch clip, and this one too: Deadly Shots And Third Strand DNA/Interview from N68's The Great Work.

The latest from D-Wave Systems is the D-Wave Two, which has an approximately rated 512-qubit CPU. The increase over the approximately 128 qubit chips of the D-Wave One was accomplished by tiling the qubit pattern of the D-Wave One, a pattern named chimera by D-Wave Systems. Do you know what a chimera is, biologically? Think, beast, post human. Mark of the Beast. Image of the Beast.

Here's a few more connections of note to tie into this spider's web of time-space manipulation imagery.

The Main Concourse of Grand Central Terminal has an elaborately decorated astronomical ceiling, but there is an anomaly. Wikipedia offers, “ For example, Orion is correctly and beautifully rendered, but the adjacent constellations Taurus and Gemini are reversed both internally and in their relation to Orion, with Taurus near Orion's raised arm where Gemini should be. One possible explanation is that the overall ceiling design might have been based on the medieval custom of depicting the sky as it would appear to God looking in at the celestial sphere from outside, but that would have reversed Orion as well. A more likely explanation is partially mistaken transcription of the sketch supplied by Columbia Astronomy professor Harold Jacoby.” Here's a suggestion. It calls out that precise location to give attention to the Silver Gate, doorway to the underworld-duat.

Attention is given to that very place in the representation of the heavens on another famous ceiling, on the ancient temple's portico in Dendera, Egypt.The marker on the circular Dendera zodiac I mentioned is described in this quote, and the one opposite at the Golden Gate is also mentioned. “Then, beyond these "heaven-holders", on two sides of the work are rectangles patterned with rows of chevrons, symbol of water, which must represent the Milky Way Galaxy, the stream of the heavenly waters. This is apparent because when we look at the night sky we see the heavenly stream of the Milky Way cross the zodiac at Gemini/Taurus, and also at the opposite side of the sky at Sagittarius/Scorpio. The Dendera Zodiac precisely shows the chevron rectangles below Gemini/Taurus on one side, and below Sagittarius/Scorpio on the other side.” (The Circular Stone Zodiac of Dendera, Egypt -The most dynamic image of the heavens ever created ) The rows of chevrons described are extended wave glyphs. Think, Genesis 1 and the waters of the expanse. The Golden and Silver Gates are water gates, water-as-time gates. The celestial Silver Gate is what was opened up in The Avengers above Stark Tower. What do you think the Marvel Comics Silver Surfer character is spilling the beans on?

Bullinger believed the biblical text of Genesis 11:4 indicated how the tower of Babel probably featured the zodiac. I think he was right. Here's something. The Hoover Dam, a star map of the Pleiades in Taurus that was made to document the exact location in space and time of an event, and angelic guardians I call tuning fork angels. Water, falling, falling and falling generating massive amounts of energy, with a model of the throne of Zeus-Satan.

For a season in 1957, under that Grand Central Terminal's ritual zodiac ceiling sat a very significant rocket, the PGM-11 Redstone. MIB3 featured the rocket that launched ArcNet, Apollo 11. There's that 11 again. The Avengers featured Iron Man's occasional blasting off from the tower and blazing into the sky like a rocket man, and he went right up through the dimensional portal with a nuclear tipped missile to save the day, falling back through the portal to earth as it's savior.

Here's a collection of observations from Wikipedia: “The PGM-11 Redstone was the first large American ballistic missile. A short-range surface-to-surface rocket, it was in active service with the United States Army in West Germany from June 1958 to June 1964 as part of NATO's Cold War defense of Western Europe. It was the first missile to carry a live nuclear warhead. A direct descendant of the German V-2 rocket, the missile was the foundation for the Redstone rocket family, It was developed by a team of predominantly German rocket engineers relocated to the United States after World War II as part of Operation Paperclip. Redstone's prime contractor was the Chrysler Corporation.”

Connect the dots. Nazi science. The vendor was the same Chrysler Corporation that was headquartered in the Chrysler building seen in The Avengers and featured in MIB3. Nuclear tipped missile, like the one Iron Man sent through the stargate. Redstone. Red - Adam. Stone - crystal DNA. Ascending man into the heavens.

Wow. Potent. That's a lot of ritual energy!

Series Links: Decoding "The Penitent Man"

This is not the kind of film that attracts the masses but it is notable for the insight that can be gleaned. The way I see it, if you've been learning The Plot, what the opening revelation of Jesus Christ from biblical prophecy says is now unfolding, you'll read much of it in this esoteric film's dialog. Allusion is made to other related works. I connect the title to Saint Anselm, and an Indiana Jones film. Visually, reference is made to other films, like The Wizard of Oz, and The Lake House, to enhance the themes and the potency of the theurgic ritual. There's also layers of Illuminati mind-control programming. It's high level stuff, fit for the hour.

This "sticky" page presents links to all the posts in the series.

Part 1 - Decoding The Penitent Man (2010)
Part 2 - "A man in the world, beneath the world"
Part 3 - The Money Mojo and the Mailbox
Part 4 - The Wizard, the Quest and the Monk
Part 5 - Jupiter's Temple and the Clothing Rack Stargate
Part 6 - Celestial Stargate Magick
Part 7 - Stargates Open at the Great Pyramid
Part 8 - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators
Part 9 - Standing Waves of Time-Space
Part 10 - Decanting Spirit into a Host Vessel * RIGHT ON SCHEDULE
Part 11 - Darnell's Vintage Watch and the Epic Irony

Watch video: "Urgent - Insight into CERN's Time Machine - "Symmetry" & The Penitent Man" (3/28/15)

(Leave your comments here)

(full HD version for streaming or download)

Part 11: Jezebel vs Sarah - Beauty Secrets of the Ages Compared

This post continues a series I last visited here, Jezebel - What Mutton Breath Smells Like - 101 - The Bling Ban and Why, which began here, Exposing the Enemy's Scheme - Jezebel and Control.

Let's return to 1 Peter 3. Let me encourage you to please be patient with this work.

1) In like manner, the wives, be ye subject to your own husbands, that even if certain are disobedient to the word, through the conversation [Strong's G391 - anastrophe: manner of life, conduct, behaviour, deportment] of the wives, without the word, they may be won,
2) having beheld your pure behaviour [anastrophe] in fear,
1 Peter 3:1-2 (YLT)

Let's expand the context to get some more insight. Verse one of 1 Peter 3 refers back to the previous chapter, where the Lord gives instruction about authority and submission.

13) Submit yourselves to every ordinance of man for the Lord's sake: whether it be to the king, as supreme;
14) Or unto governors ...
18) Servants, be subject to your masters with all fear ; not only to the good and gentle, but also to the froward.
1 Peter 2:13-14a, 18

We are to be subject to authority. It's simple, but not easy. Read the whole chapter. This is the basis for the comparison made when chapter 3 begins with, "Likewise."

Likewise, ye wives, be in subjection to your own husbands; that, if any obey not the word, they also may without the word be won by the conversation of the wives;
1 Peter 3:1

A woman is to be subject to her husband in the same way as a servant is to their master. That's what "likewise" means. This is confirmed by what follows.

3) Whose adorning let it not be that outward adorning of plaiting the hair, and of wearing of gold, or of putting on of apparel;
4) But let it be the hidden man of the heart, in that which is not corruptible, even the ornament of a meek and quiet spirit, which is in the sight of God of great price.
5) For after this manner in the old time the holy women also, who trusted in God, adorned themselves, being in subjection unto their own husbands:
6) Even as Sara obeyed Abraham, calling him lord: whose daughters ye are, as long as ye do well, and are not afraid with any amazement.
1 Peter 3:3-6

Wives, the holy women in the old time are the examples for how to adorn yourselves. They trusted in God, being in subjection unto their own husbands. As the late Paul Harvey would famously say at the end of his broadcasts, "And now you know the rest of the story." The greatest beauty secret of the ages has nothing to do with the perverse and superficial substitutes taught by Azazel! This is that of "the hidden man of the heart, in that which is not corruptible, even the ornament of a meek and quiet spirit." This is that "which is in the sight of God of great price"! For a wife, it is to trust in God, being in subjection to her own husband!

Sarah called her husband, lord. That's the very same word that's usually capitalized. It is written that Sarah is the mother of those who are doing well. Those who are "afraid with any amazement," in contrast, are not. Was Sarah too extreme? Is she being condemned for going overboard as a warning to us? No, she's being singled out and honored as an example to follow, even as daughters follow their mothers!

If such subjection as that seems offensive or radical it can only be because we have been deceived.

I had a sturdy old hand-me-down bicycle when I was little. Sometimes I'd crash and the handlebars would get cocked to one side. I'd have to ride it around like that until I could get my Dad to fix it for me. You quickly get used to crooked handlebars. It doesn't take long before it just seems normal. When the handlebars get straightened out, it really seems wrong. It takes a while, but before long it becomes clear that it's the right way.

When it comes to the way of husbands and wives in the culture I know, it's like we've only ever known bicycles with the handlebars cocked to one side. But the Bible is the standard for truth, not tradition. If we become willing to accept that a woman is to be subject to her husband in the same way as a servant is to their master and change our ways, like straightening the handlebars on a bicycle, before long it becomes clear that it's the right way. Hey Dad! Will you help me straighten my handlebars?

The declaration of 1 Peter 2 and 3 about authority is similar to what Paul was given to preach in Romans 13.

1) Let every soul be subject unto the higher powers. For there is no power but of God: the powers that be are ordained of God.
2) Whosoever therefore resisteth the power, resisteth the ordinance of God: and they that resist shall receive to themselves damnation.
Romans 13:1-2

According to Ephesians 5 it's made quite clear how the husband is such an authority to the wife. Because of this, even though the command to submit is directed to the woman in 1 Peter, her husband has an implicit responsibility and accountability that will not be overlooked.

For the husband is the head of the wife, even as Christ is the head of the church: and he is the saviour of the body.
Ephesians 5:23

For anyone who looks to the Bible and seeks to honor its Author, there is no question as to the legitimacy of this divine order. Based upon the obvious declaration of Romans 13:2, it can only be concluded that when a woman is not subject to her husband in the same way as a servant is to their master, what will result is "damnation." "Damnation" is Strong's G2917 - krima: judgment. Disobedience brings a curse. Hello, control spirits and Jezebel.

Demons need legal permission to do their work because they are under authority. When preachers and teachers, mothers and fathers and husbands and wives rebel against the Lord's authority through disobedience, permission is granted accordingly.

Submit yourselves therefore to God. Resist the devil, and he will flee from you.
James 4:7

This should start to become a familiar passage of scripture. You're not just going to be delivered out of the snare of control spirits and Jezebel with a simple attempt to cast them out. You're going to have to earn your freedom through discipleship. You have to submit yourself before God. You must take up your cross. The flesh must be crucified. Why should we think the devil will flee if we don't resist, and submit to God?

How do we then submit to God? We must obey even what has been dismissed, "conveniently" overlooked, perhaps, through the deceitfulness of sin. How could we think we are not deceived when our deeds appear contrary to the plain declaration of the scriptures? The deception in these particular matters is powerful indeed!

If you are a wife and claim to trust God but are not in subjection to your own husband as a servant is to her master, you must begin to accept that you have been deceived. Those you have trusted to teach and model what's right have failed you. Forgive them. Men, if your wife challenges your authority in a way that is not how a servant should honor her master and you permit it, you have been deceived. Those you have trusted to teach and model what's right have failed you. Forgive them.

Husbands and wives, take responsibility for yourselves to do what is right in the sight of God. In doing so you will model and teach humility and righteousness. It takes courage to obey the Lord, for both husbands and wives alike. Trust in God is required. Perfect love casts out all fear. If there has come a genuine conviction about your behavior, you should know what is required. There must come a season of repentance and restoration.

Husbands, isn't it right to humble yourself even before your wife and confess your sin, because you have not only sinned against the Lord but her? Sincerely seek her forgiveness and explain why. Right. Ok, sure, this might freak her out and she might be on the phone calling 911 for the "men in white coats" to come take you away in a straightjacket. She might think you're about to become a control monster and flee the county. You'll need to think this through and count the cost, and just follow the Lord's direction. If you take the matter of being a "Bride candidate" seriously, you're going to have to come into obedience. If you have modeled and taught wrongly to your children, aren't they also due a confession and apology with an appropriate explanation?

Wives, likewise, as the Lord leads, your husband is due a sincere confession and seeking of his forgiveness, explaining the reason why this is due. There's no need to make promises about future behavior. If you have modeled and taught wrongly to your children, aren't they also due a confession and apology with an appropriate explanation? Sure, this may freak your husband out, and you may be terrified that he'll become a control monster but at least he's not likely to call 911 and report you for threatening hate crimes.

I'm not unaware of just how frightening such as I'm recommending will be to most of you who will actually read through and consider what I wrote. As I wrote several posts back, I've "walked the walk" and now I'm "talking the talk". As I learn more, there's more to talk and more to walk, but I've survived the really scary season.

This also needs to be mentioned, that if you've been involved in counseling on a professional or "amateur" basis, your responsibilities may extend further when considering what repentance looks like. Seek the Lord about what is His good pleasure. This will not be easy, but it is "do-able," with the Lord's help.

Freedom is purchased at the cost of discipleship. Lord help us to continue in Your word.

31) Then said Jesus to those Jews which believed on him, If ye continue in my word, then are ye my disciples indeed;
32) And ye shall know the truth, and the truth shall make you free.
33) They answered him, We be Abraham's seed, and were never in bondage to any man: how sayest thou, Ye shall be made free?
34) Jesus answered them, Verily, verily, I say unto you, Whosoever committeth sin is the servant of sin.
35) And the servant abideth not in the house for ever: but the Son abideth ever.
36) If the Son therefore shall make you free, ye shall be free indeed.
John 8:31-36

Part 5 - Code 33 - Mellon Collie Mind-Control Stargate

Picking up where I left off, I'm going to explore more of the Code 33 imagery of “Thirty-Three” by The Smashing Pumpkins.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

Again, here's the official video for The Smashing Pumpkins - Thirty-Three.



As I already wrote, the line, “Graceful swans of never topple to the earth,” makes reference to the sons of god who fell, fallen angels. A singular swan would refer to Lucifer, and, I believe, primarily to his agent Apollo.

How you have fallen from heaven, O star of the morning [Lucifer, shining one], son of the dawn! You have been cut down to the earth, you who have weakened the nations! ~ Isaiah 14:12

1 And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit.
11 And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon. ~ Revelation 9:1, 11

The star that was seen to fall in verse 1 is identified in verse 11 as the king and angel of the bottomless pit, who is by name, Abaddon or Apollyon. The Bible uses a metaphor for an angel, “star,” and it will be seen that The Smashing Pumpkins frontman Billy Corgan does too. The identity of the singular star always points to Apollo aka Horus.

The following images are associated with the song packaging, the music video and the album on which it was released, “Mellon Collie and the Infinite Sadness.” It pivots on Occult themes of the sodomite gateway and mind-control.

The album cover features a woman who is perhaps emerging from a star, riding in it as a vehicle or, what is most probably the better interpretation, is the star herself, a celestial being. The exact way the star and woman appear associates the star with her bottom because we see only her top, and it meets her body at her bottom. As a very familiar symbol, the star bottom is a symbolic anus and celestial portal in ritual sodomy. The star is tipped head down as though falling, signaling fallen angel sodomy, and the golden color is perfectly suited to that meaning. (The popular franchise Dunkin' Donuts leveraged their golden star pastry in a similar way in a promotion of MIB3, like the band Limp Bizkit did with their use of the “chocolate starfish” metaphor. See Part 19 - The Sodomite Gateway - Dirty Pastry Tales - Undercover Black Cocoa Donut and Limp Bizkit.) With the gold star set against the signal purple color of the background of the starry heavens, the celestial sodomy theme could hardly be more obvious. With an awareness of the sex magick imagery, the placement of the woman's hands suggests why she wears the enraptured expression on her face.

The image of Alice and the white rabbit is a screenshot from the “Thirty-Three” video. This particular scene exemplifies Code 33. The Lewis Carroll series about Alice's adventures in Wonderland is a mind-control classic. And, where the scene used in the video appears in the story line links it to ritual sodomy. Alice spots the white rabbit with the watch, then follows him down the rabbit hole under the hedge. Going down the rabbit hole and falling down the well shaft is how she gets to Wonderland. The rabbit hole is the symbolic rectum, and going there and falling down the well into Wonderland presents the imagery of the slave being sodomized and dissociating during the programming ritual. The video is pretty clever in showing how the slaves perception of time is messed up, with the white rabbit's watch being a signal device. Watch the video and see how the bicycles go zooming past the man, then Alice and the white rabbit are acting out in slowed and paused modes, and even gravity appears to be distorted in the time-space bending.

More sodomy mind-control signs appear at lower right, where the woman with darkened eyes (like Avril Lavigne) has a ring of hair forming a third eye to show us she is illuminated. The band's sigil/logo appears as a heart above the song title. The heart-as-butt symbol and the number spelled out that is the graphic for sodomy conceals and reveals how she got her third eye opened.

The scene with the moon appears with the upc bar code because its on the back side of the packaging. Moon. Backside. Connect the dots.

The dirty orange CD packaging with the No. 33 in a circle opposes the disk that is the picture of a “black starfish” anus, with a hole in the middle. That is also the pentagram, of course, or altar pentacle used for ritual magick. It's not just kinky sex that's being concealed and revealed here.

Now, what's up with that bizarre album title?

10 MellonColl
10 ieandtheIn
10 finiteSadn
3 ess
___________
33 letters

What a remarkable coincidence! Well, no, it's obviously part of the design and yet one more redundant Code 33 Occult layer for the working of the ritual magick.

Mellon Collie. This is obviously referencing melancholy, and I'll follow through down that trail shortly. Notice how the two most prominent letters in the artful title are M and C. This combination provides another 33 because the letter M is a rotated 3 and C has the value of 3. Because M has the value of 13, MC also transforms to 13 cubed, signaling the standard Illuminati programming grid structure of 13x13x13 principle A-coded alters. That condition certainly creates melancholy and infinite sadness. Code 33.

Illuminati? Have you ever studied up on who the families are whose bloodlines are considered by some to be the 13 lines of the serpent tree? Names like Rothschild and Rockefeller are widely recognized, but Carnegie and Mellon are two that have a lot less visibility. Those of us in live in the Pittsburgh area see these names practically everywhere we go. If a band was to put Rothschild in their title, that would draw some attention (like Jay-Z with his Rock-a-fella label), but naming the Illuminati Mellon bloodline seems to fly under the radar for most folks. (Some interesting leads here.)

Is Billy Corgan hinting at his identity with this title? The first band he formed was called, The Marked. Like Cain in Genesis 4:15? With the naming of Mellon, identification with Illuminati mind-control and global domination schemes through the serpent seed bloodline can hardly be avoided.

In keeping with the celestial imagery, the titular Collie has to be identified with the Dog Star Sirius, the esoteric light behind the sun that is so central to Freemasons and other Pagan worshipers of the celestial beings who align their terrestrial works with this star in mind. This is often associated with the Egyptian Isis and Osiris, who produced Horus. Given all I've observed in studying this out, I suspect the album cover's star-woman represents the dog star. Naming the Collie must also import the other dog meanings I've listed in a few recent posts.

Since Mellon is like melon and the band's pumpkin name plays as pumpkin head, “melon head” is kind of lurking subliminally on the album cover. A web search for “melon head” will turn up some certifiable weirdness. “Melon Heads is the name given to legendary beings found in Germany, England, and the long-running urban legends in parts of Michigan, Ohio, and Connecticut. They are described as small humanoids with bulbous heads who occasionally emerge from their hiding places to attack people. Different variations of the legend attribute different origins.” (Melon heads - The Free Dictionary - Encyclopedia)

I have observed how the word “infinite” appears in lots of Occult signaling vehicles. It's a powerful word like forever and I believe that is leveraged in programming scripts. The word is a 666 carrier because of the spelling. Three letters “i” transform to 666 because the value of “i” is 9 and the reflection of that is 6. Also, another transformation produces Code 33! The infinity symbol resembles the number 8, and an 8 is basically a pair of mirrored 3s, merged into one. The infinity symbol is an equivalent to a ring and circle, which is often stylized as the Ouroboros, the serpent eating its tail.

More to follow, Lord willing, as I intend to track Code 33 signaling in the lyrics down some very interesting paths. The poetic instruments of the song derive from some old and some very ancient literary classics, the Bible among them.

Updates, Bezos' time ritual 10,000 year clock, and the Ark code string: efbe

Hi Everybody! Aaron and I have been learning a lot as we've been exploring where we've been led. We've been learning more about the Amazon-Bezos ritual and so much more that relates to it. We seem to be close to producing another video, which will be on the movie, Peppermint, which is very relevant. Another relevant movie has been used as a sign this past week and it may get a video too: Immortals, from 2011. There are time code embeddings involved that expose these as ritual works that are engaged in the time war. We hope to be producing more video on the Amazon ritual because we have pages of significant notes. The work of this season requires very rigorous effort, and if you are so led to pray for us, please do!

Regarding the Bezos time ritual, if anything speaks to the reality of that, Jeff's commitment to this clock should!

From exactly a year ago: Construction begins on Jeff Bezos’ $42 million 10,000-year clock (2/20/2018)

"Installation has finally begun on Jeff Bezos’ 10,000-year clock, a project that the Amazon CEO has invested $42 million in (along with a hollowed-out mountain in Texas that Bezos intends for a Blue Origin spaceport), with the goal of building a mechanical clock that will run for 10 millennia."



Jeff Bezos is building a massive, 10,000-year clock inside a Texas mountain (2/21/2018)

“Over the lifetime of this clock, the US won’t exist… Whole civilizations will rise and fall. New systems of government will be invented… in the year 4000, you’ll see this clock and wonder, ‘Why on Earth did they build this?’” Bezos gushed.



The official website: 10000YearClock.net

"The Clock's chime generator creates a different bell ringing sequence each day for 10,000 years. Carved into the mountain are five room-sized anniversary chambers: 1 year, 10 year, 100 year, 1,000 year, and 10,000 year anniversaries. The one year anniversary chamber is a special orrery. In addition to the planets and the Earth's moon, it includes the interplanetary probes launched during the 20th century. The Clock will activate and run the orrery once a year on a pre-determined date at solar noon."



Jeff Bezos just revealed video of the massive 10,000-year clock being built inside a West Texas mountain

Yes, in the Sierra Diablo range. Diablo means Devil. We're told this property is intended to be used as a Blue Origin spaceport. Think of Jack Parsons of JPL fame and the Babalon Working infamy. He dedicated all his rocket launches to Pan. That's the Devil.

Bezos says (and all logic must agree) that this looks toward the distant future. Flip that. There's the truth!



Here's something, an interesting exercise for you.

The Ark of the Covenant continues to be very much in the foreground of our interest. The Ark's volume is 45/8 cubic cubits or 5.625 in decimal form, and this is being used to reference the Ark in ritual magic. The Ark and its volume relates to time. If you convert the numbers to letters in the most simple way, 5.625 becomes E.FBE and this makes an interesting string for a web search. If you find anything "ark-ish" there's probably something behind that - like having to with time or time symbols (water...), or dimensional transits (bicycles...)

Part 3 - Code N.E.W.S. - Network (1976), the London 2012 Olympics and CERN

Since publishing part 2 I had another insight about the One Times Square Building. The glowing time ball and brilliantly lit building is the Eye of Horus - the illuminating capstone of the pyramid on the Great Seal. Look at the map. The Building is separated from the wedge shaped square. It's a match. The illuminated triangle eye appears on the One dollar bill. ONE Times Square - the Monad or Monas worshiped by the illumined elite. The dollar bill has features numbering 13 all over it. Time is money. Mastery of time. One Times Square is an ad revenue generating giant. Note how the news giant Thomson Reuters is adjacent to the former headquarters of the New York Times, keeping the N.E.W.S. ritual in play. On those quarter days when ManhattanHenge is celebrated, these kinds of rituals do add toward the sum, advancing the agendas of the illumined.

Some of the space-time symbolism of the news is rather subtle, but when it comes to the New York Times and Times Square, it's far less so. The space time ritual of the countdown sequence of the Opening Ceremony of the London 2012 Olympics has been given recent ink, and a lot of it was pretty subtle. What was done in London that was far less subtle came during the first segment of the Closing Ceremony. It was all about Code N.E.W.S., as you'll soon see.

First, here's some vintage Code N.E.W.S. - an influential and award winning film from 1976 titled, Network. Network is mostly about network news. Here's an inspiring clip from the news anchor of fictional UBS Evening News. Caveat: The language used is offensive.

Network - Peter Finch/Howard Beal's rant - I'm as Mad as Hell

The first thing you'll notice is the array of clocks and the bank of phones on the news set next to the anchorman. The clocks show the time in major cities around the globe. Space-Time. News. Is that set unusual? Not at all, As I recall, it was a familiar arrangement on network news broadcasts. I remember lots of clocks and maps.

On the camera in the studio, we see the station's logo. UBS, in a circle in a square. Square ~ space. Circle ~ time. In Occult gematria, UBS is 21+2+19= 42. That's the time number 21*2. When Z=1, UBS is 6+25+8=39. That's 13*3, or 13+13+13. The network saved by the news. Masters of time and space-time. Ritual. Magick.

When Howard Beale, played by Peter Finch, delivers his impassioned plea on live television, he encourages his audience to act now, in the moment.

“All I know is that first, you've got to get mad.... So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window, open it and stick your head out and yell, I'm as mad as hell and I'm not going to take this anymore!”

He uses the words, first, now, right now; time words that inspire action and increase emotion. This space-time ritual is driven with powerful emotionalism, generating and harnessing "psychic" energy, as some would call it, and this supernaturalism is an important feature of ceremonial and ritual magick. When witches cast a spell, they cast a magic circle and raise energy for the spell. When ready, they release it out into the universe. Consider what happens next in light of that observation.

Faye Dunaway's character asks a studio technician, “How many stations does this go out live to?” Again, space and time. His reply: “Sixty -seven stations. I know it goes out to Louisville and Atlanta- ” He's cut off, but consider the space-time symbolism of his brief response. The number 67 transforms to 13, as 6+7. The cities named provide us with an L and an A. L=12 and A=1. Thirteen. The broadcast signal goes out to many stations in many cities - space. The number 13 signals the mastery of time and space-time domains.

When the people have their heads stuck out the windows and are yelling, the thunder and lightning suggests that a downpour is imminent. An open window is like a door, a portal between space-time dimensions. The highrise apartment buildings present a grid, strengthening the symbolism of space. The threatening storm brings the idea of a heavy rain. Water as time.

One final observation about Code N.E.W.S. in Network. The film came out in '76. 7+6=13. Howard Beale inspired rebellion; the Spirit of 76, it may be said, in the year of America's bicentennial celebration. In magickal space-time ritual.

Another epic N.E.W.S. ritual was done in London during the closing ceremony of the XXX Olympiad. I wrote a post about the ceremony in 2012, and my commentary on the segment of interest was along the lines of Howard Beale's observations in Network. (Howard Beale: Turn off your TVs * Caveat: contains offensive language)

“A bold declaration was made by the Illuminati programmers about the state of London. The city was presented as a model with newspaper covering everything. Buildings, pavement, cars, trucks, bicycles and people were covered with it. The bustling activity of daily life was accompanied by hypnotic music, then becoming chaotic noise. It was then called rush hour. Traffic came quickly into grid lock, and “Churchill” began to yell STOP from his tower perch until it all came to a halt. It was a comedy sketch, but when you get the picture you might not think it's funny at all! Even though the picture was dignified by calling attention to the content of the newsprint as being from classic literature instead of London's famous tabloids, the statement actually being made in this dramatic and cryptic fashion should be taken as being far more offensive to Londoners than that. London is programmed. Everything there and everything done there is according to script. Mind control, exercised through print media. The sad truth is, the programmers are absolutely correct in their depiction. The joke is on the Londoners, especially those who participated in the farce, making a mockery of themselves in the sketch that must be acknowledged by those with a seeing eye as the insider's great satire. ”

(Part 40 - 2012 London Olympics - The Closing Ceremony and the Rise of the Phoenix )

Like with the film, Network, my primary interest here is in the space-time ritual of Code N.E.W.S. The Closing Ceremony began with a segment called, Rush Hour. A day in the life of the city of London was dramatized inside the stadium. Nearly every person and thing on the set was covered with newsprint.

London 2012 Olympics - Closing Ceremony

The commentator described it in these words. “And the show will begin with a journey to a day in the life of the city from the early morning rush hour to a glittering sunset.” A journey to a day. So, if we journey to a day in a literal sense it follows logically that our destination is not today but some other day. Time travel. His commentary uses space-time language. While he said that line, a singer and piano player appeared. Their stage was a flat bed truck covered in newsprint. The piano was covered in the same.

Emeli Sandé sang a verse and the chorus of "Read All About It, Pt. III". That's the classic line said by purveyors of the news. Space is wrapped in the N.E.W.S. From North to East to West to South. The headlines and columns celebrate the past. Time.

Another song performed during Rush Hour was, Because, a Beatles song sung by a choir called, Urban Voices Collective. Here's the lyrics of verses 1 and 3.

Ah, because the world is round, it turns me on
Because the world is round, ah

Love is old, love is new
Love is all, love is you

Again, SPACE and TIME. Code N.E.W.S.

The ceremony began rather like the Opening Ceremony had two weeks earlier with another countdown, first synchronized with a fly-over of the Thames-Isis by numbered places and then accompanied by the chiming of Big Ben and the chanting crowd. By starting at the stroke of 21:00 hours the schedule silently stamped the event with the time number that is the mirror of 12. The date was 8/12/12. Redundant 12. As seen in the video linked above, when the show begins we see a tranquil scene, the pre-dawn city. Dawn - TIME. The Sun rises in the East. We're going to go to “glittering sunset,” we are told, which happens in the West. Scale models of landmarks like Big Ben, the London Tower Bridge and the Gherkin are laid out on a 3D grid resembling the Union Jack. SPACE-TIME. The London Eye is positioned centrally.

The iconic structure that the stadium's version of the Eye was modeled on is actually revolving over the water at the bank of the Thames. The Thames-Isis was clearly established as the river of time during the Opening Ceremony. The London Eye is alternately known as the Millennium Wheel. Millennium, that's a span of time. The rotating London Eye resembles a kind of water wheel like what used to power mills or a paddle wheel that drives river boats. It's a water-as-time wheel. The real London Eye is supported by a structure that has the appearance of a compass, the kind used to draw circles. The Circle of Time. That circle was positioned on the spoked hub of the stadium's Union Jack to form the XO of space time (and the MOB, and 66 abyss, and to establish the celestial throne of the goddess of the Thames-Isis). The XO form was repeated as a fractal in the structure inside the model of the London Eye. There's another fractal of space in this design. The city of London has been laid out on the Union Jack. The flag of the UK represents the whole United Kingdom, so by superimposing the symbolic city over the symbolic flag both are represented in a fractal kind of arrangement. But there's another scale to this ritual SPACE fractal, a global kingdom, because the audience ringing around the stadium has assembled there from every nation around the globe. Because they ring around the crosses of the flag, there's an additional scale to the XO fractal that begins inside the Millennium Wheel and expands to include the wheel as the circle inside the flag's crossings. This is powerful space-time ritual! It's worth mentioning here that the stadium is very near to the Prime Meridian, and about 4 miles north of Greenwich, where time is accounted.

Winston Churchill (Timothy Spall) appears inside the top of Big Ben, which has folded open at its top in 4 opposing directions. The clock faces on Big Ben are visible. We will see how newsprint covers the tower, on which is the likeness of a weather map. North East West South. Code N.E.W.S.

Churchill. CHURCH-ill. in a bell tower or steeple. Its a biblical high place! While he recites Caliban's speech, the city begins to awaken and the light of dawn is simulated. Traffic circulates counter-CLOCKwise around the city. Spewing the words of the demigod beast Caliban, words of enchantment coded to the bell of Caliban and linked to the stone marker at Thames Head.

Rush hour is a high energy time and the scene quickly becomes chaotic, with tempers flaring. Traffic comes to a standstill. Churchill, from the space-time control tower of Big Ben shouts, Stop, three times, and the city goes quiet. We never make it past the morning rush hour. Time itself is stopped. It's continuing the space-time manipulation ritual I described a couple weeks ago in the series, The London 2012 Olympics: Revisited. For what reason has time been stopped? For Prince Harry's arrival, who is representing the Crown. He was introduced with a fanfare, and a kind of drum roll. Four newsprint covered jackhammers stood in for the drummers. The drumming jackhammers are doing what drummers do, keeping TIME. The jackhammers are making a rift in the pavement, opening up a rift in the dimensional barrier. Think about what they are showing us in this mega N.E.W.S. ritual. Time is stopped. Pavement is jackhammered to open a rift in space-time so that the royal son can be introduced. “Caliban.” Antichrist Beast. The half breed. Apollo, whom they openly worship. Horus.

I'm going to close out this brief series with an insight into connections between the Olympics and CERN's LHC. The jackhammers are percussion instruments, like the LHC collider at CERN is a percussion instrument. I've previously offered insight into how the LHC appears to be intended as a kind of time machine, which operates in parallel with the magick of time manipulation ritual.

Science+Magick in Space-Time Ritual. It has become quite apparent that their efforts are bearing fruit.

The bloggers at CERN posted this video of chaotic music that reminds me of the Rush Hour segment before Churchill commanded the stoppage.

Indie band Deerhoof experiment with sound at CERN

Four panels. Space-time. Deerhoof. Think - Cernunnos, the horned god of magic invoked still today by witches.

Science+Magick in Space-Time Ritual. Maybe this should terrify you. If you're not secure in the Lord Y'shua, it really should.

Part 40 - 2012 London Olympics - The Closing Ceremony and the Rise of the Phoenix

Series Links: 2012 London Olympics

The 2012 London Olympics is now over. Aaron and I watched the closing ceremonies and found that a couple elements at the very end were notable as we had anticipated, really sealing the deal. Seeing the big red bird suddenly appear as the phoenix rising out of the ashes of the dying Cauldron had to raise quite a few eyebrows!

Several sketches and songs seemed to be chosen to support themes addressed in previous posts. It struck me that nearly the entire “occult programming” effort seemed to have gone into the opening ceremony. The 8 minute long Rio 2016 ceremony seemed devoid of the layered symbolic messaging I had been expecting. Contrast that with the London Ceremony of Beijing's closer, which was incredibly dense. Sure, celebrating Carnival is nothing but evil, but if there was anything that wasn't simply what it looked like, I haven't perceived it yet. What I saw as I watched is sure worthy of a report because the messages sent in the opener were confirmed, yet my strongest impression is that the messaging void I perceived sends the loudest message of all, one that's given quite a distinctive exclamation point at the end. Read on and you'll see why!

When Caliban's speech from The Tempest was read by the actor playing Churchill, it was that work attributed to the famed playwright Shakespeare that is acclaimed to be favored by Freemasons, being read by an actor on the stage playing a renowned Freemason. This was done from out of the top of a model of the bell tower traditionally referred to by the name of its bell, Big Ben. We did not hear the expected Bell of Caliban at the beginning of the closing ceremony, at least not in NBC's coverage. So, consider this. With the speech containing the line that has been inscribed on the Bell of Caliban being spoken out from the model of the tower, it suggests to me that there has been a magickal link established between the two bells. It may be that, henceforth, ringing Big Ben will invoke the demon of the Bell of Caliban too. When the IOC sponsors something that looks like they have sacrificed something important, I'm betting they have traded up for some greater benefit.

A bold declaration was made by the Illuminati programmers about the state of London. The city was presented as a model with newspaper covering everything. Buildings, pavement, cars, trucks, bicycles and people were covered with it. The bustling activity of daily life was accompanied by hypnotic music, then becoming chaotic noise. It was then called rush hour. Traffic came quickly into grid lock, and “Churchill” began to yell STOP from his tower perch until it all came to a halt. It was a comedy sketch, but when you get the picture you might not think it's funny at all! Even though the picture was dignified by calling attention to the content of the newsprint as being from classic literature instead of London's famous tabloids, the statement actually being made in this dramatic and cryptic fashion should be taken as being far more offensive to Londoners than that. London is programmed. Everything there and everything done there is according to script. Mind control, exercised through print media. The sad truth is, the programmers are absolutely correct in their depiction. The joke is on the Londoners, especially those who participated in the farce, making a mockery of themselves in the sketch that must be acknowledged by those with a seeing eye as the insider's great satire.

In the stadium, over behind the flaming Cauldron appeared an image of the Olympic rings against the blue-white light of the particle beam collision traces of CERN's LHC. I haven't seen this effect before, so it's certainly new imagery to me! Similar to the appearance of the back of the Olympic medals and ribbon, you may recall how this god particle physics has been presented as the key to the abyss of Revelation 9 in a number of posts. Seeing it now so brightly backlighting the rings logo makes a chilling statement to those of us who can read the symbol language! The rings logo is equivalent to the pyramid on the Great Seal of the USA, the one with the glowing pyramid eye. With the fairly recent announcement that the god particle has been confirmed, the science-magick of this rainbow bridge construct is being illustrated for us in use, powering the pyramid, activating the portal.

Another comedic sketch was modeled on the old standard circus stunt, where a man is shot out of a cannon. It was paying tribute to the iconic Monty Python's Flying Circus. If this means what I think it does, this is another Illuminati inside joke that is going to be anything but funny!

In this image, you can see the super-sized cannon with a man we will associate with Monty Python's Eric Idle standing on it. He climbs inside. Instead of firing the man across the stadium into a net, the barrel tilts down. We see Eric Idle begin to emerge from a pit under the barrel, as if the cannon was a dud and "cannonball Eric" had simply rolled out into the pit. Later, we see a man unexpectedly shot out of the cannon, flying spectacularly across the stadium to be caught in a net. That was an impressive feat, but what it says to me is pretty dire.

Think about all the expectation that was built leading up to the Olympics about the potential for terrorist activity of some kind. Between the attention given officially with the games-as-security-operation and what attention was given it by those of us attentive to what was being so flagrantly signaled, plenty of expectation was built. Many people watched with suspicion that something was going to happen. It was a supersized cannon. We watched the guy get in. We waited, and watched. The Olympics ended, without a bang. It's like the cannon barrel tilted down and the cannonball rolled out without even a fizzle, right? Eric Idle sang and danced around to 'Always Look On The Bright Side Of Life.' Can you hear someone saying, Ha! Fooled you! Foolish doom-sayers. Conspiracy theorists. Then, when everyone had taken up the silliness to the height of absurdity and no attention was given the cannon, it was fired. Bang. Think about it. Let that speak to you.

Aaron and I have been proposing just this very scenario as seeming very likely in the near term following the XXX Olympiad. We don't see the threat of a giant cannon but the threat of bioterror, false flag in the sense that blame for what is done will be directed off the perps on to some other agency, even natural causes. Think along the lines of V for Vendetta: St. Marys. Three Waters. The Olympics are over. Everyone breathes a sigh of relief. The threat is over? It was a dud? Boom!

If you want to see the real point of such activity as that, it was dramatized for us last night. An Idle ascended out of the pit. Idle ~ Idol ~ Apollo. He was accompanied by tawdry looking angelic beings. How did they get in the pit? They were fallen angels, bound in the earth. Released by the angel of the abyss, Apollyon, right? The Idle and fallen angels and servants of the False prophet all frolicking together. How rich. There it is. The Illuminists know the script. They know how to make it happen.

In the end, the bell, book and candle ceremony was observed, pretty much as expected. Instead of the Bell of Caliban being rung like in the opening ceremony, we heard what sounded like the 9 pm chiming of London's iconic Big Ben. Ringing 8 bells for this signaling of a death knell might have been appropriate enough, which is the euphemism for a sailor's death that derives from the ship's bell rung to signal the end of a watch. The 9 bells really is the more appropriate signal, however. The coming post-human triple helix transformation into hybrid god-man beast is signaled by this number, plus it is, in military time, 21:00 hours. Twenty-one signals time and the fullness of time, literally “time's up.” That's the general signification, but I have to say this instance has a very, very special signification in this particular context. We're marking the end of the 21 years from the celestial sign of Genesis 49:10, which marked Yom Teruah in 1991 as the reference point for the return of the Lord Jesus in judgment. There is the ringing of the bell to evoke a death toll, according to the excommunication ritual practice. The "book" was closed as Jacques Rogge officially pronounced the XXX Olympiad closed. Then, the candle was snuffed out and “knocked” to the ground, ritually, by extinguishing the flame as the Cauldron elements were lowered to the ground. That's very significant, as I had presented my expectation about this in an earlier post.

When everyone's attention was placed on the Cauldron, it lowered into the dome configuration and in the midst of a cloud of smoke, a big red bird appeared above and behind it, the legendary phoenix. The phoenix or firebird is a symbol in many cultures. Biblically, you can relate it to the rise of the beast. In Olympic terms, that's the dawn of Apollo. To some, it's the return of Quetzalcoatl. It's the rise of Atlantis, and nationally, a picture of America, after the judgment it will very shortly endure. Such a bird has been associated with Nazi Germany, Rome, the Vatican and Freemasonry.

In the imagery presented, which I show here in several snapshots from the NBC broadcast, I see the fiery Cauldron dome as the globe of the earth, burning. Out of that destruction and chaos comes the new order, the phoenix. Given what insight I've received and presented about the cursed thorns being parted out and distributed around the globe, we see them here as causing the globe of the earth to burn. This speaks loudly to me of the intent and effectual working of the thorn curse. Hey, surely, Nero must be ready to rosin up his bow and grab his fiddle. A global 9-11 event is appointed and coming soon, to be followed by 9-12, the rising of the phoenix from the ashes.

The phoenix is the creepy bird featured in the middle of the enormous tapestry hung as the ominous prophetic backdrop of the UN Security Council Chamber in NYC.

An angled stage was set up before the Cauldron, from which Seb Coe and Jacque Rogge spoke their final addresses as the IOC's Ministers of Propaganda. With the imagery of the angled supports pictured above, the Masonic square and compass was signaled. Nice touch.

So, my take of the closer is that the cryptically signaled messages had mostly been sent in the opener, and that the magick worked and whatever had been set as their goals were accomplished. The close was for confirming the messages sent in the opener.

The final statement we were left with was made in the band's name and song that closed it out in the NBC network coverage.

Take That - “Rule the World”

Subtle, no? Eh, NO! Quite simply, that's the move the Illuminists have made. Right in our faces, they “flipped us the bird”!

I can assure you, the final laugh will not be theirs!

1 Why are the nations in an uproar and the peoples devising a vain thing? 2 The kings of the earth take their stand and the rulers take counsel together against the Lord and against His Anointed, saying, 3 “Let us tear their fetters apart and cast away their cords from us!” 4 He who sits in the heavens laughs, the Lord scoffs at them. 5 Then He will speak to them in His anger and terrify them in His fury, saying, 6 “But as for Me, I have installed My King Upon Zion, My holy mountain.” ~ Psalm 2:1-6