Decoding the Google Doodle - Day of the Dead 2014

Today's Google Doodle celebrates Dia de los Muertos, the Day of the Dead. “Day of the Dead is a Mexican holiday observed throughout Mexico and around the world in other cultures. The holiday focuses on gatherings of family and friends to pray for and remember friends and family members who have died.” (Wikipedia) Google's animation illustrates with Occult imagery that rightly presents it as it is to many, a ritual celebration of the coming Beast of Revelation 13:1.

The last image of the animation features the pastries that are like hot cross buns, which are linked to Pagan celebrations of Easter. These are linked to goddess worship, death and resurrection, and they are decorated with the ancient circle cross mark of the beast symbol. Google repeats the cross circle imagery in their letter flags, the Os and the second G. Because Code 33 is signaled by the dividing of the letter flags into two groups of three, I see the “hot cross buns” in a redundant signaling of Code 33, with the 3 of them paired with the 3 three flowers above them. Those flowers match the buns as obfuscated circle cross images. In the looped flower stems we see the obfuscated tracing of the numeral 6, the number of man. Code 33 and Code 666.

Circle ~ O is the 15th letter 1+5=6
Cross ~ X is the 24th letter. 2+4=6

Three O = 666
Three X = 666

Consider the organization of the groupings. On the left are three letter flags. Under them, three kinds of fruit. Under them, three other things of a kind. On the right there are three letter flags. Under them, three flowers. Under them, three pastries. In the middle there are three strands of incense smoke. Under them, three things that burn: candle, incense, candle. Under them, flower, some other object, and flower. If we consider the numbers in 3 rows we have 9, 9 and 9. Invert 999 to get 666.

The loops together with the flowers suggest the tracing of the rosette in the heavens by the planet Venus, signaling the presence and activity of the goddess. The Virgin Mary, aka Isis, the goddess of 10,000 names.

The scene fits with the rest of the video on the theme of the raising of Osiris by Isis into Horus, which is the coming of the beast. The two candles flank three sticks of incense. The two candles picture the celestial Twins, Gemini. It's a Silver Gate transit, a beast resurrection with the goddess. Three is the resurrection number. It also represents three strands of DNA. The plate or doily under the pastries has a wave pattern that can be interpreted as a blue series of connected numeral 3s. Heavenly divine, blue and white - resurrection life.

The letter L in the letter flag is a carpenter's square, or the right triangle signaling the production of Horus through the union of Osiris and Isis. (47th Problem of Euclid) Horus is the fruit - the fruit in the basket. At the lower left in that capture, the three things at the bottom speak to me of more of the fruit that will be brought by replicating the beast through his mark. Eyes in heads ~ the infinity symbol, which is a crossed circle. Take a loop and twist it a half turn. A crossed circle is a mark of the beast variant.

The interpretation of the smoke from the 3 sticks of incense as a symbol of triple helix DNA strands follows a trend I've been following since 2009 on this blog. In Google's Dia de los Muertos Doodle for 2014 that theme begins in the sequence you see in this image. Vida. Life. Two strands combine like DNA from 2 parents to produce their offspring. It's a family thing. The DNA proceeds from what can be interpreted as a graphic of the reproductive organs of either parent.

The woman's shape becomes black as a symbol of her mortality and subsequent death. Muerte. She has one eye. The Horus Eye. Count the lashes and their arrangement. 6 eye. Code 33. The graveyard and underground bones and the skull illustrate how she is buried and is being honored by her descendants on this annual holiday. It's also a picture of the underworld from where Horus and the Rephaim will emerge. The Scull and Bones man is the beast.

At the end of the animation we see three strands of smoke that derive from what we assume to be her skull, decorated with living flowers. That's a death+life image, and the life symbolized comes from being merged with a strand of Horus DNA. 2+1=3. It's a merging with the ancestor-god through receiving his mark.

Here's a link that will find the other posts on this blog decoding Google Doodles.

Olympic YOG DNA = ANY GOD - Another Opening Ceremony in China

Even in the midst of the apparent catastrophic failure of the present world order, the world just can't seem to get enough of the Olympics. Saturday night, I watched the opening ceremony for the The 2nd Summer Youth Olympic Games, in Nanjing, China. It was impressive on every level. The 2008 Summer Games in Beijing had set the bar unapproachably high for scale, but every other aspect of the presentation seemed to meet or exceed everything that has come before it. The projection technique that paints the stadium with imagery seems to be at least as good as in Sochi, even in the rain. A new technology projected animated 3D imagery into the air that was incredibly vivid. It was impressive for the broadcast audience and for those inside the stadium.

You can watch the entire ceremony online in HD. The 2nd Summer Youth Olympic Games



My interest in the show goes way beyond the superficial entertainment value. The ceremonial entertainment along with every other aspect of the Nanjing Olympic Games represents yet another Theurgistic mass ritual and “energy harvest” that is making the world ready to receive their (false) savior Apollo, son of Zeus, a subject that has been well documented on this blog and on TheOpenScroll.com. I'll just be touching on a few of the more notable elements in this post.

If you've been following this blog you should be very aware of the pending great hoax appointed for 2015. The opening ceremony was called “Light up the Future,” and it really bore witness to the hoax that will set the stage for the introduction and welcoming of the Antichrist beast. It will be a lighting of our very near future with Luciferian illumination, the illumination of Mary, which they demonstrate to us during the ceremony in a limited fashion. As described previously, a combination real and unreal imagery will be projected as a live global stream filtered from out of the past, present and future. The pan-media broadcast will be attended by a supernaturalism that will cause all but the elect to be deceived. (2 Thessalonians 2) If people do not even now perceive what is considered to be entertainments as the ritual modeling it really is, how can they possibly resist what's coming? If you don't know how to avoid being deceived in that hour, you just haven't been paying attention.

• Will No One Know the Day?
• The Sign for the Bride

Before I address the ceremonial symbolism, let's consider the branding imagery for the games. It looks simple but it's layered with Occult meaning. I've already written at length about the meaning of the Olympic rings, presenting the truncated pyramid that invites Zeus and Apollo, and the fertility goddess, raising Osiris into Horus (Code 47). The dialog box framing the YOG (Youth Olympic Games) DNA script also signals Code 47, accenting the signal right triangle. The numbers produced by the two frames create an instance of Code 13 in a way that distinctly sets it within the context of the goddess. The first frame has 5 sides. The second has 8. Together, there are 13. It's the rebel lord beast signal, as produced by the goddess. Venus traces out a 5 point rosette in exactly 8 earth years, which requires 13 of its own orbits around the sun. The series of 5-8-13 are a Fibonacci set, which is why the spiral is used as a symbol of the goddess who raises Osiris into Horus. The frames speak to me of SD cards, memory chips, which I believe is intended because the Occult imagery attending the Games is literally transferring collective memories.

The 2 letters “n” in the stylized title “nanjing” are arches that represent the Gates of China. The Gate of Nanjing was built in the 14th century (13 hundreds) and is one of the city's thirteen in total. Historically, it's a big deal, and there's that number 13 again. It's known as the Gate of China, of the whole nation. By coloring the letters and the framing gates of the letters n they are suggesting stargates, and this is established very early in the opening ceremony in a video that features the rainbow mascot traveling the rainbow bridge, passing between two pillars, followed by a crowd. (Not unlike London 2012.) It's a familiar scene. The stargates open and the Horus-lawless one travels down through the Gemini Silver Gate, followed by a horde.

The dragon framed armillary sphere plays a very important role in the ceremony, and this early scene creates the fundamental association with stargate transit events.

Let's give the branding of the Games some more consideration. The city of On is highlighted in the way YOG DNA is arranged. It's where the Olympian Apollo was worshiped as the sun god by other names like Helios, Amun Ra and Horus. Aaron noted that YOG DNA is a simple anagram for “ANY GOD,” and I believe that's the primary signification. Worship any god but the one true God - that's a fundamental message that's easily gleaned from the Olympics. Idolatry. Worship any and every god. Another signification is GOY DNA, which is a reference to the gene pool exclusive of Israel. (A non-Yahweh tree without their inheritance) The word, ZION, that is typically encoded in Olympic logos refers to a hijacked version of what the God of Abraham, Isaac and Jacob has promised His chosen people. I believe another intended anagram is, GAY NOD, because homosexuality is a key part of the agenda that advances the world toward the welcoming of their false savior.

The climax of the opening ceremony is always the lighting of the Cauldron. The preparation for this involved high ritual throughout! See Our Lady of the Olympics to learn how this honoring of the flame is an ancient magickal ritual that involves the goddess of many names - Hestia, Hecate, Artemis - aka Mary.

The “sacred” flame was lit and dedicated ceremonially on Mt. Olympus in the customary way, on April 30, 2014. Check the Zeus (Satanic) calendar and you'll discover that it's the greatest Witches' Sabbat! It's Beltane Eve connected with Walpurgisnacht, Roodmas Day and the Grand Climax. Don't think that's unintended.

For these games, 90 million people virtually and ritualistically carried the torch because of the provision made for engagement. “The torch relay was divided into two parts. The first part was a digital relay where people who downloaded an app were able to participate in the relay through an interactive option called "Give Me Fire." When using this feature users were able to pass the Youth Olympic flame to their friends by touching their devices together. The relay visited 258 different online locations from the 204 participating NOCs over a 98 day period.” (Wikipedia)

The torch is known as the "Gate of Happiness." A structure resembling a city gate is found on the top part of the torch. There's the stargate, a kind of Tower of Babel. The torch is a phallic symbol, of Osiris. (Gate of) Happiness = haPENIS = reproductive sex magick with the torch goddess produces Horus ~ opens the eye of Horus, illuminating the world.

The Cauldron was lit in a way that had never been done before, which compares somewhat to the way the flame was sourced directly from the gods in heaven. The fire was started in Greece using a parabolic mirror to focus the sun's rays. When the Cauldron located above and adjacent to the Olympic Stadium was lit last night, it was when the last torch bearer touched that flame to a point on a special structure, which carried the flame around and to its top. The pyrotechnics were designed to launch fireworks, and like flaming arrows, they carried the Sacred Flame from that structure inside the stadium up to the Cauldron, lighting it with the flame that had been ritually sourced from the gods in the heavens on Walpurgisnacht. When you understand the structure as a representation of the gods in heaven and the fireworks as the fallen angel gods, you see how the ritual granted the gods another direct agency in lighting the Olympic Park, which must enhance the potency of the sacred flame's illuminating effect.

These images show the burning Cauldron as it's just been lit, then shortly after as the structure has gone fully neon - light activated.

The structure features an armillary sphere. That object has a central role throughout most of the ceremony. The central character, the “protagonist” who pursues the ancient dream carries one around. Early on, we're told this object was used to locate celestial bodies. The models we see during the ceremony are supposed to be referencing the one from the Yuan Dynasty (probably made in the 13 hundreds) found in Nanjing's Purple Mountain Observatory, along with the telescope replicated on the opposite side of the Olympic stadium.

More is meant by the device than to indicate a merely astronomical function. The key is in understanding its use in astrology and divination, and identifying the ancient gods as the celestial bodies. It is a universal idol that honors the host of heaven. Olympism is a religion, as the Baron Pierre de Coubertin insisted.

I write plenty about the 2nd Commandment and the consequences we reap unto ourselves for disobedience. It's bundled together with the command against the idolatry of worshiping the celestial bodies, which are more than simply lights in the sky. They represent the host of heaven, spiritual entities, angels.

15 “So watch yourselves carefully, since you did not see any form on the day the Lord spoke to you at Horeb from the midst of the fire, 16 so that you do not act corruptly and make a graven image for yourselves in the form of any figure, the likeness of male or female, 17 the likeness of any animal that is on the earth, the likeness of any winged bird that flies in the sky, 18 the likeness of anything that creeps on the ground, the likeness of any fish that is in the water below the earth. 19 And beware not to lift up your eyes to heaven and see the sun and the moon and the stars, all the host of heaven, and be drawn away and worship them and serve them, those which the Lord your God has allotted to all the peoples under the whole heaven. ~ Deuteronomy 4:15-19

Those ringing the top of the columned armillary sphere represent the gods in the heavens, the celestial bodies. That's why there's an army of Nike goddess priestesses worshiping at the object, which is a temple. They are bathed in a waves of light of a roseate hue, as would have been heard in the singing of the Olympic Hymn. They are wreathing the gods who sponsor the Games.

Compare it with the famed scene from antiquity that was found on the ceiling of the portico at Dendera, in Egypt.

The producers of these Occult entertainments practice Theurgy. They exalt the celestial bodies to exploit the Seirai that unite the Orders of Being according to the direction they receive from that other realm of the spirit.

“Additionally the theurgist sought to ascend into the presence of the gods by using symbols, signs, words, sounds, godly materials called seirai (chords, chains, "processions") which united Orders of beings with Celestial bodies, "A Great Chain of Being." The practice of theurgy would only convey influence from the gods if the symbols and rituals used were taught by the gods. This is why Plato said 'great power of geometric equality exists amongst both gods and men.'”
(The David Flynn Collection - Kindle Edition)

Another student of the arcane noted the following.

“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'”
(A Summary of Pythagorean Theology by John Opsopaus)

The influences from the gods are being conveyed. Can you accept it? That declaration is entirely consistent with biblical revelation. This is why we see the same messages in symbol language repeating over and over again, in a seemingly endless variety of ways. The streams of narrative flow together like tributaries into a mighty river. The diverse masses are borne along in the collective flow, being readied to be poured out into their appointed destination. The Great Harlot Mystery Babylon sits on many waters.

As Aaron and I reviewed what we had been seeing during the ceremony, he noted how the armillary sphere temple resembled the machine built in the film, Contact (1997). As I explored the association it became apparent that the producers of the film and those responsible for the Olympic Ceremony were basically working off the same notes. Contact was based on Carl Sagan's best selling novel of the same name (published in 1985). From Carl's Wikipedia bio: “His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life...” Carl Sagan was involved with the film production but died before it was completed. He “knew stuff.”

The film stars Jodie Foster as Ellie Arroway. She was dropped (gravity) from a crane-like platform (pedestal) into a machine that looked like the Olympic armillary sphere. That was a stargate, built from the blueprints furnished by aliens) that transported her through a wormhole. She visited a distant place where she had interaction with a being she recognized as a dead ancestor (her father). There's a time manipulation because no time passed on earth during the event, while 18 hours (6+6+6) passed in her experience as the traveler. The fiery ARROWay was shot from the machine through a wormhole to reach her heavenly target. Likewise, flaming arrows were shot from the armillary sphere temple toward their target in the heavens. And, with everything else I'm noting, that can't be just a coincidence.

In the scene of the film where extraterrestrial contact is being discovered, the first content recognized in the coded digital message received from space is a video clip from a historical television broadcast. Claimed to be the very first television broadcast, it showed Adolf Hitler's brief address at the 1936 Summer Olympics in Berlin. So, it was the opening ceremony of the Olympics. The opening ceremony of the Olympics. There's a connection. You got that, right? There will be another link made, with Hitler, so keep that in mind.

It is a fact that Hitler officially opened those Games with these words, “I proclaim the Games of Berlin, celebrating the eleventh Olympiad of the modern era, to be open.” This is the translation from German, of course. In the film version, the character played by William Fichtner interpreted his message as, "I declare the Games in Berlin, at the celebration of the first Olympics of the new era, as open." I wonder if the Games in Nanjing where an allusion to this film was made through this armillary sphere temple might be considered as the first of a new era. With Sochi's Olympics and Paralympics past, I thought that particular body of ritual work was done. I was surprised to discover the YOG ceremony, stumbling upon it while I was programming the DVR to record some shows. Providence. Thank you Lord!

In Contact, William Fichtner's character was named Kent Clark. He was blind, but he had exceptional inSIGHT. You really have to “see” what's going on here and identify him with Clark Kent, the DC Comics character who wore fake glasses as a disguise to conceal his alter identity as Superman. He pretended to have poor eyesight but he really had X-ray vision. Make the connections here - Übermensch. Lebensborn = “Wellspring or Fount of Life” --- Hitler assigned his SS agent Heinrich Himmler to carry out this breeding program. Hitler made a profession to the effect that this effort was really about the hybridized line of the fallen angels, Nephilim. In the context of the Olympics, it's the agenda of populating the world with the gods of Olympus and their offspring.

Contact also contained video clips of President Bill Clinton (2 terms spanning 1993-2001) that were sourced from televised broadcasts. These caused some controversy. His digitally composited image, with his messages, were edited and set within quite another context to adapt the meaning for their purposes. Think about how that supports what I've presented about the coming hoax as a segue to the revealing of the lawless one! Reinterpreting the past in a broadcast of edited historical content. Bill Clinton. Alien contact. He was heard to say, “We will continue to listen closely to what it has to say as we continue the search for answers and for knowledge that is as old as humanity itself but essential to our people's future.” Hmmmm. ...“as old as humanity itself but essential to our people's future.” He was also heard to say, “We are monitoring what has actually happened.” Think about it. Beans are being spilled here.

You can watch the clips I referenced from Contact that feature Adolph Hitler and Bill Clinton here. The real Adolf Hitler and the real Bill Clinton in Contact

That's quite a pairing. Both, antichrists.

The following extract provides some useful insight.

“Jörg Lanz von Liebenfels (July 19, 1874 - April 22, 1954) was a Austrian occultist, former Cistercian monk, and founder of the Ariosophy movement. He was a friend of student of Guido von List. Lanz von Liebenfels helped found the "Guido-von-List-Gesellschaft" (Guido von List society) in 1905 and in 1907 he founded the "Ordo Novi Templi" (Order of the New Templars). He published the magazine 'Ostara', regularly read by Adolf Hitler. The magazine was founded in 1905 by Lanz, (name of the German goddess of Easter spring) took a huge spread in the German countries, reaching runs over 100,000 copies. It appeared in two series, from 1905 to 1917, eighty-nine numbers and published from 1922 to 1927, with twelve more numbers In 1904, he published his book 'Theozoologie' in which he glorified the "Aryan race" as "Gottmenschen" ("god-men"). Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch. Liebenfels states that "the Aryans are the masterpiece of the gods, and are endowed with supernatural and paranormal, powers derived from the Grail (Gotter-Elektron) emanating from 'centres of power' that confer absolute supremacy over any other creature. The emblem that Liebenfels chose to use was the swastika. ”

The Genesis of Übermensch (ThirdReichOccultHistory.com)

So, Hitler read von Liebenfels' magazine, “Ostara” (and took that same symbol for his Nazi party, the swastika). Ostara, that's Isis-Mary, Our Lady of the Olympics.

During the YOG DNA Games, the name Mary was heard many times in NLP rich dialogue throughout the entertainments (NBC Olympics production). It was always cloaked in the pretext of naming the commentator, Mary Carillo. I noted how the goddess of war and “their rebellion” was signaled when the color guard marched out to raise the national flag of China. It's a red flag. See Our Lady of the Nations. Red China is communist. The Queen of All unites all into one. The flag features 5 point stars, 5 of them. Horus, and Venus. The blood red Venus rose. The goddess was evoked throughout as the symbol rich flags of the nations were given plenty of broadcast coverage. When the Olympic rings symbol was dramatically created it was done through expanding concentric rings to pass first through a momentary formation of the triquetra, the triple goddess symbol and signal of the triple helix DNA that will characterize beast and mark of the beast genetics.

I'm going to repeat an excerpt from ThirdReichOccultHistory.com. “Liebenfels proposed the existence of the Gotter-Elektron (the Electron of the Gods), which was a cosmic life force - also known as the 'vril' - which would only be found in the pure blooded Aryans, and which would be capable of transforming them into the Übermensch.” Gotter-Elektron, the Electron of the Gods. Think, god particle, the Higgs Boson and CERN's LHC collider. During the opening ceremony, I believe the LHC was illustrated to us as the key to opening up the Silver Gate.

Recall the award medals from London, 2012.

See the armillary sphere as a standard model of the atom with orbiting electrons. Light beams were fired from the telescope like a laser cannon, representing the high energy particle beams fired from the accelerator. When the Cauldron was about to be lit, the light emitting telescope was aimed at the armillary sphere, and there was an impending particle collision! Consider the Gotter-Elektron - Vril - the Übermensch. When you see this image of the dragon legged armillary sphere behind the rainbow bridge I captured from the opening video segment, let it speak to you of the role of the LHC's particle collider in opening the stargate. That's the message implied. The YOG DNA rainbow clothed transdimensional antichrist mascot is a motion blur as he makes his from beyond, with a horde following after. Other entities will stream through. Ultimately the beast that will result in that antichrist spirit's incursion will be reproduced through DNA replication, his mark, and many duped humans will become hosts, avatars.


The runner with the torch bearing the sacred flame climbed up on a platform with other runners. Four runners in red attended her on the open upper deck, and others were visible inside the platform. Human ritual energy was represented, I believe, and the spirits of the underworld. The 5 on the deck represent Horus, and the goddess, and everyone in the world. The light of the torch is the Sacred Flame of Apollo carried by the Olympian goddess.

The platform moved across the stadium toward the atomic sphere. See the torch as the particle emitted from CERN's LHC. The flame is the inherent Vril Gotter-Elektron, the God Particle. When the flame reached the atomic particle construct, the torch was touched to a special place to trigger the pyrotechnics. There was an explosion, the particle collision. The result was spectacular as the collision reaction resulted in the intended illumination of the Olympic park, creating the Temple of Zeus under the roseate hue. The stargate opened and Horus came through. The people of the world were illuminated with opened eyes of Horus. The lawless one was received and celebrated, applauded by the masses. And so it will be in reality, as modeled by the IOC specialists in Theurgy.

When we see this image painted into the atmosphere we should consider the energy harvested from the human power cone as being channeled into the heavens from Purple Mountain's telescope and armillary sphere. The sky donut is a torus, the Silver Gate. In a flash, it was replaced by a momentary image of a starry seed-like object. A seed has been planted. The Tower of Babel gambit failed once, but the Memory Tower of Beijing's Olympic closing ceremony (seen in this image) and this impressive human cone sequence in Nanjing aren't for naught.

Prepare!

Part 3 - Decoding Coldplay's Strawberry Swing - Wonderland's Goddess

Anything that follows Part 2 in this series is going to be rather anticlimactic, but yet there's more of value to be added. There's more goddess Queen Bee resurrection imagery, biblical modeling of celestial stargates and battles in the heavens, and I've hardly even introduced the Illuminati programming layer. The enemies of the Creator know plenty about what's coming, and in the usual way they put the plot on exhibit for the working of theurgistic ritual magick - concealing it in symbol yet revealing it to those who can interpret the meaning.

Here's the official video, Coldplay - Strawberry Swing.



The theme of resurrection was highlighted in parts 1 and 2, with a focus on the modeling of the baptism of the lawless one. Baptism is itself a resurrection model. Occult writers claim the bee and hive symbolism suggests resurrection. It's about Isis raising Osiris into Horus. Emphasis is put on role of the fertile goddess as the Queen Bee, and also on the worker bees' role in the pollination that is essential for life on this planet, and also on the healing and embalming properties of honey. This is why we find subtle imagery of the bee as one of the prevailing themes, with other complementary references to the goddess who is worshiped by the producers of the video.

The queen rescued by the superhero is Venus. She is in the half-teacup filling with water, wearing the crown of five rays. Venus, Stella Maris, the star of the sea. The number five is silently signaled by Venus as the planet moves through the heavens. Her symbols appear in scenes as the moon and the sea from which she was birthed. When Chris uses the umbrella as a boat, allusion is made to the scallop shell as pictured in Botticelli's classic, The Birth of Venus. When Chris is swallowed by the sea monster. Before we see it as a fish it's recognized as a lion, as famously marking the approach to the Gate of Ishtar. It's actually a lion fish, strengthening the association further.

As described in the previous posts, inside the lion-fish goddess is a hat wearing fish, Dagon-Venus-Pope. The Star of Inanna is pictured in the manhole cover. The ceiling fan is another version of the star, and the "starfish" goddess symbol is made as the fish walks right under it. Liberty-Marianne appears as in the Delacroix painting.

The goddess Ariadne is referenced as the goddess who provides the exit for Chris to emerge from the pipe and stove-pipe hat. It's based upon the legend of Theseus as he kills the Minotaur. The success of that mission depended on Ariadne, who provided a way out of the labyrinth, which was represented in the video by the winding path of the plumbing. With an understanding of Illuminati programming, you should be able to identify the scene where Chris is peacefully sitting on the stove-pipe hat of Delacroix in the presence of Liberty, while she is leading the people in violent revolution. When a mind-controlled slave is sodomized with a crucifix it's called, The Peace of Mary.

When the superhero enters the cloud-castle and sneaks across the room, he passes a painting of the Mona Lisa. The name is a doubled reference to the goddess. Mona is derived from Madonna. Lisa is another name linked to the goddess. Leonardo da Vinci painted her with the famously ambiguous smile and with eyes that some experts claim are painted with a special stereo technique. They seem to follow you. He was an esoteric master, creating the Last Supper and the Vitruvian Man in addition to the Mona Lisa. He embedded secrets in his art. His patrons were significant, and he had relationships with agents of the Vatican. Mona Lisa is a tribute to the goddess.

Strawberry Swing's captive queen is the Queen Bee. The superhero is a bee. He falls to earth when the squirrel snips off his cape because his bee wings were cut off. He gets new wings, being regenerated when he rescues the Queen Bee and dons the membrane that held the water in her chamber. They fly off together, and her appearance is also bee-like, with bee-banded stockings. They land on the moon (goddess) and celebrate Liberty and Freedom together, performing the bent-elbow bee dance.

They kiss in the midst of butterflies. (Butterfly Kisses) (TomorrowWorld's logo, a Rose-Butterfly)

(source)
“Another insect even more closely associated with Ariadne was the bee. She was in fact the survival of an extremely ancient Bee Goddess known all over the region. Sometimes called Melissa (Melitodes was also a title of Persephone) and representing the bee swarm that manifested the lifeforce of Nature, while also retaining the power of death in its stings. Bees were also thought to have been born from the carcass of a dead bull, and so represented the eternal lifeforce of the Bull God who went through cycles of life and death. Ariadne was thus the Shakti of Dionysos (who himself was identical with Shiva). The cymbal and drums of Rhea were also said to attract and dispel swarms of bees. More Dionysian, bees were the produces of honey the sacred nectar of the Goddess, which was fermented into the mead on which Ariadne’s devotees became intoxicated during their famous orgies. Long before wine was invented. The prototype of Dionysos was a Libyan mead god too. Honey was also used for embalming in Libya demonstrating the interelation of life and death. A honey rite was closely linked to the rising of Sirius, when initiates descended in underground caverns to find bees nests and take honey from them, which were then brought to the surface and fermented for forty days (and nights) to make mead (which they then became intoxicated on). Linguistically the Greek word To Ker related to the honeycomb, and also meant heart and breast, while E Ker meant death and fate and was associated with the Underworld Goddess.”

“The stylised bee also had the same form as the labrys, the double headed axe of the Goddess, which in turn was merged in art to the stylised form of the butterfly (another life – death motiff), the latter descending from an ancient Neolithic Butterfly Goddess (often accompanied by two winged dogs) representing regeneration. Artemis also descended from this archetype and was closely associated with Ariadne.”

Apollo and Artemis are suggested in the aerial battle scene's arrows, and the umbrella used a shield implies the protection of the goddess as Athena-Minerva. I'll expand on this shortly, but arrows are a reference to warriors. St. Louis de Montfort uses this language to describe the Marian agents in the classic work I referenced at the close of part 2, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.” Arrows ~ bees with stingers. Both sides of that spiritual conflict have arrows.

The many clouds make reference to her identity as the wife of Odin, Frigga, goddess of the clouds. (CHAPTER XIX Friday--The Day of Freya) In the castle-fortress in the clouds, the acorn bomb makes reference to the oak and seed of the oak, Odin and Thor.

Instead of the rose imagery leveraged by Vida la Vida, this music video presents a much more subtle allusion to the goddess, through the strawberry. The flower of the strawberry presents the pentagram star. It compares to the rose as another flower drawn by the planetary motion, and to the apple. The title, Strawberry Swing, refers to the swinging of Venus through the heavens as it draws out the flower of the strawberry. I note how the strawberry depends heavily upon the bee. Do an image search for strawberry bee. Read this brochure, Bee pollination benefits for strawberry. The bee and strawberry are linked!

There are several ways the goddess is identified in connection with Lewis Carroll's Alice in Wonderland tales. The parallels exposed here could be explored at great length, even ignoring the central role it has on the mind-control programming layer. I'll just make a few observations that pertain to the goddess identity.

The crown wearing female inside the half teacup is Alice, at the Mad Hatter's tea party in Wonderland.

In, Alice in Wonderland, Disney's animated version from 1951, the Mad Hatter offers the March Hare some tea. In response, he slices a teacup in half and replies, “Just half a cup, if you don't mind.”

Across from the half teacup is a grandfather clock, on the other side of the giant squirrel. It leans against a column with the pendulum resting against the side of the cabinet. The clock has stopped, which is a metaphor for time standing still. This element supports the identification of the queen as Alice. In the Mad Hatter's tea party scene of Disney's Alice in Wonderland, the Mad Hatter reveals that they have tea all day because Time has punished him by eternally standing still at 6 pm (tea time).

Carroll's work wasn't nonsense. The March Hare and the White Rabbit picture Hermes, the psychopomp Anubis. The obsession with time is a tell. Rabbits are prolific breeders. His fantasy presents Alice in the role of the fertility goddess who is connected with the Easter bunny, Eastre, Oestre...

For another connection, in Through the Looking-Glass, in Chapter 7, "A Mad Tea-Party," Alice reveals that the date is "the fourth" and that the month is "May." Strawberry Swing's captive queen was tied to a pole, the spiral bound May pole, as the May Queen.

When you hear in the lyrics of Strawberry Swing, “such a perfect day,” it must be seen on one level as a reference to “the golden afternoon” when the Wonderland fantasy literature was inspired. Charles Dodgson was rowing on the river Isis in 1862 in the company of Alice Liddell, the introductory poem's Secunda, with her two sisters and the Reverend Robinson Duckworth. The Strawberry Swing's masked superhero was using a red paddle as he ascended to the princess in an Isis adventure.

By identifying the captive queen as Alice we can make another link to the goddess. Disney's Alice in Wonderland includes scenes taken from Through the Looking Glass (1871), the sequel to Alice's Adventures in Wonderland (1865). During the scenes with Tweedle Dee and Tweedle Dum and the Carpenter and Walrus and Dodo, she has a conversation with the White Rabbit, who is expressing some confusion about identity.

Alice: Now I wonder who lives here...
White Rabbit: Mary Ann! Drat that girl. Where did she put 'em? Mary Ann!
Alice: The rabbit!
White Rabbit: Mary Ann! No use, can't wait, I'm awfully late, oh me oh my oh me oh my!
Alice: Excuse me sir, but- but I've been trying to...
White Rabbit: Why, Mary Ann! What are you doing out here?
Alice: Mary Ann?

Consider the identification of Alice as Mary Ann. Mary - the blessed virgin of Rome. Ann - Inanna. Delacroix's Liberty Leading the People is Marianne, patroness of France.

“Liberty Leading the People,” pictured the revolution of 1870, and was painted in that same year. Alice Through the Looking Glass was published in 1871. I believe another period connection involves the literary giant and acclaimed artist, William Blake. ("And did those feet in ancient time") On the Wikipedia page for that poem is a section titled, Revolution, which describes him as a long time revolutionary who supported the Napoleonic wars and French Revolution.

Along with "The Red Flag", Parry's setting of Blake's classic poem to music as “Jerusalem” is sung each year at the closing of the annual Labour Party conference. See Our Lady of the Nations for why that's significant in connection with the goddess. The following facts should speak loudly to the work of the goddess, Liberty, Freedom, social activism in revolution led by “their rebellion,” Mary. “The song was used by the National Union of Women's Suffrage Societies (indeed it was their property until 1928, when they were wound up after women won the right to vote – see above in relation to Millicent Garret Fawcett). During the 1920s, many Women's Institutes (WI) started closing meetings by singing it, and this caught on nationally. Although it has never actually been adopted as the WI's official anthem, in practice it holds that position, and is an enduring element of the public image of the WI.”

The radical suffragettes were an army of militants.

Jerusalem was featured during the opening ceremony of the 2012 London Olympics. Strawberry Swing was performed during the closing ceremony, framing the ZION labeled (logo) games in that esoteric context.

Last night, I watched The Bee Movie, where the rebel protagonist, Barry B. Benson, closely followed Blake's revolutionary social action script. A true follower of the rebel Queen Bee.

The Strawberry Swing video is a deep esoteric work that is akin to the Viva la Vida videos. Goddess inspired, through and through.

Part 1 - Hidden Signs of the Goddess

Series Links: Hidden Signs of the Goddess

Goddess symbols are hidden in plain sight. Why should we care if the numerous goddesses are named or their symbols are used openly? More than just giving her props, there's a dark agenda afoot. Jim Tetlow's book sums it up nicely in his book's title, “Queen of Rome, Queen of Islam, Queen of All - The Marian apparitions’ plan to unite all religions under the Roman Catholic Church.” To a very large degree, that's the point. This supernatural working of the entity known from ancient times is working that way to prepare for the world to welcome the Antichrist, who will be baptized by the Pope. For more about that, I refer you to The Sign of the Queen of Heaven on TheOpenScroll.com.

The symbols are idols, which is why we're told in the 2nd commandment not to make images of things in heaven or under heaven. Disobedience brings a curse, and the idols hold sway, bringing the disobedient into bondage to evil. Those who are in control of this world know the value of symbols in wielding control over the masses. Revelation 18:23 testifies thus about the woman who rides the beast, the great harlot Mystery Babylon, that “all the nations were deceived by your sorcery.”

“Signs and symbols rule the world, not words nor laws” Confucius

"A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you." (from the popular Wiccan magic book "Sacred Space" - by Denise Linn)

Well, “strengthens you” in a bad way, according to the one true God of the Bible.

"To cast a spell is to project energy through a symbol." (Starhawk - from "The Spiral Dance" - a popular manual for witchcraft)

That's what the symbols do. If you get familiar with them you'll see the imagery embedded in surprising ways and places. The power of symbols is diffused when you're aware of them, and the power of control nullified. This series is, like others I've done on symbols (Eye of Horus, Sodomite Gateway, Celestial Stargates...), is intended to help set you free from demonic control as we faithfully watch (Mark 13:37) in these last days, preparing for the trials of faith as judgement continues to roll out across the globe and becoming glorious in the sight of our Lord Jesus Christ, Y'shua haMashiach!

19 We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life. ~ 1 John 5:19-20

Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves. ~ Matthew 10:16

Naming the goddess like Gillette does with their line of razors marketed to women is pretty obvious. Venus. Where it gets occult is when they support the goddess theme with other cues. In this image promoting one of their products they decorate the V with a number 3. The V is signaling the 6th Hebrew letter, vav, and with the 3 bound to it we have a 666 signal. The triple V for Venus represents the triple goddess - maiden-mother-crone. As a Code 47 instance (Euclid), that pictures the union of 3-Osiris with the goddess to produce Horus. That sex magick symbolism is supplemented by the right angle triangle image produced by the angled razor. Venus is the goddess of love and fertility, right? A 55 or Horus-hypotenuse squared is produced when considering the V as the 5th letter from the end of the alphabet and the E as the 5th from the front. Underneath that 3 in the V we see a mirror of the 3 in the E of Embrace. Code 33. It's loaded with occult symbolism! It's primarily a goddess symbol, of course.

They made a print ad promoting the Venus razor that features 5 Catholic nuns. Nuns pray to Mary, that goddess who is drawing all men and women to herself. Venus-Mary is actively working to unite all and bring them under the Papal authority. Five is a Venus number, derived from the planet's trace of a pentagram-centric rosette in the heavens. Five nuns. Venus. The tag line is, “All women love beautifully smooth legs” - Venus - loved universally.

Lady Gaga produced a song and music video called, Venus. Right. It's rich with occult symbolism. She's not the most subtle artist out there. She also has a song and video called, G.U.Y. that is popular now. There are goddess symbols throughout! First, she's a winged angel who falls from the sky, pierced by an arrow. Fallen angel goddess. The arrows are linked to Artemis and also Cupid-Eros. There's a gender blender agenda there. We're told in the lyrics that G.U.Y. means girl under you, suggesting she is going to accept a submissive position. Think succubus. Goddess Under You.

So, there's no real mystery about overtly naming Venus. The goddess has many other names that are usually attended by subtle symbols. Some of them include the rose, rosettes and 8 point stars, the pentagram, pentagon and 5 rayed stars, hexagrams like honeycomb, the honey bee and hive, the scallop shell, moon, seashore, dove, dolphin, fish, lion, owl, apple, tree, mirrors, the metals silver and copper, poles or columns, the 5th month of May, the fertility symbols of Easter, the vesica piscis shape, the W of Inanna-Ishtar's ancient pose, the doorpost poles that are the twisted reeds of Inanna's knot, the shield, sword or spear, bow or arrow, V for Victory peace signs, and spirals that reference the numbers produced by the planet's motion. I believe this association is due the generation of a subset of Fibonacci sequence numbers, 5-8-13. The number 13 and the theme of “rebellion” are equivalent symbols because the meaning of Mary is, “their rebellion,” and “rebellion” is one of the themes of the number 13. When these and others are found together, the spirit of the goddess is active in the symbol. Examples abound.

The Hooters franchise is a really, really subtle example of leveraging the owl symbol to promote the fertility goddess of lust. Okay, not really subtle, exactly.

Mazda - much more subtle owl goddess imagery. Mazda is named for the sun god, Mary's false Jesus.

Starhawks witchcraft manual, which I quoted above, has the full title, The Spiral Dance - A rebirth of the ancient religions of the Great Goddess. The covers present common goddess symbols.

In this recent ad for Starbucks Frappuccino, they supplement their own logo's goddess imagery with a symbol of Nike, their trademark swoosh. Given the chocolate colored drink and the straw, with the rainbow colored geometrical emanation, you really have to identify this as a sign of the disgusting trauma inducing practices of consuming of bodily fluids during ritual sodomy programming.

At the local Monroeville Mall, the Willy Wonka (Code 33) vending machine sports the goddess imagery as their W of the bent elbow goddess is supplemented by the flanking Inanna's knot flourishes. Concentric rings or a spiral. Willy Wonka. The name is suggestive of sodomy, with a “willy” being a phallus and “wonka” being the act, and them being mostly about chocolate, a fecal metaphor. The machine is purple, a signal sodomite color. Anal energy vortex. See the little reclined V attached to the top of the W? Venus. Victory. V+W=vav vav vav or 666.

At present, there's a spectacle taking place in the land of the Celtic goddess that gives her honor as Mary. (Thanks Martin) “An estimated 100,000 people have lined Liverpool's streets to welcome three giant marionettes, which will tell the story of the city during World War One.” (Liverpool Giants: Thousands welcome marionettes to city)

Marionettes. Puppets on strings controlled by the unseen puppeteer. MARIONettes. In Liverpool's exhibition they are giants, Nephilim. That's a good fit. Mary is the goddess of war, so using giant MARIONettes to tell the story of the city during WWI is very fitting indeed. She is herself the great city in Revelation, Babylon the great.

Marionettes are puppets, not in control of their own actions. Mary is a controlling agency. Here's a couple of examples.

The Sound of Music is a classic musical from 1965 starring Julie Andrews as Maria. It's held up as something of a standard of purity and innocence. Rubbish. It's a masterpiece of occult imagery, a Satanic stealth weapon. She is a postulant at a convent, kind of an apprentice-candidate nun. The film is responsible for recruiting many to the Romish order. When she sits on a pine cone and jumps up with a start, there could hardly be a more obvious signaling of kundalini-pineal enlightenment. The original Broadway cast featured MARY Martin in the role of Maria. Maria is the same as Mary, of course, and being a nun she is a Marian worshiper. She performs a dramatic production with the children using a stage with marionettes. MARIONettes. Maria-Mary runs the show.

The song they perform is, The Lonely Goatherd. Now, where else have we seen a goat and MARIONettes? Remember I, Pet Goat II?

So, a goatherd is someone who shepherds goats. Biblically, the goat is paired with sheep as a metaphor of the righteous and unrighteous, like in Matthew 25, where the Son of Man separates those of all the nations. Sheep on the right, goats on the left.

Then He will also say to those on His left, ‘Depart from Me, accursed ones, into the eternal fire which has been prepared for the devil and his angels; ~ Matthew 25:41

There is a false shepherd, and he is the goatherd. There are occult cues in the lyrics of the song. “Men drinking beer with the foam afloat heard.” Inanna, goddess of beer and barmaids. Venus was birthed out of the foam of the sea. It's basically a boy-meets-girl story. Venus-Aphrodite, right? One line is, “Soon the duet will become a trio.” Fertility, reproduction. They do one set with the humans then repeat the modeling with the goats. The final expression heard is when the children say, “HOO!” Isn't that an owl symbol? The word lady is heard in the yodeling. That's the goddess.