Part 2 - Israel's Wandering - Crossing a River of Time with the Time Ark

Israel's Wilderness Wandering - Lessons Beyond Space and Time

Why was the period of the wilderness wandering framed by two miraculous water crossings, and both of them at Pesah? Why was the Lord's provision for His people in that period also miraculous, and so unique? Like the Apostle Paul was given to write, it's an example to us and it's for our instruction! I've still got plenty of questions about these things but I have more satisfying answers than before!

When Israel had served out their sentence in the wilderness, fully 40 years had passed since their departure from Egypt. The time had come for Joshua to lead them into the promised land. As it was when they passed over from Egypt into the wilderness, a significant body of water had to be crossed. Read the following account in the same way I encouraged the reading of the exodus in Part 1, as a passage made through a space-time portal with both water and the number 12 signaling time.

12 Now then, take for yourselves twelve men from the tribes of Israel, one man for each tribe. 13 It shall come about when the soles of the feet of the priests who carry the ark of the Lord, the Lord of all the earth, rest in the waters of the Jordan, the waters of the Jordan will be cut off, and the waters which are flowing down from above will stand in one heap.” 14 So when the people set out from their tents to pass over the Jordan with the priests bearing the ark of the covenant before the people, 15 and as soon as those bearing the ark had come as far as the Jordan, and the feet of the priests bearing the ark were dipped in the brink of the water (now the Jordan overflows all its banks throughout the time of harvest), 16 the waters coming down from above stood and rose up in a heap very far away, at Adam, the city that is beside Zarethan, and those flowing down toward the Sea of the Arabah, the Salt Sea, were completely cut off. And the people passed over opposite Jericho. 17 Now the priests bearing the ark of the covenant of the Lord stood firmly on dry ground in the midst of the Jordan, and all Israel was passing over on dry ground until all the nation finished passing over the Jordan. ~ Joshua 3:12-17

The water signals time and the Jordan is a river of time. Israel's trip across the dry riverbed was from one bank of the river of time to the other. The crossing pictures a trip from one spacial dimension to another without getting wet, without being touched or influenced by time. The concept isn't exactly novel, as “going over Jordan,” means to many folks, “going to heaven.” (See lyrics of popular gospel/folk song, Wayfaring Stranger)

You're somewhat familiar with David Flynn's book, Temple at the Center of Time, right? It's well documented that time-distance arcs as ripples in time may be drawn from the Temple Mount in Jerusalem, with the point of origin being precisely where the ark of the covenant would have rested, and perhaps still does. (D-Day - June 6 - Portent of a Coming Invasion) We believe the center of time or origin of the flow is the ark itself, which represents the presence of the Most High God and Lord of time. The ark is stationary when it's at rest on the Temple mount, obviously. When it is moved about it's no less the center of time. Consider the role it played in the crossing of the Jordan. When the feet of the priests bearing the ark were dipped in the brink of the water there was an immediate and dramatic response. It was with the soles of their feet that they grounded the ark to the earth. Think of how like poles of two bar magnets repel each other. It's like the waters of the Jordan as a river of time were divided by the ark as a polarity matching source of the flow of time (which is perhaps torroidal in geometric form). The action of the ark at the Jordan pictures the crossing of two streams of time.

The name, Jordan, means “their descent,” which I've written about with respect to the descent of the life of man into corruption that ends in the death of the flesh. The Jordan river is an allegorical representation of the life of man, from birth to death. John baptized in the Jordan, and the baptism symbolism of passing though death to eternal life is profound. There is a time element to it because this life of the flesh flows as metered through time.

I'm going to present a collection of scriptures that may inspire you to receive more insight into these things. Alongside this, I want to present the Jordan as the time construct itself that is fit for this age.

Time is a servant construct, appointed for this age to serve the sovereign Lord's purposes. Something different from what we've known as this continuum applies in other ages and realms.

I believe there is a perspective from which, Jordan, as “their descent,” references the descent of the Watchers upon Mount Hermon. It was there that they descended in the days of Jared, whose name means, descent, or, to descend. and it is there that we find the headwaters for the Jordan.

1. And it came to pass when the children of men had multiplied that in those days were born unto them beautiful and comely daughters. 2. And the angels, the children of the heaven, saw and lusted after them, and said to one another: 'Come, let us choose us wives from among the children of men and beget us children.' 3. And Semjâzâ, who was their leader, said unto them: 'I fear ye will not indeed agree to do this deed, and I alone shall have to pay the penalty of a great sin.' 4. And they all answered him and said: 'Let us all swear an oath, and all bind ourselves by mutual imprecations not to abandon this plan but to do this thing.' 5. Then sware they all together and bound themselves by mutual imprecations upon it. 6. And they were in all two hundred; who descended in the days of Jared on the summit of Mount Hermon, and they called it Mount Hermon, because they had sworn and bound themselves by mutual imprecations upon it. ~ Enoch 6:1-6

The Jordan, that symbolic river of life and river of time, originates and flows down from where the rebel angels descended. Their “stream” polluted man entirely, morally and genetically, and those Watchers have been held accountable for making necessary the great purging flood of Noah's day. Water-time wars.

The headwaters have long been and still are linked to idolatry.

Consider the testimony recorded in Matthew 16 about that area.

13 Now when Jesus came into the district of Caesarea Philippi, He was asking His disciples, “Who do people say that the Son of Man is?” 14 And they said, “Some say John the Baptist; and others, Elijah; but still others, Jeremiah, or one of the prophets.” 15 He *said to them, “But who do you say that I am?” 16 Simon Peter answered, “You are the Christ, the Son of the living God.” 17 And Jesus said to him, “Blessed are you, Simon Barjona, because flesh and blood did not reveal this to you, but My Father who is in heaven. 18 I also say to you that you are Peter, and upon this rock I will build My church; and the gates of Hades will not overpower it. 19 I will give you the keys of the kingdom of heaven; and whatever you bind on earth shall have been bound in heaven, and whatever you loose on earth shall have been loosed in heaven.” 20 Then He warned the disciples that they should tell no one that He was the Christ. ~ Matthew 16:13-20

Peter, little stone. (Note: stone, rock and water.) The gates of Hades is connected to the flow of water at Banias, or, Paneas in the district of Caesarea Philippi, near the headwaters that flow also into Philia Lake (Berekhat Ram or Lake Ram) at a higher elevation. The Temple of Pan is at Paneas or Pania, which was central to his worship. Pan is one of many alias identities of the Devil.

Consider also the worship of false gods at the headwaters of the Jordan with respect to the tribe of Dan.

“Jordan = Jor + Dan = down from + Dan. Obviously the river was never called the Jordan until after Joshua died and Dan moved to Laish. At the foot of Mount Hermon, the Karst spring cave from which the Jordan River has its source is the largest in the Middle east with a yearly output of over 240 million cubic meters of water. It is absolutely pure, fast flowing and like a mountain stream, "makes your teeth crack" from being deliciously ice cold (15.5 degrees C). The headwaters of the Jordan start less than 100 meters from the pagan Danite temple which Jeroboam inherited from the grandson of Moses.” (The Jordan River - Down from Dan)

Here's what Jacob prophesied over his son Dan in a very significant deathbed context. (The prophecy given about his son, Judah, functions as a celestial-terrestrial foundation, a time marker that rigidly fixes the prophetic calendar in these last days.)

16 Dan shall judge his people, as one of the tribes of Israel. 17 Dan shall be a serpent in the way, a horned snake in the path, that bites the horse’s heels, so that his rider falls backward. ~ Genesis 49:16-17

The Jor-Dan River winds through the valley like a serpent in the path. The path of a winding river pictures a serpent, and rivers and serpents are time symbols. The Jor-Dan has Mount Hermon as its source, and straight away it's polluted by idolatry. That time stream of the life of the corrupted flesh has a limit. It ends in the Salt Sea that is most commonly known as the Dead Sea. The life of the flesh and time itself will end as the age appointed for this servant construct runs its full course.

With all that background, when Israel passed over the Jordan in obedience with the priests bearing the ark, two streams crossed, one pure and one polluted. They're not mixed and Israel passes without contamination. These streams also represent time, time streams, rivers or time lines. They're kind of in one time zone on one bank of the river, and then in another on the other.

The ark carried by the priests quite literally represented the presence of the Lord who is the Lord of time, which we see from a later account. The cherubim are those in gold above the mercy seat.

4 So the people sent to Shiloh, and from there they carried the ark of the covenant of the LORD of hosts who sits above the cherubim; and the two sons of Eli, Hophni and Phinehas, were there with the ark of the covenant of God. 5 As the ark of the covenant of the LORD came into the camp, all Israel shouted with a great shout, so that the earth resounded. 6 When the Philistines heard the noise of the shout, they said, “What does the noise of this great shout in the camp of the Hebrews mean?” Then they understood that the ark of the LORD had come into the camp. 7 The Philistines were afraid, for they said, “God has come into the camp.” And they said, “Woe to us! For nothing like this has happened before. ~ 1 Samuel 4:4-7

The ark is like the throne of the Most High God, and out from there flows a river.

1 Then he showed me a river of the water of life, clear as crystal, coming from the throne of God and of the Lamb, 2 in the middle of its street. On either side of the river was the tree of life, bearing twelve kinds of fruit, yielding its fruit every month; and the leaves of the tree were for the healing of the nations. ~ Revelation 22:1-2

The river of the water of life is similar to a river of time but different in some significant way from what we experience in this present realm as a continuum. Note the number 12, with 12 kinds of fruit being yielded in connection with the month of the year, a marking off of units of time. The tree of life is on either side of the river, which is to say, as above or spanning across all time.

Where is the ark?

18 And the nations were enraged, and Your wrath came, and the time came for the dead to be judged, and the time to reward Your bond-servants the prophets and the saints and those who fear Your name, the small and the great, and to destroy those who destroy the earth. 19 And the temple of God which is in heaven was opened; and the ark of His covenant appeared in His temple, and there were flashes of lightning and sounds and peals of thunder and an earthquake and a great hailstorm. ~ Revelation 11:18-19

There will be seen a temple and an ark of His covenant in His temple. When? At the right time, at the appointed time when the temple in Heaven is opened. Those are the models for those that were built in this temporal realm. There is a kind of quantum entanglement, a principle of co-identification and synchronization in the modeling and patterning. Where is the intersection in this time-space of that ark seen in God's heavenly temple? It's hidden according to the Lord's purposes, like with the garden of Eden as access is denied by the angelic guards. Will the ark carried across the Jordan have a further role in these last days? Ron Wyatt was convinced that it would. We also believe it will, to play a key role in major transitional operations.

When we consider how the ark has to do with time we have to consider what was put into the ark, and why. The tablets of stone given to Moses on the mount were placed inside it. God wrote upon them with his own finger. A jar of manna was placed inside, which did not spoil. Aaron's rod that budded was also put inside. These were for a memorial and a testimony. The ark is what we call a time capsule! Things are put inside time capsules to persist them through time as a testimony of the past. Time capsules are usually unearthed and subsequently opened in a public ceremony on a designated anniversary. The ark is just such a time capsule, but on what anniversary shall it be unearthed and opened? Who has been able to open it and see the contents, except some were struck dead for doing just that? That very special time capsule awaits the appointed time. The time is near! Whether the manna and rod remain inside with the tablets or not, it is what the Lord intends, Who assures that not one jot or tittle of all that has been foretold will fail.

More to follow, Lord willing!

Space-Time Celestial Stargates are Signaled by Crossing Circles and Passageway Marking Double X and Pillars

The circle of the Ecliptic/Zodiac crosses the circle of the Milky Way-galactic equator intersection in two places. One is between the constellations of Scorpio and Sagittarius. The other is between Gemini and Taurus.

These are known from ancient times as the Celestial Golden and Silver Gates, respectively. Consider the images you see above, where these stargates are pictured as imprinted spheres surrounding the globe of the earth. It seems likely to me that it was from these stargate intersections of the two great celestial rings that the XO or cross circle symbolism was derived. The MOB and entrance of the antichrist beast will be made via stargate transiting spirit entering into this realm's matter. The intersection of space and time - the merging of two space-time domains to facilitate a transit, or to hijack-repurpose them both - the union of the X and O producing a flash of lightning from the Abyss to establish the throne of the goddess (OTO) - these concepts have become very familiar in recent months and years. The variegated instances of XO and the double X constructions seen on columns and doorways model stargates, as pillars themselves that flank gateways - and beyond mere modeling actually are stargates when designed and executed according to theurgical principle. These symbols, like the pentacle and hexagram are usually signs of potent ritual magick.

One example from film media is seen in the image below. It's a screen capture from a film titled, About Time. It stars Domnhall Gleeson as a time traveler (who starred as Caleb in Ex_Machina).

Note the XO pair flanking the space-time sanctuary's divide. There's actually 2 sets, framing the space where the action is. It's a wedding, of heaven and earth. Time traveler - being joined together with a regular earth woman named - Mary. Their lives are being crossed and merged in a union as through the stargates.


If you've been tracking with the blog in recent months you'll appreciate these two commercials. (Thanks, readers, for watching with us and sharing such items of interest!)

Jaguar XE - Unleashed

Guinness - Pure Genius commercial w/ Rutger Hauer

Time Reset Scheduled for North Korea

Here's another sign. North Korea to set clocks to its own time (ft.com)

A 30 minute reset into the past is scheduled for August 8, 2015. The date's numbers (20150815) sum to 22. See the previous post for more on that number.

The reset is claimed to mark the 70th anniversary of Korea’s liberation from Japanese rule. Seven is a time number, and that 7*10 is a TIME span.

Time was earlier reset in 1912 when Japan annexed Korea and adjusted their clocks to synchronize them with Tokyo time. The numbers of 1912 sum to 13. Time control. The year 1912 is notable too as the year Kim Il Sung was born, the man considered the country's first leader. North Korea adopted a special calendar in 1997 based on the year of his birth. The day of the year chosen for the upcoming reset, August 15, has to do with his military exploits.

South Korea was also forced to change to Tokyo time in 1912, with Korea not yet having been divided into North and South. They reset their clocks back 30 minutes in 1954 only to set them forward again 7 years later, and they remain on Tokyo time to this day. The decision had to do with economic development, and as it is said - time is money.

Decoding Time Magazine's Virtual Reality Cover - 22, 13, Dancing Bees and Taylor Swift

There's a buzz surrounding a recent cover of Time Magazine (August 17, 2015). The cover reads, “The Surprising Joy of Virtual Reality And why it's going to change the world.” But the buzz is really about the cover's picture of 22 year old Palmer Luckey, inventor of the Oculus Rift VR system, an unflattering image that just looks rather silly. The cover image appeared on the Drudge Report a couple days ago, featured with the headline, “MAG: FUTURE IS FAKE.”

So, what's up with the cover? It brings together several of the symbols the Lord has been opening to Aaron and I and brings a lot of emphasis to the bottom line of what's really going on in this season, as we await the resetting of time. I have to say it. It's a timely sign.

First off, the Magazine's title. Time. The theme is familiar, right? Do you see any time symbols featured on the cover, like water and sand, perhaps? Right. Time. Why is Palmer hovering over the beach? He's not touching the sand or water. He's above or outside time, like the man dressed in linen who knew about times in Daniel 12.

5 Then I, Daniel, looked and behold, two others were standing, one on this bank of the river and the other on that bank of the river. 6 And one said to the man dressed in linen, who was above the waters of the river, “How long will it be until the end of these wonders?” 7 I heard the man dressed in linen, who was above the waters of the river, as he raised his right hand and his left toward heaven, and swore by Him who lives forever that it would be for a time, times, and half a time; and as soon as they finish shattering the power of the holy people, all these events will be completed. ~ Daniel 12:5-7

Because of the nature of VR, as Palmer wears the Oculus Rift gear he's experiencing a virtual or “unreal reality,” a different space and perhaps time. The symbolic meaning of his hovering over the beach is that he's above or outside this time-space domain, and this is the same message presented by his image being superimposed over the mag's title, TIME.

Palmer's head is superimposed over the letter M. The W formed by his arms plus the M eclipsed by his head combines the W and M for a rotational Code 33.

The W and M are also wave glyph letters, for water as time!

Palmer's head is superimposed over the M in such a way that it gives him the appearance of having horns. This scene suggests the imagery of Revelation 13. The letter M is the 13th letter, and number 13 signifiies the rebel lord beast.

And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. ~ Revelation 13:1

There's another beast connection, with Apollo. The man's name is Palm-er, and we often associate such beach scenes with Palm trees. According to the legend of Apollo's birth, he was born under a palm tree on the magical island of Delos as his mother Leto clung to the trunk.

What really speaks to me about this imagery so loudly illustrates how that antichrist beast is being brought forth, and will be brought forth. It has to do with the control of time and the role of the goddess, and a great hoax. This explains the small print on the cover's title. Why it's about to change the world.

Palmer, hovering, like in zero gravity (among CERN's goals with the LHC as they discover the key to mass). Hovering, outside time. Hovering - like a bee! If you're counting, this is now the third time you're reading the word, buzz. Mr. Luckey is buzzing around like a dancing bee. The points of the letter M suggest the antennae. He's clearly mimicking the dancing bee goddess, Inanna, Ishtar, Melissa or Deborah, in a fashion we've become quite familiar with over the past year. See Series Links: Hidden Signs of the Goddess for some other examples.

Something ocular relates to the eye. Wearing the Oculus visor highlights Palmer's eyes. He's a dancing bee and the M gives him his antennae. Eye Bee M

IBM WATSON - AI... For an IBM connection to VR and Oculus Rift, see BlueMix.

The goddess is featured so vividly on Time's cover that the imagery has made it laughable to many. It's worth asking why that symbolic presentation is so important that the well respected magazine chose to sacrifice dignity? The symbols spill some beans on the agendas and operations.

Consider another meaning of the M. As the 13th letter, it signifies the exercise of control over time. The number 12 is a primary time number, and when a 13th is added to the 12 it is usually presented as central control element both in the Bible and in Occult symbolism. I'm just introducing this meaning here, but, Lord willing, I'll explain more in coming posts. Palmer's head, which controls his body, is superimposed over the letter with a numbering that signals control over time and space-time dimension transiting.

As noted in posts like those in the Celestial Stargate series, the goddess (usually identified as Isis) features in stargate transits. She has to do with space-time control, and control over time provides for control over the stargates. Anubis is also involved, and Hermes (Hermanubis) or the dual gendered Hermaphrodite (why HE's a dancing bee goddess). Palmer Luckey. Lucky. “Lady Luck.” Palmer, above TIME and over water+sand time and with his head aligned with M-13 - as the bee goddess with control over time.

The Bee and 13 are combined in the clever design of these popular playing cards. Such cards are sometimes used for divining, piercing through the boundaries of space-time. Remember this post about playing cards and the Pagan/Occult calendar and transdimensional vehicles? Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle

So, the comical Time Magazine cover actually has an arcane testimony about the antichrist Beast and how the goddess facilitates his coming. She attends the stargate transit (manfesting concretely as a Papal baptism) and she also has a key role in a hoax that will deceive those who merely presume to be exempt at the time of the beast apocalypse. This is why the VR, the virtual reality promo is set in this context. Remember these studies?

The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)
Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax

A reality will be ported through time itself, yet not without some, eh, embellishment. This is biblical. Most are already deceived. Others need more convincing of the lie about the identity of the savior of the world, and this hoax will do it. 2 Thessalonians 2. Few, very few, will know the truth, and knowing the time is a huge factor in that immunity from the supernatural hoaxing. “The Surprising Joy of Virtual Reality And why it's about to change the world.” (Joy. Think - Anna's bliss, in “V” the series from 2009-2011)

The Time cover speaks to me also about this present time as being rather surreal. Time is wonky, and Aaron and I aren't the only ones talking about it. A reset really is coming, and in the next pass through this season those things prophesied will unfold on schedule, the right schedule as ordained by the sovereign Lord of Time.

Here's a few more observations. The description in the corner features some NLP and another important number.

oculus ~ visionaries --- eyes vision
“one of the visionaries” -- one of the eyes - Horus eye and 3rd eye illumination
“making virtual reality mainstream.” Since the imagery of Time's cover is all about time, “mainstream” is the main TIME stream. To establish that link for us, what appears underneath, mainstream, is, time. Time.com - inside the red border.

Things now are not what they appear to be. Time has been altered and this present reality has been changed.

The cover blurb mentions Palmer's age: 22. That's a set period of years, and 22 is a significant number in the context of time!

For Aaron and I, the number 22 is one the Lord linked in pairings with 21 many times over the past 5 months. The number 22 has a meaning of the division of the flesh. Eleven signifies the frail and ephemeral flesh, and 22 as 11+11 is the division of the flesh. It's also a representation of pillars. Space-time linking constructs. The number 21 is a primary time number like 12. The 13 is related to the 12 and the 22 is related to the 21 in a similar way as the beginning of another set. Because of E. W. Bullinger's popularity, the number 8 is widely recognized as signifying a new beginning, because it follows the complete set of 7. Seven is a primary time number. Thirteen and twenty-two signify new beginnings like eight, but each has a unique signification. We have been seeing lots of evidence supporting 13 as being the element outside time and sometimes having oversight over as controlling time. The number 22 is similar to that. The Time mag cover's imagery presents the 22 year-old as the goddess who presides over the time control mechanisms of dimensional transit. He's wearing a shirt with a style known as a V-neck. The letter V is the 22nd letter. I don't see that as coincidental.


There's a lot of overlapping themes with the pop goddess Taylor Swift, who had a song on her Red album titled, “22.” It was about celebrating her age - in years - yes, time. Red is a goddess color. The album was released on October 22, 2012. That is the 22nd day. She finished the hugely successful Red album tour just over a year ago, on June 12, 2014. That's the 12th day. I blogged about Taylor and a performance of the song during 2013's BMA award show.

Decoding Taylor Swift's "22" and the BMA Ritual Exposing the Theater of Witchcraft

It's about practicing witchcraft and ritual magick and mind-control programming - and time. Taylor Swift. Leveraging the meaning of swift, as quick, speedy, emphasizing lots of distance over TIME.

The lyrics to “22” heavily features time language and spills the beans on the esoteric theme of the number.

It feels like a perfect night to dress up like hipsters
And make fun of our exes, uh uh uh uh
It feels like a perfect night for breakfast at midnight
To fall in love with strangers uh uh uh uh
Yeaaaah
We're happy free confused and lonely at the same time
It's miserable and magical oh yeah
Tonight's the night when we forget about the deadlines, it's time uh uh

In the song's official music video (Taylor Swift: “22”) there's lots of frolicking around the pool and at the beach to provide plenty of visual time symbols of water and sand. Over and over again she flashes us 2 fingers on one or both hands - 2 and 2 or 22. It's her birthday party, so it's all about her, the goddess, celebrating the turning of the age. As it's been highlighted to Aaron and I for months, 22 follows the time number 21 to mark a transition.

The sign of two spread fingers on a hand presents a V - 22. Usually she's flashing the sign on both hands. Double V is what we call double-U or W. Read that as a declaration of her esoteric identity as the W goddess. Many, many times she models the bent elbow pose of the W goddess during the official video, usually while she's jumping or bouncing up and down, and it's like she's dancing to the music - as the dancing bee.

Here's a screenshot of Taylor bouncing on a trampoline, accessorizing again with the multiple bracelet style to strengthen the link to Inanna. Note the honeybee yellow band on her head.

Flashing the V speaks to me of Viator. Traveler - Time traveler. Swift. Viator. Beatrix. Queen Bea/Bee of the Bilderbergers, of the Netherlands (NETHER underworld - land of windmills pumping seawater-as-time - watery abyss).

In the song's official music video she is seen wearing a blouse that announces boldly, “NOT A LOT GOING ON AT THE MOMENT.” AT THE MOMENT ~ time. Given how this season since the album came out has been filled with unfulfilled expectation, I see the blank background that outfit is set against as a sign. I sure didn't understand when I first saw the video but it sure speaks to me now, knowing very well how the hijacking of time has deferred the conclusion of this age.

Here's the thing about Taylor as the time control goddess. She famously wears a boldly decorated 13 on her hand. Time control goddess!

In this collection of images I made a couple years back, she's flashing her famous heart hand sign - in the rain. Water as Time.

The heart comprises two crossing circles, which combines the X and O that Kenneth Anger of the OTO claimed establishes the throne of Isis, as lightning flashes symbolically from the abyss. She's demonstrating a triple modeling of the number for the abyss, the watery abyss. The key is in identifying pairs of circles as letters O to signal 66. (That 15th letter transforms to a 6.) One pair is in the formation of the heart. Another pairing is made as she encircles her round head with her upraised arms. Another pairing is her breasts. Her outfit's lines form a V at the neck, and an M. Thirteen. Time control magick.

Not long ago Taylor exerted some control over time when she took a bite out of Apple. The apple is another goddess symbol. The controversial dispute was over how much time was involved in Apple's financial reward plan for musical artists. Time is money! Taylor complained that the time was too long, so Apple shortened it.


And, there's this... trending...

The Outer Limits: Virtual Future. Watch it on XFINITY cable on August 17.

Josh Brolin, the guy who played the young "K" in MIB 3 is in this episode.

“Despite his breakthrough, Jack finally loses his funding. He takes his research to Bill Trenton, billionaire owner of a successful research company. Trenton offers Jack a lucrative contract and a well-equipped laboratory to continue his work. Jack takes the job, and eventually Trenton convinces Jack to allow him to try his virtual reality suit. Trenton "jumps" a few hours into the future and sees a newspaper headline about a woman killed at an ATM.

Upon returning to the present, Trenton saves the life of the woman whose death he saw reported—proving that it is possible to alter the future as well as see it. Trenton begins secretly making plans to profit from the device by using it to win a United States Senate election. He sneaks into the laboratory and "jumps" into the future again. He sees himself losing the election and ending up subpoenaed. Jack continues working on his suit and extends the range, allowing him to "jump" even further into the future. He sees his own murdered body floating in the ocean.

Jack tells his wife, Isabelle, about the suit, its capabilities and what he's seen. At Isabelle's suggestion, Jack takes another trip into the future to find out more about the circumstances of his death, and sees Bill Trenton about to murder him. Meanwhile, Trenton breaks into the lab and Jack is forced to flee. He runs out onto the waterfront and along a pier. Trenton follows him and just as he is about to shoot Jack, Isabelle shoots Trenton instead. The final scene is Bill Trenton's dead body floating in the ocean, in the same manner that Jack foresaw his own death.”

There's plenty to see in this weird season as we continue to watch. The Lord is faithful and you can trust Him for everything promised!

Series Links: Hidden Signs of the Goddess

Goddess symbols are hidden in plain sight. Why should we care if goddesses are being named or their symbols are used openly or in secretive ways? Jim Tetlow's book sums it up nicely in his book's title and subtitle, “Queen of Rome, Queen of Islam, Queen of All - The Marian apparitions’ plan to unite all religions under the Roman Catholic Church.”

To a very large degree, that's the point. This working of the goddess is gaining momentum toward to the welcoming of the Antichrist, who will be baptized by the Pope.

23 and the light of a lamp will not shine in you [Babylon, the great city] any longer; and the voice of the bridegroom and bride will not be heard in you any longer; for your merchants were the great men of the earth, because all the nations were deceived by your sorcery. 24 And in her was found the blood of prophets and of saints and of all who have been slain on the earth.” ~ Revelation 18:23-24

Part 1 - Hidden Signs of the Goddess
Part 2 - Hidden Signs of the Goddess - TomorrowLand
Part 3 - Hidden Signs of the Goddess - Applebees
Part 4 - Hidden Signs of the Goddess - In Plain Sight
Part 5 - Hidden Signs of the Goddess - Awareness Ribbons and Dancing Bees
Part 6 - Hidden Signs of the Goddess - Merchants of Pharmakeia
Part 7 - Hidden Signs of the Goddess - AWA / ABA
Part 8 - Hidden Signs of the Goddess - Mekudeshet Festival, Quantico, Bronze Age Ava, Honey 3 and ABBA Code 1488
Part 9 - Hidden Signs of the Goddess Google Doodle honors Yma Sumac
Part 10 - Hidden Signs of the Goddess - Power Women Summit - Keebler Elves
Part 11 - Hidden Signs of the Goddess - Giant Eagle and the "GO REUSABLE" Bag

See also the following studies on TheOpenScroll.com and this collection of blog posts where we've continued to shine the light on the ways the goddess is being exalted.

The Sign of the Queen of Heaven
Our Lady of the Nations
Our Lady of the Olympics
Part 44 - 2012 London Paralympics - Rihanna as “Our Lady of Fátima”
Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo
Marvel Comics turns Thor into a Goddess
Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)
Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 2)
Part 1 - Decoding Coldplay's Strawberry Swing
Mary's Dark Side and the Dance of Inanna
Part 2 - Decoding Coldplay's Strawberry Swing - Profound Secrets
Part 3 - Decoding Coldplay's Strawberry Swing - Wonderland's Goddess
Part 4 - Decoding Coldplay's Strawberry Swing - Star War Assaults on God
Part 15 - Sochi Winter Olympics 2014 - The Queen of Peace Breaks the Ice (Paralympics Opening)
Part 6 - Decoding Coldplay's Strawberry Swing - Vogue Interdimensional
Decoding Flo's Dream - Miscreant Squirrel on a Cloud
Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle
Decoding “Jane the Virgin,” on The CW Network
Prophecy Watchers & Prophet Pearls
Decoding the Google Doodle - Day of the Dead 2014
Part 2 of Decoding T-Mobile video series is online
Decoding Disney's Maleficent as Isis
Decoding T-Mobile - The gods of the stargate transit at work, preparing the way
The Goddess at Work
The Goddess Working, Working...
The Goddess Working, and Broadly Working - Setting Us Up!
Decoding the Lexus RX Teleporter: Horus and the Goddess - with a Time Code!
In Paris and around the globe, the Goddess is at work, creating chaos and uniting the world, seducing.
Super Bowl Ritual at Candlemas
The 57th Grammys - Occult Ritual Extravaganza
Part 3 - The Avengers - STARK Tower as Space-Time Ark - Tower of Babel, Chrysler Building, Grand Central and Times Square
Space-Time Containment - Ex_Machina
Decoding Time Magazine's Virtual Reality Cover - 22, 13, Dancing Bees and Taylor Swift
Decoding Tudor Pelagos - An Enchantment Under the Sea
Decoding Fandango as the Crossing of the Abyss
Back to the Future - Marty, The Goddess of Love and Illuminati Initiation
Valentines Day and Redbox - Honoring the god Eros
In the Spirit of Valentine's Day... Walgreens. W is for Witch, Whore, some ideograms and Wedjat!
Decoding The WB Branding
Rio Olympics - Opening Ceremony (of the birth canal) - and TIME
FAQ About Time Travel - Secret Neo-Nazi Codes and the Evocation of the Ancient Aryan Goddess
The Rio Olympic Caldron, Our Lady of Candelaria and the hidden head of Satan/Zeus leering from the vault of heaven
Who's “The Boss”?
ARQ - The Illumined showing off their mastery of time
“Skylanding” - Yoko Ono's Globe Spanning Magick Ritual Evokes Horus
Decoding: The "Shut Eye" on Hulu Promo
Decoding: Lalaloopsy on Netflix, the promo graphic
The Grammys - The Mass Rituals of 2017
Decoding: OXO
LoveLoveLo VeloVeloVe
The Goddess of VELO-LOVE and the Paris of Harper's Bazaar
These Modern Witches Want to Cast a Spell on You
Wonder Woman and the Rise of the Goddess
The Buzz about Hillary
Seen While Out and About in Our Neighborhoods
Back to Panera Bread
Road Less Traveled - Occult Secrets
MTV VMA - Moon Persons - Goddesses and Masters of The One Eye
Our Neighborhoods - Beaver - as Ritual Ready
Velocity Live is Velo Love
Starbucks' Cup Runneth Over, with Foul Magick
Paula White - Goddess and Trump's Prophetess
Dell's Cyber Monday/Moon-day of the Sodomite Gateway + Goddess + Time Warp
Part 2 - Newsweek - Pop Goes the Weasels - The Goddess and Sex Magick
Part 3 - Newsweek - Pop (POoP) Goes the Weasels
Mesmerized while shopping in Sodom?
Tsarizm - branding with love for the goddess
BAYWATCH ~ b-AYWA-tch ~ AYWA ~ AWA = GoddessWatch
The Goddess, Marvel's Black Panther, and the Mists of Avalon
My Local Lady Liberty
My Neighborhood - Decoding the SATAN Home
Decoding the Felician Sisters Brand
Evil Eye Gloves at the March for Our Lives

Part 1 - Israel's Wandering in the Wilderness Models Space-Time Ark

Israel's Wilderness Wandering - Lessons Beyond Space and Time

While I was writing about the film, Ex_Machina, I became curious about why the main character's name was Caleb. As noted in the Ex_Machina post, the security breach that allowed for Ava's release came according to the pattern of Israel's taking of the walled city of Jericho. Because of how time symbolism factored into the esoteric layering of Ex_Machina, I explored the biblical account surrounding the taking of Jericho to see if I could discover what they might have been drawing from. This led me to consider the miraculous crossing of the Jordan over opposite Jericho, leading also to many exciting insights as Aaron and I reflected on the matter.

In the biblical record surrounding the wilderness wandering there is metaphorical language that presents allegories for those who can interpret it. Two miraculous water crossings bracket the season, and these have something to reveal through the metaphor of water as time. These accounts also feature the time signaling number twelve, which strengthens that esoteric theme. Figurative language conceals and reveals selectively, and may our eyes be opened now to see what the Lord would have us to see.

With an awareness of the distinctive space-time framing, it becomes apparent that the period of the wandering models a kind of space time ark journey in the midst of time wars. I have often wondered about the highly unusual provision made for Israel while they were wandering in the wilderness for those 40 years. Why all the peculiar features? What does that really mean to us? The Lord God's people of promise were compartmentalized in a place that was heaven-like, as set aside or removed from out of the world's time-space domain. The life of the rest of the world seems to have flowed around them for the lack of interaction. Israel was sequestered, even quarantined. It has to be said that the record isn't merely allegorical and neither is it merely literal as a historical record. It is prophetic.

A fit comparison can be made between how Israel passed over from Egypt into the land of promise and how the patriarch Noah's family passed over the great deluge, which divided the world that followed from the former world. The flood of Noah's day destroyed flesh while the ark provided for a select group to be saved through it. So it was in the period of the wandering. As you will see, a distinctive reset of the people and even their calendar was accomplished in the process. We anticipate that similar kinds of operations will soon manifest, among them, a saving space-time ark provision (Revelation 12). If you track the esoteric symbolism through the accounts you will be able to identify an enactment of a time reset during the crossing of the river Jordan that marks Israel's arrival in the promised land.

As the period of the wilderness wandering drew to an end, Moses died and Joshua, the son of Nun, was raised up to take his place. With Joshua was Caleb, who had served with him as a spy sent to scout and give a report about the promised land. These two men were the only ones of the twelve spies who pleased the Lord, and they became the sole survivors of their entire generation.

10 So the Lord’s anger burned in that day, and He swore, saying, 11 ‘None of the men who came up from Egypt, from twenty years old and upward, shall see the land which I swore to Abraham, to Isaac and to Jacob; for they did not follow Me fully, 12 except Caleb the son of Jephunneh the Kenizzite and Joshua the son of Nun, for they have followed the Lord fully.’ 13 So the Lord’s anger burned against Israel, and He made them wander in the wilderness forty years, until the entire generation of those who had done evil in the sight of the Lord was destroyed. ~ Numbers 32:10-13

The term of the sentence was 40 years. Israel was constrained within a fixed space for a fixed amount of time. The time element is emphasized to us by reason of the ratio by which their term was accounted, a year for a day.

32 But as for you, your corpses will fall in this wilderness. 33 Your sons shall be shepherds for forty years in the wilderness, and they will suffer for your unfaithfulness, until your corpses lie in the wilderness. 34 According to the number of days which you spied out the land, forty days, for every day you shall bear your guilt a year, even forty years, and you will know My opposition. 35 I, the Lord, have spoken, surely this I will do to all this evil congregation who are gathered together against Me. In this wilderness they shall be destroyed, and there they will die. ~ Numbers 14:32-35

The water crossings bracketing the 40 years were miraculous or supernatural events. They picture passages through space-time as via a wormhole, a construct that used to be known more formally as an Einstein-Rosen bridge. Consider this account of the Exodus.

19 The angel of God, who had been going before the camp of Israel, moved and went behind them; and the pillar of cloud moved from before them and stood behind them. 20 So it came between the camp of Egypt and the camp of Israel; and there was the cloud along with the darkness, yet it gave light at night. Thus the one did not come near the other all night. 21 Then Moses stretched out his hand over the sea; and the Lord swept the sea back by a strong east wind all night and turned the sea into dry land, so the waters were divided. 22 The sons of Israel went through the midst of the sea on the dry land, and the waters were like a wall to them on their right hand and on their left. 23 Then the Egyptians took up the pursuit, and all Pharaoh’s horses, his chariots and his horsemen went in after them into the midst of the sea. 24 At the morning watch, the Lord looked down on the army of the Egyptians through the pillar of fire and cloud and brought the army of the Egyptians into confusion. 25 He caused their chariot wheels to swerve, and He made them drive with difficulty; so the Egyptians said, “Let us flee from Israel, for the Lord is fighting for them against the Egyptians.” 26 Then the Lord said to Moses, “Stretch out your hand over the sea so that the waters may come back over the Egyptians, over their chariots and their horsemen.” 27 So Moses stretched out his hand over the sea, and the sea returned to its normal state at daybreak, while the Egyptians were fleeing right into it; then the Lord overthrew the Egyptians in the midst of the sea. 28 The waters returned and covered the chariots and the horsemen, even Pharaoh’s entire army that had gone into the sea after them; not even one of them remained. 29 But the sons of Israel walked on dry land through the midst of the sea, and the waters were like a wall to them on their right hand and on their left. ~ Exodus 14:19-29

Occult writers and Illuminati mind-control programmers use pillars to represent the link between the heavens and the earth and the means of crossing between them, even time travel. There's a reason for that, because they have learned some of the secrets of heaven as taught by the fallen angels. They understand some darkly hidden things. The church has been continually dumbed down by the tares who rule religious institutions to conceal the Bible's symbolic meaning, about such key matters as the war over heritage and space-time domains. The Lord God has allowed that because it serves His purposes to do so. It also serves His purposes to reveal it to some at the right times. Note how the pillar in Exodus 14 is identified with the angel of God, and how the Lord looked down on the army of the Egyptians through the pillar of fire and cloud. It was like a viewport and perhaps a conduit.

The pillar was a multidimensional bridging construct, aligned vertically. Between the two places where the pillar had been and then came to be, another cross-dimensional bridging construct manifested, in an orientation perpendicular to the pillar.

Observe how the language of the above passage features time as linked to light: “Yet it gave light at night” - “At the morning watch.” The morning watch is the one just prior to dawn. How did one collection of people not come near the other all night, as we're told in verse 20? Some kind of time warp? Because, “the sea returned to its normal state at daybreak,” we see the returning of the water-as-time to its normal state as the light of day returning after the night. Physics. The laws of physics are in view, and the miraculous actions are obviously due to their manipulation.

When Moses stretched out his hand over the sea and the Lord swept the sea back, the water was made to stand up in a heap like a wall. Note that it's in verse 21, a time number. The laws of physics apply, and the matter has to do with space-time. Was molecular activity slowed to freeze or congeal a boundary to form a wall of time? Why an east wind, all night long? Wind, is, ruach (Hebrew) which is also spirit. The east is the direction associated with the elements air and spirit, and not just by witches in their casting of magick circles. See the book of Enoch mentioned in Jude.

Here's a quote about Passover from The Jewish Holidays, A Guide and Commentary, by Michael Strassfeld. p.27: “The seventh day, according to tradition, marks the crossing of the Red Sea by the Israelites. Some people, particularly Hasidim, follow the custom of pouring water on the floor and singing and dancing to commemorate the crossing of the sea.” The seventh day. Seven is a primary time number. The day of the month on which this water crossing is celebrated is the 21st, which is another time number. It's celebrated with a pouring out of water - water-as-time. That same last day of the feast is given special attention in Acts 12. Note the numberings. Chapter 12 features a dimensionally passing over scenario on the 21st day of the month, as Peter miraculously passes through the iron gate, following the angel. The 12 and 21 are reflections, one of the other, and these both signal time in the esoteric layering.

Exodus 15 records the following lyrics of a song that was sung after crossing over the sea.

15 Then the chiefs of Edom were dismayed;
The leaders of Moab, trembling grips them;
All the inhabitants of Canaan have melted away.
16 Terror and dread fall upon them;
By the greatness of Your arm they are motionless as stone;
Until Your people pass over, O LORD,
Until the people pass over whom You have purchased. ~ Exodus 15:15-16

It's customary to view the testimony of their being motionless as a stone as expressive language that simply describes their being frozen in fear. Yet, consider it as their being frozen in time when time itself stopped for them - until the Lord's people passed over! Then, time restarted and they were no longer motionless as stone. The matter of time being stopped for Israel to have victory over the armies of their enemy is easily documented in a related account.

As the 40 years of wandering came to an end, Israel was required to cross another body of water at Passover. The River Jordan was at the flood stage and the crossing was, once more, miraculous and prophetic. This time, instead of fleeing from a pursuing army, they are the aggressors, crossing over to lay siege to the walled city of Jericho on their way to claiming the lands promised to them prior to their abrupt departure from Egypt. Shortly after taking Jericho, we find an account of the sun and moon being made to stand still for about a day.

11 As they fled from before Israel, while they were at the descent of Beth-horon, the Lord threw large stones from heaven on them as far as Azekah, and they died; there were more who died from the hailstones than those whom the sons of Israel killed with the sword. 12 Then Joshua spoke to the Lord in the day when the Lord delivered up the Amorites before the sons of Israel, and he said in the sight of Israel, “O sun, stand still at Gibeon, And O moon in the valley of Aijalon.” 13 So the sun stood still, and the moon stopped, Until the nation avenged themselves of their enemies. Is it not written in the book of Jashar? And the sun stopped in the middle of the sky and did not hasten to go down for about a whole day. 14 There was no day like that before it or after it, when the Lord listened to the voice of a man; for the Lord fought for Israel. 15 Then Joshua and all Israel with him returned to the camp to Gilgal. ~ Joshua 10:11-15

The sun and moon are kind of like the hands of a clock. Note the verse numbered 12, the time number. The time keepers were told where to stop. Time was stopped so they could avenge themselves of their enemies. Manipulation of time for warfare. There's a trend!

14 Then God said, “Let there be lights in the expanse of the heavens to separate the day from the night, and let them be for signs and for seasons and for days and years; 15 and let them be for lights in the expanse of the heavens to give light on the earth”; and it was so. 16 God made the two great lights, the greater light to govern the day, and the lesser light to govern the night; He made the stars also. ~ Genesis 1:14-16

Reflect on the role of the pillar at the crossing of the Sea of Reeds, as we're told in Exodus 14:20 that,“there was the cloud along with the darkness, yet it gave light at night.” The pillar of fiery cloud gave light at night like the moon, the lesser light that ruled the night. Israel knew when to go and stop in their wandering by watching the movement of the pillar. A traveling time-keeping pillar.

Notice from Joshua 10:15 that “Joshua and all Israel with him returned to the camp to Gilgal.” They returned because that's where they went out from. They went full circle. Gilgal, means, “circle (of stones).” At Gilgal, there were 12 stones that had just been taken out of the dry Jordan riverbed at their crossing, and I expect to be giving that activity more attention. Stones taken from a riverbed would no longer be displacing their volume of water. How strange that the Lord had rained large stones from heaven upon Israel's enemies, the Amorites, just before stopping time in a particular spacial reference system. What usually rains down from heaven? Water. Hail is frozen water. Raining stones as weapons. Time as a weapon.

How did David kill Goliath? With a stone taken from a brook. It was no longer displacing its volume of water.

39 David girded his sword over his armor and tried to walk, for he had not tested them. So David said to Saul, “I cannot go with these, for I have not tested them.” And David took them off. 40 He took his stick in his hand and chose for himself five smooth stones from the brook, and put them in the shepherd’s bag which he had, even in his pouch, and his sling was in his hand; and he approached the Philistine. ... 50 Thus David prevailed over the Philistine with a sling and a stone, and he struck the Philistine and killed him; but there was no sword in David’s hand. ~ 1 Samuel 17:39-40, 50

What happened to the Canaanites who lived near the end of the Jordan River?

23 The sun had risen over the earth when Lot came to Zoar. 24 Then the Lord rained on Sodom and Gomorrah brimstone and fire from the Lord out of heaven, 25 and He overthrew those cities, and all the valley, and all the inhabitants of the cities, and what grew on the ground. ~ Genesis 19:23-25

Fiery brimSTONE - rained from heaven.

Consider more of the lyrics sung just after the Exodus.

4 “Pharaoh’s chariots and his army He has cast into the sea;
And the choicest of his officers are drowned in the Red Sea.
5 “The deeps cover them;
They went down into the depths like a stone. ~ Exodus 15:4-5

We're about to give consideration to the amazingly rich record of the Jordan River crossing, Lord willing. There's something quite remarkable here!

The Time Code LU as 12:21

We're still working on the study of the wilderness wandering, which is on the theme of the space time ark. What happened in the wilderness is a prophetic model, in part for the woman as a faction of Israel fleeing into the wilderness (Revelation 12:14), and additionally picturing a time reset. We're seeing the Lord continue to bring forth insight into supporting elements of the reset, and unmistakable signs are being witnessed on a pretty regular basis. I haven't reported on the timely drive by the guy draped with a snake in front of a pub called Yesterdays, Aaron's water bottle refilling clock stop or the intense blast from the past detour we took on a route signaling 21, and I don't know that I will, but it's all been very encouraging.

You may have noticed that the previous post was published with the time stamp of 12:21. I didn't do that on purpose, and didn't even notice that until the next day. This kind of thing is just so much a part of our daily experience.

Yesterday, while in a waking season, some things were going through my mind. A little later, while engaging in the wilderness study those things began to come together as being very relevant. It had to do with the time code of 12:21 and the letter substitution code, and springs.

12:21 is LU because L = 12 and U = 21.

The LU code is leveraged in this poster for the 2014 Sci-fi film, Lucy, starring Scarlett Johansson and Morgan Freeman.

They separated the letters LU by making them white and CY black. (Knowledge of Good and Evil - LUCY-ferian illumination) What's the background for LU? Space. Space-time! In the film, Lucy is ascended to become a goddess, transcending this space-time domain and transiting freely through it.

Remember a post published over 2 years ago about Lulu, a popular self-publishing site? Their Occult branding is featured in Chaos and Unity - Decoding "Lulu" - $666 million "Antichrist" Lottery - New Ancient Tech, and you'll find a video I made on Lulu in that post. Lulu introduced self-publishing and a lot of saints use their services.

(You may be familiar with two other brands that target Christian authors: Xulon Press and Westbow Press. I've also given their Occult branding imagery attention. Decoding Xulon Press, the ICHTHUS-Vesica Piscis and the Ohio Getaway There's a special blend of Code 33, Code 66 -abyss, Code 666-MOB, XO-MOB and Sodomite Gateway signaling. The other is similar: Decoding WESTBOW PRESS.)

Beyond what I already exposed about the meaning of the Lulu brand imagery, the featured Lulu ad leverages the LU time code!

The ad copy reads:

This is your YEAR
Get started TODAY

LULU * Time² or Time Squared - like the TimeSquare building in Rochester, NY that is ritually linked to NYC and Manhattan. Like the famous Times Square in Manhattan that is featured in space-time traveling films like The Smurfs, Sorcerer's Apprentice, and Lucy.

Lucy: Time travel scene (HD)

Like with the Lucy film, this youth is illuminated. (Orange: Ritual sodomy)

Lulu is encircled in their logo. Circled Square. Baphomet gender merging and ritual Sodomy - and time-space symbolism. The orange shape containing, “Get Started today,” is a rounded rectangle. Again: Circled Square. Baphomet gender merging and ritual Sodomy - and time-space symbolism.

Here's something interesting! I just got back from a trip to NY where I visited my Dad. I helped him work on repairing an old boat motor. The repair involved a set of extension springs in the pull start mechanism. The motor is used to propel a boat across the water, so there's a time-space metaphor involved, right? Take a look at the Lulu ad, with the adjacent picture of an extension spring. The blurb, “This is your year,” is framed by a pair of ornamental flourishes that resemble springs, extension springs. There are other kinds of springs of course, like springs of water. Water = time. “This is your year,” framed by symbols of time! With the Lu time coding and the other blurb in the context, the esoteric theme is pretty obvious.

Extension springs are designed to stretch, like time. The framing springs are like banks of a river, the river of time. The ornamental “springs” are overlaid with straight lines - linear time and time that stretches and contracts. A spring is a cylindrical spiraling coil of wire - kind of like a vortex.

There's some very interesting connections here. The Lulu ad looks very Catholic to me. There's a Jewish angle too, actually pointing to the Passover and the Exodus (which I've been giving most of my attention lately). Consider “your year” that was established at the first Pesah during the exodus, from Spring to Spring.

1 Now the Lord said to Moses and Aaron in the land of Egypt, 2 “This month shall be the beginning of months for you; it is to be the first month of the year to you. ~ Exodus 12:1-2

Verse 1 and 2, combine 1 and 2 into 12. 12:1-2 ~ 12:12. The first month of a year - a year usually has 12 months. Twelve, a time number.

25b There He made for them a statute and regulation, and there He tested them. 26 And He said, “If you will give earnest heed to the voice of the Lord your God, and do what is right in His sight, and give ear to His commandments, and keep all His statutes, I will put none of the diseases on you which I have put on the Egyptians; for I, the Lord, am your healer.” 27 Then they came to Elim where there were twelve springs of water and seventy date palms, and they camped there beside the waters. ~ Exodus 15:25b-27

TWELVE SPRINGS of WATER.

When we reset our clocks twice a year, the popular mnemonic goes like this: “Spring forward, fall back.” Time reset. Springs.

“This is your year.” Between the Springs.



Aaron found this video exposing a ritual enactment of the Zeus vs Chronus legend. I recommend watching at least once. BACK TO THE FUTURE [Secret Symbolism Myths & Archetypes] (by barelyHuman11)



The latest commercial for Fiji Water. Leveraging the water-as-time metaphor.
“Nature has created the best water in history from a time before we started recording it. Bottled at the source. Untouched by man. It's earth's finest water.”



Group To Unveil Satan Statue In Detroit During ‘Largest Public Satanic Ceremony In History’
The ‘Largest Public Satanic Ceremony In History’? Really? Apparently, they don't understand the Olympics or World Cup ceremonies or media award ceremonies or music festivals or what goes on at Burning Man or major media news when tragedies are being covered.


Thanks for all your encouraging show of support in this season. We so appreciate those of you who are steadfast in your faith, hope and love in this trying season.

News and MOB Posts

While we've been working on a study about the wilderness wandering, we've published a few posts to The Mark of the Beast: Code 666 Blog.

• IN-N-OUT (B)URGE(R) and the XO MOB T-shirt and Poster
• Decoding WESTBOW PRESS
• Decoding Panera Bread

Here's a small sample of interesting news that's recently come our way in a timely manner.

'Artificial Intelligence is as dangerous as NUCLEAR WEAPONS': AI pioneer warns smart computers could doom mankind

New Letters Added to the Genetic Alphabet
“Scientists hope that new genetic letters, created in the lab, will endow DNA with new powers.”

Ancient humans 'rampantly interbred' with Neanderthals and a mystery species in Lord Of The Rings-style world of different creatures (11/20/13)

Since March, I've had in my “films to watch” queue the Keanu Reeves version of, The Day the Earth Stood Still. That's the version that was beamed in the direction of Alpha Centauri in December of 2008, broadcast into space in conjunction with the film's opening in theaters. (One Alien to Another: A Broadcast to the Stars) I watched it a few nights ago. Here's some dialogue. One of the characters has a flash of insight about the curious alien spheres. “An ark. It's an ark. They're saving as many species as they can,” she declares. Someone responds, “If the sphere is an ark, what's next is...” “The flood,” she adds. The space-time ark theme is still trending.

Space-Time Containment - Ex_Machina

Alongside Wayward Pines, the film, Ex_Machina, had a role in supporting what the Lord was showing us from The Avengers. This all came during the 3 days of the cut cables sign. Ex_Machina's time-space zone isn't about an ark of salvation but of a secure dimensional prison, and how time is the key to controlling the access. The space-time ark or container concept is not my invention or merely the entertaining subject of science fiction. What things are found deeply embedded in the cryptic language of symbolism are the indicators of an underlying reality that is of genuine significance. This post starts out covering a lot of background stuff, but hang in there - it builds up. During this study some pretty epic insight was brought forth about a fundamental biblical modeling that may be forthcoming in subsequent posts!

As usual, spoiler alert! If you intend to watch it, watch if before reading here.

Wikipedia offers this brief. “Caleb is a programmer working for Bluebook, the world's most popular search engine. He is chosen to visit the company's eccentric CEO, Nathan, at his secluded research facility in the mountains. The only other person there is Kyoko, a young housemaid. Nathan reveals he has been working on artificial intelligence and wants Caleb to administer the Turing test to an artificial intelligence (AI) named Ava. The Turing test is designed to test a computer's ability to persuade the tester it is human.” You can read more here, or on IMDB, or watch the film.

Most of the film is set inside Nathan's house, which is also his personal and private R&D facility. It's very remote, isolated and secure, and this facility is played as the independent space-time zone. The facility's security system can be breached.

Obviously, Bluebook as the world's most popular search engine connects it with Google. The name further identifies it with Facebook. Reference is also made to Twitter as the ubiquitous BLUE bird social media.

The color in the name identifies IBM by their nickname, “Big Blue.” Big Blue is famous for their AI named Watson. An article about Watson's famous exploit from over 4 years ago reads, “In the end, the humans on “Jeopardy!” surrendered meekly. Facing certain defeat at the hands of a room-size I.B.M. computer on Wednesday evening, Ken Jennings, famous for winning 74 games in a row on the TV quiz show, acknowledged the obvious. “I, for one, welcome our new computer overlords,” he wrote on his video screen, borrowing a line from a “Simpsons” episode.” (NY Times: Computer Wins on ‘Jeopardy!’: Trivial, It’s Not)

If you watch Ex_Machina you'll perceive how nudity (and the fact that the android was modeled on his personal porn profile) makes it a Blue film or Blue picture, one that features adult content. The name, Bluebook, like the title of a porn magazine or novel, suggests that voyerism, perverse sexuality and exploitation is among the search engine company's core interests, and this is represented in the film.

An intended reference to Project Blue Beam also seems likely, especially since Caleb and Nathan are biblical names, and the starring android Ava plays strongly on one level as Eve, the first woman. “Project Blue Beam is a conspiracy theory that claims that NASA is attempting to implement a New Age religion with the Antichrist at its head and start a New World Order, via a technologically-simulated Second Coming.”

The title appears to be derived from the Latin expression, Deus Ex Machina.

“Deus Ex Machina is a calque from Greek (apò mekhanês theós), meaning "god from the machine". The term has evolved to mean a plot device whereby a seemingly unsolvable problem is suddenly and abruptly resolved by the contrived and unexpected intervention of some new event, character, ability or object. Depending on how it is done, it can be intended to move the story forward when the writer has "painted himself into a corner" and sees no other way out, to surprise the audience, to bring the tale to a happy ending, or as a comedic device.” (Wikipedia)

The employment of the namesake dramatic device appears as Caleb himself is manipulated by Ava to provide a surprise ending. The manipulation changes the outcome from what looks like it might have a kind of happy ending in a romantic way, to one that is chilling in picturing the cold betrayal of a machine without humanity. It's not Blade Runner, where Deckard gets away in the end with Rachel, the special replicant (AI android) he came to love.

Here's what the actual title tells us about the film, as an equation.

Ex_Machina = Deus Ex Machina - Deus

Deus equates to theós, God. Our attention is drawn to deity. They have removed “God” from the machine. From the machine, no god or not god. If we consider how Ava is a machine, it suggests that she is godless, manifesting ungodliness or a demonic nature. That is the profound impression we're left with as the final credits roll.

During one scene, the eccentric Nathan comically twists a comment made earlier by Caleb. “I am God,” he says, testing the statement and exhibiting what has been called a God-complex. He's in the role of the Creator, obviously. He's heartlessly murdered by his soulless creation toward the end. It's like, Pinocchio, with a twist. The puppet becomes a real boy, but in this twist up, he has to kill Gepetto first. The murder pictures the Devil's vision where he, the creature, destroys his Creator. That's what his version of the space-time ark is for, which we see manifesting in the face off of Revelation 19:19.

Elon Musk, businessman and tech genius (PayPal, Tesla Motors, SpaceX , Hyperloop, SolarCity), has gone on record warning about the dangers of AI. “Summoning the demon,” to quote him. That has to be in the back of your mind when the film has ended and the viewer reflects on what has just been witnessed. Even Stephen Hawking and Bill Gates are warning of the threat AI presents to the future of mankind. All agree. It's not a matter of IF but WHEN.

But that's all pretty obvious really, or at least it should be. For those of us who know the sovereign God's plan to intervene before AI dooms mankind there is another kind of urgency to the present.

Aaron and I made several noteworthy observations while watching Ex_Machina.

First, let's note that it plays heavily on the level of trauma based mind-control. Control is exerted over the androids as over Monarch slaves by their programmers. Those in the house are trapped inside secure compartments by forces out of their control. The many masks and skulls as severed heads represent dissociated alter identities, which are demonic. The many reflective surfaces and mirrors present us with mirror images of the characters as illustrations of how dissociated alters are created in mirrored pairings. The name, Kyoko, means, mirror. Waterfalls are Illuminati triggers for a memory wipe, prompting slaves to forget what has just happened. When Nathan is killed with the knife, he becomes a kind of blood sacrifice, a human sacrifice. Here, like in many other productions, the MK-ULTRA or Monarch programming symbolism is very woven in with an Antichrist layer. The army of chosen ones are secretly embedded in key positions and are activated as the time comes for their missions. They serve the antichrist agenda. Those who direct the programmers and the programming are behind all the control mechanisms of the world, driving AI, CERN, search engine and other control tech, global banking, government, the medical industry, organized religion, etc.

Beyond that, there's some social engineering with a gender dominance play. Nathan is the control freak and is overtly abusive toward Kyoko, his female maid. (Which we discover is actually an android - and his sex bot. Shades of The Stepford Wives.) That relationship dynamic is overturned in typical programmed Jezebel fashion when the women brutally dominate the men, destroying them. Ava, a female, emerges as the clear victor in the contest, having won through the exploitation of her feminine charms to manipulate a man.

There's a tense but hilarious scene where Nathan and Kyoko tear up the dance floor to the music of “Get Down Saturday Night.” The stunned look on Caleb's face is perhaps the best part.

The dance is choreographed so that Nathan and Kyoko match moves. Programmer and slave, in sync, like marionettes, which speaks to me about how trauma-based mind-control programmers may at the same time be slaves themselves, with their own handlers and programmers. The decorative panels behind the dancers are of a complex design, but as you see in this image, it artfully presents a grid of obfuscated XO MOB symbols, and that's the backdrop for their dance. I've written about what the dance represents in media like Sucker Punch and Jessie J's “Price Tag” music video, and its the same here.

The images of Ava with mirrors present her as a goddess, an identification that's given more play as she ultimately supplants the creator.

The name Ava plays off Eve and it also plays off the Latin, since the film's title is Latin. Think, Ave Maria. That's a song and a prayer identified with the goddess - the Hail Mary that Roman Catholics pray to “Holy Mary, Mother of God.” The way Ava is designed reminds me a nun wearing a habit, the way the face is framed. In one session, Caleb tells Ava a story and compares her to the character called Mary, Black and White. Again, the nun's habit. Mother Mary. Ava's face generally has a very innocent and pure look, like a nun or the Virgin Mary.

Some see AI as their hope of being saved from destruction. Some see the cessation of all effort toward AI as the only hope of the same. What the Hail Mary means in sports is a desperate attempt to score in the final moments where the odds of success are so slim that a miracle seems to be the only chance. Thus the reference to the prayer, Hail Mary, as calling upon the divine for that miracle.

Connections to the art deco classic Metropolis are really evident because the artificial being was derived from the beloved Maria. Ave Maria - Ava - Maria with the helmet. Hitler and the some of the SS were obsessed with that film.

Given the mirrors and reflections of Ava, allusion to the looking glass as a dimensional portal, as in the children's mind-control classic, Alice Through the Looking Glass, can hardly be avoided. The story of Mary, Black and White certainly plays on that, and that story that involved Mary's being introduced to color makes strong connections with another mind-control children's classic, the Wizard of Oz film, because the colorization dramatically went from black and white to color when Dorothy and Toto “went over the rainbow” to Oz.

Any listing of sci-fi films referenced by Ex_Machina really has to include the classic Westworld (1973), The Machine (2013) and of course, I, Robot (2004).

Nathan's house plays as the space time ark, so let's get to the time metaphors and references.

Straight away we have to address the casting of Domnhall Gleeson as the lead, Caleb. He played the endearing time traveler opposite Rachel McAdams in the film, About Time (2013). His character inherited the ability to travel back in time from his father, and regularly did so to change things more to his liking. Take a look at the promo image for the film. Why do you suppose the scene might be featured where they're getting wet in the pouring rain - in a film About Time travel? Water as time.

Domnhall plays the role of a synth (android) in a Netflix sci-fi episode of Black Mirror. It's called, Be Right Back (2013). I note that it's season 2 episode 1. That's episode 2:1. Twenty-one. The time number.

In Ex_Machina, when Caleb thinks he has won a competition at work, the prize is a mysterious trip to Nathan's house to spend time with the famous boss for a week, so off he goes. When the helicopter he has to take drops him off, it's in a remote wilderness setting with no buildings or roads anywhere in sight. The pilot gives him minimal direction. Follow the river, he offers, gesturing in the general direction. There's a clue. The river of time. What Caleb finds is like something right out of the future.

When Caleb finds the house, the first challenge is getting through security. At the secure gate that is disquised as an insubstantial wooden structure, he's provided with an instant picture id card. That gives him limited access to the facility that seems to have card readers and secured areas everywhere.

No one is there to greet him so he begins to explore, and he finds Nathan outside on the deck. It's a beautiful view, overlooking the river. Of time. The house is on one bank of the river, which is to say, anchored in time. As a picture of the world that is perhaps just a little further into the future, it's figuratively located on the other bank of the river. Nathan is working out. Specifically, he's punching a heavy bag. Are you thinking about The Avengers and Steve Rogers working out in the boxing gym? When I saw this, I sure was! The heavy-bag (probably an Everlast) is filled with sand, the sands of time. Here's a screenshot where we see the swinging sand bag superimposed over the river. Hello! Stacking the metaphors - just like in The Avengers with the water fountain and heating radiator!

In the comedic scene where Nathan and Kyoko get down with the Saturday Night disco dancing, Nathan's intro keeps the theme rolling. “I told you, you are wasting your time talking to her. You would not be wasting your time, however, if you were dancing with her.”

Near the end of Caleb's visit we see him standing in the kitchen. Nathan joins him and asks, “Do you know what day it is?” Caleb replies, “No.” Nathan grabs a kettle off the stove. “It's your last. Helicopter comes tomorrow morning 8 am.” Caleb: “Wow. Has it been a whole week?” Nathan stands at the sink and says, “Time flies.” He turns on the faucet and water flows into the kettle. “Man, but what a thing we've shared, huh? Something to tell the grandchildren, right?” This scene is “soaked” with time references, and the action is all about the water. Nathan actually says, “Time flies” (Tempus fugit, right?), demonstrating just that as he fills the kettle with water from the tap! From previous scenes, we know that, from where he's standing, Nathan has a spectacular view of the river flowing by the house. The mention of grandchildren gives the theme even more emphasis because that wouldn't happen until after much time has passed, since it appears that neither have any children.

Here's something that speaks so loudly to me. Given how the film's title is derived from an ancient theatrical device, the film's use of title screens really demands that we give them special attention because it's the employment of another theatrical device. It's uncommon now but long ago, in the silent film era, it was used extensively. The one in this screenshot pictures the last one in the series: “AVA: SESSION 7.” These sessions correspond roughly to the supposed Turing test and involve the interaction Caleb has with Ava.

Here's what the Lord brought to my attention as I was looking at one of the title screens, and I believe this is probably the main reason for them. The name of the AI android is, Ava. Calculate the name (kind of like Revelation 13:17-18). A=1 and V=22, so AVA transforms to 1 22 1. She is a marvel of computer processing and her name computes to 1 22 1, like 12:21! If you're been following this blog closely (See The 12:21 Time Code) that should speak to you like it does to us. That's the numbering we've witnessed on the digital clocks in some key signal instances! When Aaron and I witnessed the 12:21 sign, there was always a colon involved because of the digital display. AVA: A V A colon. In the title sequence, the colon is shifted to the end, but there it is! AVA: ~ 12:21. This arrangement of the two time numbers 12 and 21 is pretty special, with the mirroring enhancing the potency of the signal. The secret to Ava in the film has to do with time.

(I note that there is a layering of sodomite sex magick in the titles' “AVA:”. The AV and/or VA is a very common signaling of the union of the sons of god with the daughters of men. The A and V are equivalent to the up and down pointing gender and space-time domain signaling triangles that are often overlaid one upon the other, as in the so-called Star of David. The colon is not just a punctuation mark, it's also anatomical. )

Our attention is drawn to something strange about Ava and time. When Caleb meets her and engages in the way of a Turing Test administrator, he poses the question, “How old are you?” She answers, “One.” “One what?” Caleb probes to see if she can identify a time unit with that number but she seems to display a lack of understanding. Knowing how the name, Ava, computes to 1 22 1 sheds light on what that exchange was really about.

It's important to make the link between Ava and time. She ultimately becomes the lord of time, in a sense, and that's how she gains ascendancy and wins her freedom. With the film's emphasis on cryptically signaling the theme of time, and with Ava's name decoding to a kind of reference standard of numbering for time, these provide critical insight into her role in the breaching of the security of the house. At the appointed time, according to the schedule arranged by her accomplice, she triggers the security system's rewritten protocol. Instead of locking down every door, all are opened. This illustrates how time is the key to defeat the security of the dimensional containment system. The time-lock of the prison and model space-time ark is unlocked in AVA: SESSION 7. 1221 and 7. Seven is, of course, the other time number that goes along with 12 and 21!

Here's another point of similarity connecting this film with The Avengers. In the scene where the Stark Tower was brought online, it was disconnected from the grid and switched over to being powered by the arc reactor. That made it the space-time ark tower, lighting up the sign. The switch-over was accentuated by the clever dialog playing on the AC to DC. (Part 2 - The Avengers - STARK Tower as Space-Time Ark - PP and AC to DC) Ava's ability to disconnect the house from the usual power supply was a factor in advancing the key aspects of the plot. Through her access to a battery recharging feature, she cuts off power and the back-up power system kicks in. First, that was how the surveillance system was defeated to allow her to communicate privately with Caleb. For brief periods, Nathan was unable to monitor their interaction. Ava managed her plan of escape by exploiting those opportunities to manipulate her accomplice. At the scheduled time, after Caleb had betrayed his host by stealing his identity (card) and rewriting the house security protocols, the disconnection and transition of house power allowed for Ava's escape. Security Breach! AC to DC. Nathan's secure facility as Stark Tower.

A programmer (reddit user Infintie_3ntropy) took the code that appeared on screen when Caleb was on Nathan's computer rewriting the house security protocols and executed it. It's written in a language called Python. (Yeah, Python) The version run was 2.7. It produced the following output.

ISBN = 9780199226559

The code references a book titled, “Embodiment and the inner life: Cognition and Consciousness in the Space of Possible Minds.” By Murray Shanahan. That's certainly a relevant subject, plus, I note that it introduces the word space. It was supposed to be the code rewriting the security protocols. The word Space - goes with the Time it was to be executed, 10 pm. Space-Time.

In another point of similarity with The Avengers, Ava's escape was like the scene where Captain Steve Rogers left the boxing gym with gym bag in hand and a sand bag over his shoulder. Before leaving the house, Ava clothed herself with synthetic skin and hair and clothes to make herself look just like a real person. I made a point in the last paragraph of Part 1 of The Avengers series that I'll repeat here. A garment is a metaphor for a body that is fit to access and operate within a specific domain. Different domains require different kinds of garments.

Here's a couple of examples from the biblical record, and two aptly numbered chapters.

6 On the very night when Herod was about to bring him forward, Peter was sleeping between two soldiers, bound with two chains, and guards in front of the door were watching over the prison. 7 And behold, an angel of the Lord suddenly appeared and a light shone in the cell; and he struck Peter’s side and woke him up, saying, “Get up quickly.” And his chains fell off his hands. 8 And the angel said to him, “Gird yourself and put on your sandals.” And he did so. And he *said to him, “Wrap your cloak around you and follow me.” 9 And he went out and continued to follow, and he did not know that what was being done by the angel was real, but thought he was seeing a vision. 10 When they had passed the first and second guard, they came to the iron gate that leads into the city, which opened for them by itself; and they went out and went along one street, and immediately the angel departed from him. ~ Acts 12:6-10

4 But when the day was now breaking, Jesus stood on the beach; yet the disciples did not know that it was Jesus. 5 So Jesus said to them, “Children, you do not have any fish, do you?” They answered Him, “No.” 6 And He said to them, “Cast the net on the right-hand side of the boat and you will find a catch.” So they cast, and then they were not able to haul it in because of the great number of fish. 7 Therefore that disciple whom Jesus loved said to Peter, “It is the Lord.” So when Simon Peter heard that it was the Lord, he put his outer garment on (for he was stripped for work), and threw himself into the sea. 8 But the other disciples came in the little boat, for they were not far from the land, but about one hundred yards away, dragging the net full of fish. ~ John 21:4-8

Ava's breaking out of her dimensional containment system models the beast's scheduled release from the abyss and also the scheduled release of those sentenced to be bound in the earth for 70 generations. Nathan's heavy-bag that he was punching during his workouts was a 70 pound bag of sand, one pound of sands of time for each generation of time. It was during the “AVA: Session 7” sequence that she broke out, on the last day of Caleb's scheduled week long visit. Because the 7th day of the week is Saturday, and the time Caleb programmed the security system that allowed Ava to gain control of the doors was 10 pm, I think the song that Nathan and Kyoko danced to was leading, predictive: “Get Down Saturday Night.”

The opening of all the doors in the seventh session echoes the taking of Jericho by Israel as they entered the promised land under Joshua's leadership. This insight is something I intend to explore further, Lord willing, but for this post I'm just going to introduce the comparison. In the famous record of Joshua 6, Israel marched around the walled city once each day for six days. On the seventh day, they marched around seven times, then blew their trumpets and shouted. Security Breach! The walls fall flat, as the Lord God had promised. The city was theirs. In Ex_Machina, the setup for the security breach came likewise during the first six sessions, and the breach was made in the seventh. Jericho was the entry point as Israel then advanced further to continue laying claim to their possession. So it is that Ava, having had all the doors opened, claimed the house as her domain, and proceeded from there to the crossroads of the world as the promised land.

Ex_Machina. Wow!

What the Lord has planned for His people is going to be beyond awesome. As clever as the Devil is, he won't see it coming when the tables are turned on him.