Part 2 - Decoding Coldplay's Strawberry Swing - Profound Secrets

Here's the official video, Coldplay - Strawberry Swing.



Continuing from Part 1, let's reflect back on a screenshot of the transit of Venus.

As the superhero Antichrist momentarily shines the light in our direction, the beam of starlight yellow (Coldplay - Yellow) suggests the illumination of mankind by Mary, which her apparitions declare is coming. The Vatican agents loudly attest to it. I'll be expanding on this shortly. That illumination is correctly represented in Strawberry Swing as attending the baptism of the lawless one, and the Bible gives an account of it that puts it in perspective.

8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false ~ 2 Thessalonians 2

(Do you suspect the folks sponsoring the Starlight Parade during the annual Portland Rose Festival might be on to this, where the dragon chariot hauls their rose queens through the night?)

I don't doubt that this transit of Venus is making reference to the celestial event that will mark when the lawless one will actually be revealed. On April 4, 2015 (the 13th day of the 1st month on the Lord's calendar), the moon will move through the shadow of the earth in a transit-like event that is one in a very rare sequence of blood moons. (Part 29 - Celestial Stargates - The Celestial Sign of Antichrist * in I, Pet Goat II)

The moon is a goddess symbol pertaining to fertility, and it will be blood red in eclipse as menstrual or rather in labor, in the bringing forth of “her seed” (Genesis 3:15), a messianic son. The moon will be eclipsed in the constellation Virgo, the virgin goddess sign linked to Revelation 12:1, a passage that will be very pertinent.

It's a big deal that the timing is embedded in this potent signal vehicle of Strawberry Swing. The Adversary knows what time it is. “But as the days of Noah were, so shall also the coming of the Son of man be.” (Matthew 24:37) Noah knew when the flood was coming. Connect the dots. Do you yet know the times and seasons, or do you still need to be written to about them? Look around you with your eyes open. How much time do you think you have left to receive what has been written for you?

The video drops a hint to clue us in to the identity of the antichrist host when Chris is sat upon the top hat as the lawless one, revealed.

The self portrait of Delacroix bears more than a little resemblance to the bearded Abraham Lincoln who is remembered as wearing his iconic stove pipe hat. Compare them closely. By this, the raised Chris(t) as the lawless one is associated with the office of the Presidency.

That kind of association was illustrated in “I, Pet Goat II,” so here's another parallel like the dog walking described earlier. (See I, Pet Goat II - Fire and Ice, The Lotus President, Tear Jar, Psalm 23 -- Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II) In the classroom sequence, a frightened Obama puppet watched an apple blossom into a lotus. It pictured the revealing of the lawless one, in other words, Isis raising Osiris into Horus. The apple released by the girl in the trance rolled across the checkerboard floor and bumped into the shoe of Obama. Note, this is a witness to how the apple goddess Mary has our attention as she directs us to her son! When it bumped against Obama's shoe it straight away blossomed into the lotus, Horus. There's the association. Obama's silver tipped shoe was on a golden coin, which is very distinct celestial stargate imagery. You were paying attention when I described the celestial stargate imagery in Strawberry Swing's baptismal scene, right?

Both Strawberry Swing and “I, Pet Goat II” link the lawless one with the office of the Presidency.

Do you think I'm just imagining all these connections? Read the symbols for yourself. There's a message in this. I'm not playing pin the tail on the donkey-antichrist identity guessing game here. I'm making a point that all the details brought forth at the Lord's leading are important. Yet, even the sum of them is deficient in bringing one to an assurance against being deceived in the coming season if the essential knowledge of the times and seasons is lacking, which is evidence of having the Lord's confidence. 1 Thessalonians 5. Matthew 24. The ability to parrot dates or mark “possibilities” on a calendar is no substitute for legitimate relationship. Character, humility, obedience, love. If I've got your attention, I implore you - don't pass lightly over that.

Hey, we're in a bonus season. Take advantage of it today. Focus on what's most important.

What I'm going to share about now expands on what I introduced about the beaming starlight and speaks to the nature of the world's biggest hoax. We're about to be pranked, big time! This is what initially spoke so loudly to me as I watched the Strawberry Swing video for the first couple times. I was impressed upon by how the diverse presentation elements were woven into an enchanting messaging system, with even the street setting being leveraged for its symbolism. Since the insight I received during the Sochi Olympics (Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax), I've understood something of the complex nature of the hoax some refer to as the coming great deception. (The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)). What I've written in studies like the two I just linked is difficult to communicate effectively in brief. If you're not familiar with the scenario I'm laying out here, check those studies out and follow the links provided until the scenario really makes sense to you - including the timing.

Mary is drawing all the world to herself. This screenshot is from a scene that emphasizes how people follow the banner waving rose goddess in revolt. I believe the soldiers following her also represent a hoard of demons streaming through the opened stargate, but let's look at the manifestation on the physical plane. The title of the painting is, Liberty Leading the People. That's her role, quite simply! I believe she will be acting in the role of the revolutionary herald as the lawless one is about to be revealed. Like a squad of cheerleaders at a pep rally, her enchanting influence is building to a climax in that critical season when the big game is on.

The influential role of the goddess of the Marian apparition in that mission critical operation is evident in the video. Consider how folks watch the music video and don't have a clue about what is actually being conveyed. They are deceived. So it will be at the revealing of the lawless one. There are cover spells, and the masses can only see things how they are led to see them. Liberty Leading the People. Astray. Mary, goddess of magic, the sorceress Harlot of Mystery Babylon, consolidates worship, directing the world to identify her son as their savior, leading the world to accept her Vatican City agent, the Pope, as the High Priest and baptizer.

What will cause all but the very elect to be deceived will involve, “a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come,” according to 2 Thessalonians. The spirit of antichrist and of the goddess, the Marian apparition. The message, brought through the agency of the herald. The letter, produced by her authorized Vatican agents. As I've written elsewhere about the nature of the deception:

“It's going to have a logou, word, or message, which we know is to the effect that the day of the Lord has come - and gone, by implication. It's going to involve documentation that carries the weight of highest authority of the church, even of the early Apostles, which means it will be fully authorized as biblical canon. Together with the first component, spirit, it's a triple whammy, if you will. The potent combination will overwhelm any resistance to the message and result in a mass epiphany.”

According to many instances of complex modeling I've decoded in recent years (a fraction of which I've published to the blog) that each compare to Strawberry Swing, the deception will feature elements of a mixed media presentation sourced from this dimension and beyond, as ported through time itself. “Memories” of the ancient past will be universally witnessed, and those who are not adequately prepared will find the evidence overwhelming and undeniable.

Productions like Strawberry Swing have been implanting or embedding the imagery of what will be convincingly “remembered.” When we watch the video and witness the emergence of Chris(t) from the watery grave, healed from a deadly wound, that is evidence of the mass mind-control programming script. In the coming season of crisis, that will be supplemented by the softening up of the global populace by means of every facet of pharmakeia. How much influence does the Marian apparition have in the world already? Think about the NLP and effectual psi power demonstrations performed by Darren Brown and others. All that's just a playful prelude.

The mixed media show of the past beaming through the spirit time portal is demonstrated brilliantly through the clever blending of components in Strawberry Swing. Chris appears in the present, flying above a modern city, then he appears in the past, in the scene from 1830. We see him in the heavenlies, waging war and ultimately winning after dying and being raised. Then, after celebrating victory over his adversary, he no longer appears in stop-motion but in normal video, interacting with other people. Think about it. The superhero is presented as a photographic image, as a reality, and the pavement grounding the scene with its manhole cover and curbing likewise, but the setting that provides the context of interaction is artfully sketched in. It's artificial, synthetic, contrived, and that is the layer that provides the meaning. This models something of the grand hoax to us. There will be an engaging multidimensional multimedia show that will be entirely convincing, of a lie.

Remember Sochi's Olympic ceremonies and the technology of the projection on the floor of the stadium, within which the action unfolded in a very fanciful interpretation of the history of Russia? It has a parallel in Strawberry Swing where the projection represents an artificially contrived and fanciful interpretation of the past, present and future.

Have you noticed how the curbing at the bottom doesn't constrain the chalk art, which is superimposed over the image of the curbing as a separate layer? Why? The curbing is a boundary. Like a hedge in hedgewitchery, the curb is a metaphor representing the dimensional boundary. The artificially contrived context is projected on or across the dimensional boundary. It's transdimensional. Think about what you're looking at and see how the layers of presentation frame the content of the video. It's brilliant - evil genius.

If you think you're going to be smart enough to see through the deception in that day, you're going to be really disappointed. That's not going to happen. If you've grasped all this, but neglect to take 1 Thes. 5 and Mat. 24 seriously, you're going to be deceived. The knowledge of the times and seasons is the key.

I'm going to reference 2 Thessalonians once more. It should be sinking in how that the receiving the love of the truth is deeper than a merely academic experience. Note well how God himself will send a deluding influence.

8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false ~ 2 Thessalonians 2

Let's reflect back once more on a screenshot of the transit of Venus. A transit of Venus has been perceived by some as representing the Eye of Ra, with Venus as the pupil in the watchful eye. It represents the Eye of Horus, and the illumination of the Eye of Horus that is Luciferian gnosis and enlightenment, the knowledge of good and evil.

That finds support as we give two of the props some attention, the flashlight and the file cabinet. There's an enchanting signal pictured beaming from beyond into this realm. As I wrote earlier, when the Antichrist momentarily shines the starlight on us, it suggests the illumination of mankind by Mary, which her apparitions declare is coming.

The flashlight is the projection device, perhaps an ancient artifact (steampunk). It beams the illuminating starlight right at us as the fish passes by Chris. What's the content of the illuminating beam? A file cabinet contains files of records, historical documents that have value. Think, Akashic Records, the Hall of Records. Instead of being accessed intentionally by one or a small number of individuals, some device will actively port a live feed to a global audience through an opened dimensional portal. The content streamed will be artificial, contrived, a lie, telling a fanciful story like the chalk art of the video, yet, it will be experienced as a convincing reality. Deception will pour through a filtered spirit portal opened into the past and future. Universal, collective and cultural memories will be triggered or activated.

This is quite remarkably illustrated to us in the video at around the 1:44 mark! Listen to the words sung as the flashlight is switched on. “I remember.” Memories will be switched on, linked to the starlight beaming from beyond. As the flashlight turns on the hall tree and hat wearing fish are immediately illuminated. Those Marian Papal symbols are associated with the projection device and illuminating beam. It's the illumination of Mary I mentioned at the beginning of this post. The projection is linked to the goddess as her work. It will be perceived by some as the activated Eye of Horus. The spin version of reality will be understood as the herald Mary interprets it. One of the projected realities that will be so convincingly demonstrated will be to the effect that the resurrection is past, and the hope of attaining the promises of my Lord will, for the cocky over-confident saints, be shattered. Their faith will fail.

That offensive will be the first part of a two part maneuver, like in a boxing match when the first punch of a one-two combo is landed. It sends the opponent reeling, the setup for the knockout punch. I describe this as the segue to the revealing of the lawless one in The Sign for the Bride. The entire operation is bathed in the light of deception-delusion. The conclusion will bring an epiphany about the identity of the masked superhero. This is illustrated to us in the video as you watch the light beaming from the flashlight. As it's switched on by the Antichrist we see the Marian Papal baptizer. He's lit, and the illumination of Mary is apparent. “I remember.” Then as the illumination is beamed at the audience there's a transit of Venus signifying the baptism and anointing that reveals. Chris(t) seems to look right at us, making eye contact, breaching the theatrical "fourth wall." Watch this sequence as many times as necessary until you catch on to what we're being shown.

You can find another witness to the Marian projection of memories in a film titled, Anna (alternate title, Mindscape). Anna has the ability to project false memories into people to manipulate them. She preys on them and kills or ruins them without their awareness of it. The symbolism reveals that this innocent seeming girl is the goddess. Anna = Inanna.

A movie poster pictures her in a dress as a blood red rose. The opposing male and female faces are signaling the one eye, Eye of Horus. Her rose arms form the signal yonic “mouth of Isis” against the herringbone pattern concealing the W of the bent elbow Queen Bee.

We see the roses on the gates to her mansion (Rosette Seal of Inanna) and in gardens on the grounds. She has an artistic bent and is infatuated with the rose, covering her rooms walls with them.

You can extract something of the role of the Marian goddess from the following text, if you can read it through their Babylonian spin.

(The Necessity of the Blessed Virgin and of Devotion to Her: Part One by St. Louis de Montfort. Taken from the Catholic Classic, TRUE DEVOTION TO MARY - with Imprimi Potest, Nihil Obstat and Imprimatur, 1949)

“It is Mary alone to Whom God has given the keys of the cellars of divine love, and the power to enter into the most sublime and secret ways of perfection; and the power likewise to make others enter in there also.”
...
“I have said that this would come to pass, particularly at the end of the world and indeed presently, because the Most High with His holy Mother has to form for Himself great saints who shall surpass most of the other saints in sanctity, as much as the cedars of Lebanon outgrow the little shrubs; as has been revealed to a holy soul whose life has been written by M. de Renty.

These great souls, full of grace and zeal, shall be chosen to match themselves against the enemies of God, who shall rage on all sides; and they shall be singularly devout to Our Blessed Lady, illuminated by Her light, strengthened with Her nourishment, led by Her spirit, supported by Her arm and sheltered under Her protection, so that they shall fight with one hand and build with the other.

With the one hand they shall fight, overthrow and crush the heretics with their heresies, the schismatics with their schisms, the idolaters with their idolatries and the sinners with their impieties. With the other hand they shall build the temple of the true Solomon and the Mystical City of God; that is to say, the most Holy Virgin, called by the Fathers the Temple of Solomon, and the City of God. By their words and their examples they shall draw the whole world to true devotion to Mary. This shall bring upon them many enemies, but shall also bring many victories and much glory for God alone. This is what God revealed to St. Vincent Ferrer, the great apostle of his age, as he has sufficiently noted in one of his works.”
...
“But in the second coming of Jesus Christ, Mary is to be made known and revealed by the Holy Ghost, in order that, through Her, Jesus Christ may be known, loved and served. ”
...
“God, then, wishes to reveal and make known Mary, the masterpiece of His hands, in these latter times: ...As She is the dawn which precedes and reveals the Sun of Justice, Who is Jesus Christ, She must be seen and recognized in order that Jesus Christ may also be. ...Being the way by which Jesus came to us the first time, She will also be the way by which He will come the second time, though not in the same manner.”
...
“These are the great men who are to come; but Mary is the One Who, by order of the Most High, shall fashion them for the purpose of extending His empire over that of the impious, the idolaters and the Mahometans. But when and how shall this be? God alone knows.”

- cough - cough. Try not to choke on that. What a setup. Well, My God does know how this unfolds, and so do those to whom He reveals His plans as He puts the Adversaries lies on display. “She is the dawn which precedes and reveals the Sun of Justice” Strawberry Swing's transit sequence illustrates that brilliantly. For redundancy, there's a dawn pictured at the end of the video as Chris(t) and his Queen approach their destination. She, Venus, is the dawn, the morning star whose rising immediately precedes the sunrise. There's a metaphor. This pair is Lucifer's dream team. The Dawn of the Aeon of Horus.

More to follow - Lord willing!

Part 1 - Decoding Coldplay's Strawberry Swing

In this post I'm beginning to decode Strawberry Swing, from Coldplay's 4th studio album, “Viva la Vida.” The award winning music video is a layered Occult ritual performance, where Illuminati mind-control programming is layered in with the exaltation of Venus, the Marian goddess. It is a dramatic and dynamic storyboard that illustrates how the world is being prepared for the coming Antichrist, offering an impressive array of details about the nature of the deception that will shroud the event.

Here's the official video, Coldplay - Strawberry Swing.



I'll be providing several links, beginning with this set that should be useful for context.

• Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)
• Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 2)

At face value, the video is an entertaining superhero-rescues-captive-queen drama. While Coldplay's frontman Chris Martin poses on the floor, he is given the appearance of interacting with an artfully drawn world. It's a clever mix of stop-action animation and normal video that sets the costumed actor in scenes of colorful chalk drawings on a pavement stage. Each element conveys something of importance in the esoteric composition. I have to see this as a striking tribute to Stéphane Mallarmé, whose influence upon Coldplay became evident during an inquiry into the meaning of Viva la Vida's two videos. A study by the British Academy of Sound Therapy ranked the song, Strawberry Swing, as one of the most psychologically relaxing songs ever recorded, ranking in 5th place among those surveyed. There is a hypnotic effect, and that should not be taken in a figurative sense. The enchantment is real and influential, and it works toward the end that is concealed and revealed in the esoteric symbolism.

I'm going to start decoding the symbolism by identifying the scene that should be familiar to those of you who have been following recent posts to this blog. Like you see in this screenshot, Chris is sitting on the stove pipe hat of Eugène Delacroix, who painted himself into the scene of, Liberty Leading the People (1830).

This painting is featured on the Viva la Vida album cover and in the videos of the title song. The flag waving woman leading the revolution is Liberty, Marianne, the goddess. Concealed in the red of the painting's flag is a rose. She is that rose goddess who is known by many names. The name, Delacroix, means, “of the cross.” He painted himself under the hidden rose to embed the sign of the Rosicrucian order.

What is being demonstrated to us in Strawberry Swing's revolutionary battle scene is a resurrection. Chris, whose birth name is CHRISTopher, represents Christ, or Antichrist, to be more correct. He wears a mask to conceal his real identity. Only a relatively small number of people will be able to see past the mask and correctly identify the Antichrist. When we see him seated upon the hat of Delacroix-of-the-cross he is linked to the crucifixion. When a cloud of pipe smoke lifts him out of the scene it is a reenactment of the ascension of the resurrected Christ.

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

It's not the genuine that is intended to be modeled to us, except as it is the requisite foundation as a carrier for the imprinting of the false.

The rose goddess is on hand because she is the key to that resurrection. Isis raises Osiris into Horus. This exposes the meaning of Viva la Vida (live the life) as a reference to attaining the immortality sought by Rosicrucians and others on the left hand path, and all the goddess worshiping multitudes.

For confirmation of that insight, consider how the sign of Jonah was dramatized prior to the emergence of the resurrected Chris(t). At the video marker 1:39, Chris is swallowed by a sea monster. We see him shining a flashlight inside what must be the belly, with a fish that must also have been ingested by the sea monster. He seems to be flushed out as through a drain.

for just as Jonah was three days and three nights in the belly of the sea monster, so will the Son of Man be three days and three nights in the heart of the earth. ~ Matthew 12:40

The Son of Man was dead while he was in the heart of the earth. This is illustrated in the garments Chris-Jonah wears while inside the belly of the sea monster. First, his trousers and shoes become beige to suggest he is half dead. As he's being flushed into the drain, he's clothed entirely in beige as a sign of his complete death. At marker 2:15, when he is just about to emerge from the stove pipe hat (Delacroix - of the cross), his garments become like the rainbow. Rainbow - light - the light body of resurrection life. It's the sign of Jonah! Now he's living the life, Viva la Vida, as dead Osiris is raised into Horus in the presence of the rose goddess of the album cover. Liberty Leading the People. Victory over death. (“The last enemy that will be abolished is death” - 1 Cor. 15:26)

The watery scene presents an extraordinary view of the counterfeit baptism, the dipping of the anti-bread from heaven and anointing of unholy spirit. (The Sign for the Bride) Baptism is a death and resurrection symbol. Being wet and submerged in the water represents death and the subsequent emergence is the raising to life. When we are shown the superhero's emergence from his watery grave it is like unto what John was shown in Revelation 13.

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion. And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; ~ Revelation 13:1-3

Death and resurrection; baptism. Chris was raised from the watery grave to sit upon the top hat as upon the throne given to him by the dragon. According to another version of the scenario, he takes his seat in the temple of God, displaying himself as being God.

3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:3-4

The risen antiCHRISt ascended to exalt himself high up, higher even than the goddess herself.

There are a few other key observations to be made about this scene. They provide yet another notable witness to what I've been declaring is coming in a most critical hour, in the Spring of 2015.

When the lawless one is baptized, the other beast of Revelation 13 will be present as the baptizer. He will be the Pope, whose identity is redundantly embedded in the scene. Most obviously, the rose goddess Marianne is Marian, Mary. She is, without question, the icon who represents the Romish church. Her high priest is the Pope. The other instance of the Papal baptizer is pictured during the baptism in this screenshot. That identity is richly supported!

Chris(t) is the one being baptized. We see him illustrated as my Lord might have appeared in the River Jordan, standing waist deep in the water. The wet half is beige, dead. The fish is John the Baptist. The setting of the Jordan River is John's workplace, his office, which explains the office furnishings. According to John 3:30, John spoke thus about Jesus: “ He must increase, but I must decrease.” Chris shows up and the fish has to leave. The vacating of that office of “Old Testament” prophet (Matthew 11) is pictured by the office chair that lies overturned on the floor.

The baptizing high priest is clearly identified as the Pope when the fish dons a hat. The Pope wears a hat like that one, but think about it: Who wears the fish hat but the Pope? The Romish priesthood calls it a mitre, and the fashion of it is easily traced to Dagon. Dagon was worshiped in Mesopotamia as a god who was half fish-half man, a merman.

It is in the midst of this scene that a set of very transient images appears. As the fish walks by Chris we witness a transit of Venus, a celestial event where the planet appears to move across the face of the sun. The sequence consists of a few brief frames. Whenever there's a transit of Venus, the rare event draws the world's attention. Strawberry Swing leverages a celestial metaphor to demonstrate how Mary-Venus draws the world's attention to focus on her and her son, the sun god. In the moment where Venus transits the sun, the fish passes by Chris, revealing that they are one in meaning. Chris = sun (god); fish = Venus (goddess). Chris is photo realistic while the rest of the scene is a sketch, so he receives the visual focus for another metaphor. The sun is bright, while the transiting planet is dark as it occults the sun. The Antichrist is the center of attention, and all the other elements in the scene support him with appropriate context.

This impressive scene conceals and reveals several elements of the baptism and anointing. Here's the scenario. When the lawless one is baptized, he receives the anointing of unholy spirit that is the spirit of antichrist. Another way to express the dynamic is that Horus is departing the underworld, passing through the opened celestial Silver Gate to join with a chosen vessel, a man, to manifest bodily in this realm. Put yet another way, it's Isis, raising Osiris into Horus. Transformed, the god-man beast is the lawless one, revealed. The screenshot illustrates the material realm's Papal-fish baptizer approaching Chris(t) to perform his official duty. The ceiling fan pictures an inverted 5 point star, the alignment witches interpret to mean, spirit into matter. Antichrist spirit into flesh.

I believe the walking fish further represents the unholy spirit that makes both the Pope and the lawless one beasts (Rev. 13), which is a composite of Osiris, Isis, Horus. The phallus of Osiris is implicit in the fish, emphasized as the fish is wearing the glans penis hat.

“The fish form may be considered as a phallic symbol as seen in the story of the Egyptian grain god Osiris, whose penis was eaten by (conflated with) fish in the Nile after he was attacked by the Typhonic beast Set.” (Wikipedia - Dagon)

Isis collected the 13 pieces of Osiris and united them (Code 13, but that awaits another post). Isis magickally substituted another phallus to engage in the reproductive act that equates to the raising of Osiris into Horus. The fish symbol represents Christ (ichthus), to some, but only in ignorance because forbidden symbols are idols, the Devil's domain. The fertility signaling fish represents the phallus of Osiris, and, as the female bears many eggs, the fish also represents the fertility goddess of the sea, Venus, Stella Maris, the Mother of God, the Queen Bee. The fish represents the union of Osiris and Isis, Horus, produced when there is a union of spirit and flesh that manifests in this realm as the Antichrist.

The transit of Venus scene occurs at precisely 1:47 into the video. It pictures the 47th Problem of Euclid: Osiris union Isis producing Horus!

This screenshot of the transit exposes several levels of symbolism. You may see in it a gender merging androgyny (Baphomet / Adam Kadmon) as the fish becomes one with Chris.

Here's a screenshot during the baptismal sequence where it looks like Chris is entering a UFO.

The golden light beaming from the flashlight makes allusion to another classic painting, The Baptism of Christ, by Aert De Gelder (1710). A disk appears in the heavens from which a light beams down to illuminate the baptism. There's a UFO-alien presence suggested, and the scene finds a match during the London Ceremony, Beijing Olympics, which is another bean spilling Occult presentation.

All the elements present in the scene of the transit of Venus are fit symbols. The ceiling fan that signifies spirit into matter is also the 5 point star of Horus and the goddess. When the fish is under the star, think, star+fish, Venus.

In the Pope's baptismal office one should find an altar, and so we see the table.

There is a hall tree for hanging hats and garments. A tree is a goddess symbol. Their version has the form of a Maypole, which is a pole piercing a ring near the top. It's slightly obfuscated, with their fertility utility being embellished to better blend into the scene. The symbol of the magickal operation of the May Queen's sexual congress with the green man, Osiris is perfectly fit for the context.

The presence of the goddess of magick is evident throughout the video in what looks like a manhole cover in the upper left of the frame. Sometimes it resembles the 8 point star of Inanna-Ishtar. It's a beacon of her influence. For another insight into the meaning in this particular scene, consider that, “Dagon's consort was known only as Belatu, "Lady". Both were worshipped in a large temple complex called E-Mul, "House of the Star". ” (Wikipedia - Dagon)

A manhole provides access to underground utilities. In symbol, it's the portal to the underworld, the Duat, which is known as the celestial Silver Gate. On the other side of the chalk-drawn room is a door. It's the Golden Gate, opposite the Silver Gate. Supporting that identification, we see the expression of the Zodiac in the celestial setting of the transit of Venus with the fish in the water between the two stargates. The Silver Gate is located between Taurus and Gemini. Opposite that in the circle of the Zodiac is the Golden Gate, between Scorpio and Sagittarius. Between those stargates are the water and fish, Aquarius and Pisces. You could see the Milky Way as the water in this baptismal regeneration room. Theosophists identify the Milky Way as “the storehouse of celestial bodies-to-be” and a “kosmic nursery,” which has a direct bearing here.

If you're thinking about how smart the producers of the video are for encoding these things or how smart I am to figure stuff out, you're really missing the point. What you're seeing is the work of devoted servants. There is a warring in the heavens, and earthly agents are engaged. Ephesians 6:10-17.

Another striking celestial stargate transit sequence appears at the close of the video when a man walks his dog through the set on a leash. The dog is Anubis, the dog star, and the man is Osiris, Orion, until they pass through the moon and Isis to transit the Silver Gate. As they emerge from the Duat, the dog walker's identity becomes Horus. Chris(t) had just departed the scene, being welcomed with applause and warmly embraced. That modeled the reception of the lawless one at his apocalypse. The dog walk complements that scene's earthly-material perspective by looping back to illustrate the celestial-heavenly perspective. We hear the sound of passing traffic like they opened the door and left it open. Traffic lanes were opened for vehicles traveling down the celestial highway.

Remember I, Pet Goat II? There are notable parallels that validate that interpretation! As you can see in this screenshot of the "pet goat's" enclosure, the stick figures picture a man walking a dog on a leash. I recommend reading this post, Part 3 - Celestial Stargates - Isis, the Dendera Zodiac & I, Pet Goat GEMINI, to get more out of this parallel. Additional celestial symbolism in the Auschwitz camp set includes the bank of lights as the Pleiades. The peculiar barbed wire that looks like crows represents Corvus, the crow, on Hydra, the serpent. The 4 principle stars of Corvus serve stargazers as pointers to Spica, the alpha star in Virgo, implying the presence of the goddess. (As another link between the video scenes, I note that the Nazi guard dog would have been a German Shepherd, and the dog of Strawberry Swing looks like a mongrel of that same breed.)

Watch Coldplay - Atlas (Hunger Games - Catching Fire) to see the Zodiac and movements in the heavens featured. Watch for the appearance of a giant eye that is very obviously identified as Chris' Lord. Horus.

More to follow - Lord willing!

Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 2)

Continuing from part one, in this post I'll illustrate how the revolution, bee and rose themes are repeated in Coldplay's Viva la Vida official alternate video, then decode the lyrics.

Coldplay - Viva La Vida (Anton Corbijn Version)



The Anton Corbijn version complements the other official video. The painting that provided the background for that one, which is also featured on the album cover, is featured throughout. The king carries it around as his most cherished posession and a link to the past, putting it on display in various scenes. Identifying the setting and the identity of the king helps interpret the symbols.

The church-like building is the Ridderzaal (Hall of Knights), the main building of the 13th century Binnenhof in The Hague, Netherlands. It supplies the three themes of the revolution, the bee and the rose. The round window is called a rose window, and that one features the 8 rayed star pattern of the goddess. There are lion symbols adorning it and the other buildings, another symbol of the goddess. The Ridderzaal has long been used for the state opening of Parliament on Prinsjesdag (Prince's Day) , which is the third Tuesday of September. With Tuesday being the 3rd day of the week, Code 33 is stamped on the event. The royal throne is located inside the Ridderzaal. When the video was made, Queen Beatrix was the monarch, who ruled from 1980 to 2013. Her throne bore the letter B. Queen Bea, B, or Bee. If you never heard of her, you should know that she's a member of the Bilderberg Group, which was co-founded by her father. The secretive group of elites meets in the Netherlands in Oosterbeek in the Hotel de Bilderberg. From what little has been reported about their activity, sedition and global revolution seem to be their purpose.

Revolution and bees are highlighted in the identification of the king, as portrayed by Chris Martin. Students of history will readily identify him as Napoleon's brother, Louis Napoleon Bonaparte. Martin's crown and mantle (which he wears over the same clothes he wears in the other official video), resemble those of the French sovereigns of that Napoleonic period. In 1830, when Delacroix's, Liberty Leading the People, was painted, Louis was in exile. He had been appointed by his brother as the King of Holland, reigning from 1806 to 1810. The French had occupied the Hague, and King Louis would have sat upon the throne in the Ridderzaal. The orange pendants seen in the video illustrate how the monarchy had returned after his departure to the dynasty of William the Orange. The red, white and blue pendants in one scene indicate the rule of France. The downward triangle shaped pennants are feminine and more subtle goddess symbols.

The Star of Inanna is evident in the iconic badge of the Napoleonic era, as you see in this painting of King Louis.

In this screenshot from the video, we see him adoring the rose goddess Liberty in the painting. He wears the bee-adorned mantle and the bee-fleurs-de-lis Marian crown, which I'll elaborate on shortly. He's at the seashore (the birth of Venus - Stella Maris) and flashing us a V to signify that she is Venus.

Botticeli painted, The Birth of Venus, and included both the scallop shell and rose symbols of the goddess as she floated ashore.

The Mormons, with their grand Tabernacle in Salt Lake City, adore the Bee Goddess. They identify themselves with the word, Deseret (Deseret Industries), which comes from the Egyptian word for honeybee. They combine the scallop shell with the beehive on doorknobs. Doorknobs are the mechanism of opening doors, it should be noted. Holiness to the Lord. (click image for high-res) Not really my Lord, and not really holiness.

Back to the video imagery. Chris plays King Louis as obsessed with the painting and with the Hague, and acts rather depressed. The following excerpts from Wikipedia offer some insight into Chris' portrayal of the exiled King.

“His request to visit the Netherlands was denied several times by King William I of the Netherlands, but King William II of the Netherlands allowed him a visit in 1840. Although traveling in the Netherlands under a false name, some people found out that it was their former king, which led to a cheering crowd gathering under the window of his hotel room. It is said that he was quite moved by this demonstration of affection from his former subjects.”

“Louis supposedly had a poor mental condition at times, and supposedly suffered from periods of mental illness. Louis's "poor mental condition" may have been periods of depression caused by trying to hide his homosexuality or bisexuality. These periods of depression or mental instability (records fail to distinguish) would plague Louis, and consequently Napoleon, until his death.”

Because another key identity of Viva la Vida is Frida Kahlo (Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo), who was also bisexual, there's another theme to be added to the others. This sexual “diversity” is common to many Marian goddess worshipers. Romans 1 speaks loudly about our day.

Napoleon was known as The Bee. The dark spots on the white part of Chris' robes are actually bees. They are broadly claimed to be a symbol of immortality and resurrection, and the connection must be made to the bee goddess. Chris' crown is identified with the fleurs-de-lis, which is most likely a form derived from both the bee and the bundled reeds of Ishtar. The fleurs-de-lis is a symbol of Mary to the Catholics.

The Coat of Arms of King Louis abounds with goddess symbolism. There's an 8 point star of Ishtar along with several other rosettes and bee-fleurs-de-lis, bees, a pair of lions and a pair of eagles on the blazon, and swords (Athena-Minerva). The scepter is crossed with a hand sign of Horus that represents the union of Isis and Osiris that produces Horus, whose mark is the X of that crossing. The white glove represents the isolation from their wicked deeds done in secret, their apearance of purity that a whitewashed selpuchre exhibits.

The lighthouse represents the torch and illumination of the goddess, and the reflecting surface of the water is the mirror named in the lyrics, an Aphrodite symbol, as well as signaling “as above, so below.”

When he lets his bee adorned robe flutter in the breeze he is miming the bee in flight.

Chris appears like a giant in a couple scenes at The Hague. This complements and explains a puzzling line in the lyrics, spilling the beans about the real subject, a much more ancient ruler who is in exile, asleep as in a kind of death, and who will arise and return. He will be received with more acclaim than with King Louis' reception in 1840 in the Netherlands!

Lyrics aside, to say that the alternate video draws heavily from Depeche Mode's, Enjoy the Silence, would be an understatement. Anton Corbijn directed that one too, which was released in 1990.

Depeche Mode - Enjoy The Silence (Official Music Video)

That video provides more support for the analysis above. What is meant by “The Silence” is demonstrated in the closing scene. The king comes out of the darkness and declares, “Enjoy the Silence,” putting his finger to his lips. He strikes the classic Harpocrates pose, who is the boy Horus. Leading up to that we see very brief flashes of a long stemmed rose. The rose appears on the covers of the single and album cover (Violator - ! VIOlaTOR - and note that LA=12+1=13). The goddess, playing a supporting role behind the scenes. The wandering king wears the France's royal crown and robe like what Chris Martin wears in the derivative alternate Viva la Vida video, so the ornamental bees and comparable fleurs-de-lis and the The Royal Bee are given attention. He passes by trees, goddess symbols. He passes by one that presents a huge V as he walks. 5-Venus, Victory, the Virgin Mary, Viator, the voyager or traveler, Beatrix, Beatrice, BEE. Instead of a painting, Depeche Mode's king carries a wooden framed beach chair, which is what you sit in when you're on the beach gazing at the surf. It's a symbol of the adoration of Venus, born of the sea foam. Mary draws the world to herself, uniting them. The point is demonstrated at the end, with Harpocrates. The Silence is their great secret, modeled over and again. Horus is returning from exile to claim his throne. The rose-bee seafoam goddess brings him into the world.

“In 1990, a promotional video for "Enjoy the Silence" was shot by French TV (for the TV Show "Champs-Élysées" with Michel Drucker) featuring Depeche Mode lip-syncing the song while standing atop the World Trade Center at the WTC rooftop World observatory. ” (Wikipedia) How appropriate, for a promotion of Mystery Babylon, the Harlot who fornicates with the kings and merchants of the earth.

Let's give the lyrics of the song some consideration.

Viva La Vida Lyrics (my comments in parenthesis)

I used to rule the world (The sun god with His Queen consort)
Seas would rise when I gave the word (lunar tides - the moon goddess)
Now in the morning I sleep alone (the morning star becomes the evening star)
Sweep the streets I used to roam (black awakening)

I used to roll the dice (reference to the work of illuminated French poet, Stéphane Mallarmé. “A roll of the dice will never abolish chance”)
Feel the fear in my enemy's eyes (threatening offensive might being wielded)
Listen as the crowd would sing
"Now the old king is dead! Long live the king!" (The intended outcome of the revolution, which is the overturning of the sovereign God's authority and installing of the created Lucifer on the throne through his son: Osiris, raised-transformed-returned from exile as Horus through the regenerative magick of Isis. )
One minute I held the key (Revelation 9 - key to the abyss - the goddess)
Next the walls were closed on me (bound under the earth for an appointed 70 generations)
And I discovered that my castles stand
Upon pillars of salt and pillars of sand (Reference to Sodom, Lots wife. The castle-fortress-abode has no enduring foundation)

(chorus 1)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing (Reflecting on 70 AD when the armies of Roman's Titus destroyed Jerusalem and reduced the Temple to fine rubble in the sacking of her plunder. A perceived triumph as a notch in the Adversary's belt. The ZION concealed in Olympic logos compares as an expression of their desire to lay seige to the holy city in a coup d'etat. This is the seditious Jesuit and secretly militant Romish church's game plan. Ave Maria.)
Be my mirror, my sword and shield (Mirrors = Venus-Aphrodite-Hathor, petitioning Mary as the able leader into battle as Victory, Liberty and Columbia and Freedom )
My missionaries in a foreign field (conquistadors, the army of priests establishing missions, and Mary herself - the able recruiter, drawing, drawing...)
For some reason I can't explain
Once you go there was never
Never an honest word (He is of the character of his father, the father of lies, incapable of being straight up. “You” could tell the truth, but once you go, there's never an honest word. He's not able to explain because that would be telling the truth, and he must lie.)
And that was when I ruled the world (And so it will be on his return)

It was the wicked and wild wind (4 winds of the 4 corners of the earth - dimensional construct)
Blew down the doors to let me in (dimensional breach)
Shattered windows and the sound of drums (the acoustic effect)
People couldn't believe what I'd become (the Antichrist)
Revolutionaries wait (Revolutionaries - codeword for Marian goddess worshipers bent on overthrowing the Creator.)
For my head on a silver plate (allusion to John the Baptist reprised, the counterfeit, the papal beast and False Prophet. John the Baptist was killed because of a king's promise to a dancer, and her evil mother. Salome has become a symbol for dangerous female seductiveness. Mary-Athena-Minerva -- Queen Jezebel. Also alludes to the fatal wound to the head of the beast, healed. The healing is a goddess thing.)
Just a puppet on a lonely string (marionette ~ MARIANette - Lonely? The Lonely Goatherd marionette show from The Sound of Music film, run by Maria. Also, the implied lotus-apple blossom president-king from I Pet Goat II. The “hanging goddess” is Ariadne, and Artemis)
Oh, who would ever wanna be king? (doomed to destruction - not a great finish)

(chorus 2)
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name (The fallen ones are not appointed for salvation. There is a restoration of all things, but that doesn't change the truth that no salvation is appointed for them.)
Never an honest word
But that was when I ruled the world

Oh oh oh oh oh oh oh

(repeat chorus 2)

In closing, the reference to Mallarmé in the rolling of the dice deserves some more attention, but that's another post.

Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)

In this post I'm going to decode the main music video of the title song of Coldplay's 4th studio album. “Viva la Vida” has become the band's most successful song. When the symbolism of the song is understood the set may be seen better for what it was, an Occult ritual exaltation of Venus, the Marian goddess. You should know that what I'm going to show you isn't unique, but this is an example that it notable for its popularity and for the role it played during the London Paralympics. Vida la Vida was performed in a set with Strawberry Swing during the closing ceremony, and this post is supplemental to the ongoing series. The parts 44 and 45 of that series I recently posted to this blog are recommended reading.

Here's the primary official music video. I'll present the alternate supplemental version later.

Coldplay - Viva La Vida



The visual imagery of the video begins with a large red rose. Several more images of the rose appear occasionally throughout the video, which ends with the metaphor of the band as roses, losing petals in the wind. It begins and ends with the rose, and everything inside is related to it. The entire video is presented with a veneer of the characteristic cracks and tint of old paintings. Together with the background imagery and the band's attire it suggests the scene is taking place inside the painting featured on their album cover, “Liberty Leading the People," by Eugène Delacroix. The connection between the rose and the painting has to do with the symbolic woman who waves the flag, Liberty. She is also known in France by the name, Marianne. “Marianne” is a portmanteau of Maria, or Mary, and Inanna. She is the ancient rose goddess who is becoming most widely venerated today as the Virgin Mary. The band is identified with the revolutionaries who are led by the rose goddess, and with the rose goddess herself as the petals drift off in the final scene.

Plenty more goddess imagery appears. The string instruments have bodies that suggest the hourglass figure of the female. The electric guitar female body displays a red letter V, for Virgin, for Venus-Aphrodite, and for Victory, as Victoria-Nike. Chris Martin wears a red V on his shirt to mark him as hers. The cello and violin are played with a bow, which suggests the bow and arrow goddess Artemis-Diana. At 44 seconds in, an Isis numbering marker, he looks up to the heavens and hand-signals a subtle V to his mouth. A couple seconds later he gestures another V with two fingers. Churchill's V for Victory - Victoria. Some would call it a peace sign, given what he's singing at the moment, and it is - a sign of the Queen of Peace. That same gesture was making the triangle eye - the Horus Eye. That's the sodomite gateway to illumination and, in the context, probably linked to what's called the Peace of Mary and Illuminati mind-control programming. He flashes another V at 1 minute in and then strikes his first “bent elbow” W goddess pose of the video at 1:05. That's the signature posture of Inanna-Ishtar. A brief second later, at 1:06, he gestures some owl ears to confirm the reference to Ishtar. The rings of string bracelets and the banding on their arms makes further reference to Ishtar. When Chris is awkwardly throwing his arms out behind him he's modeling a delta wing, making a V and bee wings, as a servant and soldier bee of the Queen's hive. Images of the rose pass through the background. More goddess dancing bee W-goddess moves follow, with a hands crossed over the chest at 2:04 to add another goddess gesture. At 2:50 we see the sky opening for a Marian apparition, with Chris doing a little hand magick in our faces. At 3:33 we see him worshipfully raise his hands against the mystical backdrop of the appearing goddess.

A hobbyist Masonic archivist stated it very simply in SYMBOLISM OF THE BEE.
“In Christian allegory a queen bee sometimes represents the Virgin Mary, the hive symbolizing the Church.”

If you're interested in researching the bee goddess here are two very useful resources.

• Beedazzled + Beewildered + Beegotten by Andrew Gough
• The Venus Blueprint by Richard Merrick. This excellent book decodes the symbolism of the Rosslyn Chapel, demonstrating how two major themes involve the bee and hive and the Venus Rose.

Even the drum and bell instruments support the goddess theme. The cymbal and drums of the goddess Rhea were said to attract and dispel swarms of bees. Bell or Belle is used in many names to reference the goddess. It means, beautiful (like the name Frida), and makes reference to Venus-Aphrodite. Examples abound; Annabelle, Marybelle, Isabelle, Bella (Twilight franchise), Maybelle and Maybelline, Lisabelle, Tinkerbell... The bell and drum are also used for witchcraft. The bell is used magically for evoking demon gods and goddesses and even as a supernatural weapon. Drumming raises energy for the ritual.

If you examine what the goddess Liberty carries in the featured painting you'll notice how a rose is concealed within the red of the flag. I don't doubt that Chris Martin is aware of that fact, and what it means on more than one level. What do you think inspired the video opening scene's morphing-fluttering red rose, or is it just there for no reason? Liberty is the rose goddess they worship and serve, aka Mary. Hiding the rose makes it occult, by definition.

The hidden rose emphasizes the secrecy represented by the expression, sub-rosa, under the rose. Under the secret rose of the flag you can find another hidden symbol in her fluttering garment. The ends cross, forming an X. It's the mark of the sun god Horus, but let's connect the dots. The esoteric scene presents us with the rose cross ~ rosy-cross ~ Rosicrucian. Too subtle? The artist painted himself into the scene. He is the resolute looking fellow wearing the stove-pipe hat and holding a musket. The meaning of the name, Delacroix, is, “of the cross.” He placed himself in the scene sub-rosa, under the rose, secretly. Where does “of the cross” appear in relation to the hidden rose and the other hidden cross? That's not very subtle. Was the artist telling us that his companions in the illuminated brotherhood of the thorn bush kind were secretly behind the revolution, as inspired and led by the goddess? That's how the symbols read. Delacroix was a member of the National Guard, and it seems likely that the Rosicrucians, with the Marian Jesuits, were manipulating the conflict from every angle - as led by the goddess Mary, “their rebellion.”

Here's an excerpt from: The False Prophet Azazel by John of the Gentiles.

Appendix A - The Rose Cross of Azazel
“According to an esoteric reading of the Tarot, a Red Rose represents Venus (Azazel‘s human wife), while a Red Cross represents the angel Azazel. The combined Rose-Cross in one respect represents the sexual union of Azazel and his human wife. The word 'Rosicrucian,' is German for 'Rose Cross,' a term synonymous with Red Cross. In addition to this, the word 'rose' is an anagram for Eros, the name of the Greek god of Love, who was the first born son of the angel Azazel and of his human wife. The 18th Degree in Freemasonry is commonly known as the Rose-Croix (Rose Cross), a fact showing the relation to and establishing a link between these two seemingly diverse organizations.”

Elsewhere, the author identifies Azazel with Horus, I believe rightly.

The musket Marianne carries in her other hand is fitted with a bayonette. She is Athena-Minerva, goddess of war. The secret form presented is that of a lightning bolt, that weapon of Zeus that is also associated with the goddess. A related example of Liberty holding lightning is the Statue of Liberty, who holds a torch whose flame is the imprisoned lightning, according to the poem associated with her.

“A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.”

In that first verse of the poem she is the mother of exiles, and I believe this makes reference to the exiled Nephilim, who are being welcomed. The poem was written by Emma Lazarus. I find it interesting that the name Lazarus is associated with resurrection, which is very much the Queen Bee goddess thing. It's also associated with Spiritualism and punishment in the Bible. Relevant. I believe Emma is a goddess name. It certainly is today! The Goddess Emma? Jennifer Lawrence and Emma Watson merged to create 'internet goddess'.

The Statue of Liberty is an idol of the goddess honored by Delacroix and Chris Martin. It's linked to France in that exact period of time of the featured painting, and with Freemasonry as the French brotherhood's gift to their brothers in America. She is the goddess of their common revolution. She bears a torch and a tabula ansata, a tablet evoking the law. What law is this? Upon that tabula ansata is inscribed the date of the Declaration of Independence, July 4, 1776. A broken chain lies at her feet. Her law is rebellion. She is the Spirit of 76, and 7+6=13, rebellion. She is Mary, their rebellion.

What is meant by Liberty is a freedom from tyrannical rule, but in the context of those who follow the goddess and operate in the way of the occult, Liberty really represents a rebellion against the authority of the one true sovereign God. Their exalted revolution is intended to secure freedom from what is seen as the ultimate tyrant by seizing His throne. Being in charge, they hope to live forever and escape judgment and the due consequences of their wicked deeds.

The goddess sponsors this revolution as she makes way for the entrance of the Antichrist beast. This is what Coldplay is promotion with their revolutionary theme and symbols of the rose and bee.

Marxist art historian Giulio Carlo Argan defined “Liberty Leading the People” as the first political work of modern painting. Maybe, but beyond the politics of revolution it's a significant occult religious painting, and Coldplay is not the first to leverage it. For Americans, Howard Chandler Christie's poster, History of America, is clearly derivative, illustrating my country's national goddess composite of Nike-Athena who was usually called Columbia or Freedom. Patriots are following the goddess spirit of rebellion, or Mary, if you will.

So-called Christian patriotism is rampant in America, even amongst most of what I call the bike lane collective. Steve Quayle and Pastor Lankford and the Hagmanns have been blasting those who believe what was written to us in Romans 13 about civil obedience. They encourage picking up the sword, as Jim Wilhelmsen and Russ Dizdar. Those who live by the sword will die by the sword. Is my God not able to bring down even the walls of Jericho with the sound of voices and trumpets if he wills, or destroy the entire army of Egypt without a single sword being raised? Have they never read Matthew 26:52 in context? It's not a question of whether one is afraid of dying by the sword. It's a matter of trusting in the Lord, not presenting a show of bravado. It's about finding your life that is of the greater value!

For whoever wishes to save his life will lose it; but whoever loses his life for My sake will find it. ~ Matthew 16:25

Where else have we seen the red V symbol featured in the video? Have you ever seen the film, V for Vendetta? The bloody red V is set inside a circle. The circle itself is a goddess symbol. Their version conceals the head of an owl, the mark of Occult goddess worship. Alan Moore is responsible for the comic book and film. He has openly admitted to being a wizard and communicating with extradimensional beings. The main character of V for Vendetta stages revolutionary actions against the government. He's known as V, and we are led to see this as the Roman numeral of a room where he was kept. The number 5 is linked to Venus because of the points of the rose it traces out in the heavens. He leaves red roses with the victims he assassinates. Do you see the connections here? He wears a Guy Fawkes mask and follows in that revolutionary's footsteps. Guy failed in the famous Gunpowder Plot of 1605. “Remember, remember, the 5th of November...” the poetic tribute goes. Guy was a Catholic, leading Catholics in a revolt against King James I in attempt to install a Catholic Queen on the throne. It was a revolt led by the worshipers of Mary. You're connecting the dots with Viva la Vida, right?

Where else have we seen the red V symbol? In the TV series, “V” (for Visitors), the reptilian sky Queen was named Anna. Namesake: Inanna. She had a daughter named Lisa and her mother was named Diana. Three goddess names, three generations, modeling the Maiden, Mother, Crone. (Another example of triple goddess naming is in The Matrix, with the character named Trinity.) I'm not suggesting these are simply bad names but informing you how they are used in signal contexts. The blood red V is for 5-Venus and Victory, and ultimately through the Isis-Horus & Mary-Jesus (her counterfeit) in the bringing of their hopeful triumphant result of Victory over death. The Visitors were duping the world with false promises of healing, which has always been linked to the goddess apparitions. Another promised involved a gift of Blue Energy that would solve many problems, which I believe is linked to the blue-skinned goddess Shiva-Kali. I believe there is a connection between the V - for visitors and the Latin name Viator, meaning, “voyager, traveler,” which is the masculine form of, Beatrice, (Princess BEE - Great Britain) and, Beatrix, (Queen BEE - Netherlands).

The revolution, bee and rose themes are repeated in the song's official alternate video. After decoding that one I'll attend to the lyrics.

Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo

Series Links: 2012 London Olympics

In part 44, Rihanna's performance of, We Found Love, was seen to be a clever tribute to Our Lady of Fátima. Within that same segment of the Paralympics closing ceremonies, Coldplay played two songs that bracketed hers. They played Strawberry Swing with the orchestra as a segue. After Rihanna's sun chariot returned to earth, they closed the Summer segment with Viva la Vida. This framed her tribute to Our Lady of Fátima with their own devotionals to the goddess, in her identities as Venus and Our Lady of the Miraculous Medal and Our Lady of Guadalupe, most particularly.

In seeing how this was done we discover further evidence of what is going to unfold when the lawless one is about to be unveiled to the world, which I've been blogging about since the opening ceremonies in Sochi when the Lord began to open it to me. Through association with music videos, their Marian frame (or should I say, Marianne) imports a substantial layer of Illuminati or Monarch trauma-based mind-control programming, which is typical of such Occult works. The programming and antichrist themes are woven and bound together, as I've demonstrated at length on this blog. The music videos of Coldplay's framing songs reveal them as anthems for the Black Awakening, with Mary-Athena-Minerva sponsoring revolution. The theme of revolution will become very evident in this post, which is ultimately the rebellion against the one true God's authority.

(Coldplay fans who drop in and read here and are familiar with another song on the album, Violet Hill, you might want to argue that they are actually anti-war or pacifists. If you learn about symbolism and think about them being doves not hawks, well, there's something to think about that's not contradictory.)

You can watch video of their performances of these songs during the Paralympics ceremony on YouTube.

• Coldplay - Strawberry Swing [Live at Paralympics]
• Coldplay - Viva La Vida [Live at Paralympics]

For some context, I note how Strawberry Swing was a fitting segue for Rihanna's performance on the swing because it offered what must have been a comforting thread of continuity for the audience. That's a pretty thin thread, of course. To know what's really going on you have to look further. In those broadcast versions of both songs there didn't seem to be an abundance of overt goddess symbols. When you see the fire dancing done and magickal drumming for the ritual building of energy, those elements are evidence of the religious context within which Coldplay and Rihanna are performing. The segment is called Summer, and the 4 seasons celebrate the pagan calendar. In the videos you'll see dancing on the stage that bears the markings that look like sigils denoting the Pagan calendar's quarter and cross-quarter holidays. That can be seen as a version of the 8 rayed star of the goddess. The Agitos presented the subtle swoosh of Nike and the crescent moons of the moon goddess, of the night. The Paralympics ceremony had Druidic elements, which you can see from this video found on the YouTube channel for Greywolf, chief of the British Druidic Order. Look for the fire dancer toward the end of it who appeared during Coldplay's performance. Paralympics 2012 Druid Ritual. (See also BDO Druidry Goes Global in the Paralympics Closing Ceremony - The British Druid Order)

The really obvious goddess connection is made through Coldplay's Grammy Award winning album and the music videos that are associated with those songs. The image of the goddess appears on the cover. The album is their 4th studio album, the “Isis numbering.” The goddess of the cover art is also seen in the official music videos for these songs. I intend to explain the symbolism of the videos in another post.

Coldplay - Viva La Vida



Coldplay - Strawberry Swing.

Marianne

The goddess of Viva la Vida is that of the painting titled, Liberty Leading the People. The following is from Wikipedia.

“Liberty Leading the People is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled King Charles X of France. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the flag of the French Revolution – the tricolor flag which is still France's flag today – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.”

If you connect her with America's Lady Liberty (gifted by French Masons) and the Liberty Bell, you do well. Did you notice a bell featured during the videos? Ringing out Liberty, the Marian entity. You may think that we in America, have something completely different from Liberty-Marianne going on. Well, no, but we typically refer to her as Columbia, as you see in this war promotion poster that is of a kind that seems to have fallen out of fashion. Or Freedom, who stands atop the Capitol Dome as her counterpart Minerva on the Capitoline Hill in Rome.

The name, Marianne, is thought by some to have come from a connection with the Jesuit Juan de Mariana, the 16th century Monarchomach who was famously a theoretician of tyrannicide, and that may be so. Still, consider how the name is a combination of Maria and Anne, identifying her with the goddesses Mary and Inanna. The compositing of the goddess names is probably how the Mary worshiping Jesuit also acquired his name.

When Coldplay identifies with the goddess of that painting they are associating with a place and time, Paris in the year 1830. That's where and when “Our Lady of the Miraculous Medal” appeared three times to Catherine Labouré. (Probably the inspiration for Baron de Coubertin choosing to award medals to the Olympian athletes - “Our Lady of the Olympics”) Through the symbolic imagery of the adopted work of art, Coldplay honors the Marian apparition, “Our Lady of the Miraculous Medal.” At the same time, she is honored in her role as the goddess of war, and patroness of revolution.

If you consider the logic of Coldplay's Occult linking, historically, it falls apart because that revolution was due in no small part to the Romish church pandering King Charles X's imposition of the death penalty for anyone profaning the Eucharist. Esoteric references don't have to make a lot of sense, they just have to establish the essential connections.

Frida

Coldplay's album points to another painting, another nation and another revolution - and more imagery of the same goddess. The album was claimed to have been “recorded in a bakery, a nunnery, a magic shop, a church.” Actually, several churches; in Barcelona, Spain, and in Mexico during their Latin American Tour in March of 2007. A song titled, “Famous Old Painters” was written but wasn't chosen for the album. Eugène Delacroix (Liberty Leading the People) was certainly one famous old painter. Another was Frida Kahlo, Mexico's most famous female artist.

Her final work bore the words, Viva la Vida, and it is with respect to Frida's life that the album's subtitle makes even more sense: Viva la Vida or Death and All His Friends. She was severely injured in a bus accident when she was a teenager. She suffered from those injuries and from the many resulting surgeries until her death. As bringing her suffering to an end, one might consider Death to have come as a friend to her. “A few days before her death, she wrote in her diary: "I hope the exit is joyful — and I hope never to return — Frida". (Wikipedia)” Vida la Vida, means, “Live the Life,” “Long Live life,” “Live the Lifetime,” “Live the Way of Life” or “Live the Lifestyle.”

According to 1 Corinthians 15:26: “The last enemy that will be abolished is death.” That does not seem to have been Frida's hope. In a work from 1947 titled, Sun and Life, we see an expression of the hope of the illuminated. The open eye in the sun's forehead has to be seen as the eye of Ra or Horus. The page on a fan site describes the scene. “As a result of a terrible bus accident at age 18, Frida was unable to have children. Her obsession with fertility was often the subject of her paintings. In this painting, the life-giving sun is surrounded by plants in the form of erupting male penises and female wombs protecting a growing fetus. This painting also reveals Frida's sadness over her infertility as shown by the weeping sun and fetus.” I suggest rather that the subject is the reproduction of the Tree of Knowledge of Good and Evil in the earth through the mystical union of Osiris and Isis. This is akin to resurrection, and to the illuminated, it is their hope of eternal life.

Frida identified herself with the Mexican Revolution, which began in 1910 when she was three years old. “Frida Kahlo was born on July 6, 1907, in her parents' house known as La Casa Azul (The Blue House), in Coyoacán. At the time, Coyoacán was a small town on the outskirts of Mexico City.” “She later gave her birth date as July 7, 1910, allegedly wanting her birth to coincide with the beginning of the revolution so her life would begin with the birth of modern Mexico.” (Wikipedia) See Frida as a symbol of revolution that compares to the goddess of Delacroix's painting. She was born in July and identified herself with the Mexican Revolution, and also died in July, and the album art pictured the July Revolution.

While the last painting Frida did was to apply the label, Viva la Vida to the still of watermelons (that had most likely been painted a couple of years before the pain medications exacted their toll), the stronger association with the cover art is with another painting of hers where the words appear on a flag - one much like the one borne by Liberty: “Still Life - Viva la Vida and the Dr. Juan Farill - 1954.” In this, we see the distinctive goddess symbol of the dove: Aphrodite-Venus-Mary! There she is!

Frida was known to embed subtle symbolic imagery in her paintings, much of it sexual. I believe she encoded the ancient goddess symbol into her Viva la Vida watermelons, the simple W that represents the bent elbow of the goddess Inanna-Ishtar.

In the Lifetime network TV series, Witches of East End, the witch named Freya is a barmaid at The Bent Elbow Bar. “Inanna was also associated with beer, and was the patroness of tavern keepers, who were usually female in early Mesopotamia.” (source) Lots of dots, connecting.

Find the W in the highest section of the wave-cut melon, and centered below. Hey, is that a dove in flight at upper left? It's subtle. That fancy cut watermelon is a goddess crown. The wave form glyph represents water - Venus. It is a WATER melon. The goddess is usually bare breasted and the breasts are referred to melons, right?

Compare Frida's Watermelons to the images of Artemis-Diana of Ephesus. Melons. The goddess's mammary attributes are likened by some to a queen bee's eggs and also bull's testicles. The exposed seeds in the Frida's painting are probably intended to represent the bull's testicles, fertile with seed. The male and female fertility imagery really is a strong thread that runs through her work.

I just finished watching the Salma Hayek film based on her life titled, Frida, from 2002. In this screenshot, Frida and Diego are in the market. He's holding up the melons as breasts. Right after this, he puts those down and picks up some other kind of produce and jokes around with Frida pretending it represents big cojones, testicles.

The W signal is modeled all over the place in our culture. It's very obviously featured in the choreography of goddess modeling bent elbow pose striking women in music videos. The W and also an M (and E) is formed in the Horus hand sign that joins fingers 3 and 4 together. That's also the cloven hoof sign of Satan. Sometimes the single V symbol is used for Venus and Victory, the goddesses. (Winston Churchill) Sometimes it's doubled to form V+V or W, like how Taylor Swift hand signals the VV or W in performing “22,” which happens to be the number of the letter V. In this image, she crosses her hands to make the double V. Crossing them forms another V between them. Triple V = vav (6th Hebrew letter) vav vav = 666.

While I'm at it, “Viva la Vida” has 3 letters V = 666. (LA = 12+1=13) But “Viva la Vida” also features pairings of V's, the double V or W. Coldplay's Album cover art lines two up vertically. The Youtube channel Vevo ~ double V- goddess exalting. “Vevo Video” is a triple V 666.

“Frida (with variants Frieda, Freida and Freda) is a feminine given name. In Scandinavian countries, it derives from the Old Norse name Fríða, meaning "beautiful, beloved". In central and eastern Europe, Frida is a short form of compound names containing the Germanic element fried meaning "peace".” (Wikipedia) Freya is the name of the Norse queen of the gods, the goddess of love, beauty, war and death. The goddess symbol identified with the Mexican revolution is referenced through the album title, Viva la Vida, and that same goddess of the French Revolution of 1830 is referenced through the album cover art.

Frida painted an elaborate self-portrait in 1948 that presents her as the goddess. It's the second self-portrait in which she appears wearing the traditional Tehuana headdress. Its the resplandor or head-dress that is traditional for Tehuanas, women of Tehuantepec. They were strongly matriarchal, and Frida, who was certainly feminist, and bisexual, expressed solidarity with them. Her mother Matilde's heritage was mixed indigenous-Spanish, and Matilde was a devout Roman Catholic. According to a fan site's description of the painting, “The years of pain have taken their toll as is shown by three tears glistening down her cheeks like the tears of the Madonna of Sorrows.” The Madonna of Sorrows - that's Mary.

Count the upper panels formed in the radial pleating of Frida's Tehuana headdress. There are 13, which has the meaning of rebellion. Mary's name means, “their rebellion.”

The following verse is where the number appears in the biblical text for the first time.

Twelve years they served Chedorlaomer, and in the thirteenth year they rebelled. ~ Genesis 14:4

They rebelled. It was a revolution, in the 13th year. Who is Coldplay's goddess of the revolution? Mary!

The number 13 is naturally connected with Venus through the design the planet traces in the heavens. A 5 point star pattern called the Rose of Venus is traced out over the span of 8 earth years, exactly, to the day. In that span, Venus makes 13 circuits around the sun. See in Frida's self-portrait how her face is framed in a rosette - the Venus Rose. Consider the rosettes in the lace. The numbers generated in the creation of the Venus Rose are, 5, 8 and 13. These represent a range of the Fibonacci sequence, and this is why the spiral is a symbol of the goddess. The 5 pointed star in a circle reveals why the pentagram is another one of her symbols.

Frida's mother, Matilde, was a devout Roman Catholic, and even though I don't read where Frida practiced her mother's religion, she would certainly have been exposed to the Marian Rosary and candle burning acts of veneration. Frida was born, lived and died in The Blue House in Coyoacán, just southwest of Mexico City. The Marian apparition known as Our Lady of Guadalupe had appeared in 1531 a few miles away, just northeast of Mexico City. Would her mother and others in her community have made the short pilgrimage to her wildly popular shrine? This would have been a normal part of their culture. I note how Matilde's heritage, and therefore her daughter's also, matched a feature of that apparition. Matilde was of “mixed Amerindian and Spanish ancestry.” One of the miraculous signs given by Our Lady of Guadalupe involved the Castilian (Spanish) rose growing in the land of the “Amerindian.” From Wikipedia:

“The Virgin told Juan Diego to gather flowers from the top of Tepeyac Hill. Although December was very late in the growing season for flowers to bloom, Juan Diego found Castilian roses, not native to Mexico, on the normally barren hilltop. The Virgin arranged these in his peasant cloak or tilma. When Juan Diego opened his cloak before Bishop Zumárraga on December 12, the flowers fell to the floor, and on the fabric was the image of the Virgin of Guadalupe.”

Note: “Tepeyac is believed to have been a Pre-Columbian worship site for the indigenous mother goddess Tonantzin. Spanish colonists tore down a temple to her and erected a Catholic chapel at the site.” (Wikipedia)

It seems likely that Coldplay sees Frida as a model of the goddess, as the Castilian Rose (Venus) growing miraculously in Mexico, who is associated with Our Lady of Guadalupe.

It also seems likely that Coldplay has noted the other esoteric details surrounding her death, which has to be seen in connection with the album's subtitle. She painted the referenced expression, Viva la Vida, 8 days before her death, stamping it with the number of the rayed star of Venus. She died on July 13, 1954 at age 47. Her life span recalls the 47th Problem of Euclid. Osiris union Isis producing Horus. (See above ) The theme of immortality, death and resurrection is evident. Her death on the 13th day of July seems worth noting as another Venus-Marian numbering. I note that both of the singles they performed during the Summer segment had release dates on the 13th day of the month The single, Viva la Vida, was released on 13 June 2008 as the album's second single, and Strawberry Swing was released as the fifth and final single on 13 September 2009. The 13th day of the month is the day favored by Marian apparitions like at Fátima, and in the US in regular appearances to Rosa Lopes, Nancy Fowler and Ray Dorian.

Next up - Lord willing - the symbolism of the music videos.