The scene of the superhero's assault on the squirrel's sky castle presents stargate transit imagery that compares with other music videos I've decoded on this blog. I've already addressed some of the video's celestial stargate imagery but there's value in seeing more of what's there, and the role of the attending goddess.
The symbolic content of the video has to be suitable for the functional operation of the magick involved in the supernatural working, and that in that suitability we find a benefit. We can decode the symbolism to expose the Adversary's working plan.
Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves.~ Matthew 10:16
so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes.~ 2 Corinthians 2:11
When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity.
I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control.
See the cuckoo clock on the wall that is aligned in the shot with the base of the candle stick? Pedestal + clock. When the candlestick is knocked over to fall off the pedestal (the speed of light & gravity) for the first time, it manifests in the other dimension as an hourglass that falls and breaks on the floor. In the second incident, the hourglass is caught and reset, resetting time.
The pitcher knocked off the pedestal by the masked superhero falls to the floor and shatters at the base of the pillar the grandfather clock leans against.
In part, the pitcher speaks to me of a vessel containing time, which spills out as if a valuable quantity is lost. It's like the sands of time that spill out of the broken hourglass, or like water spilled out from the river of time (Wizard of Oz).
After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes.
The pedestal is a symbol of the celestial stargate, which spans heaven and earth. The construct is called mecilah, in the Hebrew Bible, which I sometimes refer to as the Kingdom viaduct. The operation of the stargate involves the exercise of control over time-space, which touches on the physics of gravity. (The objective of CERN, where attention is given to discovering the secret of mass.) In The Penitent Man (2010) (a major bean spilling film), according to the time traveler Mr. Darnell (meaning: “hiding place, hidden alcove or niche”), you have to simply speed up one end of a wormhole while slowing down the other, which is to manipulate the construct's change of distance over time. Distance - the pedestal. Time - the clock.
The imagery of the pedestal stargate transit can be found in the remnants of ancient Egypt, although every secret of heaven ultimately derives from the work of the Creator, the true and sovereign Yahweh.
In Strawberry Swing, a layer of dimensional transit imagery is added by the song lyrics. The following verse is sung during the ascension sequence that follows the superhero's exit from the lionfish through the drain pipe. The verse begins the moment he begins his vertical ascent (2:06) and ends when he reaches the sky castle (2:35).
People moving all the time
Inside a perfectly straight line
Don't you wanna curve away?
When it's such…
It's such a perfect day
It's such a perfect day
On the Illuminati programming layer it's a suggestion to leave the linear time line, to dissociate, to go into a trance state for programming. It's a perfect day when flies, “over the rainbow,” or falls down into Wonderland. That certainly involves the opening of a stargate, and the verse describes just that in more technical language. To curve away from the perfectly straight line is to change the vector that changes velocity. I hear in this the suggestion of a stargate transit matching the description in Joel 2.
They do not crowd each other, they march everyone in his path; When they burst through the defenses, they do not break ranks.~ Joel 2:8
“In his path” is, mecillah It's a traffic lane where vehicles-entities travel like the cars in a train down the track. The following study is one that explores this further: Part 15 - Celestial Stargates - Operative Black Magick.
(Miley Cyrus - We Can't Stop ) And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah
You “turned up” somewhere after traveling there. Have you ever made a bee line for the bathroom? Recall the bee dancing superhero's bee wings cape and the flight of the dancing Queen Bee.
“The National Football League doesn't usually pay the act that performs at halftime during the Super Bowl. But in a twist this year, the league has asked artists under consideration for the high-profile gig to pay to play, according to people familiar with the matter. The NFL has narrowed down the list of potential performers for the 2015 Super Bowl to three candidates: Rihanna, Katy Perry, and Coldplay, these people said. While notifying the artists' camps of their candidacy, league representatives also asked at least some of the acts if they would be willing to contribute a portion of their post-Super Bowl tour income to the league, or if they would make some other type of financial contribution, in exchange for the halftime gig. The pay-to-play suggestion got a chilly reception from the candidates' representatives, these people said.
...
The Super Bowl halftime show, which this year featured the Red Hot Chili Peppers and Bruno Mars, drew a record 115.3 million viewers in February, according to the NFL, more than the game itself. The entire event averaged 112.2 million viewers, according to Nielsen. That was more than double the size of the audience for the Academy Awards this year, more than triple the audience for this year's Grammy Awards and more than 11 times the size of MTV's most recent Video Music Awards.
...
Rihanna grossed $141.9 million on 90 shows around the world in 2013; Coldplay grossed $171.3 million on 67 global dates on their last tour in 2012, according to Pollstar.”
The enemies of the Creator spill the beans on their planned star wars, where celestial stargates are leveraged to wage war in the heavens. While some success is granted, the version presented in Strawberry Swing falsely represents the final outcome.
The 19th chapter of Revelation presents a fairly graphic picture. The beast and the Marian Papal false prophet have the primary responsibility for the rebel alliance that will engage in the campaign of Armageddon, in a non-fiction version of star-angel wars. The kings of the earth and their armies will be brought to a confrontation with my Lord, the King of Kings and Lord of Lords, in the final offensive of this age. They won't be thinking to use clubs, knives, arrows, guns, missiles, lasers or other directed energy weapons of a physical nature so much as the supernaturally charged weapons of their “beyond high tech” arsenal.
19 And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. 20 And the beast was seized, and with him the false prophet who performed the signs in his presence, by which he deceived those who had received the mark of the beast and those who worshiped his image; these two were thrown alive into the lake of fire which burns with brimstone. 21 And the rest were killed with the sword which came from the mouth of Him who sat on the horse, and all the birds were filled with their flesh.~ Revelation 19:19-21
The revolution that leads up to that day is being sponsored by the goddess Mary (“their rebellion”). Coldplay's goddess actively promotes the revolution through the magickal exploitation of ritual symbolism. That same rose goddess Liberty-Marianne of Delacroix's painting is recruiting and training and uniting her warriors. She is appointed to prepare the world for the ultimate coup d'etat where the intent is to overthrow divine order on the highest level, displacing even the Creator Himself. Their enemy is sovereign and that assault will result in an epic failure. Yet, here's how it goes down, from the music video's perspective.
The sovereign Yahweh is pictured as the mean giant squirrel that holds the Queen captive in his sky castle. I'll present some of the details that support this allegorical interpretation shortly. The antichrist superhero overcomes the castle guard and gains access. His attempt to rescue the queen by stealth fails, so the clever hero devises another plan. He uses magical powers of synthesis to craft an acorn-bomb and uses it to distract the witless rodent-god while he rescues the queen. As he escapes with the queen, he lights the fuse, and as they fly away to safety the acorn-bomb blows up the evil squirrel-god and his off-world home. (Superhero with acorn: Thor, the antichrist seed of the “oak” tree)
The superhero and the rescued queen see a sunrise as they approach their destination. In the midst of the butterfly remnants of the old heavens, the antichrist superhero celebrates Victory, Liberty and Freedom with his rescued queen as in the new heavens.
That's the Adversary's plan, as sold. I don't doubt that this version compares very closely to one of the sequences that will be broadcast during the hoax that will be projected as pictured during the video's scene of the transit of Venus. By the way, that hoax is coming within 8 months time.
Here's some biblical descriptions of what's been twisted up in the video.
1 Then I saw a new heaven and a new earth; for the first heaven and the first earth passed away, and there is no longer any sea. 2 And I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband.~ Revelation 21:1-2
7 But by His word the present heavens and earth are being reserved for fire, kept for the day of judgment and destruction of ungodly men. 8 But do not let this one fact escape your notice, beloved, that with the Lord one day is like a thousand years, and a thousand years like one day. 9 The Lord is not slow about His promise, as some count slowness, but is patient toward you, not wishing for any to perish but for all to come to repentance. 10 But the day of the Lord will come like a thief, in which the heavens will pass away with a roar and the elements will be destroyed with intense heat, and the earth and its works will be burned up. 11 Since all these things are to be destroyed in this way, what sort of people ought you to be in holy conduct and godliness, 12 looking for and hastening the coming of the day of God, because of which the heavens will be destroyed by burning, and the elements will melt with intense heat! 13 But according to His promise we are looking for new heavens and a new earth, in which righteousness dwells.~ 2 Peter 3:7-13
The ungodly will not have the victory.
The superhero Antichrist leaves his Anti-bride on the moon, as her inheritance. The rescued queen represents the collection of people who are promised a merging with Horus, and Zion, and also the goddess who sponsors that delusion by inspiring their false faith, hope and love.
The first battle takes place when the superhero encounters the giant squirrel high above the city. The arrows fired by the squirrel appear to be an effort to keep him from rescuing the captive queen. As taking place over the city, the aerial battle is really being waged in the heavens. When the squirrel clips the cape-wings, the masked superhero falls to the earth, splashing down in the sea. It's a snapshot of the baptism,the first one in a series that concludes when Chris(t) emerges to set upon the top hat.
7 And there was war in heaven, Michael and his angels waging war with the dragon. The dragon and his angels waged war, 8 and they were not strong enough, and there was no longer a place found for them in heaven. 9 And the great dragon was thrown down, the serpent of old who is called the devil and Satan, who deceives the whole world; he was thrown down to the earth, and his angels were thrown down with him.~ Revelation 12:7-9
The time this pictures is April of 2015, the season of the revealing of the lawless one, and sealing of the 144k sons of Israel that is concurrent with the Bride Theft. There is some validity in this modeling from Strawberry Swing. During this battle we hear the words sung, “Everybody was for fighting.”
Chris is the bee-wings-clipped star seen falling from heaven, and when he ascends up on a cloud of pipe smoke, because he just came out of a pipe, he seems to model a locust coming out of the smoke of the pit.
1 Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him. 2 He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit. 3 Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power. 4 They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads. ~ Revelation 9:1-4
1 After this I saw four angels standing at the four corners of the earth, holding back the four winds of the earth, so that no wind would blow on the earth or on the sea or on any tree. 2 And I saw another angel ascending from the rising of the sun, having the seal of the living God; and he cried out with a loud voice to the four angels to whom it was granted to harm the earth and the sea, 3 saying, “Do not harm the earth or the sea or the trees until we have sealed the bond-servants of our God on their foreheads.”~ Revelation 7:1-3
There are other relevant passages of scripture that speak to me about the scope of this battle. The squirrel's arrows represent what I believe are angels and also the saints as the sovereign God's seed, his offspring deployed in spiritual warfare. In these passages we see varying degrees of our engagement.
1 Unless the Lord builds the house, They labor in vain who build it; Unless the Lord guards the city, The watchman keeps awake in vain. 2 It is vain for you to rise up early, To retire late, To eat the bread of painful labors; For He gives to His beloved even in his sleep. 3 Behold, children are a gift of the Lord, The fruit of the womb is a reward. 4 Like arrows in the hand of a warrior, So are the children of one’s youth. 5 How blessed is the man whose quiver is full of them; They will not be ashamed When they speak with their enemies in the gate.~ Psalm 127
Like I wrote in the previous post in series, the arrows fired by the squirrel won't be the only arrows fired in the battle. St. Louis de Montfort uses this language to describe the Marian agents in, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.”
10 My shield is with God, Who saves the upright in heart. 11 God is a righteous judge, And a God who has indignation every day. 12 If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready. 13 He has also prepared for Himself deadly weapons; He makes His arrows fiery shafts.~ Psalm 7:10-13
15 Now when the attendant of the man of God had risen early and gone out, behold, an army with horses and chariots was circling the city. And his servant said to him, “Alas, my master! What shall we do?” 16 So he answered, “Do not fear, for those who are with us are more than those who are with them.” 17 Then Elisha prayed and said, “O Lord, I pray, open his eyes that he may see.” And the Lord opened the servant’s eyes and he saw; and behold, the mountain was full of horses and chariots of fire all around Elisha.~ 1 Kings 6:15-17
10 Finally, be strong in the Lord and in the strength of His might. 11 Put on the full armor of God, so that you will be able to stand firm against the schemes of the devil. 12 For our struggle is not against flesh and blood, but against the rulers, against the powers, against the world forces of this darkness, against the spiritual forces of wickedness in the heavenly places. 13 Therefore, take up the full armor of God, so that you will be able to resist in the evil day, and having done everything, to stand firm. 14 Stand firm therefore, having girded your loins with truth, and having put on the breastplate of righteousness, 15 and having shod your feet with the preparation of the gospel of peace; 16 in addition to all, taking up the shield of faith with which you will be able to extinguish all the flaming arrows of the evil one. 17 And take the helmet of salvation, and the sword of the Spirit, which is the word of God.~ Ephesian 6:10-17
A relevant picture of the warfare on the stargates (Hebrew: mecilah - their courses) appears in Judges 5.
20 “The stars fought from heaven, From their courses they fought against Sisera. 21 “The torrent of Kishon swept them away, The ancient torrent, the torrent Kishon. O my soul, march on with strength.~ Judges 5:20-21
After the warfare that precedes the baptism and anointing stargate transit, another battle sequence takes place as the superhero lays siege to the heavenly fortress. The way he defeats the guard is revealing. The props drawn into the setting of the squirrel's sky lair are also very revealing.
As the superhero ascends on the cloud of smoke he acquires a red paddle, which he uses to paddle his way up to the sky castle. Consider how the superhero grabs the paddle with his left hand and paddles only to his left to advance to his left on the way up. He's on the left-hand path. He then uses it in some sword play with the castle guard. Red is the color of blood, which is spilled in sword fighting. Using the red paddle to ascend speaks to me of blood ritual that raises energy, granting the agents responsible increased authority. Massive amounts of blood have been spilled already for this reason, on ritual days (touching on the SRA Illuminati trauma-based layer of symbolism) and in wars, and much more is about to be spilled (Black Awakening...). The sum of it is required to ascend the warriors to a place of readiness to engage in the battles of Armageddon, setting the scene for the concluding face-off.
The superhero takes off the head of a guard (face off) and uses the skull to bowl the pins (British, slang for legs) down. When thunder is heard, it is the gods in heaven, bowling, as I was told so many years ago. The thunderbolt or lightning bolt is the weapon of Zeus. Zeus, aka Satan, is bringing the conflict as in the days of old, with the tower of Babel gambit.
Chris ascended into the heavens and the battle took place outside the gates of the castle-fortress-temple-abode. I compare the leg-guards to the Egyptian hieroglyph for walking, where the columns or pillars represent the stargates.
Inside the castle we find some symbolism employed that you might find very familiar. When I mentioned in Part 3 how the grandfather clock's pendulum was still, I presented it in the context of identifying Alice in Wonderland through the cessation of time that resulted in the Mad Hatter's continual tea party. The abode of the Creator exists outside the realm of space-time so there is no time in that part of His domain. In a very real sense it's always now, and then, or like time has stopped. The scene is very personal to me because, about 15 years ago, I found myself in what I call the timeless place, near to the throne of the Most High God. (Release of the Apostolic Anointing in 1988, Henry Gruver, Translation and “Because of the Elect”) The still pendulum supports the identification of the squirrel as the Most High God and the sky castle as His abode.
When the producers of the music video present the one true God as a furry rodent it's an assault on His character. He is vicious and not very sporting when he cranks out arrows at the poor superhero, who has only an umbrella for defense. When the rodent-god reaches around with his giant scissors, he's a sneaky cheater. He holds the queen captive and tortures her by flooding her chamber. Bad squirrel god, who gets his jollies by making others suffer. (The sovereign God is keeping the spirits in chains, agents bound since the flood, and the Devil's got revenge in his heart.) The squirrel-god's castle is guarded by sodomite angel pirates (high heels, starlight yellow stockings) Thieving pirates live for rum, bum and the lash, so he's obviously a hypocrite because he condemns that very behavior. The accusations leveled against the squirrel-god continue as the superhero sneaks past the furnishings toward the big meany. All the items are old fashioned, from the antique phonograph to the Grandfather clock. It suggests that he's out of touch with the times. The Mona Lisa belongs in The Louvre, suggesting he's a thief. The large rocking horse suggests that he's juvenile in behavior. The leaning clock suggests that he's lazy and careless about maintaining things because it only needs to be stood upright to restore it to order. Do any of these accusations seem familiar? Such as that is heard outside the professing church, and also inside. The Lord will vindicate Himself, in due time.
There's much more to be written about the symbolism of the furnishings. It's the stargate transit imagery in this video set that I find so very compelling as a sign!
Anything that follows Part 2 in this series is going to be rather anticlimactic, but yet there's more of value to be added. There's more goddess Queen Bee resurrection imagery, biblical modeling of celestial stargates and battles in the heavens, and I've hardly even introduced the Illuminati programming layer. The enemies of the Creator know plenty about what's coming, and in the usual way they put the plot on exhibit for the working of theurgistic ritual magick - concealing it in symbol yet revealing it to those who can interpret the meaning.
The theme of resurrection was highlighted in parts 1 and 2, with a focus on the modeling of the baptism of the lawless one. Baptism is itself a resurrection model. Occult writers claim the bee and hive symbolism suggests resurrection. It's about Isis raising Osiris into Horus. Emphasis is put on role of the fertile goddess as the Queen Bee, and also on the worker bees' role in the pollination that is essential for life on this planet, and also on the healing and embalming properties of honey. This is why we find subtle imagery of the bee as one of the prevailing themes, with other complementary references to the goddess who is worshiped by the producers of the video.
The queen rescued by the superhero is Venus. She is in the half-teacup filling with water, wearing the crown of five rays. Venus, Stella Maris, the star of the sea. The number five is silently signaled by Venus as the planet moves through the heavens. Her symbols appear in scenes as the moon and the sea from which she was birthed. When Chris uses the umbrella as a boat, allusion is made to the scallop shell as pictured in Botticelli's classic, The Birth of Venus. When Chris is swallowed by the sea monster. Before we see it as a fish it's recognized as a lion, as famously marking the approach to the Gate of Ishtar. It's actually a lion fish, strengthening the association further.
As described in the previous posts, inside the lion-fish goddess is a hat wearing fish, Dagon-Venus-Pope. The Star of Inanna is pictured in the manhole cover. The ceiling fan is another version of the star, and the "starfish" goddess symbol is made as the fish walks right under it. Liberty-Marianne appears as in the Delacroix painting.
The goddess Ariadne is referenced as the goddess who provides the exit for Chris to emerge from the pipe and stove-pipe hat. It's based upon the legend of Theseus as he kills the Minotaur. The success of that mission depended on Ariadne, who provided a way out of the labyrinth, which was represented in the video by the winding path of the plumbing. With an understanding of Illuminati programming, you should be able to identify the scene where Chris is peacefully sitting on the stove-pipe hat of Delacroix in the presence of Liberty, while she is leading the people in violent revolution. When a mind-controlled slave is sodomized with a crucifix it's called, The Peace of Mary.
When the superhero enters the cloud-castle and sneaks across the room, he passes a painting of the Mona Lisa. The name is a doubled reference to the goddess. Mona is derived from Madonna. Lisa is another name linked to the goddess. Leonardo da Vinci painted her with the famously ambiguous smile and with eyes that some experts claim are painted with a special stereo technique. They seem to follow you. He was an esoteric master, creating the Last Supper and the Vitruvian Man in addition to the Mona Lisa. He embedded secrets in his art. His patrons were significant, and he had relationships with agents of the Vatican. Mona Lisa is a tribute to the goddess.
Strawberry Swing's captive queen is the Queen Bee. The superhero is a bee. He falls to earth when the squirrel snips off his cape because his bee wings were cut off. He gets new wings, being regenerated when he rescues the Queen Bee and dons the membrane that held the water in her chamber. They fly off together, and her appearance is also bee-like, with bee-banded stockings. They land on the moon (goddess) and celebrate Liberty and Freedom together, performing the bent-elbow bee dance.
They kiss in the midst of butterflies. (Butterfly Kisses) (TomorrowWorld's logo, a Rose-Butterfly)
(source) “Another insect even more closely associated with Ariadne was the bee. She was in fact the survival of an extremely ancient Bee Goddess known all over the region. Sometimes called Melissa (Melitodes was also a title of Persephone) and representing the bee swarm that manifested the lifeforce of Nature, while also retaining the power of death in its stings. Bees were also thought to have been born from the carcass of a dead bull, and so represented the eternal lifeforce of the Bull God who went through cycles of life and death. Ariadne was thus the Shakti of Dionysos (who himself was identical with Shiva). The cymbal and drums of Rhea were also said to attract and dispel swarms of bees. More Dionysian, bees were the produces of honey the sacred nectar of the Goddess, which was fermented into the mead on which Ariadne’s devotees became intoxicated during their famous orgies. Long before wine was invented. The prototype of Dionysos was a Libyan mead god too. Honey was also used for embalming in Libya demonstrating the interelation of life and death. A honey rite was closely linked to the rising of Sirius, when initiates descended in underground caverns to find bees nests and take honey from them, which were then brought to the surface and fermented for forty days (and nights) to make mead (which they then became intoxicated on). Linguistically the Greek word To Ker related to the honeycomb, and also meant heart and breast, while E Ker meant death and fate and was associated with the Underworld Goddess.”
“The stylised bee also had the same form as the labrys, the double headed axe of the Goddess, which in turn was merged in art to the stylised form of the butterfly (another life – death motiff), the latter descending from an ancient Neolithic Butterfly Goddess (often accompanied by two winged dogs) representing regeneration. Artemis also descended from this archetype and was closely associated with Ariadne.”
Apollo and Artemis are suggested in the aerial battle scene's arrows, and the umbrella used a shield implies the protection of the goddess as Athena-Minerva. I'll expand on this shortly, but arrows are a reference to warriors. St. Louis de Montfort uses this language to describe the Marian agents in the classic work I referenced at the close of part 2, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.” Arrows ~ bees with stingers. Both sides of that spiritual conflict have arrows.
The many clouds make reference to her identity as the wife of Odin, Frigga, goddess of the clouds. (CHAPTER XIX Friday--The Day of Freya) In the castle-fortress in the clouds, the acorn bomb makes reference to the oak and seed of the oak, Odin and Thor.
Instead of the rose imagery leveraged by Vida la Vida, this music video presents a much more subtle allusion to the goddess, through the strawberry. The flower of the strawberry presents the pentagram star. It compares to the rose as another flower drawn by the planetary motion, and to the apple. The title, Strawberry Swing, refers to the swinging of Venus through the heavens as it draws out the flower of the strawberry. I note how the strawberry depends heavily upon the bee. Do an image search for strawberry bee. Read this brochure, Bee pollination benefits for strawberry. The bee and strawberry are linked!
There are several ways the goddess is identified in connection with Lewis Carroll's Alice in Wonderland tales. The parallels exposed here could be explored at great length, even ignoring the central role it has on the mind-control programming layer. I'll just make a few observations that pertain to the goddess identity.
The crown wearing female inside the half teacup is Alice, at the Mad Hatter's tea party in Wonderland.
In, Alice in Wonderland, Disney's animated version from 1951, the Mad Hatter offers the March Hare some tea. In response, he slices a teacup in half and replies, “Just half a cup, if you don't mind.”
Across from the half teacup is a grandfather clock, on the other side of the giant squirrel. It leans against a column with the pendulum resting against the side of the cabinet. The clock has stopped, which is a metaphor for time standing still. This element supports the identification of the queen as Alice. In the Mad Hatter's tea party scene of Disney's Alice in Wonderland, the Mad Hatter reveals that they have tea all day because Time has punished him by eternally standing still at 6 pm (tea time).
Carroll's work wasn't nonsense. The March Hare and the White Rabbit picture Hermes, the psychopomp Anubis. The obsession with time is a tell. Rabbits are prolific breeders. His fantasy presents Alice in the role of the fertility goddess who is connected with the Easter bunny, Eastre, Oestre...
For another connection, in Through the Looking-Glass, in Chapter 7, "A Mad Tea-Party," Alice reveals that the date is "the fourth" and that the month is "May." Strawberry Swing's captive queen was tied to a pole, the spiral bound May pole, as the May Queen.
When you hear in the lyrics of Strawberry Swing, “such a perfect day,” it must be seen on one level as a reference to “the golden afternoon” when the Wonderland fantasy literature was inspired. Charles Dodgson was rowing on the river Isis in 1862 in the company of Alice Liddell, the introductory poem's Secunda, with her two sisters and the Reverend Robinson Duckworth. The Strawberry Swing's masked superhero was using a red paddle as he ascended to the princess in an Isis adventure.
By identifying the captive queen as Alice we can make another link to the goddess. Disney's Alice in Wonderland includes scenes taken from Through the Looking Glass (1871), the sequel to Alice's Adventures in Wonderland (1865). During the scenes with Tweedle Dee and Tweedle Dum and the Carpenter and Walrus and Dodo, she has a conversation with the White Rabbit, who is expressing some confusion about identity.
Alice: Now I wonder who lives here...
White Rabbit: Mary Ann! Drat that girl. Where did she put 'em? Mary Ann!
Alice: The rabbit!
White Rabbit: Mary Ann! No use, can't wait, I'm awfully late, oh me oh my oh me oh my!
Alice: Excuse me sir, but- but I've been trying to...
White Rabbit: Why, Mary Ann! What are you doing out here?
Alice: Mary Ann?
Consider the identification of Alice as Mary Ann. Mary - the blessed virgin of Rome. Ann - Inanna. Delacroix's Liberty Leading the People is Marianne, patroness of France.
“Liberty Leading the People,” pictured the revolution of 1870, and was painted in that same year. Alice Through the Looking Glass was published in 1871. I believe another period connection involves the literary giant and acclaimed artist, William Blake. ("And did those feet in ancient time") On the Wikipedia page for that poem is a section titled, Revolution, which describes him as a long time revolutionary who supported the Napoleonic wars and French Revolution.
Along with "The Red Flag", Parry's setting of Blake's classic poem to music as “Jerusalem” is sung each year at the closing of the annual Labour Party conference. See Our Lady of the Nations for why that's significant in connection with the goddess. The following facts should speak loudly to the work of the goddess, Liberty, Freedom, social activism in revolution led by “their rebellion,” Mary. “The song was used by the National Union of Women's Suffrage Societies (indeed it was their property until 1928, when they were wound up after women won the right to vote – see above in relation to Millicent Garret Fawcett). During the 1920s, many Women's Institutes (WI) started closing meetings by singing it, and this caught on nationally. Although it has never actually been adopted as the WI's official anthem, in practice it holds that position, and is an enduring element of the public image of the WI.”
The radical suffragettes were an army of militants.
Jerusalem was featured during the opening ceremony of the 2012 London Olympics. Strawberry Swing was performed during the closing ceremony, framing the ZION labeled (logo) games in that esoteric context.
Last night, I watched The Bee Movie, where the rebel protagonist, Barry B. Benson, closely followed Blake's revolutionary social action script. A true follower of the rebel Queen Bee.
The Strawberry Swing video is a deep esoteric work that is akin to the Viva la Vida videos. Goddess inspired, through and through.
Continuing from Part 1, let's reflect back on a screenshot of the transit of Venus.
As the superhero Antichrist momentarily shines the light in our direction, the beam of starlight yellow (Coldplay - Yellow) suggests the illumination of mankind by Mary, which her apparitions declare is coming. The Vatican agents loudly attest to it. I'll be expanding on this shortly. That illumination is correctly represented in Strawberry Swing as attending the baptism of the lawless one, and the Bible gives an account of it that puts it in perspective.
8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false~ 2 Thessalonians 2
(Do you suspect the folks sponsoring the Starlight Parade during the annual Portland Rose Festival might be on to this, where the dragon chariot hauls their rose queens through the night?)
The moon is a goddess symbol pertaining to fertility, and it will be blood red in eclipse as menstrual or rather in labor, in the bringing forth of “her seed” (Genesis 3:15), a messianic son. The moon will be eclipsed in the constellation Virgo, the virgin goddess sign linked to Revelation 12:1, a passage that will be very pertinent.
It's a big deal that the timing is embedded in this potent signal vehicle of Strawberry Swing. The Adversary knows what time it is. “But as the days of Noah were, so shall also the coming of the Son of man be.” (Matthew 24:37) Noah knew when the flood was coming. Connect the dots. Do you yet know the times and seasons, or do you still need to be written to about them? Look around you with your eyes open. How much time do you think you have left to receive what has been written for you?
The video drops a hint to clue us in to the identity of the antichrist host when Chris is sat upon the top hat as the lawless one, revealed.
The self portrait of Delacroix bears more than a little resemblance to the bearded Abraham Lincoln who is remembered as wearing his iconic stove pipe hat. Compare them closely. By this, the raised Chris(t) as the lawless one is associated with the office of the Presidency.
That kind of association was illustrated in “I, Pet Goat II,” so here's another parallel like the dog walking described earlier. (See I, Pet Goat II - Fire and Ice, The Lotus President, Tear Jar, Psalm 23 -- Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II) In the classroom sequence, a frightened Obama puppet watched an apple blossom into a lotus. It pictured the revealing of the lawless one, in other words, Isis raising Osiris into Horus. The apple released by the girl in the trance rolled across the checkerboard floor and bumped into the shoe of Obama. Note, this is a witness to how the apple goddess Mary has our attention as she directs us to her son! When it bumped against Obama's shoe it straight away blossomed into the lotus, Horus. There's the association. Obama's silver tipped shoe was on a golden coin, which is very distinct celestial stargate imagery. You were paying attention when I described the celestial stargate imagery in Strawberry Swing's baptismal scene, right?
Both Strawberry Swing and “I, Pet Goat II” link the lawless one with the office of the Presidency.
Do you think I'm just imagining all these connections? Read the symbols for yourself. There's a message in this. I'm not playing pin the tail on the donkey-antichrist identity guessing game here. I'm making a point that all the details brought forth at the Lord's leading are important. Yet, even the sum of them is deficient in bringing one to an assurance against being deceived in the coming season if the essential knowledge of the times and seasons is lacking, which is evidence of having the Lord's confidence. 1 Thessalonians 5. Matthew 24. The ability to parrot dates or mark “possibilities” on a calendar is no substitute for legitimate relationship. Character, humility, obedience, love. If I've got your attention, I implore you - don't pass lightly over that.
Hey, we're in a bonus season. Take advantage of it today. Focus on what's most important.
What I'm going to share about now expands on what I introduced about the beaming starlight and speaks to the nature of the world's biggest hoax. We're about to be pranked, big time! This is what initially spoke so loudly to me as I watched the Strawberry Swing video for the first couple times. I was impressed upon by how the diverse presentation elements were woven into an enchanting messaging system, with even the street setting being leveraged for its symbolism. Since the insight I received during the Sochi Olympics (Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax), I've understood something of the complex nature of the hoax some refer to as the coming great deception. (The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)). What I've written in studies like the two I just linked is difficult to communicate effectively in brief. If you're not familiar with the scenario I'm laying out here, check those studies out and follow the links provided until the scenario really makes sense to you - including the timing.
Mary is drawing all the world to herself. This screenshot is from a scene that emphasizes how people follow the banner waving rose goddess in revolt. I believe the soldiers following her also represent a hoard of demons streaming through the opened stargate, but let's look at the manifestation on the physical plane. The title of the painting is, Liberty Leading the People. That's her role, quite simply! I believe she will be acting in the role of the revolutionary herald as the lawless one is about to be revealed. Like a squad of cheerleaders at a pep rally, her enchanting influence is building to a climax in that critical season when the big game is on.
The influential role of the goddess of the Marian apparition in that mission critical operation is evident in the video. Consider how folks watch the music video and don't have a clue about what is actually being conveyed. They are deceived. So it will be at the revealing of the lawless one. There are cover spells, and the masses can only see things how they are led to see them. Liberty Leading the People. Astray. Mary, goddess of magic, the sorceress Harlot of Mystery Babylon, consolidates worship, directing the world to identify her son as their savior, leading the world to accept her Vatican City agent, the Pope, as the High Priest and baptizer.
What will cause all but the very elect to be deceived will involve, “a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come,” according to 2 Thessalonians. The spirit of antichrist and of the goddess, the Marian apparition. The message, brought through the agency of the herald. The letter, produced by her authorized Vatican agents. As I've written elsewhere about the nature of the deception:
“It's going to have a logou, word, or message, which we know is to the effect that the day of the Lord has come - and gone, by implication. It's going to involve documentation that carries the weight of highest authority of the church, even of the early Apostles, which means it will be fully authorized as biblical canon. Together with the first component, spirit, it's a triple whammy, if you will. The potent combination will overwhelm any resistance to the message and result in a mass epiphany.”
According to many instances of complex modeling I've decoded in recent years (a fraction of which I've published to the blog) that each compare to Strawberry Swing, the deception will feature elements of a mixed media presentation sourced from this dimension and beyond, as ported through time itself. “Memories” of the ancient past will be universally witnessed, and those who are not adequately prepared will find the evidence overwhelming and undeniable.
Productions like Strawberry Swing have been implanting or embedding the imagery of what will be convincingly “remembered.” When we watch the video and witness the emergence of Chris(t) from the watery grave, healed from a deadly wound, that is evidence of the mass mind-control programming script. In the coming season of crisis, that will be supplemented by the softening up of the global populace by means of every facet of pharmakeia. How much influence does the Marian apparition have in the world already? Think about the NLP and effectual psi power demonstrations performed by Darren Brown and others. All that's just a playful prelude.
The mixed media show of the past beaming through the spirit time portal is demonstrated brilliantly through the clever blending of components in Strawberry Swing. Chris appears in the present, flying above a modern city, then he appears in the past, in the scene from 1830. We see him in the heavenlies, waging war and ultimately winning after dying and being raised. Then, after celebrating victory over his adversary, he no longer appears in stop-motion but in normal video, interacting with other people. Think about it. The superhero is presented as a photographic image, as a reality, and the pavement grounding the scene with its manhole cover and curbing likewise, but the setting that provides the context of interaction is artfully sketched in. It's artificial, synthetic, contrived, and that is the layer that provides the meaning. This models something of the grand hoax to us. There will be an engaging multidimensional multimedia show that will be entirely convincing, of a lie.
Remember Sochi's Olympic ceremonies and the technology of the projection on the floor of the stadium, within which the action unfolded in a very fanciful interpretation of the history of Russia? It has a parallel in Strawberry Swing where the projection represents an artificially contrived and fanciful interpretation of the past, present and future.
Have you noticed how the curbing at the bottom doesn't constrain the chalk art, which is superimposed over the image of the curbing as a separate layer? Why? The curbing is a boundary. Like a hedge in hedgewitchery, the curb is a metaphor representing the dimensional boundary. The artificially contrived context is projected on or across the dimensional boundary. It's transdimensional. Think about what you're looking at and see how the layers of presentation frame the content of the video. It's brilliant - evil genius.
If you think you're going to be smart enough to see through the deception in that day, you're going to be really disappointed. That's not going to happen. If you've grasped all this, but neglect to take 1 Thes. 5 and Mat. 24 seriously, you're going to be deceived. The knowledge of the times and seasons is the key.
I'm going to reference 2 Thessalonians once more. It should be sinking in how that the receiving the love of the truth is deeper than a merely academic experience. Note well how God himself will send a deluding influence.
8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false~ 2 Thessalonians 2
Let's reflect back once more on a screenshot of the transit of Venus. A transit of Venus has been perceived by some as representing the Eye of Ra, with Venus as the pupil in the watchful eye. It represents the Eye of Horus, and the illumination of the Eye of Horus that is Luciferian gnosis and enlightenment, the knowledge of good and evil.
That finds support as we give two of the props some attention, the flashlight and the file cabinet. There's an enchanting signal pictured beaming from beyond into this realm. As I wrote earlier, when the Antichrist momentarily shines the starlight on us, it suggests the illumination of mankind by Mary, which her apparitions declare is coming.
The flashlight is the projection device, perhaps an ancient artifact (steampunk). It beams the illuminating starlight right at us as the fish passes by Chris. What's the content of the illuminating beam? A file cabinet contains files of records, historical documents that have value. Think, Akashic Records, the Hall of Records. Instead of being accessed intentionally by one or a small number of individuals, some device will actively port a live feed to a global audience through an opened dimensional portal. The content streamed will be artificial, contrived, a lie, telling a fanciful story like the chalk art of the video, yet, it will be experienced as a convincing reality. Deception will pour through a filtered spirit portal opened into the past and future. Universal, collective and cultural memories will be triggered or activated.
This is quite remarkably illustrated to us in the video at around the 1:44 mark! Listen to the words sung as the flashlight is switched on. “I remember.” Memories will be switched on, linked to the starlight beaming from beyond. As the flashlight turns on the hall tree and hat wearing fish are immediately illuminated. Those Marian Papal symbols are associated with the projection device and illuminating beam. It's the illumination of Mary I mentioned at the beginning of this post. The projection is linked to the goddess as her work. It will be perceived by some as the activated Eye of Horus. The spin version of reality will be understood as the herald Mary interprets it. One of the projected realities that will be so convincingly demonstrated will be to the effect that the resurrection is past, and the hope of attaining the promises of my Lord will, for the cocky over-confident saints, be shattered. Their faith will fail.
That offensive will be the first part of a two part maneuver, like in a boxing match when the first punch of a one-two combo is landed. It sends the opponent reeling, the setup for the knockout punch. I describe this as the segue to the revealing of the lawless one in The Sign for the Bride. The entire operation is bathed in the light of deception-delusion. The conclusion will bring an epiphany about the identity of the masked superhero. This is illustrated to us in the video as you watch the light beaming from the flashlight. As it's switched on by the Antichrist we see the Marian Papal baptizer. He's lit, and the illumination of Mary is apparent. “I remember.” Then as the illumination is beamed at the audience there's a transit of Venus signifying the baptism and anointing that reveals. Chris(t) seems to look right at us, making eye contact, breaching the theatrical "fourth wall." Watch this sequence as many times as necessary until you catch on to what we're being shown.
You can find another witness to the Marian projection of memories in a film titled, Anna (alternate title, Mindscape). Anna has the ability to project false memories into people to manipulate them. She preys on them and kills or ruins them without their awareness of it. The symbolism reveals that this innocent seeming girl is the goddess. Anna = Inanna.
A movie poster pictures her in a dress as a blood red rose. The opposing male and female faces are signaling the one eye, Eye of Horus. Her rose arms form the signal yonic “mouth of Isis” against the herringbone pattern concealing the W of the bent elbow Queen Bee.
We see the roses on the gates to her mansion (Rosette Seal of Inanna) and in gardens on the grounds. She has an artistic bent and is infatuated with the rose, covering her rooms walls with them.
You can extract something of the role of the Marian goddess from the following text, if you can read it through their Babylonian spin.
“It is Mary alone to Whom God has given the keys of the cellars of divine love, and the power to enter into the most sublime and secret ways of perfection; and the power likewise to make others enter in there also.”
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“I have said that this would come to pass, particularly at the end of the world and indeed presently, because the Most High with His holy Mother has to form for Himself great saints who shall surpass most of the other saints in sanctity, as much as the cedars of Lebanon outgrow the little shrubs; as has been revealed to a holy soul whose life has been written by M. de Renty.
These great souls, full of grace and zeal, shall be chosen to match themselves against the enemies of God, who shall rage on all sides; and they shall be singularly devout to Our Blessed Lady, illuminated by Her light, strengthened with Her nourishment, led by Her spirit, supported by Her arm and sheltered under Her protection, so that they shall fight with one hand and build with the other.
With the one hand they shall fight, overthrow and crush the heretics with their heresies, the schismatics with their schisms, the idolaters with their idolatries and the sinners with their impieties. With the other hand they shall build the temple of the true Solomon and the Mystical City of God; that is to say, the most Holy Virgin, called by the Fathers the Temple of Solomon, and the City of God. By their words and their examples they shall draw the whole world to true devotion to Mary. This shall bring upon them many enemies, but shall also bring many victories and much glory for God alone. This is what God revealed to St. Vincent Ferrer, the great apostle of his age, as he has sufficiently noted in one of his works.”
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“But in the second coming of Jesus Christ, Mary is to be made known and revealed by the Holy Ghost, in order that, through Her, Jesus Christ may be known, loved and served. ”
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“God, then, wishes to reveal and make known Mary, the masterpiece of His hands, in these latter times: ...As She is the dawn which precedes and reveals the Sun of Justice, Who is Jesus Christ, She must be seen and recognized in order that Jesus Christ may also be. ...Being the way by which Jesus came to us the first time, She will also be the way by which He will come the second time, though not in the same manner.”
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“These are the great men who are to come; but Mary is the One Who, by order of the Most High, shall fashion them for the purpose of extending His empire over that of the impious, the idolaters and the Mahometans. But when and how shall this be? God alone knows.”
- cough - cough. Try not to choke on that. What a setup. Well, My God does know how this unfolds, and so do those to whom He reveals His plans as He puts the Adversaries lies on display. “She is the dawn which precedes and reveals the Sun of Justice” Strawberry Swing's transit sequence illustrates that brilliantly. For redundancy, there's a dawn pictured at the end of the video as Chris(t) and his Queen approach their destination. She, Venus, is the dawn, the morning star whose rising immediately precedes the sunrise. There's a metaphor. This pair is Lucifer's dream team. The Dawn of the Aeon of Horus.
In this post I'm beginning to decode Strawberry Swing, from Coldplay's 4th studio album, “Viva la Vida.” The award winning music video is a layered Occult ritual performance, where Illuminati mind-control programming is layered in with the exaltation of Venus, the Marian goddess. It is a dramatic and dynamic storyboard that illustrates how the world is being prepared for the coming Antichrist, offering an impressive array of details about the nature of the deception that will shroud the event.
I'm going to start decoding the symbolism by identifying the scene that should be familiar to those of you who have been following recent posts to this blog. Like you see in this screenshot, Chris is sitting on the stove pipe hat of Eugène Delacroix, who painted himself into the scene of, Liberty Leading the People (1830).
This painting is featured on the Viva la Vida album cover and in the videos of the title song. The flag waving woman leading the revolution is Liberty, Marianne, the goddess. Concealed in the red of the painting's flag is a rose. She is that rose goddess who is known by many names. The name, Delacroix, means, “of the cross.” He painted himself under the hidden rose to embed the sign of the Rosicrucian order.
What is being demonstrated to us in Strawberry Swing's revolutionary battle scene is a resurrection. Chris, whose birth name is CHRISTopher, represents Christ, or Antichrist, to be more correct. He wears a mask to conceal his real identity. Only a relatively small number of people will be able to see past the mask and correctly identify the Antichrist. When we see him seated upon the hat of Delacroix-of-the-cross he is linked to the crucifixion. When a cloud of pipe smoke lifts him out of the scene it is a reenactment of the ascension of the resurrected Christ.
9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.”~ Acts 1:9-11
It's not the genuine that is intended to be modeled to us, except as it is the requisite foundation as a carrier for the imprinting of the false.
The rose goddess is on hand because she is the key to that resurrection. Isis raises Osiris into Horus. This exposes the meaning of Viva la Vida (live the life) as a reference to attaining the immortality sought by Rosicrucians and others on the left hand path, and all the goddess worshiping multitudes.
For confirmation of that insight, consider how the sign of Jonah was dramatized prior to the emergence of the resurrected Chris(t). At the video marker 1:39, Chris is swallowed by a sea monster. We see him shining a flashlight inside what must be the belly, with a fish that must also have been ingested by the sea monster. He seems to be flushed out as through a drain.
for just as Jonah was three days and three nights in the belly of the sea monster, so will the Son of Man be three days and three nights in the heart of the earth.~ Matthew 12:40
The Son of Man was dead while he was in the heart of the earth. This is illustrated in the garments Chris-Jonah wears while inside the belly of the sea monster. First, his trousers and shoes become beige to suggest he is half dead. As he's being flushed into the drain, he's clothed entirely in beige as a sign of his complete death. At marker 2:15, when he is just about to emerge from the stove pipe hat (Delacroix - of the cross), his garments become like the rainbow. Rainbow - light - the light body of resurrection life. It's the sign of Jonah! Now he's living the life, Viva la Vida, as dead Osiris is raised into Horus in the presence of the rose goddess of the album cover. Liberty Leading the People. Victory over death. (“The last enemy that will be abolished is death” - 1 Cor. 15:26)
The watery scene presents an extraordinary view of the counterfeit baptism, the dipping of the anti-bread from heaven and anointing of unholy spirit. (The Sign for the Bride) Baptism is a death and resurrection symbol. Being wet and submerged in the water represents death and the subsequent emergence is the raising to life. When we are shown the superhero's emergence from his watery grave it is like unto what John was shown in Revelation 13.
1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion. And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast;~ Revelation 13:1-3
Death and resurrection; baptism. Chris was raised from the watery grave to sit upon the top hat as upon the throne given to him by the dragon. According to another version of the scenario, he takes his seat in the temple of God, displaying himself as being God.
3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God.~ 2 Thessalonians 2:3-4
The risen antiCHRISt ascended to exalt himself high up, higher even than the goddess herself.
There are a few other key observations to be made about this scene. They provide yet another notable witness to what I've been declaring is coming in a most critical hour, in the Spring of 2015.
When the lawless one is baptized, the other beast of Revelation 13 will be present as the baptizer. He will be the Pope, whose identity is redundantly embedded in the scene. Most obviously, the rose goddess Marianne is Marian, Mary. She is, without question, the icon who represents the Romish church. Her high priest is the Pope. The other instance of the Papal baptizer is pictured during the baptism in this screenshot. That identity is richly supported!
Chris(t) is the one being baptized. We see him illustrated as my Lord might have appeared in the River Jordan, standing waist deep in the water. The wet half is beige, dead. The fish is John the Baptist. The setting of the Jordan River is John's workplace, his office, which explains the office furnishings. According to John 3:30, John spoke thus about Jesus: “ He must increase, but I must decrease.” Chris shows up and the fish has to leave. The vacating of that office of “Old Testament” prophet (Matthew 11) is pictured by the office chair that lies overturned on the floor.
The baptizing high priest is clearly identified as the Pope when the fish dons a hat. The Pope wears a hat like that one, but think about it: Who wears the fish hat but the Pope? The Romish priesthood calls it a mitre, and the fashion of it is easily traced to Dagon. Dagon was worshiped in Mesopotamia as a god who was half fish-half man, a merman.
It is in the midst of this scene that a set of very transient images appears. As the fish walks by Chris we witness a transit of Venus, a celestial event where the planet appears to move across the face of the sun. The sequence consists of a few brief frames. Whenever there's a transit of Venus, the rare event draws the world's attention. Strawberry Swing leverages a celestial metaphor to demonstrate how Mary-Venus draws the world's attention to focus on her and her son, the sun god. In the moment where Venus transits the sun, the fish passes by Chris, revealing that they are one in meaning. Chris = sun (god); fish = Venus (goddess). Chris is photo realistic while the rest of the scene is a sketch, so he receives the visual focus for another metaphor. The sun is bright, while the transiting planet is dark as it occults the sun. The Antichrist is the center of attention, and all the other elements in the scene support him with appropriate context.
This impressive scene conceals and reveals several elements of the baptism and anointing. Here's the scenario. When the lawless one is baptized, he receives the anointing of unholy spirit that is the spirit of antichrist. Another way to express the dynamic is that Horus is departing the underworld, passing through the opened celestial Silver Gate to join with a chosen vessel, a man, to manifest bodily in this realm. Put yet another way, it's Isis, raising Osiris into Horus. Transformed, the god-man beast is the lawless one, revealed. The screenshot illustrates the material realm's Papal-fish baptizer approaching Chris(t) to perform his official duty. The ceiling fan pictures an inverted 5 point star, the alignment witches interpret to mean, spirit into matter. Antichrist spirit into flesh.
I believe the walking fish further represents the unholy spirit that makes both the Pope and the lawless one beasts (Rev. 13), which is a composite of Osiris, Isis, Horus. The phallus of Osiris is implicit in the fish, emphasized as the fish is wearing the glans penis hat.
“The fish form may be considered as a phallic symbol as seen in the story of the Egyptian grain god Osiris, whose penis was eaten by (conflated with) fish in the Nile after he was attacked by the Typhonic beast Set.” (Wikipedia - Dagon)
Isis collected the 13 pieces of Osiris and united them (Code 13, but that awaits another post). Isis magickally substituted another phallus to engage in the reproductive act that equates to the raising of Osiris into Horus. The fish symbol represents Christ (ichthus), to some, but only in ignorance because forbidden symbols are idols, the Devil's domain. The fertility signaling fish represents the phallus of Osiris, and, as the female bears many eggs, the fish also represents the fertility goddess of the sea, Venus, Stella Maris, the Mother of God, the Queen Bee. The fish represents the union of Osiris and Isis, Horus, produced when there is a union of spirit and flesh that manifests in this realm as the Antichrist.
The transit of Venus scene occurs at precisely 1:47 into the video. It pictures the 47th Problem of Euclid: Osiris union Isis producing Horus!
This screenshot of the transit exposes several levels of symbolism. You may see in it a gender merging androgyny (Baphomet / Adam Kadmon) as the fish becomes one with Chris.
Here's a screenshot during the baptismal sequence where it looks like Chris is entering a UFO.
The golden light beaming from the flashlight makes allusion to another classic painting, The Baptism of Christ, by Aert De Gelder (1710). A disk appears in the heavens from which a light beams down to illuminate the baptism. There's a UFO-alien presence suggested, and the scene finds a match during the London Ceremony, Beijing Olympics, which is another bean spilling Occult presentation.
All the elements present in the scene of the transit of Venus are fit symbols. The ceiling fan that signifies spirit into matter is also the 5 point star of Horus and the goddess. When the fish is under the star, think, star+fish, Venus.
In the Pope's baptismal office one should find an altar, and so we see the table.
There is a hall tree for hanging hats and garments. A tree is a goddess symbol. Their version has the form of a Maypole, which is a pole piercing a ring near the top. It's slightly obfuscated, with their fertility utility being embellished to better blend into the scene. The symbol of the magickal operation of the May Queen's sexual congress with the green man, Osiris is perfectly fit for the context.
The presence of the goddess of magick is evident throughout the video in what looks like a manhole cover in the upper left of the frame. Sometimes it resembles the 8 point star of Inanna-Ishtar. It's a beacon of her influence. For another insight into the meaning in this particular scene, consider that, “Dagon's consort was known only as Belatu, "Lady". Both were worshipped in a large temple complex called E-Mul, "House of the Star". ” (Wikipedia - Dagon)
A manhole provides access to underground utilities. In symbol, it's the portal to the underworld, the Duat, which is known as the celestial Silver Gate. On the other side of the chalk-drawn room is a door. It's the Golden Gate, opposite the Silver Gate. Supporting that identification, we see the expression of the Zodiac in the celestial setting of the transit of Venus with the fish in the water between the two stargates. The Silver Gate is located between Taurus and Gemini. Opposite that in the circle of the Zodiac is the Golden Gate, between Scorpio and Sagittarius. Between those stargates are the water and fish, Aquarius and Pisces. You could see the Milky Way as the water in this baptismal regeneration room. Theosophists identify the Milky Way as “the storehouse of celestial bodies-to-be” and a “kosmic nursery,” which has a direct bearing here.
If you're thinking about how smart the producers of the video are for encoding these things or how smart I am to figure stuff out, you're really missing the point. What you're seeing is the work of devoted servants. There is a warring in the heavens, and earthly agents are engaged. Ephesians 6:10-17.
Another striking celestial stargate transit sequence appears at the close of the video when a man walks his dog through the set on a leash. The dog is Anubis, the dog star, and the man is Osiris, Orion, until they pass through the moon and Isis to transit the Silver Gate. As they emerge from the Duat, the dog walker's identity becomes Horus. Chris(t) had just departed the scene, being welcomed with applause and warmly embraced. That modeled the reception of the lawless one at his apocalypse. The dog walk complements that scene's earthly-material perspective by looping back to illustrate the celestial-heavenly perspective. We hear the sound of passing traffic like they opened the door and left it open. Traffic lanes were opened for vehicles traveling down the celestial highway.
Remember I, Pet Goat II? There are notable parallels that validate that interpretation! As you can see in this screenshot of the "pet goat's" enclosure, the stick figures picture a man walking a dog on a leash. I recommend reading this post, Part 3 - Celestial Stargates - Isis, the Dendera Zodiac & I, Pet Goat GEMINI, to get more out of this parallel. Additional celestial symbolism in the Auschwitz camp set includes the bank of lights as the Pleiades. The peculiar barbed wire that looks like crows represents Corvus, the crow, on Hydra, the serpent. The 4 principle stars of Corvus serve stargazers as pointers to Spica, the alpha star in Virgo, implying the presence of the goddess. (As another link between the video scenes, I note that the Nazi guard dog would have been a German Shepherd, and the dog of Strawberry Swing looks like a mongrel of that same breed.)
Watch Coldplay - Atlas (Hunger Games - Catching Fire) to see the Zodiac and movements in the heavens featured. Watch for the appearance of a giant eye that is very obviously identified as Chris' Lord. Horus.
Coldplay - Strawberry Swing.
When the antiCHRISt superhero is tiptoeing through the sky castle to rescue the captive he has an accident. He bumps into a pedestal, and the large pitcher that stood on top falls to the floor and shatters. If you've been following the blog for a while, this action should seem very familiar - especially when you notice the grandfather clock is in very close proximity. 
I gave this celestial stargate transit imagery some coverage relative to the music video, Insane, by A-Jax, which featured similar pedestal-clock transit sequences. That mesmerizing K-pop mind-control extravaganza compares closely to Strawberry Swing in many respects, even given the contrasting pacing and style. The MGM film classic, the Wizard of Oz, presents a similar pedestal-clock stargate scenario. Another element that is common to the Wizard of Oz and Strawberry Swing is that the transit occurs in the room of a castle where a captive girl is about to be rescued. All three of the productions are vehicles for Illuminati SRA mind control. 
After the squirrel wakes up he screams out powerful sonic waves that send the superhero flying out the door, along with other furnishings. Watch for the last things to fly through the doorway. The last object is an entry door, which is preceded by the clock, which is preceded by the other door. Time doors, time gates - broken, gone. (Horatio Gates - Part 25 - Rochester, NY - From out of Gates, Greece Came Forth) The control over time and stargates was no longer in the squirrel's control. Then, the superhero could defeat the squirrel with the acorn-bomb and rescue the queen. Well, so the twisted up version goes. 
Her symbols appear in scenes as the moon and the sea from which she was birthed. When Chris uses the umbrella as a boat, allusion is made to the scallop shell as pictured in Botticelli's classic, The Birth of Venus. When Chris is swallowed by the sea monster. Before we see it as a fish it's recognized as a lion, as famously marking the approach to the Gate of Ishtar. It's actually a lion fish, strengthening the association further. 
By this, the raised Chris(t) as the lawless one is associated with the office of the Presidency. 
You were paying attention when I described the celestial stargate imagery in Strawberry Swing's baptismal scene, right? 
I describe this as the segue to the revealing of the lawless one in 
A movie poster pictures her in a dress as a blood red rose. The opposing male and female faces are signaling the one eye, Eye of Horus. Her rose arms form the signal yonic “mouth of Isis” against the herringbone pattern concealing the W of the bent elbow Queen Bee. 
The golden light beaming from the flashlight makes allusion to another classic painting, The Baptism of Christ, by Aert De Gelder (1710). A disk appears in the heavens from which a light beams down to illuminate the baptism. There's a UFO-alien presence suggested, and the scene finds a match 
There is a warring in the heavens, and earthly agents are engaged. Ephesians 6:10-17. 
Remember I, Pet Goat II? There are notable parallels that validate that interpretation! As you can see in this screenshot of the "pet goat's" enclosure, the stick figures picture a man walking a dog on a leash. I recommend reading this post,