Here's the Illuminati vehicle: A-Jax “Insane”
About 1 minute in, the cat on the pillar with the candlestick leaps to the floor. The guy sitting in the chair sees what's about to happen. Instantly, he appears by the column and tries to keep the candlestick from falling. That's the scene in the underworld.
In this earthly realm, the patient in the asylum reaches to catch an hourglass but it falls to the floor and shatters. The outcome is different when the action repeats at about 2 minutes in, when the patient catches the hourglass, setting it on the shelf. What's being modeled in this is quite profound. The producers know how to expertly represent mind-control programming and they are no less skilled in this matter of the stargate.The falling candlestick becomes the hourglass. This is a clever expression of the manipulation of our physical dimension. Light, gravity and time factor into Einstein's demonstrated equation of E=MC2. Energy equals the mass of an object times the speed of light squared. If you can manipulate the value of one of the terms relative to the others you are able to exercise control over time-space.
- Falling signifies gravity: Mass is what gravity acts upon to produce what we call weight. To accomplish weightlessness you can either zero out gravity, or mass. M=E/C2
- The candlestick signifies light, and the moving candlestick, the speed of light: C = the square root of E over M.
- The hourglass signifies time: Time is a factor in the speed of light, which is generally assigned the value of 186,000 miles per second.
The key to the operation of the stargate involves the manipulation of time, and this is a very delicate matter. The video demonstrates this by the attention given to the fragile hourglass.

The expression about the “sands of time” derives from the hourglass, which is a timer. When the hourglass smashes on the floor, it's really time itself that is being broken, more properly, what we consider as the continuity of time, the linear flow perceived as sand passing through an hourglass. When an hourglass shatters, the sands of time escape. Think about that. It's picturing a time loss or truncation event. So, when the hourglass is later caught by the patient in the next dramatization about 2 minutes into the video, he sets it on the shelf with all the sand in the upper chamber, which illustrates the resetting of time.

A second witness to the disruption of time at the opening of the Silver Gate appears when the cat jumps off the pillar and we are shown a clock on the wall, lined up in the shot at the top of the pillar and base of the tipping candlestick. The clock is a cuckoo clock, which is to say that the clock is cuckoo, or time itself is acting crazy.
Most of us are familiar with the artificial construct called Daylight Savings Time. Where I live, we set our clocks ahead one hour in the Spring and back one hour in the Fall. That doesn't change time, of course, just our accounting of it. In the spring, we appear to lose an hour. One minute passes from 1:59 AM and suddenly it's 3:00 AM. Where did the 2 o'clock hour go? In Space Balls-speak, when time is reset with a truncation it may be asked when will then be now? Instead of the answer, “Soon,” the answer will be NOW! Suddenly, it's the future. No waiting. The operation of the Silver Gate involves the manipulation of time itself, where it's effectively “broken” then reset. There will be be a time jump, like the jumping of the cat off the pillar.

The time portal is pictured again as the cuckoo flies out of the clock in the underworld and is captured in the real world. The dimension breaching bird was in a pyramid shaped clock. The bird is Horus. It's caught in tightly clasped “Horus Hands” as a prize of great value.
The cuckoo clock seems to provide a redundancy to the symbolism of resetting time. At the 2:19 mark we're shown the Anubis dude with his face to the clock. It's 2 o'clock. Then he puts his face close and the little gates open. Little gates open. Yes, I repeated that. You're keeping the stargate context in mind, right? When the bird begins to appear, the clock is at 12 o'clock. The scene cuts to the asylum and then back to Anubis at the clock. Hey, it's 2 o'clock! Time is reset! That's insane! Crazy time!
When the cuckoo bird exits the clock's opened gate, it's not alone. It looks like a swarm. Beelzebub is the lord of them that fly. Many agents will be coming through the time portal. I believe there are multiple Silver Gate transit events in view.
. About the cuckoo bird that was part of the clock mechanism, I believe there are what may be considered, clockwork angels. 911 - The Time Truncation Mission and RUSH - Clockwork Angels Tour
You have to consider the other crazy clocks and timers that feature in the video as adding weight to the importance of time in the transit scheme. On the digital clock, which appears prominently in the patient's room, random times of day appear. That object combines 2 of the 3 elements pictured by the falling candlestick that turns into an hourglass, time and light, having an LED display. Two other objects present time in combination with gravity, a mechanical metronome with an inverted pendulum and a pocket watch swung like a pendulum. The illuminati like these symbols. The pendulum is a notable feature of grandfather clocks, as seen in Skull and Bones class pictures. The pendulum is adjustable, so one can manipulate time. Think, As Above, So Below. This is related to frequency and wavelength, tones, harmonics, resonance...

The asylum authorities represented in the doctor and nurses were wielding control over time, which was pictured by their handling of the swinging pocket watch. They display an understanding of the triangle as space and circle as time. The alchemist who wields the compass exercies control over the space-time domain.

The key that finally materialized and was used to facilitate the patient's release was the evident fruit of the “speeding up of time,” if you note the frenetic and accellerating swinging of the pendulums.
If these things are compelling, you may want to give further consideration to the physics of general relativity and the freefall connection. (Introduction to General Relativity)

There's a figurative expression that goes like this, “If you could turn back the hands of time...” Is this even possible? Sure!
The Amorites worshipped the celestial lights and gods, so this kind of thing is a demonstration of whose God is in control. That's a really notable observation because of what's coming when that exhibition of control is played like a high trump card in a high stakes hand in a game of cards.
A similar historical demonstration was made in the days of King Hezekiah. (Note: the location of that passage presents sets of pillar numbers related to the Silver Gate)
Brother Jim Wilhelmsen (Echoes of Enoch) made a video series (You Tube) about time travel in the Bible. In one of the episodes he included an excellent segment about those time manipulation events and their historicity.
Is the exploitation of the Silver Gate about time travel? Technically, yes. Since I'm touching on the subject, I want to make the point that everyone who has ever lived and died became a time traveler. No longer being bound to a flesh body (which is what had mass and was bound by the law of sin and death), they are removed from this temporal domain as being plucked up off the time line. They generally will reappear on the time line at the moment appointed for the dead to be raised (1 Thessalonians 4) in the resurrection event for which they qualified, according to the sequence of the barley, wheat and grape harvests.
The passage of time is marked off by the celestial lights. Understanding this is really critical. The basis for all this is described in the account of creation.
The reference system for time involves the Earth, and really, as David Flynn aptly demonstrated, the Temple Mount in Jerusalem very specifically.
The obsession the Illumined elite have with Zion relates to the expression of control over space-time and a habitation beyond those constraints. The Clock of the Age involves the apparent rotation of the celestial lights around the earth, one sphere within another. A time reset will manifest in an adjustment to this celestial/terrestrial clock. I believe there will be a relative shift in grid alignment that will function like cylindars in a time lock. Keys to the stargates lock and unlock a time based security system. When Fritz Springmeier and Cisco Wheeler describe the techniques and dynamics of Illuminati mind-control programming, they describe complex 3D and actually 4D security mechanisms in terms like clockworks. These mechanisms are understood to be demonically inspired and controlled. These are dimensional gateways, stargates. This is how these things work on both the programming and antichrist levels.
The physicists at CERN are bent on discovering what gives things mass because, if they can control that, they have a key to a time-space stargate. There's a reason why they seek hard after the exploitation of what they call the god particle. See what I wrote here for a sign that time itself is what they intend to exploit: More Observations While On Watch in 2010. It has been reported by witnesses how the operation of the LHC particle collider temporarily opened a dimensional portal.
Time is a servant construct. It's appointed for this age. There is a purpose for this temporal realm, but when that's fulfilled, this age is over. Then, time will be no more. Something else will be, another kind of servant construct for another purpose.
Just over 13 years ago, I was blessed to experience what I can only describe as a trip to the timeless place, near to the Throne of the Most High where His glory was overwhelmingly manifest and worship flowed freely. What I'm telling you I see in this video is legitimate. Time will be broken and reset, operating a mechanism that facilitates the entrance of demonic agencies and their operation in this realm. That's really bad news, to put it mildly, because what is coming is going to cause men's hearts to fail for the terror of it. The good news is, this is not going to catch the sovereign God off guard. It's actually His plan that is unfolding, and He is GOOD! Do you trust Him? Does He trust you?
as one Gemini symbol among many because there's more mirror twinning in this setting. One arrangement of the room has one half being mirrored to present identical sides. The pillar at the back of the room then has a mirror twin. The lamp on top of it is the kind that features twin candlesticks.
In a version of the room that isn't mirrored there are still two pillars, with one of them becoming our focus of attention. It has a single candlestick on top, with a style that isn't twinned but, with a silver base and white column and white candle inside a clear globe, placed upon the white column just silently screams: “Silver Gate”!
The scenes set in the strange rooms represent what's going on in his insane mind (dissociated alters). For example, when the patient has a fan blowing on his face, we alternately see someone in a surreal room acting like they are struggling against a strong wind. This device that uses alternating scenes to picture concurrent realities effectively plays on both thematic layers of Monarch programming and antichrist beast manifesting. The patient's room in the asylum is the real world scene, this material space-time dimension. The alternating scenes set in the paneled room represent a heavenly realm. The pillar represents the connection as standing upon this earthly realm and reaching up into the heavenly. What primarily interests me in this post is how that which falls from the top of the pillar to the floor falls from heaven to earth via the Silver Gate.
I'm going to loop through it a few times to explain what I'm seeing. This will take more than a single post.

The cat was worshiped as a goddess, Bubastis. She was known as the Eye of Ra. This ritual is being performed as directed from the underworld, if you can see past the layer of the flesh. The Eye of Ra is being invoked. Horus will manifest again in a body of flesh in not many months time.
Will.i.am's face appears like a digital mask projected on the shield of the helmet. It represents what's called a front alter, the identity currently interacting with the outside world. The astronaut is a mind-controlled slave (and programmer-handler). Appearing next to him on the surfboard is a head without a body, another dissociated identity that provides redundancy for this important symbol.
I believe this is why the astronaut's escorts wear waist-banded hot pants that are silver-white (or argent, according to heraldry) in color. Hot pants, like high heel shoes, are common symbols of ritual sodomy because they put emphasis on the butt. Those Gemini Silver Gate signaling twins wear orange fingernail polish, a sodomite gateway color.
During ritual sodomy demons are installed as the Horus Eye is activated. These entities are responsible for the magickal work that creates the alters and complex programmed mental structures.
The scene in the red room presents a vivid witness to ritual sodomy. The room is a bathroom because you can recognize the side of the toilet tank and rolls of toilet paper. We see a man covered in tattoos who looks to have spent plenty of time in prison (stripes as bars of cell or the traditional prisoner's attire.) He's someone's “female dog,” someone's bitch, if you'll pardon the expression. A loveseat in the bathroom. OK, connect those dots. The pony is a ritual sodomy metaphor, because ponies are for riding like a little donkey or ass. I find it interesting that, in Canada, pony is slang for an umbrella, which is another sodomy metaphor. Some folks know their symbols. The Horus Eye illumination is pictured by the light from the window backlighting his head. His dissociated condition is pictured by the horizontal frame of the window that visually separates his head from his body. The asstronaut's relationship with the man is suggested in the video as he says, pausing and stepping past the open bathroom door, “Wait.” He seems to be telling his lover to be patient a little longer until he can get back with him. Precisely while he's rapping the line, “Kissin while we talkin,” we're looking at the tattooed man as he has a tender moment with the pony. Get it? It's not rocket science. ;) 
The Beta or sex kitten programming is pictured by Ke$ha holding the Siamese cat, a breed we associate with twins because of Siamese twins. The sex kitten programming is also evident when she dances seductively between twin cats, the lions. The Beta sex slave is also being modeled by the chain wearing escorts in their slutty attire. When we see one woman with Will.i.am and then an identical woman magically appears, what we're being shown is the programming process, how alters are created during the demonic installation into the slave's fractured mind. The alters are created in pairs, with one being a mirror image of the other. Like identical twins!
I revisited the music video for Insane to capture and caption a few more screenshots because they provide such a vivid illustration of the ancient Horus Eye programming magick being implied by Ke$ha with the Siamese cat. 


A letter B featured in a layered symbolic context may be taken as an obfuscated number 13 with the 1 and 3 stuck together, the number with a composite meaning of the rebel lord beast. Because N=13 in RAS, the uniting of the N and B emphasizes the shared symbol, 13. BEAST! The winged Nachash! The N and B overlap so that what remains of the N appears as a pyramid, with the capstone appearing at the base, as the negative space. It's the sun god BEAST!


The triangle element is the equilateral form used to signal the beast and his mark through the transformation of the measure of internal angles as 60+60+60 to 666.
When you rotate this logo clockwise the N become a Z, for “Zeus,” which reveals this as a sun pyramid symbol where the triangle is the capstone. This is the layer of Occult symbolism where the offset unbalancing the form makes sense, as you can see from this illustration where I've traced around the elements as suggested.
There's plenty I could import from that, but I'll leave it to you to follow through according as the Lord may lead.
The alchemical standard Atalanta Fugiens also deserves mention. Note, the framing square as a cross is lying on the ground. Note also how this is being drawn by the master teacher on a wall of masonry (Masonry) that is partially occulted.
The wings of the Nachash are the compass needle that points to the northwest.
I just checked out the VC's latest post,
If you watch a video of A-JAX performing “Insane” on stage, they always open with the boys in the band putting their hands on one guy. The choreographing of hands-on-him says they are his handlers. The one with a hand on the slave's mouth and the other over his own is the programmer. The hand-over-mouth sign means they cannot talk about it, that this is kept as a dark secret. The slave is breathing hard, which speaks to how he is being traumatized to such a degree and brought into such a deep trance state for programming that his breathing and heart rate has to be monitored. The vertical bars on the outfit pictured 
The 5th member has 5 point stars as the Horus identity, produced by the union of 3-Osiris and 4-Isis.
Jacks are sometimes leverage as symbols as I observed in the TV series Defiance, seen in this image on a bookshelf in the Mayor's office.