Part 43 - 2012 London Paralympics - SRA Carousel Programming With Rihanna - We Found Love

Series Links: 2012 London Olympics

When Rihanna joined Coldplay in London at the close of the 2012 Paralympics (9/9/12), she performed “We Found Love,” the only song that was not a Coldplay song. It was claimed that this honor was accorded her for singing “Princess Of China” with Coldplay frontman Chris Martin, who had shared the #4 hit with their duet. With the focus on the umbrella and SRA programming, I don't see how they could neglect featuring today's undisputed queen of the sodomite umbrella symbol.

“We Found Love” is all about mind-control programming too, the lyrics, the song's official music video and the symbolic performance during the Paralympics that was another of the Devil's evil genius mind-control productions in the Olympic Ceremony tradition. If you can interpret the symbolism in this you'll recognize more signs of the “go over the rainbow” programming I've been blogging about, plus the kind called carousel programming, with ritual abuse and sodomy signaling. I think allusion was also made to the film, Mary Poppins, another sodomite Disney children's classic. As you may recall, an assault team of Mary Poppins clones were featured as they umbrella-parachuting in during the London Olympics Opening Ceremony, waging a witchcraft battle with the giant wizard Voldemort.

BTW, when that much hyped ceremony began, a Skyfall segment found the Queen appearing to parachute in with James Bond. If you put her and Mary Poppins in the same category (witch) and connect the Monarch programming umbrella=parachute and “go over the rainbow” dots, you'll have insight into why this otherwise bizarre stunt was done.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please don't continue here.

Here's a video of the ceremonies that contains Rihanna's 3 minute performance of “We Found Love,” spanning 1:24-1:27.

Closing Ceremony - Paralympic Games - London 2012

Most people who compare the visual elements of her performance with the official music video would find little in common. Those who understand a little about Illuminati programming and can interpret the Occult symbols will find it makes plenty of sense. On the surface, the music video looks to be all about drug abuse ruining two people's lives and their relationship. You'll find that video here, but be forewarned that it's crude and rude, your standard fare dance club video.

Rihanna - We Found Love ft. Calvin Harris

Those who frequent dance clubs where that video has been played would generally see it superficially, as described, and relate to it on that level. The Paralympics closer has been labeled a Coldplay concert that was occasionally interrupted by Olympic closing stuff. Rihanna's “We Found Love” was placed neatly in that context as a set that had a little carnival flavor to it but was mostly like a dance club. While the swing Rihanna sat in was raised in the air, the stadium became a dance club. The video producers made sure viewers see how the men danced romantically with men and women with women while rainbows of colors flashed in the special spectator seating lights. This was more than just a sly celebration of LGBT: It was a celebration of SRA trauma-based programming!

I'll present some of the Illuminati SRA imagery that links the Paralympics performance to the official video, and to Mary Poppins.

Two of the most common symbols I have addressed in this blog are the orange costume and high heels she wears, signals of ritual sodomy. Another is the giant sun-anus mandala eye on the back of the seat, “behind” her. Swinging in the air, she's presented enjoying sodomy with the sun god. Her boyish hair is a masculine or male feature which makes her “butch,” or gender merged. Rihanna ends her time in the seat by caressing herself and calling attention to the microphone as a phallus. (@ 1:26:49)

The following collection is an exhibit of symbolism concealed in the decorative scrollwork of the bench swing.

The seat's scrollwork is cleverly designed so each side presents three sixes that are correctly rotated, 666. Each side also presents a pair of threes, an instance of Freemason-like sodomy 33, plus a 33 signaling pair of mirrored letters “C” (3rd letter). The overall shape is that of an inverted heart, buttocks. Let's not miss the obvious, the butt sits on a seat bottom, as hers is sitting on that seat bottom. That's the picture they made for us, OK?

In this picture taken from a different angle, you can see the ornamental scrollwork framing her head within two 3s, as another 33. She is being illuminated.

What links this performance to the themes of the song's music video is the ritual abuse, primarily. Ritual abuse? In Rihanna's swing performance? Yup. See Rihanna as a slave in a steel cage, bound with a manacle and with a belt around her waist. The swing is a common element in programming settings, as I note fairly regularly on this blog. Physical abuse is implicit in all the sodomy signaling, of course, because one goes with the other in the Monarch slave's programming. Folks who are ignorant of such matters will deny these elements mean anything because she has to be strapped in for safety reasons. Well, of course, but for that it doesn't have to be made so obvious.

This screenshot from the music video is a Rosetta Stone of sodomite gateway imagery. Its an orange and seat (hers) link between the music video and the Paralympic visuals. Rihanna is striking the same pose as the lamp - bent over with the butt out back and an illuminated head. The concentric rings are the sun god's anus. The Oriental characters break down into occult sodomy signaling elements, with the plus sign in the squared circle orange near to the eye of the anus being most evident.

If this isn't about Illuminati programming and getting psi powers, why does she wear a shirt that declares, we have ESP (extrasensory perception) while throwing darts at a dart board and closing one eye? Butt darts is slang for sodomy. Dart board = sun-anus

At this point, I'd like to decode the song lyrics. Again, if you're not free of being triggered by such explicit programming code, make sure the Lord Y'shua gives you the green light on this.

Rihanna - We Found Love - lyrics

Yellow diamonds in the light
Now we’re standing side by side
As your shadow crosses mine
What it takes to come alive
[Yellow = star angel light. Diamond = many facets, faces, alters in a gem-chosen one. Two side by side, slave and handler working together. Shadows or dark spirits of the two cross during abuse and sodomy. What's going on here is as the “on switch” to come alive. ]

It’s the way I’m feeling I just can’t deny
But I’ve gotta let it go
[Let it go - dissociate]

We found love in a hopeless place (4x)
[Love is what the sodomy abuse is called. The abused slave is without hope.]

Shine a light through an open door
Love a life I will divide
Turn away 'cause I need you more
Feel the heartbeat in my mind
[Shining a light through an open door is the ritual sodomy illumination. “Love,” the sodomy abuse, the life divided is dissociated and mirrored creating alter pairs. “Need you more” because this creates a bond. The heartbeat is such a focal element in trauma-based programming, and it is a mind-control anchor. ]

It’s the way I’m feeling I just can’t deny
But I’ve gotta let it go

We found love in a hopeless place (4x)

Yellow diamonds in the light
Now we’re standing side by side
As your shadow crosses mine

We found love in a hopeless place (4x)
We found love in a hopeless place (4x)

If you watched the performance from the Paralympics you would have seen several carousel animal riding performers floated around the stadium. This puts the show in a carnival setting, and the bench swing becomes an innocent carnival swing ride. However, the elements of ritual abuse and sodomy reveal that there's more going on here. The carousel was historically used to train knights for battle. It remains as just such a training tool!

"The Carousel in real life is used as a device to teach dissociation, and how the alters are to go up and down in trance. Sometimes you will see parents who seem to be so loving having their children ride for long periods on a carousel. They might actually be programming them in dissociation. An internal carousel is built into an internal system. Mirrors and shadows are placed around and perhaps in it. The carousel spins and moves up and down repeatedly. In the center of the carousel, the Programmers often place something or someone important." (The Illuminati Formula to Create An Undetectable Total Mind Controlled Slave by Fritz Springmeier and Cisco Wheeler)

I mentioned earlier how I thought allusion was made to the film, Mary Poppins. There's a scene that featured a some pretty special effects for the day, combining live action with animation in the same scenes. Disney used this to pack in lots of sexual imagery.

Mary Poppins is the nanny. She's a witch. She's on an outing with her friend Burt, the chimney sweep and street artist and entertainer, and the two children she's responsible to care for. They go to an amusement park and ride the carousel. Straight away, this signal element should alert us to the potential for programming. Mary's magick puts them into a fantasy world where what they interact with is animated, where the carousel horses they ride break free from the carousel and carry them off on an adventure. They have dissociated, no longer perceiving the real world. Mary leads, as she is their handler.

There are many symbols of sodomy in this sequence, and the one I connect visually to Rihanna's Paralympic performance appears after she rides up behind a jockey during a race. We notice his butt is sticking up and is distinctly outlined to call it to our attention. Mary slows alongside him on her purple pony, checking out his butt and reaching over to whack him on his bottom with her umbrella or parasol.

In the screenshot where he's standing up, Mary is pictured with the umbrella as a phallus positioned just so as she rides sidesaddle. The other rider is pictured right behind her, wearing orange, as her own abdomen is orange, her sodomizer. The jockey whose butt she whacked has a hat with a bow (tie that binds) that looks like it might be a butterfly, hinting at, Monarch programming. Her own hat has a bow.

If the Paralympic scene with the umbrella queen wasn't intending to give a nod to this London classic, they seem to have accomplished it just the same.

Part 1 - Decoding Coldplay's Strawberry Swing

In this post I'm beginning to decode Strawberry Swing, from Coldplay's 4th studio album, “Viva la Vida.” The award winning music video is a layered Occult ritual performance, where Illuminati mind-control programming is layered in with the exaltation of Venus, the Marian goddess. It is a dramatic and dynamic storyboard that illustrates how the world is being prepared for the coming Antichrist, offering an impressive array of details about the nature of the deception that will shroud the event.

Here's the official video, Coldplay - Strawberry Swing.



I'll be providing several links, beginning with this set that should be useful for context.

• Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)
• Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 2)

At face value, the video is an entertaining superhero-rescues-captive-queen drama. While Coldplay's frontman Chris Martin poses on the floor, he is given the appearance of interacting with an artfully drawn world. It's a clever mix of stop-action animation and normal video that sets the costumed actor in scenes of colorful chalk drawings on a pavement stage. Each element conveys something of importance in the esoteric composition. I have to see this as a striking tribute to Stéphane Mallarmé, whose influence upon Coldplay became evident during an inquiry into the meaning of Viva la Vida's two videos. A study by the British Academy of Sound Therapy ranked the song, Strawberry Swing, as one of the most psychologically relaxing songs ever recorded, ranking in 5th place among those surveyed. There is a hypnotic effect, and that should not be taken in a figurative sense. The enchantment is real and influential, and it works toward the end that is concealed and revealed in the esoteric symbolism.

I'm going to start decoding the symbolism by identifying the scene that should be familiar to those of you who have been following recent posts to this blog. Like you see in this screenshot, Chris is sitting on the stove pipe hat of Eugène Delacroix, who painted himself into the scene of, Liberty Leading the People (1830).

This painting is featured on the Viva la Vida album cover and in the videos of the title song. The flag waving woman leading the revolution is Liberty, Marianne, the goddess. Concealed in the red of the painting's flag is a rose. She is that rose goddess who is known by many names. The name, Delacroix, means, “of the cross.” He painted himself under the hidden rose to embed the sign of the Rosicrucian order.

What is being demonstrated to us in Strawberry Swing's revolutionary battle scene is a resurrection. Chris, whose birth name is CHRISTopher, represents Christ, or Antichrist, to be more correct. He wears a mask to conceal his real identity. Only a relatively small number of people will be able to see past the mask and correctly identify the Antichrist. When we see him seated upon the hat of Delacroix-of-the-cross he is linked to the crucifixion. When a cloud of pipe smoke lifts him out of the scene it is a reenactment of the ascension of the resurrected Christ.

9 And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight. 10 And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them. 11 They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.” ~ Acts 1:9-11

It's not the genuine that is intended to be modeled to us, except as it is the requisite foundation as a carrier for the imprinting of the false.

The rose goddess is on hand because she is the key to that resurrection. Isis raises Osiris into Horus. This exposes the meaning of Viva la Vida (live the life) as a reference to attaining the immortality sought by Rosicrucians and others on the left hand path, and all the goddess worshiping multitudes.

For confirmation of that insight, consider how the sign of Jonah was dramatized prior to the emergence of the resurrected Chris(t). At the video marker 1:39, Chris is swallowed by a sea monster. We see him shining a flashlight inside what must be the belly, with a fish that must also have been ingested by the sea monster. He seems to be flushed out as through a drain.

for just as Jonah was three days and three nights in the belly of the sea monster, so will the Son of Man be three days and three nights in the heart of the earth. ~ Matthew 12:40

The Son of Man was dead while he was in the heart of the earth. This is illustrated in the garments Chris-Jonah wears while inside the belly of the sea monster. First, his trousers and shoes become beige to suggest he is half dead. As he's being flushed into the drain, he's clothed entirely in beige as a sign of his complete death. At marker 2:15, when he is just about to emerge from the stove pipe hat (Delacroix - of the cross), his garments become like the rainbow. Rainbow - light - the light body of resurrection life. It's the sign of Jonah! Now he's living the life, Viva la Vida, as dead Osiris is raised into Horus in the presence of the rose goddess of the album cover. Liberty Leading the People. Victory over death. (“The last enemy that will be abolished is death” - 1 Cor. 15:26)

The watery scene presents an extraordinary view of the counterfeit baptism, the dipping of the anti-bread from heaven and anointing of unholy spirit. (The Sign for the Bride) Baptism is a death and resurrection symbol. Being wet and submerged in the water represents death and the subsequent emergence is the raising to life. When we are shown the superhero's emergence from his watery grave it is like unto what John was shown in Revelation 13.

1 And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. 2 And the beast which I saw was like a leopard, and his feet were like those of a bear, and his mouth like the mouth of a lion. And the dragon gave him his power and his throne and great authority. 3 I saw one of his heads as if it had been slain, and his fatal wound was healed. And the whole earth was amazed and followed after the beast; ~ Revelation 13:1-3

Death and resurrection; baptism. Chris was raised from the watery grave to sit upon the top hat as upon the throne given to him by the dragon. According to another version of the scenario, he takes his seat in the temple of God, displaying himself as being God.

3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:3-4

The risen antiCHRISt ascended to exalt himself high up, higher even than the goddess herself.

There are a few other key observations to be made about this scene. They provide yet another notable witness to what I've been declaring is coming in a most critical hour, in the Spring of 2015.

When the lawless one is baptized, the other beast of Revelation 13 will be present as the baptizer. He will be the Pope, whose identity is redundantly embedded in the scene. Most obviously, the rose goddess Marianne is Marian, Mary. She is, without question, the icon who represents the Romish church. Her high priest is the Pope. The other instance of the Papal baptizer is pictured during the baptism in this screenshot. That identity is richly supported!

Chris(t) is the one being baptized. We see him illustrated as my Lord might have appeared in the River Jordan, standing waist deep in the water. The wet half is beige, dead. The fish is John the Baptist. The setting of the Jordan River is John's workplace, his office, which explains the office furnishings. According to John 3:30, John spoke thus about Jesus: “ He must increase, but I must decrease.” Chris shows up and the fish has to leave. The vacating of that office of “Old Testament” prophet (Matthew 11) is pictured by the office chair that lies overturned on the floor.

The baptizing high priest is clearly identified as the Pope when the fish dons a hat. The Pope wears a hat like that one, but think about it: Who wears the fish hat but the Pope? The Romish priesthood calls it a mitre, and the fashion of it is easily traced to Dagon. Dagon was worshiped in Mesopotamia as a god who was half fish-half man, a merman.

It is in the midst of this scene that a set of very transient images appears. As the fish walks by Chris we witness a transit of Venus, a celestial event where the planet appears to move across the face of the sun. The sequence consists of a few brief frames. Whenever there's a transit of Venus, the rare event draws the world's attention. Strawberry Swing leverages a celestial metaphor to demonstrate how Mary-Venus draws the world's attention to focus on her and her son, the sun god. In the moment where Venus transits the sun, the fish passes by Chris, revealing that they are one in meaning. Chris = sun (god); fish = Venus (goddess). Chris is photo realistic while the rest of the scene is a sketch, so he receives the visual focus for another metaphor. The sun is bright, while the transiting planet is dark as it occults the sun. The Antichrist is the center of attention, and all the other elements in the scene support him with appropriate context.

This impressive scene conceals and reveals several elements of the baptism and anointing. Here's the scenario. When the lawless one is baptized, he receives the anointing of unholy spirit that is the spirit of antichrist. Another way to express the dynamic is that Horus is departing the underworld, passing through the opened celestial Silver Gate to join with a chosen vessel, a man, to manifest bodily in this realm. Put yet another way, it's Isis, raising Osiris into Horus. Transformed, the god-man beast is the lawless one, revealed. The screenshot illustrates the material realm's Papal-fish baptizer approaching Chris(t) to perform his official duty. The ceiling fan pictures an inverted 5 point star, the alignment witches interpret to mean, spirit into matter. Antichrist spirit into flesh.

I believe the walking fish further represents the unholy spirit that makes both the Pope and the lawless one beasts (Rev. 13), which is a composite of Osiris, Isis, Horus. The phallus of Osiris is implicit in the fish, emphasized as the fish is wearing the glans penis hat.

“The fish form may be considered as a phallic symbol as seen in the story of the Egyptian grain god Osiris, whose penis was eaten by (conflated with) fish in the Nile after he was attacked by the Typhonic beast Set.” (Wikipedia - Dagon)

Isis collected the 13 pieces of Osiris and united them (Code 13, but that awaits another post). Isis magickally substituted another phallus to engage in the reproductive act that equates to the raising of Osiris into Horus. The fish symbol represents Christ (ichthus), to some, but only in ignorance because forbidden symbols are idols, the Devil's domain. The fertility signaling fish represents the phallus of Osiris, and, as the female bears many eggs, the fish also represents the fertility goddess of the sea, Venus, Stella Maris, the Mother of God, the Queen Bee. The fish represents the union of Osiris and Isis, Horus, produced when there is a union of spirit and flesh that manifests in this realm as the Antichrist.

The transit of Venus scene occurs at precisely 1:47 into the video. It pictures the 47th Problem of Euclid: Osiris union Isis producing Horus!

This screenshot of the transit exposes several levels of symbolism. You may see in it a gender merging androgyny (Baphomet / Adam Kadmon) as the fish becomes one with Chris.

Here's a screenshot during the baptismal sequence where it looks like Chris is entering a UFO.

The golden light beaming from the flashlight makes allusion to another classic painting, The Baptism of Christ, by Aert De Gelder (1710). A disk appears in the heavens from which a light beams down to illuminate the baptism. There's a UFO-alien presence suggested, and the scene finds a match during the London Ceremony, Beijing Olympics, which is another bean spilling Occult presentation.

All the elements present in the scene of the transit of Venus are fit symbols. The ceiling fan that signifies spirit into matter is also the 5 point star of Horus and the goddess. When the fish is under the star, think, star+fish, Venus.

In the Pope's baptismal office one should find an altar, and so we see the table.

There is a hall tree for hanging hats and garments. A tree is a goddess symbol. Their version has the form of a Maypole, which is a pole piercing a ring near the top. It's slightly obfuscated, with their fertility utility being embellished to better blend into the scene. The symbol of the magickal operation of the May Queen's sexual congress with the green man, Osiris is perfectly fit for the context.

The presence of the goddess of magick is evident throughout the video in what looks like a manhole cover in the upper left of the frame. Sometimes it resembles the 8 point star of Inanna-Ishtar. It's a beacon of her influence. For another insight into the meaning in this particular scene, consider that, “Dagon's consort was known only as Belatu, "Lady". Both were worshipped in a large temple complex called E-Mul, "House of the Star". ” (Wikipedia - Dagon)

A manhole provides access to underground utilities. In symbol, it's the portal to the underworld, the Duat, which is known as the celestial Silver Gate. On the other side of the chalk-drawn room is a door. It's the Golden Gate, opposite the Silver Gate. Supporting that identification, we see the expression of the Zodiac in the celestial setting of the transit of Venus with the fish in the water between the two stargates. The Silver Gate is located between Taurus and Gemini. Opposite that in the circle of the Zodiac is the Golden Gate, between Scorpio and Sagittarius. Between those stargates are the water and fish, Aquarius and Pisces. You could see the Milky Way as the water in this baptismal regeneration room. Theosophists identify the Milky Way as “the storehouse of celestial bodies-to-be” and a “kosmic nursery,” which has a direct bearing here.

If you're thinking about how smart the producers of the video are for encoding these things or how smart I am to figure stuff out, you're really missing the point. What you're seeing is the work of devoted servants. There is a warring in the heavens, and earthly agents are engaged. Ephesians 6:10-17.

Another striking celestial stargate transit sequence appears at the close of the video when a man walks his dog through the set on a leash. The dog is Anubis, the dog star, and the man is Osiris, Orion, until they pass through the moon and Isis to transit the Silver Gate. As they emerge from the Duat, the dog walker's identity becomes Horus. Chris(t) had just departed the scene, being welcomed with applause and warmly embraced. That modeled the reception of the lawless one at his apocalypse. The dog walk complements that scene's earthly-material perspective by looping back to illustrate the celestial-heavenly perspective. We hear the sound of passing traffic like they opened the door and left it open. Traffic lanes were opened for vehicles traveling down the celestial highway.

Remember I, Pet Goat II? There are notable parallels that validate that interpretation! As you can see in this screenshot of the "pet goat's" enclosure, the stick figures picture a man walking a dog on a leash. I recommend reading this post, Part 3 - Celestial Stargates - Isis, the Dendera Zodiac & I, Pet Goat GEMINI, to get more out of this parallel. Additional celestial symbolism in the Auschwitz camp set includes the bank of lights as the Pleiades. The peculiar barbed wire that looks like crows represents Corvus, the crow, on Hydra, the serpent. The 4 principle stars of Corvus serve stargazers as pointers to Spica, the alpha star in Virgo, implying the presence of the goddess. (As another link between the video scenes, I note that the Nazi guard dog would have been a German Shepherd, and the dog of Strawberry Swing looks like a mongrel of that same breed.)

Watch Coldplay - Atlas (Hunger Games - Catching Fire) to see the Zodiac and movements in the heavens featured. Watch for the appearance of a giant eye that is very obviously identified as Chris' Lord. Horus.

More to follow - Lord willing!

Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)

In this post I'm going to decode the main music video of the title song of Coldplay's 4th studio album. “Viva la Vida” has become the band's most successful song. When the symbolism of the song is understood the set may be seen better for what it was, an Occult ritual exaltation of Venus, the Marian goddess. You should know that what I'm going to show you isn't unique, but this is an example that it notable for its popularity and for the role it played during the London Paralympics. Vida la Vida was performed in a set with Strawberry Swing during the closing ceremony, and this post is supplemental to the ongoing series. The parts 44 and 45 of that series I recently posted to this blog are recommended reading.

Here's the primary official music video. I'll present the alternate supplemental version later.

Coldplay - Viva La Vida



The visual imagery of the video begins with a large red rose. Several more images of the rose appear occasionally throughout the video, which ends with the metaphor of the band as roses, losing petals in the wind. It begins and ends with the rose, and everything inside is related to it. The entire video is presented with a veneer of the characteristic cracks and tint of old paintings. Together with the background imagery and the band's attire it suggests the scene is taking place inside the painting featured on their album cover, “Liberty Leading the People," by Eugène Delacroix. The connection between the rose and the painting has to do with the symbolic woman who waves the flag, Liberty. She is also known in France by the name, Marianne. “Marianne” is a portmanteau of Maria, or Mary, and Inanna. She is the ancient rose goddess who is becoming most widely venerated today as the Virgin Mary. The band is identified with the revolutionaries who are led by the rose goddess, and with the rose goddess herself as the petals drift off in the final scene.

Plenty more goddess imagery appears. The string instruments have bodies that suggest the hourglass figure of the female. The electric guitar female body displays a red letter V, for Virgin, for Venus-Aphrodite, and for Victory, as Victoria-Nike. Chris Martin wears a red V on his shirt to mark him as hers. The cello and violin are played with a bow, which suggests the bow and arrow goddess Artemis-Diana. At 44 seconds in, an Isis numbering marker, he looks up to the heavens and hand-signals a subtle V to his mouth. A couple seconds later he gestures another V with two fingers. Churchill's V for Victory - Victoria. Some would call it a peace sign, given what he's singing at the moment, and it is - a sign of the Queen of Peace. That same gesture was making the triangle eye - the Horus Eye. That's the sodomite gateway to illumination and, in the context, probably linked to what's called the Peace of Mary and Illuminati mind-control programming. He flashes another V at 1 minute in and then strikes his first “bent elbow” W goddess pose of the video at 1:05. That's the signature posture of Inanna-Ishtar. A brief second later, at 1:06, he gestures some owl ears to confirm the reference to Ishtar. The rings of string bracelets and the banding on their arms makes further reference to Ishtar. When Chris is awkwardly throwing his arms out behind him he's modeling a delta wing, making a V and bee wings, as a servant and soldier bee of the Queen's hive. Images of the rose pass through the background. More goddess dancing bee W-goddess moves follow, with a hands crossed over the chest at 2:04 to add another goddess gesture. At 2:50 we see the sky opening for a Marian apparition, with Chris doing a little hand magick in our faces. At 3:33 we see him worshipfully raise his hands against the mystical backdrop of the appearing goddess.

A hobbyist Masonic archivist stated it very simply in SYMBOLISM OF THE BEE.
“In Christian allegory a queen bee sometimes represents the Virgin Mary, the hive symbolizing the Church.”

If you're interested in researching the bee goddess here are two very useful resources.

• Beedazzled + Beewildered + Beegotten by Andrew Gough
• The Venus Blueprint by Richard Merrick. This excellent book decodes the symbolism of the Rosslyn Chapel, demonstrating how two major themes involve the bee and hive and the Venus Rose.

Even the drum and bell instruments support the goddess theme. The cymbal and drums of the goddess Rhea were said to attract and dispel swarms of bees. Bell or Belle is used in many names to reference the goddess. It means, beautiful (like the name Frida), and makes reference to Venus-Aphrodite. Examples abound; Annabelle, Marybelle, Isabelle, Bella (Twilight franchise), Maybelle and Maybelline, Lisabelle, Tinkerbell... The bell and drum are also used for witchcraft. The bell is used magically for evoking demon gods and goddesses and even as a supernatural weapon. Drumming raises energy for the ritual.

If you examine what the goddess Liberty carries in the featured painting you'll notice how a rose is concealed within the red of the flag. I don't doubt that Chris Martin is aware of that fact, and what it means on more than one level. What do you think inspired the video opening scene's morphing-fluttering red rose, or is it just there for no reason? Liberty is the rose goddess they worship and serve, aka Mary. Hiding the rose makes it occult, by definition.

The hidden rose emphasizes the secrecy represented by the expression, sub-rosa, under the rose. Under the secret rose of the flag you can find another hidden symbol in her fluttering garment. The ends cross, forming an X. It's the mark of the sun god Horus, but let's connect the dots. The esoteric scene presents us with the rose cross ~ rosy-cross ~ Rosicrucian. Too subtle? The artist painted himself into the scene. He is the resolute looking fellow wearing the stove-pipe hat and holding a musket. The meaning of the name, Delacroix, is, “of the cross.” He placed himself in the scene sub-rosa, under the rose, secretly. Where does “of the cross” appear in relation to the hidden rose and the other hidden cross? That's not very subtle. Was the artist telling us that his companions in the illuminated brotherhood of the thorn bush kind were secretly behind the revolution, as inspired and led by the goddess? That's how the symbols read. Delacroix was a member of the National Guard, and it seems likely that the Rosicrucians, with the Marian Jesuits, were manipulating the conflict from every angle - as led by the goddess Mary, “their rebellion.”

Here's an excerpt from: The False Prophet Azazel by John of the Gentiles.

Appendix A - The Rose Cross of Azazel
“According to an esoteric reading of the Tarot, a Red Rose represents Venus (Azazel‘s human wife), while a Red Cross represents the angel Azazel. The combined Rose-Cross in one respect represents the sexual union of Azazel and his human wife. The word 'Rosicrucian,' is German for 'Rose Cross,' a term synonymous with Red Cross. In addition to this, the word 'rose' is an anagram for Eros, the name of the Greek god of Love, who was the first born son of the angel Azazel and of his human wife. The 18th Degree in Freemasonry is commonly known as the Rose-Croix (Rose Cross), a fact showing the relation to and establishing a link between these two seemingly diverse organizations.”

Elsewhere, the author identifies Azazel with Horus, I believe rightly.

The musket Marianne carries in her other hand is fitted with a bayonette. She is Athena-Minerva, goddess of war. The secret form presented is that of a lightning bolt, that weapon of Zeus that is also associated with the goddess. A related example of Liberty holding lightning is the Statue of Liberty, who holds a torch whose flame is the imprisoned lightning, according to the poem associated with her.

“A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.”

In that first verse of the poem she is the mother of exiles, and I believe this makes reference to the exiled Nephilim, who are being welcomed. The poem was written by Emma Lazarus. I find it interesting that the name Lazarus is associated with resurrection, which is very much the Queen Bee goddess thing. It's also associated with Spiritualism and punishment in the Bible. Relevant. I believe Emma is a goddess name. It certainly is today! The Goddess Emma? Jennifer Lawrence and Emma Watson merged to create 'internet goddess'.

The Statue of Liberty is an idol of the goddess honored by Delacroix and Chris Martin. It's linked to France in that exact period of time of the featured painting, and with Freemasonry as the French brotherhood's gift to their brothers in America. She is the goddess of their common revolution. She bears a torch and a tabula ansata, a tablet evoking the law. What law is this? Upon that tabula ansata is inscribed the date of the Declaration of Independence, July 4, 1776. A broken chain lies at her feet. Her law is rebellion. She is the Spirit of 76, and 7+6=13, rebellion. She is Mary, their rebellion.

What is meant by Liberty is a freedom from tyrannical rule, but in the context of those who follow the goddess and operate in the way of the occult, Liberty really represents a rebellion against the authority of the one true sovereign God. Their exalted revolution is intended to secure freedom from what is seen as the ultimate tyrant by seizing His throne. Being in charge, they hope to live forever and escape judgment and the due consequences of their wicked deeds.

The goddess sponsors this revolution as she makes way for the entrance of the Antichrist beast. This is what Coldplay is promotion with their revolutionary theme and symbols of the rose and bee.

Marxist art historian Giulio Carlo Argan defined “Liberty Leading the People” as the first political work of modern painting. Maybe, but beyond the politics of revolution it's a significant occult religious painting, and Coldplay is not the first to leverage it. For Americans, Howard Chandler Christie's poster, History of America, is clearly derivative, illustrating my country's national goddess composite of Nike-Athena who was usually called Columbia or Freedom. Patriots are following the goddess spirit of rebellion, or Mary, if you will.

So-called Christian patriotism is rampant in America, even amongst most of what I call the bike lane collective. Steve Quayle and Pastor Lankford and the Hagmanns have been blasting those who believe what was written to us in Romans 13 about civil obedience. They encourage picking up the sword, as Jim Wilhelmsen and Russ Dizdar. Those who live by the sword will die by the sword. Is my God not able to bring down even the walls of Jericho with the sound of voices and trumpets if he wills, or destroy the entire army of Egypt without a single sword being raised? Have they never read Matthew 26:52 in context? It's not a question of whether one is afraid of dying by the sword. It's a matter of trusting in the Lord, not presenting a show of bravado. It's about finding your life that is of the greater value!

For whoever wishes to save his life will lose it; but whoever loses his life for My sake will find it. ~ Matthew 16:25

Where else have we seen the red V symbol featured in the video? Have you ever seen the film, V for Vendetta? The bloody red V is set inside a circle. The circle itself is a goddess symbol. Their version conceals the head of an owl, the mark of Occult goddess worship. Alan Moore is responsible for the comic book and film. He has openly admitted to being a wizard and communicating with extradimensional beings. The main character of V for Vendetta stages revolutionary actions against the government. He's known as V, and we are led to see this as the Roman numeral of a room where he was kept. The number 5 is linked to Venus because of the points of the rose it traces out in the heavens. He leaves red roses with the victims he assassinates. Do you see the connections here? He wears a Guy Fawkes mask and follows in that revolutionary's footsteps. Guy failed in the famous Gunpowder Plot of 1605. “Remember, remember, the 5th of November...” the poetic tribute goes. Guy was a Catholic, leading Catholics in a revolt against King James I in attempt to install a Catholic Queen on the throne. It was a revolt led by the worshipers of Mary. You're connecting the dots with Viva la Vida, right?

Where else have we seen the red V symbol? In the TV series, “V” (for Visitors), the reptilian sky Queen was named Anna. Namesake: Inanna. She had a daughter named Lisa and her mother was named Diana. Three goddess names, three generations, modeling the Maiden, Mother, Crone. (Another example of triple goddess naming is in The Matrix, with the character named Trinity.) I'm not suggesting these are simply bad names but informing you how they are used in signal contexts. The blood red V is for 5-Venus and Victory, and ultimately through the Isis-Horus & Mary-Jesus (her counterfeit) in the bringing of their hopeful triumphant result of Victory over death. The Visitors were duping the world with false promises of healing, which has always been linked to the goddess apparitions. Another promised involved a gift of Blue Energy that would solve many problems, which I believe is linked to the blue-skinned goddess Shiva-Kali. I believe there is a connection between the V - for visitors and the Latin name Viator, meaning, “voyager, traveler,” which is the masculine form of, Beatrice, (Princess BEE - Great Britain) and, Beatrix, (Queen BEE - Netherlands).

The revolution, bee and rose themes are repeated in the song's official alternate video. After decoding that one I'll attend to the lyrics.

Part 42 - 2012 London Paralympics - Occult Closing Ceremony and the Agitos Symbol

Well, that's it. What is being called the golden Summer is over. With the close of the Paralympics, what I've searched out about what happened during the closing ceremony provides further validation of some things presented earlier in this blog series. The essential message I perceive is this: They have achieved their goal. The mass ritual of the Paralympics closing ceremony completed what began with the opening of the XXX Olympiad on July 27. Curses have been generated by high level practitioners of sorcery. It appears as though the threats many of us have perceived being signaled through occult means are beginning to manifest, and I must say, it feels like it's right on time.

London 2012 Paralympics Closing Ceremony

All the noisy signaling of terrorist activity that had built before the games faded during the season spanning the Olympics and Paralympics. The closing ceremony on 9/9 played to a packed stadium. It seems people breathed a collective sigh of relief. “That's over - and now we can go back to ignoring the conspiracy theorists who `cry wolf.` ” Really? What was announced symbolically as I read and interpret the publicly exhibited evidence of their mega ritual magick speaks to me of subtilty. The alchemist's deadly work is a covert operation, sub rosa. Watch and see what begins now to unfold in their global theater.

The Paralympics closing ceremony seemed to many like a Coldplay concert that was accompanied by non sequitur entertainments and occasionally interrupted by various ceremonial activities relating to closing out the London Paralympics. Questions are raised about the integrity of what we're told about the games even if we consider the ceremony very superficially, as just a big UK festival-style party thrown to celebrate the end of the Olympics season. Many asked why the party featured two non-Brits, Rihanna and Jay Z? That's reasonable, given how the whole deal is supposed to highlight the UK. Did Britain finally run short of local talent? I think not. I believe there's a message being sent about the Illuminist IOC and operations with their elite Luciferian co-conspirators. Rihanna and Jay Z aren't really foreign at all. They are in-house talent, from the branch just across the pond. I don't have any insight into who made that puzzling decision but I do know that, behind the scenes, the sovereign God moves and the agencies of Satan (aka Zeus) are engaged to accomplish His purposes. The choice of two artists from the US may be a statement that a focus of attention for this season is now on the US. While the customary transition to Brazil was in the spotlight with an 8 minute long ceremony to recognize the Rio 2016 games, a shift of attention off London rather to the US seems to be suggested. If this is what was signaled, it portends the big trouble so many of us have been expecting. I'll be expanding on that shortly.

Because so much attention was given to the flame, even labeling the ceremony, “Festival of Flame,” it must be seen that special emphasis was placed on the ceremonial extinguishing of the Olympic flame. Underlying that act is the death curse of ritual magick called the bell, book and candle. (See Part 12 - 2012 London Olympics - Death Rituals: A "Bell, Book and Candle" Mega-Ritual on the BBC) I identified the cauldron as the candle that represents the life of the one being cursed. When the candle is extinguished and knocked to the floor, it represents the life of that individual being extinguished and their soul consigned to darkness outside the light of God. The flame that had been lit from the sun on Mt. Olympus was put out in just that manner at the close of the XXX Olympiad. The same cauldron was relit from the 4 flames that had been lit on the highest summits in England, Wales, Scotland and Northern Ireland. Near the end of the ceremony on 9/9, a second bell, book and candle spell was cast as that flame of the thorn bush Cauldron was extinguished and it was “knocked” to the floor. I think this is where the emphasis on the flame is placed, elevating the power of the ritual magick and therefore the potency of the curse.

For whom were these curses of death intended? Take a hint from what happens to the accursed “candle,” which had acquired the dark energy of the entire London Olympic season that had begun with the lighting of the torch in Greece. The copper thorns are being gifted to the 204 participating nations, very nearly the full count of entities that qualify for participation. Is your country accepting their gift, a Trojan horse with hidden emissaries from hell? Mine is.

The way that fire was featured during some very dark post-apocalyptic scenes strengthens the theme of death and destruction. The mega ritual as one celebrating the bringing of death was highlighted by the theme of the passing of the seasons. The cycles of life and death would be the expected symbolism there but, along with the theme of good vs evil that was also featured, one side dominated. Evil. Death. My point is emphasized with some punctuation in the title of Coldplay's last song, “Every Teardrop Is A Waterfall.” Think about it. Tears will be multiplied. Not tears of joy, I can assure you! Despite the "feel good" party version we are still being sold, I'm betting it will be revealed to some as akin to a trip to the dentist, where the laughing gas comes just before the root canal.

Londoners will some day see the logos for the Olympic season for what they really are. One presents London being sodomized by the Olympics. The other presents London being sodomized by the Paralympics. The XXX Olympiad closed, in my NBC version, with “Take That.” The Paralympics closed with “Every Teardrop Is A Waterfall.” Ominous. Very, very ominous.

If you've been following this blog for a while you know that it is through ritual sacrifice and ritual sodomy and cannibalism that the Luciferian Zeus worshiping Illuminists achieve their goals. The sodomizing sex magick of the London Olympics branding is more than a shallow gesture like "flipping the bird." It's saying, we're using you, hijacking you as our slaves. It has been said that if you sodomize god you get his power. This really is a legitimate dynamic. The IOC and their sponsors have hijacked London through their sodomite sex magick rituals during this season. According as Rothschild sodomy brings illumination, we were publicly presented with the Enlightenment theme of the Paralympics opening ceremony. In the closing ceremony we see the illuminated slave army triggered and doing the bidding of their programmers.

By viewing the imagery of the closing ceremony through that lens, we may recognize scenes of a 9-12 (post 9-11) world as a prison planet with a prowling army of mind-controlled super-soldier guards, genetically enhanced as chimeric beings, beasts. The theme of the change of the seasons speaks to me as a signal of a stepped or staged plan having been put into play. The burning destruction of the accursed cauldron thorns begins.

I intend to present Coldplay's closing song as a Monarch slave anthem (in the Sodomite Gateway series) and then step through some of the ceremony to document what I've been proposing. That will be forthcoming, Lord willing, but I want to close this post out by expanding a little more on the red, blue and green Agitos, the symbol of the Paralympics.

I introduced this brand in Part 41 as three obfuscated sixes with reference to the 666 of Revelation 13 and the mark of the Beast. I also identified the image as a triple helix DNA symbol, also associated with that mark. The “Tae-Geuk” shapes in the version used from 1994-2004 might have been perceived as being just too obviously three sixes, so the agitos were swapped in and rotated independantly. Although it's still pretty easy to recognize the 666 signal there is a higher degree of plausible deniability, and, more than that, the subliminal and supernatural impact (symbol as demonic portal) is enhanced.

The Paralympic motto had been “Mind, Body, Spirit” during the “Tae-Geuk” era. The Agitos era motto is, “Spirit in Motion.” London's Channel 4 writes that, “The three Agitos, from the Latin meaning "I move", surrounds a central point symbolising motion, and emphasises the role of the Paralympic movement in bringing athletes together from all corners of the world to compete.” “The shape also symbolises the Paralympic vision "To Enable Paralympic Athletes to Achieve Sporting Excellence and to Inspire and Excite the World"” Excite the world? I think we can read between the lines about the excitement being sexual, and that the inspiration is the enlightenment of ritual sodomy.

agitos

• “I put something in motion, drive, impel; drive by rowing, row about; shake, throb.
• I brandish, wield.
• (of cattle) I drive, conduct; tend, control.
• (of animals) I hunt, chase, pursue.
• I drive to and fro, toss about, agitate, disturb.
• I rouse or stir up, excite, move, urge, drive or impel someone to something, insist on.
• I disturb, disquiet, provoke, agitate, vex, trouble, torment.
• I reprove, assail, blame, decry, scoff, deride, insult, mock.
• I am engaged in, do, accomplish, have, hold, keep; celebrate; practise, exercise.
• (of time) I pass, spend.
• I live, dwell, abide, sojourn.
• (of the mind) I drive at something in the mind; turn over, study, weigh, consider, meditate upon.
• (of the mind) I am occupied with, devise, contrive, plot, design, intend.
• I deliberate upon, confer about, discuss, debate, investigate.
• (with sat and genitive) I have enough to do, have trouble with, I am fully engaged in.”

agito - wiktionary

Read through the list of meanings a few times and seek the holy sprit about which are most relevant. This “agito” dynamic really speaks loudly to me of aggressively coercive motion toward the mark of the Beast, literally Antichrist Spirit in Motion.

The brand really crosses over to overlap the Sodomite Gateway series because the Paralympics is even more symbolic of sodomy than the other London Olympic imagery. The London guy's anal triangle is the same triangle that is the illuminating head of the Paralympic guy's phallus. Sodomy. That imagery is shared with the regular London Olympics logo. What is added by the Paralympics version is the embedding of the obfuscated letters q and u, for “queer,” homosexual. Also, (warning - graphic) the two agitos forming the letter q can be interpreted anatomically as the buttocks of a sodomizer, facing right towards the reclined green, or as his scrotum.

Ultimately, the sodomizer is Horus because the entire logo forms the upper case letter R, the familiar esoteric variant of the eye of Horus. He is Apollyon the destroyer, son of Zeus, the ancient and returning god who will rule an earthly kingdom for a brief but incredibly intense season.

Flying the 666 flag over No. 10 Downing makes a statement about who runs what. And, how.