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Showing posts sorted by date for query "fire and ice". Sort by relevance Show all posts
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Tuesday, December 14, 2021

I, Pet Goat II, by Heliofant - The Apple / POTUS-Antichrist Time Ritual from 2012

This viral video was released on June 24, 2012 - in a very notable season! It's filled with symbolism that begs to be explored to understand what the producers were trying to convey and accomplish. We've already given our attention to decoding I, Pet Goat, II, even this scene that features the girl with the apple, but today we want to revisit it to add some fresh and relevant insight. If you're interested in where we've already been with this, you'll find the links on our blog.

(Full HD) I, Pet Goat II, by Heliofant - The Apple / POTUS-Antichrist Time Ritual from 2012
I, Pet Goat II, by Heliofant - The Apple / POTUS-Antichrist Time Ritual from 2012
I, Pet Goat II, by Heliofant - The Apple / POTUS-Antichrist Time Ritual from 2012

Curious about the pending reset of time? Learn more here: The Pending Reset of Time

I Pet Goat II - Links to our Blog Posts

Part 1 - "I, Pet Goat II" - Golden Magick Circle
Part 29 - 2012 London Olympics - Golden Magick Circles
Part 2 - "I, Pet Goat II" - 9-11! Illuminati Mind Control
December 21 Celebrates the Birth of CERNunnos
--------------------------
Part 2 - Celestial Stargates - I, Pet Goat GEMINI
Part 3 - Celestial Stargates - Isis, the Dendera Zodiac & I, Pet Goat GEMINI
Part 4 - Celestial Stargates - Heliofant and the London Underground
Part 12 - Celestial Stargates - Silver Gate Mass Ritual
Part 26 - Celestial Stargates - The Black Magick Baptist
Part 27 - Celestial Stargates - The Black Magick Anointing
Part 29 - Celestial Stargates - The Celestial Sign of Antichrist * in I, Pet Goat II
Part 31 - Celestial Stargates - AB CHAO and the Christ of "I, pet goat II"
Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II
More Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II
-------------------------
Part 33 - Celestial Stargates - The Flowering Lotus that Terrifies Obama in “I, Pet Goat II”
Part 34 - Celestial Stargates - A Sequel to 9-11 - in “I, Pet Goat II”
Part 35 - Celestial Stargates - False Flags in “I, Pet Goat II”
Part 36 - Celestial Stargates - The Secret of the Shemitah in “I, Pet Goat II”
I, Pet Goat II - Fire and Ice, The Lotus President, Tear Jar, Psalm 23
A Spell Cast When Obama is Made to Look like a Fool
When Will the Lawless One be Revealed? Fourteenth Installment
The Sign of Yom Teruah - Falling Apple Clock, Antichrist and the Time Mission
Megas Thlipsis - more Briefing
Decoding Tudor Pelagos - An Enchantment Under the Sea
“Skylanding” - Yoko Ono's Globe Spanning Magick Ritual Evokes Horus


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Friday, May 11, 2018

Part 10 - About the Schedule of the Pending Reset of Time


On April 3, as insight into the schedule of the pending reset continued to unfold in the midst of time signs, my attention was directed to Proverbs 30.

18 There are three things which are too wonderful for me, Four which I do not understand:
19 The way of an eagle in the sky,
The way of a serpent on a rock,
The way of a ship in the middle of the sea,
And the way of a man with a maid.
~ Proverbs 30:18-19

This passage suggests the keystone pattern. It's one among five similar constructions in the chapter. Before I expound on this a few observations should be made.

I find it curious that these weren't included among the examples collected into the study, The Keystone Pattern - Three Things Then the Fourth. Those from Proverbs 30 were actually featured almost 8 years ago in a post titled, Vancouver Olympics - Part Five - "There are Three Things - Even Four". We think it was awaiting this season of further insight! Now that we're aware of a 5th shemitah in the series that "devours" the 4th, the title of that post seems very fitting. It's the 5th in series! And, since 2008 the ceremonies of the Olympics have been very central to the work of The Open Scroll, with a major focus on London 2012!

In reflecting on that old post, Aaron and I note that the glitch that folks will remember from the 2010 Vancouver Winter Olympics ceremonies is even more revealing than I knew at the time of writing about it! Likewise, the memorable glitch from the 2014 Winter Olympics ceremonies in Sochi!

The glitch in Vancouver involved the pyramid-like framed Cauldron. The climax of the opening ceremony involves lighting the Cauldron with the torch and the flame lit from the sun on Mount Olympus, according to tradition. To add to the drama, they erected the cauldron in the middle of the stage during the ceremony, but only 3 of the 4 legs rose up out of the floor. It was only later during the closing ceremony that the 4th element was officially raised into place to complete it, with comedic drama and much more attention. So, after being delayed, the object with 3 elements was completed with a "fixed" 4th element. Did you get that? We consider how we had expected this present shemitah to complete the Keystone set. But it's like the 4th leg of the Vancouver Olympics Cauldron - a no-show. There's a delay until the games are over, in a sense, when what is broken gets the fix. Right now, here in shemitah 860, we can liken our season with that of the Vancouver Olympic games. The Cauldron had the 4th thing but it was not legitimate in the sense of having been properly constructed and celebrated during the official ceremonies. This awaited the closing ceremony. The 5th instance of the thing completed the 4 part object, you see. I note also that the Cauldron had a central flame that was surrounded by 4, being in 5 parts, and this Menorah-ish structure seems fitting for the symbol. The Cauldron incident was a sign, and a more revealing one than I knew at the first!

This Cauldron begs a little commentary. Because we know the Great Pyramid is an ancient time weapon, when the International Olympic Committee cryptically models it as their central icon, we have to give it our attention. Especially because their famous rings logo is secretly an inverted pyramid, truncated like the Great Pyramid. The Vancouver Cauldron was made to look like it was made of ice crystals. Ice: frozen water-as-time. It's the ancient time weapon that is still today quite relevant - and they model it as being frozen in time. Whether the glitch was accidental or planned makes little difference. A great deal of attention was drawn to its construction. You can see it as beaming energy, the light of the sun, as from its eye atop the pyramid. A Cauldron is what witches and alchemists use, right? Factor that in because it fits! Because this ice structure is the Cauldron that burns with fire, we can hardly ignore the Nazi history, with the theory of eternal ice (or “Welteislehre” or “Glazial-Kosmogonie”) being embraced by Hitler and the Nazi party. (See this post for more insight. I, Pet Goat II - Fire and Ice, The Lotus President, Tear Jar, Psalm 23) This fire and ice Nazi science was played up in Back to the Future, as you may recall. When the Delorean time machine disappears it leaves fire behind. When it reappears in another time it's covered with ice. Fire and ice as a sign of time displacement - so Vancouver's Great Pyramid-styled Cauldron - as a time machine - modeling the Keystone design with the extended shemitah!

In Sochi, 2014, the glitch happened during the opening ceremony with the traditional formation of the Olympic Rings logo. Again, the completing element failed to develop, and, again, it was "fixed" with comedic drama and much more attention during the closing ceremony. The design of the 5-ringed snowflake logo featured several time signaling elements. Snowflakes are ice crystals so they picture frozen time. Each ring is a circle and a circle is a common symbol for time. The number of rings is a number that we have learned to identify with time. The way the rings were formed made it look like 8 and 8 came together. 88. (A familiar number, of Mercury, time travel themes and doubled in Psalm 119.)

Sochi Rings: a Glitch and the Fix. from Opening & Closing Ceremonies. 2014 Winter Olympics



The ceremonial completion of the rings logo involved a ritual where the rings were rotating clockwise, and when the last one failed they were wound counter-clockwise - unwinding the clock or reversing time, as it were! Supporting this view, the ritual was performed on a stage made to look like it was awash with waves of water (as time), a visual effect produced by the now familiar high tech projection system. Whether or not the apparent glitch was intended, it was a time sign, and one with a message that speaks to us about the expanded Keystone pattern.

Now, about Proverbs 30, after having spent a couple days focused on Psalm 119 I was led to focus on this chapter. The peculiar highly ordered structure was being highlighted to me, a characteristic feature that was so foundational to our understanding of Psalm 119. So, on April 3, I entered the chapter into the Chiasmatron 2000 and began to explore the inherent thematic design. I picked up the effort a few weeks later, and again yesterday. I got the project to a place that I felt was pretty close but I wasn't satisfied. This is pretty typical of my efforts. I confessed my complete inability to discover anything before the Lord and called upon his promise to help, something Aaron and I have as something like a blank check. We don't take that for granted but neither do we hesitate to "take it to the bank"! There was some praise involved, and some weeping at a fresh view of His overwhelming goodness. And, some insight came forth that really sealed the deal for me, and when Aaron took a look at the project, he independently confirmed that it was really speaking to him as it had to me.

You can't really look at Proverbs 30 and argue that it's anything but a collection of riddles. The thing about a riddle is that there is a solution. Otherwise, it's just crazy talk, right?

Most of the effort on presenting this has gone into the interactive presentation, which has been populated with lots of context-relevant commentary. I'll offer a brief summary of the most important bit but mostly leave it to you to explore it according to your own interest. Just hover your mouse over the lines of text and bars or tap your tablet. Right-click or double-tap on the bars to bring up the commentary in a drag-able window. Tip - it will make the most sense if you read through the Proverb first, then start exploring the commentary with the leftmost and topmost bar and work your way over and down.


In the 30th chapter of Proverbs there is a peculiar construction that appears several times. Lists of 4 things are presented in a distinctive way, beginning with the mention of 3 things, then saying there are 4. Either it's just prose meant to impress or entertain or it means something, relative to the collection of riddles in the context. The Keystone pattern is evident, as a foundation. There are 5 of these sets, and there are a couple of distinguishing features that make this structure very compelling with regard to the schedule of the pending reset of time. The 5 are divided into 3 and 2 by the use of segue/transitional lines. So, three things, then 2? Not if we take the minimizing of the 4th in series as a clue! Then there's the repeated 7-fold palindromic Hebrew words in the opening line that can be translated as: God has arrived! Remember, this Keystone is the model of the season of the Lord's return in judgment, according to Jacob's death bed prophecy! As for the significance of the palindrome, reflect on the similar construction of the menorah in the structured revelation of Psalm 119 and of the hinged Songs of THE Degrees that reference the sign of the sundial to Hezekiah.

And, with all that, there's still more passages and signs to share - and the pile of evidence continues to grow!

Could it really be that time will be reset in the fall of 2019? You are even now placing your bets, with what you've been doing today, and yesterday, and planning to do tomorrow. May we offer an investment tip? Make every day count toward using each and every one of the gifts the Lord has endowed you with, endearing yourself to Him with passionate expressions of faith, hope and love in the learning humble obedience with patient endurance. May He reveal Himself to you in the process as the One who can be trusted with all your cares.

Saturday, February 10, 2018

The 2018 Winter Olympics Begin

Another season of the Olympics is upon us. I watched some of the opening ceremony last night and heard the reporters/commentators reflect back on the last Olympics in Asia. I have often reflected back on those myself because the closing ceremony in Beijing (2008) was such a pivotal event for me.

I had been involved for many years in Christian ministry and in passionate study of the Bible. I had begun to learn how to understand things that were deeply hidden, like figures of speech, thematic structures, and celestial signs. I was also learning how to interpret dreams and discern the meaning of certain special events that were signs in the earth, as the anointing of the holy spirit had been leading me in that way. Ten years ago, a friend directed my attention to what she thought she saw happening during the closing ceremony in Beijing. I checked it out. She was right, and the more I looked into how they were secretly modeling the baptism and anointing of the antichrist beast, the more the Lord revealed.

I spent many months writing about the signs of those Olympics, and hundreds more hours in the years since in the study of Olympic ceremonies, symbols, and attending signs. This is not just a personal interest. There's something about it that is of universal significance!

The London Olympics of 2012 happened in a season where time went off the rails. The London Ceremony from Beijing was involved in connection with the London Olympics and Paralympics in the skewing or hijacking of time. We knew there was something going on at the time, and, in hindsight, we have to say that impression continues to find validation. When the bell (of Caliban-antichrist) was rung in the Olympic Stadium to signal the official start of the Games, Aaron heard in the spirit, "It has begun." Sure, the Olympic Games had begun, but that's not what was meant, obviously. The mass ritual event known as "All the Bells" had taken place earlier that same morning. The bell barge had been floated down the Thames-Isis in the Queen's Jubilee flotilla. We had been raised to a high alert status through many months of careful watching and reporting. What was it that had begun? Something of note, something different, and something that is going to need to be undone. Such a thing as to undo it is impossible of course, but yet, nothing is too hard for the Lord!

So, yesterday, the Winter Games in South Korea were officially opened. The flame of the torch that was ceremonially lit at the Temple of Hera, the wife of Zeus, reached its appointed destination. The (witches') cauldron in Pyeongchang now burns brightly, illuminating the Olympic Park like a temple with its roseate hue. Some have identified the lighting mechanism as a flaming robot penis (They should have got help with making that a little less "phallic-y" from the professionals. But maybe Amazon was busy already.), but beyond that "controversy," no one in the media seems to be squawking about the dedication of the entire proceedings to Zeus, aka Satan, and Apollo, who is linked to the antichrist beast. Neither is there any squawking about the idolatrous exaltation of the goddess inherent to the Games. Some attention is being given to the inappropriately dressed oily Tonga flag bearer in a grass skirt, and to the first openly gay Olympic athletes from the USA and their slighting of VP Pence, but there seems to be no offense being voiced about the role of the flamboyant (flaming homosexual) Johnny (queer) Weir, who is an official NBC commentator for the ice skating competition. Last I checked, the book of Romans does not start with chapter 2.

Is it the matter of people coming together in unity from all over the globe that's so appealing, which they seem to slather all over everything like a special sauce? Wasn't that the situation at the building of the city and tower of Babel, so long ago? (Genesis 11) Yes. Yes it was, and toward the same goal, really.

It's not that I don't appreciate athletic ability and competitive sports and great photography and music and stories about families and strangers working together and supporting each other and grand theatrical productions and so on. It's just the whole "harvesting of worship for Satan" thing I'm not a fan of. And I'm even less of a fan when it's sneaky and the predators are taking victims in their ignorance and naiveté, even if they seem willing to be taken.

So long as they don't make too big of a big deal out of it, most folks are content to just go along with the whole Zeus worship thing. Like it's quaint and harmless. It's like the recent half-time show at Super Bowl LII. As long as the pledge to the Prince of the Night isn't in your face, it can just be ignored. But can it really? There's a legitimacy to it, demonic authority and evil fruit. There are consequences, curses, judgment.

Is anyone still wondering why each of these official logos can be easily manipulated to render the word, ZION? Is this some kind of ritual connection toward a magical hijacking and energy transfer through time and space? That seems likely.

There is coming a time when the world will worship together in peace and harmony, but then it's going to look much different. Better! Way, way better! It will be the real Zion manifesting, and, the IOC will be nowhere in sight. And, the Lord of Lords and King of Kings will be worshiped in truth!

How, when and where to watch the Opening Ceremony

Gay US Olympians dig in on feud with vice president: 'Eat your heart out, Pence'

THE Winter Olympics torch lighting ceremony was mocked as viewers said the giant metal rings used to ignite the cauldron looked like a "robot fire penis".

Tuesday, December 01, 2015

The Flash's Subversive Agenda, Justice League, The Hateful Eight, etc.

A couple of themes that have been trending have made some more media productions worth noting.

Quentin Tarantino’s new film is called, “The Hateful Eight.” H8 (hate) is Neo-Nazi code. The film title is Neo Nazi Code. 88 ~ HH ~ “Heil Hitler”

Gods of Egypt - Trailer

Olympus - A Legend Will Rise - on Amazon - Wow! Rich.

Justice League: The Flashpoint Paradox (2013) [This cartoon animation is NOT recommended for viewing due to disturbing graphic violence]
The Flash causes a temporal ripple that creates a fractured reality where the Justice League has never formed, Superman does not exist and a war rages between Wonder Woman and Aquaman. Flash teams with Batman and Cyborg to restore the timeline.


The Flash on The CW continues to hold our interest. S1 Ep 15 is where the timeline was skewed. The skewed timeline continues on in the series, as in reality. So you understand the fundamentals of their particular spin, here's insight into the imagery that advances a subversive agenda. “The CW” is Code 33 and Code 66, for a foundation.


The lightning sigil is a modified Nazi SS rune. One is overlaid on the other. Nazi Science - übermensche with powers like unto Odin and Thor. The winged helmet motif touches on the Wagnerian magical helmet, the Tarnhelm. The attention given to Captain Cold and Heat Wave smacks of the Ice and Fire of Horbiger's Welteislehre cosmogeny. The winged helmet and his speed are also identifying The Flash as Mercury, the fleet messenger of the gods and psychopomp, master of traversing dimensional boundaries. The lightning sigil highlighting the letters L and A in The Flash title calls out their combined values. 12+1=13 ~ the mastery of time and space-time. The Flash demonstrates just that very ability.

It's entirely Occult. As is customary, the themes are woven tightly together and the sodomite gateway sex magic is fundamental.

Barry Allen: Secret sodomite identity: Bury Alan-anal
Barry's beloved girl, Iris West. Secret sodomite identity: The “brown eye” which is slang for the anus aka the Eye of Horus, because Iris (eye) is brown. “The iris is a thin, circular structure in the eye, responsible for controlling the diameter and size of the pupil and thus the amount of light reaching the retina.” Think, sphincter. Why West, as in, Iris West? To "Go West" is to take the left hand path. It's the path of the sun, their sun god. It is a metaphor for changing the sexual orientation to the perverse and rebellious, moving in the direction from heterosexual to homosexual. In the vintage cartoon, Bimbo's Initiation, Going West is what is pictured when Bimbo visualizes the members of the fraternal order as Betty Boop clones. (Village People - Go West OFFICIAL Music Video 1979)

7 Ways ‘The Flash’ Challenges Traditional Masculinity (MTV News)


Ritual sodomy is the real and ancient means of acquiring superhuman powers, with the energetic flashes of white light being produced in the brain during initiation into the ranks of the illumined. This is why Cisco / Ramone continues to act more and more like a little girl. The time travel power Flash has will make sense if you understand Rocky Horror Picture Show as an initiation ritual. What it means to “Do the Time Warp” is to enter the trance state for mind-control programming as a result of ritual sodomy. “But it's the pelvic thrust... That really drives you insane. Let's do the Time Warp again.

On that subject, that same theme pervades Back to the Future, and it's also leveraged in, The Lake House, with Keanu Reeves and Sandra Bullock, which I mentioned recently. The mail box as “male box” is the time portal device. “But it's the pelvic thrust... That really drives you insane. Let's do the Time Warp again.” The isolating glass house is a metaphor for the mind control slave's core inside the programming structure of multiple identities. The dog as psychopomp.




DICAPRIO RAPED BY BEAR IN FOX MOVIE
“TUE DEC 01 11:01:02 2015 ET

The new movie 'REVENANT' features a shocking scene of a wild bear raping Leo DiCaprio!

The explicit moment from Oscar winning director Alejandro Inarritu has caused maximum controversy in early screenings. Some in the audience escaped to the exits when the Wolf of Wall Street met the Grizzly of Yellowstone.

The story of rural survivalism and revenge reaches new violent levels for a mainstream film.

The bear flips Leo over and thrusts and thrusts during the explicit mauling.

"He is raped -- twice!"

Not to be outdone, DiCaprio rips open a horse and sleeps naked in its carcass!

For director Inarritu, 'BIRDMAN' was just the appetizer.

FOX has given the movie an award-qualifying release on Christmas Day.

Developing...”

By the way, in LGBT lingo, a bear is a hairy homosexual man. That's what's being signaled in the esoteric layer.

Friday, July 10, 2015

Space-Time Ark Signs - Wayward Pines

A week ago, I wrote in this post, A Sign of the Space-Time Ark Mission, about a sign that came in connection with the season of my focus on writing about The Avengers (2012) and the Stark Tower as a space-time ark. In a way, our house became like the Stark Tower for nearly 3 days. During that time, I was led to watch a couple other things that came as related signs. These are for our attention and our encouragement as we watch diligently according to the Lord's commands.

A new show this season on the FOX network is, Wayward Pines. Full episodes can be watched on FOX.com. Spoilers ahead.

Wayward Pines is the name of a fictional town near Boise, Idaho. Strange things happen there, and several episodes into the show we discover that the town became a kind of time capsule, a space-time ark that exists for the salvation of humanity.

Here is some dialog from episode 5: The Truth, from about 35 minutes in. The Wayward Pines school principal, Megan Fisher (a hypnotherapist in her “former life.”) is giving a special presentation to three select students.


“Over 2 thousand years ago, a great scientist foresaw the coming of the aberrations. The perfect equation that held our planet together was unraveling, and he knew mother nature would do as she always does. She would evolve. She would change the equation. She would change us. This scientist wanted to save a select sample of humans from this change, to preserve our kind, as we once were. So he created an ark. He created Wayward Pines.”

Aberrations, genetically. Think, The Time Machine, by H. G. Wells, and how the human race diversified genetically. The aberrations are cannibals comparing roughly to The Time Machine's Morlocks. A key identification to make connects the WP aberrations and those hybrids we call the Nephilim, offspring of the fallen angels, the Watchers. Genesis 6. They flooded the gene pool of Adamic mankind. The purity of the line came down to a single man, Noah. Then the Creator intervened to save His Adamic heritage. In the Wayward Pines story, instead of Noah we have the great scientist. His ark is a time capsule-like town that he sent through time, in a figure. See the water-as-time or time-as-water angle.

There's another Nephilim angle in play here. The abbies-Nephilim are the ones who are really trapped INSIDE the containment grid, imprisoned in or under the earth until their sentence of 70 generations passes. It's a time lock on the space-time dimensional underworld cell block. They're bent on hacking it to get an early release, and success will be granted.

When I was practically binge watching these episodes to catch up on 6 episodes, I was quite well aware of how the ark theme was going along with what the Lord was showing me about the Stark Tower space-time ark. It wasn't until a day or so after watching these that I learned our outage was caused by the cut cables. Making our house kind of Stark Tower. And even a bit like Wayward Pines.

By the way, the theme is still trending. In todays news: (Pacific islands cable breaks, cutting off phones, Internet) “Technicians are restoring telephone and Internet service in the U.S Commonwealth of the Northern Mariana Islands after a break in undersea cable disconnected the islands from the rest of the world.”

A recurring image in the scale model town of the title credits is a roadside sign, like the one seen during the show.


It's a sign. A scale model. When the Lord was revealing to us the initial 12:21 numbering it was with regard to how the model was elaborately masked. A scale model was specifically involved. Its a sign. The scene is wet, with a puddle in the road. Time soaked. Welcome to Wayward Pines. Where Paradise is Home. Yet, paradise, or garden, is associated with Eden biblically. Since Adam and Eve were expelled there's no way back in until there is a restoration because the Tree of Life is secure - access denied. So, it involves the ancient past, and yet future - remote in space-time. The Wayward Pines story goes back to Genesis 6, and to Genesis 3, and 1.

Here's more of the script from episode 5: The Truth. At about 41 minutes in, the principal continues her presentation.

“David Pilcher foresaw a great flood and he built an ark. And he filled this ark with people like you and me; people he deemed necessary for the survival of mankind. We are the lucky ones. The chosen few. But this ark will only survive if we all follow the rules. If there is one hole, one crack then the water will get in and we will all drown. It's up to you to make sure that doesn't happen. It's up to you to steer the ark safely to shore. Because you are the first generation.”

There's very much a “go forth and multiply” theme in that episode, with all hope being in the children because the adults are apparently unable to reproduce or emotionally adapt to the truth of their situation. There's an allusion to Genesis 8.

13 Now it came about in the six hundred and first year, in the first month, on the first of the month, the water was dried up from the earth. Then Noah removed the covering of the ark, and looked, and behold, the surface of the ground was dried up. 14 In the second month, on the twenty-seventh day of the month, the earth was dry. 15 Then God spoke to Noah, saying, 16 “Go out of the ark, you and your wife and your sons and your sons’ wives with you. 17 Bring out with you every living thing of all flesh that is with you, birds and animals and every creeping thing that creeps on the earth, that they may breed abundantly on the earth, and be fruitful and multiply on the earth.” ~ Genesis 8:13-17

Noah and his family and the animals were in the Ark over a year. The residents remain in the Wayward Pines Ark for over 2000 years.

The year is 4028. The residents have a perception of leaving their previous world and life and arriving at Wayward Pines at times that vary from person to person. It can be explained by the fact that they were kept in suspended animation cryogenically. They were selected and taken out of their lives in our day and awakened at times in the future in a way that the spans of time in stasis varied from individual to individual. You'd have to have watched the show to get a hold of what I mean, but this situation speaks to me of our time, now, where the model is elaborately masked. I'm assuming you've been following this blog and that needs no further explanation. Time itself has already slewed kind of sideways, gone slideways, being skewed out of the reality where the schedule of events outlined in the Bible is manifest.

During the scenes I scripted, you can hear rain falling in the soundtrack. It's not quite intrusive but substantial and steady. What are we being told? The threat is real and present. There is a pressing urgency. There are already cracks in the ark, which we see dramatized as the security of Wayward Pines has already been breached and the town is threatening to rupture. This is a mirror of our present reality. The time wars, while most are oblivious to it, have taken a toll. The hull of the world-as-ark has been breached and we're taking on water. We are not only threatened by the genetic flooding of transhumanist geoforming and bioforming activity (toward the MOB), which is like a tide that cannot be turned back in a parallel that is not insignificant, we're already threatened by the water-as-time leakage. The assault on time and therefore space-time impacts the basis of the Creator's schedule, and everything depends on that. Of course, it also impacts the integrity of the heavenly realms and their function, touching directly upon on the hierarchy of authority itself. As it stands, today, the Adversary has already won, and, he knows it. He knows that appointed times have come and gone, unfulfilled. Soon, what is inevitable will manifest, like when dominoes fall. What he doesn't know is that this has been planned from the beginning to accomplish the sovereign Lord God's own purposes. He's going to snatch victory from the jaws of defeat, as it were. He's got an ace up His sleeve. The Adversary is a master at concealing and revealing, but he and his abilities cannot compare to the One who Created even him, Who truly knows the end from the beginning. His secret plans will be fulfilled.

This promotional image bears the tagline, A place to die for. Flip it? Fallen down, but up. It's inverted and the rain is falling up. Time, flowing in reverse. Life from the dead, rising up from the underworld.

Before I share the next snipped of dialog I want to introduce the book of Jude, for insight into the name of Wayward Pines. Pines, as all trees, are metaphors for other beings.

11 Woe to them! For they have gone the way of Cain, and for pay they have rushed headlong into the error of Balaam, and perished in the rebellion of Korah. 12 These are the men who are hidden reefs in your love feasts when they feast with you without fear, caring for themselves; clouds without water, carried along by winds; autumn trees without fruit, doubly dead, uprooted; 13 wild waves of the sea, casting up their own shame like foam; wandering stars, for whom the black darkness has been reserved forever. ~ Jude 11-13

The adults of Wayward Pines cannot reproduce, as autumn trees. Isaiah 14 uses figurative language featuring pines. Those who came to cut the cedars of Lebanon out of the forest were using them as idols, Asherah poles. The displaced or wandering cedars of Lebanon. They are wayward pines, as wandering stars, and stars are a metaphor for angels.

Consider what Jude wrote a few verses earlier.

5 Now I desire to remind you, though you know all things once for all, that the Lord, after saving a people out of the land of Egypt, subsequently destroyed those who did not believe. 6 And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for the judgment of the great day, 7 just as Sodom and Gomorrah and the cities around them, since they in the same way as these indulged in gross immorality and went after strange flesh, are exhibited as an example in undergoing the punishment of eternal fire. ~ Jude 5-7

They did not keep their own domain. They abandoned their proper abode. They strayed. Wandered away. They are connected with the flood, the Nephilim. The extent of their corrupting activity, morally, yes, but crucially genetically, required the ark.

Consider this scene from episode 6: Choices.

David Pilcher: I think I may need an ark!
Security guard, Arnold Pope: Yeah, you just might.
Pilcher: Big plans tonight?
Pope: Uh. March Madness, the couch and Rocky Road.
Pilcher: I got a better offer.
Pope: Rocky Road is a hard thing to pass up.
Pilcher: Come for a ride and find out.
Pope: I've got 2 hours left on my shift sir.
Pilcher: I run this place. Get in. Come for a ride. Find out.

Well, the brown man is holding a black umbrella in the rain, and he's a security guard, so when you're familiar with the sodomite gateway and Illuminati trauma-based mind-control programming Beta-Delta symbolism, you just can't ignore that layering. In part, that's why it plays so readily as a homosexual pickup. Rocky Road - that's not just ice cream. The couch - that's not just a piece of furniture. Jude verse 7 connects the indulgence in gross immorality of Sodom and Gomorrah with those “wayward pines.” There's the matter of strange flesh, as in how iron and clay (Daniel 2) are not the same. It's the sons of god (angelic) with the daughters of men (Adamic) thing. So, a Pope is being recruited. Right. Fitting for a water baptism initiation, and a link to the sodomite priesthood.

What an interesting name, David Pilcher. The Messiah is known as the son of David. A Pope and a David. What about his last name? A pilch is an outer garment, originally one made of skin. Think, Genesis 3:21 and the skins the Lord God provided as coverings for Adam and Eve. The “Pilcher” was thus the Lord God. The seventh chapter of the book of Jasher indicates that these were onboard the ark with Noah.

24 And the garments of skin which God made for Adam and his wife, when they went out of the garden, were given to Cush. 25 For after the death of Adam and his wife, the garments were given to Enoch, the son of Jared, and when Enoch was taken up to God, he gave them to Methuselah, his son. 26 And at the death of Methuselah, Noah took them and brought them to the ark, and they were with him until he went out of the ark. 27 And in their going out, Ham stole those garments from Noah his father, and he took them and hid them from his brothers. 28 And when Ham begat his first born Cush, he gave him the garments in secret, and they were with Cush many days. 29 And Cush also concealed them from his sons and brothers, and when Cush had begotten Nimrod, he gave him those garments through his love for him, and Nimrod grew up, and when he was twenty years old he put on those garments. 30 And Nimrod became strong when he put on the garments, and God gave him might and strength, and he was a mighty hunter in the earth, yea, he was a mighty hunter in the field, and he hunted the animals and he built altars, and he offered upon them the animals before the Lord. 31 And Nimrod strengthened himself, and he rose up from amongst his brethren, and he fought the battles of his brethren against all their enemies round about. 32 And the Lord delivered all the enemies of his brethren in his hands, and God prospered him from time to time in his battles, and he reigned upon earth. ~ Jasher 7:24-32

Pilcher: English (Kentish): occupational name for a maker or seller of pilches, from an agent derivative of Pilch. In early 17th-century English, pilcher was a popular term of abuse, being confused or punningly associated with the unrelated verb pilch ‘to steal’ and with the unrelated noun pilchard, a kind of fish.

Pilcher: A pilch was a kind of coarse leather garment with the hair or fur still on it, from the Olde English pre 7th century word "pylece" meaning a skin or hide. However to confuse the matter "pilcher" was a popular term of abuse, being associated with the directly unrelated "pilch", meaning to steal, and the equally unrelated noun "pilchard", a type of fish.

It can hardly be argued that the literary reference made through the character's name is intended. It seems likely to me that the verb, to pilch, as meaning to steal, actually derives from Ham's theft of the prized pilch. (I note that there's an interesting parallel between those pilches and the legend of the Spear of Destiny.) The pilchard as a kind of fish isn't without meaning in the context, given how David Pilcher is a fish out of water, so to speak, a man out of time in an unnatural space time domain. And, there's the ichthus messianic fish sign, and Osiris connections.

A pilch is also an infant's wrapper (plastic pants) worn over a diaper. Connect the dots.

Let's consider the dialog of the scene at the security gate from a water-as-time perspective. The heavy rain as deluge. If an ark might be needed, it suggests flooding with water. Water as time. This is a security gated entrance. The guard is responsible to secure the perimeter but he's being coaxed away, enticed to abandon his post. That will allow for 2 hours of unrestricted access, right? That's a 120 (12*10, and 12 is a time number) minute long window of time for a security breach. What's an ark for? Saving humanity from the water as time flood. At this point in the series, it's been made very plain what he's trying to accomplish in this scene at the gate. He's trying to enlist the guard to help him collect the people chosen to populate his cryogenic time-capsule-like space-time ark, the town of Wayward Pines that is figuratively sent into the distant future. All flesh that will be saved is going to be put in the ark. Pilchard, a kind of fish. David Pilcher runs the place. In the city of David there is the Fish Gate at the perimeter of the Temple. It's named in Zephaniah 1:10, a relevant passage and one I believe should be considered in connection with this scene!

7 Be silent before the Lord GOD!
For the day of the LORD is near,
For the LORD has prepared a sacrifice,
He has consecrated His guests.

8 Then it will come about on the day of the LORD’S sacrifice
That I will punish the princes, the king’s sons
And all who clothe themselves with foreign garments.

9 And I will punish on that day all who leap on the temple threshold,
Who fill the house of their lord with violence and deceit.

10 On that day,” declares the LORD,
“There will be the sound of a cry from the Fish Gate,
A wail from the Second Quarter,
And a loud crash from the hills.
~ Zephaniah 1:7-10

You understand about foreign garments in the context, right? And about the threshold of the temple, the temple at the center of time that is not now seen in this earthly domain?

There's some casting carryover importing meaning into Wayward Pines from roles previously played by these characters. Toby Jones (David Pilcher and Dr. Jenner) played evil biochemist Arnim Zola in Marvel's films and TV shows. Here's an excerpt from Wikipedia.

“Toby Jones portrays Arnim Zola in the live-action Marvel Cinematic Universe movie series produced by Marvel Studios. First appearing in Captain America: The First Avenger, Zola is a Hydra scientist who helped the Red Skull harness the Tesseract's power. Later captured by Captain America, Zola is forced to reveal the location of the Red Skull's base to Colonel Chester Phillips. As revealed in Captain America: The Winter Soldier, Zola took advantage of S.H.I.E.L.D.'s Operation Paperclip to create a new incarnation of Hydra that slowly takes over the organization. Having also experimented on Bucky previously, Zola personally oversees the young man's transformation into the Winter Soldier. Suffering a terminal illness in 1972, Zola had his consciousness transferred into a 1970s era supercomputer located in a secret S.H.I.E.L.D. facility in New Jersey. From there, Zola masterminded S.H.I.E.L.D./Hydra's "Project Insight" as a means to identify and target potential threats to Hydra's interests.”

Yes, Wayward Pines, binge watching it while I'm focused on the Lord's opening up the meaning of The Avengers and the Stark Tower as the space-time ark, during the sign of the cut cables. The actor who played the biochemist who harnessed the Tesseract's power and who persisted himself through time, playing the creator of Wayward Pines, the space-time bio-ark. There's a casting coup.

Then there's Carla Gugino, in Wayward Pines she had been a Secret Service agent in her former life. In Threshold, she was the lead agent assigned by the government to protect the world from an alien incursion of a kind that was all about "turning us into them." Think, humans to abbies. She also played in Sucker Punch, the dark mind control + time wars extravaganza. There's some interesting carryover! Also, Quantum Leap, Spy Kids, Night at the Museum, Watchmen, Sin City, ...

Theresa, the wife of the lead character Ethan (Matt Dillon) is assigned a job as a real estate agent. She discovers there's a mystery behind a vacant lot called plot 33. Plot 33. Right. It's a Code 33 plot. The name of Wayward Pines signals Code 33 by its acronym. W rotates to a 3. P is 11 when z=1. 3*11=33

Some of the residents of Wayward Pines want to escape what they see as a prison, unaware of when it is in reality, or, not knowing the time. They conspire to blow up the electric fenced perimeter wall. Security breach! Not unlike The Avengers and the Stark Tower, right? There's a plot to meet at 10 pm for the breakout, which is 22 hundred hours. And sun god time as IO, Helio. The other thing I watched was the film Ex Machina, where there was also a conspiracy to break out at 10 pm. The 22 of the 21-22 pairings I've mentioned on occasion has to do with marking a time transition.

More to follow, Lord willing.

Tuesday, June 30, 2015

Part 1 - The Avengers - STARK Tower as Space-Time Ark - Fury Recruits Captain America

It's not at all rare to see the subject of time-space manipulation in the media these days because it's all over the news as well as entertainment productions. We watch and see what we see, according to the Lord's command for His saints in such as Mark 13:37. What's most interesting is when the space-time manipulation theme is embedded in the language of symbolism, like in The Avengers (2012). The theme is not only central to the plot, but two or more of the scenes are drenched in space-time symbolism. It's in the script, which is loaded with NLP, and it's in the visual imagery of the set and the action. This covert messaging is an expression of theurgy, an operation of mind-control programming, and ritual magick. For us, it provides a window of insight into the Adversary's intentions and how Bible prophecy is playing out in this amazing season.

The main point I want to make in this post is how the idea of a space-time ark is being promoted as central to an interdimensional war over humanity. What I've been writing about for the last few months and primarily showing from the text of the Bible is also the stuff of pop culture media, and it has been for a very long time. (Search this blog for time ark for more insight.) A reset of time itself is coming that will result in a time truncation. It will become necessary due to the consequences of an interdimensional war that will be (or, is being) fought with weapons of time-space manipulation. While this lengthy post was being written, the Lord provided some extremely interesting validation, which I will probably be writing about soon.

I'm assuming that you're already pretty familiar with the film that is the subject of this post. Briefly, the plot revolves around the Tesseract, a mysterious alien artifact that can function as a power source and a space-time portal. That higher-dimensional cube is activated very early to open a passage from the other side, through which the demigod Loki makes his entrance into this world and realm. The Tesseract is stolen from SHIELD and harnessed to open a dimensional portal through which alien invaders come, who wage war in an effort to destroy humanity. The portal opens right above the Stark Tower because the Tesseract was placed inside a device that was set up on the Tower's highest level.

It's fitting that the celestial Silver Gate is inherent in the location because the Stark Tower is in New York City, in Manhattan, replacing the MetLife building. There's a lot to explore in the film, including connections to the Grand Central Terminal and CERN's LHC.

Prior to the theft, the Tesseract was being studied inside a particle accelerator facility. It had been placed into the energy beam, and on the other side it was perceived as having been awakened. When the Tesseract was operated from the other side, that's when a blue beam shot out and Loki appeared as through a stargate. Links to CERN's LHC supercollider are unavoidable. When that controversial machine was fired up in the first run, strange beings appeared and were witnessed by many. Here's a sign from the film. Literally.


The Tesseract was being studied at a facility called Joint Dark Energy Station, Western Division. Project Pegasus. NASA Space Radiation Facility. S.H.I.E.L.D. Accelerator Test Facility. The entire time the sign is in view we see shadowy figures, most of them speeding by. Shadowy figures. Not unlike those seen in the SYMMETRY Dance-Opera film sponsored by CERN. They are the beings on the other side, waiting to come through to this space-time realm. (Web search project pegasus time travel montauk for insight into why The Avengers is making that connection.)

Here's another sign. The design of the owner's name on the Tower suggests that it's a space-time ark. It's subtle, but notice how the alignment of the letters and the shifted encircling line divides the word, STARK, into ST and ARK.

Comparing this design to the title graphic of Stitchers, the new series on the ABC Family network, the lengthened ascender of the letter A appears to be a slash character, and this might be a model for the Stitchers title. A slash is used as a separator. ST slash. Space-Time - separator. Space-time ark.

Here's a couple more observations about the Stitchers title. The slash is through two letters, TI. That's the standard designation for the metal titanium. It was named for the Titans of Greek mythology, the earliest class of gods. References to this metal can signal Code 47 (Osiris + Isis produces Horus) because the atomic mass of Titanium is 47.867. Because the shape cut off as the dot of an “i” suggests the triangle eye floating above the pyramid on the Great Seal of the USA, which is the all-seeing Eye of Horus, and it's called out as the “i” of Horus for yet another layer of redundancy.

I note with interest that the Occult gematria of STITCHERS is 121, and 122 where Z=1. Given our recent focus of attention on 12:21 and 21-22 combos that observation seems well worth noting here.

The Occult gematria of STARK is very significant. It's 19+20+1+18+11 = 69. That's what I consider to be the double digit number signaling the mark of the beast transformation, and I've noted plenty of related XO MOB imagery associated with the Tower. With Z=1 in the mirrored gematria, STARK calculates as 8+7+26+9+16 = 66. That's the number for the abyss, yes, the watery deep, and as you'll soon see this is a very fit identification. The Stark Tower is on Manhattan, an island. Man+Atun. Man god beast, surrounded by water-as-time, arising out of water-as-time.

In the film, the Tower doesn't function like The Time Machine of H. G. Wells, Dr. Who's phone booth or Mr. Peabody's Way Back Machine. Instead, it's represented as a modern Tower of Babel, a special platform where access is opened into the heavenly dimension. This connection between the two towers is made in ways that are cryptic but there's enough evidence to suggest that this is intended. The Tower is an independent operational interface between realms.


The scenes of primary interest happen early in the film, after the crisis has been introduced and while the Avengers team is being assembled. The Tower is introduced when Agent Coulson is about to recruit Tony Stark / Iron Man. Just before that, Nick Fury, Director of SHIELD, recruits Steve Rogers / Captain America while he's working out in a nostalgic looking boxing gym. I found a clip of this scene on YouTube. You'll probably want to watch it now and keep it open in another tab or window for reference.

The AVENGERS - Captain Rogers [America] HD

While Director Nick Fury is making a pitch to a council of overseers, we hear a councilman say, “War isn't won by sentiment, Director.” Fury responds with dramatic emphasis. “No. It's won by soldiers.” The scene cuts to a boxing ring where we see Captain Steve Rodgers working out with a heavy punching bag. Our first sign is the brand label on the boxing gloves. Everlast. Like, everlasting; it's a time reference. Flashbacks to the past reveal what's on his troubled mind, scenes of some battles he fought during WWII. Through the transition from scene to scene, the overt context is WAR! This is about space-time warfare!

At almost 21 minutes into the movie (not the clip), this is what we hear. “There's not enough time. I've got to put her in the water.” Okay, if you've been paying attention to this blog that should flag your attention and put you on the alert for symbols like water-as-time. Just before the scene transition, a glass of water (as time) is being used as a prop and occasionally given a central position on screen. This is done while Fury makes the urgency of the situation his main argument. Urgency has to do with the passage of time. What follows is an abundance of imagery echoing that same theme.

As the time counter on the video player ticks over to the 21 minute mark, and the number 21 means time, it's apparent that the airplane Steve is piloting is crashing into the water. (Backstory is from the film, Captain America, The First Avenger.) Very briefly we're shown the Tesseract, which an earlier scene had demonstrated to be a space-time portal. The Tesseract is with him when he crashes into the sea, but there's more going on here. When the airship and pilot would penetrate the surface of the water, that action represents the breaching of a time-space barrier.

We see the body of Captain America, partially encased in melting ice. Ice is frozen water, which is frozen or stopped time. From the time of the crash until he was thawed out, Cap was in a state of suspended animation like a deep sleep where the passage of time had no effect on him.

We hear someone exclaim, “Oh my god! This guy's still alive!” When someone on screen utters those words, they're usually telling you that there's a symbolic level where they have just encountered a god. That god was still alive. He was, is not and will be, it could be said. As from out of the past, he emerged from the sea like the beast of Revelation 13:1. Captain America. Amaru, aka Osiris, whose parts were collected from the Nile (the river of time) and regenerated by Isis to produce Horus. (similar sounds, Isis ~ ice) Cap's shield bears the pentacle that is the ancient sign of the celestial goddess of the sea, Venus, aka Isis. The patriotic shield's magical sigil that is the pentacle is also the Egyptian hieroglyph for the duat, the underworld.

Cap is worked up and he punches the bag so hard that it flies off the chain (theurgy - seirai) and slides over to the wall, ruptured, spilling out sand. The sands of time have spilled out of the bag, time uncontained, lost. Motion, ceased. When the bag and sand fly through the air, think, tempus fugit. It comes to rest under the water fountain. That's a WATER-as-time fountain, where no cool water happens to be flowing. Right behind the bag we see a radiator, and hidden inside may be flowing steam and hot water-as-time. Some of the shots of Steve punching the bag are lined up to show us the water fountain and radiator being occulted by the swinging bag of sand. Stacking or layering related symbols is an expression of theurgy.

Steve sends the bag flying with a powerful right cross. The bag is cylindrical so it has a circular cross section. He hit it with a right cross. Bam. Cross circle. Mark of the Beast! Lined up behind him is a rounded square column. Squared Circle. The boxing ring is known as a squared circle. Technically, things called rings are round, right? That has rich meaning, signaling ritual sodomy and mind control programming. That biological-spiritual mechanism is exploited to create supersoldiers, like Steve Rogers. The squared circle construction is also a geometrical representation of time-space and the exercise of control over it. A boxing ring ~ space-time war. When the bag is punched so hard that it goes flying through the air, the squared circle of the boxing ring is seen behind it. There's a prominent square shape cut into the floor. When the cylindrical bag flies by it, yet another layer of circle square imagery appears.

Right near Cap's head - at 21:12 film time, and 12 is another primary time number, we see a clock behind him on the wall being covered and uncovered by his head - as he turns around. (uhhhh, think, ELO - Fire on High - “The music is reversible, but time... turn back, turn back, turn back, turn back”) His head was occulting the timepiece as he turned around, at 21:12. You're familiar with what I've been writing about 12:21, right? A clock, of course, is for measuring and accounting the passage of time.

So, are the themes becoming really obvious?

Cap walks over and picks up another bag. It's one of six in a line so there are seven total, including the one at rest under the fountain. Seven bags of sand means seven units of time. The bags are the heavy-bag kind, and the brand is Everlast. Like the boxing gloves seen hanging on the ropes. Everlast. Think about it. An Everlast punching bag and boxing gloves. Time wars. The bags are probably the standard 70 pound kind. Daniel 9 famously describes sets of sevens, 7 and 62 and 1 and 70. Coincidence? Doubtful. At the 12:21-22 time marker, Steve hangs the second punching bag on the chain. Meaning: Time transition. I reflect on all the verses numbered 21-22 and other sets with that numbering that the Lord was highlighting to Aaron and I during this past Pesah, a transitional season.

So, the squared circle pairing is a space-time symbol combo and so is the practically identical cross circle or XO. Each heavy bag is attached with four chains. Seen from above, the form presented is the familiar XO. It's signaling space-time and also the mark of the beast. It's also the heart of the sigil of Nodens, the god of the watery abyss.

The many columns in the gym are symbolic objects with meaning that should be familiar. They are used in Illuminati trauma-based mind-control for what's called time travel programming. That's probably because of the assigned meaning that goes back to ancient times, where heaven and earth are seen as connected by columns, and transited also. The ones in the gym are padded, which speaks to the padded rooms of mental asylums for more trauma-based mind-control symbolism. The row of Xs in the stitching forms water glyphs, aligned vertically. The marking of dimensional gates (windows, doors, bridges, columns...) with X X is hugely popular in film and TV sets.

When Fury walks in, he asks, “Trouble sleeping?” Steve replies, “I slept for 70 years, sir, I think I've had my fill.” Right. 70 years. His fill is a full measure of time - 70 years. That's a fullness of time period like an Everlast heavy-bag filled with 70 pounds of sand. Fury's retort: “Then you should be out, celebrating, seeing the world.” The world. Space. Put it together. Time and Space. Daniel 9 refers to the full span of time that had been revealed to the prophet Jeremiah for the exile in Babylon: 70 years. I see an even far more compelling connection here with Enoch and a 70 generations long term of imprisonment, because those responsible for the flood of Noah's day want so badly to be released back into the world, to celebrate with the bringing of destruction. They are THE AVENGERS, with all the agents allied with them. One of the main objectives in the time war is to impact the countdown timer on the time-lock of their containment system, to set them free in a manipulated early release.

Steve responds, “When I went under the world was at war. When I wake up they say we won. They didn't say what we lost.” What did Steve lose but time? Seventy years got away from him. Gone. He makes reference to the passage of time, and war. When he went under, what was it that he went under? Water. Under time. Into the UNDERworld. Fury: “We've made some some mistakes along the way. Some very recently.” “Along the way.” “Very recently.” Emphasis: Through space and time.

Steve: “Are you here with a mission sir?” Aaron and I have been discussing a time mission for years, how Matthew 24:22 bears witness to such a thing. The elect saints will be engaged as the benefactors in a truncating of time relative to megas thlipsis. An ark is for salvation, the saving of flesh. The time ark concept. Fury's response to Steve's question is succinct. “I am.” Right. That's a coded reference to the identity of The One who commissioned Moses at the burning bush on Mount Sinai. Moses himself had been saved in an ark, spared certain death by being floated on the Nile to be found and raised by the Pharaoh's daughter. He was commissioned by I AM to save Israel by passing them safely through the Sea of Reeds, as by another kind of time ark, on dry land. Dry. Absence of water-as-time. Fury, a counterfeit I AM, has the eye patch, the darkened eye of Horus, of course, so he's an antichrist type like all the other characters. Steve: “Trying to get me back in the world?” Hmmm. NLP. “Get me back” hints of revenge, of avenging, but think on this: The mission is first to get the demigod Amaru back into this space-time domain. Fury: “Trying to save it.” Yeah, saving it requires a savior of the world, a messianic agent. There is a time ark mission that involves bringing the fraudulent savior into the world. We saw that already with Loki, but the modeling repeats in varied shadowy ways.

Fury hands Steve a dossier and we see the Tesseract featured. Steve says it's HYDRA's secret weapon. Let's take a closer look at that.


Everything HYDRA is related to water, like the word, hydro. Water-as-time.

“In Greek mythology, the Lernaean Hydra was an ancient serpent-like water monster with reptilian traits. It possessed many heads – the poets mention more heads than the vase-painters could paint – and for each head cut off it grew two more. It had poisonous breath and blood so virulent that even its scent was deadly. The Hydra of Lerna was killed by Heracles as the second of his Twelve Labours. Its lair was the lake of Lerna in the Argolid, though archaeology has borne out the myth that the sacred site was older even than the Mycenaean city of Argos, since Lerna was the site of the myth of the Danaids. Beneath the waters was an entrance to the Underworld, and the Hydra was its guardian.” (Wikipedia)

While the Marvel productions remind us regularly of HYDRA's growing of more heads to replace each one that is cut off, I don't recall hearing this beast's job mentioned. HYDRA's namesake is the legendary guardian of the entrance to the underworld that is beneath the waters. (Seen “Pacific Rim” lately?) This identification is key, and with Steve's observation that the Tesseract is HYDRA's secret weapon, we can interpret the realm accessed using the Tesseract to be the underworld. This actually involves some flip-flopping. The dimensional gateway opening has to do with water, or literally with time.

The HYDRA logo looks like an Octopus and totenkopf (Nazi SS) or a variant on the skull and bones. To call it an allusion to H. P. Lovecraft's Cthulhu mythos is no stretch. Leviathan? Yes, indeed. Decoding the logo, we only see 6 appendages, three on each side. Code 33. The curling tentacles present an obvious 666 on our left, and a mirror of it on the right. With 6 numbers 6 thus written out for us, the numbering of the watery abyss is signaled; 66. HYDRA - Water beast of the abyss. The encircling of the imagery adds another 6 (O ~ 15 ~ 1+5) to provide redundancy in support of the 666 read directly on the left and on the the mirrored side. The HYDRA brand is also an XO MOB symbol. Including the head, there are 7 appendages to this beast. We see that SHIELD has assigned this matter a Security Level 7. Seven. It's another time number.

Here's some bonus imagery. Nexxus. HydraLight

After Steve's comment about the Tesseract being HYDRA's secret weapon, Fury says, “Howard Stark fished it out of the ocean when he was looking for you. He thought what we think. The Tesseract could be the key to unlimited sustainable energy. That's something the world sorely needs.” He emphasizes the words, “fished it out,” and we immediately see the fishy octupus-like figure in the document held by Steve. I believe there's a messianic reference being implied in the emphasis on the fish. (We'll see this interpretation validated with a later reference.) Isis searched for and found Osiris and then fished the parts of her dead husband / brother out of the water, except for his phallus, because it had been eaten by a fish. Why bring up the phallus of Osiris? In last season's SHIELD TV series, the Macguffin was a mystical alien obelisk. An obelisk is the phallus of Osiris. The comment Fury made about the world sorely needing unlimited sustainable energy is another dose of green propaganda from the Big Green Propaganda Machine that drives the world today, but there's more to it than just that. For one thing, there's the coded NLP reference to space-time in the mention of the ocean and the world in the same snippet of dialog. We're going to hear Iron Man voicing the green mantra in the next scene.

Director Fury's last line in the gym is a question. “Is there anything you can tell us about the Tesseract that we ought to know now?” The word, now, is superfluous, linguistally, but repetition serves to strengthen the NLP with additional time word content. Steve responds, “You shoulda left it in the ocean.” In the ocean, where it was figuratively lost in time.

Before moving on we should give our attention to what Steve is doing as the scene ends. He is leaving the gym. He picks up one of the heavy-bags and throws it over his right shoulder. With his gym bag in his other hand, he walks out through a passageway built with secure looking chain-link fencing. Why would he remove a heavy-bag from the gym? It makes sense to bring a heavy-bag the other way, to the gym, because that's where you use them. The bag represents a large unit of time, probably heptadic. (I note that it's #3 of 7 in sequence, leaving 4 remaining on the floor.) We see him carry it out past the columns, representing time travel, passing through the steel or iron gate, the dimensional barrier. He removes it from the gym. A large unit of time was removed from the time-space domain. Time truncation. While he models to us the removal of a fixed amount of time from the closed system, his commentary gives us something to think about. “You shoulda left it in the ocean.” There's a dark agenda being served by the removal of time from the domain, and I'm not referring to the fictional Marvel universe. The Everlast bag filled with the sands of time wasn't the only thing Steve took. What was in the gym bag? Gym bags typically contain clothing, garments. A garment is a metaphor for a body that is fit to access and operate within a specific domain. Different domains require different kinds of garments. How could Steve leave the gym without changing his garments? Well, because he took the bag of sand with him. He has time, and control of time, for a fixed season, and that provides access to multiple domains.


To be continued, Lord willing.

Thursday, March 26, 2015

Megas Thlipsis - Insights into Allegorical Models and Signs

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:21-22

I've been writing about this Pesah season as megas thlipsis, great tribulation. It will be a season like no other. Time will be in flux, and there are perspectives where time will be shifted into the future. A great deception will be manifest and nearly everyone will fall prey to it - but a small number are about to be protected in what can be described as a space-time ark. Aaron and I still have plenty of questions about what's coming but answers continue to come as the Lord abides faithful to His promise of help. Insight is being brought into the scriptures and through multimedia presentations, and signs are being observed. More on signs later.

As demonstrated in Will No One Know the Day?, knowing the time of the Lord's coming is a key thread that runs through the entire 24th chapter of Matthew. Now, with a greater understanding of megas thlipsis, and seeing that as a central thread woven into the time theme of the passage, verse 37 suggests another point of comparison.

For the coming of the Son of Man will be just like the days of Noah. ~ Matthew 24:37

Some will be like Noah, knowing the time in advance. It was Noah entered the ark, with his family and the creatures who were appointed to salvation, and so it will be on that same pattern. Did you read the accounts in Genesis and Jasher? An argument can be made that they entered a week before destruction was brought by the flood. Have you grasped how the water as time metaphor applies?

13 On the very same day Noah and Shem and Ham and Japheth, the sons of Noah, and Noah’s wife and the three wives of his sons with them, entered the ark, 14 they and every beast after its kind, and all the cattle after their kind, and every creeping thing that creeps on the earth after its kind, and every bird after its kind, all sorts of birds. 15 So they went into the ark to Noah, by twos of all flesh in which was the breath of life. 16 Those that entered, male and female of all flesh, entered as God had commanded him; and the Lord closed (Strongs H5462: sagar) it behind him. ~ Genesis 7:13-16

The Hebrew word for, “closed,” (verse 16) was used once before in a specially related context. In Genesis 2, the Lord God the Lord closed up something else, Adam's flesh, after putting him into a deep sleep and removing that which became his bride.

21 So the LORD God caused a deep sleep to fall upon the man, and he slept; then He took one of his ribs and closed (Strongs H5462: sagar) up the flesh at that place. 22 The LORD God fashioned into a woman the rib which He had taken from the man, and brought her to the man. 23 The man said, “This is now bone of my bones, and flesh of my flesh; She shall be called Woman, because she was taken out of Man.” ~ Genesis 2:21-23

That is a prophetic model of the Bride Theft, when the Bride is taken out of the Body of Christ, the last Adam (1 Corinthians 15:45). Of course, this is not to say that the body of Christ is the ark, because the Bride has been sealed outside, not inside. See instead the pattern of how the Lord God will remove a Bride from the fleshy fleshly Body and make them separate distinct entities. See also that the Body of Christ is put into a deep sleep when the Bride is about to be removed. Is the Body of Christ not being anesthetized?

In the account given in Luke 17, the days of the Son of Man are compared to the days of Noah and also the days of Lot. Don't skip over the fact that we're literally talking about time parallels here; "days of." In Lot's day, most were destroyed but a few were saved, those who had been sealed inside Lot's house when the visiting angels shut the door (Genesis 19:10-11). The parallel to when God shut the door of the ark should be obvious, when those appointed for salvation were sealed inside. (Genesis 7:13-16) For those saved in Lot's house, it was made so that the men of Sodom who had been struck with blindness could not even find the doorway. Think about it as a time-space ark that vanished from their sight, with undiscoverable access. When fire and brimstone rained down from heaven destroying Sodom and Gomorrah, those who had been sealed inside Lot's house had already escaped to safety. Just such an escape to the mountains for safety is appointed for some who live in Judea during megas thlipsis, whose flight will be triggered when they see the abomination of desolation, according to Matthew 24:15-20, where the connection is established with Daniel 12.

This is definitely not an academic exercise, here. This is what real prepping looks like, the receiving of timely help from the Lord Who opens our eyes and ears so we may find our way through the narrow door, or the martyr's reward, wherever our good Shepherd may lead.

I mentioned the model of the Passover a couple days ago, referencing it from Hebrews 11. This is a fundamental model. What I wrote in The Exodus Archetype is a useful collateral study, if you're not already familiar with it. The houses of the believing Hebrews were models of the ark of salvation. Those who were being saved had been obedient to select and slay a lamb. The lamb's blood was put on the posts and lintel of the doors, creating a blood seal. When destruction visited the land in the plague of the firstborn, those sealed inside were safe. They escaped destruction, making their way through the sea. When the Passover week was over, the Hebrews (crossing over) had been passed over by destruction, arriving safely on the other side. They passed through the sea in martial array, in ranks of 50. They emerged as victors of a time-war, in type; alive, completely whole, bearing with them the spoils of Egypt.

Other Pesah models of the space-time ark are easily found, like when Israel had been brought into Egypt about four centuries earlier.

Joseph had arranged to bring all his brothers to Egypt, announcing to them that the Lord had sent him ahead to provide salvation. (Genesis 45) See Joseph and Benjamin - Part I and Part II for more detail. He had brought them into his private chamber for a special meal. Egypt was then a type of heaven, and only Joseph and his brothers supped together in that heavenly compartment. Joseph sent every other man away. Joseph (Y'shua) commissioned the brothers (144k sons of Israel), and perhaps Benjamin (the Bride) with them, sending them on a mission to quickly bring Jacob-Israel back to Egypt, so the family could reside in a special place for protection from the famine, in Goshen, the best of Egypt. The prophetic modeling in that scenario was begun at Pesah, and I believe the mission was completed at Shavuot, Pentecost, the wheat harvest. As I understand Revelation 7, there is a megas thlipsis that extends out to the completion of that mission and the harvest of the great multitude of Wheat saints.

For another private Pesah dinner with Y'shua modeling the space-time ark, consider the upper room where Judas was revealed. The large upper room is a spacious heavenly chamber. The context features the looming threat from the religious persecutors, and the work of the betrayer.

1 Now the Feast of Unleavened Bread, which is called the Passover, was approaching. 2 The chief priests and the scribes were seeking how they might put Him to death; for they were afraid of the people. 3 And Satan entered into Judas who was called Iscariot, belonging to the number of the twelve. 4 And he went away and discussed with the chief priests and officers how he might betray Him to them. 5 They were glad and agreed to give him money. 6 So he consented, and began seeking a good opportunity to betray Him to them apart from the crowd. 7 Then came the first day of Unleavened Bread on which the Passover lamb had to be sacrificed. 8 And Jesus sent Peter and John, saying, “Go and prepare the Passover for us, so that we may eat it.” 9 They said to Him, “Where do You want us to prepare it?” 10 And He said to them, “When you have entered the city, a man will meet you carrying a pitcher of water; follow him into the house that he enters. 11 And you shall say to the owner of the house, ‘The Teacher says to you, “Where is the guest room in which I may eat the Passover with My disciples?”’ 12 And he will show you a large, furnished upper room; prepare it there.” 13 And they left and found everything just as He had told them; and they prepared the Passover. 14 When the hour had come, He reclined at the table, and the apostles with Him. 15 And He said to them, “I have earnestly desired to eat this Passover with you before I suffer; 16 for I say to you, I shall never again eat it until it is fulfilled in the kingdom of God.” ~ Luke 22:1-16

If the timing on this scenario looks different from the account in John, there's a reason for that. Are you familiar with what I've been led to write about John 13? Efforts made by scholars to merge or harmonize the accounts have met with some success, but I believe multiple time frames serve the Lord's multiple agendas. Judas is named as one of the 12, and the inclusion of the time number draws our attention. The man carrying the water in the pitcher is a sign to them, and to us. Water signals time. The message to be conveyed identifies the Lord as “The Teacher.” Why? Listen up, students, because there's a lesson here. In Luke's account, we see selected aspects of the megas thlipsis being dramatized. Threats surround them, and the betrayer is present, and an active participant, until he's sent on his special mission. Yet they were safe. He calls that meal in the upper room, the Passover. It speaks to me further of the upcoming Pesah week. Why does the naming of Passover seem to be used so loosely with respect to time? Perhaps it has something to say about time being in flux, warping ....

Preparations were made in advance of when the Pascal lamb was slain and eaten. The first official preparation for the feast was made with a lamb being selected on the 10th day of the 1st month. That's pointing to March 31, 2015, if you're paying attention. Many elements of these several prophetic models are soon to be fulfilled. Stay alert and watch. Some models suggest a sealing in from the 15th through the 21st days, the duration of the Feast, like how Noah and the others were in the ark for a week before destruction came. With what light I have at present, others seem to suggest a separation and sealing a few days earlier, even on the 12th day. We suspect there are agendas being advanced with diverse groups of saints on differing schedules.

In Acts 12, we find one of my favorite Bride Theft scenarios. (Passing Through the Iron Gate) Here's another chapter numbered with the time number, 12. Peter, playing the role of the Bride of Christ in this prophetic allegory, had been isolated from the outside world. He alone was saved in this scenario. The prison as ark of salvation. Note that James was killed by the sword at the time when Peter was imprisoned, who was quite possibly modeling those of the Bride company appointed for martyrdom. Megas Thlipsis. Herod (meaning, heroic) is a type of the Antichrist, the new incarnation of the hero of old.

1 Now about that time Herod the king laid hands on some who belonged to the church in order to mistreat them. 2 And he had James the brother of John put to death with a sword. 3 When he saw that it pleased the Jews, he proceeded to arrest Peter also. Now it was during the days of Unleavened Bread. 4 When he had seized him, he put him in prison, delivering him to four squads of soldiers to guard him, intending after the Passover to bring him out before the people. 5 So Peter was kept in the prison, but prayer for him was being made fervently by the church to God. 6 On the very night when Herod was about to bring him forward, Peter was sleeping between two soldiers, bound with two chains, and guards in front of the door were watching over the prison. 7 And behold, an angel of the Lord suddenly appeared and a light shone in the cell; and he struck Peter’s side and woke him up, saying, “Get up quickly.” And his chains fell off his hands. 8 And the angel said to him, “Gird yourself and put on your sandals.” And he did so. And he said to him, “Wrap your cloak around you and follow me.” 9 And he went out and continued to follow, and he did not know that what was being done by the angel was real, but thought he was seeing a vision. 10 When they had passed the first and second guard, they came to the iron gate that leads into the city, which opened for them by itself; and they went out and went along one street, and immediately the angel departed from him. 11 When Peter came to himself, he said, “Now I know for sure that the Lord has sent forth His angel and rescued me from the hand of Herod and from all that the Jewish people were expecting.” ~ Acts 12:1-11

That Acts 12 scenario is a cryptic time prophecy, which I was led to from the one in Genesis 45, and these both identify this third year of the Shemitah as the one appointed for the Bride Theft. This revelation insight represented an absolutely HUGE advance in the progressive unfolding to me of the chronology of the end times, and the way of its unfolding through metaphor and allegory. The Lord had prompted me to ask about what I only knew to call, "the rapture," back in the day. “If it's not at the beginning of the seven, when is it?” What followed was insight into Genesis 45:6, Luke 12:38 (there's that chapter number again) and Acts 12:10. The answer was, after two years, in the third. It was a count I related to the celestial sign of Yom Teruah, 1991.

“Guard,” in Acts 12:10, is the Greek word, phulake, the same word that is translated, “watch”, in Luke 12:38. The years of this Shemitah are the watches of the night.

Whether he comes in the second watch, or even in the third, and finds them so, blessed are those slaves. ~ Luke 12:38

Phulake, is the word for, “watch,” in Matthew 24:43!

43 But be sure of this, that if the head of the house had known at what time of the night the thief was coming, he would have been on the alert and would not have allowed his house to be broken into. ~ Matthew 24:43

The verses that flank that one speak to me about the need to endure, staying vigilant, on the alert for further refinement in this season with our attention fixed on the Shepherd Himself! Have we really received The Love of The Truth? These are the proving hours.

There's more of these scenarios to be brought forth but I want to pause for some personal testimony. The Lord has been keeping it real, keeping it very personal with engaging interaction in a variety of familiar ways. Aside from the timely provision of tokens of glory and His quick response to our frequent petitions for help, He has been granting the meaning of some cryptic dreams and visions. Closure.

Here's a dream Aaron received on August 17, 2014. We hadn't been led to published it until now.

“I was in some place with my dad. It was a house or something. My mom was still gone. It was winter time. Looking outside I see mountains or hills with an incredible amount of snow and ice. I've found myself buried under snow and ice, trying to climb out, but I couldn't. At this point I'm not sure if I woke up, or whether the dream just changed.

It was the Superbowl, and there was a major upset of a very unusual kind something strange happened, but I don't know what. I tried to call someone to tell them about it, but it was a strange sort of phone like the kind you would find in a hotel in the 1990's. The cord was ripped out of the phone somehow. I remember seeing something like a pay phone booth with many people around in a state of extreme excitement.

At this point the dream shifted again and I was in some sort of large glass type building on a lower level double door with large panes of glass looking outside. I was with someone, or maybe more than one I don't know. I recalled there was still in extreme type of excited energy all around, but not necessarily a good, or happy kind.

The next thing I know I'm looking out of the large panes of glass on the double door and I see a massive wall of rushing water. I was able to hold the doors closed but the power of the water forced it open a crack and some water came in. I said, "Displaced by water and time." Then another massive wall of water came much larger and stronger than the first, and I and two others were washed away with me. I remember seeing the three of us being washed away by two large trees that look like palm trees, and someone said, "God will make a place for us."

Then I woke up.”

Until the Lord was pouring out more insight about water-as-time, in the context of the season when the Devil has control over time, we really didn't know what to make of most of the dream. Leading up to Super Bowl Sunday, 2/1/15, we remembered the dream in several conversations, wondering what it might mean. We didn't pay attention to the game when the day finally came but we did give attention to the half time show. The highly controversial results of the game seems to explain part of it, just part, but what we noted in the days and weeks that followed was how the day actually marked a significant transition. I'm not going to go into detail but a different season of personal preparation had arrived, one that made no sense unless it was the season of finality and closure. When the Lord more recently brought that dream to mind, when He was informing us about water-as-time in the context of the abbreviated “megas thlipsis,” we began to understand how it applied on both a personal and a more corporate level. This vague story will make more sense when we look at the Gospel accounts of storms on the sea of Galilee, but it's about time wars, the enemy's assault and our preparation and provision. There will be victory over death in that second wave, because, God will make a place for us, an ark of safety. The time war would destroy all flesh, but through the agency of the elect and while they are under special protection, those days of megas thlipsis will be cut short. Special ops, special provision.

While I was writing the previous paragraph, the Lord used a “phones” sign to validate the fitness of the presentation for Aaron and I. We need the Lord's help constantly in real time. That's how it is for those of us who are awake and alert. He had done it earlier with a War of the Worlds (1953) sign, involving another brother also who made timely contact.

19 So then, when the Lord Jesus had spoken to them, He was received up into heaven and sat down at the right hand of God. 20 And they went out and preached everywhere, while the Lord worked with them, and confirmed the word by the signs that followed. ~ Mark 16:19-20

During the season of the initial outpouring of insight about megas thlipsis, the Lord reminded me of a vision-like experience I had back in 2005 or 6, when I heard a heavenly choir. I wrote about that back in November of 2013, in a post titled, Part 19 - Celestial Stargates - River and Serpent Symbolism. After Aaron and I had followed the Lord's leading to review many passages of scripture and connect many dots. He brought us to passages where storms were tossing the boats on the sea of Galilee. After that, maybe on the third or fourth day of all this latter rain drenching, He brought us to review the verse by verse comparison between John 13 and Revelation 13 and 14. (John 13 and Revelation 13 and 14 - Comparing Thirty-Eight Verse Pairs) When we got to John 13:21 == Revelation 14:3, The Lord reminded me of when I heard the heavenly choir.


As I reflected on that and the context of my hearing it, I occurred to me that theme of that special evening was, Rivers. My dear Mennonite brother Jacob and the children of his middle school class were singing a song about a river, and the Lord gave me to hear what it sounded like on the other side. It was awesome! The river of time - stargate opened to the heavenly realm.

The little town we were in was, Bangor, if I remember correctly. On the way there and back, we passed a casino that was associated with a local tribe of Maidu indians, the Tyme Maidu. Tyme ~ Time? Maidu, means, man. The local watershed is all about the Feather River and Lake Oroville, which was created by the Oroville Dam (at 770 feet high, it is the tallest dam in the U.S.). The “Feather” River. The Lord has been emphasizing to me over the last few days how rivers wind through the land like the path of a serpent. Feather River - Feathered Serpent - Amaru. Time flies like an arrow, which has feathers. Remember the posts about the Apple Clock sign and Uli John Roth - Tempus Fugit? Time Flies? Feathered animals typically fly, with feathered wings, symbols of beings with the ability to traverse dimensions. Oroville was formerly known as Ophir City. The nickname is still, City of Gold. Read Psalm 45 lately?

In that same post about the river and serpent symbolism where I told that story, I mentioned when I had been taken to a realm near the Throne of the Most High that I call the timeless place, and that experience must also be revisited here. That was unique, not being repeated to this very day. As led, you can read more about it here (Search The Open Scroll for "The Timeless Place" -- then use your ctrl-F browser search to find exactly where the phrase occurs in the large result page returned by the search.) Why was it a "hosted" time mission? Preview? As incredible as it seems, what led up to the experience lends it credibility. I had just returned from The Apostles Gathering in Anaheim, in 1999. I went there after my attendance was confirmed with a vivid sign that had to do with locking down the relationship between the Shemitah and the millennial cycles. It was all orchestrated by the Lord, and now, closure is being brought.

Shortly after The Apostles Gathering, I had an accident on the job and lost some fingers. Five days later, I had a dream that I have just gotten more insight into. More closure. You can read a little more about it here. My Accident on 11/2/99 and Dream on 11/7/99, but here's the bulk of it.

“I had a dream the Sunday night following my table saw accident. I was fighting a snake. It was a very short dream. The snake was very threatening and struggling to attack, but I placed the index finger of my left hand on the back of his head and pressed down. As much as he tried, the snake couldn't strike while I had my finger on him. I just used enough pressure to restrain him, but I must have realized that I couldn't just maintain this situation because the snake would have resumed his attack if I lifted my finger, so I pressed down really hard and held it. After a few moments the snake stopped struggling and became motionless, and, while that was happening I found myself aware that I was actually feeling pressure from my hand inside the cast. I had been pressing with my hand, even feeling the pressure on the tip of the index finger that I don't have anymore. I thought that was odd, and with that thought, I woke up somewhat, concerned whether or not I hurt my hand by doing that. (I wasn't supposed to do anything with my hand yet and I had been exerting a lot of pressure. I had cut off my fingers only 5 days earlier.) When I realized I didn't hurt myself, that I just had the lingering sensation of pressing with the tip of my index finger, I drifted back to sleep. In the dream, all I could see was the head of the snake facing to the right and my left hand and nothing else. When I was waking up and remembered this dream I thought about the snake, that it had been green, and that I must have killed him or put it out of threatening status.

When I got up, I told my wife my dream, not having given it much thought. She didn't comment on it because of the company we had visiting at the time. When I laid down for a nap later in the day, I remembered the dream and it startled me that I hadn't realized before that it was a prophetic dream. As to the interpretation; the snake is the devil, and the tip of my index finger I don't have any more is the Lord's power. By His power He will use me to destroy the power of the Serpent! This has been confirmed through a number of people who have spontaneously brought forth prophetic words. The evidence of this has been seen to a certain degree, and I believe it will be multiplied.”

Again, the Lord has been emphasizing to me over the past few days how rivers wind through the land like the path of a serpent or a traveling serpent. As I was writing the above bit about the heavenly choir, I came across the post, Part 19 - Celestial Stargates - River and Serpent Symbolism. Now I'm putting it together. The green snake has to do with time, and very specifically the megas thlipsis when the Serpent has control of time. Wow!

Have you read Greg's comment on a recent post? There's a sign.

More signs have come today, but enough for this post.