The Magicians, Finale: "Fillory and Further" (1st of ?)

This post is supplemental to a video, the first in what we expect will be a multipart series, Lord willing. 

The Magicians, Finale - Decoded - Part 1 of ?
(full HD) The Magicians, Finale - Decoded - Part 1 of ?

The transcript notation can be interpreted according to this Key: 

ET means Elapsed Time from the beginning, counting up from 00:00.

TR means Time Remaining to the end, counting down to 00:00.

Words are all-capped to call out the time words

Gematria values are shown in the scripted dialog with a dash and number, sometimes multiples e.g. "love-54-54"

We sometimes indicate values that have relevant factoring, like 216 (6x6x6) and 252 (12x21), or are equivalent values like 540 and 504

-- RECAP -- 

PREVIOUSLY-54/54 on the-12 magicians...

Julia:  God. Shut-22 up-222

Penny:  What's happening-54-540 to you [implication: right now - with his speech being V E R Y noticably slow, which is a speed or time thing] looks just like-222 what happened to my mom-13 [implication: back then]  The-12 episodes DIDN'T STOP WHEN-13 I-54 was born-22. They-22 got-12-252 worse. [implication: as time went on!]

--- Time-Binding *  Code 12 and 13 (ET0.12-13 / TR47.38-37) 

[Here's our first observed instance of time-binding. At ET0.13 another counter time appears that features 13! When the scene transitions we see Julia and Penny watching a closed circuit TV screen showing an event from - the past. The time stamp code on it has 13 as the hours digits. This gives the mastery of time number emphasis. They are watching a feed from what's called, closed-22 circuit TV. Code TV is 20 22 because of the values of the letters and this matches the upcoming year, when we expect time to be reset back.  

Penny's name is worth noting. A penny is a coin - money. "Time is money." Penny is a girl's name, short for, Penelope. This Penny is a man, so a dynamic is generated with this character that plays to their ritual. Extending that, a penny is our only copper coin (ignoring those that are merely copper filled), with copper being the metal most closely identified with the celestial goddess.]

Julia:  WHEN-13 shes-21 alone, everything's normal, but WHEN-13 you show up-222...

Penny:  I-54 STILL mess her-22 up-222.

--- Time-Binding *   Code 21 and 22 (ET0.21-22 / TR47.29-28) [We see trees-22 in the woods-22]

man:  The-12 creatures you call Takers-- 

[His declaration continues though when 21 and 22 appear in the TR seconds digits - and these are the numbers featured in the dialog's gematria!] 

man:  Do you know what they-22 are-21? They-22 are-21 guard dogs. Their realm-22 is a security measure, a barrier between your world and the-12 world of-21-12 the-12 dead-22.

horned god:  The-12 dead-22 will ruin Fillory. We must stop this, whatever the-12 cost-12.

Eliot:   Well the-12 cost-12 is blowing up-222 the-12 entire planet which is-- [burning candles-22 are in view / flame-222]

horned god:  A decent option.

Margo-54:  In-13 the-12 center of-21-12 Fillory is a clockwork-666 heart built by dwarves.

man: If-12 I-54 wound-22 the-12 clock backward-54, it would-21 - it would-21 destroy Fillory.

[The winding backward of the clockwork heart - this time-reset resonating action is a critical feature of the allegorical plot!]

Alice:  What about the-12 world seed-21 from Q's-216 page? If-12 we could find-21 it, we could use it to build-21 a NEW-12-252 world-- a NEW-12-252 Fillory.

another horned god:  I-54 intended to rescue my people-21 from this chaotic place-222 so I-54 also built an-12 ark-12.

[evoking the ark Noah built, while his ark has only one animal that is part of the ark - a seahorse-540 inside the water-22, inside a glass-13 globe-22.]

man:  How do they-22 feel?

Alice:  Like-222 ghost-21 fingers. They-22 work-22, but magically they-22 still feel severed.

Penny:  The-12 Couple just got-12-252 the-12 last thing they-22 need. They-22 have the-12 Seed-21, the-12 Page, and the-12 Panel-21. We got-12-252 to tell-13 the-12 others. They-22 need to steal-12 that-13 seed-21 now.

woman:  Guys, Alice-21 has an-12 exit-22. Get-13 to the-12 roof-54-54.

Santa:  HoHoHo-12  motherf-ckers.

--- Time-Binding *   Code 113 (ET1.13 / TR46.37) [Santa/Satan/Saturn appears, modeling the revealing of the lawless one with dimensional transiting - Santa Sleigh SS-88  bells jingling-tinkling during dimensional transiting]

[end of recap]

On the coming famine, 2012, time going backwards, Bill and Ted's new adventure, etc.

With all that is happening in the world, the physical threat that appears to be the most significant is global famine. (It is a given that the most significant threat of all is deception, spiritual delusion.)

Widespread Famines Ahead: Adding to Economic Woes, Locusts Devastate Crops From South to Central Asia

The world's life support systems are unstable and seem to be shutting down. Volcanic and seismic activity appears to be increasing as also does the "ethnos against ethnos" action and the plagues (2nd wave beginning).

Satellites and spacecraft malfunction as Earth's magnetic field mysteriously weakens

Who is responsible for all this? Ultimately, the sovereign God, of course, as the ancient war with the dragon rages on. Cutting through all the noise - we are convinced that this season is being brought quickly to an end. The inhabitants of the world are being brought to the point where they will demand a savior. One has been offered and largely rejected, the Savior and Lord Jesus Christ. When another is offered and is about to be accepted, that's it - the end will have arrived - the end of this timeline. As we have said, and with the presentation of some very compelling evidence that supports our claims, time will be reset. As to precisely when it will be reset and to what moment in our past, we can only say that the specifics are still unknown to us. The specifics do actually matter, as we know very well, so we continue to seek the Lord about what might be known while we continue to watch and strive to give a faithful report of what we find along the way.   

Time going back - really?

Physicists Have Reversed Time on The Smallest Scale Using a Quantum Computer

Is this actually 2012 now?

According to the Ethiopian calendar, this is 2012. But that is not the one we are accounting time by.

There are claims being made that June 21, 2020 is actually the 2012 year and the end date of the Mayan calendar, as a correction to the supposed date of December 21, 2012 that came and went over 7 years ago.

World News Report Today (a professed SATIRE piece)

There is that perspective that we have, in a sense, found ourselves back in 2012, which appears to some that this is in agreement with what we have claimed about returning back to the year 2012. Our claim was and continues to be that time will actually be reset, not by some change in the accounting of time like a calendar system. Sliding the rule does not change the thing measured. If the end does come on the purported schedule, with time being reset into the past (effectively truncating this timeline) either on June 21 or on some other day in the near future, that would validate that interpretation of the Mayan calendar. Yet, the Lord of Time knows the times and seasons, even the end from the beginning, and he has made a promise to us.

“For the Lord God does nothing without revealing his secret to his servants the prophets. ~ Amos 3:7

There's a new movie planned for a soon release.

BILL & TED FACE THE MUSIC Official Trailer #1 (2020)

A phone booth! Like in, The Matrix ("I need an exit") (also starring Keanu Reeves * like with, The Lake House), and the Tardis of Dr. Who, the Time Lord, and that is the same object where Clark Kent would often change his garments as he became Superman. Why a phone booth? Because the ringing bell facilitates a dimensional transit, into another space-time dimension. (For more insight, see Bells - Supernatural Enchantment and a Biblical Perspective)


One final link of interest: Biotech Startup Aims to Make Use of Humanity’s Genetic Outliers

Part 7 - About the Schedule of the Pending Reset of Time

The Creator conceals and reveals things through the ordering of His creation, even His Word. Precious secrets about the times and seasons have been held in reserve for our day.

After the insight about the relationship between the shemitah numbering 860 (devoured) and 861 (devouring) was received, one of the scriptures that was highlighted to me was Psalm 119. To understand why some historical context is necessary.

My awareness of the importance of the ordering of shemitah springs in part from the work of J. R. Church that drew attention to the ordering of the Psalms. In the book, Hidden Prophecies in the Psalms, it was demonstrated how the Psalms were numbered according to the Gregorian calendar years. This was a secondary witness supporting the biblical prophecy of Genesis 49's description of the celestial sign of 1991. My story is recorded in the following studies.

Jacob's Dying Words Prophesy the Celestial Sign of the Lord's Return in Judgment

The Celestial Sign of Jacob's Dying Prophecy is Validated by Hidden Time Prophecies and Other Remarkable Signs

In brief, Psalm 91 describes in colorful detail certain recognizable events of 1991. The first 12 verses are concerned with Desert Storm, a military response to Iraq's attack of Kuwait under Saddam Hussein's leadership, during which the miraculous protection of Israel was witnessed. In the 13th verse, a cryptic statement appears that pairs with Jacob's deathbed prophecy as a description of the celestial sign of Yom Teruah, 1991.

You will tread upon the lion and the cobra; you will trample the great lion and the serpent. ~ Psalms 91:13

We didn't know it then, but this pattern of the 12 and the 13th identifies it as an exhibit of the mastery of time. And, that 13th unit describes the celestial sign that serves to anchor the season of the Lion of the tribe of Judah's return in judgment to our familiar calendar, which is a dramatic demonstration of the mastery of time!

In 1991, when the Lord began to reveal the celestial sign that was prophesied by Jacob so long ago, He brought together the work of several people who had labored over many years, some of whom were long dead. At the right time, when the sign was about to manifest, what had been prepared in advance began to bear the fruit of its purpose. Many of those whom the Lord has engaged in the work have died, but not in vain. They will live again and our God will honor them for their faith. Those of us who remain in this work honor them and their contributions with our own. Those whose names we know were not alone. Their efforts were underwritten by other men and women of faith, their family and ours. I feel very strongly today about giving tribute to them and their sacrifices, our precious heritage.

Here are some links you may find useful.

Psalm 119— Logotechnical Analysis, by Casper J. Labuschagne

The Psalms - Companion Bible (Bullinger)

THE TEN WORDS OF PSALM 119 - Appendix 73 To The Companion Bible

Now, with all that said, the year 1991 has been encoded into Psalm 91 in a remarkable way and, likewise, it seems that the year 2019 is the esoteric subject of Psalm 119. Some of the features speak to us about time being reset, like the extreme emphasis on division (bifurcation) and a new beginning with the mastery of time, while modeling the menorah that has the seven-fold character of the shemitah.

The 119th Psalm has received a lot of attention from scholars over the years. It's well known as the longest "chapter" of the Bible but it's the intriguing structure that is notably outstanding. It's not the only acrostic Psalm but it is the most famous of them. Psalm 119 consists of twenty-two sets of eight verses each. All eight verses in each set begin with the same letter, and these step through the Hebrew alphabet in order from Aleph, the first letter, to Tav, the last.

This feature isn't there to entertain us or merely give scholars something interesting to catalog. This is a messaging system that supplements the textual content and the other peculiar features, including the prophetic timing indicated by the numbering of this Psalm.

The numbers produced by the most obvious feature of this acrostic Psalm are 8 and 22. The number 8 is widely understood to mean, new beginning. The derivation involves cycles like the week of days or of the years that compose the shemitah. When you're counting off consecutive units in sets of 7, every 8th marks a new beginning. The number 22 that is so prominently paired with 8 is similar. Like how 8 is the primary time number 7 plus 1, 22 is the time number 21 plus 1. NEW BEGINNING!!!

For related study, here's a blog post I wrote on the meaning of the number 21 almost 8 years ago. What does the number Twenty-One mean?

The mirroring of 12 and 21 has been used in time signs for Aaron and I on many occasions in recent years.

Here's a couple other posts we've published with insight into the number 22. (
from 2010 / from 2015)

For more insight into the meaning of 8 and 22 we consider the foundations they depend upon. The number 7 has to do with time as a cycling construct but the number 21 has a broader sense. It factors into 3*7, or 3 sets of the primary time number 7. With the number 3 representing completeness, see 21 as signaling the completeness or fullness of time. Alternately, with 3 being the resurrection number, 3*7 describes the resurrecting of time, so we see 21 as signaling what is beyond time or eternal, timeless.

When it comes to the meaning of the addition of 1 to the time numbers 7 and 21, we can hardly ignore what we've learned about the meaning of the addition of 1 to the time number 12. The number 12 signifies cycling time and the number 13 speaks of the mastery of time. One can see that 7, 12 and 21 are similar and that with the addition of 1 to the series, 8, 13 and 22 are similar. There is an aspect of "New Beginning" in 8, 13 and 22 AND ALSO an aspect of the mastery of time! With regard to the stamping of the related 8 and 22 upon the acrostic 119th Psalm, the aspect of the mastery of time is emphasized alongside that of a new beginning!

So, both of the stand out numbers in Psalm 119 independently signal a new beginning AND the mastery of time. Together, the signification is magnified and extremely emphatic! What could warrant such a treatment as this, even adding to the fact that this is the longest "chapter" of the Bible? Such a thing as the marking of the pivoting of the specially doubled shemitah in 2019 seems fitting! The beginning of any given next-in-sequence shemitah is not rare, of course, but a new beginning of time in the reset and grafting in of a new or refreshed timeline, well, that's certainly worthy of emphasis!

There are distinctive 7-fold patterns in Psalm 119 that identify it with the week and shemitah that is so much the subject of our interest. The design also compares to the menorah, the branched golden lampstand that cast its light upon the Holy Place. These comparisons provide for some exciting insight!

This Psalm speaks profoundly of itself when it is declared in verse 105: "Your word is a lamp to my feet And a light to my path."

We'll be giving our attention to the menorah design and what it suggests, but not just yet.

Psalm 119 highlights division or bifurcation. The division required for partitioning is inherent in the generation of the special acrostic pattern and the menorah structures but bifurcation is especially highlighted on a variety of levels. As we explore these some wonderful insights arise. Fundamentally, this bifurcation speaks to how the 119th Psalm marks a very special division that is about far more than the separation between two shemitah in 2019. The impression is that time itself is split in a pivoting, branching, splicing, grafting, shifting and resetting.

On what is perhaps the most obvious level we consider the division of each line into a pair of themes. In nearly every verse, The Word is referenced - and with 176 verses in total - that's a lot! In nearly every one of these 176 verses this exaltation of The Word is woven together with the Psalmist's appeals and passionate observations in such a poetic way that even the most casual reader can hardly ignore it. This feature communicates a few messages but for now, let's focus our attention on the modeling of division. The many lines are dramatically split between the exaltation of The Word and the psalmist's appeals and observations.

When we simply bisect the Psalm we discover that significant numbers and results are produced.

The 176 lines divide evenly into two sets of 88 lines. The 22 letters of this acrostic divide into 11 and 11.

11 letters - aleph-kaph - verses 1-88
11 letters - lamed-tav - verses 89-176

The second half begins with the following declaration that lights our way.

89 Forever, O Lord,
Your word is settled in heaven.
90 Your faithfulness continues throughout all generations;
You established the earth, and it stands.
91 They stand this day according to Your ordinances,
For all things are Your servants. ~ Psalm 119:89-91

The numbering of double eleven is an ideograph. The picture presented by the numerals as 11 11 resembles pillars. || || Pillars are dimensional constructs supporting the heavens and the earth.

The pillars of heaven tremble And are amazed at His rebuke. ~ Job 26:11
Who shakes the earth out of its place, And its pillars tremble; ~ Job 9:6
The earth and all who dwell in it melt; It is I who have firmly set its pillars. Selah. ~ Psalm 75:3
For the pillars of the earth are the Lord’s, And He set the world on them. ~ 1 Samuel 2:8b

Consider what we find where the Psalm bisects into the pillar ideograph. Psalm 119:89 provides an exhibit of PILLAR language! Space Time language!

First word: Forever. The next two line continue extending the time language. Pillars are the image used in time travel programming, an Illuminati programming construct, and they do get that from somewhere. The fallen angels took with them the secrets of heaven when they fell (although not the best of them). Pillars also represent stargates, gates or doors between dimensions. Reflect on what this suggests about this Psalm as the pivot of the age at the reset of time. This speaks to me of how that, after the reset, FOREVER - His word will be settled in the heavens. No more will the wolf lie down with the lamb, right? (with reference to a Mandela Effect in Isaiah 11:6 that many saints either cannot perceive or bear to accept) The LION will lie down with the lamb!

I can't help but reflect upon a double 11 sign I received on the holy day Yom Kippur almost 8 years ago because it has a definite bearing. It was received in connection with a study I was writing on bells, objects that have to do with dimensional barriers and transiting. It involved 22 dollars in pennies, and time is money, which is to say, money is, or signals, time. So the Penny Sign is a Money Sign is a Time sign! As I rolled my collection of pennies into 50 cent rolls I just happened to be separating them into two columns. When I was led to stop rolling this represented $11 and $11. I did this on 9/11/10, which was 9 years after 9/11/01 - to the very day! That infamous Twin Towers event made that a notable pillar day, to be sure! (Psalm 119 mirror 911) The day of 9/11/01 happened to mark the 10th anniversary of the celestial sign of 1991 (witnessed on 9/11/1991) - to the very day. The penny roll sign of the double 11 came on the 19th anniversary of the celestial sign of 1991. And, again - money is time. The bisecting of Psalm 119 into 11 and 11 sets has to do with time, like the sign of the doubled eleven penny rolls. Note well that it was Yom Kippur when I received the sign, and that's the only day of the year where the High Priest may meet with God in the Holy of Holies. That feature calls attention to the specialness of the TIME. That scheduled meeting was an accessing of the pillar (11 11) construct linking dimensional realms. That Most Holy Place was where the ark of the covenant resided, with the 10 commandments inside, the ark that functioned as the center of time, in the place that still functions as the center of time!

Yeah - okay - it's all pretty overwhelming, but there's just so many crossing threads that are relevant - including more on the subject of Space Time and transiting!

The bisecting of Psalm 119 into 11 and 11 letter sets separates it evenly into 88 and 88 lines. If you've been following The Open Scroll you should find this number 88 very familiar. (See Code 88: Space-Time (and the Lion's Gate)) This a space time transit signaling element! It's featured extensively in popular time travel fiction like, Back to the Future, and, The Adventures of Buckaroo Banzai Across the 8th Dimension. If the reset of time into the past is connected with the number 88 in this Psalm of the hinge that time swings upon, would that be too weird? It's all pretty strange, but such is the way of our reality.

The number of (earth) days it takes for the planet Mercury to orbit the sun is 88, and for this reason the number has been identified with this planet from ancient times. The Lord was calling this feature to my attention as I was getting up and around this morning, as I write on the 24th of April. There's a direct link to the calendar-anchoring celestial sign of 1991 because the planet Mercury was directly involved! This planet identified with the number 88 is named in Genesis 49:10 as the lawgiver (or ruler's staff, depending on your Bible version). It's also one of the planets (together with Venus) doing the treading and trampling in the numbered Psalm that prophesies of 1991.

The sceptre shall not depart from Judah, nor a lawgiver from between his feet, until Shiloh come; and unto him shall the gathering of the people be. ~ Genesis 49:10 KJV

You will tread upon the lion and the cobra; you will trample the great lion and the serpent. ~ Psalms 91:13

This function of signaling time and appointed times is what the celestial lights were created to do in their motions through the constellations.

The bisection of Psalm 119 into 88+88 lines calls the planet with a period of 88 to our special attention. The Bible identifies it as the chaqaq וּמְחֹקֵ֖ק - the lawgiver. Have you looked at Psalm 119 yet? Repeating in myriad ways, it's about the law and the "lawgiver." The Pagan god that the planet has been associated with is Mercury, the messenger for the gods. Those who hijack and obfuscate have retained the essential role in the mythology. It is accepted by many that the Law was given through the agency of an angel, which you can learn about in the studies linked above.

The manner of identifying the planetary chaqaq-Lawgiver (Genesis 49:10) by its number 88 (Psalm 119) compares to the identification of the planet Jupiter (which orbits sun every 12 earth years) in the sign of Revelation 12:1, which attended Y'shua's birth in 2 BC.

A great and wondrous sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ~ Revelation 12:1

These very meaningful Space Time celestial features appear in Psalm 119 when we consider the halving of the scripture into 11 Hebrew letter / 88 line parts. The Psalm can be halved based on word count in a way that is also meaningful.

From: Psalm 119— Logotechnical Analysis, by Casper J. Labuschagne
"Observations
1. In terms of verselines, the arithmetic middle of the psalm falls between the verseline with initial kaph (v. 88) and the verseline with initial lamedh (v. 89): vs. 1-88 || vs. 89-176. In terms of the 1063 words, the text divides into 533 | 530, which means that the last 3 words of v. 88b constitute the mathematical centre of the psalm (1063 = 530 + 3 + 530). The pivotal words express in a nutshell what the psalm is all about. No wonder that it echoes in various phrasings and fashions throughout the entire psalm.

וְ֝אֶשְׁמְרָ֗ה עֵד֥וּת פִּֽיךָ
And I will keep the testimonies of your mouth."

This division based upon word count is also meaningful, and on that observation I want to reiterate how this speaks to the Psalm that we are identifying with the year 2019 as one that demonstrates in exceptional ways the matter of division, even the division of space and time itself.

The bisection by word count revealed a symmetrical division into 3 parts. When we consider the natural symmetrical division into seven parts we discover what many scholars have identified as a distinctive menorah pattern. This 7-fold lampstand repeats the celestial theme because, as the historian Josephus and many others have declared, it models our solar system!

Then you shall make a lampstand of pure gold. ... Six branches shall go out from its sides; three branches of the lampstand from its one side and three branches of the lampstand from its other side. ... Then you shall make its lamps seven in number; and they shall mount its lamps so as to shed light on the space in front of it. ~ Exodus 25:31-37

The lampstand lighted the Holy Place in the temple as the sun and the other celestial luminaries shed their light.

As it is written: "and they shall mount its lamps so as to shed light on the space in front of it." The space, and in what we call space or the expanse of the heavens.

and let them be for lights in the expanse of the heavens to give light on the earth”; and it was so. ~ Genesis 1:15

The menorah design exhibits a linear bi-directional symmetry. You can see this in the image preserved on the Arch of Titus in Rome, which is what the Emblem of Israel is derived from. The central lamp is known as the servant lamp, the shamash. This is flanked by three on each side, all in a row. The shamash is understood to be the Sun in a model of the solar system, with Mercury, Venus, and the Earth, (or the Moon) on one side, and Mars, Jupiter, and Saturn, on the other. As many have observed, the Sun lamp is the 4th in sequence, from either direction, and this resonates with the Sun appearing on the 4th day of the creation week.

We note with special interest that the elegant menorah also bears what we call the keystone pattern, where there are 3 things of a kind followed by a similar but special 4th! This keystone pattern is inherent in Psalm 119, for 2019!

Labuschagne provides some excellent illustrations of the menorah pattern in Psalm 119— Logotechnical Analysis.

The acrostic with its 22 letter sections of 8 verse-lines each naturally divides into 7.

3x8 || 3x8 || 3x8 || 4x8 || 3x8 || 3x8 || 3x8

The 176 Masoretic verses divide readily into the sets spanning these verses: 1-24, 25-48, 49-72, 73-104, 105-128, 129-152, 153-176. The shamash or servant lamp modeling set of letters 10-13 in the sequence consists of the 32 verses numbered 73-104.

The keystone pattern is magnified with each of the first 3 in sequence being of a "3x8" dimension, followed by a 4th that is of a similar but yet distinctly different "4x8" dimension.

Labuschagne noted a feature that speaks to us about the validity of this menorah modeling. The letters represented by the "4x8" shamash of Psalm 119 produce the Hebrew expression of, My King! The central 4 letters derived from the acrostic are yod, kaf(caph), lamed, mem. When inverted, this reads, My King. The key role of the first letter is already the foundational principle of the acrostic, so this derivation of "My King" is a result that is produced quite naturally. The shamash is the servant lamp, and the servant king and Sun of Righteousness (Malachi 4:2) is Y'shua haMashiach, King of Kings and Lord of Lords!

J.R. Church, author of, Hidden Prophecies in the Psalms, published a book in 1993 with co-author Gary Stearman titled, The Mystery of the Menorah ...and the Hebrew Alphabet. Although Psalm 119 doesn't seem to be mentioned, they do offer a collection of interesting insights.

In the following passage of scripture He is seen in a context that should be familiar.

12 Then I turned to see the voice that was speaking with me. And having turned I saw seven golden lampstands; 13 and in the middle of the lampstands I saw one like a son of man, clothed in a robe reaching to the feet, and girded across His chest with a golden sash. 14 His head and His hair were white like white wool, like snow; and His eyes were like a flame of fire. 15 His feet were like burnished bronze, when it has been made to glow in a furnace, and His voice was like the sound of many waters. 16 In His right hand He held seven stars, and out of His mouth came a sharp two-edged sword; and His face was like the sun shining in its strength. ~ Revelation 1:12-16

You may want to pause for a while to reflect on these things. Again, the 119th Psalm speaks profoundly of itself when it declares in verse 105: "Your word is a lamp to my feet And a light to my path."

The evidence that suggests the approach of the reset of time in 2019 continues to build and the sum of it is becoming more and more compelling!

When we continue, Lord willing, there are more exciting observations to be made based upon the insights we've just offered into the exceptional Psalm 119!

Fringe and the Dandelion Sign of the Pending Time Reset

A few days ago I noticed this definition for Clock: #6 "The downy flower head of a dandelion that has gone to seed."

The TV series Fringe featured the dandelion clock in a very significant way in an episode that first aired on September 28, 2012 in an extremely notable season. Fringe: 5.01: Transilience Thought Unifier Model -11 aka Dandelion Wine (The Simple Joys of Yesterday)

"Oh, and it's neat that the episode begins and ends with a dandelion — at the start, Young Etta is picking dandelions and blowing their spores away, and at the end, a despondent Walter is staring at a dandelion in the wreckage."
IO9 ("We Come from THE FUTURE")

"The first and last shots of the final season premiere of Fringe focus on a dandelion. In the first, a dandelion has gone to seed, its time done. In the last, a newly matured dandelion stands straight and defiant in the middle of scorched earth. Soil proclaimed dead by the Observer, Windmark. Episode 5.01 closes inside the detritus of an abandoned taxi as a depleted Walter Bishop, a devout disciple of science, led by the prism light of a windchime CD tree; looks for inspiration after being battered by the torturous mind probings of Windmark. Not through science. But music."
Fringe Episode 5.01 Review – Dandelion Wine

At the end of the episode, Walter Bishop is in the year 2036 and the earth is very barren. He sits in an abandoned cab and spies a lone dandelion, flowering, which brings a tear to his eyes - a sign of hope!

Henrietta Bishop
Fringe Wiki - Transilience Thought Unifier Model-11
Wikipedia: Transilience Thought Unifier Model-11

Fringe, was famous for doing very clever things with symbols. The title has to do with what things are considered fringe science, which more and more being considered as cutting edge. The plot of the show featured an alternate dimension and interaction between the dimensions. It also featured a class of beings called Observers. Think Watchers, as in the class of angels who fell from heaven to earth, as per Genesis 6 and Enoch 7 and 8. Certain characters in Fringe not only passed from one dimension into the other in the same relative time, they sometimes teleported into the past or into the future. In connection with these events, Fringe showed the knowing exploitation of symbols like the bell and tuning fork and entheogens and the metaphor of water as time. These are the kinds of tells that reveal the knowing and purposeful presence of Luciferian Occultism behind the production. My point in saying that is this, that the dandelion as clock is being used with knowledge to convey something secretly. We'll explain more, but we believe it can be taken as a sign of the pending reset of time. Another flower, a white tulip, was used symbolically on the show, which should speak to those of you who watched it closely. The White Tulip was received by Walter as a sign from God (that was actually revealed to have been given by a friendly Observer("Watcher") named September, yes, same as the month.)

When I think of Fringe and what esoteric meaning they might be misdirecting us away from by pointing us to the fringe science, it speaks to me now of the literal fringe of this passage of scripture, which describes the sound made by the bells and how this was necessary for the Aaronite High Priest's annual appointment with the Most High God in the Most Holy place.

4 And these are the garments which they shall make: the breast-plate, and the shoulder-piece, and the full-length robe, and the tunic with a fringe, and the tire, and the girdle; and they shall make holy garments for Aaron and his sons to minister to me as priests.
33 And thou shalt make the full-length tunic all of blue. 34 And the opening of it shall be in the middle having a fringe round about the opening, the work of the weaver, woven together in the joining of the same piece that it might not be rent. 35 And under the fringe of the robe below thou shalt make as it were pomegranates of a flowering pomegranate tree, of blue, and purple, and spun scarlet, and fine linen spun, under the fringe of the robe round about: golden pomegranates of the same shape, and bells round about between these. 36 A bell by the side of a golden pomegranate, and flower-work on the fringe of the robe round about. 37 And the sound of Aaron shall be audible when he ministers, as he goes into the sanctuary before the Lord, and as he goes out, that he die not. ~ Exodus 28:4, 33-37 (Brenton Septuagint Translation)

Early in the episode we see the clock that is the downy flower head of a dandelion that has gone to seed blown away by young Etta. As time itself is scattered to the wind, in a figure. At the end, the flowering dandelion in its splendor is seen in a place where hope is clung to with desperation. Walter's attention was drawn to the setting by the sunlight that reflected into his bedroom off the collection of CDs hanging over a large metal tub. They were apparently placed there to act as a scarecrow, to keep birds away from the tub that must have been used as a planter. It may be said that farming demands faith and hope, with the effort made in the hopeful expectation of an eventual harvest.

The way of a dandelion is that the seeds produce more dandelions, so the order of the appearance of the two images in that sequence makes perfect sense. HOWEVER - if you've ever watched the show, Fringe is seldom about simple things and their natural order. There may be a hint of where the esoteric meaning lies in the alternate title of the episode, "Dandelion Wine (The Simple Joys of Yesterday)."

This episode speaks to us of the turning back of the clock (dandelion). We see this in a figure as the same dandelion, from having gone to seed to being back in its former glory, back in the past - with the clock or time reset into the past.

Here's an image I found. Someone else made this, and it does speak to us of hope, specifically, THE HOPE and our hope that now depends upon the reset of time. Although precious few will realize what has happened, we'll find ourselves returned into the past. The recent years of time we've just experienced will be repeated. The biblical schedule that has been prophesied will unfold - and this second time around - right on schedule!

One thing that makes this fresh insight into a show that aired over five years ago compelling is because this was the insight I had almost immediately upon learning that the dandelion head was called a clock.

Another thing that makes this compelling is the dates involved. The show first aired in 2012 just a few weeks after the London Olympics and Paralympics concluded. (The time suggestive Paralympics motto being: "Inspire a Generation") We remain convinced that that was a crucial season with regard to when time itself was skewed. Etta was blowing on the dandelion just before she disappeared, and was not found. That was set in 2015, and it was in the Spring of 2015 that we became thoroughly convinced by supernatural signs and revelation insight that time had indeed been skewed.

What makes this more compelling yet is what's been happening since I decided to work on this post and began to write it! Yesterday I was working on another project, the time portal opening ritual in PyongChang South Korea that was presented during the Opening Ceremony of the Winter Olympics. Unless the Lord directs otherwise, I typically continue work on whatever project is current. The Lord directed otherwise, obviously. This morning, I reviewed the latest news and published a post about Hollywood's witch casting out demons by Beelzebel (also, Beelzebub). I then began working on this post about the dandelions framing the Fringe episode. Then, I was interrupted with a plumbing issue.

The toilet in the rental where I live has an occasional problem where it fails to flush properly, even when nothing unusual is asked of it. Usually, a plunger and a minute or so of effort returns it to its usual function. Not this time. That's a first. It's still not flushing properly. The landlord will be tending to this soon, I expect. Because of the water as time metaphor, I'm always attentive to water related events. I don't want to make something of nothing, but when there is a sign, I don't want to miss it. If we weren't just put on alert a few days ago for the same thing I'd perhaps not see the interruption in this writing of a time reset sign post with a plumbing water event as a sign. But we were!

Early yesterday morning (Tuesday, the 20th), Aaron had to deal with the same thing, a toilet that wouldn't flush, and this was the very first time it actually overflowed a little. During the brief span that it overflowed and he mopped it up, he observed that the 12:21 time had passed. He wasn't led to see it when the clock read that time, but still, there's that. There's more to this. He put a rug and towels in the washing machine. A little later he heard a loud banging. The washing machine had walked itself about 4 feet out of place. That's a water drainage issue too, because the washing machine had started a spin cycle and whatever load balance issue was not resolving itself caused a failure of the water to drain. Now, aside from that, we had been talking together about the flooding outside. He lives on the river directly across from a dam. For the first time since he lived there, the water had begun to flood over the roads nearby and at least had come right up to the very top of the dam. The high water and flooding happens because the water isn't draining fast enough, right? So, after he told me about all these things we prayed together and talked about whether or not these were to be considered as time signs. We agreed that we had no insight about it, but that it should just be recorded and we would stay on alert, being confident that if this was meant as a sequence of time signs that the Lord would make it plain. At this point, it's plain enough. Yes. In connection with the toilet flushing issue here in Greensburg and with the writing of this post. The water signs are linked to this post about the time reset. With the extended span of time involved, I believe it is more broadly inclusive of the Olympic Ceremony's opening of the time portal that was the subject of the video project I worked on yesterday, as well as the video we published just before that, the final one of the Transformers trio where the cryptic presentation of the Great Pyramid as a time weapon was the subject.

Aaron and I reviewed and discussed this post before publishing it and a few other items seem relevant. This is the 12 month, on the Lord's calendar, and today is the 21st day, on the Pagan Gregorian calendar. Different calendars but still those are the pertinent time numbers. Not long ago, Aaron had a time stopping sign when the water pipe in his upstairs bathroom froze during a cold snap earlier this Winter. We're still experiencing a significant funding deficit and, on the money as time metaphor, we have to see this in context as consistent with the water flow stoppage signs. What the Autobot named Hot Rod said in the climactic scene of Transformers, The Last Knight, echoes in my ears. "I save you. I stop the time."

These are strange times. This season will not last. Yesterday is coming. While few will perceive what happened, what is being done in this season matters. The Lord keeps perfect records. Let us encourage you to make the most of what you've got.

The 2018 Winter Olympics Begin

Another season of the Olympics is upon us. I watched some of the opening ceremony last night and heard the reporters/commentators reflect back on the last Olympics in Asia. I have often reflected back on those myself because the closing ceremony in Beijing (2008) was such a pivotal event for me.

I had been involved for many years in Christian ministry and in passionate study of the Bible. I had begun to learn how to understand things that were deeply hidden, like figures of speech, thematic structures, and celestial signs. I was also learning how to interpret dreams and discern the meaning of certain special events that were signs in the earth, as the anointing of the holy spirit had been leading me in that way. Ten years ago, a friend directed my attention to what she thought she saw happening during the closing ceremony in Beijing. I checked it out. She was right, and the more I looked into how they were secretly modeling the baptism and anointing of the antichrist beast, the more the Lord revealed.

I spent many months writing about the signs of those Olympics, and hundreds more hours in the years since in the study of Olympic ceremonies, symbols, and attending signs. This is not just a personal interest. There's something about it that is of universal significance!

The London Olympics of 2012 happened in a season where time went off the rails. The London Ceremony from Beijing was involved in connection with the London Olympics and Paralympics in the skewing or hijacking of time. We knew there was something going on at the time, and, in hindsight, we have to say that impression continues to find validation. When the bell (of Caliban-antichrist) was rung in the Olympic Stadium to signal the official start of the Games, Aaron heard in the spirit, "It has begun." Sure, the Olympic Games had begun, but that's not what was meant, obviously. The mass ritual event known as "All the Bells" had taken place earlier that same morning. The bell barge had been floated down the Thames-Isis in the Queen's Jubilee flotilla. We had been raised to a high alert status through many months of careful watching and reporting. What was it that had begun? Something of note, something different, and something that is going to need to be undone. Such a thing as to undo it is impossible of course, but yet, nothing is too hard for the Lord!

So, yesterday, the Winter Games in South Korea were officially opened. The flame of the torch that was ceremonially lit at the Temple of Hera, the wife of Zeus, reached its appointed destination. The (witches') cauldron in Pyeongchang now burns brightly, illuminating the Olympic Park like a temple with its roseate hue. Some have identified the lighting mechanism as a flaming robot penis (They should have got help with making that a little less "phallic-y" from the professionals. But maybe Amazon was busy already.), but beyond that "controversy," no one in the media seems to be squawking about the dedication of the entire proceedings to Zeus, aka Satan, and Apollo, who is linked to the antichrist beast. Neither is there any squawking about the idolatrous exaltation of the goddess inherent to the Games. Some attention is being given to the inappropriately dressed oily Tonga flag bearer in a grass skirt, and to the first openly gay Olympic athletes from the USA and their slighting of VP Pence, but there seems to be no offense being voiced about the role of the flamboyant (flaming homosexual) Johnny (queer) Weir, who is an official NBC commentator for the ice skating competition. Last I checked, the book of Romans does not start with chapter 2.

Is it the matter of people coming together in unity from all over the globe that's so appealing, which they seem to slather all over everything like a special sauce? Wasn't that the situation at the building of the city and tower of Babel, so long ago? (Genesis 11) Yes. Yes it was, and toward the same goal, really.

It's not that I don't appreciate athletic ability and competitive sports and great photography and music and stories about families and strangers working together and supporting each other and grand theatrical productions and so on. It's just the whole "harvesting of worship for Satan" thing I'm not a fan of. And I'm even less of a fan when it's sneaky and the predators are taking victims in their ignorance and naiveté, even if they seem willing to be taken.

So long as they don't make too big of a big deal out of it, most folks are content to just go along with the whole Zeus worship thing. Like it's quaint and harmless. It's like the recent half-time show at Super Bowl LII. As long as the pledge to the Prince of the Night isn't in your face, it can just be ignored. But can it really? There's a legitimacy to it, demonic authority and evil fruit. There are consequences, curses, judgment.

Is anyone still wondering why each of these official logos can be easily manipulated to render the word, ZION? Is this some kind of ritual connection toward a magical hijacking and energy transfer through time and space? That seems likely.

There is coming a time when the world will worship together in peace and harmony, but then it's going to look much different. Better! Way, way better! It will be the real Zion manifesting, and, the IOC will be nowhere in sight. And, the Lord of Lords and King of Kings will be worshiped in truth!

How, when and where to watch the Opening Ceremony

Gay US Olympians dig in on feud with vice president: 'Eat your heart out, Pence'

THE Winter Olympics torch lighting ceremony was mocked as viewers said the giant metal rings used to ignite the cauldron looked like a "robot fire penis".

Notes on the Trending Time Signs

Since before we even caught on to the fact that time will be reset, Aaron and I were both seeing signs of it. The signs continue to manifest. Although we still have no substantial revelation insight to report about when time will be reset, I will share a dream I had recently, and a few miscellaneous observations that seem relevant.

In the morning of Saturday, March 26 I had a very brief snippet of a dream, completely isolated because it was not an active night or morning for dreaming. It wasn't vivid or even very distinct, but because of the subject - and because I was reminded of it when I was napping later in the day - that I had neglected to log it, here it is. In my dream, I was directed to review a video clip of some guy predicting that time would be reset in 37 days. No other context at all, or any other detail. Was that from the Lord as a prophecy? I have no idea. There has been nothing since that I perceive as validatating it. When I told Aaron, he calculated it out to May 2. According to the Karaite-Korner estimate, that will be the 24th day of the 1st month on the Lord's calendar. Does that fit with anything? I don't know. That's during World Heritage Week and the day after May Day-Beltane-Walpurgis.

Aaron and I have used the spans of time given in the book of Daniel for various kinds of speculative calculations, just fumbling around in the dark, really, because the Lord hasn't opened the matter to us yet. We know the details are going to be hidden until the Lord reveals them. If I learn more and the Lord directs me to share it, I certainly will not hesitate to do so.

Our knowing the time of the Lord's coming has been instrumental for us - and will be again. Here's what's so weird, though. We don't know how long we've got left because time has to be reset first and we don't know when that will happen. It seems likely that the spans of 1260, 1290 and 1335 days factor in somehow, or 1150/2300/4600 days, but without the Lord opening it to us, and we know He hasn't, we're still in the dark. Educated guesses are useful because the exercise of thinking things through is part of how we seek the Lord for everything He's got for us. We know we're not going to crack the code with our intellectual prowess. We still have no guarantee that He will tell us in advance of the reset when it's coming, but if that's His good pleasure to do so, we want to be ready, to be found faithfully serving in His leading and provision.

We note that April 19 is the date planned for the installation of two scale models of the arched gate to Palmyra's Temple of Baal in NY and London. That date of April 19 was involved in the plot of the latest episide of the Magicians, which we just watched - and there's a notable connection, more than one, actually. The Magicians (S1 E12 “Thirty-Nine Graves”) featured the date as the time when a pair of space-time portals could be exploited to get the magicians Quentin and Julia into their target dimensional realm, and so it was. If you read our previous post, that should mean something because the scale models in NYC and London are suspected to be intended for exploitation as a pair of space-time portals. In the Magicians, the magickal portal takes Quentin and Julia from NY to London. Did you catch that? NY to London. On April 19. A space-time portal. If you want to see a major underlying thread, watch The Magicians and see what a key role is played by Our Lady of Guadalupe, the Black Madonna, Isis, the milk and honey goddess of magick aka Asherah, linked to Baal... The coming Episode 13 is titled, “Have You Brought Me Little Cakes,” an expression that makes reference to a practice long associated with her worship. (Jeremiah 7:18) She's the one Julia and her sect of magicians have been petitioning for help gaining the necessary power for their spells resetting time into the past.

Here's another note of trending interest. Nazi influence has been on our radar for a while as the Lord continues to highlight this persistent undercurrent. As noted in The Magicians episode 12, April 19th was Hitler's birthday. Here's a video of archived film celebrating the day Quentin and Julia made the time jump to London through the portal. Hitler's 53th Birthday Celebration - April, 19, 1942. We don't know why sites like Wikipedia present the 20th as his birthday, in our minds, it's been April 19th. For Quentin and Julia to get through the next portal in sequence and get access to the magical realm of Fillory they had to wait until the 21st, which means they were there in London during Hitler's 53rd birthday. The plot could have featured any other dates and places, but it is what it is - and there are reasons! The Nazis opened up many dimensional portals. In The Magicians, Quentin told us that Hitler was a powerful magician, and that certainly seems to have been the reality. Hitler - an antichrist. I wrote about one involving Olympic bells in 2012, and the suggestion of a time portal connecting London and Berlin, 1936. A similar connection was a key part of the wormhole-transit-through-space-time plot of, Contact (1997).

The Magicians show noted here is episode 12 - and 12 is a primary time number. Next week's will be # 13 of 13, the season's finale. 12: Time. Thirteen signifies the mastery of time. The reason why the magicians want to go to the other dimensional realm is to engage the beast before he comes for them. I've frequently written about a composite meaning of the number 13 as the rebel lord beast. The video series I just started featured episode 9 of The Magicians. Those producers know stuff.

Are they getting their direction from the CIA, like those who broadcast and publish the news? Probably, which is what several industry whistleblowers have confessed is being done. Beyond that, however, on another level their direction comes from those who direct such agencies from another realm. You could point to the one they commonly worship as Lucifer and you'd be right, but, to be more correct you'll have to see the hand of The One who is truly sovereign behind it all. He is with mercy working out His plan that will ultimately result in the greatest salvation, to His glory!

32 For God has shut up all in disobedience so that He may show mercy to all. 33 Oh, the depth of the riches both of the wisdom and knowledge of God! How unsearchable are His judgments and unfathomable His ways! 34 For who has known the mind of the Lord, or who became His counselor? 35 Or who has first given to Him that it might be paid back to him again? 36 For from Him and through Him and to Him are all things. To Him be the glory forever. Amen. ~ Romans 11:32-36

Episode 12 of The Magicians is titled, “Thirty-Nine Graves” because it makes reference to how many times the lead character Quentin Coldwater has died. Another character, Jane Chatwin, had been given the gift of the ability to reset time, changing something each time in order to get the desired outcome. Since Jane had been killed and there would no longer be a reset, desperate measures are called for with more being at stake in the result than would otherwise be imagined. In episode 10, the practice of time magic was introduced in the plot, toward the goal of changing the past.

Does all this seem familiar, somehow?

The most recent episode of Marvel's Agents of SHIELD (on ABC) was titled, Spacetime. It featured much dialog and activity that is extremely relevant to all this. Like about changing the past to change the present and future. Thirty Seven Days to the reset, Thirty-Nine Graves-deaths-time reset loops... Pairs of stargates established on April 19 linking through the past...... these are interesting times!

Aaron and I continue to reflect on many of the time signs we've had. The kitchen apple clock miracle ranks high on the list. So does when his Dad put the masked model on display - with instances exactly one year apart. There have been many, with most of them not even being mentioned on the blog. Some have been of a pretty simple nature and others have been pretty involved. One has to do with an ad for a self-publishing company, Lulu. I had just visited with my Dad last summer, helping him with two projects that had primarily to do with springs. A lawnmower guard and a small vintage outboard motor pull-start mechanism. The kind of springs pictured in the graphics of the Lulu ad.

See: The Time Code LU as 12:21
and
Chaos and Unity - Decoding "Lulu" - $666 million "Antichrist" Lottery - New Ancient Tech

There's another kind of spring suggested in the Lulu ad that has to do with time, the Spring of the year. This is your year. Between the Springs, as, from the Spring of one year to the next. Is my year ending this Spring? What does that mean for me - for us? With the number values of the letters L (12) and U (21), Lu is 12:21, a pairing of time numbers that has been hugely significant for us. LuLu. This is your year - between the Springs. Our various calculations suggest this may be the season if our destination is circa 2011-2012, which makes a lot of sense to us.

Lulu ~ Time squared - the arch from the Temple will be in Times Square in NYC. Trending....

Earlier today, Aaron saw an ad for the return of another season of the show, Outlanders. The ad copy titles read: “This Spring. Forget the past. Rewrite History.” Another coincidental set of connections? Improbable. Actually, that would be a ludicrous suggestion. I've written about the Outlanders. The Outlander is Horus, aka Apollo. Just as WW2 ends, a woman goes with her husband to in the countryside to visit a circle of standing stones where witches had just done a ritual. She's magically transported back in time. She becomes involved with a family who, in the real world, is responsible for the Boleskin House on Loch Ness. That's where Aleister Crowley did the magical working and never closed the spirit gateway that was opened. That same house was later purchased by Black Magician and Occult grimoire publisher Jimmy Page of Led Zeppelin.

One more thing. I could go on and on, but there's other things that require attention. Interstellar - 2014. The award winning movie starring Matthew McConaughey and Anne Hathaway was red-lighted to us until just this last week. We're very attentive to find the Lord's approval before we venture into something, and there was no ambiguity about this film being denied. The Lord always has His reasons, and we trust that He is good. Suddenly, it was green lighted. The timing was perfect. The Lord had a point to make, more than one, actually. We watched it on Amazon, then the Lord approved ordering a blu-ray disk, perhaps because we might be featuring clips in upcoming video productions. When the order arrived, it came with a special bonus, a film cell from the IMAX Film, from the actual 70 mm film print. What appeared in the image he received was personal and very special. It's from the scene where Matthew's character was whiteboarding. It was the mission to save life on the earth from total destruction. The diagram was his plan to do that, accounting for the wormhole and time shift and displacement.

Here's one image of that scene.

When Aaron and I talk about the core interest in this season we reference it as whiteboarding. After our trip last April to the woodshed, so to speak, while still smarting, the Lord led us to whiteboard. I drew this time loop on my little whiteboard. It's a simple diagram of the pending time reset.

Not long after that we bought a nice whiteboard and it's had only a very little use, so far. To us, whiteboarding means the Lord is engaging very particularly with us, directing us in outlining and detailing the things that are most deeply hidden about the time reset.

For years, I had the schedule of the target Shemitah drawn out. For several months now, I've had what you see here, a diagram and some volume calculations for the Ark of the Covenant, contained within the smallest sphere and containing a largest sphere. Aaron's dream about being swept out with a flood past palm trees and hearing someone say, “God will make a place for us,” and “Displaced by Water and Time” - it still resonates with us.

What a season this is! Take hope, dear saints. All this stuff we go on about, whether it makes any sense to you or not, know that the Lord has "got this." He's got us and will lose none of all that are His.

Part 2 - The London 2012 Olympics: Revisited

This post picks up where we left off in part one, describing the time manipulation magick ritual presented in The Official Video: London 2012 Olympic Games Opening Ceremony. (Watch from the 8:25 mark to about 12 minutes in)

The work that the illumined Luciferian elite are so passionate about requires a hijacking of space-time domains and the mastery of time. The effort requires the combination of ancient tech, modern tech and actual sorcery, pharmakeia. Folks, it's already been touched upon, in ancient times and again recently, and we're convinced that all the ceremonial ritual working that was done in connection with the XXX Olympiad played a role. The illumined know how to bind space-time and engage the principalities and powers in partnership, whom they worship and by whom they are directed. There's a reason why the Olympic Park is located on the earth between the time wave arcs drawn from Mount Zion that correspond precisely with the creation of the modern state of Israel. This is the same reason for the countdown rituals I've been describing in this lengthy post. Why is the Olympic Park called that instead of something else? The gematria of, Olympic Park, is 139, and 1+3+9=13. Mastery of time! The gematria of, Olympic, is 93. That's the famous number of Thelema and Agape according to Aleister Crowley's book of the Law, which is to the OTO so very important. The number 93 also produces a 12 as 9+3: TIME. These facts are more than a collection of curiousities. It's all evidence of a grand working of ritual magick.

So, here's my understanding of how the ritual of the London 2012 Opening Ceremony's countdown sequence I've been describing works.

The bell in the stadium and the stone at the river's source are linked, supernaturally, according to the secrets of heaven known and transmitted by fallen angels. The Thames-Isis is well established as a river of time, and there was therefore the creation of a resonant state with the ringing of the harmonically tuned bell. A standing wave of time was created in this realm between the stone at the source and the bell it's bound to at the other end through the language of the inscriptions, the river and many related ritual elements and rituals. A binding link with Israel was also established along the river of time known as the Jordan, and with the Temple on Mount Zion.

In support of this bell-stone-river structure, the image of a map that features a key section of the Thames-Isis was cast into the Olympic medals. The design placed it as woven through the embedded ZION imagery and surrounded by accelerated particle collision imagery, and opposite to that was cast the image of the ancient goddess in flight. There were 4700 (amplified Code 47) of these idols cast for the London Olympics, and these were awarded in 805, or 8+0+5=13, ceremonies. That's how these ritual objects came to be distributed throughout the world. Think about it. I believe the ritual structure that is the space-time resonant bell-stone-river instrument is harmonically tuned with particle collider activity at locations that include Cern's LHC. I believe there's an important reason why 13 TeV is the specified energy level for the LHC this year, that it is probably linked to such as the Olympic ritual (and CERN Symmetry Opera-Dance film ritual) that makes the illumined elite masters of time (within the limits maintained by the sovereign God).

In support of this ritual in London's Olympic Park, the same region of the Thames-Isis that was mapped onto the award medals was recreated inside the stadium for display during the Satanic Mills segment of the Isles of Wonder themed ceremony. A displacement ritual, sympathetic magic, harmonically tuned partnerships. Quantum entanglement. In that setting, they simulated the forging of a giant golden ring that ascended into the air to join 4 others in forming the customary Olympic Rings logo. I'll explain more about the rings shortly.

The Isles of Wonder stone at Thames Head marks one end of the standing wave of time. The stone marker is a kind of a standing stone, like other ancient stones found in places like Stonehenge. I've written about these before, like how the TV series, Outlander, featured them as the mechanism that, in connection with ceremonial witchcraft, facilitated time travel. Think about those connections!

Standing stones facilitating space-time transport in a magickal context were also featured in The Librarians on TNT (scheduled to return for season 2 on November 1). In the last episode of season 1 some things were said and done that are of great interest in this study.

Jenkins: ... references to the pyramids as passageways to the afterlife.
Jacob: Not so metaphorical perhaps, Jenkins?
Jenkins: Perhaps sir.
Jacob: Are you thinking there's an actual doorway to heaven in the pyramids? I mean, I think we would have found that by now.
Jenkins: It's not a literal doorway - a doorway like ours - interdimensional doorway.
Cassandra: Well that makes sense because the pyramids were designed along precise mathmatical lines. The stones are resonant to certain energy wavelengths along the magical spectrum. They act as lenses of focuses, foci along the three dimensions, dimension infinity Infinite infinite ... I saw it all! I saw it - all the way down!

Cassandra was having an epiphany on the order of what Tesla and others have apparently experienced. The TV show plays to most critics and viewers like a silly sci-fi romp. A clever ruse. The standing stones I mentioned were activated for transport when Jacob rang three tuned metallic spikes set into trees that ringed around the stones, making them resonate like tuning forks or bells.

Central to that episode's plot was ancient Camelot, and closely associated to that is the mystical Isle of Avalon. That renowned Isle of Wonder was notably evoked in the first in-stadium set of the Isles of Wonder Opening Ceremony, where a model of the Glastonbury Tor featured prominently. The conical or bell shaped model of the Tor was built in the stadium over opposite the Olympic Bell. For the ceremonial ringing of the bell, the camera lined up the two precisely, connecting them visually and ritually. You can see that in the official video at the 13th minute. Right. The thirteenth minute. I believe the Tor was engaged in the space-time manipulation ritual in a supernatural harmonic resonance, the model and beyond that as the actual Tor in Glastonbury that was known to be on the shore of the sea.

“As with Glastonbury Abbey, Glastonbury Tor is shrouded in intriguing mystery. Legends concerning its history and sacred significance have circulated since the Middle Ages, many of which center around King Arthur. In modern times, it is said to be a major center of energy and ley-lines and the home of a goddess.

The Isle of Avalon, often identified with Glastonbury, derives its name from a Celtic legend of the demi-god Avalloc or Avallach, ruler of the underworld. In Celtic lore, Avalon was an isle of enchantment. It was considered the meeting place of the dead and the point where they passed to another level of existence. The Tor was believed to be the home of Gwyn ap Nudd, the Lord of the Underworld, and a place where the fairy folk lived.

One major mysterious aspect of Glastonbury Tor are the seven levels of terraces that encircle the hill. It is not certain that they were man-made or purposeful, but they have been dated by Philip Rahtz to Neolithic times. Many believe they are an ancient ritual labyrinth or maze that correspond to a magical diagram.”

(Glastonbury Tor - Sacred Destinations)

Seven, is a primary time number, and the terracing I noted in the ritual Tor in the stadium gave the impression of a criss-crossing of tilted rings. A magical diagram of crossing circles, linked to the time number. XO space-time. The union of the X and O establishes the celestial throne of the goddess, according to the O.T.O. It causes the flashing from the abyss of the Lord of the abyss, Nodens. If you're not sure any of this was intended, watch the ceremony where the “oak+thorn” tree rises up and people emerge from the underworld underneath. Gwyn ap Nudd, the Lord of the Underworld - Nodens. Avalon was an isle of enchantment. The Isles of Wonder from the Tempest, an isle of enchantment. The bell of Caliban, as I call it, resonated with the Avalon of legend through the space-time ritual Tor, evoking in their craft the goddess and the lord of the underworld.

Consider the following, from the same page excerpted above, which makes reference to a legend about Joseph of Arimathea, who donated his tomb for my Lord's temporary burial.

“When Joseph arrived at the Isle of Avalon (i.e. Glastonbury), he landed on Wearyall Hill, just below the Tor. He thrust his staff into the ground and rested. By morning, his staff had become a strange oriental thorn bush - the Glastonbury Thorn. For safe keeping, Joseph buried the Holy Grail just below the Tor at the entrance to the Underworld. Soon after, a spring, now known as Chalice Well, flowed forth and the water that emerged brought eternal youth to anyone who drank it.”

The oak tree on the ritual stadium Tor was called a thorn tree. One can hardly deny that the tree was intended as a ritual staff of Joseph, the magickal artifact responsible for the source of this water of eternal life. The people who streamed up out of the ground where the tree had been planted on the ritual Tor were therefore, in this magickal allegory, immortal. And thorn people of the curse of Genesis 3.

With these insights, you really have to identify the ceremonial bell-Tor binding seen when Bradley Wiggins struck Caliban's bell with the ritual that engages the stone marker at the source of the Thames-Isis. To seal the deal, here's a picture of the construction of the set used for the Satanic Mills segment. It was lying directly underneath that of the pastoral setting that was stripped away by the workers who streamed out of the Underworld Tor. The Tor is on our left in this image taken during construction of the stadium sets. The bell would be placed on the right. See how the Thames-Isis is aligned on the stadium floor, connecting the Tor and bell through the ritual river of time. Bong, goes the bell, and the river and the tor, and the standing stone at the source of the real river resonates.

These things are a little complicated, but the details expose the nature of the ceremonial ritual.

One more point about that mind-blowing episode of The Librarians that pictured the resonating standing stone space-time actuation and featured Cassandra's description of the magickal dimensionally resonant stones. It was titled, “And the Loom of Fate,” and it featured elements that were openly identified as the river of time and the loom of fate. The Loom is a mythical artifact that represents the mechanism responsible for the fabric of space-time into which history is woven - both past and future.

Now, give consideration to what brother David Flynn wrote about the Foundation Stone that was closely associated with the Ark of the Covenant. There's a lot to this, which touches upon so much of what I've been blogging about recently. (The use of bold and upper-case has been added to call attention to the section about the Loom of Fate-like fabric of space-time connection.)

“The arc is the measure of movement through time and can represent the measure of all time between eternities. In the same way, the Ark represented the influence of the eternal God within temporal existence.

In this model, time is linear, and moves from a beginning to an end. Travel through space is similar. Movement begins from a point of origin and ends at a terminus.

Here, the Ark of God resides inside the Temple, or metaphorically the temporal plane. The Ark of God represented the “arc” of his interaction between eternities. God, omniscient, omnipresent, and omnipotent, set the Temple at the focus of his influence in the world. It is a mirror image of the model of time. In 1909, Reverend C.I. Scofield made an observation that, “All begins with the Ark, which was placed in the holy of holies, because, in revelation, God begins with Himself, working outward toward man: as, in approach, the worshiper begins from himself, moving toward God in the holy of holies.”    

The Ark of the Covenant had been removed from its place in the Holy of Holies in the temple of Jerusalem before the invasion of Babylon in 587 BC. However, according to the ancient Jewish sages, the site where it had rested was considered almost equally important. Its location was God’s eternal residence on Earth, the significance of which was described in the Talmud, a compilation of studies of Jewish law.

After the Ark was taken away (near the end of Bayit Rishon, i.e. the first temple period), a stone remained there from the time of the first Prophets, and it was called Eben ha-Shetiya, “Foundation Stone.”

The name Eben ha-Shetiyah is a combination of two Hebrew words: “the eben (rock) of shetiyah (foundation, array or weaving)” literally translates to “the rock from which the world was arrayed” and “the foundation stone of the world.” This remarkable meaning of shetiyah, of weaving or warping, fits the metaphysical sense of the location as WRAPPING THE FABRIC OF TIME AROUND ITSELF. This idea is reinforced in the Talmud that explains that the Eben ha-Shetiya was the first physical object that God created.

In the Mishnah Kelim 1:6–9, the Temple is described in relationship to degrees of holiness radiating outward from the Holy of Holies where the Ark of the Covenant stood. These areas are listed in order from least holy to most holy as the land of Israel: the walled cities of Israel; the city of Jerusalem; the temple mount; Rampart Court of women; Court of the Israelites; Court of the Priests; between the porch and the altar; the Sanctuary; and finally the Holy of Holies. In the pseudopigraphic book of Jubilees, the temple mount in Jerusalem is described as the center point of the world: “And he [Noah] knew…that Mount Sinai [is] the center of the desert, and Mount Zion the center of the navel of the earth….”

This idea is mentioned in several places in the Old Testament. For example, Judges 9:37 and Ezekiel 38:12 describe the location of the temple, or the mount upon which it stood, as the “highest place or center of the earth itself” or tabur ha eretz. The Septuagint Greek translation of these texts rendered the word “tabur” (highest place), as “omphalos,” or navel.

The forms of “shetiyah” encompass a full sense of the foundation stone upon which the Ark of the Covenant was placed. The ancient Hebrew sages consider the combined meaning of “shetiya” as consistent with a point existing metaphysically outside of time.

In addition to the meaning “to warp,” the root shayth also forms the Hebrew words: (1) Shathaw, meaning a foundation or basis; (2) Shawtham, meaning to unveil; (3) Shawthaq, meaning to subside or be calm; (4) Shawthah, meaning to drink; and (5) Shawthan, meaning to produce water. These ideas combined produce the sense of a metaphysical intersection between eternity and time, the terrestrial and the heavenly. The sages extended the implication of the foundation stone as a fountain of the water of life to the point from which all the world’s water emanates. As heaven is the origin of the stone, so also is the source of all water on the Earth, falling as rain from heaven.

The process of water on the Earth fits the conception of time as well the Ark’s relationship to it. Like time, the water of a river flows in a linear path towards its destination at a uniform rate. The ark that navigates upon it can move with the water’s course, or independently from it. Like rain from heaven, time falls upon the earth based on the movement of the heavens. Ultimately, the rivers empty at their destinations. Moses floated his Ark upon the Nile, Noah rode the flood of the Great Deluge, and the Ark of the Covenant traversed the ocean of the Sinai desert. All three were guided by the Spirit of God (ruach), a word in Hebrew that is used both identically for breath and for wind.”

(pp 53-56 The Temple at the Center of Time)

The stone placed at the source of the Thames-Isis by the illumined in connection with the XXX Olympiad appears to be related on some ritual level to the Eben ha-Shetiya, “Foundation Stone.” We can't say for sure when, exactly, but we think it's not unlikely that it was in the season of the London Olympics that the very real flow of time was influenced. Somehow, the Foundation Stone or the Ark itself or the space-time intersection of the Creator's throne on Mount Zion seems to have been targeted and acquired for the manipulation. To be sure, this Olympic Opening ritual I've been describing connects the Thames-Isis to Israel's Jordan, the river of time that flows from Mount Hermon to the Dead Sea.

To be continued, Lord willing.

Part 1 - The London 2012 Olympics: Revisited

The season of the 2012 London Olympics continues to be brought to our minds in this season, and the reason has to do with space-time manipulation.

The folks responsible for the Olympics have just published a video of the Opening Ceremony on their YouTube channel, on the 3rd anniversary of the occasion. This link will take you there, about 8 and a half minutes in. The Complete London 2012 Opening Ceremony | London 2012 Olympic Games. You'll hear a very cleverly scripted emphasis on time with a subtext of the manipulation of space-time, then see that demonstrated in a well produced fly under and over of the symbolic river of time. The video presentation of the flight from the observer perspective engages the viewer very personally in an Occult ritual that extends that of the actual event.

When the clip begins, you'll hear the stadium PA system announcement: “Ladies and gentlemen. We have one minute until we go live to the world.” There's the combination theme, right there! MINUTE = TIME and WORLD = SPACE. To go live means, broadcast begins, in real time, or with minimal delay. A subtle third theme woven in is, LIVE = LIFE.

A countdown is underway, counting off the seconds. This isn't unusual, of course, and neither is it unusual for ceremonies to feature a review of the history of the games and that of the host city and country, but I encourage you to look beyond that to see the emphasis placed upon time. In every commentary on such a topic it's going to be rife with words relating to time and space, but you'll notice how the descriptive language and specific subjects give emphasis to the space-time theme.

The broadcast commentator says: “... and what you hear from the public address announcer, we are one minute away from the official start of the games of London 2012, and they will be started by the ringing of the Olympic bell, the largest harmonically tuned bell in the world. It was made at the Whitechapel Bell Foundry whose workshop is just a few miles down the road from the stadium. The foundry also created the Liberty Bell in 1752 and Big Ben in 1858. The Olympic bell will remain here in the Olympic Park for the next 200 years. And, it will be struck by the man of the hour, the man who rode with the greatest pride down the Champs Elysées. Need I tell you more? Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.”

The commentator focuses attention on the Olympic bell. The German word for bell is, glocke, which is closely related to our word for clock. (Die Glocke aka Nazi Bell - Time Travel) Bells and clocks are very intimately connected. Bells have long been rung to mark off the hours of the day and the watches kept by mariners. He mentions the Liberty Bell and Big Ben, giving the dates they were produced. Dates. Time. London has long kept time by the chiming of Big Ben, which is the name of the large bell. When you mention Big Ben, it's often the clock tower that comes to mind. After the initial crack had been repaired, the Liberty Bell had been heard ringing out from the steeple of the Pennsylvania State House in Philadelphia. The State House has been renamed Independence Hall, and that clock tower is memorialized on the one hundred dollar bill. Clock and implied bell on money. Time is money - money as time.

The commentator says the bell will be kept in the Olympic Park for the next 200 years. The Prime Meridian very nearly cuts through the Olympic Park, which is located very near to Greenwich where time was kept at the Royal Observatory. I've documented how the Olympic Park marks off time arcs from the Temple Mount in Jerusalem relative to the exact season of the establishment of Israel as a state. The time arcs for the 1948 London Olympics also sweep right through the Olympic Park. That's where the bell will be kept, and the commentator curiously declares just how long it's intended to be kept there. How odd. Unless you grasp how this language is a ritual establishing the connection between the bell and the ringing of the bell and time.

He says it's going to be struck by “the man of the hour.” HOUR = TIME. He's referring to Bradley Wiggins and his ride down the Champs Elysées, who had just won the Tour de France. The riders made a dramatic turn counter-clockwise around the landmark Arch of Triumph. The symbolism of the Arch is huge, and because the streets radiate outward as 12 spokes (like on the face of a clock), and because the Prime Meridian in Paris was the biggest competition for the world's standard for time (a competition that was memorialized in the plot of Jules Verne's novel, “Twenty Thousand Leagues Under the Sea”), that boast of a Briton's celebrated victory in Paris, in the context of the emphasized time theme, serves to magnify it even more.

“Think about it, it must have been in all the papers all over the world because no Briton has ever done it before.” Think about it. What is he not telling us? What kind of papers? NEWSpapers. “Code NEWS” - North East West South. The cardinal spacial directions on the globe of the earth, our 3D world. “No Briton has ever done it before,” which is to say that it was the first TIME. In the NEWSpapers all over the WORLD. SPACE. The first TIME. SPACE-TIME!

Danny Boyle, who was responsible for the Opening Ceremony, was quoted as saying about the stadium and bell, "You will feel different when you're in there and you hear it ring. When you hear it it's very sweet. It's ancient, so it reminds you of the past. It's also timeless, so it evokes the future. That was how communities notified each other something important was about to happen.” So, Boyle himself explicitly identified the ringing of the bell with time, and timelessness. It reminds you of the past. It evokes the future, he said. Literally? Was he using that statement to notify those of us in the global community that something important was about to happen with the ringing of the bell? When the giant bell did ring in the stadium, Aaron clearly heard in the spirit, “It has begun.” We knew the Lord meant by that simple but cryptic declaration something more than that the games in London had begun, but exactly what, we still don't know for sure. We suspect it has to do with the actual hijacking of time itself, marking some key point of transition.

On that morning of the Opening Ceremony, the 27th of July, 2012, bells were rung all over the UK for 3 minutes beginning at the stroke of 8:12 am. All the Bells - Martin Creed's “Work 1197.” Massive ritual. Work 1+1+9+7 = 18 = 6+6+6. Three minutes of ringing: 60+60+60 seconds. The XXX Olympiad was being welcomed, and XXX transforms to 666 when X as the 24th letter is assigned the value of 6 (as 2+4). Remember this recent post where a connection was made between the numbering of 666 and time in the ritual encircling of Jericho for the 6 days (through 2160 degrees, the amplified number of Plato - 216) as a foundation for Israel's triumph on the 7th. When the 13th circuit was made, victory came as it were through acoustic weapons with the blowing of trumpets and shouting. By beginning at 8:12, Martin Creed was able to work that key time number 12 into the ritual. By setting the duration of the ringing to 3 minutes, the principles of symmetry and balance assured that the central minute numbered 13 received emphasis - the mastery of time. I think more is meant in Martin's line drawing of a kind of bell shaped curve than just a bell. I believe it is a bend in the Thames-Isis, which was made ritually TIME resonant with the bells (probably above Greenwich and the Prime Meridian), and a graphed amplitude over TIME cycle of a standing wave harmonic from mid-anti-node through a node to another anti-node!

The exalted British warlock Aleister Crowley declared what the practicers of that kind of magick know, that bells may be used as weapons. And so they are.

When the initial countdown of that ceremonial sequence ends, we hear from the PA announcer: “Ladies and Gentlemen. The Isles of Wonder.”

Because of what we were being told by the commentator, we were led to anticipate hearing the ringing of the bell when that countdown ended and the Isles of Wonder film began, which was a simulated transport back to the beginning of time. Bells are for the facilitation of transits across the borders of space-time domains. An example of this may be seen in how the High Priest of Israel accessed the presence of the most High God in the Most Holy Place on Yom Kippur.

33 You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34 a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35 It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die. ~ Exodus 28:33-35

The official start of the Ceremony came at the stroke of 21:00 hours, another primary time number, the mirror of 12. The short film called, “Journey along the Thames,” began at that moment, which was directed by Boyle and produced by the BBC. It's a two-minute film, which provides an embedded time number for the ritual, 120 seconds, an amplified 12. The scripted time language ritual of the commentary leading up to hour 21 is subsequently demonstrated in that 120 second long film. It really is a TIME ritual, and the featured Thames of the journey is the ritual River of Time. The observer perspective style of the film does more than entertain us. It more actively engages us in the ritual. The film's journey repeats the imagery of space-time and the manipulation of space-time, which strengthens the ritual and reveals with more clarity what the magickal working is about, what it is actually for.

The commentator is our tour guide on this excursion down the river that takes us from the source eastward to the Olympic Park. He's carefully not telling us what's really important, like, for instance, how the river has long been known as the Isis. From the headwaters to Oxford it's still known as the Isis. She's the ancient goddess of magic with an important role to play in stargate transits, where the mastery of time is essential. Ancient images of the goddess of many names picture Inanna, or Ishtar, with water symbols in her hands, as a goddess who wields authority over time. As I've demonstrated (Our Lady of the Olympics), the Zeus and Apollo worshiping Olympic organizers are big on goddess worship.

Now, as the film begins, its exactly the stroke of hour 21, a number signaling time itself and timelessness. We find ourselves underwater in the river of time, with stones, and signs of life appear. We see a frog and we emerge with it out of the water. We're looking at a stone marker like a headstone monument. It's obviously been placed in connection with the XXX Olympiad because it bears the theme of the Opening Ceremony.

It's the ancient past, primordial. The suggestion of the bell ringing at hour 21 sent us back to the beginning, to the source of the river of time and life. As we pause to ponder the inscription on the stone we're joined by an ancient creature, a blue dragonfly, which seems to be examining the marker with us and inviting us to follow it. We've all been taught to connect amphibians with evolution. Darwin was a Brit, and the ceremony is all about honoring Brits. The frog emerging from the water pictures a step in our own evolution. The dragonfly is, to many people, a universal symbol of immortality. This pictures the next step in “our” evolution. The frog; our past, the dragonfly; our future. This picks up the “live” or life theme from the intro scenario and reveals that immortality and the river of life is at the core of what is ultimately an ascension ritual.

Note that the bug is a DRAGON fly. Beelzebub: Lord of them that fly. My hope is in a different god, the Creator, and a better resurrection.

The inscription on the featured marker stone is important.

ISLES OF WONDER - THIS STONE WAS PLACED HERE TO MARK THE SOURCE OF THE RIVER THAMES

I believe a major key to the ritual is the connection between this stone and the bell that was the focus of the previous commentary, which is located in the stadium seen at the film's end. Shakespeare's production of, The Tempest, provided the Opening Ceremony's theme, “Isles of Wonder.” It's derived from a speech given by the demigod hybrid monster Caliban. The bell is inscribed with a line from that speech. “BE NOT AFEARED, THE ISLE IS FULL OF NOISES.” One memorial object is like the other, ritually linked together by the common words and the fundamental nature of the inscribed objects. There exists a standing wave relationship, a resonance through time and distance. I'll explain more shortly.

It should be mentioned that the headwaters of the Thames-Isis have long been marked with stones, and even an inscribed monument at Thameshead or Thames Head. River Thames: The Source

Leaving behind the source and stone, we follow the dragonfly along the serpentine Thames-Isis river of time. Let's jump ahead to another major key to this potent space-time manipulation ritual. When we pass through the London Tower Bridge, special attention is given to the Occult Olympic Rings sigil-logo as our view immediately turns from looking forward to looking back. We immediately ascend to a height at a point directly above where the world's time is officially kept, in Greenwich, at the Prime Meridian. We're not told that this is what's going on, but it's clearly that. The zenith was significant to the astronomers at the Royal Observatory where time was kept. We're given something of a misdirection in the pretext that this segment was honoring the popular BBC show, the EastEnders. While that seems pretty obvious, the segment is only roughly similar to the show's famous intro. The mention of EastEnders wasn't devoid of appropriate esoteric meaning, however, because it provides the cardinal compass direction, East, in connection with a word that has to do with a limit of distance and time, End.

As the journey along the Thames-Isis has gone fully to it's eastern limit, we descend to witness one last sequence before our arrival just North of there in the days just prior to NOW, at our destination, the Olympic Park and Stadium, as preparation for the Opening Ceremony nears completion. We see travelers in the London Underground (the underworld - like the name of the band from Cardiff that furnished music for the ceremony) with trains in tunnels, with modern scenes and faded black and white imagery as from the past. Time travelers once more, making dimensional transits like angels traversing between space-time realms along the ancient stargates, the mecillah. Joel 2. The theme continues with regular cars in a tunnel, and then we're underwater again, immersed in the river of time like back at the source - and suddenly we emerge to find ourselves looking at the stadium in the Olympic Park. A big cloud appears, and a cloud represents an angelic transdimensional vehicle. (Heaven's Vehicles - UFOs - Fake and Genuine and The Kingdom Viaduct) The cloud also alludes to The Tempest's speech of Caliban that links the stone and the bell.

Be not afeard: the isle is full of noises,
Sounds, and sweet airs, that give delight, and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears; and sometimes voices,
That, if I then had wak'd after long sleep,
Will make me sleep again: and then, in dreaming,
The clouds methought would open and show riches
Ready to drop upon me; that, when I wak'd,
I cried to dream again.

William Shakespeare, The Tempest, Act 3, Scene II - Caliban's Speech

At this point the nature of the ritual can be explained. I'll follow that with a few more relevant observations about the “Journey along the Thames,” but here's my understanding of the ritual working of the manipulation of space-time. Be patient - it's coming. It will surely help if you're familiar with the series we wrote on the 2012 London Olympics

A fundamental of the working has to do with William Blake's poem, “And did those feet in ancient time,” which is the basis of the song known as, Jerusalem, that was sung in the stadium just after the Journey film, another countdown from 10, and the bell was struck. The poem provided the inspiration for the sets and sequence of the Opening Ceremony. This all has to do with establishing Jerusalem, the heavenly city or Zion, in England's green and pleasant land. Note how the film's cloud in the Olympic Park also alludes to this poem. Mostly, note the zeal and dedication to the task. This is the foundation of the ritual.

And did those feet in ancient time
Walk upon England's mountains green:
And was the holy Lamb of God,
On England's pleasant pastures seen!

And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?

Bring me my Bow of burning gold;
Bring me my Arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!

I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In England's green & pleasant Land

“And did those feet in ancient time” aka “Jerusalem” - William Blake

Blake was illuminated. He wasn't inspired to honor the Creator's plan and agency but rather what is counter to that. It's an antichrist work.

“"And did those feet in ancient time" is a short poem by William Blake from the preface to his epic, Milton a Poem, one of a collection of writings known as the Prophetic Books. The date of 1804 on the title page is probably when the plates were begun, but the poem was printed c. 1808.” (Wikipedia) Why 1804 on the title page? 1+8+0+4 = 13. Asserting the mastery of time. In the preface to, Milton, right below where the poem appeared, Blake placed a verse from the Bible. Numbers 11:29. Pay attention to the NUMBERS, we're told in the way of the Occultists! 1+1+2+9 = 13. Mastery of time.

Here's Blake's favorite and best known painting, titled, “The Ancient of Days setting a Compass to the Earth.” It's a SPACE-TIME title. Ancient. Days. TIME. Earth. SPACE. See him inside a circle, with a compass that draws circles - of time in space. The painting is of course a graven image, done contrary to the 2nd commandment, so it's an idol and therefore not truly representative of the one with that biblical title. The one in the image is the Titan known to the Romans as Saturn (see the image as a ringed planet), and to the Greeks as Kronos - the false keeper of time worshiped by the ancients. Zeus famously subdued Kronos, acquiring his powers.

The Zeus worshiping IOC and those like Blake are not ignorant of such matters. Their intent has been to bring a literal transference, in space and time, to manifest a messianic heavenly city and kingdom among us. This is why the word, ZION, is encrypted into all of the recent Olympic logos, as part of this wide-ranging ritual working.

More to follow, Lord willing!