Part 29 - Rango - Zombie-Vampire Apocalypse

Following Rango's zombie resurrection scene, presented in the sequence illustrated in Part 28, a zombie apocalypse ensues when the zombies emerge mounted upon flying vampire bats to pursue the fleeing posse and engage in frenzied battle.

If a swarm of ashen undead warrior beasts piloting mounts through the heavens makes you think of a UFO invasion with soulless alien greys, there's a reason for that. Plenty of effort has been put into building the imagery in the past 64 plus years.

By the way, this pairing of the zombie and vampire really smacks of Plan 9 from Outer Space, with its unexplained insertion of Vampira (and of Bella Lugosi's cape-wearing double doing the actor's Dracula shtick) into the midst of the zombie plot. This pairing serves to relate the undying blood drinking vampire to the undead flesh eating zombie. Together, you see, they cryptically illustrate the ritual of “unholy” communion as the eating of the two part Eucharist, the host and chalice, bread and wine, body and blood - of antichrist. This vampire-zombie modeling demands comparison to the ritual human sacrifice to the gods common to cultures around the globe and the cannibalistic practices that typically attend them. The gods and those who worship them feast upon human flesh and blood, first terrorizing their victims. As in days of old, power is still drawn from this activity and supernatural lust is fed in this way.

While I'm on the topic of the vampire, another relevant item has just come to my attention. Thanks Lord (and thanks Aaron)! The Host is a novel authored by professing Mormon Stephenie Meyer. Her vampire romance series Twilight is hugely popular. The Host debuted in 2008 at #1 on the New York Times Best Seller list. Here's a description of the plot, from Wikipedia's entry for The Host.

“After insertion into a human body, alien souls erase the human occupant and establish claim over the body and mind. Wanderer is a soul who has lived on eight other planets previously, Mel being her ninth body host.”
The Host (novel) - Wikipedia

Does this seem familiar, somehow? It should! It's a minor reshuffling of Plan 9 with the mark of the Beast soul swap. Remember what I wrote in the last post about the counter-flood zombie events planned? “Another seems to be related to the mark of the Beast transformation, after human souls are swapped out and the animating spirits of the disembodied dead are swapped in.” Stephenie Meyer knows things. She is tapped in to the same source of knowledge Ed Wood tapped into, and George Romero, J.K. Rowling (Harry Potter), H. P. Lovecraft, Bram Stoker and Mary Shelley.

I paired some images so you can easily compare and connect some dots. See the blue ring in the eye, the ubiquitous signal eye of Horus? That would be the equivalent of the Eucharist host in the monstrance, the eye of Horus device featured in the liturgy of the antichrist Mass as officiated by the priests of the familiar Sun cult.

And, while we're on the subject of the Sun cult, during the zombie apocalypse the Rango folks seized another opportunity to imprint the signal Sun god image, identifying it with the weaponized heavenly conveyances. This is Apollo's army, coming in the power of Zeus. It is the agency and end game engagement of the illuminati, of the activated eye of Horus, of the Romish church and all Mystery Babylon and associated Beast contingent.

The gun sight is a sun wheel, right? It's of the same form as the votive wheel devoted to Apollo I presented in an earlier post. The zombie pilot is sighting with this gun sight. He is using it to see with eye of Horus illumination, depicted in this screenshot as lit by the bright flame emanating from the gun barrel. With this device, victims are targeted and their lives taken away. A gun signifies a penis, like Rattlesnake Jake's Gatling gun rattle. This is the phallic eye of Horus I illustrated in so many posts in the "i" of Horus series. This is the reproductive weaponry of a zombie apocalypse. And, yes, this is the sun cross on the Eucharist and mark of the Beast.

The bat pictured spiraling out of the Sun is one of three sent on a special mission. Proceeding out from the light of the Sun god, the spiraling weaponized zombie-vampire offensive models triple helix DNA. Get it?

Ok. With all that, you're probably thinking I must surely be the chief head of the Department of Redundancy Department. Hey, I know. This is pretty excessive. I think the Lord wants us to start catching on to what's going on. Ya think?

Redundancy. Like how we already saw the zombie resurrection in the chameleon's drain pipe dream sequence. Remember Part 22 from back in October with the Creeping Devil Apollyon glaring from over the furnace pit and the sparks-locusts coming out in the smoke? Redundancy.

1) Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him.
2) He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit.
3) Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power.
4) They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads.
...
9) They had breastplates like breastplates of iron; and the sound of their wings was like the sound of chariots, of many horses rushing to battle.
...
11) They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon.

Revelation 9:1-4, 9:9, 9:11

Have you read Joel 2 recently? There's the scene, compliments of Rango's crew.

4) Their appearance is like the appearance of horses; And like war horses, so they run.
5) With a noise as of chariots They leap on the tops of the mountains, Like the crackling of a flame of fire consuming the stubble, Like a mighty people arranged for battle.
6) Before them the people are in anguish; All faces turn pale.

Joel 2:4-6

So, another screenshot illustrates the role pharmakeia plays in a coming zombie apocalypse. The undead warriors who emerged from the ground go into battle swigging hooch from earthen jugs while playing musical instruments. Drugs and musical enchantments go together in readying the weaponized warriors who will fly in the heavens for Armageddon's campaign. Revelation 18:23-24. The devil has a plan about how this is going down, and Rango blabs all about it.

Why do we see the swarming army of underground and cave dwelling creatures emerge from a recess in a cliff behind Pueblo adobe dwellings? Have you researched the history of the Pueblo cliff dwelling people? Did you know that the Canaanite tribe of Horim were troglodytes; cave dwellers? This points to the existance of Nephilim, entombed underground.

“Horim means “troglodyte”, or “cave-dweller”. These were the original, or first inhabitants of Mt. Seir, probably related to the Emim and Rephaim. Their excavated dwellings are still found in their hundreds in the sandstone cliffs and mountains of Edom, but especially at Petra – Gen.14:6, 36:20, 21, 29, Deut.2:12,22.”
Giants (Richard Gunther)

Have you read Steve Quayle's fictional book titled Longwalkers and considered why the introductory access to the Giants in stasis was through a cliff wall? Do you understand about the Djinn, genies, always pictured with metallic bracelets?

Rango's setting is just outside Las Vegas. Consider this excerpt from a Pravda article.

“"Atlantis in the Colorado River Desert" - 1947 Nevada news: Near the Nevada - California - Arizona border area, 32 caves within a 180 square mile area were discovered to hold the remains of ancient, strangely costumed 8 -9 foot giants. They had been laid to rest wearing the skins of unknown animals similar to sheepskins fashioned into jackets with pants described as "prehistoric Zoot- suits". The same burial place had been found 10 - 15 years earlier by another man who made a deal with the Smithsonian. The evidence of his find was stolen and covered up by Darwinian scientists.”
Giants in Americas - Death Valley, California - Cavern Temple of Giants

Ah-ha! Right?

Beyond all those “connected dots,” one could and should make some connection between the adobe brick construction of the cliff dwellings and the brick tower of Babel, a work led by Nimrod, the Beast who was.

People, What you're seeing in the likes of Rango is the plan. Non-fiction. According to biblical and extra-biblical testimony, attested to by historical artifacts and documents, myths and legends, cave dwellers will be revived and unleashed to rain destruction down upon the inhabitants of the Earth, as illustrated here in Rango.

Rango folks know things. I'm catching on. The Lord prepares a work against which no weapon formed will prosper.

Part 28 - Rango - Zombie Resurrection and Apocalypse - The Black Awakening and Beyond

There are a number of reasons why I've probably been relocated to Pittsburgh, PA, aka the Zombie Capital of the World. The zombie theme is certainly resonating with me at the present time.

The zombie meme doesn't derive from someone's pizza dream. It's not the invention of someone's overactive imagination. The concept of the dead coming to life as the undead, terrorizing the living and even eating their flesh, is biblical. This will become a reality in the near future. The folks behind the animated feature Rango know this and dramatize what may be called a zombie apocalypse because they must, as servants of the evil one, declare their agendas and objectives publicly.

They look forward to this season with eager anticipation, which is to be a judgment upon the inhabitants of the earth ordained by the Sovereign God, using as agents of destruction the ancient beings responsible for the great flood of Noah's day. Reanimated. The zombie resurrection and apocalypse versions presented are what I consider counter-flood events. As the flood of Noah's day purged the serpent's heritage from the face of the earth, so the counter-flood intends to sweep Yahweh's heritage people away. Success will be granted in these offensives, but only to a set limit. The ultimate victory is of course the Sovereign Lord's.

The scenes I'm featuring in this post appear during Rango when a posse pursues bank robbers who had stolen the bottle that held the town's water reserve. The posse catches up to the gang's patriarch, Balthazar, a mole. Rango executes a plan and confronts Balthazar and a small number of his family.

Rango: ... now you and your entire family get your hands up where I can see em.
Balthazar: Heh Heh - My entire family?

There's a rumbling and a high pitched tone. An ashen hand suddenly breaks through the ground and an ashen critter emerges. Many more come out of the ground, all as if rising from their graves. Lumbering awkwardly and chanting in unison, the mole's relatives surround the posse as in a trance. Some would say this sequence is giving a nod to the classic zombie film from 1968, Night of the Living Dead, and they would be right. However, beyond merely giving homage to the film, the reference distinctly establishes the zombie theme. This scene presents a zombie resurrection but not yet an apocalyptic scenario.

An argument can easily be made that the zombie theme had already been set-up in the scene's prelude. The plan to confront Balthazar involved having the posse masquerade as a traveling Elizabethan acting troupe. For disguise and costuming, Rango swapped clothes with Beans. The cross-dressing chameleon has to be seen as a link to the biographical film titled, Ed Wood. Ed Wood was a cross-dresser, played in the movie by none other than Johnny Depp, the actor who voices the cross-dressing Rango character. Yes, this is the same Ed Wood who wrote and directed the cult classic Plan 9 from Outer Space, the zombie movie I covered in the previous post! Rango gives nods to some of Depp's other films, like Fear and Loathing in Las Vegas and Don Juan DeMarco, and this connection to his starring role in Ed Wood surely imports Plan 9 from Outer Space into Rango through the link.

These underground critters should be identified with those from the dream sequence earlier in the movie. They are the very serpents buried in the earth that had formerly been of the thorn and thistle kind. See Part 23 if this isn't jelling for you.

So, the zombie theme is introduced, strongly established and leveraged in Rango to give us a vivid testimony about what must be recognized as Plan 9, the evil alien plot to seize control of the Earth through the generation of an army of undead.

For even more insight into this plan, see another film with Depp in the starring role and the signal number in the title, Roman Polanski's The Ninth Gate. At the end of the quest, Depp's character has sex with a demonic manifestation and the ninth gate is opened with enormous signification! You see, the devil's plan 9 includes reproductive or genetic features alongside the pineal gland activation feature.

This is validated in the context of the focal scene in Rango as the posse attempts to flee with the water reserve jug, and we hear the following exchange.

Rango: That audience was quite responsive.
Beans: Yeah, but I think that chromosome pool was about dried up.

The audience was the mole family and underground dwelling zombie army, right? This comedic commentary on their inbred character is actually a clever NLP-style reference to the genetic responsiveness evidenced in the zombie resurrection, to the chromosome pool that had dried up being enlivened as by a watery DNA reanimation.

I believe there are waves of counter-flood zombie events planned. It seems likely to me at this point that the first will involve the chosen ones, the weaponized SRA/DID multiples programmed as Manchurian Candidates for a mass trigger event. This is what Russ Dizdar (Shatter The Darkness) has identified as the black awakening, and what Duncan O'Finioan (MK-ULTRA - Project Talent) still anticipates. I've come to believe this is the event that positions during the Wednesday Shemittah opposite the flood of Noah's day, according to the alignment of the fractal patterned millennial and Shemittah weeks. Another seems to be related to the mark of the Beast transformation, after human souls are swapped out and the animating spirits of the disembodied dead are swapped in. One distinctly apocalyptic event is certainly appointed for the fulfillment of the day of retribution and the campaign of Armageddon.

More to follow, Lord willing!

Plan 9 from Outer Space

When I visited the Zombie Museum at the Monroeville Mall a few weeks ago, I noticed a poster on the wall featuring the movie titled, Plan 9 from Outer Space. I suspected a movie with the number 9 in the title that featured zombies would have more content on the theme of 9. When I watched it, I was not disappointed!

Since I learned the secret of the number nine I've become aware of its use as a signal in many places. Nine is the single digit number that refers to the mark of the beast genetic transformation. Nine is the product of three times three. The Masonic ritual (associated with the Royal Arch degree) called "three times three" models triple helix DNA. With three being the resurrection number it's easily seen that three times three speaks of a triple helix resurrection.

Here's the blurb printed on the Netflix DVD sleeve I received with Plan 9 from Outer Space.

“After the embarrassing failure of the first eight plans, a group of evil aliens enacts plan nine -- resurrecting the dead to take over the Earth.”

“Bela Lugosi makes his final film appearance -- along with Vampira, Tor Johnson, Criswell and a chiropractor acquaintance of director Ed Wood -- in one of the most popular cult classics of the 20th century, a two-time winner of the Golden Turkey Award for Worst Film and Worst Director of all time.”

By any standard, the film falls far below par. Because it fails on every conceivable level, the experience of watching is entertaining for those who find humor in being able to see the string holding up the flying saucer. Like me. :) The acting, set, script, narrative, music, plot, editing, scene continuity, etc. are just as bad as the special effects. What makes this unintended comedy worthy of note is what makes the Cthulhu mythos (H.P. Lovecraft) films notable: These are independent witnesses testifying of the devil's agenda as the Beast and his mark are dramatically and graphically illustrated.

Even the liner notes suggest that Plan 9 is the Beast plan. The sons of god of Genesis 6 infamy are played as the group of evil aliens. The plot to take over the earth almost succeeded in Noah's day, until the Lord God brought judgment upon them. Their offspring, those accountable for the judgment, will be raised, revived as agents appointed to execute judgment in the earth. The plan for the future involves a triple helix DNA transformation that is a pseudo-resurrection. The mark of the Beast implementation will create a zombie army that is intended for use in taking over the Earth.

Here's the script of a very revealing conversation.

Alien Leader: What plan will you follow now?
Alien Commander: Plan 9. It's been absolutely impossible to work through these Earth creatures. Their soul is too controlled.
Alien Leader: Plan 9. Ahh yes. Plan 9 deals with the resurrection of the dead. Long distance electrodes shot into the pineal and pituitary glands of recent dead. Have you attempted any of this plan as yet?
Alien Commander: Yes, Excellency.
Alien Leader: How successful has it been?
Alien Commander: We have risen two so far. We will be just as successful on more.
Alien Leader: The living, they have no suspicion of your movements?
...
Alien Leader: Those who we take from the grave will lead the way for our other operations.
Alien Commander: Yes, Excellency.
...
Alien Woman: What do you think will be the next obstacle the Earth people will put in our way?
Alien Commander: Well, as long as they can think, we'll have our problems. But those whom we're using can not think. They are the dead, brought to a simulated life by our electrode guns. You know, its an interesting thing when you consider, the Earth people who can think are so frightened by those who cannot, the dead.

Note that the pineal gland is mentioned, the gland associated with the third eye, or Eye of Horus. The plot involves activation of this known biological dimensional portal. It involves those who are dead but have an animating force and carry out the will of another. What we should understand about the mark of the beast is that the one who receives it becomes a post-human, a beast. The life they had as a human is changed, which is to say that their soul is gone, sacrificed. They are then technically dead. The animating force received as a substitute makes them technically like a zombie, dead but with a similitude of life. The will of one so transformed passes away with their former soul, creating a robotic zombie slave to the Beast that will worship and serve its master as a soldier. A soldier = a soul die-er. “Those who we take from the grave will lead the way for our other operations.”

While you and I may be on to the evil gambit, the answer to what the leader asks, “The living, they have no suspicion of your movements?” is as the commander reported. The "living" are largely oblivious to the movements of those executing Plan 9. In the last exchange between the man and woman, it should be obvious how the obstacles aren't going to come from the dead who would be controlled but only from the living. Yes, the script is absurd, but take away from that how Plan 9 depends upon the failure of the living to think, who could and would put obstacles in the way. Like, you and I. As for me, I'm blowing the whistle on Plan 9. It's going to succeed anyhow, at least to the extent that it must, but some will be spared the fate that is to be cast into the lake of fire. All this will eventually play out the Sovereign God's glorious plan. Watch and see!

I've included a few screen captures to show you some of the visual imagery signaling details of the Beast plan 9. The belt worn by the commander has images of bells alternating with what I must assume are pomegranates. This allusion to the fringe of the High Priest's garment speaks of this commander being in the role of the False Prophet. The message sent says this alien commander is not traveling between planets but rather between dimensions.

33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around:
34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe.
35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:33-35

The design of the commander's belt testifies of the Plan 9 resurrection portal, his mission to raise the dead, making a zombie army of the people of Earth.

The insignia or mission patch on the uniform bears the female shape of an Egyptian hieroglyph. Inside it is the male emblem, the three-legged lightning bolt and obfuscated letter Z for Zeus, aka Satan and Lucifer. The Plan 9 mission is a reproductive scheme, achieved as by male-in-a-female sexual activity. It's the old Serpent+Eve=Cain plan, the “sons of god with the daughters of men producing giants” plan. It's the Beast and mark of the Beast plan. And, so it must be until the end appointed.

You can also see the insignia as the Sun coming over the horizon, the dawn of the returning Sun god in the power of Zeus.

The setting of the title scene appears several times during the movie. In it, the graveyard is featured. Palm trees are evident. The palm tree is a resurrection symbol, of victory over death, as I've pointed out in recent postings relating to Ash Wednesday and Palm Sunday. The graveyard is the place of the dead. The palm trees in the graveyard signal Plan 9's plot to raise the dead.

According to the movie's plot, if any sense is to be made of it, the glow of the backlit tree seems to be implying the presence of the flying saucer as the source of the light. Symbolically, with the palm trees present, this setting speaks of the garden of Eden. The illuminated tree represents the tree of knowledge of good and evil, of illumination and gnosis. "Ye shall be as gods," according to the false promise delivered to Eve by the serpent in the garden.

And so goes the promise today. Same lie. Plan 9 from Outer Space is a cheesy vehicle, but it still delivers. “The living, they have no suspicion of your movements?” Yeah. Pretty much.

This Ed Wood turkey from 1958 is definitely signaling and advancing the mark of the beast transformation. While Ed Wood's practice of flying by the seat of his pants while making the movie makes it seem fairly unlikely that he actually planned and executed anything with depth, his activity was surely guided by an unseen power.

Attesting to the unnatural lift, Plan 9 enjoys such an unlikely status today that many are prompted to ask how this can be. The DVD I watched contained extras, interviews relating to the film. Maila Nurmi (Vampira) offered her insight.

"A sociologist or historian no matter how gifted probably couldn't discern scientifically why Ed Wood's film, why Plan 9 from Outer Space has reached this cult status. I think it may be scientifically impossible to find a cut and dried reason. But the nearest thing to a reason, it seems to me, is that Ed Wood was one of the chosen. It was Karmic. It was his destiny. Simply that. Unreasonable as it may sound, it was his destiny to live this episode, right? And we, wittingly or unwittingly, are his disciples.”

I wouldn't disagree, although I could embellish somewhat. Some of the things Vampira said during the interview raised my curiousity about what she might reveal in speech reversals. When she says the movie title, “Plan 9 from Outer Space,” what I hear is this: “See, it genome plan, that.” Listen to it for yourself. She knew things.

Plan 9 has been around for a long time, from 1958 and earlier, going way back - way, way back in time. The Outer Space aliens are about to accomplish Plan 9's objective of raising the dead and taking over the Earth with mind controlled zombies. They won't be wearing cheesy uniforms, the flying saucers won't be bobbing on strings and no one's going to be howling with laughter when they implement the plan.

Part 27 - Rango - Lent Begins with Ash Wednesday

Continuing from the previous post, Rango's Wednesday hydration ceremony that starts out like a regular Romish Mass soon becomes recognizable as the Ash Wednesday liturgy, beginning the season of Lent.

When Beans interrupts Mayor John's attempt to placate the worshipers, she uses an expression that is very revealing!

Beans: “Hold it! Hold it! Now this whole thing stinks three ways to Sunday. First the bank's run dry and now this here spigot!”

Three ways to Sunday? That's a fairly unusual idiom, which basically means “any and every way possible.” The use of it in this context is absolutely brilliant - evil genius.

During Lent, Easter Sunday is looked to with hope as the end of Lent's season of deprivation. There, the focus is upon resurrection. Three is the resurrection number, so the expression “three ways to Sunday” directly connects resurrection with Sunday. Resurrection Sunday means Easter Sunday on the liturgical calendar. What stinks to the carnal mind is the deprivation associated with sacrifice during Lent. Lent stinks three ways to Easter Sunday, which begins on Ash Wednesday!

With Lent there is a particular focus upon Sunday. There's the primary connection with Easter Sunday. There's Palm Sunday, which provides palm branches for Ash Wednesday's ashes. Additionally, each Sunday during Lent is excluded in a highlighted count of days, 6 in total, that they subtract from the 46 (to shift attention off the chromosome number), substituting the number of trial; 40. The undeniable effectiveness of NLP witnesses to the reality that our minds make many connections when evaluating context and meaning. The fact of the 6 Sundays during Lent is in the mind of many who observe the liturgical calendar. The expression “stinks three ways to Sunday,” in the context of Lent, necessarily involves 6 Sundays, and three ways to six Sundays illustrates three sixes, or 666. Ash Wednesday really is all about the mark of the Beast, so the idiom is a brilliant code! The more subtle the 666 signals are they more powerfully effectual they seem to be, and this one is subtle indeed!

There's a similar expression, “six ways to Sunday,” that has the same meaning. Anyone who has heard these expressions, even if they know nothing of Lent, will have that bit of data accessed to connect a six with the three ways. The sum of NLP referencing the number of the Beast, 666, is pretty substantial!

Here's some further insight. It's 39 days or 3 x 13 to Palm Sunday, when more palms will be collected for the following Ash Wednesday. Three ways to that Sunday highlights the signal number thirteen, the revealing-of-the-rebel-lord-beast number. It's 46 days to Easter Sunday, which I've already identified as a chromosome number signaling genetics. Three ways to Easter Sunday with its featured resurrection suggests the resurrection with three strand DNA! In combination, the two number span signals illustrate the 3 strand DNA that transforms a 46 man into a 13 beast.

On top of all that embedded linking of Rango's ceremony with Ash Wednesday and Lent, here's yet another - the Beans connection! Beans are involved in a Lenten tradition. They may be dyed purple or left undyed and used for counters, to engage the children by giving them something tangible to associate with their activity.

From CatholicCulture.org - Lent - Ash Wednesday:

“The use of Sacrifice Beans may help children to keep track of their Lenten penances. Some families begin this activity (with undyed beans!) on Ash Wednesday and then use the collected beans to cook a penitential bean dish for Good Friday at the end of Lent.”

On a side note, another example of NLP appears in Beans' declaration, “the bank's run dry.” Bank run? A run on the banks? This is exactly what's pictured in the scene that follows. Everyone flocks to the bank in the hope of withdrawing whatever water might be available. On the deeper signaling level, the mark of the Beast ploy involves a banking ploy. No one will be able to buy or sell without the mark of the Beast. Remember NCR.com and the cryptic message embedded in their marketing sequence? Same deal.

Clearly, Rango's Wednesday hydration sacrament points to Ash Wednesday. This is an important connection because of the common mark of the Beast symbolism. By subtly establishing this connection, the common meanings are magnified in the minds of unsuspecting viewers. There's extremely powerful synergy here, the reinforcement of long term programming and advancement of the agendas that intend to manipulate the programmed into accepting the Beast of the Sun cult and receiving his mark.

So, that's one of the two scenes I wanted to address that make reference to Ash Wednesday. The other happens early in the movie, and you can't make any sense of it without understanding what I just covered.


Beans tells Rango when he has climbed into the wagon, “Today's Wednesday. And Wednesday's when we all get to it.” In this there is yet another level of symbolism embedded in the scene, beyond what I've documented in other posts (like the cryptic reference to time travel in Part 21). The connection to Ash Wednesday is evident when you consider the emotionally charged bit where Rango sampled ashes from the Mason jar. NLP. Ash + Wednesday.

For another, more involved, connection, note how the jar is in a wagon full of empty bottles that are obviously intended for water collection. The contents are intended to be ash and water, the basic ingredients used to make Ash Wednesday's mark.

Here's another observation about this scenario. Beans said the ashes were not the remains of her Father and that they never found his body. She said he smoked. It seems comically absurd to suggest they might be tobacco ashes, given her reaction. Until you relate the ashes to those used on Ash Wednesday. The ashes are not her father's but represented him. Those used on Ash Wednesday represent people. You see, as ashes sourced from Palm Sunday's palm branches, there's a level on which they represent the wicked who have died, being judged. In the biblical account, the King (and those represented by the disciple's garments that with were with him on the donkey/colt) trampled palm branches (that should be identified with those who threw them into the dirt) in judgment. Beans represents Israel, as I've illustrated in another post. It's complicated, but it looks like a smear campaign, pun intended. “Your mother wears army boots.” “Your father was a wicked one destroyed in judgment.” This compares to what's regularly presented on the superficial level of the movie because Beans continually defends her father's character. He had a reputation as a drunkard and is rumored to have fallen down a mine shaft while drinking.

The devil hates the pure ones with whom the Heavenly Father will fulfill His promises. In their relationship, it ends up going badly for the devil.

Part 26 - Rango - The Ash Wednesday Mass

The animated feature Rango presents a religious Wednesday hydration ceremony that is an obfuscated version of the Romish church's Ash Wednesday Mass. The reason for this becomes apparent in the light of how the contexts of both Wednesday's rituals and their ceremonies testify of the mark of the beast. In making the link, Rango basically says, “Hey - we get what the Ash Wednesday thing is all about and we're in on the same deal.” Those behind Rango serve the same god as the Pope. That's not my god, by the way, but the one of every Sun cult and all Mystery Babylon the Great.

I've covered a lot of ground on this subject matter already in several of the Rango posts and in a study posted recently titled Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast, but there's still more to bring forth. This is not a rehash, so what follows might not make much sense if you're not already somewhat familiar with this background material.

I'm going to address two scenes that make reference to Ash Wednesday. The one that happens first in the movie is easier to recognize if you understand the second, so I'll cover the second one first, the hydration ceremony.

I can't point you to a video clip of this scene. If you can find one or post one, please share the link with me. If you are already familiar with the Romish style Mass and Ash Wednesday ritual it might help you grasp what I'm going to present, but might also hinder you. If you feel yourself wanting to defend anything it's a sign that there's some personal issue you haven't fully resolved. I pray those of you who read here and are offended in some way take the matter up with the Lord without hesitation. I'll be using the Romish labels for reference but I don't mean to imply by this convenience that there's any legitimacy to their labeling.

You may want to spend some time meditating on the meaning of the images in this collection I assembled for comparison.

The Wednesday hydration ceremony resembles the Romish church's Ash Wednesday Mass, presenting a series of elements that are common to many Catholic and Protestant services. It starts out like every Mass, then the Ash Wednesday elements appear.

There's a call to worship rung out with the clock tower's bell chiming the Noon hour. Worshipers arrive in a sober, orderly fashion, passing the graveyard on the way, which is a feature common to many church properties. We hear music while they become a congregation, quietly facing Mayor John, the officiating priest. He formerly welcomes everyone. Then he calls to the priests to "Prepare the holy spigot!"

We are about to see the Romish Liturgy of the Eucharist followed by Holy Communion. The Sun cult priests ascend the platform with the spigot handle to arrive at the altar, which is the procession of priests bringing the host to the altar. I infer that they bless it silently in the prescribed manner. They fit the spigot handle-host to the water pipe-chalice. The Eucharist is ready.

Mayor John speaks and the congregation responds.

Mayor John: “The time has come my friends, the time that was foretold,”
Congregation Response: “Hallelujah”

This actually anticipates the fulfillment of what is prophesied in Mass and Ash Wednesday's ritual.

Mayor John continues.

Mayor John: “the sacred time,”
Congregation Response: “Hallelujah”

When Mayor John says “the sacred time,” the priests fit the handle-host to the spigot-chalice to make the parts a viable valve, so the sacred time is of course marking the mystical transubstantiation.

The officiating priest continues.

Mayor John: “the time of destiny,”
Congregation Response: “Hallelujah”

Communion rite

“All together recite or sing the "Lord's Prayer" ("Pater Noster" or "Our Father"). The priest introduces it with a short phrase and follows it up with the embolism: "Deliver us, Lord, from every evil, and grant us peace in our day.”

Mayor John: “the time of deliverance.”
Congregation Response: “Hallelujah”

After the “deliverance” part in the liturgy, the next item on the agenda is Holy Communion. So far, this is a pretty generic Mass sequence. What happens next is where the Ash Wednesday signaling begins, and where it begins to get very specific and pronounced!

Mayor John: “It is the time of hydration!”

At those words, the priests open the valve of the holy spigot, beginning to administer the Blessed Sacrament (that is to dispense/distribute the bread and wine mixed with water) to the first worshiper. Administering the sacrament shouldn't cause the congregation to make a fuss but something is not right. Pure water is expected to flow out of the spigot into Rango's cup, but mud comes out instead. (Note: When worshipers get the mark of the Beast it will be a worse disappointment.) This is not your regular Mass. With mud splashing even on Rango's forehead, it has become Ash Wednesday's ritual marking with wet ash. What is mud but wet dirt, and what is dirt but dust and ash and such. “Ashes to ashes and dust to dust” is an expression that would certainly have been heard at services in the graveyard they passed earlier.

The hydration references mixing the water with the ash, so Mayor John's pronouncement of the time of hydration introduces the Ash Wednesday ritual. The distribution of mud on the worshiper's forehead is not the usual bread and wine deal, with one given independent of the other. It's the Ash Wednesday Mass, and some of the following elements validate this observation.

One of the shocked members of the congregation can be heard saying, “Burn him!” Burning Rango would turn him into ashes! The suggestion to burn Rango alludes to the palm branches burned to make the ash, which would have been collected from the previous Palm Sunday. (This further identifies him as one of the palms to be burnt, one of the wicked, trampled at Y'shua's return in judgment as the palm branches strewn in the road were trampled into the dust when Y'shua rode the donkey/colt towards Jerusalem.)

Mayor John responds in an effort to assert control. What he says makes it pretty clear what day it is on the Romish liturgical calendar.

Mayor John: “Times will be tough from now on. Sacrifices will have to be made. But if I can help in any way please know that my door is always-”

Beans steps forward and interrupts, cutting him off. Ash Wednesday marks the beginning of a season called Lent that concludes with Easter Sunday. I remember when I was young, the Catholic kids would return to school after getting marked and ask each other, “What are you giving up for Lent?” You see, sacrifices had to be made. That was their focus, what really impacted their lives. When Mayor John says times will be tough from now on and that sacrifices will have to be made he's alluding to Lent, which begins on Ash Wednesday!

About Mayor John's statement that his door is always- and we can infer “open,” given his official priestly role in the service and the stained glass windows in his office, that he's making an oblique reference to the door to the church as his door that is always open. His response, if you understand something about Neuro-Linguistic Programming (NLP) connects the tough times and sacrifices with the church and the services it provides. Yes, even those on Ash Wednesday and through the Lenten season.

There's more. This is where it really gets dialed in! To be continued, Lord willing.

Christmas Time is Here! Decisions, decisions, decisions.

We're in the middle of a season where those of us who know about Christmas have choices to make. If we have family who celebrates with gift exchanges and family gatherings and such, there are definite expectations about participation. Up until now, I've continued a degree of participation but I can't do it this year. I'm opting out.

I wrote an email to my family members explaining my situation. I'm presenting it here for you to read and consider. Is this something that strikes a chord with you? You're welcome to use this for inspiration or, if you want, you have my permission to copy it and include it along with your own commentary to refer to as an example.

Blessings!

Bob

+++++++++++++++++++++++++++++++++++

Hi Everyone,

For many years I've been aware of how every popular tradition relating to Christmas and Easter is not biblical but pagan in origin. Sure, Jesus Christ was born and died and raised again, and Bible passages are read in churches, but none of that does anything to redeem the pagan practices. To celebrate pagan traditions is really to honor the gods of the pagans. I choose not to do that. If you knew what I knew, you wouldn't join in the heathen practices either, because it's really far better to worship God in truth and with purity.

You may be wondering why I would think the customary holiday traditions are pagan traditions. Research it for yourself. The problem most of us have is not so much discovering the truth or figuring out the right thing to do. The problem is that most of us really just don't want to do what's right. More and more, I find that I do. I hope you do, more and more, too.

I cannot in good conscience continue to participate in any activities related to Christmas or Easter, which includes the customary gift exchange. I am opting out of this and any future Christmas or Easter involvement. I won't be visiting family where and when those holidays are being celebrated. I do love each of you, and hope that you will consider what I'm writing in this email. You might feel there is in this something of a loss but it is really a gain, a big gain! My God is worthy of being honored! He is generous with reward for those who love Him.

Blessings in Christ Jesus,

Bob

The knots in the enclosing net continue to be tied

Researcher’s Video Shows Secret Software on Millions of Phones Logging Everything (Wired - 11/29/2011)
“...the Carrier IQ software secretly installed on millions of mobile phones reports most everything a user does on a phone.”

Malls track shoppers' cell phones on Black Friday (CNN Money - 11/22/2011)

Surveillance Company Says It Sent Fake iTunes, Flash Updates (The Wall Street Journal - 11/21/2011)

Forget cash. Pay with your Go watch
“This standard digital watch comes with a contactless payment chip on the back so you can ditch your wallet. It also has a medical ID number in case you end up on the ground yourself.”

When the last knot is tied, will anyone even notice?

Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast

A new study has just been published to the main site titled Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast. There's a pretty broad array of things to consider on that topic, some of which may just impact your life dramatically - even if you've never been directly involved with the Romish church and its practices!

Baphomet with the Eucharist - Is This Your Lord?

Masip's Christ declares nonverbally that he is the earthly manifestation of the heavenly. The testimony is not ambiguous about which is represented. Is this your Lord? It's not my Lord.

The host is the antichrist Beast, of course, exalted. It's held with the raised right hand, signaling "heavenly sons of god." The distinctive three finger grasp represents the transformed Beast DNA of a triple helix construction. The chalice for the sacramental blood of the Eucharist resembles the wand of Hermes with its serpents flanking the rod. The cup is the womb, which, together with the phallus wand, is positioned in the scene to subtly illustrate the very effeminate man as a hermaphrodite, a male-female androgyne. Beyond the blending of the genders what's signified is the merging of the heavenly male with the earthly female, the Beast! The checkerboard pattern on the table (like the floor of a Masonic temple) represents the sons of god mixed with the daughters of men, the iron and clay seed mixing of Daniel 2. The arch compares to the Masonic Royal Arch, the gateway between heaven and earth. The backdrop is Osiris Green, with a crown-like five element tabernacle fringe King-of-the-world being implied.

What's up with the gang sign?

[video] West Side Gang (Project 12, 6/12) by Diran Lyons



Signs in this class signal Baphomet as the horned god. The hand sign forms both the M=13 and the W=23, combining to signal the 13-23 Rebel Lord Beast DNA. It signals three things and four, when the Beast plan will be fulfilled. Or, rather, so far as it is appointed to be fulfilled. This gang has an exclusive membership. They know things. Like times and seasons. Like Beast transformations.

Part 25 - Rango - Wednesday Noon is a Coded Signal

As I begin to wrap up the series exploring the hidden testimony of Rango there remains a few more items to be addressed, including a zombie apocalypse scene and illustrations of the role acoustic wave energy plays in DNA transformation and dimensional portals. If you've been reading this blog for a while you've noted how Rango touches on many themes. The messages being broadcast through Satan's devices about his plans are for most folk quite impossible to accept. They are pretty fantastic, yet, the redundancy and level of detail makes it hard to deny for those of us who are willing to challenge what we had long accepted as true.

This kind of challenge is a very difficult thing because misplaced trust is exposed, revealing any personal idols. If your security is upset, take it to the Lord until assurance is given of His faithful love and provision. Upsetting our sense of security that is based upon anything but the Lord is a good and necessary work, and what provokes such upset should be considered a gift of great value!

Let's consider why it is that the animated feature Rango's water dance ritual begins as the clock strikes Noon on Wednesday. This is important, and the large number of scenes where clocks are displayed suggests that we give this time element special consideration. When I say “important,” I must point you to 1 Thessalonians 5 to underscore just how consequential this matter of knowing the time really is. Superficial knowledge of dates is of itself not so important but the big deal is rather the whole it's packaged with. If you don't yet know it, you'll discover this involves personal character. Wednesday is the fourth day of the week, the fourth unit in sequence. If you haven't been paying much attention to the references on this blog to a "three things and then four" signaling this probably won't mean much to you, but Wednesday is a coded reference to the fourth “thing,” the fourth unit of time following the signal Yom Teruah in 1991!

In brief, with reference to what's documented in Beyond the Veil, the anchor point on the Lord's calendar that was marked by the celestial sign cryptically described in Genesis 49:10 is not my invention. The Lord's return in judgment is marked from that date, and those of us who understand what that means count the passing of the Shemittah or Sabbatical cycles from then. This kind of counting is how the Lord sets certain events on His schedule of appointments. For example, the accounting of a week involves a count of seven days. The Omer is the count of seven sevens of days from Pesach to Shavuot. Each Yobel or Jubilee involves a count of seven sevens (which are Shemittah sets) of years. We have, as of this past Yom Teruah, entered into the seventh year or Shabbat of the third Shemittah in the count from 1991. This present Shemittah can be thought of as a “Tuesday”, the third in sequence. In the fall of 2012, the third will pass and the fourth will begin, the one appointed to see the fulfillment of many things! I began to learn and have confidence in this as the Lord revealed it to me first from John 13, near the close of a season of dramatic watching on the Bride sign watch day in 2008. This revelation has been confirmed several times over the 2 ½ years since. This “Wednesday” week will include the events pictured in Rango's DNA-transformation-modeling water dance and ritual! Like Beans told Rango as he entered the tinkling heavenly chariot wagon, “Today's Wednesday, and Wednesday's when we all get to it!” Like the “high priest” Mayor John (the Baptist) says during the ritual, “It is the time of HYDRATION!” The 4th unit in the series is one that is eagerly anticipated! The implementation of the mark of the beast that is cryptically referenced as hydration is a very big deal!

Another Wednesday Noon (Pacific time) signal came within the last couple weeks when FEMA shut down communications networks for a few minutes on 11/9/11.

Update - 11/30/2011: See Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast for another Wednesday signal, one that's been around longer than Rango and that has been very influential.

So, why does the DNA hydration dance ritual begin at Noon? The reason is because Noon marks the middle of the day, so the events illustrated are presented as happening in the middle of the “Wednesday” Shemittah week.

According to the popular 27th verse of Daniel chapter 9, we see the hybrid beast as “the one who makes desolate” and his activity describing what I believe pertains to the mark of the beast. Consider when this action takes place.

And he will make a firm covenant with the many for one week, but in the middle of the week he will put a stop to sacrifice and grain offering; and on the wing of abominations will come one who makes desolate, even until a complete destruction, one that is decreed, is poured out on the one who makes desolate.

Daniel 9:27 -- NASB

If you immediately flashed to some version of a "midpoint of the trib dividing it into two equal halves" consideration, you might want to pause that. I'll explain why, shortly.

As declared in Revelation 13, a second beast, the one John saw rising out of the earth, will make an image of the first beast and causes all to be given a mark. The Beast is revealed at the 2 ½ year point, and some time later, in the midst of the week, the mark is instituted. A DNA transformation is an integral feature of the mark of the Beast. The implementation of the mark will necessarily follow some time after the Beast is revealed. Is this the water dance ritual and hydration ceremony at “Noon on Wednesday”?

By the way, the DNA transformation signaling line dance was performed to the cowboy song titled Cool Water. This song provides an appropriate backdrop for the scene. Superficially, it fits the theme of how important water is to the parched townsfolk. This ritual dance is part of a religious ritual that leads to the hydration ceremony, so consider the lyrics in that light.

"He's a devil, not a man, and he spreads the burning sand with water"

This applies to Mayor John who quite literally was responsible for “dumping water in the desert,” if we go with the interpretation Beans offered of the drainage she had observed. Because the antichrist beast and false prophet second beast appear as played by Rango and Mayor John, the description of those critters that act like men is apt. The beasts are devils, not really men.

"The nights are cool and I'm a fool, each star's a pool of water"

A pool of water is the thirsty singer's object of desire. A star is a metaphor meaning angel. Get it? In Revelation 13 John saw the beast rise out of the sea. Right.

After the trance dance ends, the Dirtonians march out of town past the cemetary to the site of the holy spigot. The hydration ceremony takes a while, like a church service. I consider that the folk would still be in the process of receiving hydration at that time. One hour after Noon is 13:00 hours on the 24 hour clock. The number thirteen is a signal for the rebel lord Beast. As this involves a time, this even links to the time of his revealing, on the thirteenth day of the first month. I have to think the implied hydration at 13:00 hours is part of the reason why the dance starts at Noon, but not the main reason.

Let's take another look at Daniel 9:27. The YLT renders the verse as follows.

And he hath strengthened a covenant with many -- one week, and [in] the midst of the week he causeth sacrifice and present to cease, and by the wing of abominations he is making desolate, even till the consummation, and that which is determined is poured on the desolate one.'

Daniel 9:27 -- Youngs Literal Translation

Most still interpret the timing of this passage as I had formerly been trained to do, dividing the seven year week into two equal halves and relating passages of prophetic scripture that involve spans of 3 ½ years, 1260 days or 42 months as either first or second half scenarios. The word translated “middle” or “midst” suggests but does not demand interpretation as an exact midpoint. When a student at the Lord's feet comes to realize how patterns revealed are consistent, exhibiting fractals, if you will, of templates that scale, he learns something about how great truths are communicated, concealed and revealed. No templates of this week divide at the exact midpoint, at the equivalent of the stroke of Noon on Wednesday. I'm aware of no historical event that might compare and match to what is prophesied in verse 27 occurring in the middle of millennial day four, around 3,500 years from Adam. The millennial week does however divide very significantly in the midst near to the transition between day four and five, attested to by even the Gregorian (Grigori - Watcher) calendar, as we pivot the epochs AD and BC. As we consider how the “first advent” coming of the Lord divided the millennial week and compare what is declared in the scriptures about the target Shemittah week there may come prophetic insight.

The Lord Y'shua's coming in the flesh as the son of Man and the son of God will be mimicked and counterfeited in the coming of the "lord Beast." The implementation of the mark (Rev. 13:16-18) transitions into a season where man is joined with the gods through the agency of the god-man, comparing to the new birth associated with the "Christian" church (New Testament saints) with the abiding of the holy spirit that Jesus had to depart to bring. (John 14, 17:21-23) The first beast has to depart before the second beast may institute the mark. I perceive a pattern match, how about you?

I'm convinced that the pattern of the millennial week is the pattern of the fourth Shemittah from 1991. The significant transitional events marking off biblical history are prophetic indicators. The sovereign Lord will reveal all things in advance, and we have every reason to expect that, as we approach key events, those who need to know will know what is necessary with full assurance.

I won't presume that the week of Daniel 9's firm or strengthened covenant is precisely concurrent with the Shemittah spanning from bookending Yom Teruahs. I suspect a fit, but, as for the exact relation, I cannot say with confidence at present. I'm not even going to suggest a calendar date for when the mark will begin to be caused to be received, but the season should be plain enough by now. My point here is fundamentally to identify the Wednesday Noon signaled in Rango with the biblical and historical timing of the mark. When Wednesday Noon is presented in connection with the beginning of the transformation activity, it fits the model. The folks responsible for Rango know things, as you may have noticed.

Part 24 - Rango - Gone From Among!

In this post I'll address the last scene of the dream sequence I began to interpret in Part 22, which, like the others, supports the theme of the revealing of the lawless one pictured when Rango is flushed out of the storm drain as birthed into his new life.

The chameleon's nightmare in the drain pipe happened during the full moon, the very time of the month on the Lord's lunar calendar the biblical types point to for when the event Rango is dramatizing will occur. The first scene pictured the creeping devil bent over the smoky fire pit as the angel of the abyss (Revelation 9). The next scene pictured phallic cacti as the thorn and thistle heritage of Genesis 3's curse, being transformed into serpent tails that rattled as though the attached serpents buried in the desert were threatening, ready to strike. This last scene in the dream sequence presents a watery womb environment with some amazing testimony!

In this scene, represented by the three screen captures you see here, we recognize large scale versions of two of the prop/characters from his former terrarium world; the damsel, the headless female torso, and Mr. Timms, the wind-up plastic fish. There's a blue tint suggesting we're under water. The fish is swimming, and fish don't swim in air. The chameleon opens his mouth to speak and bubbles come out. The setting is now more like an aquarium, picturing a pre-birth in-the-womb environment, in the amniotic "water." The baby will need to breathe air now. Supporting this, we are shown an image of the flesh-colored fish where a snapshot resembles the belly of a pregnant woman with a distended navel. (middle image)

Notice how the chameleon is superimposed over the large naked motherly form in such a position that we identify him with her womb and birth canal, suggesting he is the child inside. Rango is gestating, as we hear him actually say in a following scene's NLP dialogue.

The damsel is gigantic and propped up like a ancient statue, missing parts as in the condition common to relics that have suffered the abuses of many centuries. She is a madonna figure, a mother goddess we might identify as Isis, Hera or Diana.

A storm suddenly comes up and Rango looks rather intense, revealing how labor has begun in earnest and the water is breaking.

On the superficial level of the simple movie plot, we may interpret this as the chameleon's waking realization of a storm in the desert that causes a flash flood. While we might view that drain pipe as a storm drain, that pipe really makes no sense at all when you consider where it's located in the desert. It further makes no sense with regard to why it would have filled with water before the storm broke. It does, however, make sense when we understand the prophetic reference and link the lightning pictured to Zeus, aka Satan. It makes sense when we consider the NLP style references scattered in the context. I'm going to present two passages that come to mind that connect several elements of the sequence but first I want to address what the fish says to Rango as he swims by.

"Where are your friends now, Amigo."

Rango is so richly endowed with meaning! I perceive several layers in this question. First, the fish says this in the voice of the sage armadillo, the character on a quest that is armored as a medieval knight. From that observation we may and should relate this to the holy grail quest, which cryptically references a seeking of the "left hand path" to attain enlightenment and gnosis through union with the gods. The holy grail is ultimately the eye of Horus activation that will have a literal expression through the unholy DNA transformation we know biblically as the mark of the beast. This is also what is referred to variously as the black stone, the emerald tablet, the philosopher's stone... For more insight into the grail quest, see Ravenscroft's The Spear of Destiny, or Wolfram von Eschenbach's Parcival, based upon the previous work of Chrétien de Troyes, Perceval, the Story of the Grail.

What I first understood about, “Where are your friends now, Amigo,” is something so few will grasp due to a failure to properly interpret a key passage of scripture.

7) For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way.
8) Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;

2 Thessalonians 2:7-8

What is translated as “taken out of the way” in verse 7 is more accurately rendered as “gone from among.” This passage was one the Lord dealt very particularly with me on, way back in the summer of 1991. I had struggled to learn what He was teaching me so rigorously in the early season of His instruction in such matters. The hard part was unlearning, letting go of error that had been well established in my mind. If you understand very precisely the context as I present it in The Sign for the Bride - Part 1 you will understand the question asked by the fish. The spiritual entity identified with the gestating lizard is now among friends. He will soon find himself separated from them, birthed out of the womb. "Where are your friends now, Amigo." They must be separated.

You see, at this time prior to when the lawless one is revealed, the demonic antichrist agency or agent is contained or detained in the company of other entities of like kind, among friends, so to speak. At the appointed time, the one who is ordained will be separated from the others. Then, being “gone from among,” which is also to be “standing away from,” or, apostasia, the supernatural agent will then be associated with a man as an anointing, creating a mashiach, messiah or christ figure. The words “christ” and “messiah” mean “anointing.” This will accompany a transformation of the anointed one's body and soul. It is the arrival of the beast and the revealing of the lawless one!

When you recognize the lightning visible in the storm that subsequently flushes the chameleon out of the drain as the power of Zeus coming from heaven to earth, when you recognize Zeus as Satan and his son as the antichrist counterfeit and substitute for the true Mashiach, when you recognize the watery scene as the baptism that reveals, you should realize the dynamic referenced by the declaration of the fish as a vivid witness to 2 Thessalonians 2:7! These Rango folks know things!

The agents responsible for embedding the Satanic device Rango with content draw through unholy spirit what their resources know first hand about these matters. The spirit of Antichrist provides revelation insight. The witness is before you in what the sovereign Lord is revealing about our adversary's dark craft.

The fish calling the chameleon Amigo reveals they are friends, because “amigo” means “friend.” This friend is one he is still with as not quite yet being “gone from among.” He is of the antichrist kind. Let's not miss the fact that he's a creature that is in the Greek language an ichthys, even an animated mechanical ichthys. ICHTHYS is a Greek word that means "fish" and a Greek acronym that signifies “Jesus, Christ, God's Son, Savior.” The chameleon's friend is a plastic cyborg messiah. This is identified to us as the kind, the category. This kind is what the Amigo is not yet gone from among.

I believe that the subtle use of the word Amigo is the reason why the armadillo character speaks Spanish. The Spanish Amigo suggests the not too dissimilar Hebrew Abaddon and Greek Apollyon, from Revelation 9 where the angel of the abyss is so identified. This connection was explicitly made in the first dream sequence where the creeping devil looked into the smoky fire pit, remember?

I also perceive this underwater scene with its ancient giant Isis and the Horus-kind as a reference to the flood of Noah's day, when they were purged from the face of the earth by water. This reference extends beyond that judgment that befell the earth on their account, reaching forward to a counter-flood event. The question of “Where are your friends now, Amigo,” is answered by knowing they are entombed and bound in the earth for yet a short while. They are soon to be released for a turnabout as agents appointed to execute judgment in the earth. They are bitter and bent on revenge, and do so passionately long for the arrival of this day!

OK, I'm finally going to present the two passages I mentioned that connect several elements of the sequence.

17) The seventy returned with joy, saying, “Lord, even the demons are subject to us in Your name.”
18) And He said to them, “I was watching Satan fall from heaven like lightning.
19) Behold, I have given you authority to tread on serpents and scorpions, and over all the power of the enemy, and nothing will injure you.

Luke 10:17-19

26) Wherefore if they shall say unto you, Behold, he is in the desert; go not forth: behold, he is in the secret chambers; believe it not.
27) For as the lightning cometh out of the east, and shineth even unto the west; so shall also the coming of the Son of man be.
28) For wheresoever the carcase is, there will the eagles be gathered together.

Matthew 24:26-28

Both passages refer to lightning. The dream sequence features a demon (creeping devil) and serpents (rattlesnake rattles). We behold the setting of the counterfeit messiah in the desert. A large bird of prey can be heard screeching while its shadow moves across the sand. Rango flees from it through the desert rattler-from-cacti landscape hoping nothing will injure him. He had witnessed his short-term companion Rock-Eye being seized by the bird, who must be assumed to be dead with any remains being a carcase. All these NLP dots connect and we should recognize the picture drawn.

What we learn from later scenes of the movie allows us to identify the bird of prey as Yahweh. That the lizard should be chased by the Yahweh bird out from among the rattler-cacti as the baptismal delivery of the baby begins is fitting indeed. The Lord has the power and ability as the restrainer, who will grant and yet even require release at just the proper moment - when this antichrist beast must be introduced into the world.

This post is getting lengthy, I know, but its worth making a few observations about the storm drain pipe before I close.

It is the womb and birth canal of Isis at the bringing forth of Horus. The first scene showing the chameleon in the pipe features the full moon, which is linked to female fertility and reproduction.

“A relationship is demonstrated between the onset of menstruation, among women who have 29.5 + 1 day menstrual cycles, and the onset of full moon. Four separate prospectively gathered sets of data are presented from different years and seasons. It is demonstrated that these women tend to menstruate in the full of the moon with a diminishing likelihood of menses onset as distance from full moon increases.”

“That the most fertile reproductive cycle has the same length as the lunar cycle, i.e. 29.5 days, is an intriguing biological coincidence.”

Excerpts from: Lunar Influences on the Reproductive Cycle in Women - Dr. Winnifred B. Cutler

The pipe is also the watery abyss, the bottomless pit.

And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.

Revelation 9:2

The Greek words for “bottomless pit” are “abyssos phrear.”

abyssos (Strongs G12)
1) bottomless
2) unbounded
3) the abyss
a) the pit
b) the immeasurable depth
c) of Orcus, a very deep gulf or chasm in the lowest parts of the earth used as the common receptacle of the dead and especially as the abode of demons
Thayers: "Hence, of 'the deep' sea"

phrear (Strongs G5421)
1) a well
2) the pit of the abyss (because the nether world is thought to increase in size the further it extends from the surface of the earth and so resemble a cistern, the orifice of which is narrow)

An open ended storm drain seems to me a pretty decent 3d representation of such a construct!

The pipe is graphically a black helical object embedded in the ground (black stone, black rock) that pictures the serpent's strand of DNA that will be grafted onto the native 2 of Adam-kind! Is this not the delivery system for the Beast! How many times do we need to have this illustrated before we take a hint? Do we get it yet?

The devil knows plenty about what is coming. Rango is strong evidence, if you can see it!

Status Update

There have been no posts for a while because I've been pretty distracted by the move from CA to PA. I had the pleasure of meeting with several dear brothers and sisters on my journey. Our Lord is exceeding kind and generous! I've now settled into a place with an address that testifies of "National 9-11 Judgment. Preparing for an upcoming series on Fringe, (Lord willing) I've also been preparing the next post on Rango.

Thanks so much for everyone's prayers and continued interest in how I'm doing.

Blessings in Y'shua!

Bob

Here's a TV commercial for a Fuji camera that appeared on a video I watched on YouTube. I see an alien face hidden within. Can you find it?

Fujifilm 30x zoom bungee jump commercial

Part 23 - Rango - Cacti Transformed into Buried Serpents? More Surreal Dream Sequence and Bible Prophecy

The animated feature Rango is rich with symbolism referencing Bible prophecy. The surreal dream the chameleon had before being flushed out into the world of Dirt supports the theme of the revealing of the Lawless One and touches on some closely related themes. Assuming the previous post is fresh in your mind, let's get right into the next scene of the dream sequence. This one is really brilliant, evil genius stuff that features cacti transforming into snake rattles!

With big rattlesnake rattles sticking out of the desert sand we can infer that giant snakes are attached and making them rattle, buried out of sight in the desert sand.

The theme of a serpent kind buried in the earth should be very familiar to those of you who have been reading this blog for a while. Steve Quayle, Tom Horn and others have in recent years done much to popularize ancient prophecies about giant spawn of the Serpent being buried in the earth. I believe the bottomless pit referenced in Revelation 9 is related to this "serpent buried in the earth" situation. That very passage was pictured in the preceding dream scene with the Walking Cactus, after all. And, it's pictured in the drain pipe Rango's sheltering in while he dreams, which I hope to expand upon shortly.

The Serpent is very focused right now upon the prophesied end of the entombment of his agents because it's not far off. The sentence appointed for those of serpent-kind held responsible for the flood of Noah's day is for a full 70 generations of imprisonment.

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness.
12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished.

1 Enoch 10:11-12

When they are released, the Lord has ordained that they should be agents of judgment, to execute judgment upon the earth for a short season. The Serpent has eagerly anticipated this release for a very, very long time.

1) The vision which Esaias son of Amos saw against Babylon.
2) Lift up a standard on the mountain of the plain, exalt the voice to them, beckon with the hand, open the gates, ye rulers.
3) I give command, and I bring them: giants are coming to fulfil my wrath, rejoicing at the same time and insulting.
4) A voice of many nations on the mountains, even like to that of many nations; a voice of kings and nations gathered together: the Lord of hosts has given command to a war-like nation,
5) to come from a land afar off, from the utmost foundation of heaven; the Lord and his warriors are coming to destroy all the world.

Isaiah 13:1-5 (LXX - Brenton)

9) The spirits of the giants shall be like clouds, which shall oppress, corrupt, fall, contend, and bruise upon earth.
10) They shall cause lamentation. No food shall they eat; and they shall be thirsty; they shall be concealed, and shall not rise up against the sons of men, and against women; for they come forth during the days of slaughter and destruction.

Enoch 15:9-10

Rango is not alone in bringing forth an esoteric witness into the public domain. This is showcased in the lobby of the Bank of America Corporate Center in Charlotte, NC. This mural painted by Benjamin Long pictures a sleeping giant encased in the earth and a global celebratory excavation site. You can read more about it in this post titled Caves and their Secret as Attested to by the Bank of America (part 1 of 2).

The theme of celebrating the coming release of those bound within the earth is presented with almost incredible boldness at the UN in NYC. This enormous mural occupies the central position in the Security Council Chamber. At lower left, you'll see a man like the one at lower left in the Bank of America panel, pulling. The effort is to assist those coming out of the dark pit!



You can read more about that here: The Secret of the Caves as Attested to by the UN You can click here to see an even larger image.

The devil must bear witness to his plan. Praise the Lord for exposing it to those of us who need to know in this hour!

What Rango's presentation adds concerns the transformation involved. Once I grasped the image of the buried Nephilim I looked again at the peculiar cacti they had been prior to being transformed into the rattles. They didn't have the kind of bent arms typical of the popular Saguaro. These cacti had appendages that looked phallic! They resemble Hermai!

The cactus represent the ancient phallic gods, like Horus, Hermes and Pan. Many have come to believe these names passed down through the ages are more than mere fanciful fictional inventions. I have become quite convinced, myself. The offspring produced by the fallen angels like those 200 Watchers who fathered them were gods of legend. These were responsible for the flood, and these are entombed in the earth awaiting release.

This signification becomes all the more apparent when you consider how a cactus has a fleshy body covered with prickly spines. The cactus is in the category of vegetation with thorns and thistles, a category that symbolically represents the serpent's tree or heritage people. If this doesn't click for you, I recommend visiting this study titled Who is Cain's Father? Part Two - Thorns, Thistles and Tares - Destined for Fire, where that link will take you to the target location on the page.

So, a cactus with erect phallus is transformed into a serpent that is buried in the desert sand. The "cacti" were buried there due in no small part to their sexual impropriety, right? This is what is pictured in Rango's dream, in the season of his own release as he's about to be birthed as the Rango reincarnation of Horus!

I don't want to get far off track but it's worth mentioning that the rose and cactus flowers are related symbols. Have you ever seen a rose bush that didn't have sharp thorns? The "Rose-Cross" Rosicrucians didn't choose the rose emblem just because it's pretty and it smells good. The secret of the rose is that it comes from a thorn bush. When you find reference to secrets and covert ops as being sub rosa, think about what is literally sub rosa, under the rose. Thorns are under the rose! This is the sub-rosa secret! It's an implied reference to the presence and operation of the thorn and thistle of the curse of Genesis 3:18. Think about why the character in The Omen who plays the Antichrist is named Damien Thorn. Think about why the woman who gives birth to the Antichrist is named Rosemary in Polanski's infamous "Rosemary's Baby." A woman named Mary gave birth to the true Christ. ROSEmary birthed the Antichrist. Thorns are sub rosa - under the rose!

The reproductive imagery of the cacti is pretty obvious, with each one appearing as Hermai with at least one erect phallus. The rattlesnake rattles are actually assigned the same meaning later in the movie because the giant rattles of Rattlesnake Jake are a Gatling gun. Gun is slang for the male package. As I already mentioned in this series, Jake is without contest the big serpent stud with the big gun firing the most serpent-seed bullets. It should be noted that this imagery adds a layer of transformative sex magick to the context of the dream sequence that is the bringing forth of the Beast and of those who will be released from their bonds in the earth. The rattles stick up out of the sand like the famed obelisks of Egypt. The obelisk represents the phallus of Osiris - which is all about transformative sex magick and bringing back the phallic god worshiped!

If you can find and watch a video clip of this cactus-to-rattle scene, listen to the audio that starts the cacti to shaking and the rattles to rattling. You'll hear a vocal that reminds me of Leona Lewis' segue to "Whole Lotta Love" in Beijing closing out the '08 Olympics. Leona was ascending up during that performance, lifted with a helical DNA structure. Her vocal represented the Siren song. The Sirens' irresistible songs brought mortals to their imminent death. That signaled the audio triggering of the death bringing DNA transformation of the mark of the Beast. The female vocals in Rango's dream that make the male cactus shake and transform into serpents, likewise, I believe. I say this without yet offering much support, but that, Lord willing, is coming soon!

Part 22 - Rango - The Surreal Dream Sequence and Bible Prophecy

In the last few posts I've been showing how the animated feature Rango presents certain pivotal events and dynamics featured in Bible prophecy. What I have come to call the sign for the Bride involves the revealing of the lawless one, and this hugely important event is pictured as Rango is flushed out of a drain pipe into the desert, thrust into a world very different than the one he had known.

Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;

2 Thessalonians 2:8

Leading up to the scene of Horus-Rango's entrance by birth and baptism, some background and transitional scenes set the context for us, including a night he spent in a drain pipe. This is where he experiences a bizarre nightmarish dream sequence. In this post we'll give consideration to the elements of that sequence as illustrating Bible prophecy. The sovereign Lord has revealed what is coming. The enemy must also spill the beans, and so he does!


The first screenshot shows when Rango has just climbed inside a drain pipe to shelter for the night. Assuming, as we must, that nothing we see is random or unintentional, the full moon pictured allows us to peg when this is happening on the Lord's calendar, a lunar calendar. The moon looks full for a few days a month. This time of the month pictured is when the Bible declares the lawless one will be revealed, at the full moon!

18) “Come, let us drink our fill of love until morning; Let us delight ourselves with caresses.
19) “For my husband is not at home, He has gone on a long journey;
20) He has taken a bag of money with him, At the full moon he will come home.”

Proverbs 7:18-20

The woman is a prophecy featuring the harlot mystery Babylon the Great. Her husband is the Antichrist Beast. At the full moon he will come home, comparing to the anticipated return of Quetzalcoatl and the reincarnation/regeneration/resurrection of Osiris.

Technically, the moon is considered full on the 13th or 14th day of a month, as the days are numbered by biblical reckoning. (See Blood Red Moons and the One Who Left with a Bag of Money) The day of the month the lawless one will be revealed is declared in several biblical types to be the 13th.

So, having taken shelter inside the pipe, Rango falls asleep. He dreams, and the first sequence we see is the nightmarish scene sampled in this pair of screenshots. A shadowy figure is bent over a smoky fire. The "camera" zooms in and we see it has a face lit from the inside like the fires of hell burning inside a jack o'lantern - a creepy and scary demonic looking figure. What does this mean?

Why aren't we shown anything burning, like wood in a campfire? Whatever might be burning is carefully clipped out of the frame. Is the smoke and flame coming out of a pit? If the movie is just superficial entertainment and the symbols meaningless, we can dismiss this with everything else. However, the consistency of the symbolism throughout Rango simply demands interpretation, and the context has been well established! This scene is what we may read about in Revelation chapter 9. The smoky fire is that of the bottomless pit and the shadowy figure is the fallen star-angel given its key.

1) Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him.
2) He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit.
3) Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power.
4) They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads.
...
9) They had breastplates like breastplates of iron; and the sound of their wings was like the sound of chariots, of many horses rushing to battle.
...
11) They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon.

Revelation 9:1-4, 9:9, 9:11

If you can watch on DVD or find a clip online, listen very closely to the soundtrack here. You may agree that the Rango sound effects crew really nailed verse 9's description of the sound! Watch and consider what looks at first like sparks or glowing ash ascending from the fire. Locusts? I believe the appearance of the fallen star-angel is alluding to (NLP association) verse 4's references to vegetation.

Later in the movie, some help identifying the shadowy figure is offered in a scene where the creepy creature's kind is referenced. We hear the following line while Beans and Rango are pictured together with a Walking Cactus that looks very much like the one in the dream. This immediately follows a campfire scene, which seems to link it to the dream sequence's fire and creature scene.

Beans: "That's a Spanish Dagger. But around here we just call them the Walking Cactus […] there's an old legend they actually walk across the desert to find water."

Her description only offers yet another puzzle for most who bother to research the matter because, while the Spanish Dagger and the Walking Cactus are both real plants, they are not the same plant. Those pictured in Rango resemble the Spanish Dagger, a variety of yucca that is not found in the southwest. These are native to the coastal sand dunes of the southeast, ranging from southern North Carolina to northern Florida. There is a plant called the Walking Cactus that is found in some deserts of the western US. You'll find it in settings similar to Rango's Mojave on California's Baja peninsula, and around Chandler, Arizona and Phoenix, Arizona. Excerpting a doc I found online titled Is There Really A "Walking Cactus"? - "The "walking cactus" (Stenocereus eruca) is a truly unusual form of cacti. It lives on the Baja peninsula, and is also known as the "creeping devil." Well, there's a connection. By being told by Beans that these are called the Walking Cactus, the creepy devil is actually identified as a "creeping devil." It's indirect, but unmistakable. Let's take the hint. The creature is a devil!

Still, a question begs to be asked. Why not just simply present the Walking Cactus? Why picture a non-native Spanish Dagger and tell us it's a Walking Cactus? I believe the answer lies in a feature that the pictured yucca and the referenced cactus have in common. One end of the plant lives while, at the same time, the other end dies off. This is what causes the one to creep slowly across the desert floor and what sometimes gives the other the appearance of having a head distinct from the body. This highlights regeneration, the resurrection theme. I believe this suggests the reanimation of the Rephaim, the dead ones, the release and reanimation of the Nephilim and the bringing forth of Horus, who was, is not and yet will be.

Supporting this interpretation, later in the movie these Walking Cactus are given an instrumental role in Rango's bringing water to Dirt. At the end of the movie, a destruction/creation scene occurs that should be familiar to those of you who have done due diligence by investigating the Hindu idol featured at CERN's LHC installation. What Rango pictures when the water is delivered to town illustrates a version of Shiva as the Nataraja doing the tandava, the cosmic dance. The flood destroys the town but renews it at the same time. This is a counter-flood answering to the one of Noah's day, and one of a number of independent models I've noted in recent years. This is something I first began to bear witness about while documenting what the Lord was opening to me relative to the Beijing Olympics signs. Folks, it's coming.

The identification by way of the Walking Cactus reference of the dream sequence's feature creature as a devil is even further supported by the scary jack o'lantern look it's given. Research that and the related Will-o'-the-wisp.

More to follow, Lord willing!