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Saturday, December 03, 2011

Part 27 - Rango - Lent Begins with Ash Wednesday

Continuing from the previous post, Rango's Wednesday hydration ceremony that starts out like a regular Romish Mass soon becomes recognizable as the Ash Wednesday liturgy, beginning the season of Lent.

When Beans interrupts Mayor John's attempt to placate the worshipers, she uses an expression that is very revealing!

Beans: “Hold it! Hold it! Now this whole thing stinks three ways to Sunday. First the bank's run dry and now this here spigot!”

Three ways to Sunday? That's a fairly unusual idiom, which basically means “any and every way possible.” The use of it in this context is absolutely brilliant - evil genius.

During Lent, Easter Sunday is looked to with hope as the end of Lent's season of deprivation. There, the focus is upon resurrection. Three is the resurrection number, so the expression “three ways to Sunday” directly connects resurrection with Sunday. Resurrection Sunday means Easter Sunday on the liturgical calendar. What stinks to the carnal mind is the deprivation associated with sacrifice during Lent. Lent stinks three ways to Easter Sunday, which begins on Ash Wednesday!

With Lent there is a particular focus upon Sunday. There's the primary connection with Easter Sunday. There's Palm Sunday, which provides palm branches for Ash Wednesday's ashes. Additionally, each Sunday during Lent is excluded in a highlighted count of days, 6 in total, that they subtract from the 46 (to shift attention off the chromosome number), substituting the number of trial; 40. The undeniable effectiveness of NLP witnesses to the reality that our minds make many connections when evaluating context and meaning. The fact of the 6 Sundays during Lent is in the mind of many who observe the liturgical calendar. The expression “stinks three ways to Sunday,” in the context of Lent, necessarily involves 6 Sundays, and three ways to six Sundays illustrates three sixes, or 666. Ash Wednesday really is all about the mark of the Beast, so the idiom is a brilliant code! The more subtle the 666 signals are they more powerfully effectual they seem to be, and this one is subtle indeed!

There's a similar expression, “six ways to Sunday,” that has the same meaning. Anyone who has heard these expressions, even if they know nothing of Lent, will have that bit of data accessed to connect a six with the three ways. The sum of NLP referencing the number of the Beast, 666, is pretty substantial!

Here's some further insight. It's 39 days or 3 x 13 to Palm Sunday, when more palms will be collected for the following Ash Wednesday. Three ways to that Sunday highlights the signal number thirteen, the revealing-of-the-rebel-lord-beast number. It's 46 days to Easter Sunday, which I've already identified as a chromosome number signaling genetics. Three ways to Easter Sunday with its featured resurrection suggests the resurrection with three strand DNA! In combination, the two number span signals illustrate the 3 strand DNA that transforms a 46 man into a 13 beast.

On top of all that embedded linking of Rango's ceremony with Ash Wednesday and Lent, here's yet another - the Beans connection! Beans are involved in a Lenten tradition. They may be dyed purple or left undyed and used for counters, to engage the children by giving them something tangible to associate with their activity.

From CatholicCulture.org - Lent - Ash Wednesday:
“The use of Sacrifice Beans may help children to keep track of their Lenten penances. Some families begin this activity (with undyed beans!) on Ash Wednesday and then use the collected beans to cook a penitential bean dish for Good Friday at the end of Lent.”

On a side note, another example of NLP appears in Beans' declaration, “the bank's run dry.” Bank run? A run on the banks? This is exactly what's pictured in the scene that follows. Everyone flocks to the bank in the hope of withdrawing whatever water might be available. On the deeper signaling level, the mark of the Beast ploy involves a banking ploy. No one will be able to buy or sell without the mark of the Beast. Remember NCR.com and the cryptic message embedded in their marketing sequence? Same deal.

Clearly, Rango's Wednesday hydration sacrament points to Ash Wednesday. This is an important connection because of the common mark of the Beast symbolism. By subtly establishing this connection, the common meanings are magnified in the minds of unsuspecting viewers. There's extremely powerful synergy here, the reinforcement of long term programming and advancement of the agendas that intend to manipulate the programmed into accepting the Beast of the Sun cult and receiving his mark.

So, that's one of the two scenes I wanted to address that make reference to Ash Wednesday. The other happens early in the movie, and you can't make any sense of it without understanding what I just covered.


Beans tells Rango when he has climbed into the wagon, “Today's Wednesday. And Wednesday's when we all get to it.” In this there is yet another level of symbolism embedded in the scene, beyond what I've documented in other posts (like the cryptic reference to time travel in Part 21). The connection to Ash Wednesday is evident when you consider the emotionally charged bit where Rango sampled ashes from the Mason jar. NLP. Ash + Wednesday.

For another, more involved, connection, note how the jar is in a wagon full of empty bottles that are obviously intended for water collection. The contents are intended to be ash and water, the basic ingredients used to make Ash Wednesday's mark.

Here's another observation about this scenario. Beans said the ashes were not the remains of her Father and that they never found his body. She said he smoked. It seems comically absurd to suggest they might be tobacco ashes, given her reaction. Until you relate the ashes to those used on Ash Wednesday. The ashes are not her father's but represented him. Those used on Ash Wednesday represent people. You see, as ashes sourced from Palm Sunday's palm branches, there's a level on which they represent the wicked who have died, being judged. In the biblical account, the King (and those represented by the disciple's garments that with were with him on the donkey/colt) trampled palm branches (that should be identified with those who threw them into the dirt) in judgment. Beans represents Israel, as I've illustrated in another post. It's complicated, but it looks like a smear campaign, pun intended. “Your mother wears army boots.” “Your father was a wicked one destroyed in judgment.” This compares to what's regularly presented on the superficial level of the movie because Beans continually defends her father's character. He had a reputation as a drunkard and is rumored to have fallen down a mine shaft while drinking.

The devil hates the pure ones with whom the Heavenly Father will fulfill His promises. In their relationship, it ends up going badly for the devil.

Friday, December 02, 2011

Part 26 - Rango - The Ash Wednesday Mass

The animated feature Rango presents a religious Wednesday hydration ceremony that is an obfuscated version of the Romish church's Ash Wednesday Mass. The reason for this becomes apparent in the light of how the contexts of both Wednesday's rituals and their ceremonies testify of the mark of the beast. In making the link, Rango basically says, “Hey - we get what the Ash Wednesday thing is all about and we're in on the same deal.” Those behind Rango serve the same god as the Pope. That's not my god, by the way, but the one of every Sun cult and all Mystery Babylon the Great.

I've covered a lot of ground on this subject matter already in several of the Rango posts and in a study posted recently titled Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast, but there's still more to bring forth. This is not a rehash, so what follows might not make much sense if you're not already somewhat familiar with this background material.

I'm going to address two scenes that make reference to Ash Wednesday. The one that happens first in the movie is easier to recognize if you understand the second, so I'll cover the second one first, the hydration ceremony.

I can't point you to a video clip of this scene. If you can find one or post one, please share the link with me. If you are already familiar with the Romish style Mass and Ash Wednesday ritual it might help you grasp what I'm going to present, but might also hinder you. If you feel yourself wanting to defend anything it's a sign that there's some personal issue you haven't fully resolved. I pray those of you who read here and are offended in some way take the matter up with the Lord without hesitation. I'll be using the Romish labels for reference but I don't mean to imply by this convenience that there's any legitimacy to their labeling.

You may want to spend some time meditating on the meaning of the images in this collection I assembled for comparison.

The Wednesday hydration ceremony resembles the Romish church's Ash Wednesday Mass, presenting a series of elements that are common to many Catholic and Protestant services. It starts out like every Mass, then the Ash Wednesday elements appear.

There's a call to worship rung out with the clock tower's bell chiming the Noon hour. Worshipers arrive in a sober, orderly fashion, passing the graveyard on the way, which is a feature common to many church properties. We hear music while they become a congregation, quietly facing Mayor John, the officiating priest. He formerly welcomes everyone. Then he calls to the priests to "Prepare the holy spigot!"

We are about to see the Romish Liturgy of the Eucharist followed by Holy Communion. The Sun cult priests ascend the platform with the spigot handle to arrive at the altar, which is the procession of priests bringing the host to the altar. I infer that they bless it silently in the prescribed manner. They fit the spigot handle-host to the water pipe-chalice. The Eucharist is ready.

Mayor John speaks and the congregation responds.

Mayor John: “The time has come my friends, the time that was foretold,”
Congregation Response: “Hallelujah”

This actually anticipates the fulfillment of what is prophesied in Mass and Ash Wednesday's ritual.

Mayor John continues.

Mayor John: “the sacred time,”
Congregation Response: “Hallelujah”

When Mayor John says “the sacred time,” the priests fit the handle-host to the spigot-chalice to make the parts a viable valve, so the sacred time is of course marking the mystical transubstantiation.

The officiating priest continues.

Mayor John: “the time of destiny,”
Congregation Response: “Hallelujah”

Communion rite
“All together recite or sing the "Lord's Prayer" ("Pater Noster" or "Our Father"). The priest introduces it with a short phrase and follows it up with the embolism: "Deliver us, Lord, from every evil, and grant us peace in our day.”

Mayor John: “the time of deliverance.”
Congregation Response: “Hallelujah”

After the “deliverance” part in the liturgy, the next item on the agenda is Holy Communion. So far, this is a pretty generic Mass sequence. What happens next is where the Ash Wednesday signaling begins, and where it begins to get very specific and pronounced!

Mayor John: “It is the time of hydration!”

At those words, the priests open the valve of the holy spigot, beginning to administer the Blessed Sacrament (that is to dispense/distribute the bread and wine mixed with water) to the first worshiper. Administering the sacrament shouldn't cause the congregation to make a fuss but something is not right. Pure water is expected to flow out of the spigot into Rango's cup, but mud comes out instead. (Note: When worshipers get the mark of the Beast it will be a worse disappointment.) This is not your regular Mass. With mud splashing even on Rango's forehead, it has become Ash Wednesday's ritual marking with wet ash. What is mud but wet dirt, and what is dirt but dust and ash and such. “Ashes to ashes and dust to dust” is an expression that would certainly have been heard at services in the graveyard they passed earlier.

The hydration references mixing the water with the ash, so Mayor John's pronouncement of the time of hydration introduces the Ash Wednesday ritual. The distribution of mud on the worshiper's forehead is not the usual bread and wine deal, with one given independent of the other. It's the Ash Wednesday Mass, and some of the following elements validate this observation.

One of the shocked members of the congregation can be heard saying, “Burn him!” Burning Rango would turn him into ashes! The suggestion to burn Rango alludes to the palm branches burned to make the ash, which would have been collected from the previous Palm Sunday. (This further identifies him as one of the palms to be burnt, one of the wicked, trampled at Y'shua's return in judgment as the palm branches strewn in the road were trampled into the dust when Y'shua rode the donkey/colt towards Jerusalem.)

Mayor John responds in an effort to assert control. What he says makes it pretty clear what day it is on the Romish liturgical calendar.

Mayor John: “Times will be tough from now on. Sacrifices will have to be made. But if I can help in any way please know that my door is always-”

Beans steps forward and interrupts, cutting him off. Ash Wednesday marks the beginning of a season called Lent that concludes with Easter Sunday. I remember when I was young, the Catholic kids would return to school after getting marked and ask each other, “What are you giving up for Lent?” You see, sacrifices had to be made. That was their focus, what really impacted their lives. When Mayor John says times will be tough from now on and that sacrifices will have to be made he's alluding to Lent, which begins on Ash Wednesday!

About Mayor John's statement that his door is always- and we can infer “open,” given his official priestly role in the service and the stained glass windows in his office, that he's making an oblique reference to the door to the church as his door that is always open. His response, if you understand something about Neuro-Linguistic Programming (NLP) connects the tough times and sacrifices with the church and the services it provides. Yes, even those on Ash Wednesday and through the Lenten season.

There's more. This is where it really gets dialed in! To be continued, Lord willing.

Christmas Time is Here! Decisions, decisions, decisions.

We're in the middle of a season where those of us who know about Christmas have choices to make. If we have family who celebrates with gift exchanges and family gatherings and such, there are definite expectations about participation. Up until now, I've continued a degree of participation but I can't do it this year. I'm opting out.

I wrote an email to my family members explaining my situation. I'm presenting it here for you to read and consider. Is this something that strikes a chord with you? You're welcome to use this for inspiration or, if you want, you have my permission to copy it and include it along with your own commentary to refer to as an example.

Blessings!

Bob

+++++++++++++++++++++++++++++++++++

Hi Everyone,

For many years I've been aware of how every popular tradition relating to Christmas and Easter is not biblical but pagan in origin. Sure, Jesus Christ was born and died and raised again, and Bible passages are read in churches, but none of that does anything to redeem the pagan practices. To celebrate pagan traditions is really to honor the gods of the pagans. I choose not to do that. If you knew what I knew, you wouldn't join in the heathen practices either, because it's really far better to worship God in truth and with purity.

You may be wondering why I would think the customary holiday traditions are pagan traditions. Research it for yourself. The problem most of us have is not so much discovering the truth or figuring out the right thing to do. The problem is that most of us really just don't want to do what's right. More and more, I find that I do. I hope you do, more and more, too.

I cannot in good conscience continue to participate in any activities related to Christmas or Easter, which includes the customary gift exchange. I am opting out of this and any future Christmas or Easter involvement. I won't be visiting family where and when those holidays are being celebrated. I do love each of you, and hope that you will consider what I'm writing in this email. You might feel there is in this something of a loss but it is really a gain, a big gain! My God is worthy of being honored! He is generous with reward for those who love Him.

Blessings in Christ Jesus,

Bob

Tuesday, November 29, 2011

The knots in the enclosing net continue to be tied

Researcher’s Video Shows Secret Software on Millions of Phones Logging Everything (Wired - 11/29/2011)
...the Carrier IQ software secretly installed on millions of mobile phones reports most everything a user does on a phone.

Malls track shoppers' cell phones on Black Friday (CNN Money - 11/22/2011)

Surveillance Company Says It Sent Fake iTunes, Flash Updates (The Wall Street Journal - 11/21/2011)

Forget cash. Pay with your Go watch
This standard digital watch comes with a contactless payment chip on the back so you can ditch your wallet. It also has a medical ID number in case you end up on the ground yourself.

When the last knot is tied, will anyone even notice?

Monday, November 28, 2011

Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast

A new study has just been published to the main site titled Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast. There's a pretty broad array of things to consider on that topic, some of which may just impact your life dramatically - even if you've never been directly involved with the Romish church and its practices!

Saturday, November 26, 2011

Baphomet with the Eucharist - Is This Your Lord?

Masip's Christ declares nonverbally that he is the earthly manifestation of the heavenly. The testimony is not ambiguous about which is represented. Is this your Lord? It's not my Lord.

The host is the antichrist Beast, of course, exalted. It's held with the raised right hand, signaling "heavenly sons of god." The distinctive three finger grasp represents the transformed Beast DNA of a triple helix construction. The chalice for the sacramental blood of the Eucharist resembles the wand of Hermes with its serpents flanking the rod. The cup is the womb, which, together with the phallus wand, is positioned in the scene to subtly illustrate the very effeminate man as a hermaphrodite, a male-female androgyne. Beyond the blending of the genders what's signified is the merging of the heavenly male with the earthly female, the Beast! The checkerboard pattern on the table (like the floor of a Masonic temple) represents the sons of god mixed with the daughters of men, the iron and clay seed mixing of Daniel 2. The arch compares to the Masonic Royal Arch, the gateway between heaven and earth. The backdrop is Osiris Green, with a crown-like five element tabernacle fringe King-of-the-world being implied.

What's up with the gang sign?

[video] West Side Gang (Project 12, 6/12) by Diran Lyons



Signs in this class signal Baphomet as the horned god. The hand sign forms both the M=13 and the W=23, combining to signal the 13-23 Rebel Lord Beast DNA. It signals three things and four, when the Beast plan will be fulfilled. Or, rather, so far as it is appointed to be fulfilled. This gang has an exclusive membership. They know things. Like times and seasons. Like Beast transformations.

Friday, November 18, 2011

Part 25 - Rango - Wednesday Noon is a Coded Signal

As I begin to wrap up the series exploring the hidden testimony of Rango there remains a few more items to be addressed, including a zombie apocalypse scene and illustrations of the role acoustic wave energy plays in DNA transformation and dimensional portals. If you've been reading this blog for a while you've noted how Rango touches on many themes. The messages being broadcast through Satan's devices about his plans are for most folk quite impossible to accept. They are pretty fantastic, yet, the redundancy and level of detail makes it hard to deny for those of us who are willing to challenge what we had long accepted as true.

This kind of challenge is a very difficult thing because misplaced trust is exposed, revealing any personal idols. If your security is upset, take it to the Lord until assurance is given of His faithful love and provision. Upsetting our sense of security that is based upon anything but the Lord is a good and necessary work, and what provokes such upset should be considered a gift of great value!

Let's consider why it is that the animated feature Rango's water dance ritual begins as the clock strikes Noon on Wednesday. This is important, and the large number of scenes where clocks are displayed suggests that we give this time element special consideration. When I say “important,” I must point you to 1 Thessalonians 5 to underscore just how consequential this matter of knowing the time really is. Superficial knowledge of dates is of itself not so important but the big deal is rather the whole it's packaged with. If you don't yet know it, you'll discover this involves personal character. Wednesday is the fourth day of the week, the fourth unit in sequence. If you haven't been paying much attention to the references on this blog to a "three things and then four" signaling this probably won't mean much to you, but Wednesday is a coded reference to the fourth “thing,” the fourth unit of time following the signal Yom Teruah in 1991!

In brief, with reference to what's documented in Beyond the Veil, the anchor point on the Lord's calendar that was marked by the celestial sign cryptically described in Genesis 49:10 is not my invention. The Lord's return in judgment is marked from that date, and those of us who understand what that means count the passing of the Shemittah or Sabbatical cycles from then. This kind of counting is how the Lord sets certain events on His schedule of appointments. For example, the accounting of a week involves a count of seven days. The Omer is the count of seven sevens of days from Pesach to Shavuot. Each Yobel or Jubilee involves a count of seven sevens (which are Shemittah sets) of years. We have, as of this past Yom Teruah, entered into the seventh year or Shabbat of the third Shemittah in the count from 1991. This present Shemittah can be thought of as a “Tuesday”, the third in sequence. In the fall of 2012, the third will pass and the fourth will begin, the one appointed to see the fulfillment of many things! I began to learn and have confidence in this as the Lord revealed it to me first from John 13, near the close of a season of dramatic watching on the Bride sign watch day in 2008. This revelation has been confirmed several times over the 2 ½ years since. This “Wednesday” week will include the events pictured in Rango's DNA-transformation-modeling water dance and ritual! Like Beans told Rango as he entered the tinkling heavenly chariot wagon, “Today's Wednesday, and Wednesday's when we all get to it!” Like the “high priest” Mayor John (the Baptist) says during the ritual, “It is the time of HYDRATION!” The 4th unit in the series is one that is eagerly anticipated! The implementation of the mark of the beast that is cryptically referenced as hydration is a very big deal!

Another Wednesday Noon (Pacific time) signal came within the last couple weeks when FEMA shut down communications networks for a few minutes on 11/9/11.

Update - 11/30/2011: See Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast for another Wednesday signal, one that's been around longer than Rango and that has been very influential.

So, why does the DNA hydration dance ritual begin at Noon? The reason is because Noon marks the middle of the day, so the events illustrated are presented as happening in the middle of the “Wednesday” Shemittah week.

According to the popular 27th verse of Daniel chapter 9, we see the hybrid beast as “the one who makes desolate” and his activity describing what I believe pertains to the mark of the beast. Consider when this action takes place.

And he will make a firm covenant with the many for one week, but in the middle of the week he will put a stop to sacrifice and grain offering; and on the wing of abominations will come one who makes desolate, even until a complete destruction, one that is decreed, is poured out on the one who makes desolate.
Daniel 9:27 -- NASB

If you immediately flashed to some version of a "midpoint of the trib dividing it into two equal halves" consideration, you might want to pause that. I'll explain why, shortly.

As declared in Revelation 13, a second beast, the one John saw rising out of the earth, will make an image of the first beast and causes all to be given a mark. The Beast is revealed at the 2 ½ year point, and some time later, in the midst of the week, the mark is instituted. A DNA transformation is an integral feature of the mark of the Beast. The implementation of the mark will necessarily follow some time after the Beast is revealed. Is this the water dance ritual and hydration ceremony at “Noon on Wednesday”?

By the way, the DNA transformation signaling line dance was performed to the cowboy song titled Cool Water. This song provides an appropriate backdrop for the scene. Superficially, it fits the theme of how important water is to the parched townsfolk. This ritual dance is part of a religious ritual that leads to the hydration ceremony, so consider the lyrics in that light.

"He's a devil, not a man, and he spreads the burning sand with water"

This applies to Mayor John who quite literally was responsible for “dumping water in the desert,” if we go with the interpretation Beans offered of the drainage she had observed. Because the antichrist beast and false prophet second beast appear as played by Rango and Mayor John, the description of those critters that act like men is apt. The beasts are devils, not really men.

"The nights are cool and I'm a fool, each star's a pool of water"

A pool of water is the thirsty singer's object of desire. A star is a metaphor meaning angel. Get it? In Revelation 13 John saw the beast rise out of the sea. Right.

After the trance dance ends, the Dirtonians march out of town past the cemetary to the site of the holy spigot. The hydration ceremony takes a while, like a church service. I consider that the folk would still be in the process of receiving hydration at that time. One hour after Noon is 13:00 hours on the 24 hour clock. The number thirteen is a signal for the rebel lord Beast. As this involves a time, this even links to the time of his revealing, on the thirteenth day of the first month. I have to think the implied hydration at 13:00 hours is part of the reason why the dance starts at Noon, but not the main reason.

Let's take another look at Daniel 9:27. The YLT renders the verse as follows.

And he hath strengthened a covenant with many -- one week, and [in] the midst of the week he causeth sacrifice and present to cease, and by the wing of abominations he is making desolate, even till the consummation, and that which is determined is poured on the desolate one.'
Daniel 9:27 -- Youngs Literal Translation

Most still interpret the timing of this passage as I had formerly been trained to do, dividing the seven year week into two equal halves and relating passages of prophetic scripture that involve spans of 3 ½ years, 1260 days or 42 months as either first or second half scenarios. The word translated “middle” or “midst” suggests but does not demand interpretation as an exact midpoint. When a student at the Lord's feet comes to realize how patterns revealed are consistent, exhibiting fractals, if you will, of templates that scale, he learns something about how great truths are communicated, concealed and revealed. No templates of this week divide at the exact midpoint, at the equivalent of the stroke of Noon on Wednesday. I'm aware of no historical event that might compare and match to what is prophesied in verse 27 occurring in the middle of millennial day four, around 3,500 years from Adam. The millennial week does however divide very significantly in the midst near to the transition between day four and five, attested to by even the Gregorian (Grigori - Watcher) calendar, as we pivot the epochs AD and BC. As we consider how the “first advent” coming of the Lord divided the millennial week and compare what is declared in the scriptures about the target Shemittah week there may come prophetic insight.

The Lord Y'shua's coming in the flesh as the son of Man and the son of God will be mimicked and counterfeited in the coming of the "lord Beast." The implementation of the mark (Rev. 13:16-18) transitions into a season where man is joined with the gods through the agency of the god-man, comparing to the new birth associated with the "Christian" church (New Testament saints) with the abiding of the holy spirit that Jesus had to depart to bring. (John 14, 17:21-23) The first beast has to depart before the second beast may institute the mark. I perceive a pattern match, how about you?

I'm convinced that the pattern of the millennial week is the pattern of the fourth Shemittah from 1991. The significant transitional events marking off biblical history are prophetic indicators. The sovereign Lord will reveal all things in advance, and we have every reason to expect that, as we approach key events, those who need to know will know what is necessary with full assurance.

I won't presume that the week of Daniel 9's firm or strengthened covenant is precisely concurrent with the Shemittah spanning from bookending Yom Teruahs. I suspect a fit, but, as for the exact relation, I cannot say with confidence at present. I'm not even going to suggest a calendar date for when the mark will begin to be caused to be received, but the season should be plain enough by now. My point here is fundamentally to identify the Wednesday Noon signaled in Rango with the biblical and historical timing of the mark. When Wednesday Noon is presented in connection with the beginning of the transformation activity, it fits the model. The folks responsible for Rango know things, as you may have noticed.

Saturday, November 12, 2011

Part 24 - Rango - Gone From Among!

In this post I'll address the last scene of the dream sequence I began to interpret in Part 22, which, like the others, supports the theme of the revealing of the lawless one pictured when Rango is flushed out of the storm drain as birthed into his new life.

The chameleon's nightmare in the drain pipe happened during the full moon, the very time of the month on the Lord's lunar calendar the biblical types point to for when the event Rango is dramatizing will occur. The first scene pictured the creeping devil bent over the smoky fire pit as the angel of the abyss (Revelation 9). The next scene pictured phallic cacti as the thorn and thistle heritage of Genesis 3's curse, being transformed into serpent tails that rattled as though the attached serpents buried in the desert were threatening, ready to strike. This last scene in the dream sequence presents a watery womb environment with some amazing testimony!

In this scene, represented by the three screen captures you see here, we recognize large scale versions of two of the prop/characters from his former terrarium world; the damsel, the headless female torso, and Mr. Timms, the wind-up plastic fish. There's a blue tint suggesting we're under water. The fish is swimming, and fish don't swim in air. The chameleon opens his mouth to speak and bubbles come out. The setting is now more like an aquarium, picturing a pre-birth in-the-womb environment, in the amniotic "water." The baby will need to breathe air now. Supporting this, we are shown an image of the flesh-colored fish where a snapshot resembles the belly of a pregnant woman with a distended navel. (middle image)

Notice how the chameleon is superimposed over the large naked motherly form in such a position that we identify him with her womb and birth canal, suggesting he is the child inside. Rango is gestating, as we hear him actually say in a following scene's NLP dialogue.

The damsel is gigantic and propped up like a ancient statue, missing parts as in the condition common to relics that have suffered the abuses of many centuries. She is a madonna figure, a mother goddess we might identify as Isis, Hera or Diana.

A storm suddenly comes up and Rango looks rather intense, revealing how labor has begun in earnest and the water is breaking.

On the superficial level of the simple movie plot, we may interpret this as the chameleon's waking realization of a storm in the desert that causes a flash flood. While we might view that drain pipe as a storm drain, that pipe really makes no sense at all when you consider where it's located in the desert. It further makes no sense with regard to why it would have filled with water before the storm broke. It does, however, make sense when we understand the prophetic reference and link the lightning pictured to Zeus, aka Satan. It makes sense when we consider the NLP style references scattered in the context. I'm going to present two passages that come to mind that connect several elements of the sequence but first I want to address what the fish says to Rango as he swims by.

"Where are your friends now, Amigo."

Rango is so richly endowed with meaning! I perceive several layers in this question. First, the fish says this in the voice of the sage armadillo, the character on a quest that is armored as a medieval knight. From that observation we may and should relate this to the holy grail quest, which cryptically references a seeking of the "left hand path" to attain enlightenment and gnosis through union with the gods. The holy grail is ultimately the eye of Horus activation that will have a literal expression through the unholy DNA transformation we know biblically as the mark of the beast. This is also what is referred to variously as the black stone, the emerald tablet, the philosopher's stone... For more insight into the grail quest, see Ravenscroft's The Spear of Destiny, or Wolfram von Eschenbach's Parcival, based upon the previous work of Chrétien de Troyes, Perceval, the Story of the Grail.

What I first understood about, “Where are your friends now, Amigo,” is something so few will grasp due to a failure to properly interpret a key passage of scripture.

7) For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way.
8) Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;
2 Thessalonians 2:7-8

What is translated as “taken out of the way” in verse 7 is more accurately rendered as “gone from among.” This passage was one the Lord dealt very particularly with me on, way back in the summer of 1991. I had struggled to learn what He was teaching me so rigorously in the early season of His instruction in such matters. The hard part was unlearning, letting go of error that had been well established in my mind. If you understand very precisely the context as I present it in The Sign for the Bride - Part 1 you will understand the question asked by the fish. The spiritual entity identified with the gestating lizard is now among friends. He will soon find himself separated from them, birthed out of the womb. "Where are your friends now, Amigo." They must be separated.

You see, at this time prior to when the lawless one is revealed, the demonic antichrist agency or agent is contained or detained in the company of other entities of like kind, among friends, so to speak. At the appointed time, the one who is ordained will be separated from the others. Then, being “gone from among,” which is also to be “standing away from,” or, apostasia, the supernatural agent will then be associated with a man as an anointing, creating a mashiach, messiah or christ figure. The words “christ” and “messiah” mean “anointing.” This will accompany a transformation of the anointed one's body and soul. It is the arrival of the beast and the revealing of the lawless one!

When you recognize the lightning visible in the storm that subsequently flushes the chameleon out of the drain as the power of Zeus coming from heaven to earth, when you recognize Zeus as Satan and his son as the antichrist counterfeit and substitute for the true Mashiach, when you recognize the watery scene as the baptism that reveals, you should realize the dynamic referenced by the declaration of the fish as a vivid witness to 2 Thessalonians 2:7! These Rango folks know things!

The agents responsible for embedding the Satanic device Rango with content draw through unholy spirit what their resources know first hand about these matters. The spirit of Antichrist provides revelation insight. The witness is before you in what the sovereign Lord is revealing about our adversary's dark craft.

The fish calling the chameleon Amigo reveals they are friends, because “amigo” means “friend.” This friend is one he is still with as not quite yet being “gone from among.” He is of the antichrist kind. Let's not miss the fact that he's a creature that is in the Greek language an ichthys, even an animated mechanical ichthys. ICHTHYS is a Greek word that means "fish" and a Greek acronym that signifies “Jesus, Christ, God's Son, Savior.” The chameleon's friend is a plastic cyborg messiah. This is identified to us as the kind, the category. This kind is what the Amigo is not yet gone from among.

I believe that the subtle use of the word Amigo is the reason why the armadillo character speaks Spanish. The Spanish Amigo suggests the not too dissimilar Hebrew Abaddon and Greek Apollyon, from Revelation 9 where the angel of the abyss is so identified. This connection was explicitly made in the first dream sequence where the creeping devil looked into the smoky fire pit, remember?

I also perceive this underwater scene with its ancient giant Isis and the Horus-kind as a reference to the flood of Noah's day, when they were purged from the face of the earth by water. This reference extends beyond that judgment that befell the earth on their account, reaching forward to a counter-flood event. The question of “Where are your friends now, Amigo,” is answered by knowing they are entombed and bound in the earth for yet a short while. They are soon to be released for a turnabout as agents appointed to execute judgment in the earth. They are bitter and bent on revenge, and do so passionately long for the arrival of this day!

OK, I'm finally going to present the two passages I mentioned that connect several elements of the sequence.

17) The seventy returned with joy, saying, “Lord, even the demons are subject to us in Your name.”
18) And He said to them, “I was watching Satan fall from heaven like lightning.
19) Behold, I have given you authority to tread on serpents and scorpions, and over all the power of the enemy, and nothing will injure you.
Luke 10:17-19

26) Wherefore if they shall say unto you, Behold, he is in the desert; go not forth: behold, he is in the secret chambers; believe it not.
27) For as the lightning cometh out of the east, and shineth even unto the west; so shall also the coming of the Son of man be.
28) For wheresoever the carcase is, there will the eagles be gathered together.
Matthew 24:26-28

Both passages refer to lightning. The dream sequence features a demon (creeping devil) and serpents (rattlesnake rattles). We behold the setting of the counterfeit messiah in the desert. A large bird of prey can be heard screeching while its shadow moves across the sand. Rango flees from it through the desert rattler-from-cacti landscape hoping nothing will injure him. He had witnessed his short-term companion Rock-Eye being seized by the bird, who must be assumed to be dead with any remains being a carcase. All these NLP dots connect and we should recognize the picture drawn.

What we learn from later scenes of the movie allows us to identify the bird of prey as Yahweh. That the lizard should be chased by the Yahweh bird out from among the rattler-cacti as the baptismal delivery of the baby begins is fitting indeed. The Lord has the power and ability as the restrainer, who will grant and yet even require release at just the proper moment - when this antichrist beast must be introduced into the world.

This post is getting lengthy, I know, but its worth making a few observations about the storm drain pipe before I close.

It is the womb and birth canal of Isis at the bringing forth of Horus. The first scene showing the chameleon in the pipe features the full moon, which is linked to female fertility and reproduction.

A relationship is demonstrated between the onset of menstruation, among women who have 29.5 + 1 day menstrual cycles, and the onset of full moon. Four separate prospectively gathered sets of data are presented from different years and seasons. It is demonstrated that these women tend to menstruate in the full of the moon with a diminishing likelihood of menses onset as distance from full moon increases.

That the most fertile reproductive cycle has the same length as the lunar cycle, i.e. 29.5 days, is an intriguing biological coincidence.

Excerpts from: Lunar Influences on the Reproductive Cycle in Women - Dr. Winnifred B. Cutler

The pipe is also the watery abyss, the bottomless pit.

And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.
Revelation 9:2

The Greek words for “bottomless pit” are “abyssos phrear.”

abyssos (Strongs G12)
1) bottomless
2) unbounded
3) the abyss
a) the pit
b) the immeasurable depth
c) of Orcus, a very deep gulf or chasm in the lowest parts of the earth used as the common receptacle of the dead and especially as the abode of demons
Thayers: "Hence, of 'the deep' sea"

phrear (Strongs G5421)
1) a well
2) the pit of the abyss (because the nether world is thought to increase in size the further it extends from the surface of the earth and so resemble a cistern, the orifice of which is narrow)

An open ended storm drain seems to me a pretty decent 3d representation of such a construct!

The pipe is graphically a black helical object embedded in the ground (black stone, black rock) that pictures the serpent's strand of DNA that will be grafted onto the native 2 of Adam-kind! Is this not the delivery system for the Beast! How many times do we need to have this illustrated before we take a hint? Do we get it yet?

The devil knows plenty about what is coming. Rango is strong evidence, if you can see it!

Friday, November 11, 2011

Status Update

There have been no posts for a while because I've been pretty distracted by the move from CA to PA. I had the pleasure of meeting with several dear brothers and sisters on my journey. Our Lord is exceeding kind and generous! I've now settled into a place with an address that testifies of "National 9-11 Judgment. Preparing for an upcoming series on Fringe, (Lord willing) I've also been preparing the next post on Rango.

Thanks so much for everyone's prayers and continued interest in how I'm doing.

Blessings in Y'shua!

Bob

Here's a TV commercial for a Fuji camera that appeared on a video I watched on YouTube. I see an alien face hidden within. Can you find it?

Fujifilm 30x zoom bungee jump commercial

Sunday, October 23, 2011

Part 23 - Rango - Cacti Transformed into Buried Serpents? More Surreal Dream Sequence and Bible Prophecy

The animated feature Rango is rich with symbolism referencing Bible prophecy. The surreal dream the chameleon had before being flushed out into the world of Dirt supports the theme of the revealing of the Lawless One and touches on some closely related themes. Assuming the previous post is fresh in your mind, let's get right into the next scene of the dream sequence. This one is really brilliant, evil genius stuff that features cacti transforming into snake rattles!

With big rattlesnake rattles sticking out of the desert sand we can infer that giant snakes are attached and making them rattle, buried out of sight in the desert sand.

The theme of a serpent kind buried in the earth should be very familiar to those of you who have been reading this blog for a while. Steve Quayle, Tom Horn and others have in recent years done much to popularize ancient prophecies about giant spawn of the Serpent being buried in the earth. I believe the bottomless pit referenced in Revelation 9 is related to this "serpent buried in the earth" situation. That very passage was pictured in the preceding dream scene with the Walking Cactus, after all. And, it's pictured in the drain pipe Rango's sheltering in while he dreams, which I hope to expand upon shortly.

The Serpent is very focused right now upon the prophesied end of the entombment of his agents because it's not far off. The sentence appointed for those of serpent-kind held responsible for the flood of Noah's day is for a full 70 generations of imprisonment.

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness.
12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished.
1 Enoch 10:11-12

When they are released, the Lord has ordained that they should be agents of judgment, to execute judgment upon the earth for a short season. The Serpent has eagerly anticipated this release for a very, very long time.

1) The vision which Esaias son of Amos saw against Babylon.
2) Lift up a standard on the mountain of the plain, exalt the voice to them, beckon with the hand, open the gates, ye rulers.
3) I give command, and I bring them: giants are coming to fulfil my wrath, rejoicing at the same time and insulting.
4) A voice of many nations on the mountains, even like to that of many nations; a voice of kings and nations gathered together: the Lord of hosts has given command to a war-like nation,
5) to come from a land afar off, from the utmost foundation of heaven; the Lord and his warriors are coming to destroy all the world.
Isaiah 13:1-5 (LXX - Brenton)

9) The spirits of the giants shall be like clouds, which shall oppress, corrupt, fall, contend, and bruise upon earth.
10) They shall cause lamentation. No food shall they eat; and they shall be thirsty; they shall be concealed, and shall not rise up against the sons of men, and against women; for they come forth during the days of slaughter and destruction.
Enoch 15:9-10

Rango is not alone in bringing forth an esoteric witness into the public domain. This is showcased in the lobby of the Bank of America Corporate Center in Charlotte, NC. This mural painted by Benjamin Long pictures a sleeping giant encased in the earth and a global celebratory excavation site. You can read more about it in this post titled Caves and their Secret as Attested to by the Bank of America (part 1 of 2).

The theme of celebrating the coming release of those bound within the earth is presented with almost incredible boldness at the UN in NYC. This enormous mural occupies the central position in the Security Council Chamber. At lower left, you'll see a man like the one at lower left in the Bank of America panel, pulling. The effort is to assist those coming out of the dark pit!



You can read more about that here: The Secret of the Caves as Attested to by the UN You can click here to see an even larger image.

The devil must bear witness to his plan. Praise the Lord for exposing it to those of us who need to know in this hour!

What Rango's presentation adds concerns the transformation involved. Once I grasped the image of the buried Nephilim I looked again at the peculiar cacti they had been prior to being transformed into the rattles. They didn't have the kind of bent arms typical of the popular Saguaro. These cacti had appendages that looked phallic! They resemble Hermai!

The cactus represent the ancient phallic gods, like Horus, Hermes and Pan. Many have come to believe these names passed down through the ages are more than mere fanciful fictional inventions. I have become quite convinced, myself. The offspring produced by the fallen angels like those 200 Watchers who fathered them were gods of legend. These were responsible for the flood, and these are entombed in the earth awaiting release.

This signification becomes all the more apparent when you consider how a cactus has a fleshy body covered with prickly spines. The cactus is in the category of vegetation with thorns and thistles, a category that symbolically represents the serpent's tree or heritage people. If this doesn't click for you, I recommend visiting this study titled Who is Cain's Father? Part Two - Thorns, Thistles and Tares - Destined for Fire, where that link will take you to the target location on the page.

So, a cactus with erect phallus is transformed into a serpent that is buried in the desert sand. The "cacti" were buried there due in no small part to their sexual impropriety, right? This is what is pictured in Rango's dream, in the season of his own release as he's about to be birthed as the Rango reincarnation of Horus!

I don't want to get far off track but it's worth mentioning that the rose and cactus flowers are related symbols. Have you ever seen a rose bush that didn't have sharp thorns? The "Rose-Cross" Rosicrucians didn't choose the rose emblem just because it's pretty and it smells good. The secret of the rose is that it comes from a thorn bush. When you find reference to secrets and covert ops as being sub rosa, think about what is literally sub rosa, under the rose. Thorns are under the rose! This is the sub-rosa secret! It's an implied reference to the presence and operation of the thorn and thistle of the curse of Genesis 3:18. Think about why the character in The Omen who plays the Antichrist is named Damien Thorn. Think about why the woman who gives birth to the Antichrist is named Rosemary in Polanski's infamous "Rosemary's Baby." A woman named Mary gave birth to the true Christ. ROSEmary birthed the Antichrist. Thorns are sub rosa - under the rose!

The reproductive imagery of the cacti is pretty obvious, with each one appearing as Hermai with at least one erect phallus. The rattlesnake rattles are actually assigned the same meaning later in the movie because the giant rattles of Rattlesnake Jake are a Gatling gun. Gun is slang for the male package. As I already mentioned in this series, Jake is without contest the big serpent stud with the big gun firing the most serpent-seed bullets. It should be noted that this imagery adds a layer of transformative sex magick to the context of the dream sequence that is the bringing forth of the Beast and of those who will be released from their bonds in the earth. The rattles stick up out of the sand like the famed obelisks of Egypt. The obelisk represents the phallus of Osiris - which is all about transformative sex magick and bringing back the phallic god worshiped!

If you can find and watch a video clip of this cactus-to-rattle scene, listen to the audio that starts the cacti to shaking and the rattles to rattling. You'll hear a vocal that reminds me of Leona Lewis' segue to "Whole Lotta Love" in Beijing closing out the '08 Olympics. Leona was ascending up during that performance, lifted with a helical DNA structure. Her vocal represented the Siren song. The Sirens' irresistible songs brought mortals to their imminent death. That signaled the audio triggering of the death bringing DNA transformation of the mark of the Beast. The female vocals in Rango's dream that make the male cactus shake and transform into serpents, likewise, I believe. I say this without yet offering much support, but that, Lord willing, is coming soon!

Saturday, October 22, 2011

Part 22 - Rango - The Surreal Dream Sequence and Bible Prophecy

In the last few posts I've been showing how the animated feature Rango presents certain pivotal events and dynamics featured in Bible prophecy. What I have come to call the sign for the Bride involves the revealing of the lawless one, and this hugely important event is pictured as Rango is flushed out of a drain pipe into the desert, thrust into a world very different than the one he had known.

Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming;
2 Thessalonians 2:8

Leading up to the scene of Horus-Rango's entrance by birth and baptism, some background and transitional scenes set the context for us, including a night he spent in a drain pipe. This is where he experiences a bizarre nightmarish dream sequence. In this post we'll give consideration to the elements of that sequence as illustrating Bible prophecy. The sovereign Lord has revealed what is coming. The enemy must also spill the beans, and so he does!


The first screenshot shows when Rango has just climbed inside a drain pipe to shelter for the night. Assuming, as we must, that nothing we see is random or unintentional, the full moon pictured allows us to peg when this is happening on the Lord's calendar, a lunar calendar. The moon looks full for a few days a month. This time of the month pictured is when the Bible declares the lawless one will be revealed, at the full moon!

18) “Come, let us drink our fill of love until morning; Let us delight ourselves with caresses.
19) “For my husband is not at home, He has gone on a long journey;
20) He has taken a bag of money with him, At the full moon he will come home.”
Proverbs 7:18-20

The woman is a prophecy featuring the harlot mystery Babylon the Great. Her husband is the Antichrist Beast. At the full moon he will come home, comparing to the anticipated return of Quetzalcoatl and the reincarnation/regeneration/resurrection of Osiris.

Technically, the moon is considered full on the 13th or 14th day of a month, as the days are numbered by biblical reckoning. (See Blood Red Moons and the One Who Left with a Bag of Money) The day of the month the lawless one will be revealed is declared in several biblical types to be the 13th.

So, having taken shelter inside the pipe, Rango falls asleep. He dreams, and the first sequence we see is the nightmarish scene sampled in this pair of screenshots. A shadowy figure is bent over a smoky fire. The "camera" zooms in and we see it has a face lit from the inside like the fires of hell burning inside a jack o'lantern - a creepy and scary demonic looking figure. What does this mean?

Why aren't we shown anything burning, like wood in a campfire? Whatever might be burning is carefully clipped out of the frame. Is the smoke and flame coming out of a pit? If the movie is just superficial entertainment and the symbols meaningless, we can dismiss this with everything else. However, the consistency of the symbolism throughout Rango simply demands interpretation, and the context has been well established! This scene is what we may read about in Revelation chapter 9. The smoky fire is that of the bottomless pit and the shadowy figure is the fallen star-angel given its key.

1) Then the fifth angel sounded, and I saw a star from heaven which had fallen to the earth; and the key of the bottomless pit was given to him.
2) He opened the bottomless pit, and smoke went up out of the pit, like the smoke of a great furnace; and the sun and the air were darkened by the smoke of the pit.
3) Then out of the smoke came locusts upon the earth, and power was given them, as the scorpions of the earth have power.
4) They were told not to hurt the grass of the earth, nor any green thing, nor any tree, but only the men who do not have the seal of God on their foreheads.
...
9) They had breastplates like breastplates of iron; and the sound of their wings was like the sound of chariots, of many horses rushing to battle.
...
11) They have as king over them, the angel of the abyss; his name in Hebrew is Abaddon, and in the Greek he has the name Apollyon.
Revelation 9:1-4, 9:9, 9:11

If you can watch on DVD or find a clip online, listen very closely to the soundtrack here. You may agree that the Rango sound effects crew really nailed verse 9's description of the sound! Watch and consider what looks at first like sparks or glowing ash ascending from the fire. Locusts? I believe the appearance of the fallen star-angel is alluding to (NLP association) verse 4's references to vegetation.

Later in the movie, some help identifying the shadowy figure is offered in a scene where the creepy creature's kind is referenced. We hear the following line while Beans and Rango are pictured together with a Walking Cactus that looks very much like the one in the dream. This immediately follows a campfire scene, which seems to link it to the dream sequence's fire and creature scene.

Beans: "That's a Spanish Dagger. But around here we just call them the Walking Cactus […] there's an old legend they actually walk across the desert to find water."

Her description only offers yet another puzzle for most who bother to research the matter because, while the Spanish Dagger and the Walking Cactus are both real plants, they are not the same plant. Those pictured in Rango resemble the Spanish Dagger, a variety of yucca that is not found in the southwest. These are native to the coastal sand dunes of the southeast, ranging from southern North Carolina to northern Florida. There is a plant called the Walking Cactus that is found in some deserts of the western US. You'll find it in settings similar to Rango's Mojave on California's Baja peninsula, and around Chandler, Arizona and Phoenix, Arizona. Excerpting a doc I found online titled Is There Really A "Walking Cactus"? - "The "walking cactus" (Stenocereus eruca) is a truly unusual form of cacti. It lives on the Baja peninsula, and is also known as the "creeping devil." Well, there's a connection. By being told by Beans that these are called the Walking Cactus, the creepy devil is actually identified as a "creeping devil." It's indirect, but unmistakable. Let's take the hint. The creature is a devil!

Still, a question begs to be asked. Why not just simply present the Walking Cactus? Why picture a non-native Spanish Dagger and tell us it's a Walking Cactus? I believe the answer lies in a feature that the pictured yucca and the referenced cactus have in common. One end of the plant lives while, at the same time, the other end dies off. This is what causes the one to creep slowly across the desert floor and what sometimes gives the other the appearance of having a head distinct from the body. This highlights regeneration, the resurrection theme. I believe this suggests the reanimation of the Rephaim, the dead ones, the release and reanimation of the Nephilim and the bringing forth of Horus, who was, is not and yet will be.

Supporting this interpretation, later in the movie these Walking Cactus are given an instrumental role in Rango's bringing water to Dirt. At the end of the movie, a destruction/creation scene occurs that should be familiar to those of you who have done due diligence by investigating the Hindu idol featured at CERN's LHC installation. What Rango pictures when the water is delivered to town illustrates a version of Shiva as the Nataraja doing the tandava, the cosmic dance. The flood destroys the town but renews it at the same time. This is a counter-flood answering to the one of Noah's day, and one of a number of independent models I've noted in recent years. This is something I first began to bear witness about while documenting what the Lord was opening to me relative to the Beijing Olympics signs. Folks, it's coming.

The identification by way of the Walking Cactus reference of the dream sequence's feature creature as a devil is even further supported by the scary jack o'lantern look it's given. Research that and the related Will-o'-the-wisp.

More to follow, Lord willing!

Friday, October 21, 2011

National 9-11 Judgment

I'm moving from California to Pennsylvania next week. Having lived in CA since August of 1983, this is a significant event.

My friend Aaron helped me find and secure my new apartment, in Pittsburgh. When I learned what the address would be, I considered the interpretation based upon the symbolism present. It means National 9-11 Judgment. This is brought forth by considering all three numbers, which is underscored by the street name.

The first of the three numbers is 100. One way to look at numbers with zeros is that the number of zeros indicates the scope of the reference. The biblical feeding of the 5000 is a global scale prophecy. Just a single digit, one, suggests personal. Ten, local. One hundred, national. One thousand, global. The second number is the apartment unit, which sums to 9. The third number is the zip code, which sums to 11. National 9-11.

What comes to mind is what has been drilled into our heads for over ten years, the WTC/Pentagon event from 9-11 in 2001. The number is also the US emergency number, for this nation.

The street name where my apartment is located suggests a mountain, which in biblical type means kingdom. The street is a court. Kingdom Court, a place where cases are tried and legal judgments made.

I receive this as a testimony that, as I am moving to this location, America is moving into the season where the judgment prophesied will be manifest. What we have already experienced will pale in comparison. According to what the Lord revealed to me about Daniel 8, America will engage Iran after the manner of Iraq. Following the military "victory" and subsequent boasting, America's status as a superpower will quickly pass away. America is as a ship that is being scuttled, with all her precious cargo being rapidly and now nearly completely offloaded.

Take a look around you next time you leave the house. Count the surveillance cameras you can spot, on the road and in the store or business. How far can you get from your house without your presence at that place and time being recorded?

Like a net being made one knot at a time, a snare is being laid that will eventually enclose every one of us. This will enable those responsible for the net full control over everyone caught in it. Under the pretext of peace and safety, the "knots are tied" in plain sight. Mind control is practiced to reduce opposition to a minimum, even creating snitches who are eager to help their captors. Hitler would be LOL and ROFL at seeing his dreams fulfilled.

Tennessee Becomes First State To Fight Terrorism Statewide (Nashville, TN - newschannel5 - 10/18/11)

TSA Takeover Of America – Army Of TSA Agents Conduct Random Searches Throughout Tennessee (The Intel Hub - 10/20/2011)

PSY OPS Hidden in TV News (alternativenewsreport.net)

Facebook Building 'Shadow Profiles' of Non-Members, Experts Allege (Fox News 20/21/2011)

[video] FACEBOOK experiments with RFID chips

[video] WikiLeaks' Julian Assange: Facebook is CIA spying machine RT News Network interview - the social networking segment begins @1:55

[video] Facebook is run by CIA !!! (Hilarious send-up produced by The Onion - but how much is based in fact?)

[video] Putting the FUN into RFID from Facebook and Coca-Cola

[video] PERSON OF INTERST - movie intro

Friday, October 14, 2011

Part 21 - Rango - Time Travel, a Transdimensional Vehicle and DNA Portal

Continuing from the previous post and continuing to focus on the scene where the chameleon has his first interaction with Beans, there's a fascinating and essential element of the Beast revelation scenario featured in the scene; the UFO craft. I write about this regularly so I'm not going to explain much here. See Heaven's Vehicles and
Olympic Ceremony Symbolism - Part Three (about half-way down) for some of what I've written.

At the scene of the counterfeit baptism, transdimensional travel will play a role and a fit vehicle will be present. It seems likely that the lawless one, after being publicly anointed with authority, will enter into a throne vehicle to make his departure. This was modeled during the Beijing Olympics in the London Ceremony in 2008 and it is modeled again in Rango.

The Lawless One will have convincing evidence backing his claim of being "alien," of having entered our time-space domain by extension from another. This explains why Beans tells Rango: "You ain't from around here, are you?" It explains why she says, "Now, it's a puzzle of undeterminable size and dimension." Undeterminable dimension? Right. Would that be a fourth, or higher, perhaps? More NLP. Note the allusion to space and time with "size" and "now." Puzzle solved?

Give some thought to why it is that, when the episode of tonic immobility passes, Beans blurts out, "And until the people of Andromeda Five return him safe and sound, I will not sell my ranch!" Now, the only way to interpret that is as a reference to alien abduction! This directly imports into the mind the imagery of aliens coming and going, taking people away in UFO craft. This is what we are shown when Rango is taken away in the wagon, which illustrates just such a craft!

It should become pretty obvious from the multitude of clues provided that the wagon Beans uses to chauffeur Rango signifies a heavenly chariot.

Do the 144k and the Beast ride off together in biblical type? If so, I haven't noted it, but I believe they do separately, in different ways to different places for different purposes. That the 144k do get heavenly transport is a subject I wrote about in one of the studies in Beyond the Veil. I'll excerpt that here to introduce the biblical Hebrew word "agalah."

"These Egyptian carts are awesome! They are what convinced Jacob of his son's testimony about Joseph! The word used here for 'carts' is Strongs # 5699. 'agalah, ag-aw-law'; from the same as H5696; something revolving, i.e. a wheeled vehicle:--cart, chariot, wagon. The Egyptian carts will transport the families of the 144k to heaven, so this is not a convoy of Hummers, hay wagons or U-Haul trailers. Have you ever read about Ezekiel's vision of the throne with the wheeled vehicle under it? That's apparently Joseph's Egyptian chariot!"
Joseph and Benjamin - Part II

The wagon Rango rides away in is just such an "agalah" transport, used for interdimensional travel.

Consider the image here of the wagon's departure. See how the shadows of the wheels appear centrally under the wagon, hinting at some vertical propulsion mechanism. The shadow wheels extend from the wheels that cast the shadows across to the other wheels - exactly, touching precisely, as intersecting!

This was the appearance and structure of the wheels: They sparkled like chrysolite, and all four looked alike. Each appeared to be made like a wheel intersecting a wheel.
Ezekiel 1:16


Rango's departure in the wagon is transport in a heavenly throne vehicle signifying his ascension to and in a heavenly throne. The genuine described in Ezekiel equates to the unearthly Temple's Most Holy Place wherein is found the ark of the covenant, with winged creatures on top. It's with respect to the Holy of Holies that we find what is to me perhaps the most intriguing symbolism in view! It involves the use of sound to facilitate dimensional travel.

The only person permitted access to the Most Holy Place was the High Priest of Israel, and that, only on one day of the year. Other requirements had to be met too, or even then he would die in the attempt. The requirement that relates most particularly to his accessing the Most Holy Place and thereby entering into the presence of Yahweh without dying is the tinkling sound made by the bells and pomegranates on the hem of his garment.

33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around:
34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe.
35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.
Exodus 28:33-35


If you can watch this scene, listen to the noise the bottles make when the wagon moves. They tinkle like little bells! I have been pondering for some time what it means that this is a wagon filled with bottles, and now I know! There are two reasons that have been revealed to me. One is that the tinkling sound is required to facilitate transdimensional access to the heavenly realm and abode of the gods! This compares to the High Priest's access to the Most Holy Place and the golden bells and pomegranates he wore, when "its tinkling shall be heard ... so that he will not die."

This explains why Beans asks Rango the following "composite question" after climbing into the wagon. "So, are you gonna die out here or do you want a ride into town?"

The mariachi owls attest to this interpretation as they prophesy his certain demise in the narrative presented during the voyage. With evil genius, they reference the Sirens of ancient Greece. By this means they link this situation with what is more than mere fictional mythology when mortals died while interacting with the gods! Hint. HINT! These were the beings who lured passing mariners with their irresistible songs. The enchanted sailors drew near to hear them and subsequently drowned in the sea as their ships broke up on the rocks. Yeah, more embedded NLP. But Rango does not die. He is the right man at the right time, and the tinkling sound facilitates his journey so that, like the High Priest, he does not die!

Dimensional travel may involve movement from one point in space to another but it also involves time. Beans makes cryptic reference to time travel once Rango has climbed into the wagon, with bottles tinkling. "Today's Wednesday," she says. "And Wednesday's when we all get to it." "Today's Wednesday"? Time. "Get to it." Travel. So, time travel. Cryptic. NLP. Get it?

Even the superficial level of the plot supports the transdimensional travel theme because, with that declaration, Beans is referring to the weekly ritual water ceremony. If you remember from an earlier post in this series, that pictures the DNA transformation portal where one joins with the gods and becomes divine! The DNA transformation equates to regeneration that is akin to resurrection. The version in view is a counterfeit, temporary and corrupt, of course, but nonetheless real.

Now, the other reason why the agalah wagon is filled with bottles is to illustrate the resurrection principle. We can assume the empty bottles on the wagon were intended to be filled with water, like the many other empties we see throughout the movie. We know one of them (a Mason jar) contained ashes. Beans said they were her daddy's. Even though she appeared to correct our inference that they were what remained after cremation, it's obvious the correction was for misdirection. So, we have jars with a person's ashes and jars intended to be filled with water. These are the elements of a biblical purification ritual that is a resurrection type!

For the unclean person, put some ashes from the burned purification offering into a jar and pour fresh water over them.
Numbers 19:17


The ashes represent the dead body (actually messianic). The fresh water represents life. Adding water to the ashes in a jar is a reconstitution, symbolically transformative, a resurrection! This was presented in an appendix of Beyond the Veil titled Resurrection on the Third Day. This link will open the study about 3/4 the way down the page to a section titled, The Purification Ritual. As I've been saying, the key to being able to recognize dramatic modeling is familiarity with what's being modeled.

Some of you may have already been granted insight into how death and resurrection relates to time travel, which has to help grasping the whole "jars on the wagon" bit. This is deep stuff. If you've heard the euphemism "gone on ahead" used when saints die, well, it's really wonderfully expressive! I'm not going into detail here, but when the body is dead there is a spiritual perspective and a physical. With no burden of the body, physical mass is not involved with who and what you are. Without mass, you exit the time/gravity/3-space realm and constraints. "You" don't pass "Go", you don't collect $200 but you do arrive at your appointed and earned resurrection, which is back on the "linear" time line after your point of departure. If that doesn't make sense, please don't ask me to explain. Ask the Lord, OK? I don't know much, but I do know stuff.

So then, the Rango imagery mimics the biblical symbol that is the purification ritual, and you should understand that even the mimicry of a symbol is powerfully effectual in preparing for the targeted season. Folks are prepped in advance. They will buy in!

Is the devil familiar with this? Does he understand the details of the law given through Moses and officiated by the Levitical priesthood? Is he clever enough to embed layers of relevant symbolism in animated features? I think, yes. Are you able to perceive how Rango is a tool that prepares folks for when the events pictured happen? Those who watch movies and see ads and logos and hear music and speeches are programmed to respond in certain ways. When the Lawless one is revealed, few will be able to resist his will. Few indeed.

When we hear Beans say the word "sound" in her emotional alien abduction reference ("And until the people of Andromeda Five return him safe and sound..."), what is achieved through subliminal means (which is becoming more popularly referred to as "perception without awareness") is that "sound" and the activity involved in the alien abduction are linked in our minds. These are common elements in a theme that keeps repeating in my studies.

Time is a factor in sound. Sound travels at a particular speed through a medium, and speed is expressed as distance traveled over time, for example in miles per hour. Sound is also vibration with a property called frequency, which is related to pitch. Frequency may be expressed in a scale of measurement called hertz (Hz). The note referred to as middle C is 261.63 Hz. Brilliance, which is the sounds of bells and the ringing of cymbals is in the 10th octave range, spanning from 16384 to 32768 Hz. Sound effects things by transferring energy to them, most effectively when there is resonance involved. Think: tuning fork. This is in play when frequencies are in common between the physical or chemical structures acted upon and the sound imparting its energy.

I believe the wagon wheels themselves witness to the time element. They are 12 spoke wheels like the hours marked off on an analog clock face, or perhaps on a sun dial. As you may recall from earlier in the series, these wagon wheels are also sun wheel symbols, the sign of Horus.

There's another set of time references that actually includes the location of a very relevant Bible verse! When Rango responds to Beans' questioning about his role and what he's involved in, he prefaces his literal song and dance routine with the following.

Rango: Oh! Well, I...I...I'm glad you asked. I've got two one acts, a mystery and a musical I've been gestating. I've got the words. I'm just kinda workin' on the melody right now. It's like a... [humming a tune] This is - I think it's gonna be a western.

Two one acts? How about we follow the NLP tip-off and take a look at the book of Acts? Two one Acts - chapter two verse one.

And when the day of Pentecost was fully come, they were all with one accord in one place.
Acts 2:1


This features an explicit time-space reference. Time references found: "when...fully come" and "day." Spatial reference found: "all...in one place." Do you see it? This verse is particularly relevant because the season of the lawless one's revealing and interaction with the Bride and 144k will come at Pesah, which is directly related to Pentecost by 50 days. The 50 day time span between them is the primary feature of that holy day of sparse description also known as Shavuot! It is the period of the Counting of the Omer, a daily countdown: Frequency, one count per day.

The Omer is actually a count of 49, which in the context I relate as a fractal to 490 and 4900. It relates to the Yobel, the Jubilee and legal provisions for debt and forgiveness. This ties in to the 70 generations (70x70=4900) prophesied by Enoch relative to a particular dimensional constraint, but I'll leave that to your study.

Do you see how the diabolically clever phrase "two one acts" taps the hidden theme of dimensions, time and space! But wait, there's more! One of the meanings of "two one" or the number 21 is, time. I know. Over the top!

Yesterday, I was going to include most of what you're reading here with yesterday's post, but I divided it up. As I posted Part 20 it occurred to me that I was now going to be publishing content featuring the subject of time in the 21st post. This happened before, just over a year ago. See Part 21 - Rochester, NY - The Clock of Nations and World Domination. That 21-time connection was so obviously directed by the Lord as it came in connection with #22 and the two signs involving the associated bell study. The Lord has been working with me on the subject of time and matters of timing for many years, and He's still at work! Praise the Lord! It's a big deal!

So, returning to the Acts 2:1 reference. Shavuot in Acts 2 is famously a holy day where there was a supernatural sign marking out a particular people. Few realize it, but this event took place at the Temple in Jerusalem, where folks had gathered for the Feast and congregated at that very hour. David Flynn has presented evidence that the Temple is a center of time in his book, Temple at the Center of Time.

This location will be the center of supernatural activity when the scene pictured in Rango happens!

4) who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God.
...
9) that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders
2 Thessalonians 2:4,9


After Rango says, "I've got two one acts," he continues the list. He adds, "a mystery," suggesting the scene is a mystery to be solved. He then adds, "a musical." A musical is a theatrical production that has an emphasis on music and singing, which are sounds, frequencies! Rango adds, "I'm just kinda workin' on the melody right now." A melody is a combination of pitch and rhythm, involving the actual musical portion of a "musical" production, with the time factor involved in both pitch and rhythm. He then hums a tune, providing a demonstration lacking a language component. The words, of course, are not the immediate subject of attention. He says, "...it's gonna be a western." With that, Rango gives yet one more time (it's gonna be) and space (Western) reference.

Beans uses the word "puzzle" and Rango, "mystery." If we haven't solved it yet, to borrow a phrase from Wheel of Fortune, it's time to buy a vowel. The revealing of the lawless one with come with an opened dimensional portal. A man familiar but now changed will appear on the scene in a baptism with supernatural power near where similar things happened earlier in history. He will present convincing evidence of an otherworldly origin and authority. He will depart this realm by ascending in a throne vehicle.

Rango's version left in a cloud of dust with the tinkling peccary (swine) powered wagon's wheels stirring up the desert floor. Y'shua ascended from the Mount of Olives and a cloud received him out of sight.

9) And after He had said these things, He was lifted up while they were looking on, and a cloud received Him out of their sight.
10) And as they were gazing intently into the sky while He was going, behold, two men in white clothing stood beside them.
11) They also said, “Men of Galilee, why do you stand looking into the sky? This Jesus, who has been taken up from you into heaven, will come in just the same way as you have watched Him go into heaven.”
Acts 1:9-11


That return is not far off! Hallelujah!

Next post up, Lord willing, I'll interpret the meaning of the dream sequence that marked Rango's night in the drain pipe.

Thursday, October 13, 2011

Part 20 - Rango - NLP, and Modeling Scenes From Zechariah 11 and Revelation 12

The animated feature Rango presents us with a preview of the coming revealing of the antichrist Beast, from the dragon's perspective. A key dynamic is in view, where the Beast's true identity is carefully concealed but, known already by some, the secret is revealed to certain others. I pick up here from the last post, presenting another round of insight into how the Devil, through Rango, continues to spill the beans about his schemes. There are some other further categories of insight to be introduced, Lord willing, but not just yet.

I've had no success publishing video of this clip myself but I did find this segment. [video] Rango clip (Request: If you're able to publish the part from where Rango is inside the broken bottle just before he climbs into the drain pipe, to the point where this clip begins, with some overlap, please do so and let me know so I can present it here.)



Some scriptural passages that should be familiar to students of eschatology are subtly enacted in the scene where Rango is flushed out of the drain pipe and has an engagement with Beans.

Beans: "I got a bead on you, stranger. So you get up real slow, 'less'n you want to spend the better part of the afternoon puttin' your face back together"

This is when we see Rango stand up on dry sand where he had been kneeling in a muddy pool (like John saw in Revelation 13:1, the beast rising out of the sea). So, let's take a lesson (or, 'less'n). Among the many epithets for the Beast not mentioned by Rango is the "worthless shepherd."


Woe to the worthless shepherd who leaves the flock! A sword will be on his arm and on his right eye! His arm will be totally withered and his right eye will be blind.

Zechariah 11:17

In the NLP (neuro-linguistic programming) style of rather loose connectivity patterning we see utilized throughout Rango, Beans' use of the expression, "puttin' your face back together" is a hint, supported by other hints peppering the context.

If you are right handed, like most people, you shoulder a shotgun on the right and look down the sight to aim at your target with your right eye. Beans is not. Why? Is she just left-handed, or, is something wrong with her right eye?

I've already pointed out a reference to this same 11th chapter of Zechariah in an earlier post, where Beans says to the Mayor, "You keep your blood money and I'll keep my land!" Reference is made to verse 13, where the thirty shekels of silver Judas earned for betraying the only begotten son of God was prophesied. The devil knows his Bible, or at least a version of what has been prophesied, and so, those minions given charge over crafting such Illuminati tools as Rango bring forth accordingly.

You might think I'm confused, because, isn't it Rango and not Beans who would have to have the right eye problem? Of course, it would be more correct, but "correct" isn't really necessary in the NLP style. Logic is unnecessary when what is perceived bypasses conscious filtering.

That does suggest a kind of role reversal, so let's consider how this calls Revelation 12 to mind. A messianic son is born in a scenario where another awaits that threatens to destroy him. In Revelation 12, the son is the true Messiah, born to Israel, and the dragon awaits. In Rango, we see the counterfeit Messiah (actually born to the Dragon), and Beans-Israel awaits, threatening.


1) A great sign appeared in heaven: a woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars;
2) and she was with child; and she cried out, being in labor and in pain to give birth.
3) Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems.
4) And his tail swept away a third of the stars of heaven and threw them to the earth. And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child.
5) And she gave birth to a son, a male child, who is to rule all the nations with a rod of iron; and her child was caught up to God and to His throne.
6) Then the woman fled into the wilderness where she had a place prepared by God, so that there she would be nourished for one thousand two hundred and sixty days.
...
14) so that she could fly into the wilderness to her place... from the presence of the serpent. 15) And the serpent poured water like a river out of his mouth

Revelation 12:1-6,14-15

Like I wrote above, in Revelation 12, the son is the true Messiah, born to Israel, and the dragon awaits. In Rango, we see the emergence of the counterfeit Messiah with Beans-Israel awaits, threatening.

When you're familiar with Revelation 12 it is pretty obvious reverence is being made to this passage of scripture, especially considering Beans' observations: "Our town is dried up. We're in the middle of a drought. Now someone's dumpin' water in the desert." The wilderness where one receives supernatural provision is not a place where there is natural provision, like in a town that is dried up, in the middle of a drought. Draught, famine - classic "tribulation season" language.

Here's another observation about dumping water in the desert. This is a parable of what the dragon will do. Instead of the pure water of the Word, what is dumped is through the mouth of the Lawless One and his deadly lies, as from the storm drain from the region of Las Vegas. The lies spewed fall upon the ears of those who are parched, who have no truth, a desert.

In the prophesied scene where the 144k confront the Lawless One, the Bride will play a key role. Where is the Bride in Rango's version? Hey, is that double barrel shotgun loaded? The Bride is the dangerous threatening agent, composed of both Jew and Gentile in one body. The Bride threatens the Beast at his revealing because she is the witness equipped to blow his cover that will not be silenced!

Next up, Lord willing, a big post highlighting the UFO alien connection!