Israeli scientist, Saul Kullok, discovers significant evidence of the end coming in 2019!

Here's some breaking news that is incredibly significant and timely - the announcement of an Israeli scientist's discovery that points to 2019 as a major prophetic transition! There are several compelling reasons why we consider this as another indication of the pending reset of time in 2019.

My information is based on an article by Adam Eliyahu Berkowitz, published today on the website of Breaking Israel News: Israeli Scientist Finds Mathematical Formula that Proves Prophecy (quotes below are from that article)

Saul Kullok's space-time correlating methodology compares somewhat to that of the late David Flynn, researcher of Sir Isaac Newton's earlier explorations of the subject matter. This was observed by SkyWatchTV in an article published earlier today. Over the years, based upon Flynn's findings, we made some significant discoveries of our own! We'll be sharing these and providing some links for documentation.

Saul Kullok has not yet published his work, officially, but what he tells the reporter seems credible, based on our familiarity with the application of related principles. Certainly, his conclusion that the year 2019 is a notable end point agrees with our observations. At least, when we identify the year 2019 as the pivot of the reset of time and subsequent to that as the final year of shemitah #861!

"Kullok discovered that major events affecting the return of the Jewish people to the Land of Israel can be numerically obtained by a mathematical relation between two observable physical factors: the inclination of the planet and the latitude of the Biblical borders in Israel."

Kullok expresses his formula like this: “The inclination of the planet on the year of the immigration plus the constant angular value equals the latitude of a border of Israel.” It's a time-space thing, embedded in and maintained by the sovereign Creator. David Flynn's observations on "The Temple at the Center of Time" correlated the year of an event (BC and in a comparable way, AD) to the distance between where the event happened and the location of the Ark and foundation stone in the former temple on Mt Zion.

The first example Saul provided during the interview involves our current focus, fixation, really, on the matter of Israel's entrance into the promised land!

"Kullok gave several examples of the accuracy of the algorithm, the first being the entrance of the Jews into Israel after the Exodus from Egypt. Based on sources in the Bible and the Talmud, Kullok placed the Exodus from Egypt at 1,476 BCE. “This means that the Children of Israel came into the Land of Israel in 1,436 BCE, which according to my formula correlates with the latitude of Jericho, their entry point into the land,” Kullok said."

Kullok's approach leads him to consistent and accurate results, and if this applies to history past it invites projection into history future.

"But Kullok’s formula is not limited to the past. The latitude of the southernmost point of the Arnon River corresponds to next year. “The results show the year before an aliyah (immigration to Israel, literally ‘ascending),” Kullok said. “This means that in two years, there will be an aliyah which, according to the calculations, will be the largest yet. Since it is the most southern latitude of all the borders of Israel, this is the final aliyah and there will be no more exiles.” Kullok made one final comment on the nature of his formula. “Since the formula bears accurate results based on the Biblical borders of Israel, what is known as Greater Israel, the relevance of these borders is prophetic and still relevant today.”"

Saul is obviously interpreting this predictive time-space phenomenon with respect to Israel's entrance into the land promised to them, which began to be occupied under Joshua's leadership. We don't think he's wrong, but the nature of this event should be seen as more literally 'ascending' than an immigration in the way of days previous to that. He said, "Since it is the most southern latitude of all the borders of Israel, this is the final aliyah and there will be no more exiles." What an awesome conclusion - and we agree - with notable caveats.

While there may be some limited application relative to next year, this primarily has to do with the entrance of the children of promise into their land at the beginning of the millennial kingdom age when Y'shua rules as their King. We know the Bride has a role to play in that final aliyah with respect to interaction with 144k sons of Israel (Romans 11). We know that mission critical interaction is appointed for 2015 - one version of which has already passed while another is yet to be!

We see the glorious and VERY EXCITING mystery of Romans 11 as in a shadow of Kullok's profound observation. (What Will Their Acceptance be but Life from the Dead?)

"Kullok said that this inclusion of Christianity in these preordained times signifies its role in the prophesied return to Israel. “Jewish and Christian endeavors toward returning the Jews to Israel are necessarily very different,” he said. “But they are nevertheless complementing each other while working towards the same goal. They represent a two-sided parallel process, each in accordance with the words of the prophets of Israel.”

We are convinced by much evidence that the final aliyah Kullok mentions will happen after the 2019 concluding shemitah #861. This coming 2019 concludes shemitah #860, and time must first be reset, which will also return the values of the parameters of Saul's apparently reliable formula.


The grand entrance into the promised land that is so highly anticipated is the subject of the 3rd and 4th chapters of the book of Hebrews. There, it is connected very directly with the crossing over the Jordan under Joshua's leadership.

4 For He has said somewhere concerning the seventh day: “And God rested on the seventh day from all His works”; 5 and again in this passage, “They shall not enter My rest.” 6 Therefore, since it remains for some to enter it, and those who formerly had good news preached to them failed to enter because of disobedience, 7 He again fixes a certain day, “Today,” saying through David after so long a time just as has been said before, “Today if you hear His voice, Do not harden your hearts.” 8 For if Joshua had given them rest, He would not have spoken of another day after that. 9 So there remains a Sabbath rest for the people of God. 10 For the one who has entered His rest has himself also rested from his works, as God did from His. ~ Hebrews 4:4-10

We recommend reading all of chapters 3 and 4. That prophecy is appointed for Today - this 7th millennial day - and the Today that will be the seventh day rest of the shemitah week #861, in "2019b." Joshua = Y'shua = salvation. This is the book of HEBREWS! A Hebrew is one who traverses, passes over, or crosses over. A Hebrew is "one from beyond (the river)," [Collins English Dictionary] or one from the other side (of the river) [Oxford English Dictionary 2nd. Ed.] We connect that with the crossing of the Jordan, which is Israel's most significant river crossing, and identify it on a very important level as a dimensional transiting as over across the river of time.

The boundary that Saul Kullok connects with 2019 is the Arnon River. The modern name is Wady el-Mojib. This enters the Dead Sea from the east about 11 miles north of el-Lisan. We see a connection with 2012, which is WHEN time will be reset to at the bounding extremity of 2019!

"The latitude of the significant east-west section of the border delineated by the Arnon River bears an additional prophetic result, corresponding to the years 1947-1951. More significant than the UN Partition Plan establishing the State of Israel, 700,000 Jews immigrated to Israel in these years."

Saul links the latitude of that bounding river with the years 1947-1951 and the wave of aliyah that corresponded to the establishment of the modern state of Israel. We made a similar connection between the time of the establishment of the modern state of Israel and the boundaries of another region based upon David Flynn's principles! The boundaries of the 2012 Olympic Park in London were precisely identified by arcs drawn from the Temple Mount at a distance corresponding to the exact span of time! That means so much to us because during that season leading up to and during and following those Olympics, we were very aware of some time rituals taking places, with pronounced echoes in the past. In 2015 we knew for sure that those echoes or time waves also reached forward in time.


Here's an excerpt from one of the blog posts in a series that remains extremely relevant.

"The duration of this settling of the claim of independence spans from May 14, 1948 to July 24, 1949. In TCT terms we project this into the range spanning 1948.37 to 1949.56 nautical miles from the Temple Mount. (July 24 is 205/365 or 0.56 years, and 1949 is not a leap year) As you can see from the map image (that can be easily verified on your own), this neatly brackets the Olympic Park. You can dismiss it as coincidence or call it synchronicity if you like, but it's more than that. Fact: The establishment of the State of Israel maps to the Olympic Park." (Bob Schlenker - Part 5 - 2012 London Olympics - State of Israel maps to Zion Olympic Park)

Resources:
Temple at the Center of Time [David Flynn] - Easy Distance & Time Converter
David Flynn - Gone on Ahead (UTAH Beach - Direct Hit!)

“Since the formula bears accurate results based on the Biblical borders of Israel, what is known as Greater Israel, the relevance of these borders is prophetic and still relevant today.” (Saul Kullok)

We have to agree!

You just can't plan this kind of thing. This is so fitting for the 21st installment in this series - a number signifying the fullness of time!

Following the Trail Through Daniel: "Time Continuity to Turn Aside"

Continuing from the previous post, let's launch into some very interesting passages that directly correspond to Matthew 24:21-22. In the following image, you see a screen capture from the interactive version of Matthew 24. Verse 21 and verse 15, its companion element, are highlighted for comparison.

(Matthew 24 - Thematic Structure - Interactive)

We know these elements match because of the symmetry of the themes in the context. This observation isn't of some random factoid but rather the acknowledgment of one of the Author's hidden ways of directing the student. With confidence in the connection, we may apply what we've learned about verse 21 to increase our understanding of verse 15.

Therefore when you see the ABOMINATION OF DESOLATION which was spoken of through Daniel the prophet, standing in the holy place (let the reader understand), ~ Matthew 24:15

The expression, “let the reader understand,” stands out. Y'shua would sometimes declare, “He who has ears to hear, let him hear.” In verse, 15, that's for the reader, not the hearer or listener. It's for us. Reading. Now. He is helping, opening our ears.

So, we're directed into the book of Daniel to get more insight into what is meant, and that direction is so obvious that it's almost like a flashing neon arrow. As we follow that direction, we take with us what has been learned about the megas thlipsis. We know that it's a unique season that features a time war, the elect's special op and the subsequent reset that manifests in a replay of the recent past, with changed outcomes.

A traditional view of the abomination of desolation sees it as having been modeled before. These are easily discovered. Wikipedia identifies three instances: The re-dedication of the Temple to Zeus by Antiochus IV Epiphanes in 167 BC, the worship of the Roman Standards on the Temple Mount under Titus in 70 AD and the building of the Dome of the Rock by the Umayyad Caliph Abd al-Malik ibn Marwan in 691 AD. I'm not rejecting those or any interpretations that focus on what manifests strictly in this realm and involves an earthly Temple. However, what we're into here is beyond the natural order of things, a perspective that will become more apparent in the book of Daniel.

The abomination of desolation is the subject of Daniel 12:11, 11:31 and a little more loosely, of Daniel 9:27. Let's begin with chapter 12.

The following image is a screenshot from the interactive version, showing the highlighted target verse with its thematic companion. Feel free to explore the interactive version (click on the image to load it in your browser) until you're convinced that the highlighted elements are matching, as claimed.

Daniel Chapters 7-12 - Thematic Structure - Interactive

Here's some commentary about verses 5-7, excerpted from a recent post.

“The river is the river of time. Two stood by it, one on each bank, on the earth but distinctly separated by time, which is to say, in different referential systems. The man dressed in linen who was above the waters of the river was over the river of time, above or beyond time and unbound to either referential system. One standing on a bank asked him a question about time which, of course, would pertain to his particular frame of reference. The man dressed in linen swore by Him who lives forever, which is a descriptive that pertains to time and declares the relevant domain of His authority, which is time. The answer given contains a very interesting reference to how long it would be. Although it is typically interpreted to simply indicate the span of three and a half years, there's more to it than just that. The expression, “time, times and half a time” literally refers to time, multiplied time and fractional time.”

I've also written about the expression, “time, times and half a time,” that it suggests the manipulation of a time-space portal. (“The Penitent Man” ...manipulate a wormhole to facilitate time travel ... speeding up one end (times) while slowing down the other (half a time).)

The secret key to understanding involves knowing that the management of time or time-space is in view. Are you catching on? Let the reader understand. We're dealing with time in flux, shifting, with disruptions of the regular flow of time. The perceived continuum will be set in disarray, and this provides the setting for the unfolding of the prophecies. The numbers of days given in verses 11 and 12 must be understood to apply within the framework of this unique season when non-linear progressions are a reality.

Moving on to Daniel 11, the following image is a screenshot from the interactive version I published a few days ago. Again, we see the highlighted target verse with its thematic companion; and again, feel free to explore the interactive version (click on the image to load it in your browser) until you're convinced that the highlighted elements are indeed matching.

Daniel Chapters 7-12 - Thematic Structure - Interactive

As you reflect on the companion to the verse that names the abomination of desolation, what should come to mind is 2 Thessalonians 2.

36 “Then the king will do as he pleases, and he will exalt and magnify himself above every god and will speak monstrous things against the God of gods; and he will prosper until the indignation is finished, for that which is decreed will be done. ~ Daniel 11:36

3 Let no one in any way deceive you, for it will not come unless the apostasy comes first, and the man of lawlessness is revealed, the son of destruction, 4 who opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, displaying himself as being God. ~ 2 Thessalonians 2:3-4

I've written at length about that context, with a central event being a baptism and anointing that will manifest as a sign for the Bride. That's the sign that is appointed for the 13th day of the 1st month, even the very one that passed by just a few weeks ago. It's so far unfulfilled, but that's not yet the end of the matter. The revealing of the lawless one will still come right on schedule, at the appointed time.

II Thessalonians 2: 1-12 - Thematic Structure - Interactive

The English word, “apostasy,” is translated from the Greek word that literally means, a standing away from. The thematic companion reveals that it has everything to do with transitions in the heavenly realm. You may recall my dramatic history with this passage and this very pairing, going all the way back to 1991. Consider the time words in verses 6 and 7: restrains him now - in his time - already at work - now restrains - until. Also, in verse 3, unless the *standing away from* comes first. Clues, important clues.

There are good reasons why I've been laboring to bring forth these thematic exhibits. They provide those of us who seek after it with significant benefit in this season!

The Lord permits His Adversary to acquire a degree of control over space-time for a limited season, to accomplish His own purposes. Stargates will be opened and transits will be made, and great delusion will be poured out. Matthew 24 reveals that all but the very elect will absolutely be deceived. This happens in the context of great tribulation. This is what the abomination of desolation is about.

A penetrating look at the passage in 2 Thessalonians 2 adds further insight to those we've visited in following a well marked trail from Matthew 24. Although there is language that clearly points us to the physical, natural and earthly, there is a deeper layering where supernatural activites are pictured, heavenly realms are accessed and time-space is manipulated. When considering these passages, lift up your eyes. Seek the Lord's help in seeing not the earthly but where thrones are heavenly and kings and warriors are angelic and wars are time wars.

4 Now if He were on earth, He would not be a priest at all, since there are those who offer the gifts according to the Law; 5 who serve a copy and shadow of the heavenly things, just as Moses was warned by God when he was about to erect the tabernacle; for, "SEE," He says, "THAT YOU MAKE all things ACCORDING TO THE PATTERN WHICH WAS SHOWN YOU ON THE MOUNTAIN." ~ Hebrews 8:4-5

Therefore it was necessary for the copies of the things in the heavens to be cleansed with these, but the heavenly things themselves with better sacrifices than these. ~ Hebrews 9:23

Let's return to give our target verse in Daniel 11 a closer look.

Forces from him will arise, desecrate the sanctuary fortress, and do away with the regular sacrifice. And they will set up the abomination of desolation. ~ Daniel 11:31

Fortress. Young's literal (YLT) translates it as, stronghold.

3 For though we walk in the flesh, we do not war according to the flesh, 4 for the weapons of our warfare are not of the flesh, but divinely powerful for the destruction of fortresses. ~ 2 Corinthians 10:3-4

3 For though we walk in the flesh, we do not war after the flesh: 4 (For the weapons of our warfare are not carnal, but mighty through God to the pulling down of strong holds;) ~ 2 Corinthians 10:3-4 KJV

In Daniel 11:31, see the fortified sanctuary as one that is not carnal, and the warring as not being of the kind that is after the flesh.

Here's how the NASB lexicon renders the Hebrew of, “and do away with the regular sacrifice.”

To turn aside continuity. Think: Space time continuum. The KJV lexicon renders it, “To turn off continuance.” The natural flow of time is going to be disrupted, and, while there will be a significant impact on the natural order, it will be influenced by what impact there is on the heavenly order.

Let's return to our target verse in Daniel 12.

From the time that the regular sacrifice is abolished and the abomination of desolation is set up, there will be 1,290 days. ~ Daniel 12:11

According to the NASB Lexicon, “From the time that the regular sacrifice is abolished” is rendered literally as, “time continuity to turn aside.”

Can't we begin to accept that in the literal sense, knowing now what we're really facing?

What's the Piano Got to do With Death and Birth? - Part 1: 16 Examples of "Either/Or"

This post announces a video presentation and supplements it with some detailed observations about the nature of the content.

These 16 examples show the piano is either linked to death, or it is linked to life, even birth. We have more examples of these, plus many more where both life and death are linked to the piano in the same clip.

To Watch: "What's the Piano Got to do With Death and Birth? 16 Examples of "OR" Part 1"


(full HD version for streaming or download)

Please leave your comments here on this blog post or on the Bitchute video.

Resources referenced in the video:
Janus Ritual - Real, Effectual - and Common!
Find the "playlist" for the piano stargates series here.
Find the "playlist" for the Piano-Janus series here.

Clip list:

1) Stay Close S1E6
2) Rick and Morty S3E3 Outro
3-5) Roger Rabbit
6) Total Recall 2012
7-8) 1883 S1E4
9-10) Mrs. Davis S1E2
11) The Undoing S1E3
12) The Undoing S1E6
13-14) Winter's Tale
15-16) Vera S1E3

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Stay Close S1E6

doors and going through doorways-88 * Janis, god of doors and passages
reflection of the keyboard and the pianist's hands * Janus mirror
2 pairs of hands of the pianist plus those in the reflected image * resonates with * the 2 pairs of hands involved in the strangulation of the
murder victim
victim walks through door (Janus) doorway-88
"It's over. No more" (Janus, god of beginnings and endings) "killing" (Janus rules over birth and death)
"Return back and Reset Code" 22: assassin's pink-22 fingernails victim's gold (gold is Au=22 * a=1 u=21) watch (time piece)

Rick and Morty S3E3 Outro

The season and this particular episode are the standouts:
From https://en.wikipedia.org/wiki/Rick_and_Morty_(season_3): "The third season of Rick and Morty delivered the highest ratings in Adult Swim's history and was the top-rated comedy among millennials on television." -- "the show's first Emmy Award which it won for the third-season's standout episode "Pickle Rick", in the category for Outstanding Animated Program."
From https://rickandmorty.fandom.com/wiki/Concerto): "Concerto is a minor, one-time villain, who only appeared in the ending credits of "Pickle Rick" as well as in the theme song for Season 3."
S3E3 evokes Code 33
Concerto (has piano teeth and piano hammer elbows) plays the "Moonlight-113 Sonata"
circular rings of the keyboard evoke the circle of time and the circle of life
piano case is a hinged thing (Janus)
Time language and gematria:
murder weapon-88 and pianist-88 * resonates with the piano (standard is 88 keys)
"You'll-22 NEVER get-13 away-22 with-21 this, Concerto!"
"That-13 is where-22 you're mistaken, Mr-13 Sanchez-113. This shall be my greatest performance of-21/12 all TIME."
rope-54-54, die-18-18-18-108, pink-22, candles-22, Jaguar-22

Who Framed Roger Rabbit?

This Robert Zemekis film stars Christopher Lloyd, like his most popular film, "Back to the Future." * casting resonance as power adder
Roger Rabbit is accused of murdering Marvin Acme-22-13 *power combo*

Scene (in a bar): Toon killed his brother
Death (Janus) by dropping a piano displays gravity, which is caused by the warping of time (Janus)
resonates with the 88 key piano: murder weapon-88, chuckling-88, Dolores-88, bottle-88 * 88
Budweiser Beer & Beer Bottle & bottle bottle BB-22*88
bar-21/12, neon-21 sign-22, pool-22 table-13 *power combo*

Scene (in a theater): Toon got the drop on us
what changed Eddie into a sourpuss * Janus, god of life's major transitions
bank robbery of a zillian simoleons * time is money
"I'll-21 tell-13 you. A toon killed my brother." - "a little dive-22" - "Only-21 he-13-13 got-12 the-12 drop on us. Literally. Dropped a piano on us from 15 stories. Broke my arm-22. Teddy-22 NEVER made-22 it. I NEVER..."
murder weapon-88
focus on pulling EARS * anagram ARSE, sodomite gateway, the reason for Roger's expression, "Put-12 'er-13 there, Pal" * PP as slang for urine and penis, and PP-22
"all those TIMES" "all the TIMES" (Janus, god of time)

Scene (on stage): Piano Dualing Ducks
This is the controversial scene where Donald calls Daffy a "goddamn stupid nigger", rather than the sanitized line "doggone stubborn little" they would like us to think we hear. Chuck Jones Jones "accused Zemeckis of robbing Richard Williams of any creative input and ruining the piano duel that both Williams and he storyboarded." (Wikipedia) Another is a scene were Jessica Rabbit exposes herself. (#24 here: https://www.eightieskids.com/2018/08/naughtydisney-3/)
black and white pianos- resonating with the black and white keys, evoking the knowledge of good and evil, Luciferian illumination and the sin in the garden of Eden.
Piano duel-21/252(252=12x21), Daffy-21/252(252=12x21), duck-12, ducks-13
cannon blows a hole-22 in the piano.
hook-22 removes pianos-88 but the bench-22 remains

Total Recall (2012)

This clip was also featured in our Piano Stargates in Media series: https://theopenscroll.blogspot.com/2022/07/total-recall-2012-mkultra-janus-blade.html
key-13(Janus) *power combo* -- on the Yamaha-113/22 *power combo* piano.
"the-12 key-13" * time and the mastery of time, repeated 3 times.
2 identities(Janus) - one has 2 faces with 1 being a mask, and the unmasked man has 2 faces, one having been surgically altered. Janus is the god with 2 faces.
"start from the top" beginnings(Janus).
The key-13 to the projected message is the piano key-13 * Janus, god of keys. With 13 being the mastery of time number, that key-13 facilitated the communication between the past and present identities, illustrating the mastery of time.

1883 S1E4

Scene (Trail boss is angry):
crossing the river (of time) / water-as-time
the major transition on their journey * Janus, god of journeys and major transitions
Oregon-88 resonates with piano*88 and pianist-88
sees a piano in a wagon-21. "G- damn-22 it." * emotional charging up the ritual.
"he-13-13 unloads his-18-18-216 wagon-21, he-13-13 goes back to Fort-22 Worth" strongly evokes "Return back and reset code 22"
"You have-18-18-216 the-12 journey(Janus)! That's it!"
"They-22 gonna-21 hate you."
"At least they'll be alive-22 to do it."
As they leave camp, we see the piano on the ground while piano music plays softly in the soundtrack - and the piano left behind receives more attention by lingering in the scene.

Scene (cowgirl plays piano):
dump-54-54, "way-13 west-13", trunk-21, trunks-22, wind-22, play-54-54-18-18
"I do, I DID," changing tense - I don't play-54-54-18-18 ANYMORE."
"Well, you can-18-18-108 play-54-54-18-18 ONCE-222 MORE-21."
wears blue-13 * garment represents a body fit for a particular dimension, which resonates with the dimension transiting Code 88 piano and pianist-88 * wearing buttons-666
The piece she is playing is the Moonlight-113 Sonata (like "Total Recall (2012) and this is while people are crossing the river (of time) and some die! people are drowning/dying-22 in the water-22 as time - (crossing the river of time) - Journey - Janus.
she cries-54 while she plays
cattle are driven across the river while piano music plays softly in the soundtrack. Piano Stargate
steer-22, water-22, whoop-13, "get-13 up-222 cow-13" "come-18-18-216 hey"
dead-22 woman-21 floats down the river, wagon-21 stuck in water-22
graves dug for those who died, bury-21 by a tree-21
Her narrative is charged up with Janus ritual and love language:
"born on this journey...leaving a place and seeking another, and the journey was the necessary, miserable road between the two." * Janus rules over birth and journeys
"the-12 land-13 and I-54 had-13-13 struck a deal-22-13 *power combo*"
"as long as I loved-22 it..." "No matter how much we love-54-54-18-18 it, the-12 land-13 will NEVER love-54-54-18-18 us back."

Mrs. Davis S1E2

Scene (classroom):
Lady-21/252 bugs-13 on the wall-12
tree-21 in the back of the classroom with an owl-13 in a hole-22 in the trunk-21
Time binding - 13th minute with 12 on the counter.
"...called this MORNING...'48 Wurlitzer..." * 48 is the number of hours in 2 days
piano was lost-12
wears gold*22 bracelets and ring
"My wife's dead-22"
"...hear the sound AGAIN..." "HURRY up-222"

Scene (field of pianos):
piano music plays while car-22/13 drives
find-21, wind-22 blowing hair-216 (6*6*6) in the field-216 (6*6*6) of pianos-88
man is pianist-88 playing piano *PP-22
"Hello!" "Hi!" HH-88
"where-22 do I know you from?" "YESTERDAY"
Song lyrics: "Someone really LOVEs you..." Charged up with love

The Undoing S1E3

Scene (calm conversation):
Repetitive time soaked language focusing on the mastery of time and the beast and his mark! * 13 signifies rebel, lord and beast, plus the mastery of time.
"You have-18-18/216 (beast code) ALWAYS-18 had-13/13 an-12 ...LONG-21 AFTER they-22 are-21 dead-22..."
"He's-13 not-13 that-13 monster. He's-13 (pause) he-13/13 can't be. He-13...He's-13 not-13 that-13 monster. Dad-18/54 he's-13 not-13"
"with-21 Haley-21 Fitzgerald-54-54"
piano*88 by window-88 with vertical-fold-draperies * evoking imagery of open stargate
"It makes-13 me miss mom-13" * alliteration with 4 "m" words in a row, m is 13th letter magnifying the mastery of time and the "rebel-lord-beast"
Please-22, stop, end(Janus)

Scene (heated discussion):
in segue, flashback of murder resonating "return back and reset code 22"
"Please-22...Please-22..."
patriarch pianist-88 seated at the piano. Context, planning a defense against a charge of murder. Main topic is the probable murder weapon as potential evidence.
Elena-222, house-22, "I didn't kill her-22!", "...shut-22 up-222!"

Winter's Tale

Scene (the father greets a visitor):
trees-22 and a stone lion-22 on each side of the stairs leading up to Janus-arch doorway-88.
While the piano music is heard in the background:
"Good AFTERNOON..."
"We have-18-18-216 fever in-13 the-12 house-22"
"Is it your wife that needs-88 spectacles, Mr. Penn-22?."
"Dead-22."
"I'm-22/13 sorry." *power combo*
"Eight YEARS AGO. Still, NEVER stop missing them. It's-12 for-21 my daughter. She'll be FINISHED SOON-18/18."
"It is nice-22..."
Brahms played by Beverly * BB-22-88

Scene (Beverly dies):
"Please-22 don't go-22/13." * "to go" is the meaning of the root word for, Janus.
kiss-13 on mouth-22 *power combo*

Vera S1E3

Scene (outdoor party):
A father gives an emotional speech about the murder of his daughter and his wrongful blaming of another girl.
"eleven YEARS" evokes Janus, god of time
"burying" two; one literally, the other figuratively
He honors the latter by playing a recording of her playing a piece on the piano*88, lifting up-222 the boombox (BB-22-88). pianist-88, beer bottle (BB-22-88), lanterns-113
We see trees-22 (anagram reset) and a car-22-13 *power combo* through an open gate(Janus). We hear the car-22-13 door(Janus) slam shut-22.

Scene (murder confession):
A man confesses to a murder in a scene that alternates with a view of a piano and the playing of the piano. murder weapon-88

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Curious about the pending reset of time? Learn more here: The Pending Reset of Time

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Part 22 - Celestial Stargates - The Hourglass, Wormhole, Orion, Pyramids and Light Speed Cones

In media presentations where celestial stargate transits are being illustrated, time keeping mechanisms like clocks and dialogue peppered with time words are familiar features. The hourglass symbol has some particularly profound implications, like the pendulum. These are worthy of further exploration.

The brightest and most easily recognized constellation resembles an hourglass in the sky. Orion. This sign identifies the celestial Silver Gate, so the hourglass symbol can well be used to represent the Silver Gate.

This constellation has also been identified as the celestial end of a bridging pillar, anchored to the Earth at the Giza pyramids. The three stars in the belt are represented on the earth by the Great Pyramid and the two others with it, as popularized by Robert Bauval. The hourglass contains the flowing sand from which derives the expression, “the sands of time.” I note that the hourglass of Orion above is, below, filled with sand in the desert of Giza.

Orion has long been identified with Osiris. The hourglass further presents the form of an X, which is the mark of the sun god. It should be noted that every hourglass can be traced around to form a mirrored pair of 3s, like the numeral 8, so there is an implicit Code 33. The infinity symbol may also be traced through it, aligned in a way that us usually perpendicular its most familiar orientation. Another notable hourglass figure is the analemma, which represents a path traced by the Sun and by the Moon from Earth as plotted at certain intervals.

The hourglass actually presents a diagrammatic image of a wormhole as the warping of spacetime.

The hourglass also resembles the opposing cones used in cosmology to represent past and future light speed world lines when illustrating Einsteinian relativity.

The hourglass and the classical image of the wormhole share the form of the core of a torus. The torus, as a homonym of Taurus, is, alongside the stick figure of Orion, another way the hourglass suggests the Silver Gate.

This book cover pictures a scene from The Time Tunnel, a TV series from 1966-67 (which I can still remember watching). The graphic on the floor is easily recognized as a stylized hourglass, and also the time cones of Einsteinian relativity. The funnel-like object is the opening of the stargate they called the Time Tunnel, which was used to transport people back and forth through time. The hourglasses presented in the show's intro sequences present the frame as two flanking pillars, stargate and perhaps more specifically, Silver Gate imagery.

The Pyramid book cover and title encodes a Silver Gate image in the clever positioning of the letters. They are stacked and shaped into a pyramid, with their own Pyramid publishing icon as the capstone. The three Ts align to signal a Triple Tau, the Masonic Royal Arch emblem, which is itself a dimensional portal symbol. Two letters E align for a Code 33 signal, which makes “The” (which is called out by being mixed case instead of upper-case) a complementary instance (the=20+8+5=33).

There is a capping of a smaller scale pyramid with the letter “e,” the 5th letter representing 5-Horus. The body is “M” (rebel lord beast - 13 - two pillars - Gemini) on a base of twin letters “N,” symbols of the Nachash and dimensional portals. These symbols have been given adequate exposure in previous posts to this blog, but it's good to be reminded to keep such things fresh in mind.

This image of the light speed cones superimposed upon the Great Pyramid can be found on many pages.

The great pyramid is being connected to Orion's hourglass belt and the light speed cones of relativity to suggest an unseen dimensional projection.

When NASA designed the Gemini project symbol they bowed the twin pillars of the astrological glyph inward. This bowing suggests the hourglass and wormhole and lends support to the interpretation of the two stars as angels transiting the Silver Gate.

An hourglass appears in the Harry Potter series of films in the context of signaling the Silver Gate. These scenes are from # 6 in the series, Harry Potter and the Half Blood Prince.

There is a professor named Horace (Horus!) who has a magickal hourglass, where time moves more quickly or slowly depending on how interesting he finds the conversation to be, and then it resets. What's pictured is mind control, and stargate control.

They are using the twin "sister" mechanisms to transport and storm the castle in the astronomy tower. The form of four pillars supporting one speak to me of the four winds of heaven, a multidimensional biblical construct, which I hope to address soon.


The hourglass is considered to have been in use since the 14th century, but earlier timers that used water (clepsydra) are thought by some to have been used by the ancient Egyptians. In those timing devices flowed the water of time, in a figure, or a river of time.

A Wikipedia entry makes some useful observations. “Unlike most other methods of measuring time, the hourglass concretely represents the present as being between the past and the future, and this has made it an enduring symbol of time itself. The hourglass, sometimes with the addition of metaphorical wings, is often depicted as a symbol that human existence is fleeting, and that the "sands of time" will run out for every human life. It was used thus on pirate flags, to strike fear into the hearts of the pirates' victims. In England, hourglasses were sometimes placed in coffins, and they have graced gravestones for centuries. The hourglass was also used in alchemy as a symbol for hour.” Wikipedia. It's an easy place to find facts that hint at the truth of things.

The expression "time flies" or flees, “tempus fugit,” matches the symbol of the winged hourglass. Because winged things indicate transdimensional capability, the wings enhance the hourglass as a stargate symbol. This figure is often seen on gravestones in conjunction with skulls and crossed bones, which provides us with redundant symbols for the sun god Horus as the antichrist beast, and, in that context, resurrection, as I've previously explored at length on this blog. Even without the wings, the hourglass presents the same symbol of resurrection in that context.

Sometimes the hourglass is reclined so that no sand is passing, which represents the sleep of death where there is no apparent passage of time.

Sometimes the symbol of an hourglass within an Ouroboros appears on a gravestone, with or without wings. The immortality and eternal life is thus pictured with both the river of time and the sands of time - and the Nachash life of Horus, resurrected out of Osiris.

The Latin expression, memento mori, which means, “remember that you will die,” is commonly associated with the symbol of skulls and bones in artwork, with or without the hourglass.
This is widely accepted as a reminder of how life may be short and therefore to be considered as precious, not really that unlike the expression of “carpe dium,” “seize the day.” The symbols ascribed to memento mori mean much more than that, in typical Occult fashion. They point to resurrection, and Horus, and in that context the transiting of a stargate is implicit. In ancient texts, Horus is linked with the eye of time. The pictographic story of hourglass - skull - crossed bones tells of death and resurrection, of the sun god kind. Search this blog for skull and crossbones or Jolly Roger to find more about this symbolism.

For many years, every ship navigating the high seas had at least one hourglass onboard. These were used for navigation (dead reckoning) and for timing the labor shifts, called watches. The hourglass appearing on pirate flags like those of Blackbeard, Black Bart and Emanuel Wayne speaks to me of the history of piracy and the Knights Templar. I believe “Templar” suggests not only the Temple and also time, that which is temporal. The Temple in Jerusalem is, as proposed and adequately demonstrated by David Flynn, a reference point for a center of time. (You can find a remarkable validation here, David Flynn - Gone on Ahead (UTAH Beach - Direct Hit!)) It is Zion, a version ruled over by the Dragon, enthroned in the incarnation of Horus, which the inheritors of the quest of the Templars hope to bring forth. By wielding control over time itself, they intend to leverage the stargates in fulfilling their ancient hopes, and a level of success will be granted.

More to follow, Lord willing!

Part 2 - On Twelves and Thirteens - Signs of Time and its Mastery

Series Links: On Twelves and Thirteens - Signs of Time and its Mastery

Continuing on, here's some more examples of how the number 12 signals time, and how 13 signals the wielding of control over time, as 13 transcends the 12.

When we talk about space-time, its common to refer to the 3 dimensions of space as 3D. Because D is the 4th letter, the numbering of 34 is produced. This is actually an esoteric code for time, which suggests the labeling of space as 3D was done with this concept in view. About 34: 3+4=7 and 3*4=12 so we see both of these primary time numbers are directly produced.

In every instance of what I refer to as Code 47 there exists an implicit 12 in the math, and what that means is that the subject of time factors in as an essential component. The 47th Problem of Euclid involves the area of a 3.4.5 dimensioned right triangle. From the diagram, observe how 3+4+5 = 12, identifying the base triangle with time by reason of its circumference. The triangle is a fundamental geometric figure and a simple metaphor for the 3 dimensions of space. The 3.4.5 triangle is therefore a fundamental symbol of space-time. Observe how the primary time number 7 is the sum of the parent lengths 3 and 4, and that the primary time number 12 is the unseen area implied between them.

In another notable feature, the standard Occult gematria value of the word, time, is 47! Code 47 invokes the word and meaning of, time.

T + I + M + E ~ 20+9+13+5=47

The floors of the temples and lodges of Freemasonry feature what they call the Oblong Square, which is always of the 3x4 dimension. Because the 47th problem of Euclid is a foundational puzzle for Freemasons we should rightly connect the two for insight into what the Oblong Square represents. The 3x4 dimension is derived from the Pythagorean 3.4.5 triangle that is the basis for the 47th problem of Euclid. Remember, the 7 and 12 are implicit in this geometry, and these fundamental numbers of cycling time are being identified through a geometric grid of squares which the Freemasons emphasize by tiling the area with black and white squares. Space and time are very often represented by squares and circles in combination, respectively. Through the ratio of the squares in the Oblong Square the implied circle for time is generated in a ritual “squaring of the circle.”

This theurgic ritual magnifies that which is performed in the square and compass symbol, the ubiquitous emblem of the tools used for drawing such squares and circles. The Freemasons thereby boast of their mastery of the domain through these Occult emblems. The other symbols of their meeting rooms and tracingboards, like the pillars, the Royal Arch, sun and moon, etc. extend the imagery to illustrate a transcending of this space-time domain. The meeting rooms pictured in these familiar tracingboards are claimed to be modeled on the temple that Solomon had been given to build on Jerusalem's Mount Zion. We should know that building to have geolocated a divinely appointed connection with the highest throne of heaven and function as a center of time, because it's been quite adequately demonstrated by David Flynn.

Underscoring the interpretation of the Oblong Square floor as signaling space and time and mastery over it, let's consider what's under it as a kind of space-time ark. An understanding of the 12 and the 13 should become evident. These are secrets of heaven, legitimate secrets, and you are witnesses to the leveraging of these by the illumined on their left hand path as aided by the Fallen in their hijacking schemes. Ultimately, they will fail, but limited success for a season has surely been granted.

Pictured under the floor of the Lodge-Temple is a coffin. We're officially told it honors the ancient architect named Hiram Abif. That character is code for Osiris, who, according to the ancient religion still practiced today, is raised by Isis into Horus. I've written lots about this over the years, making very relevant biblical and prophetic connections. The coffin bears the skull and bones symbol, which is a mark of Osiris. The coffin is a kind of space-time ark that has to do with control over time, and this ark hidden under the floor will be seen to compare to the ark of the covenant, the artifact I've recently blogged about at some length. According to legend, after being killed and dismembered, only 13 of the 14 pieces of Osiris were subsequently recovered and reassembled by Isis. Note from this how the number 13 is therefore implicit in the body of Osiris. That's the time control number, and Osiris has long been identified as the lord of time in the ancient texts of The Book of the Dead.

The coffin bears the XO symbol in the form of the skull and bones. On one level, XO represents space and time (XO also equates to a square and a circle). From another perspective, the XO signals the number for the underworld abyss - 66- because both the X and O transform to 6. (X is 24 and O is 15 so add the digits.) Osiris, god of the underworld, god of the dead. Many Occultists accept that the union of the X and O establishes the celestial throne of the goddess, in association with the work of the god of the abyss (known in that context as Nodens). It's a ritual resurrection of Osiris by Isis into Horus, through a mastery of space-time that facilitates the requisite operation of the ancient celestial stargate and permits transit from the underworld to manifest in this realm.

Here's why we should see a connection between the coffin of Hiram Abif and the ark of the covenant that was in the Temple of Solomon. In some tracingboards, we see a box next to the coffin that has long poles. One thing is like the other. The tracingboards have a lot of redundancy in symbol. The acacia sprigs are clues that link that coffin to the hammered-gold-over-acacia-wood ark of the covenant. This speaks to me of a ritual hijacking of the ark of the covenant and what is now manifesting as an actual seizing of control over the flow of time. There's more control yet to be established, and certainly more mechanisms wielding their influential power, but there it is. The coffin under the floor has to do with the time hack that will eventually result in the opening of the stargate to bring Horus through into this space-time domain, and it also has to do with a time hack securing the early release of those responsible for the flood of Noah.

We note that the funerary box that held the patriarch Joseph's bones was an ark. Israel carried them up out of Egypt into the promised land through the space-time ark-ish wilderness wandering, making two miraculous crossings through the waters as stargate transits.

It deserves mention here that the coffin of Hiram Abif under the Oblong Square floor compares also to the pyramid on the Great Seal found on the back of the one dollar bill. Take a look at the acacia growing in the foreground. (“1. At the foot of the pyramid is a twig of acacia wood from which the Arc of the Covenant was made that means the everlasting immortality of the soul.” * masonicgathering.net: MASONIC DOLLAR BILL) It's similar in meaning to the palm tree, which means to their exalted symbologist, victory over death. (By the way, have you ever seen the pagan altars where Easter is celebrated, which is preceded by Palm Sunday and Ash Wednesday, where the ashes used to mark foreheads are from burned phoenix palms?) Why do you suppose the acacia is there by the Great Seal's pyramid, which is associated openly with the ark of the covenant by the authors of the Masonic Gathering website? Connect the dots. The pyramid is a kind of temple that is geometrically very similar to the 3.4.5 triangle. (Not just generally in shape but in the count of features, as I've explained elsewhere.)

In the Occult gematria code where Z=1, the Roman numeral letters we generally interpret as the year 1776 (MDCCLXXVI) are a string that we convert and add up to 129, and 1+2+9=12. Time. TIME IS MONEY. Another feature is not unrelated. Suppressing the first third of each third of that date string, mDCcLXxVI, produces 666.

Consider how so many features on the back of the one dollar bill have counts of 13 elements. For one example, the shielded bird grips in its left claw 13 arrows. TIME flies like an arrow. Control of time. The pyramid itself has 13 levels, if you count the foundation stone. There are actually 12 courses of bricks, making it a Temple of TIME. (Is Matthew 24:1-3 coming to mind?) The eye of Osiris, as some know the all-seeing-eye of providence, would be the 14th part, the radiant golden phallus that Isis used to raise Osiris into Horus. Consider the construction of every legitimate obelisk, which is topped with the phoenix (American Eagle) resurrecting ben-ben pyramidal capstone, as the magickal seed emitting phallus of Osiris. Yet another time and time control layer of symbolism is linked to the obelisk through it's identification as a frozen serpent. Water freezes solid. A serpent represents a river as its path winding through the land. Water as time.

As it is often said, TIME IS MONEY - and so it is ritually emphasized with great repetition!

The back has four instances where the large numeral is superimposed with the word, ONE. Three letters, times four, the sum of the numerals, is 12, the time number. On each side, 1 over 1 opposite 1 over 1, or, 11 11, the signal appearance of the space-time pillar of Gemini and the Silver Gate. The opposing Golden Gate or 9th Gate is what seems to be signaled by the 9 fanned tail feathers on the shielded phoenix-eagle, between the two Gemini pillars of legs. That's where birds emit their streams of “Milky Way” as they fly in the heavens, of course.

Why has all this Occult imagery been chosen to decorate the lowly ONE dollar bill? Because it's so abundant, no doubt, but also, I believe, because of how important the Monas (exact equivalent to Monad) is in theurgy and alchemical philosophy. To the Pythagoreans it represented divinity and the first thing that came into existence, and thus all things springing forth from it. Even time itself.

M = 13
O = 15
N = 14
A = 1
D = 4
MONAD = 47

The Latin, E Pluribus Unum, translates to “One, out of many.” Thirteen letters. Monas. One - as union of lords of time.

The obvious appears large and central, only leaving it to be recognized that by, ONE, they mean, MONAS.

IN GOD WE TRUST
ONE

IN which GOD do “WE” TRUST? Clearly, they mean the Monas - the generative divinity declared in all the symbols - the one that is cryptically identified by the clockwise pointing hexagonal star, which is NOT the one true sovereign God of Abraham, Isaac and Jacob, the father of my Lord Y'shua.

When it comes to Occult demonstrations of money-as-time, The Penitent Man always comes to mind as a prime example. Money from the future played a role. Future money, $100 bills from the year 2065. Why 2065?

2+0+6+5 =13

The money was a sign validating a testimony about time travel. The traveler from the future gave it to himself, in his past. He was and was becoming a master of time. Thirteen!

Those Days of Great Tribulation are Probably not what you Think

During the last week or so, Aaron and I have been getting closure on many things that have great import. The Lord is being so kind in keeping us grounded, a necessary provision for keeping it real in a season that would otherwise seem quite surreal. You may be able to relate to an observation I expressed in a recent email about this intense season, that it's, almost like we're supernatural schizophrenics - bi-polar in the Lord because the contrasting emotions are strong - but yet with a sound mind and steadfast awareness of the Lord's comforting presence. There is, on one hand, a lightness and jubilation with a deep refreshing brought by the Lord, while alternately there is the feeling the Lord Himself also shares of the profound burdens for those on the other side of judgment. This breadth and depth of emotional connectness is a requirement for the work.

What I'm about to share in this post isn't going to be readily grasped by most folks. It should raise more questions than it answers. In the previous post, I introduced some insight about a time metaphor that was collateral to a key revelation insight about Matthew 24:22 that was granted a week ago yesterday. Through it, the Lord brought Aaron and I to a deeper understanding of the days that lie ahead. I've declared how The Open Scroll and Beyond The Veil is a Noah's Ark kind of work, appointed for salvation, and that comparison is more descriptive than you might suppose. While some have testified how it has already brought them to salvation in Y'shua, the core of the work is appointed for a very special season that is nearly upon us.

For several days in a row, Aaron had been obsessing over Matthew 24:22. He had been pressing in to discover why the Lord had fixated him on that, coming to the Lord's clear prompting of the question, “What days?”

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:21-22

We didn't know where this was going to go but we have learned that the Lord always prompts a question He intends to answer, then provides insight at the proper time. He has been engaging Aaron and I as a team, independently first, then together - a routine that is not at all unfamiliar. Clearly, we were missing something important. On March 15th, we reflected on an email exchange with a brother in the Lord named Paul, had some prayer and a season of discussion. The time had come. The Lord brought us to the short answer to the driving question: The days that will be cut short are those when the Devil has control over time. This conclusion brought some startling insight about the hidden meaning of verse 21's “great tribulation,” megas thlipsis in the Greek. We began to explore the immediate context of Matthew 24 with this in mind and then tracked the thread into related passages as the Lord shined the brighter Light. I can't say that this insight has invalidated everything we thought we knew about great tribulation, but this fresh insight and the validation that has followed is so compelling we find it irresistible.

While some declare that seven years are identified with great tribulation, and others, half that, there is a reality where it will only last for about a week. Bear with me, there's a lot of ground to be covered on this point. That week is this upcoming Feast of Pesah, also known as Hag haMatzot. This version or fulfillment of megas thlipsis will conclude on the last day, which is now known to be April 11, 2015. In a wider sense, the 9 days inclusive of the 13th to the 21st might even be considered megas thlipsis.

This span is measured according to one particular referencial system. If you consider what I noted in the previous post about Daniel 12:5-7, this measure is from the perspective of someone on one bank of the river of time. From another perspective and dimensional consideration, time itself will be in flux, disconnected and non-linear, until it is anchored once again and synchronized to the time-space domain on the other side of the river of time, so to speak. The Dragon is going to have control over time and be permitted to make some changes within appointed limits but not everyone and everything will be impacted and under his control. The Sovereign God's domain is exempt, of course, and those whom He has isolated and insulated, who are sealed as in a time-space bubble, an ark of salvation.

This is food served at the proper time. We've been blogging about an upcoming time mission for years. We recently saw it in connection with the last day of this coming Pesah, and now the Lord has shined a greater light on its context.

A simple illustration is provided by a classic film from 1960, The Time Machine.

The Time Machine (1960) -Time Differential



It's presented here as the man in the time machine traveling into the future. The principle involved is that a time-space referential system is separated from another when there is flux, a time differential, then they are rejoined with a potentially out of sync condition.

I could go on for months detailing and documenting these things, but there are only a couple weeks remaining so I won't be doing that - at least not on the blog or in this body as things are today. So, explore these things further, or not, as led. If it's for you, the Lord will open it to you and shine His spotlight. The Lord has diverse plans for the members of His Body, which at present includes His Bride people. All you personally need to get and give is just what He has for you, as an individual member. I note how some with Dr. Stephen Jones (author of Secrets of Time in Prophecy) have been planning for a well timed mission: Decree to Commission the Overcomers for Coronation (March 21, 2015). “Heavenly Father, at Your direction we DECREE the commissioning of Your Saints for their formal coronation in the United Kingdom of God at Passover 2015. ” We don't need to have an overview of everything the Lord is doing. We just need to mind our own business, whatever it happens to be, seeking the Lord's help to be attentive and faithful to the tasks at hand. We servants can trust that our Master has things well in hand.

What's about to manifest is a time war - turf war, where heavenly time-space domains are at stake. You fight fire with fire, as the expression goes, and you fight time with time. I know it sounds crazy, but this is what it looks like to Aaron and I, and we can't deny that what the Lord has been doing in this season makes it quite compelling. Since 2008, I've written about a pending anti-flood, describing the Adversary's avenging of his fallen angels with a prison break. He has to spring the time lock with a dam buster, releasing the reservoir of water-time to flood this realm. That can't come without the agent for such first getting hold of the key to unlock the abyss. Apollyon-Abaddon-Shiva-Horus is appointed as the Dragon's agent. He will succeed but only in part. See him as the sovereign God's agent, a servant with a mission, and also see time itself as a servant construct. The Lord God I serve is the Lord and master of time, and it is His will that is ultimately being fulfilled in all this. As inconceivable as a time mission might seem, the Lord has chosen to involve human agents in His plan. It's not really very different from what happened in Joshua's long day.

12 Then Joshua spoke to the Lord in the day when the Lord delivered up the Amorites before the sons of Israel, and he said in the sight of Israel, “O sun, stand still at Gibeon, and O moon in the valley of Aijalon.” 13 So the sun stood still, and the moon stopped, until the nation avenged themselves of their enemies. Is it not written in the book of Jashar? And the sun stopped in the middle of the sky and did not hasten to go down for about a whole day. 14 There was no day like that before it or after it, when the Lord listened to the voice of a man; for the Lord fought for Israel. ~ Joshua 10:12-14

Where else have we seen such a reference to the uniqeness of a situation with time manipulation in a war?

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:21-22

Have you read Jasher 6 and Genesis 7? When Noah went in the ark the Lord sealed it shut. Those inside were protected. Seven days later, the waters of a great flood brought destruction to those outside the ark. See the water as time. Those sealed inside were saved. Ruminate on that model. They were sealed inside a time-space ark. Compare the context of Jasher 6:18 to that of Luke 13:25.

Here's two more examples, primary models involving the first Pesah.

28 By faith he kept the Passover and the sprinkling of the blood, so that he who destroyed the firstborn would not touch them. 29 By faith they passed through the Red Sea as though they were passing through dry land; and the Egyptians, when they attempted it, were drowned. ~ Hebrews 11:28-29

Passover = pass over, the agent of destruction passes over the protected zone of people without touching those sealed in with the blood of the lamb. The blood on the doorpost and lintel sealed in the occupants during the plague of the firstborn. That kind of plague indicates a selection by sequence, by time - the firstborn, and a limit is established according to sequence and time. The water as time metaphor is seen in the passing through of the sealed and healed people on dry land through the midst of the sea. Waters stood in a heap as on the banks of a river, inverted. The wind was involved, spirit, and also the agency of Moses. Passing through time, which subsequently destroyed the pursuing army. Time wars - We're not making this stuff up! The people were sealed in with the blood applied on the 14th day of the first month. The firstborn were struck and the midnight cry went up on the 15th day. It is accepted that the crossing through the sea came with its salvation-destruction on the last day of the feast, the day with the numbering of the fullness of time, the 21st.

The passage from Hebrews 11 continues with another model, which begins shortly after the circumcision and first Pesah celebrated in the promised land.

By faith the walls of Jericho fell down after they had been encircled for seven days. ~ Hebrews 11:30

At the shouting and blowing of trumpets the walls fell flat. 1 Thessalonians 4 and 1 Corinthians 15 should come to mind.

Now, consider the word translated tribulation in Matthew 24:21.

Strongs Concordance G2347: “thlípsis” – properly, pressure (what constricts or rubs together), used of a narrow place that "hems someone in"; tribulation, especially internal pressure that causes someone to feel confined (restricted, "without options").

Thlipsis is used of a narrow place that hems someone in. Take it literally. Hemmed in a narrow place, as having passed through the narrow gate into a confined place of protection - sealed in like an ark.

22 And He was passing through from one city and village to another, teaching, and proceeding on His way to Jerusalem. 23 And someone said to Him, “Lord, are there just a few who are being saved?” And He said to them, 24 “Strive to enter through the narrow door; for many, I tell you, will seek to enter and will not be able. 25 Once the head of the house gets up and shuts the door, and you begin to stand outside and knock on the door, saying, ‘Lord, open up to us!’ then He will answer and say to you, ‘I do not know where you are from.’ 26 Then you will begin to say, ‘We ate and drank in Your presence, and You taught in our streets’; 27 and He will say, ‘I tell you, I do not know where you are from; depart from Me, all you evildoers.’ 28 In that place there will be weeping and gnashing of teeth when you see Abraham and Isaac and Jacob and all the prophets in the kingdom of God, but yourselves being thrown out. 29 And they will come from east and west and from north and south, and will recline at the table in the kingdom of God. 30 And behold, some are last who will be first and some are first who will be last.” ~ Luke 13:22-30

Within a couple weeks, we believe most will fall prey to a great hoax, not having received the love of the truth so as to be saved. Others, found trustworthy and therefore not needing to be written to about times and epochs, will not be taken by surprise. They will be sealed in, protected during megas thlipsis as having entered through the narrow door. I had previously concluded that the saints with soiled robes would find themselves locked out when the Bride is stolen away, but we see now that her separation comes earlier, when the living are sealed as in an ark. Some will die, as a blood sacrifice, martyred, but some will live and enter “The Time Machine,” in a sense, a pocket universe, a time-space ark. I have much more to convey about this.

The Lord drew my attention several years ago to a time pivot in the language of the passage in Matthew 24, and that led to Aaron's revelation insight when we met and discussed verse 22 in July-August of 2011. His attention was drawn to the word "sake," which is translated from the Greek preposition dia. What it really informs us about is the Lord's working through the agency of the elect so that all life or flesh will not be destroyed, but rather saved. How could that possibly be? Because a time war is that big of a threat.

Consider the time pivot, how the tense swings from before the fulcrum event to after it, then returns back again. It signals a time shift.

21 for there shall be then great tribulation, such as was not from the beginning of the world till now [the PAST], no, nor may be [the FUTURE]. 22 And if those days were not shortened, no flesh would have been saved [now looking back from the future into the past]; but because of the chosen, shall those days be shortened.[now looking ahead to the event]~ Matthew 24:21-22 (YLT)

The time shift is appointed for salvation, and the Lord involves His elect in this time war. The period of megas thlipsis, when Satan has control over time, will be truncated, specifically limited. The Bride together with 144k sons of Israel will be in a protected zone or zones. You might think I'm making this up, scripting a fanciful sci-fi adventure but I'm quite serious. There's scriptures that picture this in prophetic allegory, and it's been modeled over and over in literature and in multimedia presentations. Some will be sealed in a time machine of sorts, in a protective bubble, around which will flow the destroying influence of the time warp.

The following passage about the one who will be a star in the big show doesn't say that he will intend to make alterations in the measurement of times. There's a difference. He will be granted success.

25 He will speak out against the Most High and wear down the saints of the Highest One, and he will intend to make alterations in times and in law; and they will be given into his hand for a time, times, and half a time. 26 But the court will sit for judgment, and his dominion will be taken away, annihilated and destroyed forever. 27 Then the sovereignty, the dominion and the greatness of all the kingdoms under the whole heaven will be given to the people of the saints of the Highest One; His kingdom will be an everlasting kingdom, and all the dominions will serve and obey Him.’ 28 “At this point the revelation ended. As for me, Daniel, my thoughts were greatly alarming me and my face grew pale, but I kept the matter to myself.” ~ Daniel 7:25-27

There's the linguistic construct of “time, times and half a time” again, like in Daniel 12:7 and Revelation 12:14. Remember, the expression, “time, times and half a time” literally refers to time, multiplied time and fractional time. It's actually a cryptic description of a wormhole!

More to follow, Lord willing!

Part 1 - The Avengers - STARK Tower as Space-Time Ark - Fury Recruits Captain America

It's not at all rare to see the subject of time-space manipulation in the media these days because it's all over the news as well as entertainment productions. We watch and see what we see, according to the Lord's command for His saints in such as Mark 13:37. What's most interesting is when the space-time manipulation theme is embedded in the language of symbolism, like in The Avengers (2012). The theme is not only central to the plot, but two or more of the scenes are drenched in space-time symbolism. It's in the script, which is loaded with NLP, and it's in the visual imagery of the set and the action. This covert messaging is an expression of theurgy, an operation of mind-control programming, and ritual magick. For us, it provides a window of insight into the Adversary's intentions and how Bible prophecy is playing out in this amazing season.

The main point I want to make in this post is how the idea of a space-time ark is being promoted as central to an interdimensional war over humanity. What I've been writing about for the last few months and primarily showing from the text of the Bible is also the stuff of pop culture media, and it has been for a very long time. (Search this blog for time ark for more insight.) A reset of time itself is coming that will result in a time truncation. It will become necessary due to the consequences of an interdimensional war that will be (or, is being) fought with weapons of time-space manipulation. While this lengthy post was being written, the Lord provided some extremely interesting validation, which I will probably be writing about soon.

I'm assuming that you're already pretty familiar with the film that is the subject of this post. Briefly, the plot revolves around the Tesseract, a mysterious alien artifact that can function as a power source and a space-time portal. That higher-dimensional cube is activated very early to open a passage from the other side, through which the demigod Loki makes his entrance into this world and realm. The Tesseract is stolen from SHIELD and harnessed to open a dimensional portal through which alien invaders come, who wage war in an effort to destroy humanity. The portal opens right above the Stark Tower because the Tesseract was placed inside a device that was set up on the Tower's highest level.

It's fitting that the celestial Silver Gate is inherent in the location because the Stark Tower is in New York City, in Manhattan, replacing the MetLife building. There's a lot to explore in the film, including connections to the Grand Central Terminal and CERN's LHC.

Prior to the theft, the Tesseract was being studied inside a particle accelerator facility. It had been placed into the energy beam, and on the other side it was perceived as having been awakened. When the Tesseract was operated from the other side, that's when a blue beam shot out and Loki appeared as through a stargate. Links to CERN's LHC supercollider are unavoidable. When that controversial machine was fired up in the first run, strange beings appeared and were witnessed by many. Here's a sign from the film. Literally.

The Tesseract was being studied at a facility called Joint Dark Energy Station, Western Division. Project Pegasus. NASA Space Radiation Facility. S.H.I.E.L.D. Accelerator Test Facility. The entire time the sign is in view we see shadowy figures, most of them speeding by. Shadowy figures. Not unlike those seen in the SYMMETRY Dance-Opera film sponsored by CERN. They are the beings on the other side, waiting to come through to this space-time realm. (Web search project pegasus time travel montauk for insight into why The Avengers is making that connection.)

Here's another sign. The design of the owner's name on the Tower suggests that it's a space-time ark. It's subtle, but notice how the alignment of the letters and the shifted encircling line divides the word, STARK, into ST and ARK.

Comparing this design to the title graphic of Stitchers, the new series on the ABC Family network, the lengthened ascender of the letter A appears to be a slash character, and this might be a model for the Stitchers title. A slash is used as a separator. ST slash. Space-Time - separator. Space-time ark.

Here's a couple more observations about the Stitchers title. The slash is through two letters, TI. That's the standard designation for the metal titanium. It was named for the Titans of Greek mythology, the earliest class of gods. References to this metal can signal Code 47 (Osiris + Isis produces Horus) because the atomic mass of Titanium is 47.867. Because the shape cut off as the dot of an “i” suggests the triangle eye floating above the pyramid on the Great Seal of the USA, which is the all-seeing Eye of Horus, and it's called out as the “i” of Horus for yet another layer of redundancy.

I note with interest that the Occult gematria of STITCHERS is 121, and 122 where Z=1. Given our recent focus of attention on 12:21 and 21-22 combos that observation seems well worth noting here.

The Occult gematria of STARK is very significant. It's 19+20+1+18+11 = 69. That's what I consider to be the double digit number signaling the mark of the beast transformation, and I've noted plenty of related XO MOB imagery associated with the Tower. With Z=1 in the mirrored gematria, STARK calculates as 8+7+26+9+16 = 66. That's the number for the abyss, yes, the watery deep, and as you'll soon see this is a very fit identification. The Stark Tower is on Manhattan, an island. Man+Atun. Man god beast, surrounded by water-as-time, arising out of water-as-time.

In the film, the Tower doesn't function like The Time Machine of H. G. Wells, Dr. Who's phone booth or Mr. Peabody's Way Back Machine. Instead, it's represented as a modern Tower of Babel, a special platform where access is opened into the heavenly dimension. This connection between the two towers is made in ways that are cryptic but there's enough evidence to suggest that this is intended. The Tower is an independent operational interface between realms.

The scenes of primary interest happen early in the film, after the crisis has been introduced and while the Avengers team is being assembled. The Tower is introduced when Agent Coulson is about to recruit Tony Stark / Iron Man. Just before that, Nick Fury, Director of SHIELD, recruits Steve Rogers / Captain America while he's working out in a nostalgic looking boxing gym. I found a clip of this scene on YouTube. You'll probably want to watch it now and keep it open in another tab or window for reference.

The AVENGERS - Captain Rogers [America] HD

While Director Nick Fury is making a pitch to a council of overseers, we hear a councilman say, “War isn't won by sentiment, Director.” Fury responds with dramatic emphasis. “No. It's won by soldiers.” The scene cuts to a boxing ring where we see Captain Steve Rodgers working out with a heavy punching bag. Our first sign is the brand label on the boxing gloves. Everlast. Like, everlasting; it's a time reference. Flashbacks to the past reveal what's on his troubled mind, scenes of some battles he fought during WWII. Through the transition from scene to scene, the overt context is WAR! This is about space-time warfare!

At almost 21 minutes into the movie (not the clip), this is what we hear. “There's not enough time. I've got to put her in the water.” Okay, if you've been paying attention to this blog that should flag your attention and put you on the alert for symbols like water-as-time. Just before the scene transition, a glass of water (as time) is being used as a prop and occasionally given a central position on screen. This is done while Fury makes the urgency of the situation his main argument. Urgency has to do with the passage of time. What follows is an abundance of imagery echoing that same theme.

As the time counter on the video player ticks over to the 21 minute mark, and the number 21 means time, it's apparent that the airplane Steve is piloting is crashing into the water. (Backstory is from the film, Captain America, The First Avenger.) Very briefly we're shown the Tesseract, which an earlier scene had demonstrated to be a space-time portal. The Tesseract is with him when he crashes into the sea, but there's more going on here. When the airship and pilot would penetrate the surface of the water, that action represents the breaching of a time-space barrier.

We see the body of Captain America, partially encased in melting ice. Ice is frozen water, which is frozen or stopped time. From the time of the crash until he was thawed out, Cap was in a state of suspended animation like a deep sleep where the passage of time had no effect on him.

We hear someone exclaim, “Oh my god! This guy's still alive!” When someone on screen utters those words, they're usually telling you that there's a symbolic level where they have just encountered a god. That god was still alive. He was, is not and will be, it could be said. As from out of the past, he emerged from the sea like the beast of Revelation 13:1. Captain America. Amaru, aka Osiris, whose parts were collected from the Nile (the river of time) and regenerated by Isis to produce Horus. (similar sounds, Isis ~ ice) Cap's shield bears the pentacle that is the ancient sign of the celestial goddess of the sea, Venus, aka Isis. The patriotic shield's magical sigil that is the pentacle is also the Egyptian hieroglyph for the duat, the underworld.

Cap is worked up and he punches the bag so hard that it flies off the chain (theurgy - seirai) and slides over to the wall, ruptured, spilling out sand. The sands of time have spilled out of the bag, time uncontained, lost. Motion, ceased. When the bag and sand fly through the air, think, tempus fugit. It comes to rest under the water fountain. That's a WATER-as-time fountain, where no cool water happens to be flowing. Right behind the bag we see a radiator, and hidden inside may be flowing steam and hot water-as-time. Some of the shots of Steve punching the bag are lined up to show us the water fountain and radiator being occulted by the swinging bag of sand. Stacking or layering related symbols is an expression of theurgy.

Steve sends the bag flying with a powerful right cross. The bag is cylindrical so it has a circular cross section. He hit it with a right cross. Bam. Cross circle. Mark of the Beast! Lined up behind him is a rounded square column. Squared Circle. The boxing ring is known as a squared circle. Technically, things called rings are round, right? That has rich meaning, signaling ritual sodomy and mind control programming. That biological-spiritual mechanism is exploited to create supersoldiers, like Steve Rogers. The squared circle construction is also a geometrical representation of time-space and the exercise of control over it. A boxing ring ~ space-time war. When the bag is punched so hard that it goes flying through the air, the squared circle of the boxing ring is seen behind it. There's a prominent square shape cut into the floor. When the cylindrical bag flies by it, yet another layer of circle square imagery appears.

Right near Cap's head - at 21:12 film time, and 12 is another primary time number, we see a clock behind him on the wall being covered and uncovered by his head - as he turns around. (uhhhh, think, ELO - Fire on High - “The music is reversible, but time... turn back, turn back, turn back, turn back”) His head was occulting the timepiece as he turned around, at 21:12. You're familiar with what I've been writing about 12:21, right? A clock, of course, is for measuring and accounting the passage of time.

So, are the themes becoming really obvious?

Cap walks over and picks up another bag. It's one of six in a line so there are seven total, including the one at rest under the fountain. Seven bags of sand means seven units of time. The bags are the heavy-bag kind, and the brand is Everlast. Like the boxing gloves seen hanging on the ropes. Everlast. Think about it. An Everlast punching bag and boxing gloves. Time wars. The bags are probably the standard 70 pound kind. Daniel 9 famously describes sets of sevens, 7 and 62 and 1 and 70. Coincidence? Doubtful. At the 12:21-22 time marker, Steve hangs the second punching bag on the chain. Meaning: Time transition. I reflect on all the verses numbered 21-22 and other sets with that numbering that the Lord was highlighting to Aaron and I during this past Pesah, a transitional season.

So, the squared circle pairing is a space-time symbol combo and so is the practically identical cross circle or XO. Each heavy bag is attached with four chains. Seen from above, the form presented is the familiar XO. It's signaling space-time and also the mark of the beast. It's also the heart of the sigil of Nodens, the god of the watery abyss.

The many columns in the gym are symbolic objects with meaning that should be familiar. They are used in Illuminati trauma-based mind-control for what's called time travel programming. That's probably because of the assigned meaning that goes back to ancient times, where heaven and earth are seen as connected by columns, and transited also. The ones in the gym are padded, which speaks to the padded rooms of mental asylums for more trauma-based mind-control symbolism. The row of Xs in the stitching forms water glyphs, aligned vertically. The marking of dimensional gates (windows, doors, bridges, columns...) with X X is hugely popular in film and TV sets.

When Fury walks in, he asks, “Trouble sleeping?” Steve replies, “I slept for 70 years, sir, I think I've had my fill.” Right. 70 years. His fill is a full measure of time - 70 years. That's a fullness of time period like an Everlast heavy-bag filled with 70 pounds of sand. Fury's retort: “Then you should be out, celebrating, seeing the world.” The world. Space. Put it together. Time and Space. Daniel 9 refers to the full span of time that had been revealed to the prophet Jeremiah for the exile in Babylon: 70 years. I see an even far more compelling connection here with Enoch and a 70 generations long term of imprisonment, because those responsible for the flood of Noah's day want so badly to be released back into the world, to celebrate with the bringing of destruction. They are THE AVENGERS, with all the agents allied with them. One of the main objectives in the time war is to impact the countdown timer on the time-lock of their containment system, to set them free in a manipulated early release.

Steve responds, “When I went under the world was at war. When I wake up they say we won. They didn't say what we lost.” What did Steve lose but time? Seventy years got away from him. Gone. He makes reference to the passage of time, and war. When he went under, what was it that he went under? Water. Under time. Into the UNDERworld. Fury: “We've made some some mistakes along the way. Some very recently.” “Along the way.” “Very recently.” Emphasis: Through space and time.

Steve: “Are you here with a mission sir?” Aaron and I have been discussing a time mission for years, how Matthew 24:22 bears witness to such a thing. The elect saints will be engaged as the benefactors in a truncating of time relative to megas thlipsis. An ark is for salvation, the saving of flesh. The time ark concept. Fury's response to Steve's question is succinct. “I am.” Right. That's a coded reference to the identity of The One who commissioned Moses at the burning bush on Mount Sinai. Moses himself had been saved in an ark, spared certain death by being floated on the Nile to be found and raised by the Pharaoh's daughter. He was commissioned by I AM to save Israel by passing them safely through the Sea of Reeds, as by another kind of time ark, on dry land. Dry. Absence of water-as-time. Fury, a counterfeit I AM, has the eye patch, the darkened eye of Horus, of course, so he's an antichrist type like all the other characters. Steve: “Trying to get me back in the world?” Hmmm. NLP. “Get me back” hints of revenge, of avenging, but think on this: The mission is first to get the demigod Amaru back into this space-time domain. Fury: “Trying to save it.” Yeah, saving it requires a savior of the world, a messianic agent. There is a time ark mission that involves bringing the fraudulent savior into the world. We saw that already with Loki, but the modeling repeats in varied shadowy ways.

Fury hands Steve a dossier and we see the Tesseract featured. Steve says it's HYDRA's secret weapon. Let's take a closer look at that.

Everything HYDRA is related to water, like the word, hydro. Water-as-time.

“In Greek mythology, the Lernaean Hydra was an ancient serpent-like water monster with reptilian traits. It possessed many heads – the poets mention more heads than the vase-painters could paint – and for each head cut off it grew two more. It had poisonous breath and blood so virulent that even its scent was deadly. The Hydra of Lerna was killed by Heracles as the second of his Twelve Labours. Its lair was the lake of Lerna in the Argolid, though archaeology has borne out the myth that the sacred site was older even than the Mycenaean city of Argos, since Lerna was the site of the myth of the Danaids. Beneath the waters was an entrance to the Underworld, and the Hydra was its guardian.” (Wikipedia)

While the Marvel productions remind us regularly of HYDRA's growing of more heads to replace each one that is cut off, I don't recall hearing this beast's job mentioned. HYDRA's namesake is the legendary guardian of the entrance to the underworld that is beneath the waters. (Seen “Pacific Rim” lately?) This identification is key, and with Steve's observation that the Tesseract is HYDRA's secret weapon, we can interpret the realm accessed using the Tesseract to be the underworld. This actually involves some flip-flopping. The dimensional gateway opening has to do with water, or literally with time.

The HYDRA logo looks like an Octopus and totenkopf (Nazi SS) or a variant on the skull and bones. To call it an allusion to H. P. Lovecraft's Cthulhu mythos is no stretch. Leviathan? Yes, indeed. Decoding the logo, we only see 6 appendages, three on each side. Code 33. The curling tentacles present an obvious 666 on our left, and a mirror of it on the right. With 6 numbers 6 thus written out for us, the numbering of the watery abyss is signaled; 66. HYDRA - Water beast of the abyss. The encircling of the imagery adds another 6 (O ~ 15 ~ 1+5) to provide redundancy in support of the 666 read directly on the left and on the the mirrored side. The HYDRA brand is also an XO MOB symbol. Including the head, there are 7 appendages to this beast. We see that SHIELD has assigned this matter a Security Level 7. Seven. It's another time number.

Here's some bonus imagery. Nexxus. HydraLight

After Steve's comment about the Tesseract being HYDRA's secret weapon, Fury says, “Howard Stark fished it out of the ocean when he was looking for you. He thought what we think. The Tesseract could be the key to unlimited sustainable energy. That's something the world sorely needs.” He emphasizes the words, “fished it out,” and we immediately see the fishy octupus-like figure in the document held by Steve. I believe there's a messianic reference being implied in the emphasis on the fish. (We'll see this interpretation validated with a later reference.) Isis searched for and found Osiris and then fished the parts of her dead husband / brother out of the water, except for his phallus, because it had been eaten by a fish. Why bring up the phallus of Osiris? In last season's SHIELD TV series, the Macguffin was a mystical alien obelisk. An obelisk is the phallus of Osiris. The comment Fury made about the world sorely needing unlimited sustainable energy is another dose of green propaganda from the Big Green Propaganda Machine that drives the world today, but there's more to it than just that. For one thing, there's the coded NLP reference to space-time in the mention of the ocean and the world in the same snippet of dialog. We're going to hear Iron Man voicing the green mantra in the next scene.

Director Fury's last line in the gym is a question. “Is there anything you can tell us about the Tesseract that we ought to know now?” The word, now, is superfluous, linguistally, but repetition serves to strengthen the NLP with additional time word content. Steve responds, “You shoulda left it in the ocean.” In the ocean, where it was figuratively lost in time.

Before moving on we should give our attention to what Steve is doing as the scene ends. He is leaving the gym. He picks up one of the heavy-bags and throws it over his right shoulder. With his gym bag in his other hand, he walks out through a passageway built with secure looking chain-link fencing. Why would he remove a heavy-bag from the gym? It makes sense to bring a heavy-bag the other way, to the gym, because that's where you use them. The bag represents a large unit of time, probably heptadic. (I note that it's #3 of 7 in sequence, leaving 4 remaining on the floor.) We see him carry it out past the columns, representing time travel, passing through the steel or iron gate, the dimensional barrier. He removes it from the gym. A large unit of time was removed from the time-space domain. Time truncation. While he models to us the removal of a fixed amount of time from the closed system, his commentary gives us something to think about. “You shoulda left it in the ocean.” There's a dark agenda being served by the removal of time from the domain, and I'm not referring to the fictional Marvel universe. The Everlast bag filled with the sands of time wasn't the only thing Steve took. What was in the gym bag? Gym bags typically contain clothing, garments. A garment is a metaphor for a body that is fit to access and operate within a specific domain. Different domains require different kinds of garments. How could Steve leave the gym without changing his garments? Well, because he took the bag of sand with him. He has time, and control of time, for a fixed season, and that provides access to multiple domains.


To be continued, Lord willing.