Part 2 - Pope Francis - Decoding the Coat of Arms: Feathered Serpent and Amarucan Eagle

Continuing from the previous post, the Papal Coat of Arms resembles the eagle (or phoenix) of America's Great Seal, with many matching features. It also resembles the Baphomet, as rendered by the celebrated occultist Eliphas Lévi. Pope Francis' heraldry is similar in many respects to those of the Popes who immediately preceded him, Benedict XVI and John Paul II, but his is easily the best match to both the Great Seal and Baphomet. When the Latin phrases that appear on the featured three emblems are considered in the light of this matching, the similar meanings seem unlikely to be coincidental. The conclusion that there is one power and plan in view finds further support.

I'll get to the comparison of the Papal heraldry with Baphomet eventually, but first I want to explore the comparison to the bird on the Great Seal.

Between the two, the shields are presented front and center. The mitre that is worn on the head is the obvious head of the eagle above the shield. The matching wings, and clutching talons are obvious, as are the star cluster (star-cluster of grapes) and radiant (anal) portal. Each has a Latin expression. (While Bergoglio's previous heraldry had the phrase set on a banner, the banner does not appear in his Papal version.)

I include the NSA seal in this comparison to illustrate a key-talon connection and to highlight the link between the key and protection, security.

I've identified and labeled that iconic bird on the seal as the Amarucan Eagle. See Amarucan Eagle as Feathered Serpent, Hoover Dam and the Mayan Lord Pakal Ahau. This takes history into account and reveals our national bird to be none other than the plumed serpent, phoenix and great dragon. When the identification of the Pope through his heraldry as a shielded bird of prey is pursued, one can hardly deny that he is identifying his god and himself as his kind, the head of the ancient cult that worships that feathered serpent.

It's easily discovered that there are Papal links to this bird. The eagle has long been identified with the Vatican and Rome. There is in the Vatican Garden what is called the Fountain of the Eagle. Any eagle exalted at the Vatican is the same as the Roman military standard, called an aquila. There's a direct link here to Aquilla, the constellation associated with the eagle of legend that held the thunderbolts of Jupiter, aka Zeus. The role of the eagle is to bear this god's weaponry, and this is how we see the Amarucan eagle on the Great Seal, clutching 13 arrows in a talon. (Thirteen bloodlines of the Illuminati - arrow as offspring - Psalm 127:5) The Archer is traditionally understood as the sun god Apollo (aka Horus), the son of Jupiter-Zeus.

Because a Coat of Arms is in fact a military insignia, there is not even the slightest departure in the presentation of a form of the Roman military standard in the Papal heraldry. This observation bears witness to the Roman Catholic church's earthly ambitions, which are, in no small part, military. Remember the Crusades?

The mitre pictured on the Pope's Coat of Arms is another witness because it resembles a knight's helmet as a companion to the shield.

The Vatican is recognized the world over as a distinct national entity, and their agents have enjoyed diplomatic immunity. The Pontifical Swiss Guard is the security detail at the Vatican. The Jesuits, the orders of the Knights of Malta and Columbus, the Knights Templar, these are quite literally military orders. This Pope is a Jesuit, obviously, one of “God's Marines.”

Because such things are guarded, I can't attest to the validity of the following version of the Jesuit Oath, but it seems likely to me given what other oaths of the secret societies have surfaced, and given the long history of the Jesuits, the Society of Jesus. This is what Bergoglio would have upheld, who has now become that visible head to whom allegiance was sworn.

“I furthermore promise and declare that I will, when opportunity present, make and wage relentless war, secretly or openly, against all heretics, Protestants and Liberals, as I am directed to do, to extirpate and exterminate them from the face of the whole earth; and that I will spare neither age, sex or condition; and that I will hang, waste, boil, flay, strangle and bury alive these infamous heretics, rip up the stomachs and wombs of their women and crush their infants' heads against the walls, in order to annihilate forever their execrable race. That when the same cannot be done openly, I will secretly use the poisoned cup, the strangulating cord, the steel of the poniard or the leaden bullet, regardless of the honor, rank, dignity, or authority of the person or persons, whatever may be their condition in life, either public or private, as I at any time may be directed so to do by any agent of the Pope or Superior of the Brotherhood of the Holy Faith, of the Society of Jesus.”

“In confirmation of which, I hereby dedicate my life, my soul and all my corporal powers, and with this dagger which I now receive, I will subscribe my name written in my own blood, in testimony thereof; and should I prove false or weaken in my determination, may my brethren and fellow soldiers of the Militia of the Pope cut off my hands and my feet, and my throat from ear to ear, my belly opened and sulphur burned therein, with all the punishment that can be inflicted upon me on earth and my soul be tortured by demons in an eternal hell forever!”

“All of which, I, _____, do swear by the Blessed Trinity and blessed Sacraments, which I am now to receive, to perform and on my part to keep inviolable; and do call all the heavenly and glorious host of heaven to witness the blessed Sacrament of the Eucharist, and witness the same further with my name written and with the point of this dagger dipped in my own blood and sealed in the face of this holy covenant.” (He receives the wafer from the Superior and writes his name with the point of his dagger dipped in his own blood taken from over his heart.) (The Extreme Oath of the Jesuits)

The waging of war is what a military is all about. This is not a matter of harmless little boys in a club house pretending to be something they are not. The Bible is clear about the state of things today. Mystery Babylon is held accountable for spilling blood. History bears witness to the bloody history of the Jesuits. More will be written about this, Lord willing.

I'm going to continue confirming the identity of the hidden Papal bird. Look at the Jesuit icon once more. Jesuits and, indeed, all Roman Catholics must be considered the children of the sun. They observe the solar calendar and worship on SunDay, attend sunrise services and worship a sun symbol host. The majority of Roman Catholics live in what's considered Latin America, with Latin being the traditional language of the Romish church. Now, consider what the Freemason Manly P. Hall wrote as he referenced the native peoples of Latin America.

“These Children of the Sun adore the Plumèd Serpent, who is the messenger of the Sun. He was the God Quetzalcoatl in Mexico, Gucumatz in Quiché; and in Peru he was called Amaru. From the latter name comes our word America. Amaruca is, literally translated, ‘Land of the Plumèd Serpent.’ The priests of this God of Peace [that Plumèd Serpent or flying dragon], from their chief centre in the Cordilleras, once ruled both Americas. All the Red men who have remained true to the ancient religion are still under their sway. One of their strong centres was in Guatemala, and of their Order was the author of the book called Popol Vuh. In the Quiché tongue Gucumatz is the exact equivalent of Quetzalcoatl in the Nahuatl language; quetzal, the bird of Paradise; coatl, serpent--'the Serpent veiled in plumes of the paradise-bird'!" ” (Manly P Hall, The Secret Teachings of All Ages, p 602.)

Pope Francis is not only the first Jesuit Pope but also the first from Latin America.

If you're still working on making sense of what you see unfolding, perhaps this image will speak to you. It's a photograph of the base of the obelisk that stands at the Vatican as the centerpiece of St. Peter's Square. That's the prized artifact removed from the Egyptian city of On, the former center of sun worship that is also known as Heliopolis, the City of the Sun. Can you identify the bird with the royal crown as the Plumèd Serpent? If the Vatican eagle wasn't connected to sun worship, why would it be affixed to that obelisk? If you connect the lions to the sphinx that guard the pyramids you have another point of association.

Did you know that an obelisk is considered a frozen serpent? According to former Satanic witch and author Cisco Wheeler, “An obelisk is taught to Masons as a symbol of the phallus, but the deepest level meaning is that it is really a 'frozen snake'.” The eagles are affixed to the “frozen snake” at the Vatican to represent and honor the ancient feathered serpent, the biblical dragon and his incarnation. It's the very phoenix of the UN security council mural! The capstone at the top of an obelisk is a Benben associated with the phoenix. Is it merely coincidental that Pope Francis's heraldry resembles the “Amarucan Eagle”? Of course not!

Cisco Wheeler also wrote, “When the Fifth Dimension world is here, the Serpent of Wisdom will once again populate the world as in the days of Noah and as they did in the early days of the motherlands. They will once again function within their immortal Dragon bodies and immutable physical shields, becoming the Nephalim of ancient days.”

I believe these very “immutable physical shields” are represented in the Papal heraldry.

And I will make Jerusalem heaps, and a den of dragons; and I will make the cities of Judah desolate, without an inhabitant. ~ Jeremiah 9:11

Behold, the noise of the bruit is come, and a great commotion out of the north country, to make the cities of Judah desolate, and a den of dragons. ~ Jeremiah 10:22

Featured in the Vatican Museum is an old vase that pictures what I believe is an ancient scene of SRA, Satanic Ritual Abuse, where an eagle is torturing and performing ritual torture and blood sacrifice on Prometheus. The act of pecking out the heart is akin to what the worshipers of the feathered serpent have famously done. Nearby, Atlas is being abused by a serpent. They appear to be on apedestall altar, as being ritually sacrificed to the serpent + eagle or feathered serpent. What is claimed in the description on Theoi.com to be blood dripping from chest wounds seems more likely to be veiling the discharge from another source. Look at the residue on the ground. The serpent form suggests kundalini enlightenment. The sum suggests SRA and illumination through rough ritual sodomy. Combine the pairs to see the brothers as a single sacrificial victim and the serpent and eagle together as the feathered serpent. Obfuscation has been going on a very, very long time. The double headed eagle resolves two into one, like daVinci's Vitruvian Man. Two into one. One into two. It's an old trick that works well.

How many images of Horus as Horus Behdeti and Isis as Isis-Thermoutis or Isis-Renenutet composite the serpent, feathered wings and sun disk symbols together? Below appears a picture of a feathered serpent on a temple honoring the crocodile-headed god Sobek, on the Nile at Ombos. It's known as Horus Behdety.

Many claim the I and H of the Roman Catholic / Jesuit so-called “holy name” IHS represent Isis and Horus. Idols of I and H are often renamed “Jesus” and “Mary.”

The titular bishop of Ombi from 1958 until 1963 was none other than Karol Wojtyla, who would later become known as Pope John Paul II. His heraldry was the first to more closely resemble this eagle and feathered serpent!

I believe there's another important connection here. This is a painting from a temple in Kom Ombo, perhaps the Temple of Sobek. The bird concealed in the heraldry of the last three Popes, John Paul II (former titular bishop of Ombi), Benedict XVI and Francis 1, appears to be specifically a vulture.

In particular, the three Popes named above made the lappets prominent in their heraldry, spreading them out with their fringe like wings. These are seen as red, adorned with the sodomite plus sign cross and with gold fringe at each end.

“Each papal tiara since early mediæval times contained two lappets. Their origins remain a mystery, though they are obviously in imitation of the lappets on the bishop's mitre. The lappets are probably avestigee of the ancient Greek headband called a mitra from which the mitre itself descends. The mitra was a band of cloth tied around the head, the ends of the remaining fabric of which would fall down the back of the neck. The Latin name for the lappets is infulae, which were originally headbands worn by dignitaries, priests, and others among the ancient Romans. ” Lappet - Wikipedia

The reason for featuring this ornamental feature of pagan priests in their bird of prey heraldry may be to identify their eagle as the vulture. The constellation Aquilla, the eagle, was also known to the Romans as Vultur volans (the flying vulture). (In Matthew 24:28 and Luke 17:37, the words eagle or vulture may be used, depending upon translation.)

It would not surprise me if there were some manifest form of these tares as serpent and vulture like, like a lappet-faced vulture, after the manner of their god. Their nature is to eat the flesh of men.

The Vatican, Rome, America, Germany, Russia (two headed) and other entities and members of the Illuminated elite identify themselves with the eagle. So does Freemasonry. Given that the Papal Coat of Arms is the Masonic tracing board I illustrated in the previous post, the Coat of Arms as the eagle is yet one more linking element.

Another ancient artifact in the Vatican collection is a statue of Ganymede with eagle, associated to Zeus, aka Satan.

Uh, yeah, so the Eagle is with Ganymede but Zeus made him so the eagle can't be Zeus. And, yeah, the eagle is the bearer of the thunderbolts for Zeus, not Zeus himself. OK. And, uh, the feathered serpent is the Devil, and that's Satan and Zeus, so the feathered serpent can't be the eagle because that's not Zeus. But, well, Apollo is the son of Zeus, so why does the bird carry Apollo's arrows but Zeus' thunderbolts if, ah, wait, what was that about the phoenix again?

Hey, simplify. You can't resolve those conflicts. That's the point. It serves the Devil to cloak the truth of his identity and deeds by spinning off multiplied conflicting versions of everything. If there is a Vatican pretext explaining the symbolic bird on their obelisk, it probably involves biblical references, and that would be an example of the typical imprinting of lies over the truth. When you see a bird of prey used for branding, whether it's an eagle, owl, hawk or falcon, it's a god, ultimately the prince of the power of air, Beelzebub - Lord of them that fly, the being with the ability to traverse dimensions that is Lucifer, in a guise of the sun god of the sodomites. Every one of the "myths" and legends of the ancient gods is a little truth wrapped in lies. Those who chase down the left hand path obsess on the hierarchical structures and magickal names and formulas. At the end of the day, they still have the most essential fundamental wrong. Their Christ is antichrist.

The propagation of confusion is stock in trade for Mystery Babylon, the biblical entity primarily represented now by Pope Francis. The word “Babylon” is related to “Babel” and these have the meaning of confusion and mixture, as well as the gate of the gods. As a magickal symbol, which is a demonic portal, the Pope's Coat of Arms is as the Pope himself, and as the work of this Mystery Babylon, a gate of the gods.

“The Greek Aquila is probably based on the Babylonian constellation of the Eagle (MUL.A.MUSHEN), which is located in the same area as the Greek constellation.” (Wikipedia)

For further study I recommend reading what Steve Quayle posted on his site last month, which I've copied here with some commentary. This brief on “The Return of the Serpents of Wisdom” provides an excellent overview of the bird. The author, Mark Amaru Pinkham, is the North American Grand Prior and Co-Director of a division of the Scottish Knight Templars.

Having connected the Pope's heraldry to the Great Seal of the USA and identified the bird as the feathered serpent and sun god he represents, there's another important comparison I want to make before I explore the meaning of the celestial imagery.

As I've shown by many examples in this blog, it's the way of the tares to imprint another version directly upon the truth. Truth with a twist, given a spin. The truth is used as a vehicle for the lie.

A good example of this may be seen from the familiar work of devout Roman Catholic and Renaissance painter, Vicente Juan Masip (also Vicente Macip; 1475– 1545). “He never painted a profane subject, and emulated Luis de Vargas and Fra Angelico, in never painting unless he had undergone holy communion. Painting for him was a solemn exercise, an oratory process, full of prayers and fasts. He never lacked church patronage... He also painted for the churches of the Jesuits, Dominicans, Minims, Augustinians, Franciscans...” (Wikipedia) A comparison made between Masip's “Christ with Eucharist” and the ceremonial magician Eliphas Lévi's (1810 - 1875) “Baphomet” leaves little doubt that they have much in common. Any argument to the effect that Lévi was merely counterfeiting a truly good genuine fails when held up to the light of scripture, where the second commandment clearly prohibits what Masip and other religious artists have done.

It must be said that Masip and Levi shared common inspiration, and those who make heraldry like the Papal Coats of Arms are inspired of the same source, to the same end. Idolatry, and sorcery, the craft of binding spells.

To be continued, Lord willing!

Part 1 - Pope Francis - Decoding the Coat of Arms (i.e. Masonic Tracing Board)

The official Papal Coat of Arms of Jorge Mario Bergoglio, aka Pope Francis I, was announced a few days ago. Because ritual sodomy is the key to the power of that cult of Mystery Babylon and a fundamental in their worship of the sun god, the Pope's all have imagery that signals the sodomite gateway. Bergoglio's personalized additions extend that and add some other imagery that is very intriguing! If you've been following what Tom Horn and Cris Putnam have been writing about the Vatican's peculiar interest in astronomy, you're going to find a related witness here. Read the celestial imagery where the sun appears, and the star next to the bunch of grapes represents a star cluster. You're going to see how the Papal heraldry is a cryptic Masonic tracing board, which makes a rather dramatic statement beyond the obvious suggestion that this Jesuit Pope is secretly a Freemason. I don't pretend to know all the layers of any of the symbols, but I've become pretty familiar with some of them. There's more to this than I can reasonably cover in one post.

Yesterday was the Vernal Equinox, a big day on the Pagan calendar. I was wondering if the Pope was going to have a major event marking the day, but nothing seems to have been made public about such. His election came on the 13th, with some folks observing the Occult numberings of the timing of events on that day. On the Lord's calendar, the election came on the first day of the first month. He was inaugurated on the 19th, the last full day of the first quarter of the solar year. “Inaugurate” means “to take omens.” See here for some background on the word, “inauguration.” Because of what's known as the Prophecy of the Popes, some suspect Pope Francis 1 will soon fill the role of the false prophet, as Petrus Romanus. While the time is near for the false prophet to arise and fulfill his prophetic appointment, it's not so near that I will make any claim about his identity, having no revelation insight into the matter.

Pope Francis I brings to his new heraldry his former motto, the blue escutcheon or shield bearing the standard Jesuit emblem with the star and cluster of grapes, which have been changed from white to yellow. Bergoglio replaced the traditional tiara with a mitre, like Pope Benedict XVI (Joseph Ratzinger, 2005–2013) before him. His versions of the crossed Keys of Peter are modeled on those of Pope John Paul II (Karol Wojtyla, 1978-2005). Francis retains the fringed lappets of the headpiece in the same style of those two preceding Popes. (See Wikipedia's collection of the Papal Coats of Arms)

As to what these things mean, there's official versions, and you can accept those if you like, but all the official versions and the reports of them are going to be filled with misinformation. miserando atque eligendo = “Lowly But Chosen”? Well, not really. Liars lie. Esoteric symbols have several layers of meaning. They are carefully designed to conceal and reveal the truth. They require decoding. You can get a foundation for interpreting the Papal symbolism from my decoding of Pope Benedict XVI's Coat of Arms here, Part 13 - The Sodomite Gateway - The Sodomite High Priest of the Romish Sun Cult, and about similar heraldry here, Part 17 - The Sodomite Gateway - Royal Pains - Order of the Garter.

The sun on the shield with IHS and a cross inside is the Jesuit Christogram. I explained it's symbolism in Part 79 - The Sodomite Gateway - Holy tIHS!, and Part 80 - The Sodomite Gateway - Jesuit Values. The sun symbol is the sun god's anus, filled with tIHS (mirror that), as one might expect. The three nails that are claimed to represent the hardware used to affix my Lord to a cross speak on a very important level of a triple helix DNA resurrection. That is intended to be a figurative crucifixion of that entire body, of which Y'shua is now the head, through the agency of the Beasts and the mark of the beast.

The simple form of the shield itself is that of the Royal Arch, the squared circle and sodomite portal. Placing it upside down and calling it a shield does nothing to change the meaning of the symbol but only obfuscates it slightly. Placing the Jesuit sun-anus on the Royal Arse makes for a powerful sign that declares very emphatically who Pope Francis I is and what he does, and from whence his authority derives.

Considering the whole, the Coat of Arms of Francis I begs comparison with a familiar scene, the Royal Arch of the Freemason's lodge. In this comparison, I've simply turned it upside down.

The grapes compare to the cornucopia. Also known as the horn of plenty, it pictures the GI tract, and the bunch of grapes pictures what emits from it as a reference to the illuminating act of ritual sodomy, but I'll explain the individual symbols soon enough.

What I find most compelling about this comparison is how the star cluster is identified as the Pleiades and the mitre as the funerary urn of Osiris. Given reports of the finding of the tomb of Gilgamesh (aka Osiris) and the military's haste in acquiring the artifacts, and the signaling of intent by some to raise him by combinations of bioengineering, particle physics and alchemical workings of magick, and given the role the false prophet will have in relation to that Beast and his image, and given the Vatican's interest in astronomy and the intersecting historical accounts of the Pleiades, its primary star, Alcyone, and star related through Orion's belt, Sirius, well, let's just say this is all quite intriguing and worth watching very closely!

Tom Horn writes the following in a promotion of his latest book. Exo-Vaticana Special “THE CHURCH OVERSHADOWED (IN FRENCH & ENGLISH)! Cris Putnam has done it again and found another rare book in which Father Malachi Martin testifies that Popes John XXIII and Paul VI were secret freemasons and that detailed documents and photographs proving this were in the possession of one of the top candidates for Petrus Romanus--Cardinal Angelo Sodano!”

What Tom Horn and Cris Putnam presented recently (Part 20 - Exo-Vaticana) about what the recent Popes believe introduces some very timely insight. The use of the language of the controversial Jesuit priest Pierre Teilhard de Chardin by recent Popes affirms what this comparison of the images suggests, that the complex Luciferian plot I've been writing about on this blog is manifesting, and this, in the agency of Pope Francis, where a merging of primary Illuminist structures has now occurred. Power is centralized.

As we consider what the Papal branding means, on a most fundamental level, what is accomplished by hiding everything behind the shield is protection. This observation informs us that protection is paramount. The truth is being shielded from us, and the agent represented by the heraldry is shielded. The key in Occult symbolism represents how their secret treasure is locked away and that they have the keys, controlling access.

But woe to you, scribes and Pharisees, hypocrites, because you shut off the kingdom of heaven from people; for you do not enter in yourselves, nor do you allow those who are entering to go in. ~ Matthew 23:13

The religious heads, most particularly at the Vatican, are the scribes and Pharisees of today. While the worldly media minions that are themselves or are following the tares fawn over the “humble man of the people” who just took office, it should be kept in mind that he represents that entity about which is written:

“for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. 24 And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth.” ~ Revelation 18:23b-24

The truth of the two keys crossed is concealed in the official explanation, but what is being omitted is essential to interpret it more properly.

“The two keys have been given the interpretation of representing the power to bind and to loose on earth (silver) and in heaven (gold), in reference to Matthew 16:18-19: "You are Peter, and upon this rock I will build my church, and the gates of hell shall not prevail against it. I will give you the keys of the kingdom of heaven, and whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed in heaven." The gold key signifies that the power reaches to heaven and the silver key that it extends to all the faithful on earth, the interlacing indicating the linking between the two aspects of the power, and the arrangement with the handles of the keys at the base symbolizes that the power is in the hands of the pope.” (Wikipedia)

The Popes lay claim to having the authority given Peter. The false church does have a grant of authority in this age, and, ultimately, yes, it is what has been ordained of the Sovereign God, but it is more directly the authority that has been granted the agents of the Enemy, the tares, to fulfill what has been appointed for Mystery Babylon the Great. That's what they're not going to tell you, ever. Their's is not the authority given Peter. The Vatican is as a den of vipers in a whitewashed sepulchre. Their claim to possessing the keys to the kingdom has substance but only when you correctly identify which kingdom it is. Their operation of the keys is on the basis of the Hermetic Maxim, which is expressed most simply in the statement, “As Above, So Below.” Their operation is according to the magickal practices of such as alchemical, Kabbalistic or Hermetic mysticism. The Keys of Solomon, the Greater and Lesser, are prized works to magicians. Because of the celestial imagery present in the Pope's heraldry, the Keys of Solomon are an important level of the symbolism because it is by means of that kind of magick that the archon and other demonic authorities are bound, constrained to do the sorcerer's bidding in this physical realm. This is what is meant by their reference to Matthew 16, as one of the primary meanings! Unknown to the sorcerer, however, is that what he thinks is his own will is the result of delusion. He is a slave of sin; his master is Satan. His lusts are for the power perceived in communing with the gods through secret rites of ritual sacrifice, cannibalism, blood drinking and the sodomy to which the Pope's heraldry attests in convincing fashion.

Indeed, it's through the act of sodomy that the binding together of heaven and earth is accomplished by the tares, and through which their authority is acquired. The crossed keys attest to this perversity by representing the union of two men, at the most basic level, joined together as one. Think, Vitruvian Man. Ritual sodomy is known by Illuminists as the Key of David. As an allegory, one acquires the secret treasure of gnosis and enlightenment through the mechanism of the sodomizer's phallic key in his anal lock. Of the two keys in the Papal heraldry, the golden key is the heavenly partner, and the silver, the earthly. In the Coat of Arms, the red cord that links them together represents the blood, merged literally through the rough act of ritual sodomy. The red cord enters and exits the holes in the keys to symbolize the blood and the butts of the sodomite partners. This testifies of the supernaturalism of the bonding of the two involved and represents the blood oath not to tell about the sodomy or anything else their oaths require of them. It's a matter of protecting their treasure, as keys protect the treasure locked away.

Those responsible for the branding of the Jesuit school, St. Xavier, probably understand about the Pope's crossed keys. Their logo's featured X suggests the “gold” key as the superior member intersecting the lesser “silver” one. The negative space conceals two phallic arrows, as between another's legs and in the anal triangle. Their slogan, “Men for Others” lends itself to be interpreted as meaning, men for other men, to have and to be had by, sexually. See the central A, for Apollo Anus. The X is as two opposing triangle forms that repeat in the following letters A and closely fit V. Sons of god union daughters of men. The X is a cross, signaling cross breeding sex magick, of the sodomite kind.

The form of the butt end of the keys chosen by or for Pope Francis is that of a square. To square the anus is to square a circle, a symbol of ritual sodomy. Every other Papal key features a mandala or circle so they all feature a signal anus, but this particular squared form hints of others I've noted recently, as you see in this comparison of images. This Pope is a Jesuit, the first in history, and signaling the Knights Templar seems intentional. These are agencies renowned for sedition and assassination.

Another sodomy symbol appears in the plus signs on the fringed lappets. Together with the Jesuit sun-anus, the Royal Arse form of the escutcheon and the crossed keys with joining red cord, the heraldry sends an unambiguous message. In this context, the bunch of grapes is a pile of excrement, or tIHS, if you prefer the official term.

A metaphor very similar to the bunch of grapes was leveraged in the animated feature Puss in Boots (Part 61), where a pile of gold eggs appeared in the bed of the male lovers, a deposit made by the one called the “gold pooper.”

Taking anatomy into account, the mitre in the Papal heraldry appears as a phallus, and the form of the two sides of the lappets may be seen as testicular or as the buttocks of one being sodomized by the phallic mitre. I believe there is more meaning to that form when considering the whole of it, beyond even the image of the Masonic tracing board illustrated earlier. I perceive in it the imagery of a bird of prey, which invites comparison to some familiar images in ways that might shock you. Or not, if you've been paying attention.

To be continued, Lord willing!

Part 101 - The Sodomite Gateway - Come On With the Rain

In one final post dedicated to the featured scene of the 1952 musical, “Singin' in the Rain,” some amazing connections are highlighted that should remove any doubt that Gene really was pointing towards the window to honor Horus and symbolize the dawn of what Aliester Crowley called the Aeon of Horus.

When Gene is singing “Dancin in the rain, dah de dah.... I'm happy again”, he strikes a pose at 2:17, one we've seen before, at 1:45. He does this only twice, and it will be seen that this is, from one perspective, the choreographer's way of telling us to compare those scenes. The pose Gene strikes to link the two scenes is a “hat off and umbrella out” gesture that makes a statement about ritual sodomy and witchcraft.

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other: "Singin' in the Rain" 1952 ~ Gene Kelly



If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway The first post about this film was Part 94. If you want a little more help understanding symbolism, I recommend starting here as a starting point and working your way through the blog, which develops pretty effectively as a course of instruction.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on.

The second time he strikes the pose in front of a very obvious Egyptian set. It's not the familiar pyramids of Giza but one that features obelisks. The earlier pose was struck in front of the Palm View Apts, where he cryptically names the featured location and reveals the symbol of the rain and its role in the Egyptian sodomite sex magick!

While striking the pose in front of the Apts he sings the line, “Come on with the rain.” Now, that's really kind of a peculiar expression, if you think about it. Oh, it sounds poetic when he sings it, sure, but if you understand about ancient Egypt and sex magick, the expression obfuscates the subtle naming of the city of ON (aka Heliopolis - The City of the Sun). This was where the sun was worshiped and where many significant obelisks and temples dedicated to the sun god were found. So, the drug store window set represents that ancient Pagan city. This is not the first occasion where the Lord has called an allusion to On to my attention.

The obelisk that stands at the Vatican in St Peter's Square is a prized artifact that formerly stood in On. I'm convinced that it's quite at home there, at the present day center of sun god worship. The demon gods of the idol probably inspired and directed the relocation effort.

I've learned a few things about Illuminati ceremonial connections over the years, and it would not surprise me if there was a binding supernaturalism behind the two obelisks in that Pharmacy display. There are two famous sets of obelisks and domes, at the Vatican and in Washington D. C. The obelisk from On was just featured during the global broadcasting of the receiving of the new Pope, who may become the biblical false prophet. The one in this nation's capitol is the world's largest and most famous example.

When Gene sings, “Come ON, with the rain,” he's performing a ritual invocation. Yes, really! This should become more apparent by the end of this post.

I mentioned a few posts back how this line contained a homonym reference to seminal fluid. Come = cum. Connect the dots. Cum ON, with the rain. The rain is the sun god's semen. Don's upturned face is happily welcoming this ritual baptism of sorts.

If there's any doubt remaining about the subject it should be dissolved with the following consideration. The “Come On” scene is set at the Palm View Apts. The technical name for the date palm is Phoenix dactylifera. Phoenix. The bird of legend that burns and rises from its ashes.

(From Investigation on the Origins of the Benben Stone: Was It An Iron Meteorite? © Robert G. Bauval 2002 - Published in Discussions in Egyptology, Volume 14, 1989)

“It is also often argued that the phoenix, a mythical bird which was said to appear at dawn perched on a pole extending from a Benben, was representative of the sun-god’s self-creating power (Breasted, p.72). But the phoenix’s cosmic identification was by no means exclusive to the sun. In the Middle Kingdom, for example, the phoenix was also said to be the soul of Osiris, as well as the moon and sometimes the ‘morning star’ i.e. Venus (Rundle Clark, p.246-9). The phoenix thus was symbolic of the rebirth at dawn not only of the sun-god but of cosmic beings in general. In The Book Of The Dead, Chapter 83 entitled ‘Spell For Becoming The Phoenix (Bennu) Bird’, the phoenix claims: “I am the seed corn of every god…” (Rundle Clark, p.249). His power of self-creation clearly symbolised the emerging (rebirth) of celestial bodies (gods) at dawn from the underworld, the tenebrous land of the dead below the horizon.”

“It is known that a sacred pillar was worshipped at Heliopolis before the Benben (Edwards, p.24). The phallic symbolism of a pillar is of course obvious, and its association to the phallus of Atum seems almost a certainty, for in the Pyramid Texts we read: “Atum is he who once came into being, who masturbated in On (Heliopolis). He took his phallus in his grasp that he might create orgasm by means of it…” (pyr. 1248); “O Atum-khoprer (as the Beetle or rising sun), you became high on the heights (pillar/mound?), you rose as the Benben stone in the Mansion Of The Phoenix in On…” (pyr. 1652). H. Frankfort suggested that the combination of the Benben with a pillar -later stylised perhaps into an obelisk with a Benbenet- may thus represent the semen or seed being ejaculated from a cosmic phallus associated to Atum (Frankfort, p.153,380 & note 26). Later, this fetish was probably considered sacred to Ra or Atum-Ra. In the Pyramid Texts, it is said: “O Ra, make the womb of Nut pregnant with the seed of the spirit which is in her”. (pyr. 990). “Pressure is in your womb, O Nut, through the seed of the god which is in you; it is I [the king] who am the seed of the god which is in you…” (pyr. 1416-7). “…the king is an imperishable star, son of the sky-goddess…” (pyr. 1469). “The king was fashioned by his father Atum…” (pyr.1466). “O Ra-Atum, this king comes to you, an imperishable spirit (star?)…your son comes to you, this king comes to you” (pyr.152). Judging from these passages, it is evident that Nut was imagined to be the mother of the king in his star form, the latter sired by Ra/Atum. A pillar surging skywards atop of which is placed a fetish representing a star-seed and offered to the sky-goddess for gestation in her womb, very much appears to be the intended symbolic function of the Pillar/Benben combined fetish at Heliopolis. In consideration of the above, it is indeed significant to note that the word ‘Benben’ means ‘to copulate’ (to seed a womb?) when followed by the determinative of an erect phallus ejaculating semen (Wallis Budge, p.217). Several words containing the root ‘Ben’ also have sexual meanings (Baines, Orientalia 39, 1970, p.389-395).”

Bauval's observations about the reproductive aspects suggest why the scenes at the Palm View Apts and Pharmacy are connected for us by Gene in the striking of the same pose before them both. When we consider the lines Gene sings during the poses and link the Egyptian set with On, the matter is plain. Honor is being given where honor is due. When Gene points up towards the window with the symbol of the Horus sun-anus signifying the dawn of the Aeon of Horus, he's identifying and serving his gods. When he's singing, “Come On with the rain,” he's invoking the gods of On, calling on their help. The phenomenon of Singin' in the Rain doesn't happen without help, from above or below. The show is more than superficial stage magic. The symbols are ritualistic and there is a substance of supernaturalism.

Now, when Gene dances during the umbrella programming scene at the Pharmacy, the rainwater pouring out of the drain spout is rather comically brought to our attention. At 3:11, after dancing across the Pharmacy to the Bookstore, he turns back, making a show of avoiding the stream. After performing the umbrella programming ritual, he returns back to the stream and takes obvious pleasure in standing under it (3:28). There is meaning in this, of course, and we've been educated in the symbols well enough by now to recognize this as Gene, being sodomized by the gods, possibly by proxy.

The stream of seminal fluid pours over both objects that have been signaling his anus, the open umbrella and the hat. This pictures his receiving a reward for his services rendered as the handler-programmer, acknowledged as a token of their love, and it strengthens his own programming and the binding ties with his gods and their agents. Read the testimony of the windows flanking him, the signal grid of alters with plus signs featured, which are for the acts of sodomy with both Horus and Hermes, the two featured by Dr John Dee in his Monas Hieroglyphica. Consider how the steps flanking him form a pyramid (at 3:14), and that the downspout overhead is the source of the milky illuminating water, in keeping with what Bauval presents about the Benben capstone.

For further validation, this is the point where Gene spins off in a very symbolic loop. Watch the sequence and pay attention to how the big band's musical climax attends the ritual climax. We're being told this is a big deal. This routine is telling us some key things, beyond even what I already described when I showed how this binds together the bookstore and pharmacy programming scenes. Gene extends the open umbrella and twirls around as the rain continues to fall on his hat, expressing ecstasy as he dances over to frame two objects in the set. As I illustrate in this pair of screenshots, he first frames the fire hydrant and then the lamp pole.

From one perspective, the fire hydrant is a phallic symbol, an object from which water literally pours forth like a gusher. The lamp is an object that literally illuminates him in the scene. By Gene's framing of these symbols with his open umbrella, he connects these symbols of ritual sodomy, his anus, a phallus and the illuminating light. From another perspective, the fire hydrant is a Herma, the phallic idol that had been set at the intersections of roads and borders to honor Hermes. The lamp is the sun and the sun god Horus. With this routine, Gene is giving honor to the sodomizing gods Hermes and Horus, who are responsible for his ecstasy. This is worship!

Gene did his own choreography for this and other films. Some claim he was a high level programmer, which would explain his expert knowledge of the matter and his ability to execute the scene so exactly. I find it interesting that his name can be interpreted as a concise expression of the Devil's great hijacking scheme. Gene Kelly. Gene ~ genetic material. The meaning of the name “Kelly” is 'War; strife; bright-headed'. How fitting!

He knew things, as has been illustrated at length. Here's one final demonstration, where he forms a triangle with his arm and rotates it around, superimposing it over the Mahout girl's bottom.

That's the anal triangle, presented while he wields the phallic umbrella in yet another layer of ritual sodomy. Note, he's touching his SOLAR plexus. Right.

He's rotating counter-clockwise, which corresponds like engaged gears to the clockwise casting of the magick circle inside the display case, within which the high priestess kneels. He is perhaps ritually making a Triangle of Solomon (Part 1 - "I, Pet Goat II" - Golden Magick Circle) for an invocation to enhance their spells.

I believe the impact of the magickal work that is the Occult musical on the culture of the Western world has been substantial. Consider the sum total of what Hollywood has produced and the current state of the world. Consider the arts and music industries itself, and the impact. There is a large sense in which this defines the culture. Soon, the programmed agents of chaos are going to be triggered, an antiBride to counter the Bride as antichrist counters Christ. A substitution work is in play and strong delusion blinds the mind to such a thing. If we're still acting out the programming, retaining the scripted values and behaviors, we're in real trouble. I so appreciate how the Lord Y'shua has granted us the favor to see what has been done, and to choose to honor Him.

Part 100 - The Sodomite Gateway - Hollywood is Still Singin' in the Rain

This post marks the triple digits in the series, and the seventh in the set featuring the classic musical. The Lord has had me camping on this musical scene for a while on this strange journey across the range of sodomite gateway symbols as something of a segue into some Fringe episodes, and as part of an exploration of the umbrella symbol. This fascinating and very fruitful endeavor has opened the way for me into the meaning of a few related symbols and, as during the seasons of persistent investigation into the meaning of such as Rango, The Iron Giant and Threshold, the Lord has steadfastly brought the plans, ways and means of the Adversary out of the shadows and into the light.

The practice of layering symbols is useful for the student of esoteric matters, which every one who seeks to understand the Bible must become because it is by nature an esoteric book. Because the symbolism layered into Occult imagery is so redundant, a comparison of individual elements and patterns of combination enables the collection to be complied into something of a book for breaking the code. That's a fair description of what much of the activity on this blog is about.

11 “Behold, days are coming,” declares the Lord God, “When I will send a famine on the land, Not a famine for bread or a thirst for water, But rather for hearing the words of the Lord. 12 “People will stagger from sea to sea And from the north even to the east; They will go to and fro to seek the word of the Lord, But they will not find it. 13 “In that day the beautiful virgins And the young men will faint from thirst. ~ Amos 8:11-13

The adventure continues as the Lord instructs us in preparation for the challenges of the coming season! Thank you Y'shua! A hearing ear will provide access to the Lord's provision, attained through the diligent practice of obedience.

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other: "Singin' in the Rain" 1952 ~ Gene Kelly



If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway The first post about this film was Part 94. If you want a little more help understanding symbolism, I recommend starting here as a starting point and working your way through the blog, which develops pretty effectively as a course of instruction.

As a necessary caveat, if you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on.

The Illuminati programmers are getting plenty of mileage out of this title scene from the film. Sixty years on, a new generation is being imprinted with the same mind-control magick. We've got a steady flood of new material, but when the old stuff still works, they just keep working it. The Devil is not stupid. The industry has not let this mind-control classic be forgotten.

In 1994, in the film, “Léon: The Professional,” Natalie Portman entertained Jean Reno with an impersonation of Gene Kelly's routine from Singin' in the Rain. There is plenty of Lolita style appeal for pedophiles and programmers (Pseudoccultmedia Blog) as she also does impersonations of Madonna (Like a Virgin) and Marilyn Monroe singing “Happy Birthday Mr President.”

Last week, I watched this classic musical for probably the first time and recognized how Rango (a 55 part series) gave a nod to the film too. During “Make 'Em Laugh,” Cosmo pretends to flirt with a headless dummy, a routine picked up in Rango when the chameleon plays the lover on his terrarium stage and flirts with the headless doll. (headless dummy lover = dissociated slave being sexually abused)

In 2010, an episode of a popular TV show featured a performance of this scene merged with the one in the Rihanna ft. Jay-Z video, Umbrella (Orange Version). (Part 75) The cast of Glee with a special guest made a mashup of the original and Rihanna's tribute - to make another tribute, which served to direct this new generation of Glee fans back to the classic from 1952. “Singin' in the Rain” was presented as the drama teacher's favorite “feel better” movie, and who doesn't want to feel better, right?

Did this get anyone's attention? Yes, it did! One of the ways the industry promotes and demotes their productions is through the effective managing of perceived recognition. That's what the awards ceremonies are about. I believe it's all theater, staged. The elite own it, top to bottom. People who are interested in fashion and pop culture and theater media love this stuff. “In July 2011, Glee received twelve Emmy nominations and won two: Gwyneth Paltrow was named Outstanding Guest Actress in a Comedy Series for her portrayal of Holly Holliday...” (Wikipedia) The Emmy Awards are judged and awarded by industry insiders. (These are given out to TV series, movies and mini-series while Oscars are given out to feature films that play in theaters.) The episode that won the award for Gwyneth was Glee - The Substitute (Netflix Streaming). The industry promoted the episode of Glee (Season 2 11/2010 Episode 7) that featured the mashup production. Gwyneth herself performed in the mashup. Like I wrote before, the Illuminati programmers are getting plenty of mileage out of this title scene from the film.

The same Glee episode included another production as a tribute to “Singin' in the Rain,” featuring, “Make 'Em Laugh.” In the Fringe episode, “The Boy Must Live” which I'm planning to cover before very long, Lord willing, tribute is paid to those same two musical scenes from the classic, giving the references their customary cryptic twists. In doing so, they spill lots of beans!

I couldn't help but notice how the Glee branding embeds the 666, which I illustrate here. If you watch the episode “The Substitute,” you'll notice how they feature strong sodomy references throughout, most of them verbal and some implicit in the homosexual relationships. Notice the flair they add to the umbrella signaling in the mashup by opening and closing the black umbrella to present the phallus-anus-phallus-anus dynamic. The meaning of the classic and Rihanna's version wasn't lost on them.

While comparing Rihanna's number to Gene Kelly's, one particular pairing has a lot to say about the sodomite programming symbols. In these images, Gene has assumed the position, freezing momentarily to present his backside, with heels raised. Rihanna matches it with her butt raised, wearing her high heels. Below the horizontal sill mouldings are panels representing the alters in a multiple's programming system.

Rihanna connects her open umbrella with the lighting to signal her kundalini enlightenment in a slave pose. Her outfit provides a match to the short shorts worn by the Mahout girl in the Pharmacy display, black, with white trim. Gene is himself an illuminated slave, who is about to get busy as a handler. His phallic closed umbrella is extended out to be associated with the Mahout girls bottom, a link he'll exploit more precisely a few seconds later. His right hand is extended to connect to the Drug store sign, because this is the sex magick pharmakeia. He's also pointing up towards the window that has the squared circle form, a half umbrella, the Horus sun-anus and the dawn of the Aeon of Horus.

Another tribute of sorts was made to this scene by featuring one of the signal elements during the closing ceremony of the London Olympics. The set had news print covering London, the people, buildings, vehicles, everything. Here's what I wrote about the meaning of it in Part 40 - 2012 London Olympics - The Closing Ceremony and the Rise of the Phoenix: “London is programmed. Everything there and everything done there is according to script. Mind control, exercised through print media. The sad truth is, the programmers are absolutely correct in their depiction.”

That's the message sent about the man and woman on the street in California, in a little more subtle (and inexpensive) fashion. Newspaper covering their heads means they are mind-controlled by the mass media. The scene is about mind-control, in various forms. The Zeus-Lucifer worshiping Illuminists behind the Olympics were beating us over the heads with this stuff.

Uh, hey, isn't that a dress above the severed head with a bow like a butterfly? With an open umbrella against her backside, could that be something other than a signal of Monarch programming?

Are we catching on?

Part 99 - The Sodomite Gateway - Organized Crime's Don Stars in 'Singin' in the Rain'

I had left off describing how the protective cover on SRA and most particularly the Illuminati programmers activity is maintained, as illustrated to us by scenes in the musical, “Singin' in the Rain.” (The first post about this film was Part 94.) This musical is an Illuminati vehicle that brags and gloats about the success of their schemes.

The elite go to great lengths to conceal what they do and how they do it, so it may seem ironic that this is just what they reveal to us in mass media, in the most public and accessible ways. Yet, this manner of revealing is simply part of the cover mechanism. What they do is a little like sending a message in Morse code out over the airwaves, encrypted, but most of us don't recognize “Morse code” or even believe in it, and can't accept that anyone would even be sending coded messages. “Messaging system? What messaging system? We don't see any messaging system!” Security by obscurity is extremely effective, but once a messaging system is discovered, the encryption has to be dealt with before the message can be read. Are you getting this? The reason their work is done in secret is because the masses wouldn't stand for it if they knew. The point of you and I knowing is not to enable us to put a stop to it directly. The sovereign Lord has a plan, you see, and there will come an end to this evil, but in His way and only at the right time. Until then, it is a necessary work to have some effective intel, a window of insight into the Adversary's kingdom work.

Behold, I send you forth as sheep in the midst of wolves: be ye therefore wise as serpents, and harmless as doves. ~ Matthew 10:16

If you use two monitors, you may find it helpful to open the video in one while you read this post in the other: "Singin' in the Rain" 1952 ~ Gene Kelly



If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway If you want a little more help understanding symbolism, I recommend starting here and working your way through the blog, which develops as a course of instruction.

I'm going to begin right where I left off, continuing to describe the same scene where the fencing, crosses and shutters at the Richard Carlane Music Studio reveal the workings and workers of the security system. This entire scene only takes about 20 seconds to play out, spanning about 2:43-3:03 in the clip. It's rich!

When we see the redundant symbols that identify the Freemasons and their protective services there is a point at which we have to bring organized crime into the discussion. SRA programming activity is criminal. Murder is illegal, and that's required for ritual sacrifice. Rape is illegal, and kidnapping, and child abuse, and on goes the list. They are in the crime business and they are organized.

The lead character's name is Don. What is a Don but a crime lord, a mob boss? That connection is just as important as the one made to Don Quixote.

So, this scene at the Music Studio is about protection, right? The Mafia engage in what's called protection racketeering. Their enforcers are fearsome. It doesn't take much effort to discover historical connections between the Mafia and the Masonic orders of the Knights. The Knights are the enforcers for the Jesuits and for what are considered the Illuminati. It appears that they run the protection racketeering business. They leverage intimidation, extortion and blackmail. They oversee illegal business activity like drug running and smuggling. What's concealed and revealed in this scene of the musical is the sex trade and trafficking of children that primarily services SRA programming, where there is a constant need for ritual sex, blood drinking, cannibalism and sacrifice.

Before I show you how that's done, here's a sample of someone else's take on the Mafia-Jesuit-Knights of Malta connection. The following are some excerpts from an Interview with Eric Jon Phelps.

Phelps: “Alberto Rivera says that it was Jews aligned with the Pope who published the Protocols. [of Zion] Well, I tend to feel that it was just the Jesuits themselves because they and they alone, were the ones who were able to bring this to pass. They're the ones in the government. They're the ones behind professional sports. The owner of the Pittsburgh Steelers is a Knight of Malta. The owner of the Detroit Lions is a Knight of Malta. All your top owners of these ball clubs, for the most part, are Knights of Malta, getting the people whooped up in this hoopla over games and sports, while they're busy creating a tyranny. So, that was one of the things in the Protocols-that they would create 'amusements'. Another one they used was Walt Disney, 33rd-degree Freemason-Disneyworld, Disneyland. Another one was Milton Hersey, with Hersey Park. They create all of these amusements and games and pastimes to get the people drunk with pleasure, while they're busy overthrowing the Protestant form of government.”

Martin [the interviewer]: “Where does Las Vegas factor into all of this?”

Phelps: “Las Vegas, well, for the most part, is controlled by the Mafia. But all the high Mafia families are Roman Catholic, and they are ALL subordinate to the Pope or to the Cardinal of New York, which is Cardinal O'Connor-because the Commission, the Mafia Commission resides in New York. Frank Costello was a member of the Mob Commission, and he was intimate, personal friends with Knight of Malta, Hollywood mogul, Joe Kennedy. And that has not changed. So, the High Knights are good, dear brothers with the High Mafia Dons-the Gambinos, the Lucchese, the Columbos, all of them. And they control Hollywood, not the Jews. It's only Jews who are front-men who are involved in Hollywood and working for the Mafia and for the Cardinal, just like in politics it would be Arlen Spector. Arlen Spector was Spelly's [Cardinal Spellman's] Jew in the assassination [of President Kennedy], and he would never say a word about it.”

You have likely been following the news and noted that a Jesuit Pope has been elected, the only one in history! St. Ignatius Loyola, the founder of that order, was a Spanish soldier. Jesuits are known as “God's Marines.” See Part 80 - The Sodomite Gateway - Jesuit Values for more about the Jesuits.

What's concealed and revealed in this scene of the musical is the sex trade and trafficking of children that primarily services SRA programming, where there is a constant need for ritual sex, blood drinking, cannibalism and sacrifice, and the energy vampirism that attends the incredibly cruel abuse and torture of innocent victims. The choreography is going to present some of this but it's going to be validated by other elements. The sweet happy music makes it so unbelievable that there could be anything bad behind this, but that's a working of the magick at this Music Studio!

When you watch the video clip, what Don is modeling to us at the 2:48 minute mark is the work of a child prostitute. Don makes himself short and looks up, like a child interacting with an adult. His hand is held as a prostitute collects money for services rendered. This child is a male, as demonstrated by the erect umbrella. At 2:49, we see the services being rendered. He is no longer short. As the adult client, Don holds the umbrella to display a triangle form, holding it in both hands in front of him to suggest sodomizing the child prostitute. After prancing back across to the left he does a very effeminate dance like a little girl waving her skirt. There is, of course, a market for little girls too.

By the way, when Don does his Don Quixote impression, modeling the knight with the lance on a horse, the Knights Templar version implied is actually two men riding with a lance together on the same horse. Some might suggest that's homoerotic. Like me. And it is, of course!

The activity pictured in this scene is more than just child prostitution, its trafficking. The name of the Music Studio is like the name of the Art School, a “blind,” in Crowley's terminology. “Mount Hollywood” is a reference to the sexual mounting of the phallic wand. The “Richard Carlane” Music Studio. Think about it. The popular nickname for Richard is Dick, which is slang for a penis. A Carlane is a car lane, a highway where cars drive. That describes a dick highway, which includes what has been called the Hershey Highway and the dirt road with reference to sodomy. When cars drive in the car lane we call that “traffic.” This is a studio for dick traffic, for trafficking dick! That's what's being demonstrated here as the primary business of the protection racketeering Don!

When we take the set's fences into account, another layer of redundancy appears that lends more validation to that insight. Criminals who engage in certain kinds of activity use a fence. A fence is a buyer or seller of stolen merchandise. Look it up! It's a trusted agent who acts as a middle man between a seller and a network of buyers in black market exchanges, especially those relating to illegal goods. Like, the sex trade, for example. The Richard Carlane Music Studio pictures a front organization for child trafficking, a fence for kidnapped and illegally “borrowed” children.

At the Studio, we see potted plants behind the fences, and such things we usually refer to as gardens. Luciferian Illuminists know their Bible verses. What they do can be considered as the practice of counterfeiting, something that demands being well acquainted with the genuine. There is a passage in the Song of Solomon that uses such a symbol as the fenced in garden, and Luciferians know very well the works of Solomon.

A garden inclosed is my sister, my spouse; a spring shut up, a fountain sealed. ~ Song of Solomon 4:12

If you read the chapter it becomes very obvious that the garden metaphor is sexual and the locked up condition is an expression of virginity. Watch the clip and see what Don does against the backdrop of a “garden inclosed.” When you see him windmilling across the set, give verse 16 some consideration and what it means in the context of the child prostitution business.

Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his pleasant fruits. ~ Song of Solomon 4:16

That's what the “Richard Carlane” dick trafficking Music Studio is about. The Knights with their Don protect the clients and all their assets and interests as they manage the supply of goods for SRA programming and sacrifice.

Some of you may want to skip over the following excerpt, which provides a reason why this trafficking has an emphasis on the virginal child, and the male in particular.

Aliester Crowley - Book 4 - Magick in Theory and Practice - CHAPTER XII: OF THE BLOODY SACRIFICE: AND MATTERS COGNATE.
“It would be unwise to condemn as irrational the practice of those savages who tear the heart and liver from an adversary, and devour them while yet warm. In any case it was the theory of the ancient Magicians, that any living being is a storehouse of energy varying in quantity according to the size and health of the animal, and in quality according to its mental and moral character. At the death of the animal this energy is liberated suddenly. The animal should therefore be killed within the Circle, or the Triangle, as the case may be, so that its energy cannot escape. An animal should be selected whose nature accords with that of the ceremony — thus, by sacrificing a female lamb one would not obtain any appreciate quantity of the fierce energy useful to a Magician who was invoking Mars. In such a case a ram would be more suitable. And this ram should be virgin — the whole potential of its original total energy should not have been diminished in any way. For the highest spiritual working one must accordingly choose that victim which contains the greatest and purest force. A male child of perfect innocence and high intelligence is the most satisfactory and suitable victim.”

Many have pursued the ways of Aliester Crowley, as he himself followed in the ancient ways as the demon gods directed. These are the ways of Satanic Ritual Abuse.

There's yet one more layer of symbolism in the fenced in garden, a view of Don as the SRA handler or child trafficker. The fence is a cage and the clay pots and plants, children.

The following are paintings by SRA victim Kim Noble, who painted these while in her alter named Ria. The one titled, 'Caged Up' pictures a scene she remembers of her experience. The handler is holding a phallic instrument used to torture the child, which may be one that induces a high voltage shock. The object in the other painting resembles a black umbrella.

Watch at about 2:52 into the clip where Don has been modeling the behavior of a little girl. Then he sets the umbrella to the ground and gives it a kick. That's the handler abusing the little girl's butt. The umbrella spins into the air to suggest she's going over the rainbow, dissociating. He then steps over to the fence and runs the umbrella across the posts. Then he opens it up and swings it right in our face, giving us a smug look. He's about to dance over to the umbrella programming set. Does that mean something to you now? When he had pranced across to the right like a male child prostitute, the extended hand is not just out for the client's payment, but for the slave's master to grant some provisions, because the slaves are starved to weaken and traumatize them.

This is what goes on in the real world, as the whistleblowers testify. The operations inevitably get the damage controlled and minimized.

Because the “garden inclosed” references that verse in the 4th chapter of the Song of Solomon in the context of Illuminati programming and the agencies of protection, there's a really important dynamic in view. The relationship between the Bride of Christ and her Bridegroom is the subject. The counterparts are in view because the antibride of antichrist is a label that applies to the chosen ones of the Illuminati programming who will be the agents of the Black Awakening. To join the order of Knights Templar, one must swear an oath to defend the Christian faith, which translates to an uncompromising loyalty to the Jesuit boss. There's a hierarchy here, but the order of the Knights pictured in this film scene are representing the antibride, a lethal agency counter to the Bride, and the psi powered agents who serve them without reserve now number in the millions. The conflict of these entities is becoming more evident as it is between Christ and antichrist.

In closing this post, I want to identify a message I perceive being sent by the security wrapper that is the pairing of the Richard Carlane Music Studio and Mount Hollywood Art School. Sound and visual imagery together make for powerful pharmakeia. Thus, the music video and the musical, chock full of mind-control programming magick. Have you seen footage of the pageantry that was the hallmark of Hitler's Nazi parades and rallies? Were you paying attention to the Cultural Olympics and ceremonies this past summer? I've written plenty over the past couple years about dimensional gateways being opened through acoustics, and light, and the combination of the two. Music and art are leveraged in this craft to provide substantial cover for the Devil's SRA and sodomite programming activities. It works!

More to follow - Lord willing!