If Russia intends to start a nuclear war, what are they waiting for? The planets to align? They actually are aligning, and this kind of thing has a huge impact on the yield of nuclear weapons.
April's Celestial Signs? conjunction of Saturn and Mars (Time War) and conjunction of Jupiter and Venus (union of King and Queen)
Goddess symbols are hidden in plain sight. Why should we care if the numerous goddesses are named or their symbols are used openly? More than just giving her props, there's a dark agenda afoot. Jim Tetlow's book sums it up nicely in his book's title, “Queen of Rome, Queen of Islam, Queen of All - The Marian apparitions’ plan to unite all religions under the Roman Catholic Church.” To a very large degree, that's the point. This supernatural working of the entity known from ancient times is working that way to prepare for the world to welcome the Antichrist, who will be baptized by the Pope. For more about that, I refer you to The Sign of the Queen of Heaven on TheOpenScroll.com.
The symbols are idols, which is why we're told in the 2nd commandment not to make images of things in heaven or under heaven. Disobedience brings a curse, and the idols hold sway, bringing the disobedient into bondage to evil. Those who are in control of this world know the value of symbols in wielding control over the masses. Revelation 18:23 testifies thus about the woman who rides the beast, the great harlot Mystery Babylon, that “all the nations were deceived by your sorcery.”
“Signs and symbols rule the world, not words nor laws” Confucius
"A symbol can act in two ways. First, it can be used to focus and project your energy through it. Second, a symbol can function as a magnifier and transmitter of energy, even if you are not focusing attention on the symbol. Symbols do have a life force of their own. They are mini-transmitting stations for subtle energies that are infused in our reality. Each symbol interacts with your energy field, constantly generating a force field that strengthens you." (from the popular Wiccan magic book "Sacred Space" - by Denise Linn)
Well, “strengthens you” in a bad way, according to the one true God of the Bible.
"To cast a spell is to project energy through a symbol." (Starhawk - from "The Spiral Dance" - a popular manual for witchcraft)
That's what the symbols do. If you get familiar with them you'll see the imagery embedded in surprising ways and places. The power of symbols is diffused when you're aware of them, and the power of control nullified. This series is, like others I've done on symbols (Eye of Horus, Sodomite Gateway, Celestial Stargates...), is intended to help set you free from demonic control as we faithfully watch (Mark 13:37) in these last days, preparing for the trials of faith as judgement continues to roll out across the globe and becoming glorious in the sight of our Lord Jesus Christ, Y'shua haMashiach!
19 We know that we are of God, and that the whole world lies in the power of the evil one. 20 And we know that the Son of God has come, and has given us understanding so that we may know Him who is true; and we are in Him who is true, in His Son Jesus Christ. This is the true God and eternal life.~ 1 John 5:19-20
Behold, I send you out as sheep in the midst of wolves; so be shrewd as serpents and innocent as doves.~ Matthew 10:16
Naming the goddess like Gillette does with their line of razors marketed to women is pretty obvious. Venus. Where it gets occult is when they support the goddess theme with other cues. In this image promoting one of their products they decorate the V with a number 3. The V is signaling the 6th Hebrew letter, vav, and with the 3 bound to it we have a 666 signal. The triple V for Venus represents the triple goddess - maiden-mother-crone. As a Code 47 instance (Euclid), that pictures the union of 3-Osiris with the goddess to produce Horus. That sex magick symbolism is supplemented by the right angle triangle image produced by the angled razor. Venus is the goddess of love and fertility, right? A 55 or Horus-hypotenuse squared is produced when considering the V as the 5th letter from the end of the alphabet and the E as the 5th from the front. Underneath that 3 in the V we see a mirror of the 3 in the E of Embrace. Code 33. It's loaded with occult symbolism! It's primarily a goddess symbol, of course.
They made a print ad promoting the Venus razor that features 5 Catholic nuns. Nuns pray to Mary, that goddess who is drawing all men and women to herself. Venus-Mary is actively working to unite all and bring them under the Papal authority. Five is a Venus number, derived from the planet's trace of a pentagram-centric rosette in the heavens. Five nuns. Venus. The tag line is, “All women love beautifully smooth legs” - Venus - loved universally.
Lady Gaga produced a song and music video called, Venus. Right. It's rich with occult symbolism. She's not the most subtle artist out there. She also has a song and video called, G.U.Y. that is popular now. There are goddess symbols throughout! First, she's a winged angel who falls from the sky, pierced by an arrow. Fallen angel goddess. The arrows are linked to Artemis and also Cupid-Eros. There's a gender blender agenda there. We're told in the lyrics that G.U.Y. means girl under you, suggesting she is going to accept a submissive position. Think succubus. Goddess Under You.
So, there's no real mystery about overtly naming Venus. The goddess has many other names that are usually attended by subtle symbols. Some of them include the rose, rosettes and 8 point stars, the pentagram, pentagon and 5 rayed stars, hexagrams like honeycomb, the honey bee and hive, the scallop shell, moon, seashore, dove, dolphin, fish, lion, owl, apple, tree, mirrors, the metals silver and copper, poles or columns, the 5th month of May, the fertility symbols of Easter, the vesica piscis shape, the W of Inanna-Ishtar's ancient pose, the doorpost poles that are the twisted reeds of Inanna's knot, the shield, sword or spear, bow or arrow, V for Victory peace signs, and spirals that reference the numbers produced by the planet's motion. I believe this association is due the generation of a subset of Fibonacci sequence numbers, 5-8-13. The number 13 and the theme of “rebellion” are equivalent symbols because the meaning of Mary is, “their rebellion,” and “rebellion” is one of the themes of the number 13. When these and others are found together, the spirit of the goddess is active in the symbol. Examples abound.
The Hooters franchise is a really, really subtle example of leveraging the owl symbol to promote the fertility goddess of lust. Okay, not really subtle, exactly.
Mazda - much more subtle owl goddess imagery. Mazda is named for the sun god, Mary's false Jesus.
Starhawks witchcraft manual, which I quoted above, has the full title, The Spiral Dance - A rebirth of the ancient religions of the Great Goddess. The covers present common goddess symbols.
In this recent ad for Starbucks Frappuccino, they supplement their own logo's goddess imagery with a symbol of Nike, their trademark swoosh. Given the chocolate colored drink and the straw, with the rainbow colored geometrical emanation, you really have to identify this as a sign of the disgusting trauma inducing practices of consuming of bodily fluids during ritual sodomy programming.
At the local Monroeville Mall, the Willy Wonka (Code 33) vending machine sports the goddess imagery as their W of the bent elbow goddess is supplemented by the flanking Inanna's knot flourishes. Concentric rings or a spiral. Willy Wonka. The name is suggestive of sodomy, with a “willy” being a phallus and “wonka” being the act, and them being mostly about chocolate, a fecal metaphor. The machine is purple, a signal sodomite color. Anal energy vortex. See the little reclined V attached to the top of the W? Venus. Victory. V+W=vav vav vav or 666.
At present, there's a spectacle taking place in the land of the Celtic goddess that gives her honor as Mary. (Thanks Martin) “An estimated 100,000 people have lined Liverpool's streets to welcome three giant marionettes, which will tell the story of the city during World War One.” (Liverpool Giants: Thousands welcome marionettes to city)
Marionettes. Puppets on strings controlled by the unseen puppeteer. MARIONettes. In Liverpool's exhibition they are giants, Nephilim. That's a good fit. Mary is the goddess of war, so using giant MARIONettes to tell the story of the city during WWI is very fitting indeed. She is herself the great city in Revelation, Babylon the great.
Marionettes are puppets, not in control of their own actions. Mary is a controlling agency. Here's a couple of examples.
The Sound of Music is a classic musical from 1965 starring Julie Andrews as Maria. It's held up as something of a standard of purity and innocence. Rubbish. It's a masterpiece of occult imagery, a Satanic stealth weapon. She is a postulant at a convent, kind of an apprentice-candidate nun. The film is responsible for recruiting many to the Romish order. When she sits on a pine cone and jumps up with a start, there could hardly be a more obvious signaling of kundalini-pineal enlightenment. The original Broadway cast featured MARY Martin in the role of Maria. Maria is the same as Mary, of course, and being a nun she is a Marian worshiper. She performs a dramatic production with the children using a stage with marionettes. MARIONettes. Maria-Mary runs the show.
The song they perform is, The Lonely Goatherd. Now, where else have we seen a goat and MARIONettes? Remember I, Pet Goat II?
So, a goatherd is someone who shepherds goats. Biblically, the goat is paired with sheep as a metaphor of the righteous and unrighteous, like in Matthew 25, where the Son of Man separates those of all the nations. Sheep on the right, goats on the left.
Then He will also say to those on His left, ‘Depart from Me, accursed ones, into the eternal fire which has been prepared for the devil and his angels;~ Matthew 25:41
There is a false shepherd, and he is the goatherd. There are occult cues in the lyrics of the song. “Men drinking beer with the foam afloat heard.” Inanna, goddess of beer and barmaids. Venus was birthed out of the foam of the sea. It's basically a boy-meets-girl story. Venus-Aphrodite, right? One line is, “Soon the duet will become a trio.” Fertility, reproduction. They do one set with the humans then repeat the modeling with the goats. The final expression heard is when the children say, “HOO!” Isn't that an owl symbol? The word lady is heard in the yodeling. That's the goddess.
Continuing from the previous post, the black stone with the white symbol has more meaning to explore. At the end of the video, when the stone floats up from her hand, we hear in Doda's voice with an echo effect, "Try me" which we then see her say, and her words then echo a couple more times as the symbol becomes the primary image in view. Well, that's cryptic. What does she mean? What does the floating stone and its symbol have to do with it?
The VC pointed out that the symbol is for Mercury, and it's a devil head on an inverted cross. Those are excellent observations. Beyond those, it's the common female gender symbol with devil horns, which might be how most will perceive it. A she-devil. A bad girl.
The symbol resembles the ankh, the Egyptian amulet symbolic of eternal life. This appears as the featured symbol on the esoteric book attributed to Mercury in his Egyptian identity, in The Emerald Tablet of Hermes.
These variant interpretations each seem intended, and I'll explore them further. The pill shape and the black color and appearance of a stone also are significant elements. Let's explore the implications of the pill shape first.
That the symbol appears on a small familiar pill-shaped object suggests drugs, pharmakeia, which is certainly consistent with Doda's Babylon identity, the great city and mother of harlots.
And the light of a candle shall shine no more at all in thee; and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries (pharmakeia) were all nations deceived.
Revelation 18:23
This influence is linked to the wine metaphor, which is linked to the fornication that expresses through a metaphor an idolatrous relationship.
With whom the kings of the earth have committed fornication, and the inhabitants of the earth have been made drunk with the wine of her fornication.
Revelation 17:2
For all nations have drunk of the wine of the wrath of her fornication, and the kings of the earth have committed fornication with her, and the merchants of the earth are waxed rich through the abundance of her delicacies.
Revelation 18:3
So, when Doda says very seductively with her eyes and a sultry tone, “Try me,” as the Mother of Harlots she's inviting us to drink the wine of her fornication, seducing us with her sorceries. Let what the devil is putting on exhibit here speak to you through the holy spirit about his clever ploy.
When the book of Proverbs testifies of the adulteress in chapters 2-7, this Mother of Harlots is the prophetic subject, attested to by the husband (beast) returning at the full moon. Don't think, “Well, I don't consort with floosies and bimbos.” Consider these in the sense of adultery as idolatry, whoring with Babylon the Great, honoring her false gods.
16 To deliver you from the strange woman, From the adulteress who flatters with her words;
17 That leaves the companion of her youth And forgets the covenant of her God;
18 For her house sinks down to death And her tracks lead to the dead;
19 None who go to her return again, Nor do they reach the paths of life.
20 So you will walk in the way of good men And keep to the paths of the righteous.
Proverbs 2:16-20
16 There are six things which the LORD hates, Yes, seven which are an abomination to Him:
17 Haughty eyes, a lying tongue, And hands that shed innocent blood,
18 A heart that devises wicked plans, Feet that run rapidly to evil,
Proverbs 6:16-18
23 For the commandment is a lamp and the teaching is light; And reproofs for discipline are the way of life
24 To keep you from the evil woman, From the smooth tongue of the adulteress.
25 Do not desire her beauty in your heart, Nor let her capture you with her eyelids.
26 For on account of a harlot one is reduced to a loaf of bread, And an adulteress hunts for the precious life.
Proverbs 6:23-26
21 With her many persuasions she entices him; With her flattering lips she seduces him.
22 Suddenly he follows her As an ox goes to the slaughter, Or as one in fetters to the discipline of a fool,
23 Until an arrow pierces through his liver; As a bird hastens to the snare, So he does not know that it will cost him his life.
24 Now therefore, my sons, listen to me, And pay attention to the words of my mouth.
25 Do not let your heart turn aside to her ways, Do not stray into her paths.
26 For many are the victims she has cast down, And numerous are all her slain.
27 Her house is the way to Sheol, Descending to the chambers of death.
Proverbs 7:21-27
It must be said at this point that if you're celebrating Christmas and Easter and dallying with the gods of cross symbols and high places and Sun Day altar services and such, or imbibing the common doctrines of those who do, you're operating under the influence.
3 For all nations have drunk of the wine of the wrath of her fornication, and the kings of the earth have committed fornication with her, and the merchants of the earth are waxed rich through the abundance of her delicacies.
4 And I heard another voice from heaven, saying, Come out of her, my people, that ye be not partakers of her sins, and that ye receive not of her plagues.
Come out of her, my people. Her plagues are already among us.
Now, to truly understand about the intoxicating influence that deceives, represented by the Doda-as-Babylon and pill-as-pharmakeia expressions, it requires revelation insight. The Lord Himself has to give you a revelation of Babylon. This is really a process, where, with the Lord taking the initiative, He draws you out of Babylon. As you come out and the distance between you and Babylon opens up, He begins to take Babylon out of you. This is a purifying action and an awakening. If you've had it, you know exactly what I mean. If you can't relate, you have not yet come to this and I cannot recommend strongly enough that you seek the Lord about this with fervor.
This Doda/pill influence compares to the mazing of the eyes with the caduceus of Mercury, the familiar shepherd's wand wielded by that god whose astrological symbol appears on the pill. ( See Hermes puts America to Sleep with his Magick Wand and Hermes, JPL and NASA - Houston, we have a problem! - both HIGHLY RECOMMENDED! Mercury and Apollo aka Hermes and Horus.) This wand action is the very real casting of a spell of stupor, of slumber and blindness that is for the purpose of effecting the arrival of Apollo in the presence of a welcoming world of worshipers. The principle of Mercury's wand's influence is that it must be elevated, and so we see it magickally rise from Doda's hand. The goal of and reason for this elevation of Mercury is attested to by the flash and thunder that follows, illuminating the scene as announcing the dawn of the Sun.
The potent wand eye-mazing and intoxicating wine of fornication are quite legitimate, absolutely real, and this is the influential magick of Doda's Bad Girls video - and of the Romish Mass, etc.
The pharmakeia sorceries are not for their own sake but for the overspreading of antichrist delusion that supports the coming Beast and his mark. By identifying the object as a black stone or rock this becomes pretty obvious. Like I mentioned earlier, I intend to expand on this in an upcoming post on Rango but it's necessary to preview that here. The black stone represents a genetic aspect, serpent dragon seed or offspring, DNA.
The black stone is first pictured as in an ultrasound of Doda's womb, early in the video, while she's in the lab. From the image presented it looks like she's having a girl, with horns. Rosemary's Baby, but female. The pill/stone is the implanted and gestating seed of the serpent. We see it as she sings the line, "sometimes I feel I'll never grow old," in a reference to the promised eternal life implicit with the "little devils" reproductive scheme. The Sun god symbol as something of a clock-like device is active in the background, the dynamic Eye of Horus.
At the end of the video, after Doda has taken the throne, we're shown a flash at the horizontal of the emblem's cross; a dimensional breech, the crack of dawn, the dawn of Horus the sun god. Accompanying that flash is the sound of an explosion, like thunder. The black stone that we first saw in the lab has gestated and now is born into the world, serpent DNA manifesting in a Beast incarnation! As against the stars of night (angels) we see the astrological and alchemical symbol remaining that had formerly marked the black stone.
Has she birthed Mercury instead of Apollo? Has she birthed a goddess instead of a god? What is meant? Perhaps the second Beast of Revelation 13 that John saw rising out of the Earth is most particularly represented in this, a feminine counterpart, a woman, a church, the "dress" wearing papal false prophet. As Mercury/Hermes facilitates the ascension of Apollo/Horus, the second Beast baptizes and facilitates the Beast seen rising out of the sea.
The Emerald Tablet of Hermes can't be ignored in the Doda video because a pill of Mercury is easily equated to a tablet of Hermes. The ankh shape associated with the ETH book is like the symbol on the stone, like Mercury's astrological symbol. If there's a meaning to derive from this association, it comes from understanding the riddle of the tablet. It is the story of the dawn of the Sun god as the Beast, who will rule over the earth. Isn't this the esoteric meaning of the Doda video?
Doda has the power of the dragon, seen by the flash when her "dragon head" shoe hits the floor in the restaurant.
She's an agent of the triple helix DNA resurrection scheme of the Beast, illustrated by the trident/gliding angel/baphomet horns and torch crown symbol on the ufo "light cycles" fairing, and by the three "spines" on Doda's sleeve that form an "M" (a #13 for rebel lord beast) and by the number 76 (7+6=13) repeating on the side of the "birth canal portal" lab exit passage. She's the mother of the dragon's antichrist beast spawn (even one of several chosen ones - multiple ultrasound windows - several bad girls?).
By the way, for those who note such a thing, the fairing emblem is another cryptic example of three things and a fourth, referencing the Shemittah count from 1991. As marking the transport, there's some support in that association.
There are a few more interpretations that involve the stone ascending from Doda's hand. It is the ascension of the Beast, to his throne, as Doda sits upon hers. As the emblem of mercury, it signifies mercury rising. Making this observation introduces two more dots to connect.
Mercury rising refers most commonly to the temperature rising, as the mercury in a thermometer rises as temperature goes up. If we take this in the context of the video, which only makes sense, this can be connected with the restaurant sign, BLOOD RUNS HOT. Connecting those dots, Mercury rising means the blood is running hotter. Given what I introduced earlier, this is a testimony that the blood rituals of Satanic abuse and sacrifice are increasing. Doda does have the words echoing, "Try me" while this happens. Is this a challenge to those who might dare to engage her as an enemy, to be slaughtered at the hands of the weaponized army of chosen ones, supersoldiers? Is it an invitation to join her in the activity of Revelation 17:6?
And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.
Revelation 17:6
I think so on both accounts!
I find the movie titled Mercury Rising relevant enough to suggest that it's probably another dot we should connect.
The movie starring Bruce Willis presents Mercury as the name of an "unbreakable code" created for government use in the protection of its network of secret agents. As one test of the code, it was embedded quietly into a puzzle book that was in public distribution. The code is broken by an 9 year old autistic savant named Simon. The name Simon is the same as Simeon, meaning, "hearing." The boy who hears, with a hearing ear and seeing eye. The tagline: “Somebody knows too much.” Gnosis? Eye of Horus Activation? Why it's called Mercury Rising (I'm speculating here, it's been a while since I watched it) might be because the movie gets more and more intense as threats to Simon's life increase - "the heat is on" - targeted because he's perceived by the government agency responsible for the code as a threat to national security that is best eliminated through assassination.
How does Doda's rising black stone connect? The Mercury as a high level encryption code protecting the most valuable secrets: Does that speak of the esoteric riddle, The Emerald Tablet of Hermes? The boy being 9 years old is perhaps a symbol of the DNA transformation, like The Iron Giant's 9 year old Hogarth. DNA is a code that has to be broken, which is an essential of the Beast and mark of the beast transformation scheme. The black stone Beast DNA with the Mercury symbol ... the Mercury code broken by the 9 year old boy. The government's agents involved with their global infiltration network, the Beast system. Noodle, noodle, noodle. Hmmm.
Well, that's what I've got on it. Doda. Bad Girls. Another weapon in Satan's arsenal.
The second video in series has just been produced!
The Olympic Ceremonies are of such a nature that they provide us with an excellent platform for sharing our insights into some of the most critical issues of our day. The PyeongChang Paralympics are nearly over, bringing the Olympic competitions, celebrations, and mass rituals of this season to an end. What Aaron and I have observed from the other three ceremonies is that there's been consistency. The theme of the journey through time with the opening of time portals has been presented with the language of mind-control programming in the setting of dark ceremonial magic.
Those of you who are helping fund us and our efforts and supporting us and our sponsors with prayer are appreciated! Most will never help with the effort, and many who otherwise would cannot at the present time, so for them, and us - THANKS! If you haven't pitched in yet and you have the ability to help, please do - we need more help to catch up and to get us through this stretch.
In our Part 1, we gave attention to how the NBC commentary was a hissing enchantment and hypnotic induction. The excessive alliteration was pretty obvious when pointed out, right? In Part 2, we point out some other mind-control techniques used by Tirico and Couric to ply the audience. Why? Watch and see! Picking up where we left off, we make an exhibit of how the presentation of "A Journey Through Time" is not the innocent ceremonial entertainment that most want to believe it is. We show how the Olympic Stadium stadium in PyeongChang is designed for the staging of dark ceremonial magic. We show how the hypnotized members of the global audience are conscripted as initiates in a magical order and engaged in a quest. The production even "Easter Eggs" Don Quixote in the sequence to make deniability implausible! Divination is featured through the crystal ball (scrying) and the Tarot deck (The Hermit), with nods given to Theurgy and Hermeticism, and Plato's Allegory of the Cave is secretly acted out in this fitting context!
This quest of the initiate seems to be connected to another ritual event, the Super Bowl half time show, which was broadcast by NBC only five days prior to the Opening Ceremony of the Olympic Games. You've seen our video, right? Justin Timberlake used the distorted projection of the image of Prince and the performance of one of his songs to secretly lead the mass audience to pledge a blood oath to the Prince of the Night. Could that mass Super Bowl ritual be connected to mass Olympic Games ritual? We offer some compelling observations that suggest they are!
Despite the effectiveness of the Occult mass rituals and mass mind-control techniques used by the media (and educational, political, entertainment, arts, sports, health care... institutions) in an all-out assault on our minds and bodies, this fast track to oblivion that is our present situation is becoming more apparent to more people. While some are rallying together to combat it, we are encouraging an alternate approach that actually works. Get tight with the Creator. Seek Him first. Be inspired. Only then can you serve what is truly good and what will endure. Everything is going to work out in His time. Make full use of everything you have been given stewardship over - it is so worth it! Do not settle for a life that is not miraculous.
11 For it is written, “As I live, says the Lord, every knee shall bow to Me, And every tongue shall give praise to God.” 12 So then each one of us will give an account of himself to God.~ Romans 14:11-12
11 He is the stone which was rejected by you, the builders, but which became the chief corner stone. 12 And there is salvation in no one else; for there is no other name under heaven that has been given among men by which we must be saved.” 13 Now as they observed the confidence of Peter and John and understood that they were uneducated and untrained men, they were amazed, and began to recognize them as having been with Jesus. 14 And seeing the man who had been healed standing with them, they had nothing to say in reply. ~ Acts 4:11-14
The animated feature Rango presents a religious Wednesday hydration ceremony that is an obfuscated version of the Romish church's Ash Wednesday Mass. The reason for this becomes apparent in the light of how the contexts of both Wednesday's rituals and their ceremonies testify of the mark of the beast. In making the link, Rango basically says, “Hey - we get what the Ash Wednesday thing is all about and we're in on the same deal.” Those behind Rango serve the same god as the Pope. That's not my god, by the way, but the one of every Sun cult and all Mystery Babylon the Great.
I've covered a lot of ground on this subject matter already in several of the Rango posts and in a study posted recently titled Ash Wednesday - A "Fourth Day" Ritual Prefiguring the Mark of the Beast, but there's still more to bring forth. This is not a rehash, so what follows might not make much sense if you're not already somewhat familiar with this background material.
I'm going to address two scenes that make reference to Ash Wednesday. The one that happens first in the movie is easier to recognize if you understand the second, so I'll cover the second one first, the hydration ceremony.
I can't point you to a video clip of this scene. If you can find one or post one, please share the link with me. If you are already familiar with the Romish style Mass and Ash Wednesday ritual it might help you grasp what I'm going to present, but might also hinder you. If you feel yourself wanting to defend anything it's a sign that there's some personal issue you haven't fully resolved. I pray those of you who read here and are offended in some way take the matter up with the Lord without hesitation. I'll be using the Romish labels for reference but I don't mean to imply by this convenience that there's any legitimacy to their labeling.
You may want to spend some time meditating on the meaning of the images in this collection I assembled for comparison.
The Wednesday hydration ceremony resembles the Romish church's Ash Wednesday Mass, presenting a series of elements that are common to many Catholic and Protestant services. It starts out like every Mass, then the Ash Wednesday elements appear.
There's a call to worship rung out with the clock tower's bell chiming the Noon hour. Worshipers arrive in a sober, orderly fashion, passing the graveyard on the way, which is a feature common to many church properties. We hear music while they become a congregation, quietly facing Mayor John, the officiating priest. He formerly welcomes everyone. Then he calls to the priests to "Prepare the holy spigot!"
We are about to see the Romish Liturgy of the Eucharist followed by Holy Communion. The Sun cult priests ascend the platform with the spigot handle to arrive at the altar, which is the procession of priests bringing the host to the altar. I infer that they bless it silently in the prescribed manner. They fit the spigot handle-host to the water pipe-chalice. The Eucharist is ready.
Mayor John speaks and the congregation responds.
Mayor John: “The time has come my friends, the time that was foretold,” Congregation Response: “Hallelujah”
This actually anticipates the fulfillment of what is prophesied in Mass and Ash Wednesday's ritual.
Mayor John continues.
Mayor John: “the sacred time,” Congregation Response: “Hallelujah”
When Mayor John says “the sacred time,” the priests fit the handle-host to the spigot-chalice to make the parts a viable valve, so the sacred time is of course marking the mystical transubstantiation.
The officiating priest continues.
Mayor John: “the time of destiny,” Congregation Response: “Hallelujah”
“All together recite or sing the "Lord's Prayer" ("Pater Noster" or "Our Father"). The priest introduces it with a short phrase and follows it up with the embolism: "Deliver us, Lord, from every evil, and grant us peace in our day.”
Mayor John: “the time of deliverance.” Congregation Response: “Hallelujah”
After the “deliverance” part in the liturgy, the next item on the agenda is Holy Communion. So far, this is a pretty generic Mass sequence. What happens next is where the Ash Wednesday signaling begins, and where it begins to get very specific and pronounced!
Mayor John: “It is the time of hydration!”
At those words, the priests open the valve of the holy spigot, beginning to administer the Blessed Sacrament (that is to dispense/distribute the bread and wine mixed with water) to the first worshiper. Administering the sacrament shouldn't cause the congregation to make a fuss but something is not right. Pure water is expected to flow out of the spigot into Rango's cup, but mud comes out instead. (Note: When worshipers get the mark of the Beast it will be a worse disappointment.) This is not your regular Mass. With mud splashing even on Rango's forehead, it has become Ash Wednesday's ritual marking with wet ash. What is mud but wet dirt, and what is dirt but dust and ash and such. “Ashes to ashes and dust to dust” is an expression that would certainly have been heard at services in the graveyard they passed earlier.
The hydration references mixing the water with the ash, so Mayor John's pronouncement of the time of hydration introduces the Ash Wednesday ritual. The distribution of mud on the worshiper's forehead is not the usual bread and wine deal, with one given independent of the other. It's the Ash Wednesday Mass, and some of the following elements validate this observation.
One of the shocked members of the congregation can be heard saying, “Burn him!” Burning Rango would turn him into ashes! The suggestion to burn Rango alludes to the palm branches burned to make the ash, which would have been collected from the previous Palm Sunday. (This further identifies him as one of the palms to be burnt, one of the wicked, trampled at Y'shua's return in judgment as the palm branches strewn in the road were trampled into the dust when Y'shua rode the donkey/colt towards Jerusalem.)
Mayor John responds in an effort to assert control. What he says makes it pretty clear what day it is on the Romish liturgical calendar.
Mayor John: “Times will be tough from now on. Sacrifices will have to be made. But if I can help in any way please know that my door is always-”
Beans steps forward and interrupts, cutting him off. Ash Wednesday marks the beginning of a season called Lent that concludes with Easter Sunday. I remember when I was young, the Catholic kids would return to school after getting marked and ask each other, “What are you giving up for Lent?” You see, sacrifices had to be made. That was their focus, what really impacted their lives. When Mayor John says times will be tough from now on and that sacrifices will have to be made he's alluding to Lent, which begins on Ash Wednesday!
About Mayor John's statement that his door is always- and we can infer “open,” given his official priestly role in the service and the stained glass windows in his office, that he's making an oblique reference to the door to the church as his door that is always open. His response, if you understand something about Neuro-Linguistic Programming (NLP) connects the tough times and sacrifices with the church and the services it provides. Yes, even those on Ash Wednesday and through the Lenten season.
There's more. This is where it really gets dialed in! To be continued, Lord willing.
Continuing on, here's some more examples of how the number 12 signals time, and how 13 signals the wielding of control over time, as 13 transcends the 12.
When we talk about space-time, its common to refer to the 3 dimensions of space as 3D. Because D is the 4th letter, the numbering of 34 is produced. This is actually an esoteric code for time, which suggests the labeling of space as 3D was done with this concept in view. About 34: 3+4=7 and 3*4=12 so we see both of these primary time numbers are directly produced.
In every instance of what I refer to as Code 47 there exists an implicit 12 in the math, and what that means is that the subject of time factors in as an essential component. The 47th Problem of Euclid involves the area of a 3.4.5 dimensioned right triangle. From the diagram, observe how 3+4+5 = 12, identifying the base triangle with time by reason of its circumference. The triangle is a fundamental geometric figure and a simple metaphor for the 3 dimensions of space. The 3.4.5 triangle is therefore a fundamental symbol of space-time. Observe how the primary time number 7 is the sum of the parent lengths 3 and 4, and that the primary time number 12 is the unseen area implied between them.
In another notable feature, the standard Occult gematria value of the word, time, is 47! Code 47 invokes the word and meaning of, time.
T + I + M + E ~ 20+9+13+5=47
The floors of the temples and lodges of Freemasonry feature what they call the Oblong Square, which is always of the 3x4 dimension. Because the 47th problem of Euclid is a foundational puzzle for Freemasons we should rightly connect the two for insight into what the Oblong Square represents. The 3x4 dimension is derived from the Pythagorean 3.4.5 triangle that is the basis for the 47th problem of Euclid. Remember, the 7 and 12 are implicit in this geometry, and these fundamental numbers of cycling time are being identified through a geometric grid of squares which the Freemasons emphasize by tiling the area with black and white squares. Space and time are very often represented by squares and circles in combination, respectively. Through the ratio of the squares in the Oblong Square the implied circle for time is generated in a ritual “squaring of the circle.”
This theurgic ritual magnifies that which is performed in the square and compass symbol, the ubiquitous emblem of the tools used for drawing such squares and circles. The Freemasons thereby boast of their mastery of the domain through these Occult emblems. The other symbols of their meeting rooms and tracingboards, like the pillars, the Royal Arch, sun and moon, etc. extend the imagery to illustrate a transcending of this space-time domain. The meeting rooms pictured in these familiar tracingboards are claimed to be modeled on the temple that Solomon had been given to build on Jerusalem's Mount Zion. We should know that building to have geolocated a divinely appointed connection with the highest throne of heaven and function as a center of time, because it's been quite adequately demonstrated by David Flynn.
Underscoring the interpretation of the Oblong Square floor as signaling space and time and mastery over it, let's consider what's under it as a kind of space-time ark. An understanding of the 12 and the 13 should become evident. These are secrets of heaven, legitimate secrets, and you are witnesses to the leveraging of these by the illumined on their left hand path as aided by the Fallen in their hijacking schemes. Ultimately, they will fail, but limited success for a season has surely been granted.
Pictured under the floor of the Lodge-Temple is a coffin. We're officially told it honors the ancient architect named Hiram Abif. That character is code for Osiris, who, according to the ancient religion still practiced today, is raised by Isis into Horus. I've written lots about this over the years, making very relevant biblical and prophetic connections. The coffin bears the skull and bones symbol, which is a mark of Osiris. The coffin is a kind of space-time ark that has to do with control over time, and this ark hidden under the floor will be seen to compare to the ark of the covenant, the artifact I've recently blogged about at some length. According to legend, after being killed and dismembered, only 13 of the 14 pieces of Osiris were subsequently recovered and reassembled by Isis. Note from this how the number 13 is therefore implicit in the body of Osiris. That's the time control number, and Osiris has long been identified as the lord of time in the ancient texts of The Book of the Dead.
The coffin bears the XO symbol in the form of the skull and bones. On one level, XO represents space and time (XO also equates to a square and a circle). From another perspective, the XO signals the number for the underworld abyss - 66- because both the X and O transform to 6. (X is 24 and O is 15 so add the digits.) Osiris, god of the underworld, god of the dead. Many Occultists accept that the union of the X and O establishes the celestial throne of the goddess, in association with the work of the god of the abyss (known in that context as Nodens). It's a ritual resurrection of Osiris by Isis into Horus, through a mastery of space-time that facilitates the requisite operation of the ancient celestial stargate and permits transit from the underworld to manifest in this realm.
Here's why we should see a connection between the coffin of Hiram Abif and the ark of the covenant that was in the Temple of Solomon. In some tracingboards, we see a box next to the coffin that has long poles. One thing is like the other. The tracingboards have a lot of redundancy in symbol. The acacia sprigs are clues that link that coffin to the hammered-gold-over-acacia-wood ark of the covenant. This speaks to me of a ritual hijacking of the ark of the covenant and what is now manifesting as an actual seizing of control over the flow of time. There's more control yet to be established, and certainly more mechanisms wielding their influential power, but there it is. The coffin under the floor has to do with the time hack that will eventually result in the opening of the stargate to bring Horus through into this space-time domain, and it also has to do with a time hack securing the early release of those responsible for the flood of Noah.
We note that the funerary box that held the patriarch Joseph's bones was an ark. Israel carried them up out of Egypt into the promised land through the space-time ark-ish wilderness wandering, making two miraculous crossings through the waters as stargate transits.
It deserves mention here that the coffin of Hiram Abif under the Oblong Square floor compares also to the pyramid on the Great Seal found on the back of the one dollar bill. Take a look at the acacia growing in the foreground. (“1. At the foot of the pyramid is a twig of acacia wood from which the Arc of the Covenant was made that means the everlasting immortality of the soul.” * masonicgathering.net: MASONIC DOLLAR BILL) It's similar in meaning to the palm tree, which means to their exalted symbologist, victory over death. (By the way, have you ever seen the pagan altars where Easter is celebrated, which is preceded by Palm Sunday and Ash Wednesday, where the ashes used to mark foreheads are from burned phoenix palms?) Why do you suppose the acacia is there by the Great Seal's pyramid, which is associated openly with the ark of the covenant by the authors of the Masonic Gathering website? Connect the dots. The pyramid is a kind of temple that is geometrically very similar to the 3.4.5 triangle. (Not just generally in shape but in the count of features, as I've explained elsewhere.)
In the Occult gematria code where Z=1, the Roman numeral letters we generally interpret as the year 1776 (MDCCLXXVI) are a string that we convert and add up to 129, and 1+2+9=12. Time. TIME IS MONEY. Another feature is not unrelated. Suppressing the first third of each third of that date string, mDCcLXxVI, produces 666.
Consider how so many features on the back of the one dollar bill have counts of 13 elements. For one example, the shielded bird grips in its left claw 13 arrows. TIME flies like an arrow. Control of time. The pyramid itself has 13 levels, if you count the foundation stone. There are actually 12 courses of bricks, making it a Temple of TIME. (Is Matthew 24:1-3 coming to mind?) The eye of Osiris, as some know the all-seeing-eye of providence, would be the 14th part, the radiant golden phallus that Isis used to raise Osiris into Horus. Consider the construction of every legitimate obelisk, which is topped with the phoenix (American Eagle) resurrecting ben-ben pyramidal capstone, as the magickal seed emitting phallus of Osiris. Yet another time and time control layer of symbolism is linked to the obelisk through it's identification as a frozen serpent. Water freezes solid. A serpent represents a river as its path winding through the land. Water as time.
As it is often said, TIME IS MONEY - and so it is ritually emphasized with great repetition!
The back has four instances where the large numeral is superimposed with the word, ONE. Three letters, times four, the sum of the numerals, is 12, the time number. On each side, 1 over 1 opposite 1 over 1, or, 11 11, the signal appearance of the space-time pillar of Gemini and the Silver Gate. The opposing Golden Gate or 9th Gate is what seems to be signaled by the 9 fanned tail feathers on the shielded phoenix-eagle, between the two Gemini pillars of legs. That's where birds emit their streams of “Milky Way” as they fly in the heavens, of course.
Why has all this Occult imagery been chosen to decorate the lowly ONE dollar bill? Because it's so abundant, no doubt, but also, I believe, because of how important the Monas (exact equivalent to Monad) is in theurgy and alchemical philosophy. To the Pythagoreans it represented divinity and the first thing that came into existence, and thus all things springing forth from it. Even time itself.
M = 13
O = 15
N = 14
A = 1
D = 4
MONAD = 47
The Latin, E Pluribus Unum, translates to “One, out of many.” Thirteen letters. Monas. One - as union of lords of time.
The obvious appears large and central, only leaving it to be recognized that by, ONE, they mean, MONAS.
IN GOD WE TRUST ONE
IN which GOD do “WE” TRUST? Clearly, they mean the Monas - the generative divinity declared in all the symbols - the one that is cryptically identified by the clockwise pointing hexagonal star, which is NOT the one true sovereign God of Abraham, Isaac and Jacob, the father of my Lord Y'shua.
When it comes to Occult demonstrations of money-as-time, The Penitent Man always comes to mind as a prime example. Money from the future played a role. Future money, $100 bills from the year 2065. Why 2065?
2+0+6+5 =13
The money was a sign validating a testimony about time travel. The traveler from the future gave it to himself, in his past. He was and was becoming a master of time. Thirteen!
“For some reason, we called it "umbrella sex"; if you fancied someone your own sex, you were "an umbrella.” This line appears in the 2005 novel, “Never Let Me Go,” by celebrated British novelist Kazuo Ishiguro. This is partly responsible for popularizing a connection between umbrellas and homosexuality, a theme that I've developed further in symbols like rain and hats. These symbols promote homosexuality with a powerful supernaturalism. These can be aptly described as metaphors of mind control programming because that's how they work, by design. These symbolic elements represent the anatomy and biological functions of ritual sodomy, which has been demonstrated to be the essential key in the process of subjecting men and women to demonic authorities. This mind control mechanism of the symbols I've been exposing enslaves man to serve sin and binds him to the rebel god.
The sales job of our day is that homosexuality is a respectable option, and the culture that has been made to look like it already has bought in seems to pretty much be buying in. This is a huge set-up.
24 Therefore God gave them over in the lusts of their hearts to impurity, so that their bodies would be dishonored among them. 25 For they exchanged the truth of God for a lie, and worshiped and served the creature rather than the Creator, who is blessed forever. Amen. 26 For this reason God gave them over to degrading passions; for their women exchanged the natural function for that which is unnatural, 27 and in the same way also the men abandoned the natural function of the woman and burned in their desire toward one another, men with men committing indecent acts and receiving in their own persons the due penalty of their error. 28 And just as they did not see fit to acknowledge God any longer, God gave them over to a depraved mind, to do those things which are not proper, 29 being filled with all unrighteousness, wickedness, greed, evil; full of envy, murder, strife, deceit, malice; they are gossips, 30 slanderers, haters of God, insolent, arrogant, boastful, inventors of evil, disobedient to parents, 31 without understanding, untrustworthy, unloving, unmerciful; 32 and although they know the ordinance of God, that those who practice such things are worthy of death, they not only do the same, but also give hearty approval to those who practice them.~ Romans 1:24-32
The following items exhibit the homosexual mind control programming metaphors at work.
I just discovered this video from 1982 that is chock full of sodomite signals - a regular sodomite love fest. The cover of the R&B single conceals a 666, as I show in this image.
According to Wikipedia, this has been so well embedded in the pop culture that associating it with someone tags them as gay. It's a gay anthem kind of like Go West, by the Village People and Pet Shop Boys. “Though Victor Willis denies writing the song with a gay theme in mind, "Go West" is generally understood as an expression of the 1970s sentiment of San Francisco as a utopia for the Gay Liberation movement.” I consider “Going West” as the equivalent to taking the left hand path.
If you and I conform to the acceptable standards of tolerance and simply maintain silence it's not quite the same as giving hearty approval to those who practice, but if we fail to acknowledge that wicked rebellion and witchcraft are wrong, that this behavior is sin, we are victims of lies and will pay the penalty. Some may need and want your help, your reaching out in love. The sales job of pagans-witches (worshiped and served the creature rather than the Creator) is that same sales job of the homosexuals because that's their nature. This is not a call to social action but a call to wake up and stay awake and protect yourself and your loved ones from this snare. I've exposed their version of love as it is in reality a kind of “hate crime,” and they call what are truly acts of love “hate crimes,” where the truth is proclaimed, the living word of the living God who makes men free indeed. Lucifer's kingdom exchanges the truth of God for a lie, as we read in verse 25 above. White is black, up is down. It's all flipped. When it is claimed that they want equal rights, think about what has happened with the genders. It's not about equal rights, it's about ownership. It's not about rights at all, except how it's about wrongs!
“Disney Pixar has released a brief clip from their upcoming short film The Blue Umbrella. This animated short centers on two umbrella who fall in love with each other on a crowded, rainy city street. The film will premiere before Monsters University on June 21, 2013. Watch as their umbrella love opens in the midst of the daily bustle.”
Uh, right. Umbrella love. A blue and red merging makes purple, right? Sodomy. This will be shown as a prelude to Monsters University. Like the Beast U, right?
The lyrics of these Monarch programming and black awakening songs leverage rain and umbrella metaphors. It's just a small sampling.
Resident Evil. Umbrella Corporation. Red Cross (sodomite Knights of Malta)
See the lies being marketed all around is in the logos, ads, commercials, films magazines, in the words and expressions in our languages, and let it speak to you of the immersion and saturation of lies and the mind control impact. There is a refuge. Seek Him, the risen Lord Y'shua!
It's been a while since we dedicated a post to decoding Occult symbolism in branding, and this one is due as a timely exercise in discernment.
Here in Greensburg, PA, we've got a "nursing home" who is advertising their "holy week" services. It's called the St. Anne Home. If you were a god known as SATAN, and your habit was to conceal yourself in clever ways, masquerading as an angel of light, this would be a favorable name, would it not? It would be a place where St. Anne-ic worship could be practiced by St. Anne-ists without raising any suspicion at all. "St. Anne" would be filled with glee at his little turn of a phrase as St. Anne-ic ritual would be practiced with every innocent seeming reference to the institution's name. It's a clever bit.
Where is the evidence of such evil in what has the obvious appearance of good, the care of others who are in need? Many Occult groups require charitable work of their membership, which makes the best cover - and the vulnerable are the easiest to exploit, as history proves over and over again. I have no evidence of any kind about the operations or management of this particular care home, to be clear, but the tale told by the imagery they chose to identify themselves with is so very familiar.
Perhaps most obviously, there's the obvious affiliation of the sponsoring order with the Papal Romish church. Nothing pure comes from a primary religious institution of Mystery Babylon the Great, the Mother of Harlots, banksters and sponsor of idolatry and corrupting spiritual influence. The church has shuffled the second commandment into their deck, where it won't be awkwardly brought to light in the course of their usual game play. Research that for yourself and see if it isn't so.
Who are the sponsoring Felician Sisters of North America? According to their website they are nuns of a Franciscan order that is named after a Marian apparition called, Our Lady of Hope, which should be identified more honestly as a fraud and impersonator and demonic manifestation. From their website: "The Blessed Virgin Mary appeared to two young boys in the small town of Pontmain, France in the late nineteenth century—a time when France was enveloped in tremendous strife, upheaval, and instability brought about by the Franco-Prussian War." The goddess made a lot of appearances in France where many famous shrines remain and even continue to grow in popularity. Our Lady of the Miraculous Medal, or fill in the blank - Rue du Bac (Paris), La Salette, Lourdes, Pontmain... or Our Lady of Graces in Cotignac... You might call her, Isis or Ishtar (EASTER) or perhaps Lucy, short for Lucifer.
The logo for Satan's Home, eh, "St. Anne's Home," is obviously related to the one for the sponsoring institution. We'll start with the simpler derivation and work our way to that of the sponsoring institution (in another post, Lord willing).
The elegant looking logo is very much about the goddess in her guise as the queen of heaven. No surprise with that link, right? The circle is the most obvious element, which is a symbol of the feminine, and divine feminine.
The heart-in-circle is a form that has been known from ancient times to be traced out in the heavens by the planet Venus. The goddess is identified and exalted in this form because the planet Venus is named after the celestial goddess.
If you understand about the union of the X and O you will see several instances that are accepted in Occult groups like the O.T.O. as establishing the celestial throne of the goddess. The union of the X and O is formed by crossing circles, as two arcs intersect in the form of the stylized heart. The heart-arc on our right intersects with the outer circle for a second instance. That crossing joins with another instance because the letter t in St. is a cross. This double intersection occurs on the edge of the circle, which is a very potent location in the way of the power of symbols. The font used for the lettering gives the t a rounded tail, so that letter stands alone as a potent circle cross emblem.
On a white background, the design of the stylized heart lends the outer blue circle the look of a 3D sphere. In alternate versions (like in the holy week schedule at top of page) the circle-sphere is white. See this as the moon, given that the moon is a symbol of the goddess (and of THE real Bride of Christ, biblically). (cultural connection with the color - "once in a BLUE moon") Those who call the ancient goddess Mary, or Our Lady of whatever, are accustomed to seeing a crescent moon associated with her image. The pretext involves Revelation 12:1, but the moon symbol of the goddess predates Mary. The connection of the celestial and feminine has to do with the lunar-menstrual periods.
One can see the ancient name of Inanna suggested in the design, as a rebus or pictogram. The S appearing as inside the circle to supply "IN," which is followed by Ann(e). One can also see the name, Anne, in this context as transforming into Awe, like AWA, in a modeling of the bent elbow goddess Inanna flanked by her Owl escorts. How so? The double n reflects to double u, right? W
The moon is sometimes used as a celestial stargate symbol, the one known as the Silver Gate. This logo is leveraging it that way, as a dimensional portal, which we know because there is redundancy. The heart in circle form that Venus traces out in the heavens is centered around the sun, and Occultists identify this as a portal through which energy (spirit) flows. The source is not the sun itself but another dimension behind the sun. Lending support to this meaning of the logo as a portal we recognize how space-time is being signaled in the letters S and T. The t (for Time) is on the edge of a circle and a circle is a symbol of time, plus the period after the t is another circle that adds somewhat to the effect. The S in "Sponsored" is positioned directly under the t in "St." which multiplies the power of that symbol. You should be able to identify another geometrical shape in the design of the logo's encircled heart. It's a Torus, the shape of a donut with a hole in the middle. The torus is commonly played as a homophone kind of symbol that represents the constellation, Taurus. (Taurus - the Bull ~ Hathor) The Silver Gate's location in the heavens is between the constellations Taurus and Gemini. Gemini - the Twins, like the matching halves of the stylized heart. See that toroidal shape also as the Ouroboros, a tail eating serpent. St ~ S-erpen-T and this is yet another time symbol. And, in context it is a Satan symbol - a serpentine "St. Anne" symbol.
The dimensional portal of the Silver Gate is matched by the imagery of the sodomite gateway, the means of Luciferian illumination and access between people and the false gods. The stylized heart and the moon are butt symbols, as one is mooned with the exposure of the bare bottom. We know this anatomical symbolism is in play because of the use of the registered trademark. This (Code 33 ~ R+O ~ 18+15) symbol represents the dim or moon eye of Horus that matches to a bright seeing sun eye in the familiar signaling of Harmerty, Horus who rules with two eyes. Where is the bright sun eye implied by the use of the registered trademark? The big circle that plays as the moon on one level does double duty as the sun. To identify this heart-in-circle as the Horus Eye supports the sodomite sex magic because the Horus Eye is a metaphor for the anus. Here's a key anagram: "A SUN" ~ ANUS
The motif of the crossing circles is the sex magic union of the divine male and female, which is ultimately interpreted as producing Horus. Alias Apollo, alias Antichrist, alias the Beast and the Jesus of the Papal system whose mother is the ancient goddess of a thousand names.
As for the layering of this logo's sex magic imagery, the production of Horus may be seen as the bringing forth of Cain because a key element of the Garden of Eden is in view. See the big circle as the fertile womb of Eve, and even as an ovum. This is a picture of conception as the S-erpen-T seed is entering the ovum and implanting in the womb. Cain would subsequently be brought forth as the fruit of her union with the Nachash. One might see the heart as the bite out of an apple.
Am I imagining things, making them up as I go along? If you've become familiar with our large body of work decoding Occult imagery, you know the consistency bears witness to the veracity of the interpretations offered.
There's actually more to this St. Anne Home logo because of what it inherits from the sponsoring institution. That's the subject for another post, Lord willing.
If you've been accompanying us on this adventure of exploring the piano-stargate ritual media, in this installment you'll discover more of the reasons why, Somewhere-666 in Time, has received so much of our attention!
Have you seen the film recently? There's a secret chicken joke that must be an inside joke among the filmmakers. This "fowl" bit factors into the esoteric ritual in two ways!
The role of the piano in, Somewhere in Time, has been subtle, but the instrument has had enough of a presence to warrant its inclusion in this series. We deem this classic to be significant enough as a ritual magic production to warrant being easter-egged in the 1993 classic, Groundhog Day, and also in The Lake House, from 2006. You'll see how the latter was done later in this video.