Who is Cain's Father? The Kindle version is now available

Is Adam really Cain's Father? You may understand the Bible to say Adam and Eve had sex and Cain was born of that union. That's an assumption this book will challenge. The days of the coming of the Son of man are compared to the days of Noah in Matthew 24. Without the foundation of knowing what really happened in the Garden, what happened in Noah's day with the Watchers has no precedent. When you see the continuity of what began in the Garden with the Cain gambit repeating in the Nephilim (and GM plant and animal) scourge, then repeating again through the line of Ham, what we see today makes all kinds of sense.

Parents have famously explained sexual reproduction to young children as "the birds and the bees." Another classic is the "brought by a stork" explanation for where babies come from. The Bible story about Adam and Eve being tricked by a snake into eating an apple from a tree compares to those classics. For the mature, these versions are inadequate. It's time for the grown-up version, the truth.

You can get it here: Who is Cain's Father? [Kindle Edition]

If you don't have a Kindle you can read it in your browser or on your smartphone. Just download a free Kindle reader app.

Part 43 - Rango - Crystal Cubes and Rainbows

“What our story needs is an ironic unexpected event that will propel the hero into conflict,” the hero had said, setting up for his dramatic transition. I just showed how the literal propulsion of the hero occurred by providential means. The hero had called upon the ancient gods for help and they showed up in short order. The illustrated means or mechanism of this propulsion suggests our hero playing the role of Thor. That's the identity connected with the transport mechanism as we look beyond the car bumping over the armadillo to see the bow formed in the clouds, the rainbow. The water from Rango's umbrella drink arches out of the glass to form a distinct bow in the clouds, complete with ice crystals, presented even from both angles to ensure we don't miss the bridging feature.

13) I set My bow in the cloud, and it shall be for a sign of a covenant between Me and the earth.
14) It shall come about, when I bring a cloud over the earth, that the bow will be seen in the cloud,

Genesis 9:13-14

The chameleon is pictured with a bow in the clouds as he falls to Earth. Hello Bifröst! I'll return to Genesis shortly, but let's focus our attention first on the rainbow as a transport mechanism. There's a legitimate “science” here.

If you follow this blog you know the rainbow is a popular theme. It's frequently signaling a dimensional portal, the mecillah or kingdom viaduct that bridges heaven and earth. By other names it's a stargate, wormhole and even a gate of hell, a door to the underworld, the rainbow bridge or Bifröst. Bifröst, in Norse "mythology," spans Midgard, the realm of man, and Asgard, the realm of the gods. It's the only bridge between here and there.

Thor Odinson (or son of Odin) is another alias for the ancient god and coming Beast akin to Apollo and Horus, the character played by the Johnny Depp voiced chameleon in so many others of Rango's symbolic scenes.

The comic book image is from “The Mighty Thor” Marvel Comic, drawn by Jack Kirby.

After falling to earth, a Rango mythology is created about the chameleon-god in the Gascan Saloon, where this stranger spins a yarn about coming from the far west, eating men and killing all seven Jenkins brothers with one bullet. He's a god. How did he get here? The bow in the clouds, the Bifröst or mecillah dimensional bridge. Why has he come? He was propelled into conflict, which manifests in part as the waging of war - the campaign of Armageddon after he assembles his army. The conflict is also the necessary friction generating the fire of the furnace for the refinement of God's people.

When the scene of the hero being propelled begins the slo-mo effect, the first thing we're shown is the chameleon's umbrella drink glass. Rising out of the glass is an ice cube, a crystal cube! The contents becomes the watery bow with ice crystals in the clouds. As you see it in this still, the crystal cube has a splash of water forming a dish shape like an antenna around the crystal. The umbrella in the class also resembles an antenna dish. Given that crystals are used for tuning in radios and crystals act as prisms for the manipulation of light spectral frequencies, both dishes aimed at the crystal suggests there's a wave energy technology and a transmitter device that facilitates the transport. Beam me down, Scotty!

During the NLP-rich segue to the scene we hear, “The hero can not exist in a vacuum.” Early crystal radio technology featured vacuum tubes. Vacuum is also an allusion to the physics of electromagnetic wave propagation. In the medium of a vacuum, a special case exists where the phase velocity equals the speed of light exactly. What I think we're carefully "not being told" is that there is a device like a crystal radio that will be used to bridge the heaven and earth. This might sound fringe, like even beyond the boundary of sanity for me to think that, but there's more substance here than you might think. There is a biblical basis plus other movies signaling this same message.

Wave energy of the electromagnetic radiation kind is referenced and also that of the non-electromagnetic kind, sound. Sound requires air pressure and cannot travel in a vacuum. “The hero can not exist in a vacuum.” Meaning? Both EM and non-EM is apparently required in this stargate technology, light and sound. Consider the light and sound interplay in the following biblical text, describing special access to a cube where man interacts with God.

31) “You shall make the robe of the ephod all of blue. 32) There shall be an opening at its top in the middle of it; around its opening there shall be a binding of woven work, like the opening of a coat of mail, so that it will not be torn. 33) You shall make on its hem pomegranates of blue and purple and scarlet material, all around on its hem, and bells of gold between them all around: 34) a golden bell and a pomegranate, a golden bell and a pomegranate, all around on the hem of the robe. 35) It shall be on Aaron when he ministers; and its tinkling shall be heard when he enters and leaves the holy place before the LORD, so that he will not die.

Exodus 28:31-35

The bells alternate with pomegranates. The root word for pomegranates in the Hebrew is ramam, which means “1) to be exalted, be lifted up a) (Qal) to be exalted b) (Niphal) to lift oneself” There is an ascension and elevation from one realm to another. The pomegranates that were positioned between the golden bells have specified colors. Colors describe bands of visual EM radiation. The bells are a tuned non-EM wave energy device. The High Priest's Ephod had a grid of gems - crystals. The robe of the ephod was all blue. Think about this in terms of the physics of wave energy transmission and spectral analysis. What Rango's cryptic “falling to earth” scene is telling us is how fallen angel tech is exploiting the secrets of heaven.

The bells tinkled, but the sound must have been more than just noise because they were made as directed by the Lord God for this purpose and probably tuned.

“The bell is more complex acoustically than any other vibrating body intended for musical purposes, and its manufacture presents a formidable challenge. ” (Chapter 5: The Acoustics of Bells)

“The main partials (frequencies of specific pitches) of a well-tuned bell consist of a fundamental (prime), a minor third (tierce), a fifth (quint), an octave (nominal), and a hum tone an octave below the fundamental.” (Chapter 4: The Musical Bell)

The Holy of Holies was a cube, and it was the place where the Lord God had made an annual appointment to meet with a man. Rango's crystal cube had two dishes aimed at it. One EM and one non-EM? The only furnishing inside the Holy of Holies was the ark of the Covenant. It's been described by some as a technological device that may function as a battery and as a transmitter and receiver. I'm not explaining anything spiritual away as just some high tech collection of gizmos, but you have to know the laws of physics are not imaginary. This is the framework of our existance. I believe managed EM and non-EM wave energy harmonics can cause resonant structures to change their vibrations and thereby cross dimensional boundaries. I suspect some of what's being done with cloud seeding and chemtrails and HAARP is towards this end, essentially a detuning off the favorable Yahweh Tree mapping onto one favorable to the Serpent Tree mapping. Which brings us back to Genesis.

The bow in the clouds mentioned in the 9th chapter of Genesis was a new thing. There was no rainbow before that. The physics of the planet changed. Why, just so we could have a sign, or was there more to it? Looking at the context to find some answers for what's really going on, you have to consider the flood of Noah's day, the reason why the sign of the bow was given. The flood was brought upon the earth due to the activity of the angels who fell to earth. There's a key connection, as the bow in the clouds accompanied the chameleon's fall to earth.

So what are we onto here? Is the rainbow a manifestation of the physics of a locked down condition, a jamming signal barring angels from doing what the 200 watchers had done? Is this evidence of something akin to what was later done to frustrate those in the plain of Shinar who would have aquired the ability to do whatever they purposed to do? They were going to accomplish that by leveraging a construct that had a bottom on the earth and a top in the heavens, like Bifröst bridging Midgard, the realm of man, and Asgard, the realm of the gods. This architectural stargate technology built by ancient masons is referred to as the tower of Babel, remember? Is the devil once again hacking the code behind the rainbow physics to neutralize the spectral jammer, engineering the key to the changed lock to exploit the existing dimensional gateway technology? I suggest, yes. I think there's more to it that just that, but that's a partial answer.

There is definite crossover here with the London 2012 Olympic series with this rainbow and bell gateway tech topic. I'll bet you noticed!

More coming, Lord willing, because there's plenty more here!

What's on my Heart Today

It was brought to my attention yesterday that The Watchman's Cry forum has been retired. I commend Nathan Leal for making that move. The issue on my heart today is related to his reasoning for closing the forum, pertaining to the comments that are fielded on this blog and emails I receive. If you read The Open Scroll it has probably come to your mind at some point that I really don't much care who I offend except for the Lord. This is not just me with a cavalier attitude. I've been humbled over and over again, enough times to realize the Lord who humbles me is the only one whose opinion of me really matters. His judgment is righteous and it stands and will stand. Kindness and gentleness and mercy are wonderful but sometimes a wider range of interaction is required in ministering. Some of you won't like what I will write, and so be it - it's not written to please men. I do a lot of teaching here, but this is a time for preaching hard words of correction.

My soul yearns for you in the night; in the morning my spirit longs for you. When your judgments come upon the earth, the people of the world learn righteousness.

Isaiah 26:9

That verse sums up what's going on. The hour is late. Now is when it really matters to get things right, to get our act together, personally. What everybody around us does or doesn't do must not be what drives us. A small number are going to be found worthy of the Lord and included in a precious company known as His Bride. It's that small number I'm here for, and through them, those she is here for. It's through the Bride that a great work gets done, but the focus is now on the Bride.

Most will continue to dismiss whatever I say about matters of propriety in the church and the exercise of proper behavior amongst the saints. This is as it must be. Yet, the Lord will have a people, and I am continually encouraged that this work the Lord has engaged me in, along with a few others, is one that will ultimately bear much fruit. So, for those who will hear it, here's another plea, another call to wake up and to come out from Mystery Babylon, to repent of rebellious ways and separate from those who will not repent.

Some hard tests have been administered over the past year and a half, mostly dealing with gender roles, friend and family relationships. Some of you can attest to this, having passed. Those of you who have failed will not likely have a clue about it, unless the Lord grants you extraordinary favor. The few of you whom the Lord is qualifying and preparing still will hear what I'm going to tell you. Some who read may want to respond by being cheerleaders on the comments in response to this post. If you're so tempted, don't do it. It won't be published. What will prompt you to want to cheer lead should be looked at real hard. If you are truly motivated, pray and settle in on what the Lord has for you.

What I wrote last year in the Jezebel vs. Sarah series of posts was important. Many who read and failed to respond appropriately have missed out. This means, forfeit. No joke. Because The Lord gave me to write this now, I know some have an opportunity before them still. Seize it, my friend. Whether or not you've read what I've written over the years, the spirit of the Lord has been bearing witness to His people about repenting of lawless attitude and behavior. Rebellion in our hearts will not qualify us for promotion in Him. Here's how it works. We humble ourselves, and He exalts us. What he dictates is what we must abide. It's pretty simple.

46) Why do you call Me, ‘Lord, Lord,’ and do not do what I say?
47) Everyone who comes to Me and hears My words and acts on them, I will show you whom he is like:
48) he is like a man building a house, who dug deep and laid a foundation on the rock; and when a flood occurred, the torrent burst against that house and could not shake it, because it had been well built.
49) But the one who has heard and has not acted accordingly, is like a man who built a house on the ground without any foundation; and the torrent burst against it and immediately it collapsed, and the ruin of that house was great.

Luke 6:46-49

What He says about gender roles, whether we understand anything about why or why not, we must accept. I have compassion for men and women, being painfully aware of how few of us have had the truth taught about propriety or having it rightly modeled to us. This compassion, you have to know; it cannot be my fleshy version that seeks to compromise what's right because I have an evil heart. It has to be the Lord's compassion, imparted to me by grace. Then, when instruction is given, the wise give heed. To the rest of you, yes, reading here right now, it's like the proverbial beating of a dead horse when I bring forth another word of instruction in righteousness.

I teach on this platform the Lord has provided about signs and symbols as our provision for the opening of the ears and eyes, which is really about character and humility. I teach and sometimes prophesy on the theme of signs and seasons, which is also about character and humility. I teach and preach about propriety because this is an honest expression of how humility is manifested, the obedience that testifies of genuine love. Genuine love is what He's looking for. It's due Him, and He's worthy.

My buddy Aaron Hermann and I have been engaging very closely together in trials and tests for well over a year now. Unless we were continuing to faithfully abide in the Lord's direction about gender propriety, we would not be where we are today, doing what we do. The hearing ear depends upon being willing to get with the Lord's program, doing according to what's heard. The gender role propriety, the willingness to “hate” father, mother, sister, brother... summing it up - NO IDOLS. There's no game on here. This is not about money or popularity. If I've earned your respect here you should know I'm telling you straight.

So, propriety in the church: Let me get down to brass tacks.

First, ladies: The majority of you shouldn't even be here. Let me explain why, and I really want you (and the men reading, too, for what this implies) to give this some hard thought. Most are here now because you are not content with the Lord's provision. You've been tricked into acting on your own behalf instead of accepting the Lord's provision. The Lord's direction here isn't given to frustrate or quench your desire to learn. He just has something way better in mind than to leave you to take care of yourself.

34) The women are to keep silent in the churches; for they are not permitted to speak, but are to subject themselves, just as the Law also says.
35) If they desire to learn anything, let them ask their own husbands at home; for it is improper for a woman to speak in church.

1 Corinthians 14:34-35

It is written: “If they desire to learn anything, let them ask their own husbands at home” More accurately, “husbands” should be translated “man.” It may be a father, brother, uncle or another who accepts the responsibility. If you don't like it, fine. I don't either. My stinking flesh rebels at everything good. Your's does too. But this is the Lord's provision! There's nothing written that contradicts that. I've written about this before. I'm not going to get into the long version about why. Submit to the Lord and accept His provision and He'll probably teach you Himself and maybe even through your man at home. If you think you'll really get the reason out of Him when you haven't submitted, well, good luck with that; your pride makes you easy prey for the father of lies.

If you, as a woman, want to kick The Open Scroll to the curb and scurry over to site A, B and C-Z... and book ... and church meeting... and get your fill, you might feel justified in doing so, but you'll forfeit whatever is offered to you right now, where the price tag involves actual humility. The pay-off, if you don't forfeit, will be beyond imagination, and I'm well assured of that. Recognize a promise when the Lord makes one, and take Him up on it. If He has narrowed the path down to reliance and dependence on your man, there's an implicit promise in that. Sarah, Abraham's wife, understood.

Ladies, yes, this does mean I will not be answering your questions about the Bible. You can thank me, share some testimony (without teaching), ask about other things, but don't expect any in-depth spiritual counseling or Bible answers. I do not want to put myself between the Lord and His provision for you through your man. If I'm not your man at home, don't ask me for explanations. I want no more part of subverting the Lord's plan where, in my arrogance, I ignorantly deprive others of His intended blessing. That temptation to "do evil so good may come" is something I've pretty much outgrown. The Lord's provision is better then mine. My ways are not above His.

Some women contact me without questions or teaching, instruction, manipulative agendas, etc. I encourage that. I have a few dear sisters in the Lord. Many women possess insight and wisdom and knowledge beyond many men, and I rejoice in that, as with men. Yet, it must be declared that men and women both who think to cheat their way into the Bride company without paying the “gender propriety dues,” submitting even that idol, I'm here to tell you, don't bet on it. If submission is required of me, isn't it required of you? Lawlessness is sin and there will be a forfeit of reward for what amounts to cheating, basically. On a test, should you pass if you cheat, even if you get all the answers right? It's not the Lord's way to promote cheaters.

Men, I'm addressing you second only because you're certainly welcome to be here. Yet, many of you reading here are responsible for the rebellious behavior of the women through your own rebellious behavior. The man is the head of the woman, the gender with authority and attendant accountability. With few exceptions among all who come to read here, you're sponsoring the impropriety, passively or actively. Do you give or permit women a platform, a voice to speak in “church,” in mixed gender assembly (where saints assemble to do what saints are inspired to do when they assemble), through the posting of comments or the posting to a forum? Do you participate with others who do? How about locally, in gatherings at home, restaurant, church... Hey, what excuse are you going to offer when the Lord calls you on it?

11) A woman must quietly receive instruction with entire submissiveness.
12) But I do not allow a woman to teach or exercise authority over a man, but to remain quiet.

1 Peter 2:11-12

Woman who are not disobediently engaging in lawless behavior do not speak in church and they do not teach or exercise authority over a man in any context. It's not my word. I'm not that smart or wise or good. Other passages present what the women should be doing, and I've addressed that already. It's implied in the revelation of what women should not do what it is that men should not permit. We are to follow Paul's example. It's the Lord's business to command and ours to obey.

This is no rant. No less consideration has been given this post compared to others. Whether I write about the Olympics, Madonna and MDNA, Rango, signs of judgment on the church or the impending war with Iran with severe consequences for America, it's all the same to me. I'm at my assigned post, dealing with whatever the Boss puts in my inbox. I have no personal stake in this, no affiliations or associations. I have no reputation to protect. I'm not going to defend Steve Quayle for promoting Ann Graham Lotz, or Rob Skiba for Sharon Gilbert, or Tom Horn for Sue Bradley, or Joseph Herrin for Glynda Lomax, or Zen Garcia for Joye Pugh....

But I do not allow a woman to teach or exercise authority over a man, but to remain quiet.

1 Peter 2:12

If they desire to learn anything, let them ask their own husbands at home; for it is improper for a woman to speak in church.

1 Corinthians 14:35

You might think I won't have a friend in the world if I keep this up. I will agree that I won't have a worldly friend - and I shouldn't. Honestly, any friend of the world is not my Lord's friend, and shouldn't be mine if I'm His friend. It's not an inclusive deal. Such diversity as that, as it's referred to now, is not in my Lord's plan. If I'm only popular with the Lord I serve, it's enough. He is love. Friendship with Him is not easy. It costs you everything, but what a bargain!

I do expect to die at the hands of the religious, and expect to be hated by all the worldly. As expressed in Rango, the Bride is considered "the source of the societal discontentment." I would be honored to be accounted worthy of sharing in what was assigned to the martyrs, apostles and to the Lord Himself. How about you? You can live too long. I'm in no hurry to go but neither do I intend to delay whatever my appointed end might be. If I make it to the Bride Theft alive, fine. If not, fine. It's not my call.

Well, I think that covers it for now. Thank you Lord for this grace!

Olympism as “Frankenstein's monster” beast religion + Invasion of the Body Snatchers

Olympism as global "one world" religious beast of the “Frankenstein's monster” kind, one body formed of many divers parts.
Faith leaders tour London 2012 Olympic Park

I watched Invasion of the Body Snatchers (1956) last night and heard beans spilled on the mark of the Beast plot.

“A moment's sleep, and the girl I loved was an inhuman enemy bent on my destruction. That moment's sleep was death to Becky's soul just as it had been for Jack and Teddy and Dan Kauffman and all the rest. And their bodies were now hosts harboring an alien form of life, a cosmic form which, to survive, must take over every human man.”

Hmmmmm. Well put. The lead character makes an impassioned plea that seems pretty appropriate to me.

“Look! You fools! You're in danger! Can't you see? They're after you! They're after all of us! Our wives, our children, everyone! They're here already! ”

Watch and see if it isn't so. The Lord warned us and the prophets continue to warn. The watchmen see it coming and are sounding the alarm.

Part 42 - Rango - Hail Mary!

In this post, I finally get to set up for some major stuff I've been looking forward to addressing for a long time! When Rango and his terrarium world are catapulted out into the desert it is, of course, the major transition in the movie plot. In that slow motion scene, some major signaling is going on! In posts 33-35 I focused on several elements of the opening scene where Rango was on his terrarium stage. I left that scene behind for several posts to track some really exciting Bride Theft related elements from later in the movie but I'm returning now to feature some technical symbols. Like I've mentioned before, Rango is something of an operations manual, concealing and revealing some whats, whens, and hows of our adversary's activity. The technical whats and hows are featured in the transitional scene where the chameleon is transported from one time and world on a journey into what seems like quite another altogether.

You can watch what I'm going to feature in this video clip, focusing on the slow motion part beginning just before 5 minutes in. [video] First 14 Minutes Of Rango

Just before the chameleon is ejected from his familiar world, he provides the following narrative.

“People, I've had an epiphany. The hero can not exist in a vacuum. What our story needs is an ironic unexpected event that will propel the hero into conflict. ”

And, just such an event happens immediately. We learn that he's been riding in the back of a station wagon with its back window open and the vehicle he's in is threatened with a potential accident. They run over something in the road with a big bump, and the hero is propelled out of the car and the safety of his terrarium life as a pampered family pet. He's suddenly wholly reliant upon and subject to providential care, a point made by a subtle reference to Hail Mary.

As the scene goes into slow motion, the music we hear accompanying the drama is a Franz Shubert piece that today is most familiar as set to the words of Ave Maria. The Latin “Ave Maria” translates to, “Hail Mary.” What this audio track imports is a match to the video track, which serves to complement the collection of symbolic images we see during the sequence and validate the interpretations I've been assigning. If you've followed this series you should recall a Romish liturgical theme, of Lent, Ash Wednesday and Easter. Rango primes us for this with some religious lingo NLP: epiphany. Epiphany is a feast on the Romish liturgical calendar (January 6) celebrating a revelation of divine nature.

Setting the scene to Ave Maria alludes to modern sports culture. A Hail Mary in sports refers to a last second long shot attempt at scoring, a desperate effort made in the remote hope of scoring the game winning shot. It's the kind of shot that might need a prayer answered to actually succeed. That prayer assist is the Hail Mary prayer, perhaps the most famous so-called "christian" prayer by name to many. This is fitting for the Rango scene as the hero was literally propelled into conflict almost like a football with what appeared as a low-odds chance of success, of surviving the ordeal. It's funny, but there's more to it than comedy.

Here's the words of Ave Maria, the Hail Mary prayer, in Latin and English.

“Áve María, grátia pléna, Dóminus técum. Benedícta tu in muliéribus, et benedíctus frúctus véntris túi, Iésus.
Sáncta María, Máter Déi, óra pro nóbis peccatóribus, nunc et in hóra mórtis nóstrae. Ámen.”

“Hail Mary, full of grace, the Lord is with thee; blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen”

What we can infer from the soundtrack is that Rango is praying to Mary as at "the hour of our death." When you experience something in slow motion, it's in the midst of a life threatening situation. Some say they see their life pass before their eyes. I've had slow motion experiences before. I can testify that, in them, I was entirely subject to the care of my God; my life literally depended on divine intervention. In Rango's situation, his Hail Mary prayer appears to have been answered, with divine intervention evidenced in the chameleon's survival and subsequent meeting with an agent of his providential ejection, the "Roadkill" armadillo, the armored “knight” on a quest for enlightenment. During the slo-mo scene we see the intervening divine agents and agencies illustrated in symbol.

To identify those symbols, it should be acknowledged that, although the Romish sun cult pretends this Mary who prays to her son Jesus for us sinners is the same one who bore the Lord I serve, that's a lie. This Mystery Religion impostor is the oft rebranded mother goddess Isis. During the slo-mo sequence, while Ave Maria plays softly in the background, both Mary (bare breasted Madonna) and Jesus pass before our eyes, the agents of the chameleon's salvation as named in the Ave Maria prayer. Between we see the bright glow of the sun, because it is the cult of the sun god, and it is the power of that false light that exalts them.

This is a segue into the meaning of the some of the other elements we see during the slo-mo. Lord willing!

Part 19 - The Sodomite Gateway - Royals ALL*STAR Kundalini and Queen Elton on the Horus Highway

For another illustration of the link between royals and sodomy, here's a packaging of the royals, the sodomite gateway and kundalini-pineal activation together.

Most obviously, this logo is a fallen angel promotion because the star-as-angel metaphor is in play; the event is an All*Star Game. The stars on top (see mini-series from Oct-Nov 2010) of the crown suggests the magick of a royal court magician. The letter A in GAME is a truncated pyramid with a 5 point star floated above it as the capstone. The letter R in Royals is the popular stylized Horus Eye. The letter A in ALL balances opposite the R in STAR. That A is for Apollo and the opposing R is a Horus Eye. R*oyal A*rch? Royal *AR*ch? The crown conceals three royal arches, upside down.

The S in STAR is central, assigned a prominent position, and it touches the y in Royals to declare it as the serpent Satan's y chromosome. That's what's pictured as being crowned, the S+y, revealing that the serpent's male offspring is The Royal. Three banners signal the triple helix DNA of the Beast and mark of the Beast. The crown is brown (What can BROWN do for you?), and the ellipse formed at its bottom with the white inside is an illuminated eye of Horus. The hole in the brown crown presents the sodomite gateway for the serpent's seed. That y of Royals has the serpent tail from the s of Royals passing through the loop, the male hole down under, as a sodomy signal. The squaring of the circle is a sodomy signal leveraged by the G of GAME and by the alternating round-flat design of the crown. It's also leveraged in the rounded square or squared circle framing of the baseball batter and ball. Here's where they solve the riddle of the Sphinx, or the sphincter.

Here's what's really clever. In the negative space, the brown part is the horn of plenty of the Masonic Royal Arch tracing board. That's the G EYE tract, remember? The blue negative space is where the kundalini-pineal activation is concealed. The brim of the helmet is the eye socket indentation of a face in profile. The batter's shoulder is the wide open mouth. The white baseball is the pineal gland. The extension of the blue over the batters head is the head of the serpent, extending out from the forehead.

ALL*STAR GAME 2012. Big players, they are.

Regency Theaters. Regency, like Regent University, signifies regal authority. The phallic obelisk tower has beams of light shooting off the top in a suggestive way. Rothschild sodomy, illuminating, opening the third eye.

Elton John, the famous sodomite, was elevated to royal status (a Queen) when he received a knighthood from HM Queen Elizabeth II for "services to music and charitable services" in 1998. He became Sir Elton Hercules John, CBE. His most popular work was titled “Goodbye Yellow Brick Road.” Like Soundgarden's Black Hole Sun, the title song of that album is a sodomite anthem, and that observation is going to provide us with some insight into more sodomite symbolism. Read the comments made about the song's lyrics by Planetdrum, Sant Cruz, CA and Randy, Lexington, KY and William, Syracuse, NY. here at this link. Goodbye Yellow Brick Road was released in October 1973. What many consider to be the pinnacle of his work was released in May of 1975, titled Captain Fantastic and the Brown Dirt Cowboy. It's considered biographical, descriptive of the relationship between Elton "Captain Fantastic" and his lyricist, Bernie Taupin, "The brown dirt cowboy."

The lyrics of this verse from Captain Fantastic and the Brown Dirt Cowboy refer back to the lyrics of Goodbye Yellow Brick Road, validating the comments I recommended from songfacts.com.

While little Dirt Cowboys turned brown in their saddles
Sweet chocolate biscuits and red rosy apples in summer
For it's hay make and "Hey mom, do the papers say anything good.
Are there chances in life for little Dirt Cowboys
Should I make my way out of my home in the woods

Disgusting. What we learn that is of value from this is how sodomite Elton John leverages imagery from the Wizard of Oz, which is famously used for MK-ULTRA sodomite mind-control programming. Sodomizing SRA victims causes multiple personalities to split. They are encouraged, forced, really, to dissociate during the severe abuse they are subjected to. They go "over the rainbow" to where they no longer emotionally connect to the helpless state of the abused. They go down the yellow brick road to Oz. The dissociation caused during sodomy is used for opening of the third eye, transport to Oz. You get there by magickal assistance. The Professor Marvel helped Dorothy, who practiced divination by scrying in the crystal ball. Dorothy was directed by an illuminated witch when she arrived in the world of color, to see a wizard who knew things (gnosis, illumination). That practicer of witchcraft directed her to follow the yellow brick road to Oz. Oz is a reference to Australia, the land down under. This is an anatomical metaphor.

The album cover of Goodbye Yellow Brick Road shows Queen Elton stepping into a poster on a wall, going through a magickal portal from a bad place to some fantasy place. You're catching on to the sex magick of the royal sodomite gateway, right? While the sign says "goodbye" it really means, hello, doesn't it? See the Masonry of the brick wall, partly covered by a failing veneer? Freemasons. It is a yellow brick road, right? Elton Hercules John is taking the Apollo or Horus Highway, a golden path to the rising sun in the east. It looks like a left hand path to me.

Make note of the piano and musical notes attending his dimensional portal access.

Part 18 - The Sodomite Gateway - Royals Solve the Riddle of the Sphinx

In Part 17, the imagery associated with the Order of the Garter was seen concealing and revealing the sodomite gateway. In describing their peculiar hat, I wrote: “See the bright white ostrich plume as an attestation of illumination through sodomy. I'll explain the black heron feathers that represent the sodomizer in another post, Lord willing.” Here's that post. The plumage of the headdress establishes a connection between the royals of England and the Pharaohs of ancient Egypt. When we interpret the common imagery it speaks to us of their shared serpent heritage and how ritual sodomy is the secret basis of their access to power, gnosis and illumination. It also leads us to the riddle of the Sphinx.

I found this image that speaks to me of the biological mechanism of the sodomite gateway. The opened third eye is pictured by the wedjat symbol, also known as the Eye of Horus. The crowned bird that resembles a vulture is the sodomizer, perched behind. The crowned serpent is the familiar serpent seen extending out from the forehead of Pharaoh's, gods and goddesses. The bird and serpent "kundalini" opening of the third eye is what the plumage of the Order of the Garter hat is all about.

“The act of sodomy is also performed to open up the victim's "third eye" which is suppose to enhance psychic ability.”

“Now these survivors have told me that the, "Key of David" is the Rothschild sodomy. The penetration occurs at an upward angle, so it strikes the nerves at the end of the spine and produces white flashes of light in the brain.”

The Master Plan of the Illuminated Rothschilds: Ron Patton interviews Marion Knox

Ritual sodomy specifically stimulates what's called the kundalini gland, which acts to stimulate the pineal gland. Some use drugs like peyote, mescaline or DMT for a similar experience, but ritual sodomy is the preferred means that appears to have no real substitute. There is a powerful ritual sex magick that was practiced by the ancients and is practiced today, which still manifests a powerful transformative supernaturalism.

I've presented the following in an earlier post but it certainly bears repeating in this context.

“The secret tradition of magical Tantra teaches that the anus is an ultrasensitive erogenic and psychic zone directly linked the Muladhara, the basal Chakra. Hidden within Muladhara, Boiled and compressed like a spring, lies the primal power of the nervous system manifest as the Snake Goddess, Kundalini. The terminus for the "pipe of flesh" is the anus, composed of an internal anal external sphincter, rings of muscle surrounding a body orifice. The word "sphincter" means a "knot" or a "band" and is derived from the same Greek base as "Sphinx," the mythological beast epitomizing occult mysteries. The master of Tantric sex magic opens the anal sphincters of his Shakti, thus solving the riddle of the Sphinx. Anal intercourse is a specific Kundalini arousal method. Reference to Gray's Anatomy reveals the existance of an irregular, oval-shaped gland between the rectal wall and the tip of the tailbone, or coccyx, called the "coccygeal body.'' Although the function of this gland is unknown to Western physiologists, it is established in Tantra as the "Kundalini gland."”

Sodomic mind control quotes - (Ecstasy through Tantra) by Dr. Jonn Mumford p. 61

I believe the image of the bird-wedjat-serpent illustrates a primary solution to the riddle of the Sphinx. Notice how the bird and snake are crowned, signaling royalty. This is the secret of royalty, of the power of the ruling families of the world. This collection of images presents Prince William wearing his Order of the Garter apparel. His version of the Pharaonic headdress has a symbolic white ostrich plume. The Pharaoh's illumination is pictured by the serpent head (kundalini + pineal activation), plus the radiant alternating rays of gold and blue, plus the Horus Eye makeup. The Pharaoh conceals and reveals the sodomizer who exercises the power to illuminate with the bird head next to the serpent. That's the bird behind the open third eye, the Eye of Horus. The Order of the Garter version of the headdress worn here by Prince William represents the sodomizing bird with the black heron feather plumage.

In the Bible, serpents and birds of the air, most particularly unclean birds that eat carrion, are symbols of the devil and demons. You can compare the bird of the bird-wedjat-serpent to this vulture, linked here. It's a match. However, I think the more important identification is as a Benu bird, with an ancient Egyptian connection to Osiris. The black heron feathers of the Order of the Garter hat link to the Benu bird because the Benu is represented as a grey heron, which has black head plume feathers.

“In the Book of the Dead from the New Kingdom, however, the Benu is represented as a grey heron (Ardea cinera), with two long head plumes and a straight beak. Though primarily associated with Atum and Re, the resurrection aspect led to an association with Osiris and the heron was sometimes depicted wearing the 'atef' crown.” (The Benu Bird of Iunu (Heliopolis) - The Prototype Phoenix)

The bird perched behind the Wedjat wears the atef crown.

Being able to connect the royals of today with the Egyptian Pharaohs and identify their common sodomite imagery goes far beyond merely scandalous sexual activity. The graphic evidence illustrates the continuity of the serpent's antichrist plot that began in the Garden of Eden. It touches on the Illuminati, every shadow government through history, Nimrod and the Tower of Babel, the Beasts of Revelation 13, Mystery Babylon the Great, MK-ULTRA, the black awakening, Hitler's Third Reich, the mark of the beast, the dominion of the British Empire... While it may sound like a huge stretch to assign such importance to the royal secret of the sodomite gateway but this is how mind control and demonization of the ruling class has been done for a very long time.

Here is another excerpt from the page about the Benu bird.

“The Benu was one of the manifestations of the creator god at Heliopolis. Like him, the Benu was imagined as being self-created, in mythological papyrii from Dyn 21 he is described as 'He who came into being by himself'. He emerged out of the original darkness before creation to be: '...that breath of life which emerged from the throat of the Benu bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'

By the cry of the Benu bird, existence was announced as coming into being. The silence of the primeval night is broken and light and life is brought to creation.

This is no minor deity but, to quote Rundle Clark: "the herald of all things to come" and an aspect of the creator god himself. From the 'Isle of Fire', the mythical place where the gods were born, beyond the limits of the created world, the Benu comes flying. And the place where it lands becomes the symbolic center of the earth - Heliopolis. On the sarcophagus of the God´s Wife of Amun, Ankhesneferibre, (British Museum) the Benu is perched on a sacred willow tree in the temple.

There are depictions of the heron perching on a cliff or a little piece of land which is rising above the flooded waters. In this way it became an adequate image of life emerging out of the primeval waters at the first time of creation, just like the sun was said to do, and thus symbolising rebirth. This piece of land was called the 'ben-ben' stone, and as the place where the heron landed at the time of creation, it became the sacred stone of Heliopolis. It is seen in the hieroglyph with the sitting heron (G32).”

The Benu Bird of Iunu (Heliopolis) - The Prototype Phoenix

The Benu bird brings light and life. This is why the black heron feathers appear on the hats of the Order of the Garter. The Benu feathered hat tells us the British royals are today's Pharaohs. It conceals and reveals that those of the Order of the Garter share the secrets of heaven with the ancients, worshiping the same gods in the same ways.

Here is the famous pyramid shaped Benben stone on which the Benu landed, with featured winged sun disk (Egyptian Museum, Cairo). The Benben was believed to be the very seed of Atum-Ra, creator. The word "benben" means, "to copulate." The pyramid cap on an obelisk is called a Benbenet. You know that's all about sex magick, right? The magical work was performed through the agency of Isis, and the work was to bring forth Horus. Ultimately, that's the plan, with Horus being also known as Apollo or Apollyon, the Beast John sees coming out of the sea in Revelation 13:1.

Here's some images of the Benu bird. The bird symbolizes sex magick, bringing illumination and power to an individual through which the archon demonic regents work to eventually incarnate the serpent's counterfeit messianic bridegroom, the Horus Beast. The Benu and Benben are symbols of the Osiris / Isis / Horus generation and ascension.

One image is from Vigeland Park, in Oslo, Norway. The artist had an obsession with presenting what he envisioned, and I believe he was enlightened in the sodomite way. His figure represented here appears tightly embracing a pregnant woman from behind, with his serpent tail appearing from underneath the front of her gown and coiling under her belly. He is a feathered and winged serpent.

The bird is also the sodomizer, "owning" the mind and body of the sodomized with full control; a shadow government, essentially.

The bird is Isis, fanning her wings to bring the regenerative power of Osiris, and produce Horus. This is the sex magick of Isis and Osiris and the kundalini and pineal activation that the sodomite gateway opens. That's how it was done before, and that's still how it's done.

Kundalini, the feathered and winged serpent god Quetzalcoatl, Kukulcan, Gukumatz, Viracocha, the nachash (biblical serpent - related to the flying angelic seraph and cherub), the vision serpent, the winged dragons of the Orient, St. George's slain dragon; these are all related to the Benu. It is the phoenix at the center of the tapestry in the U.N. Security Council Chamber. The Benu bird (phoenix) and Benben stone are essentially linked to the sex magick of the sodomite gateway as the secret to the royal power, control, gnosis and illumination, and it is an essential element in the sex magick that serves to ready the day of the dawning of the antichrist Beast.

Of related interest:
Awakening of Kundalini - Vopus
The Pineal Gland : A Stargate To Time Travel

Status Update

Just a brief status update:

I've been working on updating, expanding slightly and formatting the study on Cain's paternity for publication as a Kindle book, which has become a popular format. Lord willing, it should be available next week.

Also, there are several more posts in the queue being readied for the Rango series, Sodomite Gateway series and 2012 Olympic series.

Your prayers are most welcome! Please, keep them coming! This is a crucial season.

Blessings in Y'shua!

Bob

Part 10 - 2012 London Olympics - “the sensational Pit of Tartarus” and Bifröst

I hope to continue the bell theme shortly, but until then, the leadup to the London Olympics continues to build occult momentum and there is plenty of activity to watch.

Here's a BBC news write-up about a BBC led “flagship” project. Karl Jenkins Songs of Earth premieres Olympiad concert

“The Music Nation Celebration Concert includes the world premiere of composer Karl Jenkins' new work, Songs of the Earth, inspired by the myths of Ancient Greece”

“The live music programme, devised and led by the BBC, aims to be a countdown event for the London 2012 Festival.”

“The Music Nation's programme is one of the flagship projects for the London 2012 Festival and the Cultural Olympiad.”

“Chorus director Adrian Partington added his words of praise for the new work by Jenkins. He said: "There is the violence of Khaos, for example, where the singers are asked to do very athletic vocalisations; there is the playfulness of the dance of the Titans, where the beat changes all the time - making it very exciting rhythmically. "Then there is the sensational Pit of Tartarus, where the terrors of hell are described vividly with shrieks from the choir and the ominous rhythms from the orchestra."”

The “the sensational Pit of Tartarus.” Won't they be surprised.

The Guardian posted this one: Giant rainbow lights up the night-time sky - and sea - at Whitley Bay - Artist's beams shoot out from St Mary's lighthouse every evening until Sunday night; then they're off across the Pennines to give Preston a go

“Global Rainbow is part of something called the Cultural Olympiad, a series of arts events happening throughout the country in the run-up to the Olympic Games, funded by the Arts Council of England, Legacy Trust UK and the Olympic Lottery Distributor.

According to the Cultural Olympiad press release: "With the installation, the artist intends to encompass geographical and social diversity in its reach and to symbolise hope."”

Social diversity? Hope? Fools. It's a witness to their hope of opening the dimensional portal and joining with the ancient gods and how they intend to do it. Here is a relevant excerpt from a recent post about the 2014 Sochi Olympics.

“The Bifröst. That's the transdimensional “rainbow bridge” that spans heaven and earth associated with the legends of Thor and Odin (aka Apollo and Zeus). Such as this portal construct appears in the Bible as the Hebrew mecillah, the kingdom viaduct, as I've referred to it on occasion. This viaduct or bridge was expertly modeled during the Beijing Olympics by the Londoners when Tayyiba, arriving in the heavenly chariot, received the dragon seed on the crossroad of Earth then traveled upon a dramatic modeling of the mecillah in her ascent into the heavenly throne vehicle. The agendas promoted in 2008 remain, and promotion will continue until their objectives are accomplished.”

Thanks, Jeff, for staying on watch. Acceleration Blog

Part 17 - The Sodomite Gateway - Royal Pains - Order of the Garter

In this series of posts, sodomy as a gateway has already brought to the fore a royalty theme through the labels of Monarch (Programming), Regent (University) and Royal (Arch of Freemasonry). I'm going to expand on this royalty theme.

The demonic hierarchy rules the world's elite in this age. Satan is referred to as the prince or ruler of this world (archon toutou kosmos - John 12:31, 14:30, 16:11) and regents of his are called princes of this “world” (archon toutou aion, “world ~ age” - 1 Corinthians 2:6,8). The archon are the real authorities (Ephesians 6:12) as the powers behind the men of flesh who serve them. Kings, presidents, emperors; all those who occupy the top positions of authority really rule as puppets that are wholly subject to their gods. The will of the archon is manifested through fleshy agency, and so is the character, which is why we see sodomy as a constant across every culture.

Public reports of sodomy being practiced by the ruling class make them look bad in the eyes of decent folk, so such reports are minimized by the authorities and their media minions, squelched if possible. The rulers want to draw as little attention as possible to this unseemly behavior so they can more easily maintain their status and control. Their secrets extend to practices beyond sodomy, of course, including the ritual abuse, human sacrifice and cannibalism that goes along with it. Most common folk really don't want to believe reports of this activity and are content to deny them. It's not hard to deny things when we're not personally confronted with the reality, plus, we don't want to believe everything we hear without sufficient evidence. It's got to be pretty risky business attempting to document such activity. In this post you'll be confronted with what's easily documented evidence of their sordid behavior that derives from their own testimony. If you struggle with disbelief when royals are accused of SRA involvement, see for yourself what the sneaky snakes are so careful to “not tell” you as they proudly parade their esoteric sodomite brand imagery in the public domain.

[video] Prince William Is Made A Knight Of The Garter

Prince William is the elder son of Charles, Prince of Wales, and Diana, Princess of Wales. On the 16th of June, 2008, Prince William became the 1,000th member of the register of the Order of the Garter. His personal Coat of Arms was updated to include the Order of the Garter ribbon. Like Pope Benedict XVI's Coat of Arms, the Order of the Royal Garter identifies sodomy as their secret.

The arms of the Order of the Garter is a symbolic representation of the male backside. If you've been following this blog it's a familiar image. The male package is presented by the dangling phallic bell end garter, flanked by testicles formed by the wrap and opposing buckle. The big red cross - X marks the spot, the sodomite port of entry. The shield shape is the signal squaring of the circle. That squaring extends even into the outer circle, for emphasis.

Related schemes are signaled in the fleur-de-lis of the “glans penis” (triple helix DNA and another embedded phallic package) and a doubled testimony of “three things and then a fourth.” That time signal is embedded below the cross in the belt. The three open holes match to one that is filled by the buckle's golden prong. The three also match to one that is filled by the shield and cross. I get excited about this signal every time I see it in such an obviously symbolic context as this because it is part of a continuing validation of what the Lord first opened to me in His still small voice in April of 2008. This fall, the Shemittah of transition into the Lord Y'shua's reign over the Earth begins!

My work here is to present the truth of these matter, so that you can accept what the Lord Himself is opening to you and be prepared for what is nigh at hand. No offense is intended to anyone who has attachments to royals, or anyone or any institution I address on this blog. It is understood that some will take offense, but the greater consideration must be that the true sovereign, the Almighty God, is worthy of honor above any beast, man or god. “Idolater” isn't going to look good on your resumé, so to speak, when you make application for inclusion in the Bride company.

The mantle of the Order that is now dark blue was originally purple, the signal sodomite color. The hat of the Order features a plume of white ostrich and black heron feathers. The white ostrich feather in the hat represents the illumination of the third eye. The ostrich is an animal that famously sticks its head in the sand, and in so doing exposes its butt. How appropriate! Compare the album cover art from the sodomite anthem Black Hole Sun. See the bright white ostrich plume as an attestation of illumination through sodomy. I'll explain the black heron feathers that represent the sodomizer in another post, Lord willing

Here's a picture of Queen Elizabeth II in the robes of the Sovereign of the Order. She's third eye illuminated, as attested to by her ostrich plume. Can you guess what's In Her Trunk? The Sovereign's mantle features the Star of the Order of the Garter. That star (angel) is a radiating ray symbol with a sun wheel at it's center, like unto what's common to every cult of Horus, but it is also the symbolic sun “where the sun don't shine.”

The Star of the Order of the Garter compares to the Masonic “G eye” featured on Royal Arch tracing boards and on The Steps of Freemasonry poster. (See Part 9) The Masonic G-EYE is a GI signaling the gastrointestinal tract, and the terminus thereof. Clever buggers, indeed.

Imagine what stories might be told by the Groom of the Stool!

The actual Garter itself is a small belt that is worn on ceremonial occasions around the left calf by knights and around the left arm by ladies. It is a left side symbol, of the left hand path. I suspect the garter is a reminder (and quite possibly more than a mere reminder) of those who are bound in the earth, giants of old, to whom they have been bound in service.

“If Job 38:31 is therefore interpreted according to these ancient astrological and mythological renderings, it would have God asking Job if he could bind the magic bands (kesatot?) of Osiris-Dionysus or loose the bindings (mispabot?) of the Mighty Hunter, the giant Orion/Gilgamesh/Nimrod/Osiris/Apollo. What is potentially more explosive is the deep possible implication from this text that not only can God do this—that is, loose the forces bound at Giza and the constellation Orion—but that, when the correct time comes, He will.”

Tom Horn

Another insight into the garter is that, as an undergarment, it's hidden under the attire that is fit for public display but yet exposed when engaging in certain kinds of activity.

Let's consider the meaning of the Old French motto that encircles the belt. Honi soit qui mal y pense. Translation: "shame upon him who thinks evil upon it", or "evil to him who evil thinks." Spells are often cast with circular symbols that have letters, words, characters or symbols ringing them about. I believe this motto is a supernatural mechanism that provides cover for the sodomites, effectually concealing what they are revealing with sorcery. Isn't the red cross akin to crossed keys linked by a red cord, the signal of the red blood oath of the sodomites who swear on their lives to conceal their great secret? Even the requisite spell casting symbol must be supernaturally cloaked. Those who can interpret and accept what the symbolic Arms of the Order of the Garter means are no longer under that curse. Can you see what you're looking at?

Here's a couple links where others bear testimony about these Royal puppets.

• Committee of 300 (aka Olympians)
• Knights of Malta quotes

Identifying the sodomite branding of the Order of the Garter has, through the common red cross on white, implications that extend to England's national flag and the shield of St. George. The cross of St. George is first as every cross symbol, where the vertical crossed with the horizontal symbolizes the sons of god uniting with the daughters of men. It's colors, red and white, signal the resultant divine illuminated Adam-kind. The cross of St. George must also be acknowledged as an emblem of the secret means of entering into that relationship, which wields powerful magick until the greater reality manifests in the coming mark of the Beast.

The Order of the Garter is the oldest and most prestigious order of chivalry in the United Kingdom. It was established in 1348 (or possibly 1344) by King Edward III, around the time of his claim to the French throne. Earlier, in 1188, Philip II, King of France had accepted the claim of the English to the red cross on white. Even by that time, the red cross on white had already become the symbol of the crusades, activity sponsored by the Romish church under its Papal head.

England's identification with St. George's cross signals a relationship that is -RIGHT NOW- of particular interest. That's the symbol of the crusades, with an obvious Zion agenda. You've been following the blogging on the London “Zion” Olympics, right? Remember William Blake's poem, Jerusalem?

St. George was said to have slain the dragon. Isn't this Order's apparent core ritual the celebration of owning of the dragon by way of sodomizing their dragon god?

There's a telling set of images in the roundel badge of Alfa Romeo. What appears on one side balances the other. The graphic's light gradient has the brighter upper left opposed by a darker lower right. That's the ubiquitous occult paired sun and moon imagery. Ignoring the official explanations, the legend of St. George is plainly represented here. His cross appears opposite a serpent dragon. The dragon has a crown above it, and in its mouth we see a man, red, Adam-kind. Here's the sodomite portal version of the story. We can identify the red cross inside the circle as a squaring of the circle. We can identify this regal version of the serpent dragon as the kundalini and G-eye tract, the Royal Arch Freemason's horn of plenty that the sun cult worshipers want to own. Compare the illustrated terminus of both emblems. See the food at the mouth end? Alfa Romeo connects some royal dots for us by illustrating sodomy, crown chakra enlightenment and even the appetite for human flesh.

Speaking of appetite for human flesh, did you happen to catch this article in the news? British royalty dined on human flesh (but don't worry it was 300 years ago) (Daily Mail - 5/21/11) Actually, there's no evidence to suggest there has been a discontinuation of such practices.

“Signs and symbols rule the world, not words nor laws.” - Confucius

This is an expression of the reason why the second commandment was given by the true sovereign, who loves us, and not like, for breakfast, lunch and supper. It's for our protection.

Part 41 - Rango - Form a Possum!

Continuing from the previous post, it will be seen in the day of the Bride theft that those left behind will receive it as a sign. I know, that would seem OBVIOUS, right? Those who had formerly refused to lay down their lives, a great multitude in number will be confronted with the undeniable difference between them and those who had just been stolen away out of their house by the Bridegroom. Finding themselves immediately in what is called great tribulation, sacrifice is the order of the day, and willing self-sacrifice is preferred.

For whoever wishes to save his life will lose it, but whoever loses his life for My sake will find it.

Matthew 16:25

This observation is expressed in the animated feature Rango by a “church” lady in the congregation at the Bank of Dirt as she wails, “We're all going to die!” Well, yeah, that's pretty much the way will be. Many of those with robes that were soiled (as Soiled Doves, remember?) will understand that they must be washed in the blood of the Lamb. I believe some number will be alive and changed when Shavuot's wheat harvest rolls around less than 2 months later, but even those will have died, to self, because no one keeps the life that is of real value by wishing to save their physical life. This life we have to give, you see, is as currency that may be used to purchase the life of real value and substance.

The church lady's observation is echoed shortly thereafter when Rango spouts off with another comically non sequitur remark.

Mayor John: My friends! We all know what we have to do now!
Sheriff Rango: That's right! We all know what we have to do now. And that would be?
Mayor John whispers to Rango.
Sheriff Rango: Form a possum!

Rango strikes a pose and freezes. Humor. What he should have said was “posse,” obviously. Yet, think about what's suggested by the forming of a possum and Rango's little acting cue. The famous behavior peculiar to a possum is that they involuntarily enter a death-like state.

When threatened or harmed, they will "play possum", mimicking the appearance and smell of a sick or dead animal. This physiological response is involuntary (like fainting), rather than a conscious act. In the case of baby opossums, however, the brain does not always react this way at the appropriate moment, and therefore they often fail to "play dead" when threatened. When "playing possum", the animal's lips are drawn back, the teeth are bared, saliva foams around the mouth, the eyes close or half-close, and a foul-smelling fluid is secreted from the anal glands. Their stiff, curled form can be prodded, turned over, and even carried away without reaction. The animal will typically regain consciousness after a period of between 40 minutes and 4 hours, a process which begins with slight twitchings of the ears.

Opossum - Wikipedia

“We all know what we have to do now. ” Indeed! The season of striving to save this temporal flesh life will cease for what will amount to a great multitude of saints, although, sadly, some Christians will even then fail to yield what is due their Master, who gave His life for them.

Following the scene at the bank, Rango gets a posse together to go after the thieves and recover the water. He makes sure they're armed and know how to handle a weapon, and we see him assemble an impressive band of warriors. To understand the posse scenario we look to the 6th chapter of the Song of Solomon, a passage I introduced at the conclusion of the previous post.

9 But my dove, my perfect one, is unique: She is her mother’s only daughter; she is the pure child of the one who bore her. The maidens saw her and called her blessed, the queens and the concubines also, and they praised her, saying,
10 ‘Who is this that grows like the dawn, as beautiful as the full moon, as pure as the sun, as awesome as an army with banners?’
11 “I went down to the orchard of nut trees to see the blossoms of the valley, to see whether the vine had budded or the pomegranates had bloomed.
12 “Before I was aware, my soul set me over the chariots of my noble people.”
13 “Come back, come back, O Shulammite; Come back, come back, that we may gaze at you!” “Why should you gaze at the Shulammite, as at the dance of the two companies?

Song of Solomon 6:9-13 NASB

This awesome passage is about the Bridegroom and His Bride in the season of her readiness for being taken. She is that Shulammite, the dove. When, in verse 13, we read pleas for the return of the Shulammite, the dynamic behind Rango's posse is in view. When the church left behind (sleeping virgins) fully awakens to the meaning of what just occurred, it will be perceived as a crime of great deprivation. Many will desperately want her back. So it is that Sheriff Rango, in the position of responsibility, forms a posse.

This passage is so beautiful and exciting! The moon is a symbol of the Bride, that celestial body that stands out from all others in the sky as second only to the sun in glory. It has no light of its own but reflects the glory of the sun. It's a exquisite symbol! The Bride is seen in verse 10 to grow like the dawn, increasingly bright with the light of the sun, her Bridegroom.

The Bride is also seen as an army with banners. She is fit for battle, with banners that suggest she is warring according to the resources of and for the glory and honor of her King, subject to His command.

Verses 11 and 12 speak of the interaction between the Bride and the 144,000 sons of Israel, who have a key relationship, about which I've been thrilled to write much in the body of work titled Beyond the Veil. When the numbered sons of Israel come to the threshold of "acceptance" referenced in Romans (“For if their rejection is the reconciliation of the world, what will their acceptance be but life from the dead?” - Romans 11:15), they will have attained what state is described in verse 11 above. The Bride and the 144,000 sons of Israel are the two companies of verse 13, gone to meet together with Y'shua as revealed in the dramatic vignette with Joseph in Egypt (Genesis 45). I get so excited about this engagement that I always rejoice to see it even as it's cryptically embedded in the adversary's bean spilling media!

Verse 12 is a peculiar verse, with widely variant renderings being produced by its translators. I don't know how to bring forward the best translation, but I feel confident enough in my understanding of what's pictured to assert that the angelic escort of the Bride to the Bridegroom's Father's house is in view.

• “Before I realized it, my strong desires had taken me to the chariot of a noble man.” NLT
• “There I will give thee my breasts: my soul knew [it] not: it made me as the chariots of Aminadab.” LXX-Brenton
• “Before I was aware, my desire set me among the chariots of my kinsman, a prince.” ESV

The word for “chariots” is “merkabah” in Hebrew. The same word is used in the following verses.

And for the altar of incense refined gold by weight; and gold for the pattern of the chariot of the cherubims, that spread out their wings, and covered the ark of the covenant of the LORD.

1 Chronicles 28:18

The wings and whirlwind are esoteric references to inter-dimensional transport, which I really hope to cover at some length in future posts to this blog.

For, behold, the LORD will come with fire, and with his chariots like a whirlwind, to render his anger with fury, and his rebuke with flames of fire.

Isaiah 66:15

Behold, he [the Lord God] shall come up as clouds, and his chariots shall be as a whirlwind: his horses are swifter than eagles. Woe unto us! for we are spoiled.

Jeremiah 4:13

I think the trip is the reason why Rango initially sets out with the posse on a wild ride with no destination in mind. "We ride!" Hilarious, sure, but with Rango I have to think by now that there's ever a more substantial reason behind everything that's done and said.

As I begin to wrap up this post, I really want to explore Song of Solomon 6:13 a little further, which supports that scenario as presented. The following is the rendering from the KJV.

Return, return, O Shulamite; return, return, that we may look upon thee. What will ye see in the Shulamite? As it were the company of two armies.

Song of Solomon 6:13 KJV

The Bride and the 144k sons of Israel are as two “machaneh” in the Hebrew, camps or encampments, as those of armed hosts. This matches to another pair of Bride Theft scenarios as one more independent witness of when those involved are grouped into sets or ranks of 50, as in martial array.

and God turneth round the people the way of the wilderness of the Red Sea, and by fifties have the sons of Israel gone up from the land of Egypt.

Exodus 13:18 (YLT)

As he's beginning to form the posse, Rango annunciates this very distinctly, “Now, we're gonna be doing this in an orderly fashion.” Now you know why!

Verse 18 has been translated in a wide variety of ways. Most translators present the array as a battle formation.

• "And the Israelites went up marshaled [in ranks] out of the land of Egypt." (AMP)
• "and the sons of Israel went up in martial array from the land of Egypt." (NASB)
• "And the Israelites left the land of Egypt in battle formation." (HCSB)
• "The Israelites left Egypt, prepared for battle." (CEV)
• "The Israelites went up out of Egypt armed for battle" (NIV)
• "and the children of Israel went up armed out of the land of Egypt." (ASV)
• "Thus the Israelites left Egypt like an army ready for battle." (NLT)
• "and the children of Israel went arrayed out of the land of Egypt." (DARBY)
• "And the children of Israel went up in orderly ranks out of the land of Egypt. " (NKJV)
• "the children of Israel went up harnessed out of the land of Egypt" (KJV)
• "and the children of Israel went up by five in a rank out of the land of Egypt." (KJ21)

Those who crossed over model the Bride, the Shulamite, an army and sister to the counterpart of Israel. The two companies or camps of Song of Solomon 6:13 are prophetic types of the Bride and 144,000 sons of Israel. Their revelation is not far distant!

The last observation I want make involves another insight Rango offers into the 144k sons of Israel. When the theft of the water reserve from the Bank of Dirt is reported by the teller, that character is never shown with any clarity. I tried hard to capture a crisp screen shot from that scene when he was reporting the crime but there were none to be had. I thought it was really odd. I knew it was done on purpose and that the Lord had me going through the exercise for some good reason. I had to discover why.

I believe the reason is this, because the “focus” at that time, the focus of attention is no longer going to be on the church. While the Bride was there, she was the “valuable” of the Lord's house. Major focus. When she's gone, the focus of attention shifts back off the church to Israel. Romans 11. I've covered this at length in Beyond the Veil. The teller, the left behind church, they aren't going to pick up where the Bride left off. They missed being accounted worthy as Y'shua's Bride, squandering their opportunity - their time has passed. The devil knows how this works, so Dirt's bank teller is indistinct and graphically out of focus. What now is done in the relay race is accomplished by those who have picked up the baton, so to speak. That's not the Soiled Doves. When we later see the teller in the bank vault he's picking up the prospecting permit, and it is then that the reason why he wasn't stolen away sinks in. My friend, let's not be that guy.

Part 40 - Rango - The Source of the Societal Discontentment

After giving the Rango series another break for over a month I'd like to visit it again to feature an aspect of how the Bride is presented.

I'm becoming increasingly aware of how the devil knows just enough to carry out his appointed tasks. His reach extends only to the limits set by the Sovereign God. As you (I hope) have noted in the previous 39 posts about Rango, the enemy conceals and reveals his agendas and objectives in plain sight with evil genius. What I'm highlighting here is valuable insight into what's accurately modeled in Rango about an approaching season of the greatest import. I base this judgment upon what the Lord has shown me for many years from the scriptures, where His dramatic modelings have concealed and revealed detail that informs us more fully about what is declared in more superficial ways elsewhere.

So, how is the Bride pictured in Rango? She is the water in the jug in the Bank of Dirt vault, the Hope of Salvation (Part 36) of the town. The Bride is the priceless element of the church whose value is beyond compare. The plot pivots on the theft of that water, the Bride Theft, the barley harvest according to another allegory. Now, the Bride is further characterized as a troublemaker, the “source of the societal discontentment,” an important element I want to feature in this post. Here's the context of that characterization.

Following the “Ash Wednesday” hydration ceremony at the holy spigot, where Beans "spills the beans" on the fact that the bank's water reserve has run dry, the panicked townsfolk make a run on the bank. Rango, in a role as the appointed authority over the church, shows up at the bank. He fires his gun in air to get the unruly mob's attention.

Sheriff Rango: None of that civil disobedience in my town, thank you very much.

The crowd parts and Rango walks on up to the vault.

Sheriff Rango: Alright now. Let me have a gander at the source of the societal discontentment here.

Rango looks up at the water jug, shuddering, overcome with emotion, gasping, “Mercy.”

In that scene we see the metaphor for the Bride of Christ identified as the source of societal discontentment, a troublemaker. Thanks again go to brother Aaron for sharing his observation of the dynamic referenced by that expression. The Bridegroom was viewed as a troublemaker when He walked among men in a body of flesh. He made a whip and overturned the tables of the moneychangers in the Temple court. He accused the appointed religious authorities of the most evil deeds and heritage. Crowds were divided over him, causing civic unrest and raising continual issues the civil authorities were forced to contend with. He was hated by many and charged with committing the most offensive of hate crimes. He said those who truly served Him as their master would also be hated. Types of Christ and of His Bride appear in Genesis 41 with Joseph and his bride, Asenath, whose name means “I shall be hated.” Saul of Tarsus, aka Paul, a servant, was frequently jailed or stoned at the border of towns. What a troublemaker!

The Bride is accurately represented by Rango as “the source of the societal discontentment here.” Folks who make a point of steering wide of trouble won't qualify as the Bride. If that's your aim, repent of it. Far better now than later. We're here to seize the opportunity to make one friend. We have this moment, with no assurance of even one more breath, except as the Lord might explicitly promise to an individual. Those who make Him their friend will be accounted in the company of a very small number.

Few, very few, will make the cut, as Paul rightly declared in the tenth chapter of 1 Corinthians in referencing the exodus. Two out of a multitude made it into the promised land. Out of all who had left Egypt, Joshua and Caleb made it. All the others fell in the wilderness.

Now these things happened to them as an example, and they were written for our instruction, upon whom the ends of the ages have come.

1 Corinthians 10:11

That's it. There's our example. If you really get it, it means just what Paul wrote. It's for you and I. It's a model, for our instruction. If you're using other folks as a gauge of how you're doing, anyone including me, you've been set up for a fall. Look to the Lord. Whatever His standard is for you, there's your standard. It costs you your life, be assured of that, but there's no better deal to be found!

Those who become a genuine friend of the Lord Y'shua will come to manifest His radiant glory while yet in this body. This is why Rango shudders and says, “Mercy,” when he stands in the presence of the water in the bank vault. The testimony of the martyrs has long borne witness. Some among you may give an “Amen” here from personal experience.

Here is a biblical view of what we are shown when Rango shudders and says, “Mercy.”

Who [is] this that is looking forth as morning, Fair as the moon -- clear as the sun, Awe-inspiring as bannered hosts

Song of Solomon 6:10 YLT

Part 16 - The Sodomite Gateway - What's In Her Trunk - The Black Hole Sun

I strongly recommend reading the rest of this series before you continue here. Warning, this post may be triggering if you're SRA DID.

When my buddy Aaron called my attention to Black Hole Sun, Soundgarden's big hit from 1994, I checked it out. (See his comments here in Part 12) Arghh. It was immediately obvious: It's all about the Satanic Ritual Abuse of young children, and sodomy, most particularly. Hidden in plain sight. It is arguably the band's most recognizable and most popular song, and remains a well known song from the 1990s. The song topped the Billboard Mainstream Rock Tracks chart, where it spent a total of seven weeks at number one.

The dark secret of Wewelsburg Castle and the Nazi religion of the elite SS - the Black “Hole” Sun - has been programmed into a generation of youth, supporting the Monarch trauma-based mind control programming that is escorting a multitude of victims into what is becoming the kingdom of the antichrist Beast. This programming through ritual sodomy and associated symbols has actually been going on for a very long time, but this provides us a window into the reality of today and the subtlety of Satan's devices that have been forged against us.

In this post, I present Soundgarden's plus another music video, one by pop artist DEV from 2011 titled “In My Trunk” to emphasize what Mr. Marion Knox has declared, that it is done with the intent of opening the third eye. This is key because this supernaturalism accomplishes a number of essential objectives for the handlers and programmers.

“The act of sodomy is also performed to open up the victim's "third eye" which is suppose to enhance psychic ability. During this vile act, a demonic system called, "Legion" is installed. In the King James Bible, Legion is referred to as an, "unclean spirit". This is systematically done to have complete control over the child, like creating a programmed robot.”

The Master Plan of the Illuminated Rothschilds: Ron Patton interviews Marion Knox

The album cover art pictures the expression of the purple portal being accessed and the illumination of the third eye being opened.

I would like to allow that the songwriter and performers of Black Hole Sun might not even realize what's going on, because the spell of deception is that powerful in the mind-control system - except for what I hear when I listen to a couple samples played backwards.

• [mp3] Black Hole Sun = My sore gun (* gun = penis)
• [mp3] Stuttering = Here it hurts

Sodomy. This says to me that Soundgarden's Chris Cornell is not likely just a Monarch slave but also a handler. Reverse speech analysis is a legitimate means of investigating the sincerity of the speaker or singer, a useful tool for discovering what's really going on, at the Lord's leading, of course.

The other music video I mentioned is “In My Trunk” by DEV. The car trunk is a pretty obvious reference to the back end of a person. When you watch this video you'll notice that it's all a big tease. She names what's in her trunk, probably "thump it." We're shown an array of things, but the trunk is empty at the end. What's in her trunk? Follow the clues. Watch for the flashes of light from the trunk, the two guys in the trunk with their cameras flashing, the two girls in the trunk with sparklers, the tunnel scenes with lights and signs that say “3rd St” that appear several times to signal the 3rd eye.

It looks like 3rd St is the Step 3 of the book cover art on Barack Obama, Out of Many One, doesn't it?

So, what's that tunnel and trunk illumination all about?

“Now these survivors have told me that the, "Key of David" is the Rothschild sodomy. The penetration occurs at an upward angle, so it strikes the nerves at the end of the spine and produces white flashes of light in the brain. They do this on a regular basis -- sort of maintenance program to keep everything intact.”

The Master Plan of the Illuminated Rothschilds: Ron Patton interviews Marion Knox

It's known as the Key of David in connection with the Rothschild network. It's also linked to the Kundalini serpent activation.

The secret tradition of magical Tantra teaches that the anus is an ultrasensitive erogenic and psychic zone directly linked the Muladhara, the basal Chakra. Hidden within Muladhara, Boiled and compressed like a spring, lies the primal power of the nervous system manifest as the Snake Goddess, Kundalini. The terminus for the "pipe of flesh" is the anus, composed of an internal anal external sphincter, rings of muscle surrounding a body orifice. The word "sphincter" means a "knot" or a "band" and is derived from the same Greek base as "Sphinx," the mythological beast epitomizing occult mysteries. The master of Tantric sex magic opens the anal sphincters of his Shakti, thus solving the riddle of the Sphinx. Anal intercourse is a specific Kundalini arousal method. Reference to Gray's Anatomy reveals the existence of an irregular, oval-shaped gland between the rectal wall and the tip of the tailbone, or coccyx, called the "coccygeal body.'' Although the function of this gland is unknown to Western physiologists, it is established in Tantra as the "Kundalini gland."

Sodomic mind control quotes - (Ecstasy through Tantra by Dr. Jonn Mumford p. 61

If you watched and remember the “Shady Love” music video by Sister Scissors you'll find a lot in common with “In My Trunk”. It's the SRA focus on sodomy. Did you notice the reference to the ritual's observers and witnesses? In Shady Love the action takes place on stage in front of an audience - handlers, family members and victims. Here's a repeated verse from “In My Trunk.”

“We ride by like there's no one there and they stop and stare (yeah they stop and stare)
We ride by like nobody knows what's in my trunk (what's in my trunk)”

She later lists family members, father, mother, grancy. They are most commonly complicit. Monarch is generational.

There's a line in which she is careful to “not tell” us what she means by trunk. “Got the west got the north got the east of me” What about the south of her? That's her trunk.

Here's a list of some clues to what's in her trunk.

• tattooed girl sitting in trunk has a shirt that looks like it has the word “dick” on it
• the open trunk has lights flashing out of it
• two guys in trunk with cameras flashing
• two girls in trunk have sparklers
• 3rd St. sign appears in several scenes, even shot from different locations - third eye opened through sodomy
• lots of driving through tunnels, dark sodomite portal
• huge Royal Arch earrings - squaring the circle
• huge pentagram ring on middle finger of left hand - fallen angel god
• the West Side Gang hand sign - "Hey, look at me! I'm illuminated!"
• putting the finger to mouth is the equivalent of a lock's key in symbolism, saying, I have a secret I'm carefully "not telling" you here, concealing and revealing
• licence plate rotated presents the three 9s as 6s, an instance of 6 6 6
• guy in trunk bound with rope and gagged - SRA DID coercion, ritual sodomy is not consensual
• three people sitting in the trunk with the masks on (common MK-ULTRA Monarch SRA programming feature) are the audience, passively observing the sodomite ritual abuse

The empty trunk at the end on one level probably represents the evacuated bowels after the ritual is over. It also represents the secrecy, how the effectual spell is such that folks just don't see it. Evidence of ritual sodomy is in our faces constantly and we just don't see it. More do now than did before, thank you Lord! Yet, the world is mesmerized, enchanted, stupefied. For yet a short season.

I was really curious about the "thump it" in the trunk so I did reverse speech analysis on it. I'd prefer posting a video but the "soup Nazi" over at YT isn't game anymore. So, in lieu of that, here's a few mp3 clips. Maybe you'll hear what I hear.

• [mp3] I got that "thump it" in my trunk = When Horus come this people I [pray that][of faith] I'm not
• [mp3] It's in my trunk = Horus come with me
• [mp3] we could do the full = Oh, pederast dick you
• [mp3] put that on fathers = said I a porn actor

Horus. You're shocked, right? I hope not. It's his gig.