"Fringe" Way Over the Top! - Part 18: Piano Stargates in Media

This blog post is supplemental to a video where we feature 5 clips from the series, Fringe. Here, you'll find many of our observations about the content, links to watch the video, to the playlist for previous installments in the series, and to some recommended collateral studies.

To Watch: "Fringe" Way Over the Top! - Part 18: Piano Stargates in Media


(full HD version for streaming or download)

Please leave your comments here on this blog post or on the Bitchute video.

Find the "playlist" for this piano stargate series here.

KEY: Words with a dash and numbers show gematria values of interest that appear in the dialog and those associated with the objects seen onscreen.

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Clip 1: Fringe S1-E17 "Bad Dreams"

The opening scene is the segue that begins a long Janus ritual sequence: "We need to talk to him NOW!" * Janus, god of time

"Where's the fire?" * Expression meaning, what's the rush? Emphasis on TIME

"I-54 ALWAYS LOVEd-22 that-13 expression-54-54" * Featuring significant gematria - Love Code 54 with a 22-13 power combo

"Lab Assistant (L.A. 12+1=13) was killed in-13 a fire" * Janus rules over death

We immediately see a piano (88keys, evoking Dimensional Transit Code 88, and Janus, god of keys) and a lamp-21-252 shade-222 -- with a pile of books on the table-13 * book book BB22 BBB222 BB88...

"Oh, that takes me back" * into the PAST - in time! Evoking time travel

CLOCK (Janus time) dresser-88 - lamp-21-252 - shade-222 - an open-13 book

"I remember" * reflecting on the PAST in time! * "Belly" is Dr-22-13 William Bell-13. A bell is a dimension transiting device, which is occasionally played up in Fringe episodes in very blatant ways!

"whipping up-222 a peyote-22 mash-22" * Peyote-22 mash-22 is a psychedelic drug-22. * evokes MK-ULTRA mind control use of drugs

Walter and Belly experimented on children, programming them toward the discovery and leveraging of their special psi powers as supersoldiers!

"Let-222 me guess" * Code 222 is a Antichrist number in Theomatics - resonates with Code 22

The piano evokes "dimensional transit" Code 88 because of the 88 key keyboard. Janus - god of keys, boundaries and passages. On the piano is an exercise-88 wheel (of TIME) in a glass-13 hamster cage. Nearby is a glass-13 window-88. Peter's sitting on the piano bench-22. There is sheet-21 music on the piano (signaling time because the notation features time signatures and 21 is a time number. The nearby curtains feature the vertical pleating that evokes the open stargate.

One of the white keys on the keyboard is depressed, calling attention to it. * Janus, god of keys. key-13 keys-21 "perception" -- Huxley-22 (Iconic Sci-fi novel: "Brave NEW-12-252(12x21) World") while showing lamp-21-252(12x21) dresser-22

"Perception is the key-13 to transformation" Janus, god of keys, god of transitions/transformations as the end of one state and the beginning of another.

This is actually magic! Walter and Dr. Bell are magicians, turning Olivia into a magician. And programmers who made her a mind-controlled slave.

"Reality is both subjective and malleable-54. If you can dream a better world you can make a better world." This is "magical thinking." It also evokes the practical reality of hypnotism and the exercise of certain Psi powers.

"Or-21-12 perhaps travel between them" * Walter is explicitly referring to a STARGATE transit as he responds to Peter, who is sitting at the piano!

And, it is at this very point that piano music begins softly in the soundtrack - magnifying the symbolic piano layer of this ritual!

Peter responds to Walter's unexpected and perhaps seemingly non sequitur response, "What did you just say?" He's still at the piano*88 sitting on the bench-22 next to the piles of books-BB-22-88. pile-21-252(12x21)

Nick-22 Lane-22
fridge-113

On top of the piano is a box-13 with the game, "Operation"-113, evoking medical procedures - and the "date of the revealing of the lawless one and time reset" Code 113.

Olivia has been paired or twinned with Nick-22 Lane-22, which is how it commonly is with Illuminati slaves. She has the special skill of jumping between universes, as Dr. Bell tells her explicitly.

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Season 2 Episode 18: "The Man from the Other Side."

With his piano in the scene, Walter demonstrates how they sent Dr. Bell's car from "this universe to the other side." Janus ritual begins with a knock at the door and Peter opens it letting Olivia inside. Janus god of doors and passages. Doorway-88.

Walter apologizes for how early it is in the day * Janus, god of time. He stutters "I'm I'm. repeating the power combo: "I'm-22-13"
Olivia replies: "okay, okay * Code 666 transformation because of the associated symbolic hand sign.
Walter begins to explain, NOW - in TIME.

The toy car-22-13 (power combo) is on a box-13 (wood-21 cutting board-22) on the table-13 that is round * signaling the circle of time.

Walter pours a line of salt on a circular table to represent the boundary between dimensions. Witches typically include salt as an essential element in their magic. When they cast a magic circle, they will sometimes pour a line of salt on the floor or ground around the circumference to mark that dimensional boundary. Within that "bubble" of "sacred" space they conduct their ceremonial rituals, perform sacrifices, raise energy and cast spells.

Walter demonstrates using a toy car-22-13 that represents Dr-22-13 Bell's Monte-22 Carlo-22 while wearing a robe-22. This part requires 3 tuning forks (fork-22) Theomatic's antichrist number is signaled by the tines, (2 2 2 or Code 222) There's redundancy in the "return back and reset" Code 22 and mastery-of-time+rebel+lord+beast Code 13. This powerful signaling reveals what this ritual is about!

The featured toy car is a 1963 Alfa Romeo 2600 Touring Spider. A car from that make is called an Alfa-88. This resonates with the 88 key piano and magnifies the dimensional transit or stargate Code 88!

While the piano is most easily recognizable, we see both of Olivia's hands on the table, palms down. Her wristwatch is clearly visible, evoking TIME-Janus. Palm-21-252(12x21)

The car is sent down a ramp-21 - demonstrating gravity, which is caused by warping time.

The mirror on the set is a metaphor for this dimension and a "mirror" dimension. Also, framed objects represent dimensional frames. See our "Somewhere in Time" video series for more examples.

stained glass-13 window-88 -- lamp-21-252(12x21) shade-222

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Season 2 Episode 21: "Over There."

This clip begins in the alt-verse. The Fringe Division is investigating a threat to their universe triggered by a crossing over from the other side. The main set involved features a grand piano!

McDonalds "golden arches" - Janus, god of arches. The element gold is Code 22 (AU is 1+21 is 22) frenchfries-666 resonates with the Fringe division logo. FF=66 and circle=O=15=6

The location of the dimensional breech is an opera house-22 that features a grand piano *88 with bench-22. Next to it is the only other instrument on stage, a cello-88. "FringeDivision-88 The investigative and containment team together with the two instruments and the opera house redundantly signal Dimension Transiting / Stargate Code 88 - and also the return back and reset Code 22!

Lincoln Lee (LL 12 12) places a silver dollar with a date (time) on it in a glass of water - and it floats. Time is money -- Water-as-time -- glass-13, mastery of time. It's a gravity test, and gravity is caused by warping time. In the zoomed-out shot appears the cello-88 and the conductor-113 stand-13. Beeps-88

"We can't have another Boston-22, captain." * That's a repeat - resonating return back and reset Code 22!

Countdown (Janus) begins, "Warning. one MINUTE to quarantine."
"massive-88 loss of life-22 will result." Janus, god of birth and death, and gates and passages.

A dead man is found upstairs with a picture id and money (TIME is money) from the other universe. He had crossed over, causing their "stage-three degradation event."

"Saw a blue-13 flash through the-12 window-88."

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Season 4 Episode 7: "Wallflower"

This clip is set in the alt-verse, but the apartment is familiar. The piano is present as the conversation revolves around the transiting between the dimensions. The return back theme is dominant! Major Janus ritual!

"Sorry it took SO LONG (TIME) for Broyles to sign-22 off*Code 666 on this stuff." The notable "Intersection" Code Combo!

Peter Bishop welcomes Fringe Division agent Lincoln Lee in, through the doorway-88 Janus, god of doors and passages. We see the action unfold as a reflection in the mirror. Why? Because the scene is set in the alt-verse, the realm of the mirror's reflection. Lincoln is native to that universe. While Peter is from there, originally, he mostly grew up on other side, which he considers home. The entry's framed mirror is a kind known as a Janus mirror because those are intended for an entryway. Coat/hat rack - mirror for checking appearance on exiting and arrival.

The next wall mirror is framed (dimensional frames) and oval-22 with a shelf-22. In an entry area, this is where you would keep your keys-21 for your car-22-13 and house-22. Key-13

"for-21 all your help-13 the-12 other DAY-12, I'm-22-13 surprised he-13-13..."

"like-222 a human being-222. I haven't been getting that-13 a lot LATELY-21. (TIME) I appreciate it."

"get-13 you back home to where-22 you came-22-13 from?" - resonates "return back and reset" code 22 * spoken with the piano*88 in view.

"The-12 machine was powerful enough to snap-22 me out of-21-12 my TIMELINE. It stands to reason that-13 it's powerful enough to snap-22 me back in-13." implicit: to his TIMELINE. - resonates "return back and reset" code 22

"...getting back home-13." * resonates "return back and reset" code 22

"Alt-Universes, different TIMELINES. Olivia says that-13, EVENTUALLY all of-21-12 this will seem-21-252 run of-21-12 the-12 mill."

Time-Binding:

- @ 21:52 - 21 appearing on counter means 22nd minute - Peter comes through doorway - doorway - Janus - there is a mirror showing Peter's reflection in the same shot.
- @ 21:53 ET - 22nd minute - Lincoln - time language - "sorry it took so LONG-21 to sign-22 off on this stuff"
- @ 21:56 ET - 22nd minute - Peter - more time language - "I was STARTING to get worried."
- @ 21:58 ET - Lincoln - more time language - "...the other DAY-12..."
- @ 22:12 ET - Peter - time language - "...getting that a lot LATELY"
- @ 22:13 ET camera shot changes - we see the piano in the background
- @ 22:14 Lincoln says, "So, you really think it'll get you BACK to where you came from?" - referencing the other TIME-line that Peter views as his home.
- @ 22:17 ET Peter responds - "The machine was powerful enough to snap me out of my timeline." - Piano is still visible (blurry) in the background behind Peter.
- @ 22:21 Peter is finishing his sentence about the machine being powerful enough to get him back into his timeline "...to snap me back in."
- @ 22:25 - Peter -"...It's my best chance of getting BACK home-13"
- @ 22:26 - Lincoln - "Alt-universes, different timelines."
- @ 22:30 - Lincoln - more time language - "...EVENTUALLY, all of this is...."

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Season 4 Episode 8: "Back To Where You've Never Been."

The title of this episode evokes the reset of time that we're eagerly anticipating! We've already experienced 2012, of course, but not the version we'll find ourselves in!

This final clip features the really blatant piano stargate transit we previewed earlier. The setting is the same opera house featured in the other clip where a tense near-quarantine situation raised a lot of energy for the occult ritual.

Lincoln Lee (L-12 L-12) stammers, "if-12 if-12" * Redundantly signaling the time number.

"It'll cut you in half." resonates the number 2, division, and 22 as the cutting of the flesh-22(11)

"crossing through" - the portal between dimensions.

"I killed (Janus) a guy like-222 that-13 ONCE-222 ... He-13-13 was a bad guy."

Olivia: "Good-13 luck." winks * signaling the eye of Horus - Lady Luck goddess - goddess of stargate transits - and the sodomite gateway.

Agent Lee is seen crossing over through the portal, right in front of the piano*88 in the opera house-22.

"You Okay"? *Code 666

As they descend to the lower plane on their way to the exit, they remain right in front of the piano.

Time-Binding:

- @ 13:13 they are on the stage of the opera house-22 getting ready to fire up the dimensional portal/transiting equipment
- @ 13:51 Peter and Lincoln have finished coming through the portal and it powers off - showing the piano on the stage in the background.

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For collateral study:

Fringe and the Dandelion Sign of the Pending Time Reset
Janus Ritual - Real, Effectual - and Common! * Also, here's two articles (wikiwand and romanpagan.wordpress websites) that will help you learn about Janus and Janus worship, so you can be better able to recognize when Janus rituals are being performed in media productions.
Time Number Codes and the Plus-Ones

Curious about the pending reset of time? Learn more here: The Pending Reset of Time

Find most of our video and audio here:
Video & Audio Catalog
Video "Playlist" Catalog

Our Channels

→ Bitchute: The Open Scroll
→ Brighteon: The Open Scroll
→ Rumble: The Open Scroll Mirror
→ YouTube: When Cometh That Thief in the Night
→ YouTube: The Open-ish Scroll
→ YouTube: These Patterns are Amazing
→ YouTube: Stormy's Reverse Speech

Decoding "Too Much" by the Dave Matthews Band

The song "Too Much" by the Dave Matthews Band was nominated for a Grammy in 1997 for "Best Rock Song." It didn't win, and never hit the top of the charts but it did very well for the band. Like so many other popular songs, the real subject and what's being dramatized in the music video is completely misunderstood by the popular audience. This is about one of the horrors of mind control programming, the forced ingestion of bodily excretions (i.e. "pizza"), and this ties in to the previous post to this blog, about the petition to be allowed to drink the foul red mummy sewage from the sarcophagus recently found in Alexandria, Egypt.

You will find the official music video on YouTube: "Too Much" by the Dave Matthews Band

The video features the band playing on a small stage like in a private studio. There is a backstage area that has a machine. A woman pours something from a very traditional fireplace ash bucket into the machine and turns the crank. The liquid that looks like it came from Marina Abramovic's performance art rituals comes out, flowing through a tube. This is force feeding a man who has been given a kind of clown mouth, who shakes as he ingests it.

Then, we see her with a look of disgust and contempt.

She looks disgusted because this is a disgusting sewage concoction, "pizza." She is the SRA handler, or programmer, abusing the victim in a way that builds trauma.

This kind of thing is more commonly presented to the public that you might suspect.

If you haven't studied about this practice of traumatizing mind-control victims, I recommend that you do, so you learn to see what you're looking at. It's gross and disturbing, but this is a reality, and being naive or in denial doesn't help anybody deal with reality. Seek the Lord Y'shua to give you courage and wisdom, to know how to pray.

Victims are fed and then told that if they pee or poop they will have to drink and eat it. They are not given any potty break, so it's just a matter of time. When they can't hold it anymore, they are forced to eat and drink it. They are forced to eat and drink the spit and sewage and vomit and semen and menstrual flow and blood and puss and this kind of torture brings the slave to a point where they can't bear the trauma. There are other horribly cruel abuses that go along with this, emotional and physical, including rape and sodomy. Young children are forced to give oral sex to adults and to receive it also.

Here's one victim who goes by the name of Kim Noble. She is reported to have 21 whole personalities or alter identities, and 13 of these alters paint. The one known as Ria Pratt paints vivid scenes of torture, illustrating this pedophile abuse.

The result is that the victims check out, mentally, to isolate themselves from the unbearable reality. This is called dissociation. They literally lose their minds, and this is the point of the abuse, so the programming system can then be installed that makes them an undetectable and completely loyal slave. They are called multiples because they have multiple identities, that are compartmentalized. This kind of thing is known as SRA DID or referred to as Monarch or MK-Ultra programming. It's been going on for thousands of years in association with the ruling families around the world, but since WWII this has been refined with multiplied numbers and magnified impact on the world. It may be said that this evil is a foundation of how time itself has been skewed, requiring a reset to fix it.

Here's how the song begins.

"Straight in. suck up and go,
cool it, swallow, swallow
Breathe deep, take it all
it comes cheap
Push it through the doors
because in between the lines
I'm gonna pack more lines
so I can get in

Ooh traffic jam got more cars
than a beach got sand
Suck it up suck it up suck it up
fill it up until no more
I'm no crazy creep, I've got it coming
to me because I'm not satisfied
The hunger keeps on growing

I eat too much
I drink too much
I want too much
Too much"

It's not about gluttony. It's about being tortured by forced ingestion. After they dissociate the slaves are programmed to want this, and they crave the "charge" it gives them. They become crazy for pizza. If you understand what we covered in the last post and in our PizzaGate videos Parts 6-8, especially what we showed you about Aleister Crowley's The Book of Lies, you'll get it.

So the excess this video goes on about so energetically isn't just a quirky frolic. It's the victim's story about being brought to the place of exceeding the bearable limit of trauma, leading to dissociation. Here's more of the lyrics.

"I've got to get it somewhere
I mean, you never know, maybe you're dreaming
Who do you think you're watching
Who do you think you need
Play for me, play more.
ten times in the same day
I need more. I'm going over my borders
I'm going to take more, more
from you, letter by letter."

It's not a dream but the going over the rainbow to the land of Oz or down the rabbit hole to Wonderland.

Who, indeed. Which identity in the array has to be called up to be accessed?

Apparently, stepping through the alphabet is part of the programming "game." That's probably way too many repetitions to endure.

The visual part of the music video complements the theme. Backstage, a character is introduced who is a programmer or handler, witch and high priestess. She is dimly lit when she's introduced, like a shadow, because she operates off-stage, in the shadows. She is also modeling the goddess (bent elbow pose), and ultimately, Lucifer. She has a feather boa, which is a symbol of the feathered serpent dragon worshiped as Amaru and by many other names. Compare her to the goddess with the Code 33 rainbow eye beams in the Comet Ping Pong Pizza painting. The parachute is a symbol that compares to an umbrella. It catches air as spirit as one falls to the earth out of heaven. She is a fallen angel. The parachute (poop chute) pictures the rayed anus sodomite gateway to illumination.

One of her hats is like an orange butterfly, which signifies, Monarch Programming. She pours something from a fireplace ash bucket into a machine and turns the crank. If you have seen our pizzaGate video on the Goonies film, you know that the ashes from a fireplace are from logs (poop) that are burned and then typically shoved through the ash hole under the grate to be collected down below. Right. The ash hole.

As she turns the crank that processes and supplies the strange brew, dark figures stand by. Demons - aids, on standby. Green is Satan's color. The green resonates Emerald City where the wizard rules Oz. The machine's crank has a spoked sun wheel design, like what is so common to the set of Emerald City and Dorothy's farm. Sun worship, of Apollo, Horus, etc. This witch is like the pretty Glinda, the "good" witch. She's also like the wizard of Oz himself, working behind the curtain with a machine while the show is put on.

This disgusting liquid is fed to a man. The hat on the head is resonating Alex in Clockwork Orange. The hat is a butt and sodomy symbol.

Then, we see her with a look of disgust and contempt. "Pizza - gross!"

The victim looks like a clown, a joker with big lips around the tube (bowels) receiver. The programmers mock and scorn the victims. The goggle-like glasses worn by the hat wearing men make the hat-as-butt symbol redundant because this is about glASSes, and this is why we see magnifying glASSes also being featured. They also are for enhancing vision, meaning third eye illumination.

The camera and viewer perspective passes through a ring of lights. This viewport is the sodomite gateway of illumination.

This victim has dissociated and has multiple identities. In this scene, they are bobbing up and down mimicking a carousel or Merry-Go-Round, which is the training for how one alter is accessed or called up while the others all go down. They are all very wooden.

Again, the victim is being force-fed by the goddess-handler-witch. She's gloved. Her hands never get dirty. She has the slave "eating out of her hand." That expression means, doing whatever she wants.

This car appears because it is a Dodge Viper, a deadly snake. Satan. Reflections of the goddess appear, who dances with a feather boa - feathered serpent. This is a demonic vehicle for the transport of demons, for the installation of Legion, many demons. The wheel is a 5-spoked magic pentacle. A tire is another common anus symbol.

Again with the multiples, increasing in number as the programming continues. They all wear suits, meaning, changing alters is like changing suits.

There's a dinner party that resonates the Mad Hatter's tea party and Rocky Horror Picture Show's Time Warp gala. A frenzied gluttonous orgy of apparent cannibalism is served by a butler, as in the house of the elite, like in "Eyes Wide Shut". What suggests meat in a meat locker hangs from the ceiling, resembling body parts.

It looks like a grotesque head on the table near the big shell dish.

Big magnifying glASS - can see plenty good now, with the seeing eye of sodomite Luciferian illumination.

The goddess, exalted over the scene, is content with her work.

They show you what's on stage, which seems to be acceptable, though a bit quirky and spastic. And they show you what's going on backstage, at least a thin slice of it. Even though they're putting some of it on exhibit, they hide what it means. They can't put it all right out there in the open, but just enough, in the way of obfuscation. That's how their spells work, deceiving, making captives of the ignorant. Mystery Babylon the Great.

If you read what we wrote about the desire to drink the red mummy sewage juice and Aleister Crowley's recipe for Cakes of Light, you may have already made this connection with the machinery of the "Too Much" music video. The ashes in the ash bucket are from the burning and the machine is thus making cakes of Light.

From "The Book of the Law" - Liber AL vel Legis:

"23. For perfume mix meal & honey & thick leavings of red wine: then oil of Abramelin and olive oil, and afterward soften & smooth down with rich fresh blood.
24. The best blood is of the moon, monthly: then the fresh blood of a child, or dropping from the host of heaven: then of enemies; then of the priest or of the worshippers: last of some beast, no matter what.
25. This burn: of this make cakes & eat unto me. This hath also another use; let it be laid before me, and kept thick with perfumes of your orison: it shall become full of beetles as it were and creeping things sacred unto me.
26. These slay, naming your enemies; & they shall fall before you.
27. Also these shall breed lust & power of lust in you at the eating thereof.
28. Also ye shall be strong in war."

And again, this is really about making war on their enemies. You and I.

13 But He answered and said, “Every plant which My heavenly Father did not plant shall be uprooted. 14 Let them alone; they are blind guides of the blind. And if a blind man guides a blind man, both will fall into a pit.” ~ Matthew 15:13-14

See what you're looking at. Again, let it speak to you about the condition of the world and how it got to be this way.

We have some good news and some bad news. The bad news is, it's going to get worse before it gets better. The good news is, for those who are found worthy, it's going to get better - WAY BETTER! The Lord Y'shua has a plan - and it's working perfectly!

Google Doodle - Back to the Moon - Georges Méliès Tribute

On May 2, Google honored Georges Méliès, the director of the classic silent sci-fi film from 1902, Voyage dans la Lune. A Trip to the Moon. The high tech presentations give tribute to him as an innovator. George was a magician and illusionist, and Google's tribute follows that tradition in their customary Occult fashion. What is most notable about this production is their clever signaling of the time war and the Great Pyramid, which are related and quite relevant. This is wrapped in the usual sodomite, goddess exalting and fallen angel themes. It was released just after the Satanic Ritual Abuse (Pagan / Witch) calendar's Grand Climax and Walpurgisnacht / Roodmas Day (April 30) and Beltane / Walpurgis Day / May Day (May 1).

360 Google Doodles/Spotlight Stories: Back to the Moon



Here's their special tribute page with links to the VR presentation. Back to the Moon - Celebrating Georges Méliès

A Trip to the Moon, was the French director's most famous and influential film. We addressed some of its symbolic meaning in one of our pizzagate videos. (Pizza Esoterica Part 5 - When the Moon Hits Your Eye Like a Big Pizza Pie) Smashing Pumpkins did a take on it, as you may recall.

The video presents a classic love story and adventure. The man gives his beloved his heart and a pearl. He fights for her when an evil antagonist sidelines him and steals her away. When the lovers are victorious they go on a honeymoon. Esoteric imagery abounds, and events are synchronized with the counter.

The video is 2:10 long. That's how much TIME it plays for. The 2:10 presents an amplified time number 21. In seconds 2:10 is 60+60+10 or 130 seconds, which is an amplified 13 that signals the mastery of time. This is both the length of time of the video and a major theme.

There is some Easter-Egg-ish referencing of the Illuminati mind-control programming standard, Alice in Wonderland, because the card woman is the Queen of Hearts and the watch is a big pocket watch, like the white rabbit used. The carousel began as a device used to train warriors. It still does, as used during Illuminati mind-control programming.

@1.16, the dancing king bumps a book with his backside and it nearly falls on him. The devil head of Satan appears as the scene goes dark. A demon dressed in green is released from the book. Green is the devil's color. This book seems to suggest the Bible and the scene, a fulfillment of prophecy about the Bridegroom and the Bride. The green demon takes the prospective bride by one hand and immediately steals the hands off the clock. He ascends with her on a throne-like tower and is then challenged by the king.

Stealing the hands off the clock can be interpreted in several ways. Obviously, it makes telling time impossible. When the little sprite/spirit uses it as a sword, the demon/devil uses the clock to his advantage, using time as a weapon, in a figure. He breaks time! He fights the king, who is, in this allegory, a type of the King of Kings and the Bridegroom (sun) who loves his (moon) Bride-type. The clock hands are also a magic wand, so it's a magical time weapon.

When you consider how the hands are removed from the clock at 1:21 on the counter there are some notable interpretations.

The counter time of 1:21 might be seen as a 1:2+1 or 1:3 or 13, making an exhibit of the mastery of time.

This 1:21 might otherwise be seen as a condensed version of 12:21, or an overlapping of the time numbers 12 and 21. This is marking when the little devil steals the hands off the clock, immediately after which the counter ticks over to 1:22. Going from a 21 to a 22 signals both a new beginning and a going beyond time to a timeless state, which is just what's pictured by the now handless clock! This kind of synchronization doesn't just happen by chance. This allegorically pictures the time war Satan is waging, which is intended, in no small part, to keep the Bridegroom from His Bride. When the Bridegroom and Bride come together, that's a very, very big deal!

There are other instances where the action is synced with the meaning of the numbers on the counter. At 1.12-1.13 the King and Queen dance over across the clock, demonstrating 12-Time and 13-the Mastery of Time.

You'll notice how 3 hours are illuminated on the face of the clock, and 3 hours is 60 + 60 + 60 minutes, signaling 666 and evoking the antichrist beast and his mark (Revelation 13:18). When the devil hits the king with the clock hands-magic wand (@1:33-1:34), the man who assumed the identity of a king is re-costumed as what looks like a dragon. Who is The Dragon but Satan so, in allegory, this is how the Devil magically demonizes God in the eyes of the world. This is not unlike what 2 Thessalonians 2 prophesies about the lawless one. When the now-dragon strikes the sprite with his own magic wand the devil is transformed into a prancing cross-dresser, or trans-gendered.

At precisely 0:47 seconds, Code 47 is signaled because the scene is flooded as being drawn into the fish bowl. The play here has to do with the legend of the fish that ate the phallus of Osiris. Isis made a magical substitute and used it to impregnate herself in order to bring forth Horus. The heart that the queen held turned into a fish and swam away. The king had given this to her. The stylized heart is a symbol or romantic love and it's also anatomical. The queen shows it off as if it were a garment meant to emphasize her breasts and femininity, but it's usually a butt symbol.

At precisely 0:33 seconds, Code 33 is signaled. The band members seem to be spelling something out for us. What's a 3 letter word for Donkey? And, on that (sour) note, the playing card now has a-hole, a man hole. He emerges, enlightened, and steps onto a 6 of hearts. Watch your 6. Your heart-as-butt. There are several shades of meaning here, and a transformation into royalty is modeled as the man leaps through a playing card and assumes a new identity, as a king. The card bears 2 clubs on it and 2 signals division. Clubbed, abused and traumatized, a split personality with an alter identity, dissociated, and now illumined - SRA DID - a chosen one, elite. Magic. Ritual magic! See the Magic Pentacle on the guitar?

This speaks to us of 2 Thessalonians 2 and the dimensional breech that happens as the lawless one is revealed.

There's more time modeling in this sequence. There are 52 cards in a deck according to the number of weeks in the solar year. These are divided into suits to produce 4 x 13 or 4 quarters of the year and 13 weeks per quarter. That number 13 is a special one that signals the mastery of time, of course.

There are more spots showing during the breech because there are 2 adjacent cards in play. 6+2=8 so this signals a new beginning and the mastery of time.

As the man sets up his approach to break through the card/week he draws back by the clock. Because, yes, it's about time and breaking through the dimensional barrier.

There is an abundance of goddess exalting imagery. Any tribute to Voyage dans la Lune inherently gives tribute to the goddess because the celestial and moon goddess is openly featured in that classic. Google's version gives special tribute in the way of the Occult. When she goes to the moon as if on her honeymoon she is the moon goddess and the "honey" goddess, the bee goddess Melissa, Inanna-Ishtar. The stylized heart is the same figure that is continually being drawn in the sky by Venus. The Queen of Heaven. The Goddess of Love. The ancient Queen of Hearts. When the scene floods, she is transformed into a mermaid, as Stella Maris, star of the sea. When she is on the tower, the golden design resembles the bull, Hathor - the dairy queen. The king lifted the stylized heart off the 6 of hearts card. If each card in the deck is a week, the 6th day is Friday, the day named for Freya, the goddess. The dress worn by the queen of hearts has decorative panels that bear 6 hearts per panel, repeating that number resonating her day. In total she has 2x6 or 12 hearts, as a time goddess and also evoking Revelation 12:1 and the sign of the woman clothed with the sun, with the moon beneath her feet and a crown of 12 stars on her head.

There is an abundance of fallen angel imagery because shooting stars and falling stars are falling angels, because stars are angels in metaphor.

There's plenty of sodomy or ritual sodomy symbolism. Watch for the crescent moon resting on a trunk. Moon as a mooning butt. Trunk-as-butt, like the trunk of your car. Featured heart-as-butt. The title, Back to the Moon - Back-as-butt and Moon-as-butt. The title is arranged to present BM - Bowel Movement. Coprophagia - partner with ritual sodomy and trauma inducement. When the head of Satan appears, look for the familiar one-eye symbolism. The devil's anus. When the rocket is stuck into the moon's eye it is a phallus stuck into the one eye-Horus eye sodomite gag.

When they show us the lamp for the spotlight image it is truncated and modeling the great pyramid and the glowing eye above the pyramid like on the Great Seal of the USA. It reminds me of this logo for the Instituto de Estudos Orientais. (Eh - maybe don't sit down or bend over there.) It's the lamp light of the illuminating Horus Eye activated through ritual sodomy.

We see in this beaming light imagery the falling stars as angels descending from heaven on Mount Hermon, as per Enoch. Some ancient texts use the same words for, pyramid, and, mountain.

To see this spotlight imagery as modeling the great pyramid in the context of the devil wielding time as a weapon, with all the other esoteric signaling of the mastery of time and the breaching of dimensions and the use of magic and the attempt to keep the Bridegroom from the Bride - this speaks to us as very relevant indeed! Google knows what's going on and they are spilling the beans. But, it should be understood that it's what they don't know, in their arrogance, that's going to bring the rebels to their defeat. The true Lord of Time has a plan, and He is patiently working it out. Y'shua can't be beat!

Decoding the Felician Sisters Brand

Following up on our decoding of the St. Anne Home logo, let's decode the imagery that the Mother institution of the Felician Sisters chose for their identity.

Hey - it's the Olympic Cauldron! Well, close enough. It does compare on a few levels. The goddess identified with it is called by such names as Vesta, Hestia, Isis, Ankhiale (or Anchiale), Pele (Hawaiian), Columbia, Lady Liberty, and Sophia, the light-maiden of Gnosticism.

This burning heart is easily recognized as a version of the Sacred Heart of Jesus, which is associated with the idol and counterfeit typically pictured as extremely effeminate and creepy. The sisters chose to model their emblem after the Sacred Heart of Mary, which is also called the Immaculate Heart of Mary. There is the characteristic piercing sword. It's usually ringed about with roses with lily flowers but their's doesn't seem to have any - or does it? If you can interpret the symbols properly you can perceive how the rose ring is implied. We'll get to that.

As shown in the previous posting, the logo of the daughter institution, Satan Home, eh, "St. Anne Home," features a heart. As the daughter-heart inherits from the mother-heart, there is spiritual resonance and an import in the connection.

The heart is a very widely used symbol of the butt. The flames signify the fiery illumination (knowledge of good and evil) induced through the rough and traumatic sodomite ritual.

The religious art of the Romish cult typically pictures the sacred heart bearers with distinctive halos that signify not so much holiness as their state of illumination with the light of the light-bearer, Lucifer. The Immaculate Heart design of the emblem and logo reveals that we're dealing with a kind of spirituality that involves the biological function that is exploited to supernaturally bind Lucifer and his followers together. It's been a foundation since the Garden of Eden when the Nachash led Adam and Eve to have their eyes opened and receive the forbidden knowledge of good and evil. It's all about the Horus Eye exploit of Luciferian illumination produced through ritual sodomy.

The sword is a phallic symbol. The part known as a guard or cross-guard exhibits serpentine scrollwork in the shape of the letter S that identifies the sword-phallus that penetrates the heart-butt as that of the sodomite Serpent, Satan. Think, Kundalini serpent activation, evidenced by the coiling around the hilt. The logo drops the serpent detail from the sword but transforms the flame into a form you may recognize as the plumed and flying serpent, which is sometimes called Amaru. The daughter-heart variant of St. Anne Home picks up the key serpent motif in the featuring of the S-erpen-T. Artistic representations of the Queen of Heaven sometimes picture her with a serpent at her feet, making reference to the curse, like with this famous painting of "The Immaculate Conception."

13 Then the Lord God said to the woman, “What is this you have done?” And the woman said, “The serpent deceived me, and I ate.” 14 The Lord God said to the serpent, “Because you have done this, Cursed are you more than all cattle, And more than every beast of the field; On your belly you will go, And dust you will eat All the days of your life; 15 And I will put enmity Between you and the woman, And between your seed and her seed; He shall bruise you on the head, And you shall bruise him on the heel.” ~ Genesis 3:13-15

The irony, right? Note, it's not the woman but her seed that bruises the head of the serpent.

The cross is signaling, on the most fundamental level, the union of the vertical with the horizontal that is the male with the female - and most particularly the sons of god with the daughters of men. (Genesis 6 and Garden of Eden).

The golden rayed IHS cross is strongly identified with the Society of Jesus, the Jesuits. Have you discovered the secret of their IHS cross? There's an anagram in play that starts with the letter s. The word meant ends with the letter t, which is sometimes included on the horizontal of the letter H, but the cross itself supplies that final letter. "Dung."

The IHS cross is sometimes referred to as a Christogram but you might better recognize it as a pictogram of poop in the butt. This identification is, at least, natural, instead of being offensively perverse. HOLY IHS-t! When you can visualize the heart as the buttocks and grasp the meaning of the well placed pictogram of poop in the butt, it's a graphic you just can't unsee! That's the heart of the matter for goddess loving sodomite illuminists!

Are you skeptical still? Here's another graphic you can't unsee, the photographic artwork of Erwin Blumenfeld titled, Holy Cross. He bared their secret, literally. The Holy Cross. X marks the spot.

The poopy butt the sodomites worship is the unholy butt of their god. Beyond that, it is intended to represent that of the Most High God and His Son. Sodomy has a purpose. Occultists have sometimes admitted that sodomy is an energetic power transfer mechanism, which is why innocent little boys are so frequently targeted as their victims. (Is there some connection here with the priest/nun classes of the Romish church?) To get a god's power one has to sodomize the god. This is the dynamic that explains the biblical account of Sodom, where the men pursued the angels visiting Lot in a way that is otherwise beyond reason. How then does one acquire the power of the goddess?

So, in the Felician Sister's emblem and logo, where are the roses that ring around the iconic Immaculate Heart of Mary? Here's one. The rose is a metaphor for the anus. Where an anus appears in symbol, a rose is implicit because Occultists freely exchange one symbol for another that has a shared meaning.

We can hardly avoid mentioning the imagery of the Rose Cross, the rosy cross, Rosae Crucis and Rosicrucians. Based upon what we've just illustrated, much more explanation about the meaning of the Rose Cross shouldn't really be necessary. But, hey - let's illustrate with more pictures!

One of the main Rosicrucian organizations is known as AMORC, the Ancient Mystical Order Rosae Crucis. Their website has stated that, "There is no religious connotation associated with this symbol; the Rose Cross symbol predates Christianity. The cross symbolically represents the human body and the rose represents the individual's unfolding consciousness." What they are carefully NOT TELLING us is this esoteric truth that the cross that "symbolically represents the human body" is the very same Holy Cross photographed by Erwin Blumenfeld, and that the rose that, "represents the individual's unfolding consciousness" is the blossoming of the rose-anus that equates to kundalini activation and the opening of the Horus Eye.

Here's some cover art to compare, from issues of Rays from the Rose Cross magazine. Notice the flaming heart emblem used by this order of the mystic light. (You may recognize in the one on the left the clever image of the magic circle, with its overlay of the 4-fold and 5-fold divisions.)

Martin Luther, who is made, in the version of history we've been sold, to seem like a renegade priest, may have been secretly commissioned by the Papacy and secretly aligned with what would become known as the Fraternity of the Rose Cross. Quoting one who understood the practices of the fraternity of Jesuits and of such as the Knights Templars:

“The best way to control opposition is to lead it ourselves.” ~ Vladimir Lenin

(He also said, "The press should be not only a collective propagandist and a collective agitator, but also a collective organizer of the masses." - but that would be a subject for other posts.)

Here's another order that leverages the featured rose cross, the Golden Dawn. They add the anal triangle to the collection. You get what kind of golden dawn they mean, right?

The rose often symbolizes secrecy. You may have heard of the expression, sub rosa, which is Latin for, under the rose. How this expression might have arisen seems plain enough when you make the substitution of anus for rose. The enlightenment and gnosis or hidden knowledge they value is passed on by means of ritual sodomy - and this is both the secret and the means by which it is kept. With the initiation rite comes a solemn oath of secrecy, and the loyalty the new slave swears to their masters is supernaturally created through the binding and bonding feature of sodomy.

What is also found "under the rose" are the thorns, which draw blood and cause pain, and this is quite relevant to the traumatic blood ritual initiation. The hidden thorns are also symbols of the heritage of the Tree of knowledge of good and evil, as we've addressed in writing about Cain's paternity and the consequences of the curse for Adam. When you look at the pairing of Sacred Heart of Jesus and Immaculate Heart of Mary images, consider the meaning of the thorns around one and the roses that conceal thorns in the other.

In the emblem of the Felician Sisters, one of the arms raised "under the rose" has a sleeve and the other does not. Their official explanation doesn't admit to this, of course, but what we see as the sleeve hides the left arm is a picture of the initiate on the left hand path, where much is hidden. In contrast, the right arm (of the right hand path) is exposed, having no covering sleeve.

Take a look at the raised hands in the emblem and logo of the Felician Sisters. They cross to form a V. V is for, vagina. Vulva. This is about the hidden anatomy and the divine feminine, yes? Have you seen the Valentine's Day montage we present sometimes, with the cover of the Pink Nun Zine? The illustration presents the stylized heart as the vagina with the inner labia spread outward. See the hands of the Felician Sisters nun's emblem suggesting the inner labia. See the glowing intersection of the cross as the clitoris. In this context, the cross is phallic, and this is the sex magic that produces Horus through the union of Osiris and Isis.

The V is also for virgin, Venus (the celestial tracing the stylized heart derives from), Vesta (the flame), Victory, and Viatrix.

A few years ago a new show was broadcast on The CW about a young Catholic girl. It was promoted with some imagery that compares to that of the Felician Sisters. Jane the Virgin. This sequence flashed by in several consecutive frames. Notice the expanding form of the XO union. The Rose Cross is obvious, and you know very well what that means!

The name, Jane, or Janey, is slang for the vagina. In the plot of the show, Jane the Virgin gets pregnant. She's still a virgin, but instead of this being an "immaculate conception" according to the lingo of the Romish church, it was due to a mix up during an exam at a fertility clinic where she was artificially inseminated by accident. The play on the Virgin Mary is obvious. On the other hand, the imagery that betrays it as an Occult production was not obvious to most.

Was it just a coincidence that the premiere episode aired on October 13, 2014, which was the 97th anniversary of the Miracle of the Sun that marked the most famous Marian apparition of all, of Our Lady of Fatima? Or was it by happenstance that season 4 launched on the centennial anniversary, on October 13, 2017? Of course not! That's how Occult ritual is performed. The season number 4 is a goddess number signifying Isis in the esoteric Code 47.

So, the rose cross identification is the obligatory sodomite layer that, in part, serves to provide a cover spell for the supernatural delusion of the Mother of Harlots, Mystery Babylon the Great. It should speak to you that sodomizing the goddess to get her power is a big deal for her worshipers.

There's a reciprocity dynamic here. Are you aware that ritually abused children are sometimes sodomized with a crucifix and that this is called, the Peace of Mary? When I look at the picture of Our Lady of Hope on the website of the Felician Sisters of North America, I see the chocolate crown on the hooded head and I just can't help but see the modeling of The Peace of Mary! Our Lady of POKE. The Hershey Highway. The golden ticket winner to Willy Wonka and the Chocolate Factory.

See the purple clouds in the emblem of the Felician Sisters as a collection of very badly bruised little bottoms. Spanked by the hands. Sodomized by the phallic sword and cross. Yes, it's horrific - gut-wrenching. See the pedophile ritual abuser with the raising of unholy hands ascending into the heavens to join with the gods through this work.

Most will recognize in the branding of the Felician Sisters the featuring of what's known as stigmata, where the hands bear the marks of the crucified Jesus who displayed these as signs of his personal bodily resurrection.

Dictionary.com defines stigmata as: "marks resembling the wounds of the crucified body of Christ, said to be supernaturally impressed on the bodies of certain persons, especially nuns, tertiaries, and monastics."

Given the esoteric context, you have to know even this is really just a pretext. The V signaled by the crossed arms is for Victory, the goddess, and this really has to do with a victory over death that is counterfeiting resurrection because it depends entirely on the avoidance of judgment. This is the meaning of the phoenix and the phoenix palm plant leveraged during the Romish cult's litany on Palm Sunday and Ash Wednesday. (Look at the bottom of the St. Anne Home "holy week" schedule, in the previous post.) This is a sign of hope in a false and counterfeit experience, the holy grail of the initiate's quest after their induction (their "born again" experience) into the Luciferian cult through the unholy communion of sodomy.

Crossed arms are often an Occult signal. The X is the mark of their sun god and it also informs us to flip the meaning of what we see. The V arms are crossed. Take what it means on the surface and cross it, flip it. In this image, St. Francis Xavier shows us how its done.

Here's how the raised hands with nail hole wounds adds further to the Immaculate Heart of Mary's ring of roses motif. The nail is the phallus and the nail hole wound is the body cavity that is sodomized. Substitute the equivalent rose for each and there's two more roses that add to the one at the intersection of the cross to create the virtual ring around the Immaculate Heart of Mary. Compare this image to the one above with the old Rosicrucian picture of the crude heart drawn with three crosses. Yes - it's a match. Third Eye enlightenment!

This is further supported by more esoteric interpretations of the Felician Sisters' emblem's imagery of the hands.

The ancient Pyramid Texts famously relate how Horus places his eye in the hand, which conveys what you will discover here (Part 2 - The Hand of Horus - The Key of Life, Falsely Promised) is quite relevant. Horus Eye = anus. The Hand of Miriam. The Hand of Fatima.

The Hands Up gesture conveys the anagram, "HANDS UP" -x- "ANUS PHD." Think about it. It's code for the higher education of the ritually sodomized and enlightened initiate.

The word, hands, may be considered as concealing a letter u behind the d, therefore producing, (h)anus. Stigmata. Holes in hands.

On their website, the following is offered. "As Felician Sisters, we celebrate and embrace our Franciscan heritage and the humble spirituality of Saint Francis of Assisi." In their official explanation of their emblem, the website of the FS of NA offers this.

"Two pierced hands are also featured within the heart. The outstretched pierced hand of Jesus is a symbol that Jesus calls us to live His love in service to others as we seek to cooperate with Christ in the spiritual renewal of the world. The second pierced hand is that of Saint Francis of Assisi, a symbol of our Franciscan heritage as we follow Jesus in the example of Saint Francis, living Franciscan values and virtues of faith, prayer, poverty, humility, and simplicity."

Sure, sure, but how about these observations, which are consistent with the esoteric imagery. St. Francis of ASS-isi. Spelled backward, Assisi produces, ISIS. This man is the one that the Jesuit Priest now known as Pope Francis claims to have chosen to honor for his namesake. As liars lie, we believe he is intending to honor St. Francis Xavier, co-founder of the Society of Jesus, and his god(dess).

Finally, did you notice how many times the Romish influenced artworks pictured the flashing of the W hand sign, for the bent-elbow goddess?

We hope you're staying alert and sensitive to what the holy spirit is revealing as you're out and about. It matters. Snares have been laid by the Adversary for us, but the Lord our God still can and does make us free indeed, in His truly great mercy!