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Sunday, October 14, 2012

Part 41 - The Sodomite Gateway - I Donut Want to See That Again

The sodomite gateway to the illumination with the dark light of Lucifer is signaled in so many clever ways. A spell is cast over the world through these seemingly innocent but very evil symbols. Here's more decoded examples with combinations of elements introduced in previous posts.

The Krispy Kreme brand was enormously popular when I lived near Sacramento during the 90s. I don't recall seeing the white on red double K logo but apparently it's been featured along with the familiar stylized wordmark for many years. The double K pictures a scene at the palace, with a pair of Royals (Part 17) engaging in ritual sodomy. The logo designed for the Krispy Kreme Challenge (the company's annual charity race) provides us with a key to interpreting their brand imagery.

A donut represents the head of a stick figure person. Isn't that what we're being shown? Apply this to the double K and the donuts dotting the Ks are the heads of victims being sodomized by the Royals.

Remember the Kudawara Pharmacy and A-Style brands with their stick figure head-dot victims? The Krispy Kreme Challenge logo pictures the victim on his hands and knees, held by the neck or shoulders while being sodomized. The gloss reflection suggests third eye illumination and the flashes of white seen during ritual sodomy.

The illuminated folks at Krispy Kreme obviously share something special in common with Dr John Dee, who served the Royals in England (Queen Elizabeth I). Dee's donut-head stick figure should be pretty familiar by now. Is the double K a tribute to the double 0 7? It's certainly giving the Royals something to smile about, representing triple-helix DNA white light bodies with illuminated "crown" chakras. The white on red signals the divine illuminated Adam-kind, with “Adam” meaning “red” or “red earth.”

“The belief in the occult world is if you could sodomize God, you’d get God’s power. You become as gods through sodomy;"
Deprogrammer Interview with Marion Knox: In the House of the Strongman, Sodomy is the Key

The Monas Hieroglyphica presents Horus and Hermes as the sodomizers. In the Krispy Kreme variant, Horus is the one being sodomized. The double K ritual sodomy figures illustrate how to own Horus and aquire his power, which the Royals have done and continue to do.

Those Krispy Kreme folks know the slang meaning for donut ("In a prison setting, it is another inmate's anus.”) and the slang meaning of Kreme (semen). Their major competition does too!

In Part 19 I featured Dunkin' Donuts and their MIB3 promotion, with the Undercover (think “between the sheets,” and covert, occulted) Black Cocoa Donut and Black Cocoa Creme Iced Coffee. Since I haven't addressed their logo before, I'll present it here.

UPDATE: Since learning about the secret signs of goddess worship, I note that the Krispy Kreme and Dunkin' Donut brands both fly her banner high.

Krispy Kreme's dominant color is the goddess red. The letter K is the 11th letter, so the featured KK presents an 11 11, which is the goddess pillar ideogram and a signaling of the fertile womb of the goddess. Each K presents a cross, a form with three lines intersecting. Placing them inside the oval (feminine - yonic shape) makes this image the union of the X and O, believed to establish the celestial throne of the goddess.

As for Duncan Donuts, the goddess is signaled through their Double D branding. Yes, that's a bra cup size for very large breasts, and they do put the DD on their cups - but there's more to it than just that. According to the Occultist's interpretation of the 47th Problem of Euclid, the union of Osiris and Isis that produces Horus is represented in the numbers 3, 4 and 5. The number 4 identifies Isis, the goddess. The 47th problem of Euclid involves the area of a square, and for Isis, this involves the side of 4 units in length. The numberings associated with Isis are the base 4, 42, 4x4, 4 and 4, 16 and even 44. With gematria and letter substitution, D and W and double D and double WW (when Z=1) are also used to signal the goddess.


The double D brand looks like a double Dee brand, as in John Dee. The pinkish purple rounded rectangle form that is the setting for the cup of coffee should be a familiar symbol of the sodomite gateway. What looks like steamy vapor rising from hot coffee compares to the curly hairs in the Wheel of Fortune imagery (from Part 40). When you see the cup of coffee as the cornucopia of Masonic imagery (which represents the alimentary tract that everyone wants to own towards the goal of acquiring everything one might want - Part 9), well, you're seeing what's really there. Any kind of appeal the name Dunkin' Donuts might have had is lost in the light of an awareness of the esoteric meaning.

The occult branding of Krispy Kreme and Dunkin' Donuts has nothing on Muscle Milk. Strange bottle, isn't it? Brown bottom. Brown phallic top. Connect the dots. Brown circle, ringed by stars. Yes, that muscle would be a sphincter, and the milk, well, yeah. "Drink. Evolve." Really? Uh - No Thanks!

Ritual sodomy evolves Adam-kind as a precursor to the mark of the Beast. It's the key to the serpent's age-old hijacking scheme, until the age-ending hookup finally arrives.

Popeyes Introduces Dip'n Chick'n to present us with yet another food related promotion of ritual sodomy. Whether you're dunkin' donuts in coffee or dip'n chick'n in Popeye's special “Blackened Ranch Dipping Sauce,” you can't escape the offensive imagery. The descender of the letter "p" is an arrow. Arrow = Phallus. P for Phallic Package. Here at the right side of their ad you see a copy I added, rotated into a more easily recognized alignment. The phallus points to the stylized letter “c,” which is a squared circle, a symbol of ritual sodomy. So is the other letter “C.” The square dot over the 2 letters “i” are also squared circles.

Popeye, aka Harmerty, Horus "who rules with two eyes." Is it just me, or does his jaw and chin always look like a butt? The cartoon character Popeye first appeared in 1929. Popeye was picked up in 1933 by Fleischer Studios and made into a series of Popeye the Sailor theatrical cartoon shorts. If that studio name sounds familiar, this was the studio responsible for “Bimbo's Initiation” (See Part 18). Popeye was known for saying, “I am what I am.” Hmmmmm. Was that him in the burning bush on Mt. Horeb when Moses was commissioned?

The yellow on red colors of the Popeye's Dip'n Chick'n promotion represent the yellow (Coldplay - Part 38) star light on red, or star/angel on (as in a superior position sexually) Adam-kind.

While we're on the subject of disquised yellow and red phallic packages, a friend in Australia sent me some photos of a toy fishing rod his wife had bought for one of their young boys. My friend was horrified when he recognized what his son was playing with, and quickly addressed the situation. This toy was not purchased from an “adult” toy store but from a regular store. It was innocently packaged and labeled for children. Examining it with an informed and wary eye it can hardly be mistaken for anything other than what it looks like. What do you suppose is being promoted with this object by targeting little boys? It must surely be marketed with a cloaking spell.

The worshipers of Horus have been actively recruiting you and I from even before birth. I'm so grateful the Lord Y'shua is able to save to the uttermost and that He is so generous with us today. I pray your eyes are being opened to the reality of our world to see with the Lord's own eyes. It matters.

Thursday, September 17, 2015

Part 4 - The London 2012 Olympics: Revisited

Again, the segment of interest can be found from 8:25 to about 12 minutes in: The Official Video: London 2012 Olympic Games Opening Ceremony

The most obvious reference to time made in the Journey along the Thames film has to be when we come to pause near Big Ben. Big Ben is named by the commentator in the NLP language part of this ritual segment, along with the year of its casting in the nearby Whitechapel Bell Foundry. The bell is a distinct element in this time manipulation ritual, which is positioned on the bank of the river between the stadium's bell of Caliban and the standing stone at the source of the flow of water-as-time. Our attention is drawn to the hands as they spin rapidly around the dials. The clock spinning seems to be in keeping with the pace of the flight, but we really can't discount the importance of that display of accelerated time. Regarding this ritual element, our progress eastward on the journey slows while we witness how time is accelerated. I recall from the bean-spilling film, The Penitent Man, the man who time traveled from the future claimed that the physics had to do with harnessing wormholes and the speeding up of one end while slowing down the other. When we come to Big Ben we hear the chiming of the bell called Big Ben. It's being struck repeatedly in the marking off of the hours. The bell is a percussion instrument, not unlike the tuned particle colliders like the LHC, which are cryptically but heavily referenced in, The Penitent Man. The bell is rung, as you may recall, for the facilitation of space-time transit.

Leaving the scene of the iconic clock and bell tower, we're engaged in a game of cricket where the boys are wearing garments like out of the past. In context, garments represent bodies that are suited to a particular dimensional domain. We were shown the past, as having traveled into the past.

Suddenly we're back on our journey. A modern helicopter cuts abruptly through our airspace, crossing over to the right bank toward the Battersea Power Station before veering off. A large pink pig balloon is tethered to the smokestacks. Researching the history of this scenario leads us on a trail where we discover the featuring of the god, Pan. And, through that connection, we discover evidence of the ritual binding being established between the region of this river of time in “England's green and pleasant land” to the river of time known as the Jordan.


When we then see the inflated pig tethered to the Art Deco-styled Battersea Power Station (time travel through the pillars), it's a reference to the band, Pink Floyd, and a stunt they did for the promotion of their 1977 album, Animals. They were doing a photo shoot. “The 30-foot (9-metre)-long pig was tethered between two of the power station's southern chimneys. During the shoot, it broke loose from its moorings and, to the astonishment of the pilots of approaching planes, rose into the flight path of Heathrow Airport. ” (Wikipedia) That explains why the pig balloon was there in our flight path and why we were joined by the veering helicopter. Pink Floyd. When visiting Big Ben on the way, a clip of their classic song, Time, was heard (from 1973's hugely popular album, Dark Side of the Moon).

These weren't the only references to Pink Floyd's material. Each of the last three Pink Floyd studio albums had portions recorded on the Thames-Isis near Hampton, Middlesex, which we passed right through. Not in some studio on the bank of the river, but in a boat that is actually moored on the Thames. David Gilmour, the band's guitarist, bought a special vintage 1911 houseboat in 1986 and converted it into a floating recording studio-houseboat christened the Astoria. The albums, A Momentary Lapse of Reason (1987), The Division Bell (1994), and The Endless River (2014), had tracks recorded there, as did David's solo album, On an Island (2006). Note the time theme. Momentary Lapse. Bell - Glocke - Clock. Endless. (river of time) Island. (surrounded by water as time - like a space-time ark)

There was at least one more reference made to Pink Floyd, to their first album, and this one is most significant. It came in connection with the animated characters seen near the beginning of the journey. They are Rat, Mole, and Toad From the children's classic, The Wind in the Willows, by Kenneth Grahame. It was first published in 1908. That first edition's cover featured an illustration of the god Pan. In the 7th chapter of the book, Piper at the Gates of Dawn, they are drawn by his irresistible musical enchantments to worship the Piper, Pan. They experience an intersection with a heavenly domain in a divine presence at the Gates of Dawn. In their enchanted journey along the Thames, they are magically transported through space-time into the presence of this woodland god.

He's the same god Jack Parsons (of JPL) dedicated each rocket launch to by invoking Aleister Crowley's, Hymn to Pan. “But I say that that perfect image in the heart of man is patterned by the awful lust in space-time that shapes all women, the insatiable and eternal lust of Pan that is BABALON.” -J.W. Parsons



“The first album by psychedelic rock group Pink Floyd, The Piper at the Gates of Dawn (1967), was named by former member Syd Barrett after chapter 7 of The Wind in the Willows.” (Wikipedia) Syd apparently identified with Pan. Lyrics from the songs on that album were what you call psychedelic, to be sure. They are esoteric, Occult and illuminated. The summer of the year 1967 was the famed Summer of Love that centered around San Francisco's Haight-Ashbury district. It was in that same year that The Rolling Stones produced, Their Satanic Majesties Request, an album with a song that was featured in MIB3's dimensional transit scene after Will Smith as Agent J leaped off the Art Deco Chrysler Building into 1969. The year 1967 was also when The Beatles produced, Sgt. Pepper's Lonely Hearts Club Band, with cover art that honored warlock Aleister Crowley. This segment of the Olympic ritual Journey along the Thames hearkens back to that era when hallucinogenic and entheogenic induced excursions into the adjacent dimensions opened the way of shamans and mystics to the masses. It honors the fantasy literature of escape from this realm to enter into the presence of the ancient god Pan.

When you recognize Mole, Rat, and Toad and cross-reference them with the repeated references to Pink Floyd, the god Pan does emerge as an important character. There is no denying that the magical character, pipe playing Peter PAN, is honored later in the Ceremonies, of the classic fantasy tales told by British author J.M. Barrie. (His special off-dimension domain was called Neverland, which is time language, of course. He's a boy who doesn't age. The Lost Boys live in Neverland with him. LOST ~ 12+15+19+20 = 66. The Abyss. Think about the TV series, Lost, as being about the Abyss.) When you put all this together with the emphasis put on the goal expressed in William Blake's passionate poem, the working of this space-time manipulation ritual becomes more clear.

I will not cease from Mental Fight,
Nor shall my Sword sleep in my hand:
Till we have built Jerusalem,
In England's green & pleasant Land

Again, the ritual elements I've been pointing out in this series form a resonant structure of magickal energy (engaging demonic authorities) along the Thames-Isis, which plays as a river of time. Between the inscribed bell of Caliban and the inscribed stone marker at the source of the river, a standing wave of time appears to have been activated, harmonically resonant with such as Big Ben, and Glastonbury Tor. I introduced my observation that they ritually bound the Thames-Isis and the Jordan together. Greenwich and Mount Zion are linked as centers of time, and the river systems have also been engaged and linked. The reference to the worship of Pan is established early on the Journey along the Thames, shortly after leaving the headwaters, and so it is that the main temple dedicated to the worship of Pan from ancient times is located very near to the headwaters of the Jordan.

Here's what I wrote recently in another series of posts. (Part 2 - Israel's Wandering - Crossing a River of Time with the Time Ark)

“The Jordan, that symbolic river of life and river of time, originates and flows down from where the rebel angels descended. Their “stream” polluted man entirely, morally and genetically, and those Watchers have been held accountable for making necessary the great purging flood of Noah's day. Water-time wars. The headwaters have long been and still are linked to idolatry. Consider the testimony recorded in Matthew 16 about that area. ”

13 Now when Jesus came into the district of Caesarea Philippi, He was asking His disciples, “Who do people say that the Son of Man is?” 14 And they said, “Some say John the Baptist; and others, Elijah; but still others, Jeremiah, or one of the prophets.” 15 He *said to them, “But who do you say that I am?” 16 Simon Peter answered, “You are the Christ, the Son of the living God.” 17 And Jesus said to him, “Blessed are you, Simon Barjona, because flesh and blood did not reveal this to you, but My Father who is in heaven. 18 I also say to you that you are Peter, and upon this rock I will build My church; and the gates of Hades will not overpower it. 19 I will give you the keys of the kingdom of heaven; and whatever you bind on earth shall have been bound in heaven, and whatever you loose on earth shall have been loosed in heaven.” 20 Then He warned the disciples that they should tell no one that He was the Christ. ~ Matthew 16:13-20

“Peter, little stone. (Note: stone, rock, and water.) The gates of Hades are connected to the flow of water at Banias, or, Paneas in the district of Caesarea Philippi, near the headwaters that flow also into Philia Lake (Berekhat Ram or Lake Ram) at a higher elevation. The Temple of Pan is at Paneas or Pania, which was central to his worship. Pan is one of many alias identities of the Devil.”

The observations I've made about the ritual elements don't mean much independently but when taken as a collection the intent of the ritual seems obvious enough. The binding of the Thames and Jordan fits other aspects of binding with Israel, like the construction of the 2012 Olympic Park right across the Thames from Greenwich and right where the Temple at the Center of Time arcs sweep through. The binding was surely enhanced through the connections made with the London Olympics held in 1948. Those time arcs sweep through very near to the stadium itself, where the bell hung and was rung. The brand imagery for the 1948 Games featured Big Ben, on the bank of the Thames. Clock - Bell - Tower - Time. Those Games were celebrated in the Journey Along the Thames film, with boats leaving wakes on the river of time, riders on horses, and an Island of waving medal wearing athletes.

If you factor in other elements of the countdown ritual, like the London Eye (All-Seeing Eye of Horus / Tolkien's Eye of Sauron), there is only just more support for such a conclusion. The Eye of Sauron was magically connected to the ring Sauron crafted. After a little while after publishing Part 3, another insight came to me about the Lord of the Rings, the One Ring to Rule Them All. The ring conferred invisibility upon its wearer, and, the ring also would disappear. They would exist in a shadow realm.


I describe the Olympic Rings logo as implying a 6th ring. The 6th ring is hidden. The one ring, invisible, existing in the shadow realm. Magick is not imaginary. We shouldn't confuse reality with what is imagined, and neither should we be ignorant about Satan's devices.

A close examination of the countdown portion of the Opening Ceremony exposes evidence of a mass Occult ritual, the details of which reveal it as intending space-time manipulation. On a very important level, a supernatural binding of the Thames-Isis to the Jordan River is exposed. We think the illumined who worship and serve the ancient gods have targeted and acquired the source of the flow of time relative to Zion's Temple Mount, the Ark of the Covenant, the Foundation Stone, or some combination of the three. Activity that includes this ritual has influenced time itself, producing a variety of effects in our present experience of reality. Most significantly, the schedule of key events that have been prophesied in the Bible has been skewed.

We know there's a time reset coming. Why would such a thing be necessary? Because the continuum has begun to be broken and it needs to be fixed. If you know this is so, take stock of what it means. Press in to know how the Lord Y'shua would have you respond. This season is going to be repeated, but what we do and become, in the Lord, still matters plenty.

Tuesday, February 07, 2012

Series Links: The Sodomite Gateway


Most of the world is in a trance-like state, under an antichrist delusion, which is in no small part due to the saturation of our environment with symbolic emblems and artifacts through which magickal spells are cast. The physical evidence of sodomy as pictured in these symbols testifies of a very real gateway to supernaturalism, one that is directly linked to fallen angelic beings, gods of the ancient past, present and future.


Here in this lengthy series of posts are answers to questions you may not have wanted to ask, but should have.


...and as you join Freemasonry, initially they'll tell you that their G, the G in the square and compass, means God. But then as you go up through the levels, they'll tell you, 'Oh, this stands for Gnosis, knowledge.' But then when you get higher up it stands for the Generative principle, which means, buggering little boys. And I'm not saying that on my own authority. I spoke with the highest-ranking Freemason to defect to Christianity, Jim Shaw, and um, he was a 33rd degree Freemason, and I had a number of conversations over the phone with him about Freemasonry. And um, you know, I got it from the horse's mouth.Fritz Springmeier on the Hagmann & Hagmann Report - 10/17/13




See Also:



Resources - The testimony of whistle blowers, bell ringers and such

Thursday, June 07, 2012

Part 23 - The Sodomite Gateway - Crowley's Cosmic Clue

You might think that with the nets closing all around us to cut us off from the freedom we've enjoyed in the past that I might have something better to do than crank out posts about anal sex, but no, not really. The Lord has others assigned to that task and I trust He's quite capable of directing that work. I'm certainly willing to focus elsewhere, but I'm also willing to camp on this until the Lord directs otherwise. His present direction is to abide with it and stay on task, so here's another!

The enchantments that cover this evil activity are being removed in this work. When the Lord sets us free from this severely oppressive delusion and we receive His mercy and grace with repentance for participation, tolerance or merely being so captivated, we may well rejoice in being drawn into His glorious presence with the warm embrace of tender intimacy, entering into praise and worship; and the binding and controlling influences of the demons tasked to those sorceries of Babylon that formerly oppressed and deluded are broken, and the agents of the destroyer must flee.

Without having insight into the incredibly significant role sodomy plays as a ritual gateway and into the nature of that gateway, the degree of attention assigned to this activity by those who seem to control our world makes little sense. This gateway facilitates the interaction between the archon and this kosmos.

8 Again, the devil took Him to a very high mountain and showed Him all the kingdoms of the world (kosmos) and their glory; 9 and he said to Him, “ All these things I will give You, if You fall down and worship me.” 10 Then Jesus said to him, “Go, Satan! For it is written, ‘ You shall worship the Lord your God, and serve Him only.’” 11 Then the devil left Him; and behold, angels came and began to minister to Him.
Matthew 4:8-11

29 Now I have told you before it happens, so that when it happens, you may believe. 30 I will not speak much more with you, for the ruler of the world (archon kosmos) is coming, and he has nothing in Me; 31 but so that the world may know that I love the Father, I do exactly as the Father commanded Me. Get up, let us go from here.
John 14:29-31

36 Jesus answered, “ My kingdom is not of this world(kosmos). If My kingdom were of this world (kosmos), then My servants would be fighting so that I would not be handed over to the Jews; but as it is, My kingdom is not of this realm.” 37 Therefore Pilate said to Him, “So You are a king?” Jesus answered, “ You say correctly that I am a king. For this I have been born, and for this I have come into the world, to testify to the truth. Everyone who is of the truth hears My voice.”
John 18:36-37

It's difficult to grasp how sodomy could possibly be so important as the extent of the symbolism appearing even in the public domain suggests, but it really does have such a profoundly significant role. Have you made the effort to search for other instances of the scatological chocolate metaphor promoting this scheme that was leveraged so effectively by Dunkin Donuts (with their MIB3 promotion of Black Cocoa products) and the Nestlé Quik bunny? Even just that one simple metaphor is exploited to imprint the spells of ritual sodomy and third eye enlightenment on a vast scale, yet it represents a mere fraction of the whole! Magickally binding and controlling while concealed under a heavy cloak, these myriad symbolic elements support the programming that controls those who have already been taken in the ploy and they continually woo new recruits. These spells work to keep us pliant, and generally compliant.

Ritual sodomy exploits the secrets of heaven known by the ancients. It is the means to an end, the means of taking ownership over someone, the conversion of a potential enemy asset into a dedicated slave. The end is what may be accomplished through this slave, as a warrior and a secret agent. What I just wrote has to be understood within the context of the Adversary's larger plan in order to comprehend how this slave, captured, enlightened and empowered through ritual sodomy, compares very closely to what will be the mark of the Beast. There's a very profound link here. This working is at the very center of the Serpent's activity, which will endure to the end of this age and may be seen to extend back through history even so far as to the beginning, to the Garden of Eden, where Eve and then Adam were sodomized.

4 And the serpent said unto the woman, Ye shall not surely die: 5 For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil. 6 And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat. 7 And the eyes of them both were opened, and they knew that they were naked; and they sewed fig leaves together, and made themselves aprons.
Genesis 3:4-7

The eyes of them both were opened. This is the case report of the first Satanic Ritual Abuse. That's right. Their third eye was opened by a Serpent or Kundalini Activation. Think about it. The Evil one and his illuminated minions know this. They bear continual testimony of it, as they must. Something so offensive as this is exceedingly difficult to accept, but it is the truth. I have not received it as by the “left hand path” from lying lips but from the Lord Jesus Christ, who Himself revealed it to me many years ago and has appointed an end to that wickedness in a time not now very far distant.

The essential work of ritual sodomy will persist to the end of Satan's season of appointed authority, and the enlightened and the condition of an empowered slave will be recognized as a close companion to the mark of the Beast.

This popular image of Aliester Crowley in the peculiar hat needs to be interpreted to receive his very useful testimony. Crowley was one of the men responsible for the condition of this world in which we now live. You can read about him in this writing (highly recommended) that is found on the Vigilant Citizen's Secret Arcana site, Aleister (sp) Crowley: His Elite Ties and His Legacy.

What Crowley is modeling is the sodomite gateway, identifying for us the glowing eye in the triangle as a symbol set. The triangle is the “anal triangle,” the portion of the perineal region surrounding the anus. The eye on the forehead is the third eye, the eye of Horus. The glowing eye in the triangle with the rays on his forehead is the symbol of enlightenment and gnosis, the illumination that is their precious mystery, attained through ritual sodomy. See how Crowley has his hands pressed against his cheeks? Cheeks, OK. See him as a butt-head, and I am being literal. His hat with the radiant anus is the anal triangle. His fists are extensions of his face cheeks to better fit the scale of what he's representing. His forearms are legs, the backs of the thighs. Crowley is modeling for us the backside of a man, bent over and presented for sodomizing. The pentacle on the book reveals this as the essential sex magick. The illumination through ritual sodomy is the key.

This is what the Rosicrucians of the official AMORC are carefully “not telling” us about The Key to Universal Wisdom in this screenshot of their homepage.


You do understand daVinci's Vitruvian man as signaling ritual sodomy, right? (Part 8) “Discover how extraordinary you really are” is their enticement. Take a guess how they intend to help with that. Note the side bar ad. Ancient Mysteries: Illuminating the Portal into the New Age That conference begins in Miami this month, on June 20. Hey, if you hurry -- uh, never mind. You do not want what they're getting.

Consider the symbol used by pederasts to identify themselves as Boy Lovers, seen in this document, an unclassified FBI Intelligence Bulletin. Those who are child abusers sometimes identify themselves and express their gender preferences with symbols on rings and pendants and specially stamped coins. The symbol representing a pederast preference for a boy is called the BLogo, pictured in this set of images. This is a blue spiral that is a small triangle (boy) surrounded by a larger triangle (man). The triangle is the anal triangle because the pederasts are sodomizers. If you compare Crowley's illuminated triangle on the triangle hat to the BLogo it should become apparent how the triangle is sometimes identified with sodomy.

Not every triangle you see is signaling sodomy, but if the triangle has a glow, rays or an eye, it signals the sodomite gateway. How often to you see celebrities hand-signaling a triangle eye?

Seen the backside of your dollar bill lately? Uh, yes. Yes it is. That's not all it is, but it is that.

This image I found on a symbolic pics of the month page on the VC's site is revealing. Purple on pink triangle with an eye inside. Model, on her knees looking slutty. On a trunk. What's in her trunk?

More to follow, Lord willing.

Friday, September 05, 2014

A list of Films and TV Shows of Interest


A small number of you may benefit from this. Here's a list of some films and TV shows that Aaron and I put together that stand out for what beans are spilled on aspects of the Adversary's plot. It's focused mostly on those with plot devices that involve time-space travel or or multidimensional elements.

It's not comprehensive, and not all the content represented is fit for all or even any viewers, especially those with SRA DID background.

Films:

9 (animated film 2009)
95ers: Time Runners (2013)
12:01
12 Monkeys
About Time
Adjustment Bureau
Austin Powers: The Spy Who Shagged Me (1999)
Avatar
Back to the Future 1-3
Batman Begins
Batman: The Dark Knight
Batman: The Dark Knight Rises
Blade Runner (1982)
Captain America: The Winter Soldier (2014)
Contact (1997)
Contagion
Deja Vu (2006)
Dr. Who The End of Time
Dune (1984)
Elysium
Enders Game
Frequency
Ghostbusters
Ghostbusters 2
Groundhog Day
Hanna
Happy Accidents
Hugo
I Am Legend
Inspector Gadget 2 (2003)
In Time
Inception
Iron Man 1-3
John Carter
Looper
Masters of the Universe
MIB3 - Men in Black: Back to the Past
Outbreak
Oz the Great and Powerful
Pacific Rim
Pan's Labyrinth
Pi
Plan 9 from Outer Space (1959)
Polar Express
Primer
Puss 'N' Boots (2011)
Radio Free Albemuth
Rango
Resident Evil 1-5
R.I.P.D.
Somewhere in Time
Stardust
Starman
Star Trek IV: The Voyage Home
Star Trek Next Generation: First Contact
The Andromeda Strain (original and 2008 remmake)
The Arrival
The Dark Crystal
The Fifth Element (1997)
The Fountain
The Hunger Games Franchise
The Iron Giant
The Last Mimzie
The Man of Steel
The Matrix Trilogy
The Ninth Gate
The Penitent Man
The Signal
The Sound of My Voice
The Smurfs (movie 2011)
The Speed of Thought
The Stand (Stephen King mini-series 1994)
The Time Travelers Wife
The X-Files: Fight the Future
The X-Files: I Want to Believe
They Live (1988)
Time Changer
Transcendence
Tron
Tron Legacy
V For Vendetta
Wizard of Oz
Winters Tale
Wreck-it Ralph
Xanadu
X-Men Days of Future Past
Youth Without Youth



Television:

Fringe
Threshold
V (remake that aired on ABC network)
Witches of East End
Star Trek (many episodes from each version)
Continuum
S.H.I.E.L.D.
The 4400
The Tomorrow People
Salem
Falling Skies
Invasion
Arrow
The Lost Room

Some X-Files episodes, and Stargate SG episodes and films are worth mention.

Here's some other lists that might be worth exploring, as the Lord leads.

http://en.wikipedia.org/wiki/List_of_films_featuring_time_loops
http://www.aetherco.com/timelinks/

Friday, August 03, 2012

Genesis 9 and the Bloody Conspiracy of the Rainbow Hackers

In the previous post to this blog I presented some insight into the mascots for the London Olympics, the rainbow-themed Wenlock and Mandeville. There are some technical aspects to the rainbow that are of particular interest, some of which I touched on in that post and some in other posts, but, because this is such a big deal, there's more some of us need to know.

There was no rainbow until it was given as a sign of a covenant between the Creator and all flesh, and also with the earth. The record of Genesis 9 is very clear about this. Because of the extent of the rainbow hacking theme I've been exposing, it should be obvious that the Devil is obsessed with it.

We'nlock + Man-devil(le) = we unlock man-devil

That's just one witness to his obsession with the rainbow hack. The reason why is to unlock the man-devil by cracking the time-locked vault, thereby accessing the “valuables” that have been locked away out of reach. This is CERN's job via the LHC effort, but the other side of that coin, of you will, is supernatural, the magickal working. The magick serves as a necessary cover for their evil actions, but beyond that, it's how the work gets done. I'll provide some pretty convincing evidence of this shortly.

To understand why a rainbow jamming mechanism is sought you have to see the rainbow covenant's institution in the context of when it came, post flood of Noah's day.

In the antediluvian (pre-flood) world, there was no rainbow, and look at what happened. Within 1656 years from Adam's expulsion from the Garden of Eden, the race of men purely descended from him had been reduced to a single man, Noah. The Serpent's grand objective, the extinction of the pure race was nearly complete. That genetic crisis was averted with an extreme intervention, which purged all but 8 souls from the face of the earth by a global flood. In something like hitting the reset button, the world was repopulated with the life that had been persisted in the ark.

The earth dwellers of this post-diluvian age inhabited a world with a different physics, one that featured a rainbow. Why? Why was this construct the sign of the covenant that was made with both the flesh inhabiting the earth and the earth itself, a promise that God wouldn't hit the reset button again by flooding the earth with water? What is it about the rainbow? The rainbow is a witness to the changed physics.

Why was the physics changed? I believe it was to prevent a return to what happened before. Hey, it's been about 4357 years since then and it's worked so far, right? The rainbow is a seal, a dimensional construct like a lock. To hack the rainbow is as unlocking it with a key. The lock was put on a vault, a hypercube, if you will, with a rainbow seal. The vault is a containment system. The pre-flood world did not have the containment system and therefore needed no rainbow seal. The post-flood world has a containment system, a containment field or grid, and a rainbow seal. There seems to be very limited traffic on the Bifröst of “Jötnar” from “Jodenheim.”

Think of the vault with the rainbow seal as a prison for Watchers and/or the disembodied spirits of their hybrid offspring. Genesis 6, right? Consider the testimony of Enoch.

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness. 12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished. ~ 1 Enoch 10:11-12

The rainbow or spectral jamming represents a dimensional breech, the opening of a portal, for a jail break and an attempt to access the higher heavens, even Yahweh's abode. One of the special forces needed to storm the gates of Yahweh's abode will consist of post-humans avatared by the ancients, attributable to the success of the rainbow hack. (Revelation 9:1-2, 19:19) Mercenaries are even now being recruited through agents like Wenlock and Mandeville!

Many of you reading this will want to dismiss what I've proposed here, but I challenge you to give the record of Genesis 9 a serious consideration. What I'm going to share now will seem pretty esoteric to some, but the institution of the rainbow is actually connected to cannibalism, which touches on the supernaturalism involved. I'm not going to go into a big explanation about this. Those of you who want it bad enough will go after it and get it. I'm going to present something that will be too technical for some, but will follow that with some validation taken from recent movies, intel from the Devil's deployed armament.

The Devil didn't invent the way of concealing and revealing, he just copies what Yahweh does, after a fashion. Click on the image of the passage to load and experience the interactive version. I learned software programming so I could make tools like this one, which is useful to illustrate what the Lord shows me about the symmetry of the holy scriptures. It's presented here so you can see it and meditate upon the symmetry as the Lord may lead. When I analyse a passage for its inherent thematic structure, the exercise is useful to me personally because it prompts important questions, posing riddles of sorts and suggesting their solutions. The investment of effort required is always time with the Lord well spent!



The inherent structure of the biblical text conceals and reveals an esoteric connection between the institution of the rainbow and the eating of flesh and drinking of blood. I've done enough study of other esoteric passages to grasp the link to the ancients and the behavior that was responsible for the judgment manifested in the flood. The Canaanites were cannibals. They didn't invent that. It resulted from the curse pronounced at the time Adam and Eve were expelled from the Garden of Eden, as I present in the shocking exposé titled Who is Cain's Father. This link between the institution of the rainbow and the perverse ritualistic practice reveals how the nature of the matter is a pairing of science and magick.

The reason why not drink the blood is something Satanic ritual blood drinkers understand, who testify of an energy vampirism rush, the transfer of demonic spirit and enhancement of their longevity and powers.

In a line from the movie Thor (2011), Thor describes the 9-branched structural relationship of the realms, saying, “Your ancestors called it magic, but you call it science. I come from a land where they are one and the same.

The rainbow jamming that intends to spring the lock on the sealed vault requires science-magick, and Thor would know. Hopefully, you've figured out by now how those who script the plots and dialog don't really make this stuff up out of their own intellect.

[update] What I noted about a scene in Rango is very relevant. Part 43 - Rango - Crystal Cubes and Rainbows

See also here, Trolls, False Prophets, Evil Emperors and Antichrists and Such, and here,
Decoding the Olympic Logo - sochi2014.ru. In them, I reference the movie Trollhunter, with its jötnar, trolls or frost giants, which are the reason why the Bifröst is guarded by the god Heimdallr. In the movie, the weapon used against them was light, UV rays. They had been contained by a circular electrical grid, which was breached when the grid went down. This is not all just random fiction.

For another example, in MIB3, which I recently featured in the Sodomite Gateway Series, the earth was threatened with destruction. The only defense was a security net called ArcNet. A device was launched into the atmosphere above the earth to create this protective barrier, which shielded them from a particular hostile alien race. Now, think about it. A rainbow is an arc, a segment of a circle. The ArcNet shielded earth from a hostile alien race. The rainbow arc shields us from a hostile alien race. Think about it.

The Devil is not stupid. He know's what he wants and he knows how to get it. He wants that alien race, his own fallen star-angel serpent kind, to invade the earth, and he's got to take out the rainbow arc containment grid that shields it. He's going to do it by leveraging the secrets of heaven, using science-magick.

The God particle, that's a partial solution. The ritual sacrifice with flesh eating and blood drinking is a partial solution. The rainbow hack is going to be done and some success will be granted in the Dragon's scheme, and I know because I've read the account that was written and passed on from The One who is not constrained by time-space. The secrets of heaven taught by the fallen Watchers included magickal ritual, the exploitation of the blood and soul of man through forbidden acts including cannibalism, murder and sodomy. Every facet of what we consider science will also be exploited in this rainbow hack, including and especially genetics.

When you see the h+ symbol being used, think h-, because you're not going to improve on this model. The Creator has got an upgrade in mind but it's appointed for those who earn it, not for cheaters.

Y'shua has set and maintains the limit on all the cheaters and hackers. Do you know Him well? My God is good!

Tuesday, June 18, 2013

Part 5 - Code 33 - Mellon Collie Mind-Control Stargate

Picking up where I left off, I'm going to explore more of the Code 33 imagery of “Thirty-Three” by The Smashing Pumpkins.

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

Again, here's the official video for The Smashing Pumpkins - Thirty-Three.



As I already wrote, the line, “Graceful swans of never topple to the earth,” makes reference to the sons of god who fell, fallen angels. A singular swan would refer to Lucifer, and, I believe, primarily to his agent Apollo.

How you have fallen from heaven, O star of the morning [Lucifer, shining one], son of the dawn! You have been cut down to the earth, you who have weakened the nations! ~ Isaiah 14:12

1 And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit.
11 And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
~ Revelation 9:1, 11

The star that was seen to fall in verse 1 is identified in verse 11 as the king and angel of the bottomless pit, who is by name, Abaddon or Apollyon. The Bible uses a metaphor for an angel, “star,” and it will be seen that The Smashing Pumpkins frontman Billy Corgan does too. The identity of the singular star always points to Apollo aka Horus.

The following images are associated with the song packaging, the music video and the album on which it was released, “Mellon Collie and the Infinite Sadness.” It pivots on Occult themes of the sodomite gateway and mind-control.


The album cover features a woman who is perhaps emerging from a star, riding in it as a vehicle or, what is most probably the better interpretation, is the star herself, a celestial being. The exact way the star and woman appear associates the star with her bottom because we see only her top, and it meets her body at her bottom. As a very familiar symbol, the star bottom is a symbolic anus and celestial portal in ritual sodomy. The star is tipped head down as though falling, signaling fallen angel sodomy, and the golden color is perfectly suited to that meaning. (The popular franchise Dunkin' Donuts leveraged their golden star pastry in a similar way in a promotion of MIB3, like the band Limp Bizkit did with their use of the “chocolate starfish” metaphor. See Part 19 - The Sodomite Gateway - Dirty Pastry Tales - Undercover Black Cocoa Donut and Limp Bizkit.) With the gold star set against the signal purple color of the background of the starry heavens, the celestial sodomy theme could hardly be more obvious. With an awareness of the sex magick imagery, the placement of the woman's hands suggests why she wears the enraptured expression on her face.

The image of Alice and the white rabbit is a screenshot from the “Thirty-Three” video. This particular scene exemplifies Code 33. The Lewis Carroll series about Alice's adventures in Wonderland is a mind-control classic. And, where the scene used in the video appears in the story line links it to ritual sodomy. Alice spots the white rabbit with the watch, then follows him down the rabbit hole under the hedge. Going down the rabbit hole and falling down the well shaft is how she gets to Wonderland. The rabbit hole is the symbolic rectum, and going there and falling down the well into Wonderland presents the imagery of the slave being sodomized and dissociating during the programming ritual. The video is pretty clever in showing how the slaves perception of time is messed up, with the white rabbit's watch being a signal device. Watch the video and see how the bicycles go zooming past the man, then Alice and the white rabbit are acting out in slowed and paused modes, and even gravity appears to be distorted in the time-space bending.


More sodomy mind-control signs appear at lower right, where the woman with darkened eyes (like Avril Lavigne) has a ring of hair forming a third eye to show us she is illuminated. The band's sigil/logo appears as a heart above the song title. The heart-as-butt symbol and the number spelled out that is the graphic for sodomy conceals and reveals how she got her third eye opened.

The scene with the moon appears with the upc bar code because its on the back side of the packaging. Moon. Backside. Connect the dots.

The dirty orange CD packaging with the No. 33 in a circle opposes the disk that is the picture of a “black starfish” anus, with a hole in the middle. That is also the pentagram, of course, or altar pentacle used for ritual magick. It's not just kinky sex that's being concealed and revealed here.

Now, what's up with that bizarre album title?

10 MellonColl
10 ieandtheIn
10 finiteSadn
3 ess
___________
33 letters

What a remarkable coincidence! Well, no, it's obviously part of the design and yet one more redundant Code 33 Occult layer for the working of the ritual magick.

Mellon Collie. This is obviously referencing melancholy, and I'll follow through down that trail shortly. Notice how the two most prominent letters in the artful title are M and C. This combination provides another 33 because the letter M is a rotated 3 and C has the value of 3. Because M has the value of 13, MC also transforms to 13 cubed, signaling the standard Illuminati programming grid structure of 13x13x13 principle A-coded alters. That condition certainly creates melancholy and infinite sadness. Code 33.

Illuminati? Have you ever studied up on who the families are whose bloodlines are considered by some to be the 13 lines of the serpent tree? Names like Rothschild and Rockefeller are widely recognized, but Carnegie and Mellon are two that have a lot less visibility. Those of us in live in the Pittsburgh area see these names practically everywhere we go. If a band was to put Rothschild in their title, that would draw some attention (like Jay-Z with his Rock-a-fella label), but naming the Illuminati Mellon bloodline seems to fly under the radar for most folks. (Some interesting leads here.)


Is Billy Corgan hinting at his identity with this title? The first band he formed was called, The Marked. Like Cain in Genesis 4:15? With the naming of Mellon, identification with Illuminati mind-control and global domination schemes through the serpent seed bloodline can hardly be avoided.

In keeping with the celestial imagery, the titular Collie has to be identified with the Dog Star Sirius, the esoteric light behind the sun that is so central to Freemasons and other Pagan worshipers of the celestial beings who align their terrestrial works with this star in mind. This is often associated with the Egyptian Isis and Osiris, who produced Horus. Given all I've observed in studying this out, I suspect the album cover's star-woman represents the dog star. Naming the Collie must also import the other dog meanings I've listed in a few recent posts.

Since Mellon is like melon and the band's pumpkin name plays as pumpkin head, “melon head” is kind of lurking subliminally on the album cover. A web search for “melon head” will turn up some certifiable weirdness. “Melon Heads is the name given to legendary beings found in Germany, England, and the long-running urban legends in parts of Michigan, Ohio, and Connecticut. They are described as small humanoids with bulbous heads who occasionally emerge from their hiding places to attack people. Different variations of the legend attribute different origins.” (Melon heads - The Free Dictionary - Encyclopedia)

I have observed how the word “infinite” appears in lots of Occult signaling vehicles. It's a powerful word like forever and I believe that is leveraged in programming scripts. The word is a 666 carrier because of the spelling. Three letters “i” transform to 666 because the value of “i” is 9 and the reflection of that is 6. Also, another transformation produces Code 33! The infinity symbol resembles the number 8, and an 8 is basically a pair of mirrored 3s, merged into one. The infinity symbol is an equivalent to a ring and circle, which is often stylized as the Ouroboros, the serpent eating its tail.

More to follow, Lord willing, as I intend to track Code 33 signaling in the lyrics down some very interesting paths. The poetic instruments of the song derive from some old and some very ancient literary classics, the Bible among them.