Decoding Viva la Vida, Coldplay's song & “Liberty Leading Her People” (pt 1)

In this post I'm going to decode the main music video of the title song of Coldplay's 4th studio album. “Viva la Vida” has become the band's most successful song. When the symbolism of the song is understood the set may be seen better for what it was, an Occult ritual exaltation of Venus, the Marian goddess. You should know that what I'm going to show you isn't unique, but this is an example that it notable for its popularity and for the role it played during the London Paralympics. Vida la Vida was performed in a set with Strawberry Swing during the closing ceremony, and this post is supplemental to the ongoing series. The parts 44 and 45 of that series I recently posted to this blog are recommended reading.

Here's the primary official music video. I'll present the alternate supplemental version later.

Coldplay - Viva La Vida



The visual imagery of the video begins with a large red rose. Several more images of the rose appear occasionally throughout the video, which ends with the metaphor of the band as roses, losing petals in the wind. It begins and ends with the rose, and everything inside is related to it. The entire video is presented with a veneer of the characteristic cracks and tint of old paintings. Together with the background imagery and the band's attire it suggests the scene is taking place inside the painting featured on their album cover, “Liberty Leading the People," by Eugène Delacroix. The connection between the rose and the painting has to do with the symbolic woman who waves the flag, Liberty. She is also known in France by the name, Marianne. “Marianne” is a portmanteau of Maria, or Mary, and Inanna. She is the ancient rose goddess who is becoming most widely venerated today as the Virgin Mary. The band is identified with the revolutionaries who are led by the rose goddess, and with the rose goddess herself as the petals drift off in the final scene.

Plenty more goddess imagery appears. The string instruments have bodies that suggest the hourglass figure of the female. The electric guitar female body displays a red letter V, for Virgin, for Venus-Aphrodite, and for Victory, as Victoria-Nike. Chris Martin wears a red V on his shirt to mark him as hers. The cello and violin are played with a bow, which suggests the bow and arrow goddess Artemis-Diana. At 44 seconds in, an Isis numbering marker, he looks up to the heavens and hand-signals a subtle V to his mouth. A couple seconds later he gestures another V with two fingers. Churchill's V for Victory - Victoria. Some would call it a peace sign, given what he's singing at the moment, and it is - a sign of the Queen of Peace. That same gesture was making the triangle eye - the Horus Eye. That's the sodomite gateway to illumination and, in the context, probably linked to what's called the Peace of Mary and Illuminati mind-control programming. He flashes another V at 1 minute in and then strikes his first “bent elbow” W goddess pose of the video at 1:05. That's the signature posture of Inanna-Ishtar. A brief second later, at 1:06, he gestures some owl ears to confirm the reference to Ishtar. The rings of string bracelets and the banding on their arms makes further reference to Ishtar. When Chris is awkwardly throwing his arms out behind him he's modeling a delta wing, making a V and bee wings, as a servant and soldier bee of the Queen's hive. Images of the rose pass through the background. More goddess dancing bee W-goddess moves follow, with a hands crossed over the chest at 2:04 to add another goddess gesture. At 2:50 we see the sky opening for a Marian apparition, with Chris doing a little hand magick in our faces. At 3:33 we see him worshipfully raise his hands against the mystical backdrop of the appearing goddess.

A hobbyist Masonic archivist stated it very simply in SYMBOLISM OF THE BEE.
“In Christian allegory a queen bee sometimes represents the Virgin Mary, the hive symbolizing the Church.”

If you're interested in researching the bee goddess here are two very useful resources.

• Beedazzled + Beewildered + Beegotten by Andrew Gough
• The Venus Blueprint by Richard Merrick. This excellent book decodes the symbolism of the Rosslyn Chapel, demonstrating how two major themes involve the bee and hive and the Venus Rose.

Even the drum and bell instruments support the goddess theme. The cymbal and drums of the goddess Rhea were said to attract and dispel swarms of bees. Bell or Belle is used in many names to reference the goddess. It means, beautiful (like the name Frida), and makes reference to Venus-Aphrodite. Examples abound; Annabelle, Marybelle, Isabelle, Bella (Twilight franchise), Maybelle and Maybelline, Lisabelle, Tinkerbell... The bell and drum are also used for witchcraft. The bell is used magically for evoking demon gods and goddesses and even as a supernatural weapon. Drumming raises energy for the ritual.

If you examine what the goddess Liberty carries in the featured painting you'll notice how a rose is concealed within the red of the flag. I don't doubt that Chris Martin is aware of that fact, and what it means on more than one level. What do you think inspired the video opening scene's morphing-fluttering red rose, or is it just there for no reason? Liberty is the rose goddess they worship and serve, aka Mary. Hiding the rose makes it occult, by definition.

The hidden rose emphasizes the secrecy represented by the expression, sub-rosa, under the rose. Under the secret rose of the flag you can find another hidden symbol in her fluttering garment. The ends cross, forming an X. It's the mark of the sun god Horus, but let's connect the dots. The esoteric scene presents us with the rose cross ~ rosy-cross ~ Rosicrucian. Too subtle? The artist painted himself into the scene. He is the resolute looking fellow wearing the stove-pipe hat and holding a musket. The meaning of the name, Delacroix, is, “of the cross.” He placed himself in the scene sub-rosa, under the rose, secretly. Where does “of the cross” appear in relation to the hidden rose and the other hidden cross? That's not very subtle. Was the artist telling us that his companions in the illuminated brotherhood of the thorn bush kind were secretly behind the revolution, as inspired and led by the goddess? That's how the symbols read. Delacroix was a member of the National Guard, and it seems likely that the Rosicrucians, with the Marian Jesuits, were manipulating the conflict from every angle - as led by the goddess Mary, “their rebellion.”

Here's an excerpt from: The False Prophet Azazel by John of the Gentiles.

Appendix A - The Rose Cross of Azazel
“According to an esoteric reading of the Tarot, a Red Rose represents Venus (Azazel‘s human wife), while a Red Cross represents the angel Azazel. The combined Rose-Cross in one respect represents the sexual union of Azazel and his human wife. The word 'Rosicrucian,' is German for 'Rose Cross,' a term synonymous with Red Cross. In addition to this, the word 'rose' is an anagram for Eros, the name of the Greek god of Love, who was the first born son of the angel Azazel and of his human wife. The 18th Degree in Freemasonry is commonly known as the Rose-Croix (Rose Cross), a fact showing the relation to and establishing a link between these two seemingly diverse organizations.”

Elsewhere, the author identifies Azazel with Horus, I believe rightly.

The musket Marianne carries in her other hand is fitted with a bayonette. She is Athena-Minerva, goddess of war. The secret form presented is that of a lightning bolt, that weapon of Zeus that is also associated with the goddess. A related example of Liberty holding lightning is the Statue of Liberty, who holds a torch whose flame is the imprisoned lightning, according to the poem associated with her.

“A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.”

In that first verse of the poem she is the mother of exiles, and I believe this makes reference to the exiled Nephilim, who are being welcomed. The poem was written by Emma Lazarus. I find it interesting that the name Lazarus is associated with resurrection, which is very much the Queen Bee goddess thing. It's also associated with Spiritualism and punishment in the Bible. Relevant. I believe Emma is a goddess name. It certainly is today! The Goddess Emma? Jennifer Lawrence and Emma Watson merged to create 'internet goddess'.

The Statue of Liberty is an idol of the goddess honored by Delacroix and Chris Martin. It's linked to France in that exact period of time of the featured painting, and with Freemasonry as the French brotherhood's gift to their brothers in America. She is the goddess of their common revolution. She bears a torch and a tabula ansata, a tablet evoking the law. What law is this? Upon that tabula ansata is inscribed the date of the Declaration of Independence, July 4, 1776. A broken chain lies at her feet. Her law is rebellion. She is the Spirit of 76, and 7+6=13, rebellion. She is Mary, their rebellion.

What is meant by Liberty is a freedom from tyrannical rule, but in the context of those who follow the goddess and operate in the way of the occult, Liberty really represents a rebellion against the authority of the one true sovereign God. Their exalted revolution is intended to secure freedom from what is seen as the ultimate tyrant by seizing His throne. Being in charge, they hope to live forever and escape judgment and the due consequences of their wicked deeds.

The goddess sponsors this revolution as she makes way for the entrance of the Antichrist beast. This is what Coldplay is promotion with their revolutionary theme and symbols of the rose and bee.

Marxist art historian Giulio Carlo Argan defined “Liberty Leading the People” as the first political work of modern painting. Maybe, but beyond the politics of revolution it's a significant occult religious painting, and Coldplay is not the first to leverage it. For Americans, Howard Chandler Christie's poster, History of America, is clearly derivative, illustrating my country's national goddess composite of Nike-Athena who was usually called Columbia or Freedom. Patriots are following the goddess spirit of rebellion, or Mary, if you will.

So-called Christian patriotism is rampant in America, even amongst most of what I call the bike lane collective. Steve Quayle and Pastor Lankford and the Hagmanns have been blasting those who believe what was written to us in Romans 13 about civil obedience. They encourage picking up the sword, as Jim Wilhelmsen and Russ Dizdar. Those who live by the sword will die by the sword. Is my God not able to bring down even the walls of Jericho with the sound of voices and trumpets if he wills, or destroy the entire army of Egypt without a single sword being raised? Have they never read Matthew 26:52 in context? It's not a question of whether one is afraid of dying by the sword. It's a matter of trusting in the Lord, not presenting a show of bravado. It's about finding your life that is of the greater value!

For whoever wishes to save his life will lose it; but whoever loses his life for My sake will find it. ~ Matthew 16:25

Where else have we seen the red V symbol featured in the video? Have you ever seen the film, V for Vendetta? The bloody red V is set inside a circle. The circle itself is a goddess symbol. Their version conceals the head of an owl, the mark of Occult goddess worship. Alan Moore is responsible for the comic book and film. He has openly admitted to being a wizard and communicating with extradimensional beings. The main character of V for Vendetta stages revolutionary actions against the government. He's known as V, and we are led to see this as the Roman numeral of a room where he was kept. The number 5 is linked to Venus because of the points of the rose it traces out in the heavens. He leaves red roses with the victims he assassinates. Do you see the connections here? He wears a Guy Fawkes mask and follows in that revolutionary's footsteps. Guy failed in the famous Gunpowder Plot of 1605. “Remember, remember, the 5th of November...” the poetic tribute goes. Guy was a Catholic, leading Catholics in a revolt against King James I in attempt to install a Catholic Queen on the throne. It was a revolt led by the worshipers of Mary. You're connecting the dots with Viva la Vida, right?

Where else have we seen the red V symbol? In the TV series, “V” (for Visitors), the reptilian sky Queen was named Anna. Namesake: Inanna. She had a daughter named Lisa and her mother was named Diana. Three goddess names, three generations, modeling the Maiden, Mother, Crone. (Another example of triple goddess naming is in The Matrix, with the character named Trinity.) I'm not suggesting these are simply bad names but informing you how they are used in signal contexts. The blood red V is for 5-Venus and Victory, and ultimately through the Isis-Horus & Mary-Jesus (her counterfeit) in the bringing of their hopeful triumphant result of Victory over death. The Visitors were duping the world with false promises of healing, which has always been linked to the goddess apparitions. Another promised involved a gift of Blue Energy that would solve many problems, which I believe is linked to the blue-skinned goddess Shiva-Kali. I believe there is a connection between the V - for visitors and the Latin name Viator, meaning, “voyager, traveler,” which is the masculine form of, Beatrice, (Princess BEE - Great Britain) and, Beatrix, (Queen BEE - Netherlands).

The revolution, bee and rose themes are repeated in the song's official alternate video. After decoding that one I'll attend to the lyrics.

Release of the Apostolic Anointing in 1988, Henry Gruver, Translation and “Because of the Elect”

Three years ago today, I met Aaron Hermann for the first time. We enjoyed a very memorable week together, which was marked by a succession of revelation insights over the course of the visit. We refer back to the milestones of that epic season regularly as the Lord continues to build off some of it. One or perhaps some of the revelations had to do with special ops, time truncation, containment grids and portal controls. Details were pretty sketchy but we have maintained a confidence that the Lord has all these matters covered and will engage his servants as He wills in His perfect time. I believe He has made various arrangements for bringing these things to pass. One of the things the Lord dropped on Aaron while we were the discussing time pivot construction in Matthew 24:22 involved the hidden meaning of “for the sake of the elect.”

Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:22

The meaning is inverted from how it's typically understood. The elect are not the beneficiaries but rather the benefactors, who will engage, or more precisely, be engaged in the “ekeinos hemera koloboo.” The resulting benefit will be that the consequence of “not - would have been saved any flesh” will be averted. Simply put, because of the elect, flesh would be saved. It has come to seem very likely to me that the Lord will ultimately accomplish this, in part, according to how He engaged brother Henry Gruver with a strike team in 1988.

Years ago I came across some reference to Henry Gruver's being taken to Rome where he bound giant angels. I never heard his testimony or any more detail until very recently when I listened to a Hagmann & Hagmann Report mp3. I was traveling on Friday 6/13 and what he shared struck me in a profound way.

The show had been recorded on June 6. Download or listen at Henry Gruver and Steve Quayle on the Hagmann & Hagmann Report. During the three hour long show Henry shares several testimonies, and you'll hear the one of particular interest spanning 2:27:30 through 2:39:35.

(You can also find that part that I clipped and uploaded as an mp3 here: Henry Gruver translated to Rome in 1988)

Henry shares about being woken up by the Lord one night while he was living in Portland, OR. He was told to get on his knees beside his bed. When he did, he immediately found himself in Rome with 6 other men he had worked with, the spiritual strike force team, as they call it. Henry led the way down through a set of iron service doors under the streets of Rome, Italy. They wound their way down a worn and leftward spiraling staircase until it opened into a level place. The other six men were supporting the mission with prayer. Henry describes what was happening in these words, “and I feel, literally feel, like I've got a funnel in my head and their prayers are pouring in spiritual power. I have to say, I have never experienced the sensation of so much spiritual power flowing into me in all my life as I did in that experience.” Considering all that Henry's been through, that's quite a statement.

Passing through an arched doorway into a catacomb, they encountered two giant angels, and there was a confrontation. “You shouldn't be here,” Henry was told by one of the angels. What happens next reveals the mission's objective. Henry points and speaks, first to one angel then the other. Here's the transcript as he tells it: “We are here by the divine commandment of the Lord Jesus Christ, and the estate that you have bound of the apostolic anointing since the days of the Apostle Paul - that you have bound here since the days of the Apostle Paul - are now loosed to the Body of Christ worldwide for the preparation of the church becoming glorious.” After that, he deals with binding the angels. He then finds himself back on his knees in his pajamas by his bed. Henry recounts how it was confirmed to him later that day that he had indeed been translated, with the other men involved bearing witness to being there with him in Rome and seeing and hearing what was done.

You can think what you want about the veracity of his testimony, but I believe it. I've been translated before, in 1999 in a similar kind of shared experience. I found myself going to a place I call the timeless place, in glory near to the throne of the most high God. It was for an apostolic mission that provided a simple benefit for the only other person involved, because the Lord wanted to reveal Himself to her as the God of Time. When Henry says he was translated for that key mission, I believe him. It seems likely to me that the way the elect will be engaged for one or more key special ops in the near future will be similar to how it was with Henry and the strike force team.

What was really personal about Henry's testimony is that it explained what happened to me in 1988. I've shared on the blog over the years about going through a health crisis in the midst of being isolated from institutionalized religion and being subsequently brought very personally as a student to His feet. It was quite a struggle. I found myself brought to “the end of myself” once more, not very unlike the circumstances leading to my “being saved” as the Lord drew me to Himself in 1980. I was confronted with the reality that my “faith theology” had utterly failed and was forced to accept that, when it came right down to it, the very best I could do still led me to being deceived. I was horrified and humbled, again. There's a trend. What I was left with was the Lord, and His solution. That was apparently the apostolic anointing. My situation turned.

It became apparent over time that I had an apostolic anointing but I could offer no explanation for it. I was never ordained by elders or formally prophesied over or ceremonially anointed. No angel showed up with a news flash, and neither did the Lord manifest Himself to me in a concrete way like some say happened to them. When I heard Henry repeat the words that had been heard coming out of his mouth, the commanding of the release of the apostolic anointing, and I heard his claim that it happened in 1988, I knew that's what had happened to me. I have no idea how many others were direct beneficiaries but Henry said it was worldwide. The anointing doesn't make me faultless and it's not a badge or a scepter but it is a provision for service. The ministry of The Open Scroll is “for the preparation of the church becoming glorious.”

10 He who descended is Himself also He who ascended far above all the heavens, so that He might fill all things.) 11 And He gave some as apostles, and some as prophets, and some as evangelists, and some as pastors and teachers, 12 for the equipping of the saints for the work of service, to the building up of the body of Christ; 13 until we all attain to the unity of the faith, and of the knowledge of the Son of God, to a mature man, to the measure of the stature which belongs to the fullness of Christ. 14 As a result, we are no longer to be children, tossed here and there by waves and carried about by every wind of doctrine, by the trickery of men, by craftiness in deceitful scheming; 15 but speaking the truth in love, we are to grow up in all aspects into Him who is the head, even Christ, 16 from whom the whole body, being fitted and held together by what every joint supplies, according to the proper working of each individual part, causes the growth of the body for the building up of itself in love. ~ Ephesians 4:10-16

Aaron tells me that in what he's been listening to, Derek Gilbert is connecting all professing apostles with the dominion movement. Nonsense. There's noisy chatter coming from the “bike lane collective” about defending your life and your family's life when the focus should really be on seeing the value of a willing sacrifice and becoming worthy of the Lord, who poured out His life for His friends as an example for us. Tom Horn is promoting Blood on the Altar, and yes, the church will persecute the church, and members of our own families will betray us, but the more worldly always persecute the more godly. That will amp up, to be sure, but the point is this, because it's all a love test. Do you love God? He is discovering it. Are you subject to him, obedient in life and trusting Him for His help to make you obedient even unto death? Do you trust Him - and have you earned His trust? Has He brought you into His confidence about times and seasons? Are you growing up in all aspects into Him who is the head, even Christ? Are you, as an individual part of the body, working properly, according to which the head, even Christ, causes the growth of the body for the building up of itself in love?

Please pray for me and for the fellow saints who aspire to be perfected in love to attend to fulfilling what is the Lord's good pleasure without distraction.

Some words about our time

We in America as around the world are witnesses to judgment being poured out, and the severity is escalating. I don't write about it every day because I have little to add to what I've already declared over the past several years. If you read the blog and pay close attention you'll see what you may have overlooked because you weren't ready to accept it - about judgment and sin.

On forums and blogs and videos there's a lot of chatter about what's coming, and it doesn't take much imagination to see that the social order around the globe is crashing. The flooding of the southern border of the US should be an obvious indicator that there's no intent to fix this country but rather the intent is to break it. The Gaza and other conflicts will expand. The US and Iran will engage, and first Iran then the US will fall. Daniel 8. In April, 2015, things will come to a head. The lawless one of 2 Thessalonians 2 will be revealed. If you're shaky on that, you've probably been paying too much attention to the wrong things. You have no idea how precious that knowledge is, which the Lord guards closely.

What about IMF Chief Christine Lagarde's speech touching on the magic number 7? (Gods final warning :Are the gates of hell about to be open July 18-27) What about SIRI was programmed to report about July 27, 2014 - is it true that the gates of Hades will open? Maybe to some degree, but the indicators I see clearly connect that with the opening of the Silver Gate, when Horus/Azazel comes through as the anointing of the Antichrist. The LHC is scheduled to be running at that time at double the power of the previous run, which has a definite bearing.

All the energy harvested in the mass rituals of magick entertainments, blood sacrifices in private, open crimes on individuals and groups, viral pandemic ops and military ops will fill the cup with blood. The goddess of the Marian apparitions is rising to a preeminent position and drawing all men and women to herself. All alike, barring the Bride and 144k sons of Israel will be drawn into her deceptive spells, as unlikely as that may seem to you.

If you've waited until now, when so many things loom as critical threats, to get accounts settled with people in the sight of God, according to the direction of the Lord Jesus Christ, I suggest you get to it straight away. Forgive what must be forgiven. Give what must be given. And perhaps, hold accountable who must be held accountable, in the way they must be with love. Do what is right in His sight and repent of making excuses.

Marvel Comics turns Thor into a Goddess

Another example of the rise of the goddess. I note that her helmet design gives a nod to Athena.

Marvel Comics makes Thor a thunder goddess

“Marvel Comics announced Tuesday that the hammer-wielding Norse superhero will be a woman in upcoming comic book issues. Marvel was thin on details explaining the switch, but said in a press release that "no longer is the classic male hero able to hold the mighty hammer."”

“The Marvel universe has historically been male-dominated, but that may be changing. Marvel Studios is developing a stand-alone film for Black Widow, the character played by Scarlett Johansson.”

“Series writer Jason Aaron said in a statement that 'This is not She-Thor. This is not Lady Thor. ... This is THE Thor.'”

The buzz:

• Marvel's Thor Will Now Be a Woman - A new design for the God of Thunder was unveiled on ABC's "The View."
• Female Thor? Marvel Comics' thunder god is now a goddess
• Yes, Thor's Going to Be a Woman. And That's Okay.
• 5 things to know about Marvel Comics’ new female Thor, Goddess of Thunder

Genetic advance: Can now spread traits throughout a population

Scientists have figured out how to use a cell's DNA repair mechanisms to spread traits throughout a population.

tick tock tick tock...

Part 45 - 2012 London Paralympics - “Our Lady of Coldplay” - and Frida Kahlo

Series Links: 2012 London Olympics

In part 44, Rihanna's performance of, We Found Love, was seen to be a clever tribute to Our Lady of Fátima. Within that same segment of the Paralympics closing ceremonies, Coldplay played two songs that bracketed hers. They played Strawberry Swing with the orchestra as a segue. After Rihanna's sun chariot returned to earth, they closed the Summer segment with Viva la Vida. This framed her tribute to Our Lady of Fátima with their own devotionals to the goddess, in her identities as Venus and Our Lady of the Miraculous Medal and Our Lady of Guadalupe, most particularly.

In seeing how this was done we discover further evidence of what is going to unfold when the lawless one is about to be unveiled to the world, which I've been blogging about since the opening ceremonies in Sochi when the Lord began to open it to me. Through association with music videos, their Marian frame (or should I say, Marianne) imports a substantial layer of Illuminati or Monarch trauma-based mind-control programming, which is typical of such Occult works. The programming and antichrist themes are woven and bound together, as I've demonstrated at length on this blog. The music videos of Coldplay's framing songs reveal them as anthems for the Black Awakening, with Mary-Athena-Minerva sponsoring revolution. The theme of revolution will become very evident in this post, which is ultimately the rebellion against the one true God's authority.

(Coldplay fans who drop in and read here and are familiar with another song on the album, Violet Hill, you might want to argue that they are actually anti-war or pacifists. If you learn about symbolism and think about them being doves not hawks, well, there's something to think about that's not contradictory.)

You can watch video of their performances of these songs during the Paralympics ceremony on YouTube.

• Coldplay - Strawberry Swing [Live at Paralympics]
• Coldplay - Viva La Vida [Live at Paralympics]

For some context, I note how Strawberry Swing was a fitting segue for Rihanna's performance on the swing because it offered what must have been a comforting thread of continuity for the audience. That's a pretty thin thread, of course. To know what's really going on you have to look further. In those broadcast versions of both songs there didn't seem to be an abundance of overt goddess symbols. When you see the fire dancing done and magickal drumming for the ritual building of energy, those elements are evidence of the religious context within which Coldplay and Rihanna are performing. The segment is called Summer, and the 4 seasons celebrate the pagan calendar. In the videos you'll see dancing on the stage that bears the markings that look like sigils denoting the Pagan calendar's quarter and cross-quarter holidays. That can be seen as a version of the 8 rayed star of the goddess. The Agitos presented the subtle swoosh of Nike and the crescent moons of the moon goddess, of the night. The Paralympics ceremony had Druidic elements, which you can see from this video found on the YouTube channel for Greywolf, chief of the British Druidic Order. Look for the fire dancer toward the end of it who appeared during Coldplay's performance. Paralympics 2012 Druid Ritual. (See also BDO Druidry Goes Global in the Paralympics Closing Ceremony - The British Druid Order)

The really obvious goddess connection is made through Coldplay's Grammy Award winning album and the music videos that are associated with those songs. The image of the goddess appears on the cover. The album is their 4th studio album, the “Isis numbering.” The goddess of the cover art is also seen in the official music videos for these songs. I intend to explain the symbolism of the videos in another post.

Coldplay - Viva La Vida



Coldplay - Strawberry Swing.

Marianne

The goddess of Viva la Vida is that of the painting titled, Liberty Leading the People. The following is from Wikipedia.

“Liberty Leading the People is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled King Charles X of France. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the flag of the French Revolution – the tricolor flag which is still France's flag today – in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.”

If you connect her with America's Lady Liberty (gifted by French Masons) and the Liberty Bell, you do well. Did you notice a bell featured during the videos? Ringing out Liberty, the Marian entity. You may think that we in America, have something completely different from Liberty-Marianne going on. Well, no, but we typically refer to her as Columbia, as you see in this war promotion poster that is of a kind that seems to have fallen out of fashion. Or Freedom, who stands atop the Capitol Dome as her counterpart Minerva on the Capitoline Hill in Rome.

The name, Marianne, is thought by some to have come from a connection with the Jesuit Juan de Mariana, the 16th century Monarchomach who was famously a theoretician of tyrannicide, and that may be so. Still, consider how the name is a combination of Maria and Anne, identifying her with the goddesses Mary and Inanna. The compositing of the goddess names is probably how the Mary worshiping Jesuit also acquired his name.

When Coldplay identifies with the goddess of that painting they are associating with a place and time, Paris in the year 1830. That's where and when “Our Lady of the Miraculous Medal” appeared three times to Catherine Labouré. (Probably the inspiration for Baron de Coubertin choosing to award medals to the Olympian athletes - “Our Lady of the Olympics”) Through the symbolic imagery of the adopted work of art, Coldplay honors the Marian apparition, “Our Lady of the Miraculous Medal.” At the same time, she is honored in her role as the goddess of war, and patroness of revolution.

If you consider the logic of Coldplay's Occult linking, historically, it falls apart because that revolution was due in no small part to the Romish church pandering King Charles X's imposition of the death penalty for anyone profaning the Eucharist. Esoteric references don't have to make a lot of sense, they just have to establish the essential connections.

Frida

Coldplay's album points to another painting, another nation and another revolution - and more imagery of the same goddess. The album was claimed to have been “recorded in a bakery, a nunnery, a magic shop, a church.” Actually, several churches; in Barcelona, Spain, and in Mexico during their Latin American Tour in March of 2007. A song titled, “Famous Old Painters” was written but wasn't chosen for the album. Eugène Delacroix (Liberty Leading the People) was certainly one famous old painter. Another was Frida Kahlo, Mexico's most famous female artist.

Her final work bore the words, Viva la Vida, and it is with respect to Frida's life that the album's subtitle makes even more sense: Viva la Vida or Death and All His Friends. She was severely injured in a bus accident when she was a teenager. She suffered from those injuries and from the many resulting surgeries until her death. As bringing her suffering to an end, one might consider Death to have come as a friend to her. “A few days before her death, she wrote in her diary: "I hope the exit is joyful — and I hope never to return — Frida". (Wikipedia)” Vida la Vida, means, “Live the Life,” “Long Live life,” “Live the Lifetime,” “Live the Way of Life” or “Live the Lifestyle.”

According to 1 Corinthians 15:26: “The last enemy that will be abolished is death.” That does not seem to have been Frida's hope. In a work from 1947 titled, Sun and Life, we see an expression of the hope of the illuminated. The open eye in the sun's forehead has to be seen as the eye of Ra or Horus. The page on a fan site describes the scene. “As a result of a terrible bus accident at age 18, Frida was unable to have children. Her obsession with fertility was often the subject of her paintings. In this painting, the life-giving sun is surrounded by plants in the form of erupting male penises and female wombs protecting a growing fetus. This painting also reveals Frida's sadness over her infertility as shown by the weeping sun and fetus.” I suggest rather that the subject is the reproduction of the Tree of Knowledge of Good and Evil in the earth through the mystical union of Osiris and Isis. This is akin to resurrection, and to the illuminated, it is their hope of eternal life.

Frida identified herself with the Mexican Revolution, which began in 1910 when she was three years old. “Frida Kahlo was born on July 6, 1907, in her parents' house known as La Casa Azul (The Blue House), in Coyoacán. At the time, Coyoacán was a small town on the outskirts of Mexico City.” “She later gave her birth date as July 7, 1910, allegedly wanting her birth to coincide with the beginning of the revolution so her life would begin with the birth of modern Mexico.” (Wikipedia) See Frida as a symbol of revolution that compares to the goddess of Delacroix's painting. She was born in July and identified herself with the Mexican Revolution, and also died in July, and the album art pictured the July Revolution.

While the last painting Frida did was to apply the label, Viva la Vida to the still of watermelons (that had most likely been painted a couple of years before the pain medications exacted their toll), the stronger association with the cover art is with another painting of hers where the words appear on a flag - one much like the one borne by Liberty: “Still Life - Viva la Vida and the Dr. Juan Farill - 1954.” In this, we see the distinctive goddess symbol of the dove: Aphrodite-Venus-Mary! There she is!

Frida was known to embed subtle symbolic imagery in her paintings, much of it sexual. I believe she encoded the ancient goddess symbol into her Viva la Vida watermelons, the simple W that represents the bent elbow of the goddess Inanna-Ishtar.

In the Lifetime network TV series, Witches of East End, the witch named Freya is a barmaid at The Bent Elbow Bar. “Inanna was also associated with beer, and was the patroness of tavern keepers, who were usually female in early Mesopotamia.” (source) Lots of dots, connecting.

Find the W in the highest section of the wave-cut melon, and centered below. Hey, is that a dove in flight at upper left? It's subtle. That fancy cut watermelon is a goddess crown. The wave form glyph represents water - Venus. It is a WATER melon. The goddess is usually bare breasted and the breasts are referred to melons, right?

Compare Frida's Watermelons to the images of Artemis-Diana of Ephesus. Melons. The goddess's mammary attributes are likened by some to a queen bee's eggs and also bull's testicles. The exposed seeds in the Frida's painting are probably intended to represent the bull's testicles, fertile with seed. The male and female fertility imagery really is a strong thread that runs through her work.

I just finished watching the Salma Hayek film based on her life titled, Frida, from 2002. In this screenshot, Frida and Diego are in the market. He's holding up the melons as breasts. Right after this, he puts those down and picks up some other kind of produce and jokes around with Frida pretending it represents big cojones, testicles.

The W signal is modeled all over the place in our culture. It's very obviously featured in the choreography of goddess modeling bent elbow pose striking women in music videos. The W and also an M (and E) is formed in the Horus hand sign that joins fingers 3 and 4 together. That's also the cloven hoof sign of Satan. Sometimes the single V symbol is used for Venus and Victory, the goddesses. (Winston Churchill) Sometimes it's doubled to form V+V or W, like how Taylor Swift hand signals the VV or W in performing “22,” which happens to be the number of the letter V. In this image, she crosses her hands to make the double V. Crossing them forms another V between them. Triple V = vav (6th Hebrew letter) vav vav = 666.

While I'm at it, “Viva la Vida” has 3 letters V = 666. (LA = 12+1=13) But “Viva la Vida” also features pairings of V's, the double V or W. Coldplay's Album cover art lines two up vertically. The Youtube channel Vevo ~ double V- goddess exalting. “Vevo Video” is a triple V 666.

“Frida (with variants Frieda, Freida and Freda) is a feminine given name. In Scandinavian countries, it derives from the Old Norse name Fríða, meaning "beautiful, beloved". In central and eastern Europe, Frida is a short form of compound names containing the Germanic element fried meaning "peace".” (Wikipedia) Freya is the name of the Norse queen of the gods, the goddess of love, beauty, war and death. The goddess symbol identified with the Mexican revolution is referenced through the album title, Viva la Vida, and that same goddess of the French Revolution of 1830 is referenced through the album cover art.

Frida painted an elaborate self-portrait in 1948 that presents her as the goddess. It's the second self-portrait in which she appears wearing the traditional Tehuana headdress. Its the resplandor or head-dress that is traditional for Tehuanas, women of Tehuantepec. They were strongly matriarchal, and Frida, who was certainly feminist, and bisexual, expressed solidarity with them. Her mother Matilde's heritage was mixed indigenous-Spanish, and Matilde was a devout Roman Catholic. According to a fan site's description of the painting, “The years of pain have taken their toll as is shown by three tears glistening down her cheeks like the tears of the Madonna of Sorrows.” The Madonna of Sorrows - that's Mary.

Count the upper panels formed in the radial pleating of Frida's Tehuana headdress. There are 13, which has the meaning of rebellion. Mary's name means, “their rebellion.”

The following verse is where the number appears in the biblical text for the first time.

Twelve years they served Chedorlaomer, and in the thirteenth year they rebelled. ~ Genesis 14:4

They rebelled. It was a revolution, in the 13th year. Who is Coldplay's goddess of the revolution? Mary!

The number 13 is naturally connected with Venus through the design the planet traces in the heavens. A 5 point star pattern called the Rose of Venus is traced out over the span of 8 earth years, exactly, to the day. In that span, Venus makes 13 circuits around the sun. See in Frida's self-portrait how her face is framed in a rosette - the Venus Rose. Consider the rosettes in the lace. The numbers generated in the creation of the Venus Rose are, 5, 8 and 13. These represent a range of the Fibonacci sequence, and this is why the spiral is a symbol of the goddess. The 5 pointed star in a circle reveals why the pentagram is another one of her symbols.

Frida's mother, Matilde, was a devout Roman Catholic, and even though I don't read where Frida practiced her mother's religion, she would certainly have been exposed to the Marian Rosary and candle burning acts of veneration. Frida was born, lived and died in The Blue House in Coyoacán, just southwest of Mexico City. The Marian apparition known as Our Lady of Guadalupe had appeared in 1531 a few miles away, just northeast of Mexico City. Would her mother and others in her community have made the short pilgrimage to her wildly popular shrine? This would have been a normal part of their culture. I note how Matilde's heritage, and therefore her daughter's also, matched a feature of that apparition. Matilde was of “mixed Amerindian and Spanish ancestry.” One of the miraculous signs given by Our Lady of Guadalupe involved the Castilian (Spanish) rose growing in the land of the “Amerindian.” From Wikipedia:

“The Virgin told Juan Diego to gather flowers from the top of Tepeyac Hill. Although December was very late in the growing season for flowers to bloom, Juan Diego found Castilian roses, not native to Mexico, on the normally barren hilltop. The Virgin arranged these in his peasant cloak or tilma. When Juan Diego opened his cloak before Bishop Zumárraga on December 12, the flowers fell to the floor, and on the fabric was the image of the Virgin of Guadalupe.”

Note: “Tepeyac is believed to have been a Pre-Columbian worship site for the indigenous mother goddess Tonantzin. Spanish colonists tore down a temple to her and erected a Catholic chapel at the site.” (Wikipedia)

It seems likely that Coldplay sees Frida as a model of the goddess, as the Castilian Rose (Venus) growing miraculously in Mexico, who is associated with Our Lady of Guadalupe.

It also seems likely that Coldplay has noted the other esoteric details surrounding her death, which has to be seen in connection with the album's subtitle. She painted the referenced expression, Viva la Vida, 8 days before her death, stamping it with the number of the rayed star of Venus. She died on July 13, 1954 at age 47. Her life span recalls the 47th Problem of Euclid. Osiris union Isis producing Horus. (See above ) The theme of immortality, death and resurrection is evident. Her death on the 13th day of July seems worth noting as another Venus-Marian numbering. I note that both of the singles they performed during the Summer segment had release dates on the 13th day of the month The single, Viva la Vida, was released on 13 June 2008 as the album's second single, and Strawberry Swing was released as the fifth and final single on 13 September 2009. The 13th day of the month is the day favored by Marian apparitions like at Fátima, and in the US in regular appearances to Rosa Lopes, Nancy Fowler and Ray Dorian.

Next up - Lord willing - the symbolism of the music videos.

Part 44 - 2012 London Paralympics - Rihanna as “Our Lady of Fátima”

Series Links: 2012 London Olympics

I was surprised during my recent investigation into the wildly popular phenomenon of the Marian apparition to discover how the presence of the goddess was so prominent during the 2012 Olympics and Paralympics. This insight substantially extends what I knew previously, adding another layer of understanding. It doesn't change the bottom line but it certainly answers more questions, filling in details about how things are and how key events will unfold in the future.

For the context and background necessary to really appreciate what's going on here, I recommend becoming familiar with the following studies.

• The Sign of the Queen of Heaven
• Our Lady of the Olympics
• Part 43 - 2012 London Paralympics - SRA Carousel Programming With Rihanna - We Found Love

A bold dramatization of Our Lady of Fátima and the Miracle of the Sun was performed during the closing ceremony of the London 2012 Paralympics. The star of the show was Rihanna. The name, Rihanna, means, “Great Queen.” She has the image of Isis tattooed over her solar plexus and another on her ankle so there is no ambiguity about her identification as Isis, the Great Queen of Heaven. The tattoo on her solar plexus was visible behind the veil of her paneled garments during much of the ceremony. Rihanna's name seems to be a portmanteau, combining the name of two other goddesses; Rhea (“Mother of gods” comparing to Cybele) and Inanna, the Sumerian Queen of Heaven. Inanna was known as Ishtar to the Akkadians, and she is known to billions today as the Blessed Virgin Mary.

Here's a video of her performance. It's a celebration of the Miracle of the Sun featuring Our Lady of Fátima and the crowd who had assembled in the Cova da Iria below!

Rihanna - “We Found Love” - LIVE at Paralympic Games 2012 London



To further establish her Marian identity during the ceremony, Rihanna was dressed in a manner that highlighted two familiar features of the Blessed Virgin Mary. Rihanna's appearance created a buzz because of a striking contrast with what was expected. As you can see from this Daily Mail article, those who were familiar with her typically immodest apparel were notably surprised by the degree of modesty she exhibited, even referencing it in the title: “Paralympics Closing Ceremony: Rihanna becomes a punk pirate princess as she covers up for Coldplay duet.” The display of unexpected modesty suggests the character of a chaste woman, like a virgin, a virgin goddess - the Blessed Virgin Mary.

Rihanna had made a dramatic entrance into the stadium, clothed as she was in vivid orange. From the top of her head down she was covered entirely with sun-orange cloth; “clothed with the sun.”

A great sign appeared in heaven: a woman clothed with the sun, and the moon under her feet, and on her head a crown of twelve stars; 2 and she was with child; and she cried out, being in labor and in pain to give birth. ~ Revelation 12:1-2

She entered the stadium on the deck of a steam-punk ship that was rolled across the floor. It had the appearance of a ghost ship, with a cloudy mist pumped out underneath that was probably intended to give it the mystical appearance of being seen in the clouds.

During her featured performance of “We Found Love,” she appeared as a sign in heaven because she was sitting on a bench seat that was raised up on cables. That bench swing was her sun chariot, with an ornate decorative sun image on the back.

The hanging goddess is Artemis and Ariadne aka Mary. One of the iconic symbols of Inanna is evident in the design of the iron work, where the scrolling flourishes mimic the twisted knot of reeds that flanked the way to her storehouses or into her presence.

When you watch the video, look for the scene where she is made to appear right above the flaming rose, the Cauldron of petals that are copper rose thorns. It took effort to set up that shot. Think about the blessed Virgin Mary candle, the Rosary, the petition that had been made to the gods earlier about the light shining in a roseate hue to form a vast temple to which all nations throng to adore the spirit of antiquity.

As for the moon beneath her feet, I suspect the untelevised preshow performance of the Dreamers and their raising of the Agitos logo elements was done as a ritual in connection with the Fátima ritual. According to the Hermetic principle, “as above, so below,” the Agitos-as-crescent moons hanging above appear to have been bound to the stadium floor, thus providing the moon beneath Rihanna's feet. What was called a Moon Stage was in the stadium, and it also appeared in the scene of this Revelation 12 ritual.

Notice how the final image of the video presents her in front of the flaming cauldron. That distance-closing telephoto shot took effort to line up. Why make the effort if it's not a big deal? They made a crown of stars on her head. It's a rose crown, literally a Rosary, right? It has to be seen as the Blessed Virgin Mary's crown. In 2 BC, the crown of 12 stars that fulfilled an important layer of the cryptic prophecy of Revelation 12 was a celestial object, the planet Jupiter, which was positioned as though it were sitting upon the head of the constellation Virgo. (See this study: When Jesus was Born - The Celestial Signs) The Roman god Jupiter, for whom the planet is named, is that same Zeus of the dedicated flame and light of the Olympic Cauldron.

I believe that, when you see Rihanna framed underneath the flaming Cauldron, you see in that snapshot of Revelation 12:1 what a small number of us will recognize as a shadowy memorial of the past. Yet, I believe it's a distinctive ritual modeling of what's coming the near future, magickally working toward that day when the sign of the Queen of Heaven will appear and garner the rapt attention of the whole world as the herald of the Antichrist.

Look for the strange gestures Rihanna makes at the very end. I see her gesturing to suggest that she is in labor and pushing as she births the man-child, to compete the ritual identification with Revelation 12.

Given the extent of this ritual performance's symbolic match to Revelation 12, it seems there is a companion element that models the other sign from heaven described in that passage.

3 Then another sign appeared in heaven: and behold, a great red dragon having seven heads and ten horns, and on his heads were seven diadems. 4 And his tail swept away a third of the stars of heaven and threw them to the earth. And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child. ~ Revelation 12:3-4

Where is the great red dragon in London's Olympic Stadium? What was identified as a firebird or phoenix rose in close association with the flaming Cauldron during the climax of the closing ceremony of the Summer Olympics that was held a month earlier, which you see in this picture.

How did Rihanna's performance of We Found Love celebrate Our Lady of Fátima at the Miracle of the Sun from October 13, 1917? Two elements really give it away, the bench swing and the activities of the supporting performers.

The swinging of the sun chariot to and fro made mimicked the pendulum-like swinging of the solar disk. Researcher L. A. Marzulli summed up the historical accounts of eye witnesses who were interviewed following the spectacle. “It spun around throwing off an array of colors and then, to the terror of everyone, began to fall in a pendulum like motion to earth. What followed was mass hysteria, as people thought the end of world was upon them. Some dropped to their knees, while others ran about screaming hysterically.”

The performers on the floor before her and beneath her made worshipful gestures, playing the role of the diverse crowd who had gathered to witness the promised sign in the muddy Cova da Iria. Wow! So, Rihanna was clothed with the sun, seated on her sun chariot and swinging in the heavens above the worshipful crowd, who came alive at Rihanna's arrival and prompting. When she leaned out over the front of the bench I suspect there were some terrified spectators wondering if she was going to fall. The array of colors spun off the disk were painted in light with special effects ringing the stadium.

Each time I watch the video of that performance it seems more obviously a reenactment of the Miracle of the Sun. Our Lady of Fátima was deemed worthy of such an exaltation.

The title of the song she sung is, We Found Love, which can be taken in the context as an expression of the adoration of Mary, her veneration, and the ecstatic relationship she engenders with her supernatural enchantment - a sample of the pharmakeia of Mystery Babylon. When she sings the chorus, “We found love in a hopeless place,” that speaks to me of impoverished Fátima in 1917, when the people were impacted by Portugal's involvement in WW1 (which officially spanned from 3/9/1916 to 11/11/1918). They were desperate for love, as so many are today, and Mary draws them like a beacon to herald her son's return.

While “Great Queen” performed she was attended by eight aerial performers on carousel animals. At least one of the eight carousel animals featured was antlered like a stag, which is a familiar representation of Cernunnos, the horned god invoked by name in many magick rituals. His presence was symbolic and yet I do not doubt that his presence had been evoked so that his presence was genuine in the spiritual realm. His name is another alias for Satan, or Zeus. I believe these carousel animals and riders represented fallen angel gods and, by that number of “stars” in the heavens, the planet Venus is signified, and the 8-rayed star of Venus-Inanna-Ishtar. Poles and columns are a popular symbol of the goddess.

The magickal carousel animal riding scene alludes to a famous sequence in the musical film, Mary Poppins, set in London. Here's a screenshot featuring the witch as she entertains her initiates in that fantasy sequence. The Olympics connection? Some 32 Mary Poppins clones were featured in a battle of storybook sorcerers during the Opening Ceremony of the London 2012 Olympics, in a segment titled, “Second to the right, and straight on till morning.” An army of Marys popped in - the goddess of magick and witchcraft.

The Mary Poppins film won the Academy Award for visual effects in 1964, and the carousel scene was famous for the special effects combining animation with live action. I see this as yet another hint of how it's going to be during the great deception surrounding the revealing of the lawless one, with multimedia / multidimensional supernaturalism for special effects, and again, implying Mary's involvement.

I believe those aerial carousel animals and riders had other very key symbolic representations. The carousel was originally designed and used for combat training, which I described when carousel imagery was used in the closing ceremony in Beijing. The aerial carousel animals and riders testify of the warring angels in the heavenlies and of their earthly vessels, who are the anti-Bride army of Illuminati programmed chosen ones. The carousel is linked to mind control programming (SRA Carousel Programming With Rihanna - We Found Love) which is how the agents of the Black Awakening Bride army are created. They are the special forces preparing for the coming of the Antichrist and who will be his special guard. In the context of Rihanna's apparition as Our Lady of Fátima, the mind control programming theme certainly is appropriate in the context of 1917 and 2012.

The carousel horse riders should also be identified alternately as UFO aliens, just like the steam punk-ghost ship-sun chariot and bench swing-sun chariot. Olympic ceremonies sometimes feature UFO and aliens openly, like at the close of the 1984 Games in Los Angeles (the full name of the city being: La Ciudad de la Reina de los Angeles, which means, “The City of the Queen of the Angels.”), but mostly, the alien presence in their ritual ceremonial productions is covert, being presented through symbolic means like in the UFO bus in Beijing's closing London Ceremony. The IOC and the Vatican are sponsored by “aliens,” by the sun god and his agents of deception. The Marian apparition that receives worship through their activities is an alien entity, a demonic spirit that is alien or foreign to this natural realm.

There's a good reason why the Olympics exalts the Marian apparition. We have not seen the last of her.

The Sign of the Queen of Heaven - now published to The Open Scroll

The fruit of my labors of the past few months are starting to be published. New additions to The Open Scroll website site include a study titled, The Sign of the Queen of Heaven. There is a worldwide phenomena where the Mary venerated by the Vatican is drawing everyone to herself - and this extends way beyond Catholicism. The mechanisms of promotion extend beyond the Romish church to include even Cris Putnam, who ministers alongside Tom Horn. (See the section titled, Trending Paranormal as Spiritualism - “The Supernatural Worldview”)

The related study, Our Lady of the Olympics, was published to the website a few days ago, which documents the hidden agency of Mary in the wildly popular Olympics.

As Mystery Babylon the Great comes to maturity, her ecumenical work prepares the world for when she will direct us to her son, whom the Papal False Prophet beast will baptize in an Antichrist anointing. Note, to be armed with knowledge such as this is not enough. There will be no substitute for what attends being rightly informed of the times and seasons.

Another new addition to the website is a study titled, The Dark Secret of the Eucharist and the Rite of Communion, which was formerly part of a larger work, When Will the Lawless One be Revealed? (The Sign for the Bride - Part 2). The updating of that lengthy work has been completed. Another new study split off that same work is The Sign of the Crossed Comets Hale-Bopp and Hyakutake.

Our Lady of the Olympics - Just Published

A new study was just published to The Open Scroll website.

Our Lady of the Olympics

“Our Lady of the Olympics” represents a portion of what I've been learning about the significant role the demon goddess who manifests as a Marian apparition has in bringing the whole world together to receive the Antichrist. Lord willing, this will be added to a series of writings on the significance of the Marian apparition phenomenon. You may notice that a version of the part where the goddess is represented in the symbolism of the Olympic Rings logo was recently posted to the blog.

If you have read Jim Tetlow's “Queen of All” or are familiar with Dave Hunt's earlier work (1994), A Woman Rides the Beast: The Roman Catholic Church and the Last Days, you should be aware of just how significant this supernatural activity being sponsored by the Vatican is in transforming the world. When you see ISIS (Islamic State of Iraq and Syria) being named in the headlines every day as a world changing entity, that's no coincidence. It's a sign!

Part 16 - What Does the Olympic Rings Logo Really Mean?

Series Links: What Does the Olympic Rings Logo Really Mean?

While preparing a study on the growing phenomenon of the Marian apparition I was led to give attention to her role in the Olympics. I was surprised to learn what I'm going to share in this post, which represents a worthy addition to the series that I last updated over 4 years ago. This represents only a small portion of what I expect to publish in that study that pertains to Mary's role in the Olympics.

The Olympic logo design of interlocking rings is an elegant geometrical exhibit of the esoteric 47th Problem of Euclid. I began to learn about this esoteric code exactly one year ago, presenting it in series titled Signs of Horus Worship. As you can tell, it's about worshiping Horus, or, as he is primarily known to those who practice Olympism, Apollo. By making obscure references to the 47th Problem of Euclid, the Illumined practicers of the Occult are operating an ancient form of sex magick that illustrates the union of Osiris and Isis to produce Horus. The supernaturalism works to actually produce Horus, who will manifest in a human body as the Antichrist. The rings logo was personally designed by the Jesuit trained Pierre de Coubertin in 1912. Jesuits worship Horus and they specialize in matters of esoteric symbolism and spiritual inspiration.

There are a number of ways references may be made to the 47th problem. The number 47 may appear in a signaling context, overtly or covertly as the gematria of a word or a count of things. The 4G data transmission technology that cellular networks continue to boast about is a popular example of this. With G as the 7th letter, 4G is a lightly obfuscated 47. The 47th problem is frequently referenced by the presentation of the set of numbers 3, 4 and 5, and this is how it's done in the rings logo.

As I document in the series mentioned above, the solution to the 47th Problem of Euclid involves the geometric proof that uses the areas of a right triangle and the Pythagorean theorem. A right triangle is most simply described as having sides that are the whole number 3, 4 and 5 units long, and this is the derivation for the number set. The esoteric solution is discovered in the assignment of the Egyptian gods, which creates a symbol code. The way two of the sides combine in a projection onto the hypotenuse geometrically illustrates the union of Osiris and Isis to produce Horus. The number 3 represents Osiris, Isis is 4 and Horus is 5. On this basis, the heavenly union producing Horus in this earthly realm may be advanced magickally using symbolic geometrical or numerical references to the solution.

Here's how the Olympic Rings logo references the basic 3.4.5 Pythagorean triple. Count the rings - five. Horus! Count the vesica piscis formed at the joining of two rings - four. Count the places where three rings join - three. Those are the counts of unique elements created by the elegant design. It says in an obscure but precise language that this symbol is silently working to produce Horus through the supernatural union of Osiris and Isis. Olympism is the popular religion of Apollo worship, aka Horus.

Notice how there is a fundamentally feminine aspect to the design because the shape of the logo is that of the female pubic patch, which is generally represented in symbol as a downward pointing triangle. The femininity is further enhanced because the rings are circles. When simple geometric shapes are used in symbol language to represent the genders, the square is male and the circle is female. The intersections of the rings suggest the vesica piscis symbol, which represents the yonic or female genitalia. The logo is quite feminine in gender and symbolic of the divine feminine or goddess. There are 4 of the yonic vesica piscis, which is the Isis number, who is the female of the set. Isis, that's the Marian entity who is exalted by the Jesuits. “Our Lady of Olympism”

The Olympic Rings logo has the form of a pyramid that is inverted and truncated. This representation appears on the Great Seal of the USA with the glowing capstone eye hovering above it, and that object is assumed as the sixth ring required to complete the implied form. In the Jesuit trained Pierre de Coubertin's magical symbol, we see Mary laboring in to bring the Antichrist to birth. If we imagine the implied sixth “capstone” ring that completes the pyramid, with the logo-as-pubic-patch imagery, we see him crowning as his divine mother births him into the world!

Here's an important connection to note. As with the rings logo, a pyramid has the implicit 3, 4 and 5 numbers of the base Pythagorean triple, a fact you should be aware of if you're familiar with the series of Horus worship posts. It sits upon a base of 4 sides and 4 corners and has 4 faces that rise to a common apex. Each rising face has 3 sides and 3 corners. There are 5 faces and 5 corners in total. Every pyramid testifies in the code language of Euclid's 47th Problem to the union of Osiris and Isis producing Horus.

The way the Olympic rings fit into the model of Euclid's proof tells me that it was probably the template de Coubertin used when designing his magickal symbol. The angle of the symmetrical logo fits angle 4-5 of the proof exactly.

Another popular way to symbolize the 3.4.5 of the Euclidean proof code geometrically is to present a right triangle in an Occult signaling context. This is frequently done in a subtle way by including only two of the right triangle's three sides, like Verizon does with their brand's check mark - that is not really not a check mark. Another very popular way to signal the code is through hand signaling, because the hand has the five of Horus implicit in the number of fingers. Calling out the 3rd and 4th by holding them together presents the signal triple. One way to do this is through what's called the Baphomet. Another is the religious “blessing” with the index and middle finger together. Another is favored by Disney and other Illumined folk.

Another way is to hold the fingers 3 4 and 5 together, separate from the other two. Mr. Spock popularized a priestly variant of the 3 union 4 on the popular Star Trek series. “Live long and prosper.” Star ~ angel. Vulcan was a god, a demon god. That kind of life you do not want. It's not going to go well for those who prosper in that way.