The scene set at the Pretty Parlor is loaded with stargate transit symbols! There's still more to be revealed, with more connections to The Wizard of Oz and to The Matrix.
In the moments surrounding this screenshot, several key visual alignments occur in the scene shot looking back from E Loretta Pl.
I already described one in Part 3, where Pyatt passes by the camera and lines up with the mailbox and Darnell. This one is very meaningful because the mailbox is a time bridge construct and the two men are older and younger editions of same person.
Consider the red roses visually aligning with the stop sign. Sometimes, of course, a sign is just a sign,
but sometimes, it's a SIGN. The familiar sign is always an octagon, equivalent to the 8 rayed star of Venus-Inanna - a compass rose. Like with the roses in Pyatt's bouquet, the blood red is a goddess color (* the red flag - Our Lady of the Nations). 
Another visual alignment in the scene was described earlier from the other direction, where the star on the magic wand lines up with the bouquet of roses. We can't see the wand-star clearly in this shot from E Loretta Pl but we know where it is and we can see the basket the wand is stuck into. In the screenshot, you can see the alignment is just about to happen again. From this angle, some supplementary stargate transit imagery appears in the alignment. Bicycles represent heaven's transdimensional vehicles, the chariots of the gods. They compare with the baskets that contain the vintage garments. I'll present some pretty obvious examples soon, Lord willing. The hoop style bike rack is an arch that is the signal shape of a dimensional portal.
You can see the bike rack without any bicycles in the way in this “street view” of the actual shop.
The bike rack and bicycles are involved in another lineup in the scene shot from E Loretta Pl - with the arched doorway of the shop: Arched Doorway = Stargate. Add to this collection, the stargate transit signalling element described in Part 5, the vertically striped awning (mekasseh canopy) marked “Vintage Garments.” 
In the previous post, I pointed out how the star + triangle is the hieroglyph for the dog star Sirius. That was signaled when the magic wand was visually lined up with the conical bouquet of roses. The screenshot at the top shows that alignment as it's just about to happen for the 2nd time. There's another triangle in the picture, and it's also going to align with the star! That triangle is formed by the sign that sits on the sidewalk, right by the entry. These alignments are enhanced by the bonus imagery of the bike rack stargate and bicycle vehicles! We may identify the triangle sign as a pyramid. In The Wizard of Oz, pyramid imagery appears throughout the film, always in sneaky ways like this. See how the bike hoop cuts through it to present a distinct capstone. The pyramid is identified with Horus, and this symbol is complemented in the scene by the 2 versions of the sun god (Pyatt/Darnell) passing through, plus the twin versions appearing on the mailbox. In ancient Egypt, the rising of sopdet, the dog star, was the primary celestial event on the annual calendar. With the wand-star raised above the basket, it is in this context a sign of the rising of Sirius.
By placing that hoop-arch style bike rack in front of the pyramid, what is so brilliantly presented is the stargate opening that Steve Quayle has described on Blog Talk Radio. He claims that others have reported witnessing the acoustically triggered opening of stargates to provide access to chambers beneath the great pyramid in Giza. What he describes is like hoop-arch style bike racks. They appear only when the portal is opened. Given the Occult signaling I've seen with bicycles and bike racks, I believe that is a reliable testimony. In this scene at the Pretty Parlor, we see the hoop-arch so the portal is open. This is entirely consistent with everything else I've described in the context. It's evil genius! We even see the bicycle chariots of the gods, as accessing the portal!
Here's a sign. A big sign. The big arrow on the tall Vintage Clothing sign seems to be pointing to the stargate at the pyramid, telling us - HEY DON'T MISS THIS! The arrow provides the scene with a fitting motion dynamic. One could easily see the arrow as the phallic arrow, of Osiris, and the rainbow clothed sky goddess in the clouds / text bubbles as Isis, facilitating the bringing forth of Horus - and one certainly should! Clouds = heaven's vehicles. Again, vintage clothing is worn, the celestial garment, and this one is a special rainbow-like version. Hmmmm. From here, it looks like the goddess might be wearing Dorothy's ruby slippers. In the Wizard of Oz, Glinda's dimensional vehicle involved a rainbow bubble, and we see bubbles with the woman on the sign. Indie fashions. How vogue! Indie - independent - Free - Freedom, like the goddess. Indie Fashions speaks to Aaron of the immortal garments being sought without dependence upon God.
The hoop-arch construction of the Pretty Parlor's bike rack is a familiar style that is leveraged in Masonic lodges, tracing boards, cathedrals and “sacred” architectures of many kinds. The Royal Arch degree emblem of Freemasonry features what's called the triple tau cross. In this scene of The Penitent Man, Pyatt is almost home. When he enters his apartment building lobby, a treble arch is involved as he makes yet another visually striking stargate transit, which I may expand upon soon.
Here in Pittsburgh, PA, the land of Pan's Woods, Freemasons and SRA ritual, you'll find our local bike racks styled as the Three Rivers. It's a local theme because the city is built at the confluence of rivers, where the Allegheny and Monongahela merge into the Ohio. In my thinking, the Three Rivers symbolism was chosen for reasons that have less to do with the local map than they do with the circle of time, celestial rivers of time, stargates and triple helix DNA. Aaron and I see in this design the Adversary's own design, to merge rivers of time and redirect the flow, which will happen in the season of the Antichrist apocalypse in a quasi-successful effort to change his destiny. Placing these symbolic features around town for people to use as bike racks is a brilliant scheme. The Devil has big game, but he's still going to fail.
So, are we done yet? Have we made a full sweep of the stargate transit imagery at the Pretty Parlor yet? I may have missed some, but I'll mention one last symbol that is pictured in a key alignment before I expand on the bicycle and basket symbolism. See the payphone at the market across Summit Ave? Its vertically lined up with the bike rack and bicycles too. Its use involves ringing bells, a dimensional transit sound. Its sole purpose is to bridge time-space for communication.
The telephone and telephone booth are leveraged as a major plot device in The Matrix (1999). In that sci-fi classic, a cell phone can be used for communication but a landline phone is the dimensional bridging construct that facilitates travel between the Matrix and the “real world.”
To be continued, Lord willing!
What is it about their branding that is shared by these other diverse entities in the featured collection? It's the reference to the obsession of the Luciferian illumined. It's concealed in the anatomical acronym. Get it? 
A.S.S. features the "Satan" mascot holding a peppermint stick (Candy Cane ~ Code 33) magic wand in one hand while holding up the two fingered "blessing" sign with the other hand. He wears the mortarboard of academic achievement. MORTAR = Masonic poop - which is complemented by his tie (that binds - bricks-sodomites together) The two orange balls that offset, SECA, appear under the phallic letter A. Combining the male package with the A.S.S. and anu_s is sodomite signaling. Orange is, as purple, a primary sodomite color. 
How it is that they will return is where the bells enter the equation, musical instruments and acoustic wave energy generating devices. These things are connected, the giants and bells, and the Olympics. It's a mystery beyond most folks' scope, but not for much longer, it must be said.
Yesterday marked a very notable transition. Aaron and I have been led to anticipate something special in this season, and what developed on Yom Teruah did not disappoint! Before I share about that, in another post, Lord willing, last night brought another noteworthy development. The date of the Antichrist apocalypse was signaled through the Starz network show, Outlander. The final episode of this season, titled, Both Sides Now, featured the following conversation. 
Here's some miscellaneous bits of interest. All this should make more sense in the post that follows. This is a season for validating signs, for strengthening faith and hope, and love. Note: Saints have “stargate access” to commune with the Lord of Glory, at His invitation. Seek it, as He may lead. The joy of the Lord is our strength.
“If you see the 808 milestone marker as an ancient standing stone, an interesting connection can be made with a TV show on the STARZ (stars = angels) network called, Outlander. A woman was transported back in time when she placed her hands on a standing stone monument. A coven of witches had just performed a Beltane ritual there in the moonlight. Standing stone ~ milestone marker ~ time-space stargate. Finding herself in the past, she soon encounters a man who looks like her husband's twin, who is his infamous ancestor. His nickname is Black Jack. That's a secret time code. The card game Blackjack is also called 21. The number 21 is a time number, generally meaning, the fullness of time. She and he may be seen to be linked through time, obviously. Her husband was the last person she interacted with before her transit, and Black Jack was the first significant contact, following.”
Decoding Winnie-the-Pooh as Code 54 + OXO and Red Roof Inn
With subliminal programming being the mechanism by which their control system works, the clever commentary was carefully crafted to achieve their goals. What was relayed to us by the media shills was done in the convention of the occult, concealing and revealing, layered with NLP. The puppets voicing the programmer's script utterly failed to provide an convincing explanation of many of the puzzling things we were shown. Where did that giant creepy baby come from? I'm going to try to fill in some of the gaping holes, sharing what I saw and what it means to me.
For example, when the winged bicycle beasts emerge from under the Bell of Caliban, they circle everyone inside the stadium floor and descend back under the Bell. We're told by the commentators these represent the original doves of peace that were released at the ancient Olympics. In symbol, they are definitely NOT doves, but taking their cue and thinking back to ancient Greece we may recall Pegasus, the winged horse. Pegasus was a god, chimeric. 
They are invited to “come together over me”, meaning, covering in sexual intercourse as incubus with a willing human partner. This is an engagement with a supernaturalism that sets those so covered free, in esoteric literature and in reality, after a certain fashion. It's an evil counterfeit, but nonetheless there is a legitimacy to it. The doves are dragons, unleashed from their lair, ordained to perform a reproductive ritual with their magickal seed.
Introduced in the previous post, the imagery of this scene has another layer of meaning. Conception is taking place, literally, sex magick. The fire marking the path of the gold poured into the mold was a winding path, connecting with the ring as the tail to the head of a sperm. The sperm was cast. It was cast on the earth. Ejaculated. Earth was impregnated, and the golden ring was lifted up out of the earth as a fertile egg. Sex magick! You can interpret the huge smokestacks in the scene as alluding to the obelisks of Egypt, the male phallus of Osiris. Isis was going to have a baby. Her magickal work with the fabricated phallus was in Boyle's dramatic interpretation, the “industrial revolution.”
(See also 
Something ocular relates to the eye. Wearing the Oculus visor highlights Palmer's eyes. He's a dancing bee and the M gives him his antennae. Eye Bee M
The Bee and 13 are combined in the clever design of these popular playing cards. Such cards are sometimes used for divining, piercing through the boundaries of space-time. Remember this post about playing cards and the Pagan/Occult calendar and transdimensional vehicles? 
There's a lot of overlapping themes with the pop goddess Taylor Swift, who had a song on her Red album titled, “22.” It was about celebrating her age - in years - yes, time. Red is a goddess color. The album was released on October 22, 2012. That is the 22nd day. She finished the hugely successful Red album tour just over a year ago, on June 12, 2014. That's the 12th day. I blogged about Taylor and a performance of the song during 2013's BMA award show. 
Taylor Swift: “22”
In the song's official music video she is seen wearing a blouse that announces boldly, “NOT A LOT GOING ON AT THE MOMENT.” AT THE MOMENT ~ time. Given how this season since the album came out has been filled with unfulfilled expectation, I see the blank background that outfit is set against as a sign. I sure didn't understand when I first saw the video but it sure speaks to me now, knowing very well how the hijacking of time has deferred the conclusion of this age.
