Part 18 - Celestial Stargates - Zion, Corrupted and Coming Down From Heaven

If you read Part 16 and saw how Sherlock Holmes connected the pattern of where Occult rituals were being performed with a map of London, drawn upon with some ritual symbols, did the medals from the London Olympics come to mind?

In the following image, the medal is overlaid on the map of London, with the Thames and Olympic Stadium areas removed to illustrate the alignment.

In Sherlock's lines we find an expression of how “sacred geometry” and ritual magick are tied together, which describes the kind of ritual activity that is surely behind the Olympic medal design.

Sherlock Holmes: “The points of the star represent the five murdered girls but the cross is what we're now interested in. It's a widely held belief that within the architecture of the great cities are coded references to this system. Since he rose from the grave, Blackwood has killed three men. Each murder was committed at a location that has a direct connection with the temple, therefore, the system.”

The following image shows the stadium in the way was presented as a magic circle. Many elements verified the correctness of this identification. The scene on the stadium floor pictures the workers building the representation of the city of London inside the stadium, and this is the very area represented on the medal. It's not just an innocent creation of a stage set for entertainment purposes. It's the creation of a set for the performance of ritual magick.

On the back of each gold, silver and bronze medal awarded during the London Olympics and Paralympics is easily recognized as an image of the Thames, running through the logo. I wrote several posts about how that mapped to the city and to the stadium in Olympic Park, and how magick circle casting was being signaled in conjunction with them. I wrote about stargates and quantum entanglement between places and times, and with more insight about the Golden and Silver Gates, I have more to write about those rituals and what those behind them intend to achieve. Stargate symbolism is woven into their mass ritual, and so is the theme of Zion, and I believe these are connected.

If you search this blog for Olympic Ceremony you'll get lots of results (that is if you use the one on my website, because the search widget on Blogger appears to be broken still). Since 2008 and the closing ceremonies in Beijing, the Lord has had me devote many hundreds of hours to interpreting symbolism in such things that are external to the Bible, and to compare what I found to the biblical subjects I was already familiar with. Over the years of this passionate study I've received an education in some pretty diverse areas, but yet, the themes touched upon are relatively few in number. In what I've documented, there has been enough redundancy across the range of examples to give us confidence in our grasp of what is being signaled. The content reflects biblical history and prophecy - our almost surreal present and near future.

Here's a video I made during the London Olympic season. Mega-Ritual London 2012 Olympic Gold Medal A question I posed during the video is: “Does the suggested connection with the Olympics involve an opening of a dimensional portal through space-time, through a combination of mega-ritual magick and particle physics? ” I think, yes! If you're not familiar with it, a series you may want to explore is: Series Links: 2012 London Olympics.

With the approach of the 2014 Winter Olympics and the Paralympics Games that follow, I'm confident that more mass ritual is being planned for the opening and closing ceremonies. Should intervening events cause a cancellation, I'm sure Zeus, aka Satan and his biggest fans will not be suffering from disappointment, however, because the fruit of their prior rituals will be manifest and the next stage of their god's plan will have begun.

Ian Crane discovered the word Zion embedded in the 2012 London Olympics logo, and it was further popularized by the late researcher Ric Clay. I see the word “Zion” in all the logos from Beijing to present, as you see in this collection where each is decoded. Zion is not just a Jewish thing, it goes beyond that racial subset of man to include others as well. Have you read The Kingdom Viaduct yet?

23 In that day there will be a highway [mecillah] from Egypt to Assyria, and the Assyrians will come into Egypt and the Egyptians into Assyria, and the Egyptians will worship with the Assyrians. 24 In that day Israel will be the third party with Egypt and Assyria, a blessing in the midst of the earth, 25 whom the Lord of hosts has blessed, saying, “Blessed is Egypt My people, and Assyria the work of My hands, and Israel My inheritance.” ~ Isaiah 19:23-25

“Egypt My People.” This is a figurative reference, which I understand because of how the Lord showed be that “Assyrians” is a symbol of land dwellers, a terrestrial bodied people, yet, there is a reason why “Egypt” is the figure used. Keep this in mind.

In the Bible, Zion, which is also the New Jerusalem or City of God, appears at the occurrence of what must be seen as the opening of a stargate. If there's going to be a counter and counterfeit, it's going have to appear in similar fashion.

1 Then I saw a new heaven and a new earth; for the first heaven and the first earth passed away, and there is no longer any sea. 2 And I saw the holy city, new Jerusalem, coming down out of heaven from God, made ready as a bride adorned for her husband. 3 And I heard a loud voice from the throne, saying, “Behold, the tabernacle of God is among men, and He will dwell among them, and they shall be His people, and God Himself will be among them, 4 and He will wipe away every tear from their eyes; and there will no longer be any death; there will no longer be any mourning, or crying, or pain; the first things have passed away.” ~ Revelation 21:1-4

How does a dwelling place come down out of heaven? Call it a wormhole or stargate or perhaps the kingdom viaduct, but whatever you call it, something opens between this and that dimension and the city appears, where the holy God dwells. This is not the Zion sought after by the worshipers of Zeus, in any and every one of his many alias identities, at least not in that state. To be precise, the version they hope for is not the one with my sovereign Creator and the Lamb on the throne. The Zion sought by those who are wrangling control over stargates is one where a usurper reigns, whose plan I presented in the previous post, which makes it the Unholy City.

Have you seen the video of a holographic mirage city appearing recently? I'm not suggesting everything that is going to unfold is technological trickery, but as I understand it, any and every means of deception is going to be employed.

Here's another verse where Zion is named with stargate access.

4 How blessed are those who dwell in Your house! They are ever praising You. Selah. 5 How blessed is the man whose strength is in You, in whose heart are the highways [mecillah] to Zion! 6 Passing through the valley of Baca they make it a spring; [Baca means weeping, or, the weeper] The early rain also covers it with blessings. 7 They go from strength to strength, Every one of them appears before God in Zion. ~ Psalms 84:4-7

William Blake's famous poem, “Jerusalem,” affords us a window of insight into their hopes.

And did those feet in ancient time
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?

And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic Mills?

Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!

I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England's green and pleasant land.

“O clouds, unfold! Bring me my chariot of fire!” This is stargate language. Those who would use arrows and spears to build Jerusalem in England are those who avail themselves of violent means, which are not the obedient saints. Those who identify with Blake are they who worship the bow and arrow god called Apollo, by one name, the counterfeit UNholy lamb. By calling upon the clouds to unfold and for his chariot of fire to be brought, what Blake expressed was the commanding of demons, “clockwork angels,” gatekeepers. Is this plot beginning to make sense?

As you may recall, this poem was explicitly honored during the opening ceremony of the London Olympics with both a Green and Pleasant Land set and a Dark Satanic Mills set. The giant black robed figure being constructed on the set's Isle of Dogs is the wizard from Harry Potter, Voldemort.

I believe what Sherlock Holmes was revealing in his exposure of Lord Blackwood's Temple of the Four Order's ritual is another picture of their Zion, which I hope to explore in another post.

Why do we see the mapping of locations in the heavens on earth and of locations in the earth on ritual objects and stage sets? Why are magicians constantly patterning images as symbols? Joseph P. Farrell offers the following, from his book, “The Giza Death Star.”

“There exists an ancient body of writings, compiled in Greek in the Egyptian city of Alexandria in the early centuries of the Christian era, in which sky-ground dualisms form a predominant theme, linked in numerous convoluted ways to the issue of resurrection and immortality of the soul. These writings, "The Hermetic texts", were believed to have been the work of the ancient Egyptian god of wisdom Thoth (known to the Greeks as Hermes), who in one representative passage makes the following remark to his disciple Asclepius, "Do you not know, Asclepius, that Egypt is an image of heaven? Or to speak more exactly, in Egypt all the operations of the powers which rule and work in heaven have been transferred down to earth below?" The purpose to which these powers were harnessed, in the Hermetic view, was to facilitate the initiate's quest for immortality.

Curiously, precisely such a goal - "a life of millions of years" - is spelled out in ancient Egyptian funerary texts which supposedly pre-date the Hermetic writings by thousands of years. In one of these texts, Shat Ent Am Duat - the Book of What is in the Duat - we find what appears to be an explicit instruction to the initiate to build a replica on the ground of a special area of the sky known as the "hidden circle of the duat": "Whosoever shall make an exact copy of these forms...and shall know it, shall be a spirit and well equipped both in heaven and earth, unfailingly, and regularly and eternally."

Elsewhere in the same text we hear again of "the hidden circle in the Duat...in the body of the Nut (the sky)": "Whoever shall make a copy thereof...it shall act as a magical protector for him both in heaven and upon earth..."”
(The Giza Death Star - The Paleophysics of the Great Pyramid and the Military Complex at Giza - Joseph P. Farrell - Adventures Unlimited Press - 2001)

The mapping done by Sherlock Holmes as an example of the working plan being ritually executed by Lord Blackwood was "a copy thereof," as were the “real life” Olympic medals and stadium set. The hope of those who work such rituals is for immortality and to live as gods, and this includes a kind of Mount Olympus, a city wherein they may dwell; Zion. You've seen The Matrix series, right? It's more than a refuge that they're looking for. They want to hijack what is the real Zion by ascending the ancient dragon to the throne. I believe this is what the seizure of control over time and the stargates is intended to facilitate. This kind of activity is what the second commandment given through Moses offered us protection against. Oops.

More to follow, Lord willing!

Part 17 - Celestial Stargates - The Pillar of London with links to NYC

Series Links: Celestial Stargates

* See also : Mass Stargate Ritual - The Temple of Baal (4/6/16)

I closed the previous post indicating how the Tower Bridge in London is a Silver Gate symbol, which I'm going to expand upon. I intend to be making some observations in the next several posts, Lord willing, about the evident connections between London, the Giza Plateau in Egypt, The Temple Mount in Jerusalem and New York City, among other places. There appear to be relationships between these places that might well be described as quantum entanglements. If you've been reading this blog for a while you might find that kind of talk familiar, because these things were the hot topic during the season of the London Olympics in 2012. You may recall what I've written about the evident link between Rochester, NY and NYC. My insight into such things has been upgraded in recent months, and there's a Silver Gate-Golden Gate layering that I'll be developing, Lord willing.

I started out in Part 1 showing Anubis being floated on a barge past the Statue of Liberty in NYC. I described how this was a Silver Gate ritual, with the iconic Statue representing Isis. It was being done, so the story goes, as a promotion of an exhibit from ancient Egypt called, “Tutankhamun and the Golden Age of the Pharaohs.” At the time of that ritual enactment, this exhibit was still open to the public on the west coast, in Golden Gate Park near to the Golden Gate Bridge, a symbol of the Golden Gate. That was in 2010.

Three years earlier, on October 1, 2007, a similar ritual had been enacted in London under the same pretext, promoting the same exhibit of the ancient artifacts.

“A five-ton golden replica of a statue of Anubis, the ancient Egyptian jackal-headed god of the dead, was transported along the River Thames past the Tower Bridge in London. The statue, about 23 feet tall, was on its way to a spot in Trafalgar Square where it will stand to promote the coming exhibition, "Tutankhamen and the Golden Age of The Pharaohs."” (Pictures of the Day, Oct. 1 (NYT))

The number 23 provided as the description of the statue's stature is a genetic signal, giving him a dimension, you might say, that suggests an added strand of DNA. The number of tons is a 5 that links him with Horus.

When Anubis passed under the bridge, the lower span had to be raised due to his stature. This was a Silver Gate ritual! The twin Towers represent the celestial Twins, Gemini. It's a symbol of the stargate bridging heaven and earth, the pillar identified by David Flynn as spanning Sirius in heaven and the Prime Meridian on earth.

Where, you may ask, might Isis be found?

“The Thames through Oxford is sometimes given the name the River Isis. Historically, and especially in Victorian times, gazetteers and cartographers insisted that the entire river was correctly named the River Isis from its source down to Dorchester-on-Thames, and that only from this point, where the river meets the River Thame and becomes the "Thame-isis" (supposedly subsequently abbreviated to Thames) should it be so called. Ordnance Survey maps still label the Thames as "River Thames or Isis" down to Dorchester.” (Wikipedia)

Obviously, this is the kind of thing that matters a lot to those initiated into the arcane knowledge of the ancients. The exhibiting of artifacts at the O2 Arena from 15 November 2007 to 30 August 2008 was not just some insignificant event. Tutankhamun and the Golden Age of the Pharaohs. To the worshipers of Horus, and the Queen Mother is certainly that, this is a big deal.

Is there a Golden Gate to match London's Silver Gate, like with the pairing in America? I suspect there are multiple sets on varying scales. One of them is on a relatively small scale, where we find a notable artifact, an obelisk that had once stood in Egypt's ancient city of the sun, On, or Heliopolis. It's sometimes referred to as a needle or Cleopatra's Needle. “The London needle is in the City of Westminster, on the Victoria Embankment near the Golden Jubilee Bridges.” (Wikipedia) This artifact calls to our attention how the Golden Jubilee Bridges in WESTminster are, like the Golden Gate Bridge on the west coast of America, symbolic of the Golden Gate. It's about the bridging of heaven and earth, most particularly, establishing the connection to the realm of the underworld.

The red granite obelisk has long been venerated as the phallus of Osiris, and now, being located near to the flowing River Isis, there is a sex magic being performed continually that supplements the action of the sun's daily motion across the sky. It is all for the generation of Horus in the earth.

These are connections that we don't typically make because we're constantly lied to about what things mean and why they are where they are, and why they are done when they're done. Ritual magick is secretly being performed all around us, every day, in nearly every place. Some of it is very significant.

I believe London and New York City are directly connected, by some line of supernaturalism, and that this unseen link is being exploited through the performance of stargate ritual. I'll present a witness to that link and discuss a little of what I understand as the plan behind it. I'll close this post with some fascinating evidence of the long term involvement of these cites in stargate ritual.

Not far from Liberty Island is Manhattan's Central Park, where a twin to the ancient obelisk in Westminster may be found. It, too had formerly stood in Heliopolis. The hieroglyphic inscriptions are interpreted and posted to Wikipedia, and you may find them informative. The Masons celebrated the erection of the obelisk, pun intended.

“Jesse B. Anthony, Grand Master of Masons in the State of New York, presided as the cornerstone for the obelisk was laid in place with full Masonic ceremony on October 2, 1880. Over nine thousand Masons paraded up Fifth Avenue from 14th Street to 82nd Street and it was estimated that over fifty thousand spectators lined the parade route.” (Wikipedia)

The obelisk in New York has a plaque that attributes the erection to the generosity of William H. Vanderbilt, a family long identified with the Illuminati. There's a Masonic Lodge named after the man who sponsored the relocation of London's obelisk. The Erasmus Wilson Lodge (1464) was founded in 1873. It was in 1877 that Sir Erasmus Wilson sponsored the moving of the obelisk. He was knighted by Queen Victoria in 1881. The Royals and their kindred secret societies had much to celebrate.

More evidence of the London ritual appears in the following excerpt from Wikipedia.

“The William Watkins Ltd paddle tug Anglia under the command of Captain David Glue was then commissioned to tow the Cleopatra back to the Thames. On their arrival in the estuary, the school children of Gravesend were given the day off when she arrived on 21 January 1878. After a wooden model of the obelisk had been placed outside the Houses of Parliament but the location had been rejected, it was finally erected on the Victoria Embankment on 12 September 1878.”

This obelisk and the attending sphinxes are about the underworld and resurrection, so I can't help but see ritual when it is reported that “the children of Gravesend were given the day off.” Whether you consider Gravesend as Graves End, or Grave Send, the bases are covered, aren't they?

The way it worked out, the obelisk in London was erected on 12 September 1878 and its twin was erected in NYC on February 22, 1881, three years later according to the official dating. I find it more than a little interesting that this same span of time was repeated for the exhibiting of the ancient artifacts associated with “Tutankhamen and the Golden Age of The Pharaohs,” because 3 is the primary resurrection number! Anubis was floated down the Thames on 1 October, 2007, for the 15 November 2007 through 30 August 2008 exhibit at the O2 Arena. Three years later, following the pattern of the obelisks, Anubis was floated past the Statue of Liberty, on March 23, 2010 for the April 23, 2010 through January 2, 2011 exhibit at the Discovery Times Square Exposition. Maybe that's just a coincidence, maybe not, but at some point, those who pay attention to the details simply have to acknowledge some underlying plan.

It's that plan that I describe on this blog as I continue to learn more and more about it, and how it reflects and fulfills biblical prophecy. We do live in “biblical times.” Here's an important part of the plan.

The secrets of heaven were brought to Earth by angels who fell from heaven. Some of those secrets involved diverse means of exercising control over dimensional access. The transmitting of knowledge continues, and evidence attesting to that has been unfolding in this ongoing series of exhibits. There have always been limits to their ability to traverse the dimensional barriers, and this should be seen as a matter of authority.

The false god sponsoring rebellion against the Sovereign Creator fell prior to the time when the Watchers of Genesis 6 did. Here's a version of what must be seen as one example of the reset of his domain.

14 The Lord God said to the serpent, “Because you have done this, cursed are you more than all cattle, and more than every beast of the field; On your belly you will go, and dust you will eat all the days of your life; 15 And I will put enmity between you and the woman, and between your seed and her seed; He shall bruise you on the head, and you shall bruise him on the heel.” ~ Genesis 3:14-15

I still have far more questions than answers about such things, but I understand this next passage as another version and example, expressed as his being cut down to the earth. His arrogant ascension scheme that we see being executed so passionately will ultimately fail, resulting in a humbling and yet another even more humble plane of existance.

12 “How you have fallen from heaven, O star of the morning, son of the dawn! You have been cut down to the earth, you who have weakened the nations! 13 “But you said in your heart, ‘I will ascend to heaven; I will raise my throne above the stars of God, and I will sit on the mount of assembly in the recesses of the north. 14 ‘I will ascend above the heights of the clouds; I will make myself like the Most High.’ 15 “Nevertheless you will be thrust down to Sheol, to the recesses of the pit. ~ Isaiah 14:12-15

The one in charge has say over who goes where and does what, and when. This provides us with a proper perspective for a consideration of the Golden and Silver Gates and just why they are so important. Control over dimensional access is the key to the ascension scheme. A particular stargate is the son of the dawn's means of access to the Throne and the exploitation of that means is how he intends to become like the Most High. By establishing control over the Golden and Silver Gates, a linking between this realm and the underworld provides for the combination of the assets of both realms. This is where the false prophet beast and the king beast and the image of the beast and the mark of the beast factor in. With that binding of the realms and with the uniting of their assets, it's on to Armageddon!

And I saw the beast and the kings of the earth and their armies assembled to make war against Him who sat on the horse and against His army. ~ Revelation 19:19

It's an impressive plan. Read the chapter. As impressive as it is, it's doomed to failure.

In America, the geographical Silver and Golden Gates span the contiguous 48 states. If you consider this in the celestial context, these span the 48 constellations typically identified with the Zodiac, the 12 primary signs with their associated decans. 12+36=48. Straight lines may easily be drawn between the East and West coasts of the continent that pass through 12 states, like the ecliptic through the Zodiac. Coincidence? When it comes to something like this, I doubt it.

The UK and London have similar features that speak of a celestial plan, of stargates and ancient Egypt. I'm reading a book titled “Before the Pyramids,” by Christopher Knight and Alan Butler. From what I've read so far and what the Lord has highlighted to me, this expression of the relationship between the UK and Egypt goes way, way back in time, but I can't really get into any of that, yet.

London has long been the setting for Silver Gate ritual. Exactly what it's based on, I can't say I know, but I'm assured there's a profound reason why the Prime Meridian is defined at Greenwich, London. David Flynn named two ancient pillars of heaven, one anchored on the Great Pyramid at Giza and the other on the Prime Meridian. He identified the one in Egypt with Orion and the other with Sirius, the Dog Star. That probably has something to do with the seemingly arbitrary assignment of where the grid reference standard of the Prime Meridian and the antimeridian (or 180th Meridian, also known as the International Date Line), and this is of course directly related to the assignment.

If you look at a map of London today and explore the area around the Royal Observatory, Greenwich, through which the Prime Meridian anchoring the pillar of heaven runs, you'll make some interesting discoveries.

Just across the Thames you'll find the Isle of Dogs. Sirius is the Dog Star, right? Anubis and Isis are often paired, and right here in this place we find the River Isis winding around the Isle of Dogs. Note, It's plural, suggesting Sirius A and Sirius B, because the Dog Star is binary. There's a magickal dynamic there, and the Isle of Dogs Pumping Station adds to it!

A little further north you'll find Star Lane and Star Lane Park. Star Lane ~ Stargate! Park spelled backwards is Krap, which is being leveraged as a sodomite gateway symbol.

On the Thames just north of the anchor point you'll find the O₂ Arena, named for the telecommunication company. This is where the “Tutankhamun and the Golden Age of the Pharaohs” exhibit was hosted in 2007! Do you think they might be harnessing the human life energy from that entertainment venue? I do! Here's a screen capture from the company's current home page.

See the coiled rope on the side of the beach house? It's the Sphinx-sphincter of the sodomite gateway, with a spiraling vortex dynamic. The stargate is supplemented by a rainbow colored vertical stack of something on the deck. The fence presents pyramidal X forms and pentagram star forms. The bubbles are symbols of the orbs that transit the stargates as captured by Michael Erevna and others, and what is pictured in Ke$ha's Crazy Kids music video and in the Wizard of Oz. I believe their brand identity represents the aligned Golden and Silver Gates as two letters O, one behind the other. As the symbol of oxygen, O₂ represents life itself to us, and that most valued element of the atmospheric heavens. It fits. What is the basis of their cellular services but the unseen interaction between the terrestrial and celestrial realms, the orbiting satellites above and dishes below.

Stargate ritual is playing out in so many ways today. It's embedded in our servies, our architectures, geography, public events, private Occult ritual and in media of every kind. The sum of it is that this worship of Horus is going to find him manifesting in the Earth once again, as in ancient times.

Part 16 - Celestial Stargates - Lord Blackwood's Magick - Sherlock Holmes (2009)

The previous posting about black magic and stargates has had a few validations as to the timeliness of the subject. I'm a Netflix subscriber on the single DVD in rotation plan. I received a disk on the 5th of this month but I've been so focused on other things I've had it sitting in the DVD player since I received it. After 2 weeks, I finally decided to watch it, whatever it was, because I had forgotten. It was Sherlock Holmes (2009) and my watching it was right on time. There's more stargate and black magick ritual presented, which is woven in with some other elements of the Adversary's familiar scheme. This “entertainment” vehicle is given the typical spin as truth is set about with lies and tossed into the Illuminati blender.

“Sherlock Holmes is a fictional detective created by Scottish author and physician Sir Arthur Conan Doyle. A London-based "consulting detective" whose abilities border on the fantastic, Holmes is famous for his astute logical reasoning, his ability to adopt almost any disguise, and his use of forensic science skills to solve difficult cases.” (Wikipedia)

The film I watched starred Robert Downey, Jr. (Iron Man) in a Golden Globe winning performance. His rather quirky characterization of the detective was balanced by Jude Law as a more conventional Dr. Watson. The antagonist, Lord Blackwood, was played by Mark Strong. Spoiler's ahead. The plot has Sherlock investigating a series of murders that turn out to be Occult crimes committed by a practicer of black magick, Lord Blackwood.

Here's a stargate scenario from early in the movie. In this screenshot, we're looking down a large spiral staircase at a design centered on the floor below, a star inside a circle. Sherlock is running down the stairs with a lantern, in a hurry to interrupt a ritual and rescue a victim before she can be sacrificed.

He's descending the “stairway to heaven,” transiting the stargate into the underworld. The imagery resembles a keyhole and lock mechanism. The sodomite gateway is evident in the obvious Horus Eye / dark sun anus vortex image. This descent isn't a freefall like some other examples we've seen but the motion of Sherlock's lighted lantern does provide a reference to Einstein's expression of this dimension's physics and relativity. It's the speed of light as seen spiraling through gravity, not very different from the candlestick knocked off the pillar in the music video “Insane.” The spiraling pictures the stargate's “whirlwind” energy vortex.

Just prior to Sherlock's descent, we're presented with a looping of time, with the added effects of time being speeded up, slowed down and stopped. That scene had Sherlock visualizing a plan to disable a watchman and then executing it in real time. That modeling smacks of Joel 2:8, from the previous post, because he's breaking through the defenses as he makes his descent.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

In this screenshot we see the victim on the altar and robed officiating High Priest, Lord Blackwood.

Sherlock pauses in the upper gallery to survey the situation below and plan his next move, where he's joined by Dr Watson. Together, they disable another watchman. Again, it's the modeling of Joel 2:8 and the bursting through defenses. In their brief exchange, they shake hands, which is actually a Horus sign, and we hear the following.

Sherlock: “Where's the Inspector?”
Watson: “He's getting his troops lined up.”
Sherlock: “That could be all day.”

There's another NLP reference to time. Consider the activity mentioned: Getting his troops lined up? Again, Joel 2:8, where the orderly procession of authorities is the subject! Why? It's a mecillah event, the modeling of a stargate transit!

Holmes and then Watson descend into the ritual chamber and, after the coven guards are disabled, the woman is saved. They confront the High Priest and discover that it is Lord Blackwood himself, whose response makes perfect sense when you understand what is being modeled to us. After being identified, Blackwood responds in kind by identifying them: “Sherlock Holmes and his loyal dog.” By “loyal dog,” he's referring to Sherlock's loyal companion, Dr. Watson, who had descended with him into the subterranean chamber. Why does he call him a dog? Because this scene is a real ritual! Watson is in the role of the Dog Star, Anubis, the psychopomp and escort to the underworld.

Lord Blackwood is the illegitimate son of Lord Chief Justice Sir Thomas Rotheram, conceived during an Occult ritual. The bloodline is an important consideration. The name “Blackwood” as black wood speaks of his root in the Serpent tree, the Nachash.

Sir Thomas Rotheram is the Master of a secret society that resembles Freemasonry, or is perhaps along the lines of the Order of the Garter. Such as the Hermetic Order of the Golden Dawn are rooted in the four classical elements. As Master of “The Temple of the Four Orders,” he wears what they call the Ox Ring, which you see here. It's obviously the astrological glyph for Taurus. This is one of the film's many symbols of the Silver Gate. You may recall, from Part 6, David Flynn's identification of the Prime Meridian on the earth as a pillar of heaven linked to the Dog Star, Sirius. The setting is the city of London, through which passes the Prime Meridian. The Dog Star was pictured by Dr. Watson (loyal dog) and also by the star at the bottom of the winding staircase, which is the Blazing Star of Freemasonry. Beyond these, other Silver Gate symbols are also featured, which I may also explore.

Here's a scene where the dark arts practiced by the order are identified as “practical magic.” Sherlock Holmes is secreted away to the Order's Temple where he meets with Sir Thomas Rotheram and two other high ranking members.

Members of the Order: “I suppose you already have some notion as to the practices of our order.”
Sherlock: “Yes, um, they are practically interesting.”
Members of the Order: “Be as skeptical as you like, but our secret systems have steered the world towards a greater good for centuries. The danger is they can also be used for more nefarious purposes. What some call the dark arts, or practical magic. We know you don't believe in magic, Mr. Holmes. We don't expect you to share our faith, merely our fears.”

At various points in the movie we're shown Occult ritual and demonstrations of what would be genuine black magick but, in the end, Blackwood is exposed by the materialist sleuth as a mere trickster with political aspirations. Sherlock's lack of faith is vindicated, and so it is that the filmmakers ply us with the tired old routine of convincing us that magic is really only ever just smoke and mirrors, tricks and illusion. The effect is akin to the lie about the devil and demons not being real. We're sold a version where these are surely the invention of the superstitious and simple minded, acceptable ways of explaining what we are otherwise incapable of comprehending.

I know how compelling those lies are because I believed them for the first 22 years of my life, until the Lord drew me to Himself using that very consideration of the legitimacy of evil supernaturalism. If you're not yet aware of it, huge investments are continually made by the Devil toward the end of cloaking himself and his ways and means. It must be said that there is a fraudulent stage magic, certainly, but yet, the fact remains that there is a very real magick. The Bible duly acknowledges it. It serves those who do practice the dark arts to deny the truth of it. The Devil's got big game and should be given due respect. Jack Parsons did a Babalon Working in 1947, and now the chosen ones refer to themselves as Babalon Working Babies. That's no trick; that's evil fruit born of black magick.

The member of the Temple of the Four Orders who said, “our secret systems have steered the world towards a greater good for centuries,” was pulling a fast one. Greater good? This same kind of lie is currently being promoted about Freemasonry in the new series on the FOX network, “Sleepy Hollow.” Dark arts, the practical magic, these are only ever used for nefarious purposes, despite what deceived and deceiving practitioners claim.

Here's some of the rich dialogue describing the magician Lord Blackwood in terms that spill the beans on how things really are.

Members of the Order: “Death followed him wherever he went. Those five girls were not the first to be butchered. He killed many more, using them to enhance his powers. ...His power grows daily. His resurrection is evidence of that. But, what he does will be far more dangerous. His secret lies in the Book of Spells. This is the source of his power. He's going to raise a force that will alter the very course of the world. I want you find him and stop him before he does. We'll give you any assistance that we can. As Home Secretary, I have considerable influence over the police. So, name your price.”

The secret order wants to stop that from happening? That's what they would like you to think, but it's the Luciferian Illuminati elite's secret worship of Horus that is preparing for his arrival. The Book of Spells might refer to a magician's personal book of shadows, or also to one of several books of black magick. Because of Blackwood's apparent resurrection, the source of his power can be traced back to the Pyramid Texts and Coffin Texts of ancient Egypt. As to the raising of a force that will alter the course of the world, one such force has already been raised through that dark magick, the chosen ones appointed for the Black Awakening and the antichrist beast's security detail. That which will assemble for the campaign of Armageddon is also in view.

Here's another scene that spills some beans on the Adversary's grandiose plot. If you're not already pretty familiar with the Sodomite Gateway Series, this probably won't make much sense. Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, you may want to consider skipping this.

Sherlock Holmes: “When Blackwood invited me to Pentonville Prison he suggested I widen my gaze and, at a minimum, I have done just that. In fact, I may well have reconciled thousands of years of theological disparity. But that's for another time. Blackwood's method is based on a ritualistic mystical system that's been employed by the Temple of the Four Orders for centuries. To fully understand the system, to get inside it, I reenacted the ceremony we interrupted at the crypt, with a few enhancements of my own. My journey took me somewhat further down the rabbit hole than I had intended, and though I dirtied my fluffy white tail, I have emerged enlightened. The fraternity who silently control the empire share the belief with the kings, pharaohs and emperors of old, that the sphinx was a door to another dimension, a gateway to immeasurable power.”

Do you understand what it means to have gone down the rabbit hole and dirtied his fluffy white tail? By telling us how he emerged enlightened, Sherlock reveals that he was illuminated through ritual sodomy. Sodomy is famously practiced in prison, of course. When Blackwood (wood = penis) suggested that Sherlock “widen his gaze” he used coded language to describe the opening of the “Horus Eye.” Sherlock had modeled the “hidden eye” for us earlier, in a disguise where he donned an eye patch. He and Watson both did some signaling with their hats. The exploitation of the Horus Eye has been practiced by “kings, pharaohs and emperors of old” and the fraternity who silently controls the empire for thousands of years. The sphinx or sphincter, as that anatomy associated with the kundalini gland activation of the pineal gland, actually IS “a door to another dimension, a gateway to immeasurable power.” The gnosis and enlightenment is acquired through the spiritual connection established thereby. While some consider that a benefit, it's ultimately only a benefit to the deceiving demons who gain control over those initiated into the ancient mysteries. This is the basis for their power.

The illuminated detective continues his monologue, describing the form of the sphinx and establishing it as the basis for Blackwood's Occult ritual that is mapped upon the city of London.

Sherlock Holmes: “It's made up of four parts, the foot of a lion, the tail of an ox, the wings of an eagle and the head of a man. In Sir Thomas' secret chamber I found the bone of an ox, the tooth of a lion, the feather of an eagle and hair of a man. Map. (Watson responds to his request by producing a map of the city.) The points of the star represent the five murdered girls but the cross is what we're now interested in. It's a widely held belief that within the architecture of the great cities are coded references to this system. Since he rose from the grave, Blackwood has killed three men. Each murder was committed at a location that has a direct connection with the temple, therefore, the system.”

These four figures appear together in association with the throne of the true God. See Revelation 4:7 and Ezekiel 1:10. These figures can be identified as celestial signs but they very specifically represent the highest orders of angelic beings.

Here's a couple of screenshots of what Sherlock drew out during his season of ritual illumination.

Magicians work by exercising control over demons who are other-dimensional beings. They often do this by calling the demons by name, by means of mental discipline and by leveraging symbols that are both concrete and imagined, as drawn in the air itself or expressed through other gestures. Sometimes implements like bells, candles, incense, salt, knives or artifacts of various kinds are used, which are “charged,” spiritually, with demonic presence. Ritual sex and torture and sacrifice and the keeping of a Pagan ceremonial calendar is standard practice. None of this is done to impress an audience. It's not show business. It's done in environments where there's a degree of insulation so they are not interrupted. These rituals are done to raise power for one purpose or another, to command more demonic authority and dedicate it to their objectives, which are really their lying god's objectives. I'm telling you these things so you can have a better sense of the kind of black magick involved in the stargate operation, because this is what so much of the film is about.

“The Lesser Banishing Ritual of the Pentagram (or LBRP) is a ceremonial magic ritual devised and used by the original order of the Golden Dawn that has become a mainstay in modern occultism. This ritual is considered by many to be a basic preliminary to any other magical work, so much that it was the only ritual, beside initiation rituals, taught to members of the Golden Dawn before they advanced to the Inner Order.” (Wikipedia)

The LBRP is preliminary to the working intended to be accomplished in the ritual. This ritual actually invokes the names of the God of Yisrale and the four angels mentioned in chapter 9 of the book of Enoch. What is on exhibit in the Temple of the Four Orders and Blackwood's ritual of the Temple is not just some random fiction providing entertainment. It's well crafted, with skill, concealing and yet revealing in ways that have become familiar.

In the following image, we see a pyramid, with 4 pillars at the corners. Associated with these are creatures of a form called Griffins. It's an image of dimensional control, with the four winds of heaven. It's an expression of stargate technology.

According to the alignment of the connected Golden and Silver Gates, the Zodiac is bisected in such a way that all four elements astrologically connected to the signs are bound together.

Lord Blackwood's magick ritual and the attributes and activity of the Temple of the Four Orders, together with Sherlock's own observations and the set and settings of the film conceal and reveal plenty about the theme of Horus, transiting the stargate as facilitated through black magick, the alchemical combination of science and dark arts, a practical magic. I'll close this post with what is probably a segue into the next post in series.

The unfinished Tower Bridge is featured in the climactic scene where Lord Blackwood and Mr. Holmes have their last engagement. Blackwood meets his end, falling from the heights. It's a freefall off a tower. A tower that is a bridge. You're tracking the meaning, right? He is later pictured hanging from a chain off the bridge. That's right, a chain. It reminds us of his public hanging, when he met his supposed death earlier in the film. We wonder, is he really dead? Will he rise again? The bridge is unfinished. It's a Silver Gate symbol, and the unfinished state of the Tower Bridge is a witness to the ongoing effort to finish the black magick ritual work of bridging of heaven and earth via the opened Silver Gate, through which Horus and his cohorts will descend.

Part 15 - Celestial Stargates - Operative Black Magick

Series Links: Celestial Stargates

I haven't yet highlighted how black magick is being signaled in connection with the stargates, which is a key operative element, so that's going to be my focus in this post.

The stargate operations in the Wizard of Oz are linked with black magic. Note how the transits take place during highly traumatic situations, when Dorothy and Toto are threatened with death by twister and then by the Wicked Witch of the West. This observation illustrates the source of energy for the work.

In the “Insane” video, the guy trying to catch the falling candlestick signals by his clothing that he's a warlock and that black magick is involved.

In a stargate sequence of the viral Occult video, “I, Pet Goat II,” the character we recognize as Osama Bin Laden has black wings and is performing an invocation during a lunar eclipse, which I intend to explain soon, Lord willing, because he's playing a dual role.

The witches in the Practical Magic film send the same signal through their black clothing as they leap off the rooftop. In this clip of the ending scene, you can hear NLP dropped about traveling back in time and lifting a curse. Keep that in mind. When the witches hit the ground, do you see the living dead?

Black magicians Aleister Crowley and Jack Parsons famously performed rituals that opened stargates.

Much of what passes for the practice of science is alchemy driven through the hidden practice of black magick, and so is the majority of religious practice and the obsessive participation in “secular” activities like sports and the arts. The ignorant (but not really so innocent) public is aiding the opening of the stargates. Most are unwitting agents who are directed behind the scenes through symbol magick, black magick. (Remember what Confucious said rules the world? I can't dispute that.) The stress and tension people are feeling today fuels the magicians and their gods with a potent supernaturalism. Each terrorist act or bloody revolution adds to the sum, and everything that resonates with them.

Jim Wilhelmsen demonstrates that he has some grasp of the role black magick is playing. He believes time will be used as a weapon against mankind, and I think that's a fair statement because it's through the manipulation of time itself that critical objectives will be achieved. I've written about that regularly on this blog. In Part 2 of his series about Time Travel in the Bible he offers some alternate renderings of verses that are more useful than the popular versions in circulation.

A day of darkness and gloom, a day of clouds and thick darkness. As the dawn is spread over the mountains, so there is a great and mighty people; There has never been anything like it, nor will there be again after it to the years of many generations. ~ Joel 2:2

His rendering: “A day of ignorance and concealment. A day of practiced magic and the lowering of high things. As the dawn spreads out upon the mountains, a huge congregated mighty people come into existance that has never been before and shall never be after.” A witness to this “day of practiced magic” appears in the film titled “Practical Magic,” with “the lowering of high things” pictured cryptically as the stargate opened through black magick.

Jim comments that, "The lowering of high things is the technology that produced a mighty army of creation's first appearance and destined to total destruction. The difference of this group from the pre-Flood hybrid offspring is further mentioned in verse 8, where they fall upon a sword and are not even wounded. They are impervious to death as we know it. And this time they come back in bodies that are immortal. This splicing is mentioned in Isaiah 14:29."

Here's that verse.

“Do not rejoice, O Philistia, all of you, Because the rod that struck you is broken; for from the serpent’s root a viper will come out, and its fruit will be a flying serpent. ~ Isaiah 14:29 NASB

Jim says “Philistia is the last refuge of the giants that fled genocide as God instructed Joshua and Caleb” (Joshua 13:2). Here's his interpretation of Isaiah 14:29. “Rejoice not, O Philistines, because the tribe of Dan who punished you shall be broken and out of the Serpent soil shall come an extrusion of offspring, shining ones to cover with obscurity, the Serpent.”

Jim gets into some things I haven't studied for a very long time, and I'm not led to explore or elaborate on the subject further at this point in time, and while I can't throw a blanket endorsement over all his conclusions (which is not to suggest that I'm actually qualified to do so), some of what Jim is describing distinctly intersects with what the Lord has opened to me.

As to the lowering of high things, the magickal leveraging of the principle sometimes called the Hermetic Maxim, “As Above So Below,” imports alien knowledge and entities from a high or rather underworld dimension. The dimensional barriers are being and will be breached for more significant incursions of demonic agencies. This must be so because this action is appointed for the execution of judgment. I give the most attention on this blog to that incursion that will manifest shortly as the singular incarnation of Horus as kind of an avatar, but I'm also attending to some of what will follow after that, which provides some really necessary context within which the connected events are better understood.

The stargate transits including the incarnation of Horus, or resurrection of Osiris into Horus, appears to be featured in Isaiah 14:9-11. Jim Wilhelmsen renders it as follows.

“Hell from beneath is excited for you, to meet you at your coming; it wakes up the dead for you, even all the chief ones of the earth; it has raised up from their thrones all the Kings of the Nations. All they shall ask you, "Are you also become weak as we? Are you become like us?" your majesty and glory is brought with you down to the grave, and the clamor of your spent life: The man is spread out into the place of Christ's as a garment.”

A Hebrew word that describes a “stargate” appears in Joel 2:8 to supplement the description of Joel 2:2, rendered earlier.

They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)

“In his path” is “mecillah,” the viaduct or way of ascension and descending between the realms. Translations vary widely about the latter part of the verse. I find the following particularly compelling, as I do the NASB rendering.

And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)

They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)

No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)

A notable exploitation of the stargate is in view. Jim Wilhelmsen makes an observation from Luke 21.

men fainting from fear and the expectation of the things which are coming upon the world; for the powers of the heavens will be shaken. ~ Luke 21:26 NASB

Jim notes that “shaken” can indicate, “to move from a place of security to an insecure place or position.” There's a link in this shaking to what's described in Amos 9:1, regarding the stargate pillars. (“Smite the capitals so that the thresholds will shake” - see Part 11) The 9th chapter of Job also bears witness to trembling pillars.

1 Then Job answered, 2 “In truth I know that this is so; But how can a man be in the right before God? 3 “If one wished to dispute with Him, he could not answer Him once in a thousand times. 4 “Wise in heart and mighty in strength, who has defied Him without harm? 5 “It is God who removes the mountains, they know not how, when He overturns them in His anger; 6 Who shakes the earth out of its place, and its pillars tremble; 7 Who commands the sun not to shine, and sets a seal upon the stars; 8 Who alone stretches out the heavens and tramples down the waves of the sea; 9 Who makes the Bear, Orion and the Pleiades, and the chambers of the south; 10 Who does great things, unfathomable, and wondrous works without number. ~ Job 9:1-10

The major incursion of the forces appointed for judgment aren't technically due for yet about another half a millennium, as I understand the 70 generation span prophesied for the binding of Semyaza and his associates. Yet, because of the manipulation of time, the linear continuity will be disrupted, and that early release of the time-locked vault is the reason why.

11) And the Lord said to Michael: “Go, inform Semyaza, and the others with him, who have associated with the women to corrupt themselves with them in all their uncleanness.
12) When all their sons kill each other, and when they see the destruction of their loved ones, bind them for seventy generations, under the hills of the earth, until the day of their judgment and of their consummation, until the judgment, which is for all eternity, is accomplished.
~ 1 Enoch 10:11-12

As I've written before, when they are released, the Lord has ordained that they should be agents of judgment, to execute judgment upon the earth for a short season. The Nachash has eagerly anticipated this release for a very, very long time.

1) The vision which Esaias son of Amos saw against Babylon.
2) Lift up a standard on the mountain of the plain, exalt the voice to them, beckon with the hand, open the gates, ye rulers.
3) I give command, and I bring them: giants are coming to fulfil my wrath, rejoicing at the same time and insulting.
4) A voice of many nations on the mountains, even like to that of many nations; a voice of kings and nations gathered together: the Lord of hosts has given command to a war-like nation,
5) to come from a land afar off, from the utmost foundation of heaven; the Lord and his warriors are coming to destroy all the world.
~ Isaiah 13:1-5 (LXX - Brenton)

9) The spirits of the giants shall be like clouds, which shall oppress, corrupt, fall, contend, and bruise upon earth.
10) They shall cause lamentation. No food shall they eat; and they shall be thirsty; they shall be concealed, and shall not rise up against the sons of men, and against women; for they come forth during the days of slaughter and destruction.
~ Enoch 15:9-10

This is one reason why the black magick, that practical magick, is being practiced continually, for the lowering of high things. The manipulation of time and the opening of the stargates is the mechanism of access to the resources necessary to accomplish the Adversary' goals.

Part 14 - Celestial Stargates - SS Runes and Lady Gaga

At this point in the series there's a collection of loosely organized observations I'd like to offer. It's not very tightly focused but there's plenty of value in some of these insights.

The featuring of the identity of the sun god is often very subtle in the classic Wizard of Oz film, but it's a constant undercurrent. I've given many examples already in this blog. This excellent video presents many examples of how sun and pyramid symbolism is embedded throughout the film. The Wizard of Oz-Movie Magick-illuminati Hollywood. He is the one the stargate rituals are all about.

An image of the sun god appears in the ritual room of the Wicked Witch of the West, perched on the left side of the high back of the throne-like chair that faces the crystal ball. He appears in his form as the eagle, probably a golden eagle.

The acronym of the customary label, Wicked Witch of the West, is WWW, which evokes the mark of the beast. WWW transforms to 666 with W as vav, the 6th letter of the Hebrew alphabet.

The book the film was based upon reveals how the WWW's castle is located in Winkie Country. The guards of her castle are Winkie guards. She rules over Winkie Country. The name “Winkie” has “wink” for a root, which is the closing of one eye. That hides the eye and the hidden eye is the Horus Eye, of course. It seems the author L. Frank Baum and the producers of the film were winking at those who shared their secrets.


There is another geographical item of note. I suspect the flying monkey monstrosities may derive from a legend where there's a link to the pillar of the Silver Gate. In symbol, things with winds and things that fly indicate the ability to traverse dimensional barriers as they literally fly between a heaven and earth. This is the ability of the gods.

“SATYR, LIBYAN (Satyroi Libyes) Monkey-like satyrs which lived in the forest of Mount Atlas in North-West Africa” (Theoi.com)

You may recall the following excerpt from Part 6, which connects those Mount Atlas to Sirius and Gemini and the Pillar of Heaven that is known as the Silver Gate.

“The twins of Gemini, whose Astrological glyph is two pillars II, were the inspiration for not only the foundation myths of Rome and Thebes, but also for Atlantis. Atlantis was ruled by seven sets of twins, the most famous king being the son of Poseidon, Atlas. The Atlas Mountains in Algeria lay directly under Sirius and Gemini. Atlas, it was said, held up the pillars where heaven and earth connected. According to Herodotus, the Libyans living around the Atlas Mountains professed to know the measurements of the earth: 'These mountains are very high and were believed to touch heaven, but were altogether inaccessible because of the density of trees and [they] call this mountain “the Pillar of Heaven”; and they themselves take their name from it, being called Atlantes.' [Herodotus]” (The David Flynn Collection)

The room where Dorothy was kept is where the WWW apparently did her star gazing. It's kind of an observatory. Some practitioners of ceremonial magick claim that round rooms are conducive to potent spell casting. Given the spherical containment bubble within which protection is afforded to the witch and energy is raised, it makes sense as physically complementing the geometrical expression of the supernaturalism. I see the domed and arched architectural elements that prevail in temple architectures in this same way. Magick is about modeling- as above, so below, and commanding and binding those beyond, from here.

Compare the WWW's ritual room with one featured in a castle that the Nazi SS appropriated in 1934. The triangular castle in Wewelsburg, Germany is aligned on the North-South axis, and this was of particular interest to Heinrich Himmler. I do not doubt that he was linking the local Westphalian legend of the "Battle at the birch tree" (Schlacht am Birkenbaum) to the campaign of Armageddon. That's a big deal. The castle was to be their Center of the World, which reveals how much importance was assigned to it in their cult religion. In this picture, you can see the black sun emblem embedded in the floor of the cylindrical tower, which has been called the "Obergruppenführer"-Hall (SS Generals' Hall). The black sun is considered by some (including Chilean diplomat and esoteric author Miguel Serrano) to be a stargate. As a symbol of ritual sodomy, which had to have been ceremonially practiced there along with human sacrifice, it is certainly that. As a 12 fold radial image of the celestial, the black sun symbol must be seen in connection with the zodiac, and quite possibly with the King planet, Jupiter, which has a period of 12 earth years. With pillars joined by arches surrounding the black sun emblem, their ritual room compares to the WWW ritual room. Those who designed the set for the MGM film and the esoteric Nazis have the same spiritual heritage.

The black sun is believed by some to be a radial array of Sig runes, which are sun runes. This symbol is related to the magickal swastika and is a multiplication of the double Sig runes of the SS. Runes held an important role in their religion. They are magical symbols.

The SS rune pair speaks to me of two things. First, it's a reference to the sun god as the enchanter, the Nachash, the fiery serpent. The root of that Hebrew word is the hissing sound, which is the sound of an enchanter. I have listened to hundreds of hours of audio recordings played backwards seeking to understand what the Lord might reveal to me about reverse speech, and I have heard many instances of hissing. Reference is very obviously being made to the Nachash. Instead of naming him, a simple hiss suffices, and sometimes a very brief one at that. The other thing the SS speaks to me of is the stargate known as the celestial Golden Gate. Scorpio and Sagittarius: SS.

I believe many SS brands and logos are symbols like the Nazi SS runes. I have noted how the Silver Gate is being represented as TG or GT, for the region of Taurus and Gemini. I'll present an example shortly, but here's one for the SS.

The runic SS is featured in Lady Gaga's branding. Her lightning body image is a doubled Sig rune. This runic connection with the Nazi SS is evident in her Born This Way music video. The symbolism of the Waffen-SS isn't merely coincidental. The birthing of a new race, the conception and birth, black magic, cloning, the living dead, these are all pretty obvious themes.

The flag flown at the headquarters of the Waffen-SS pictures the four winds of heaven, which appear in Gaga's video as bursts of flames exiting the gun barrels. Like how bullets bring death, this is what their runic magick is bringing by advancing Horus' incarnating into the Totenkopf-Jolly Roger beast, to make “living dead” of us all. The death-life “bullet” is the DNA life of the serpent tree, the hiSS-Nachash, Lucifer. It has to do with stargates, and the celestial Scorpio-Sagittarius Gate.

The movie poster for Practical Magic features the Silver Gate by calling out the intersecting letters T and G in the stylized title. Taurus-Gemini. They cross, and + or X marks the spot. They are superimposed over a white candle. The candle is a cylindrical pillar, with a light on top, a pillar of heaven and stargate symbol. I've decoded some of this poster's symbolism already. The black umbrellas are signs of ritual sodomy and mind-control programming. The stacked and entwined letters C are a double C Code 33 symbol, and these intersect to form the richly symbolic vesica piscis to extend the sex magick layers. The stacked letters “i” form a magic wand, and identify the “i” of Horus, the star-angel. I think it can be inferred that this wand is another pillar of the Silver Gate. Given the context, Ra is obviously implied, naming the sun god, with the extended leg of the R implying a Horus Eye. A pyramid with capstone is pictured in the stacking of the A over the M. With the R connected in to the A over M pyramid, it is the Eye of Ra like on the Great Seal of the USA. The RA and M speak to me of the Royal Arch Masons, whose symbolism is embedded in so many places in sneaky ways. The way the witches hold hands forms the letters M, with all the layers of meaning in that ubiquitous symbol. The poster is like the film. There's practical magic at work, quite literally. This is a bit of a reach, but if you rotate the final M formed by the two witches on the right, they spell out, TIME. That's usually featured in Silver Gate ritual. So is leaping, and if you watch the movie, the scene pictured here is at the very end. They are about to leap off the roof together. Yes, it's a Silver Gate ritual!

More to follow, Lord willing!

Part 13 - Celestial Stargates - Run Toto, Run!

Series Links: Celestial Stargates

I must admit that several scenes of the classic Wizard of Oz film traumatized me when I was young, as so many others have reported over the 74+ years since it was unleashed upon the world. One scene that was indelibly imprinted into my life pictured Anubis, transiting the Silver and Golden Gates. Until very recently, I only perceived it as it appears on the surface, as Dorothy's little dog Toto escaping from the castle of the Wicked Witch of the West. The surrounding context of that scene matches the pillar leaping dramatizations from “I, Pet Goat II” and A-Jax's music video for “Insane” I've been featuring in this series of posts. These are exhibits of the Adversary's exploitation of the stargates. They are redundant prophecies, which the Lord Y'shua is shedding light on to provide a validating witness to the parallel biblical prophecies, which are now beginning to be fulfilled.

The setting is pictured in the screenshot below. The low pillar at left has a large iron ring. On it sits a large hourglass. Time is the key to the stargate's operation. The creepy flying monkey has set the basket containing Toto next to the hourglass.

Here's some dialog with a little commentary about the action of the scene. The words where time is a factor are upper-case to call attention to the crafty NLP.

Dorothy has been captured and is being held by the witch in the ritual room of her castle.

WWW: “What a nice little dog.” (She snarls and stuffs Toto in the basket.) “And you my dear, what an UNEXPECTED pleasure. It's so kind of you to visit me in my LONELINESS.”
Dorothy: “What are you going to do with my dog? Give him back to me.”
WWW: “All in good TIME, my little pretty. All in good TIME.”
Dorothy: “Oh please give me back my dog.”
WWW: “Certainly, Certainly. WHEN you give me those slippers.”
Dorothy: “But the Good Witch of the North told me not to.”
WWW: “Very well.” (to the Flying Monkey) “Throw that basket in the river and drown him!”
Dorothy: “No - no - no! Here. You can have your OLD slippers, but give me back Toto.”
WWW: “That's a good little girl. I KNEW you'd see reason.”

The witch reaches for the ruby slippers but some kind of magical energetic discharge thwarts her effort.

Dorothy: “I'm sorry. I didn't do it. Can I still have my dog?”
WWW: “No! Fool that I am. I should have REMEMBERED. Those slippers will NEVER come off, as LONG as you're alive. But that's not what's worrying me. It's how to do it. These things must be done delicately or you hurt the spell.”

Toto jumps out of the basket, off the pillar and escapes through the open door.”

Dorothy: Run, Toto, Run!
WWW to the flying monkey: “Catch him you fool!”

Toto descends the stairs and runs to the edge of the raising drawbridge. He leaps down, across the moat, escaping down the path while the guards throw their spears behind.”

Dorothy: “He got away. He got away!”
WWW: “Oh, which is more than you will. Drat you and your dog. You've been more trouble to me than you're worth, one way or another. But it'll SOON be over NOW.”

She picks up the hourglass and turns it over to reset it.

WWW:“Do you see that? That's how much LONGER you've got to be alive. And it isn't LONG, my pretty. It isn't LONG. I can't WAIT FOREVER to get those shoes.”

Time itself and the timing of things are critical elements that must be given due attention in ritual magick that pertains to stargate transit. This is the witness of this film's performance, as with the comparable vehicles of “Insane” and “I, Pet Goat II.”

This film's performance of the stargate ritual compares to the twister and picket fence gate sequence and the spiraling yellow brick road sequence addressed earlier. First we see the Silver Gate transit modeled, then immediately following it, the transiting of the Golden Gate. We see Toto as the Dog Star, Anubis, transiting the Silver Gate as he leaps off the concrete pillar. As he descends the stairs we see Toto and his shadow on the wall in an expression of the synchronized activity in two parallel realms, one that appears as a shadow of the other. When Toto arrives at the edge of the drawbridge, he pauses and we see the set as the Golden Gate, with a bonus featuring of the iron gate. Leaping off the raised bridge down over the moat to the other side, “Anubis” transits the Golden Gate.

The Silver Gate is pictured as the light colored concrete pillar with the hourglass. It's high up in the castle tower, where we earlier were shown the flying monkey army being dispatched to fetch Dorothy. Silver Gate: Taurus-Earth / Gemini-Air. The Golden Gate is pictured at the drawbridge. Scorpio-Water / Sagittarius-Fire - the moat and the flaming torches flanking the bridge. Sagittarius is the archer, and although I see none of those, I think the spear throwing guards provide adequate support to the symbol.

There's no lack of complementary celestial imagery here.

The WWW's ritual room has many signs that astrology is being practiced there. The armillary sphere is used by diviners and astrologers for representing the positions of the stars and planets.

“An armillary sphere (variations are known as spherical astrolabe, armilla, or armil) is a model of objects in the sky (in the celestial sphere), consisting of a spherical framework of rings, centered on Earth, that represent lines of celestial longitude and latitude and other astronomically important features such as the ecliptic. As such, it differs from a celestial globe, which is a smooth sphere whose principal purpose is to map the constellations.” (Wikipedia)

The wavy golden band on the chest below it represents the tracing of the locations where the sun may be seen directly overhead at Noon, a position that oscillates back and forth across the equator like a giant pendulum that has a period of one solar year.

Did you happen to notice the designs on the floor encircling the circular stepped platform? It's the circle of the Zodiac!

The crystal ball appears on the raised platform at the center of the Zodiac, in the place of the observer, Earth itself. The base of the ball contains images of demonic beasts, populating the “under” world. (It's the Duat) The Sun, Moon and planets would appear to revolve in the space between the crystal ball and the outer ring.

The hourglass might be used for recording transits of planets across the sun or moon, timing eclipses, or when creating potions for spells. A mortar and pestle, which appears on the pillar next to the hourglass, is used for grinding such things a witch might use for such potions and alchemical workings.

This is the context in which we find the pillar, positioned between the door and the Zodiacal representation. The pillar is the gateway to the celestial heavens.

Do you see the panel on the zodiacal ring with concentric rectangles? That seems to represent stacked dimensions.

Here's a screenshot from “Insane,” a very brief sequence at the 27 second mark. Mirrors used for spells and scrying are associated with the moon, which would be the Silver Gate. By the way, the familiar story book style wishing well could be used for scrying, which reflects celestial lights like the moon in the still surface of the water.

Here's a sequence of concentric rectangles from I, Pet Goat II, where Anubis and Osiris-Horus appear as out of the Milky Way Duat.

Whoah! Full Stop.

What's going on in this last image?

The messiah figure is being constrained to the actual bounding frame of the video! It's an acknowledgment of our dimensional plane of reference as the viewers. Remember what I wrote about Bullwinkle's employment of a theatrical device called breaking the fourth wall?

“The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play. The idea of the fourth wall was made explicit by philosopher and critic Denis Diderot and spread in 19th-century theatre with the advent of theatrical realism, which extended the idea to the imaginary boundary between any fictional work and its audience. Speaking directly to or otherwise acknowledging the audience through the camera in a film or television program, or through this imaginary wall in a play, is referred to as "breaking the fourth wall" and is considered a technique of metafiction, as it penetrates the boundaries normally set up by works of fiction.” (Wikipedia)

So, Anubis bears the messianic figure along in the Milky Way Duat directly towards us, until he comes to the fourth wall, the barrier separating us. And, then, he breaks through!

He's larger, which means closer, and no longer constrained by the barrier. He's broken through, transiting the stargate! He opens his mouth and flames are emitted. This may suggest the Golden Gate, as Sagittarius is associated with fire. Or, it may just be picturing the truth of the symbolic level I only hinted at in the previous post in series. Dragons breathe fire. Revelation 13:11 - But I don't want to get too far ahead of myself.

For me, having become familiar with a stargate being represented as a viaduct, the first clue in the larger context of the scene that the castle might have something to do with stargates began with this image. Remember my writing about the mecillah? The viaduct or raised arched highway that provides access to the castle suggests that it actually exists in another dimension.

More to follow, Lord willing.