Part 22 - Celestial Stargates - The Hourglass, Wormhole, Orion, Pyramids and Light Speed Cones

In media presentations where celestial stargate transits are being illustrated, time keeping mechanisms like clocks and dialogue peppered with time words are familiar features. The hourglass symbol has some particularly profound implications, like the pendulum. These are worthy of further exploration.

The brightest and most easily recognized constellation resembles an hourglass in the sky. Orion. This sign identifies the celestial Silver Gate, so the hourglass symbol can well be used to represent the Silver Gate.

This constellation has also been identified as the celestial end of a bridging pillar, anchored to the Earth at the Giza pyramids. The three stars in the belt are represented on the earth by the Great Pyramid and the two others with it, as popularized by Robert Bauval. The hourglass contains the flowing sand from which derives the expression, “the sands of time.” I note that the hourglass of Orion above is, below, filled with sand in the desert of Giza.

Orion has long been identified with Osiris. The hourglass further presents the form of an X, which is the mark of the sun god. It should be noted that every hourglass can be traced around to form a mirrored pair of 3s, like the numeral 8, so there is an implicit Code 33. The infinity symbol may also be traced through it, aligned in a way that us usually perpendicular its most familiar orientation. Another notable hourglass figure is the analemma, which represents a path traced by the Sun and by the Moon from Earth as plotted at certain intervals.

The hourglass actually presents a diagrammatic image of a wormhole as the warping of spacetime.

The hourglass also resembles the opposing cones used in cosmology to represent past and future light speed world lines when illustrating Einsteinian relativity.

The hourglass and the classical image of the wormhole share the form of the core of a torus. The torus, as a homonym of Taurus, is, alongside the stick figure of Orion, another way the hourglass suggests the Silver Gate.

This book cover pictures a scene from The Time Tunnel, a TV series from 1966-67 (which I can still remember watching). The graphic on the floor is easily recognized as a stylized hourglass, and also the time cones of Einsteinian relativity. The funnel-like object is the opening of the stargate they called the Time Tunnel, which was used to transport people back and forth through time. The hourglasses presented in the show's intro sequences present the frame as two flanking pillars, stargate and perhaps more specifically, Silver Gate imagery.

The Pyramid book cover and title encodes a Silver Gate image in the clever positioning of the letters. They are stacked and shaped into a pyramid, with their own Pyramid publishing icon as the capstone. The three Ts align to signal a Triple Tau, the Masonic Royal Arch emblem, which is itself a dimensional portal symbol. Two letters E align for a Code 33 signal, which makes “The” (which is called out by being mixed case instead of upper-case) a complementary instance (the=20+8+5=33).

There is a capping of a smaller scale pyramid with the letter “e,” the 5th letter representing 5-Horus. The body is “M” (rebel lord beast - 13 - two pillars - Gemini) on a base of twin letters “N,” symbols of the Nachash and dimensional portals. These symbols have been given adequate exposure in previous posts to this blog, but it's good to be reminded to keep such things fresh in mind.

This image of the light speed cones superimposed upon the Great Pyramid can be found on many pages.

The great pyramid is being connected to Orion's hourglass belt and the light speed cones of relativity to suggest an unseen dimensional projection.

When NASA designed the Gemini project symbol they bowed the twin pillars of the astrological glyph inward. This bowing suggests the hourglass and wormhole and lends support to the interpretation of the two stars as angels transiting the Silver Gate.

An hourglass appears in the Harry Potter series of films in the context of signaling the Silver Gate. These scenes are from # 6 in the series, Harry Potter and the Half Blood Prince.

There is a professor named Horace (Horus!) who has a magickal hourglass, where time moves more quickly or slowly depending on how interesting he finds the conversation to be, and then it resets. What's pictured is mind control, and stargate control.

They are using the twin "sister" mechanisms to transport and storm the castle in the astronomy tower. The form of four pillars supporting one speak to me of the four winds of heaven, a multidimensional biblical construct, which I hope to address soon.


The hourglass is considered to have been in use since the 14th century, but earlier timers that used water (clepsydra) are thought by some to have been used by the ancient Egyptians. In those timing devices flowed the water of time, in a figure, or a river of time.

A Wikipedia entry makes some useful observations. “Unlike most other methods of measuring time, the hourglass concretely represents the present as being between the past and the future, and this has made it an enduring symbol of time itself. The hourglass, sometimes with the addition of metaphorical wings, is often depicted as a symbol that human existence is fleeting, and that the "sands of time" will run out for every human life. It was used thus on pirate flags, to strike fear into the hearts of the pirates' victims. In England, hourglasses were sometimes placed in coffins, and they have graced gravestones for centuries. The hourglass was also used in alchemy as a symbol for hour.” Wikipedia. It's an easy place to find facts that hint at the truth of things.

The expression "time flies" or flees, “tempus fugit,” matches the symbol of the winged hourglass. Because winged things indicate transdimensional capability, the wings enhance the hourglass as a stargate symbol. This figure is often seen on gravestones in conjunction with skulls and crossed bones, which provides us with redundant symbols for the sun god Horus as the antichrist beast, and, in that context, resurrection, as I've previously explored at length on this blog. Even without the wings, the hourglass presents the same symbol of resurrection in that context.

Sometimes the hourglass is reclined so that no sand is passing, which represents the sleep of death where there is no apparent passage of time.

Sometimes the symbol of an hourglass within an Ouroboros appears on a gravestone, with or without wings. The immortality and eternal life is thus pictured with both the river of time and the sands of time - and the Nachash life of Horus, resurrected out of Osiris.

The Latin expression, memento mori, which means, “remember that you will die,” is commonly associated with the symbol of skulls and bones in artwork, with or without the hourglass.
This is widely accepted as a reminder of how life may be short and therefore to be considered as precious, not really that unlike the expression of “carpe dium,” “seize the day.” The symbols ascribed to memento mori mean much more than that, in typical Occult fashion. They point to resurrection, and Horus, and in that context the transiting of a stargate is implicit. In ancient texts, Horus is linked with the eye of time. The pictographic story of hourglass - skull - crossed bones tells of death and resurrection, of the sun god kind. Search this blog for skull and crossbones or Jolly Roger to find more about this symbolism.

For many years, every ship navigating the high seas had at least one hourglass onboard. These were used for navigation (dead reckoning) and for timing the labor shifts, called watches. The hourglass appearing on pirate flags like those of Blackbeard, Black Bart and Emanuel Wayne speaks to me of the history of piracy and the Knights Templar. I believe “Templar” suggests not only the Temple and also time, that which is temporal. The Temple in Jerusalem is, as proposed and adequately demonstrated by David Flynn, a reference point for a center of time. (You can find a remarkable validation here, David Flynn - Gone on Ahead (UTAH Beach - Direct Hit!)) It is Zion, a version ruled over by the Dragon, enthroned in the incarnation of Horus, which the inheritors of the quest of the Templars hope to bring forth. By wielding control over time itself, they intend to leverage the stargates in fulfilling their ancient hopes, and a level of success will be granted.

More to follow, Lord willing!

Part 2 - On Twelves and Thirteens - Signs of Time and its Mastery

Series Links: On Twelves and Thirteens - Signs of Time and its Mastery

Continuing on, here's some more examples of how the number 12 signals time, and how 13 signals the wielding of control over time, as 13 transcends the 12.

When we talk about space-time, its common to refer to the 3 dimensions of space as 3D. Because D is the 4th letter, the numbering of 34 is produced. This is actually an esoteric code for time, which suggests the labeling of space as 3D was done with this concept in view. About 34: 3+4=7 and 3*4=12 so we see both of these primary time numbers are directly produced.

In every instance of what I refer to as Code 47 there exists an implicit 12 in the math, and what that means is that the subject of time factors in as an essential component. The 47th Problem of Euclid involves the area of a 3.4.5 dimensioned right triangle. From the diagram, observe how 3+4+5 = 12, identifying the base triangle with time by reason of its circumference. The triangle is a fundamental geometric figure and a simple metaphor for the 3 dimensions of space. The 3.4.5 triangle is therefore a fundamental symbol of space-time. Observe how the primary time number 7 is the sum of the parent lengths 3 and 4, and that the primary time number 12 is the unseen area implied between them.

In another notable feature, the standard Occult gematria value of the word, time, is 47! Code 47 invokes the word and meaning of, time.

T + I + M + E ~ 20+9+13+5=47

The floors of the temples and lodges of Freemasonry feature what they call the Oblong Square, which is always of the 3x4 dimension. Because the 47th problem of Euclid is a foundational puzzle for Freemasons we should rightly connect the two for insight into what the Oblong Square represents. The 3x4 dimension is derived from the Pythagorean 3.4.5 triangle that is the basis for the 47th problem of Euclid. Remember, the 7 and 12 are implicit in this geometry, and these fundamental numbers of cycling time are being identified through a geometric grid of squares which the Freemasons emphasize by tiling the area with black and white squares. Space and time are very often represented by squares and circles in combination, respectively. Through the ratio of the squares in the Oblong Square the implied circle for time is generated in a ritual “squaring of the circle.”

This theurgic ritual magnifies that which is performed in the square and compass symbol, the ubiquitous emblem of the tools used for drawing such squares and circles. The Freemasons thereby boast of their mastery of the domain through these Occult emblems. The other symbols of their meeting rooms and tracingboards, like the pillars, the Royal Arch, sun and moon, etc. extend the imagery to illustrate a transcending of this space-time domain. The meeting rooms pictured in these familiar tracingboards are claimed to be modeled on the temple that Solomon had been given to build on Jerusalem's Mount Zion. We should know that building to have geolocated a divinely appointed connection with the highest throne of heaven and function as a center of time, because it's been quite adequately demonstrated by David Flynn.

Underscoring the interpretation of the Oblong Square floor as signaling space and time and mastery over it, let's consider what's under it as a kind of space-time ark. An understanding of the 12 and the 13 should become evident. These are secrets of heaven, legitimate secrets, and you are witnesses to the leveraging of these by the illumined on their left hand path as aided by the Fallen in their hijacking schemes. Ultimately, they will fail, but limited success for a season has surely been granted.

Pictured under the floor of the Lodge-Temple is a coffin. We're officially told it honors the ancient architect named Hiram Abif. That character is code for Osiris, who, according to the ancient religion still practiced today, is raised by Isis into Horus. I've written lots about this over the years, making very relevant biblical and prophetic connections. The coffin bears the skull and bones symbol, which is a mark of Osiris. The coffin is a kind of space-time ark that has to do with control over time, and this ark hidden under the floor will be seen to compare to the ark of the covenant, the artifact I've recently blogged about at some length. According to legend, after being killed and dismembered, only 13 of the 14 pieces of Osiris were subsequently recovered and reassembled by Isis. Note from this how the number 13 is therefore implicit in the body of Osiris. That's the time control number, and Osiris has long been identified as the lord of time in the ancient texts of The Book of the Dead.

The coffin bears the XO symbol in the form of the skull and bones. On one level, XO represents space and time (XO also equates to a square and a circle). From another perspective, the XO signals the number for the underworld abyss - 66- because both the X and O transform to 6. (X is 24 and O is 15 so add the digits.) Osiris, god of the underworld, god of the dead. Many Occultists accept that the union of the X and O establishes the celestial throne of the goddess, in association with the work of the god of the abyss (known in that context as Nodens). It's a ritual resurrection of Osiris by Isis into Horus, through a mastery of space-time that facilitates the requisite operation of the ancient celestial stargate and permits transit from the underworld to manifest in this realm.

Here's why we should see a connection between the coffin of Hiram Abif and the ark of the covenant that was in the Temple of Solomon. In some tracingboards, we see a box next to the coffin that has long poles. One thing is like the other. The tracingboards have a lot of redundancy in symbol. The acacia sprigs are clues that link that coffin to the hammered-gold-over-acacia-wood ark of the covenant. This speaks to me of a ritual hijacking of the ark of the covenant and what is now manifesting as an actual seizing of control over the flow of time. There's more control yet to be established, and certainly more mechanisms wielding their influential power, but there it is. The coffin under the floor has to do with the time hack that will eventually result in the opening of the stargate to bring Horus through into this space-time domain, and it also has to do with a time hack securing the early release of those responsible for the flood of Noah.

We note that the funerary box that held the patriarch Joseph's bones was an ark. Israel carried them up out of Egypt into the promised land through the space-time ark-ish wilderness wandering, making two miraculous crossings through the waters as stargate transits.

It deserves mention here that the coffin of Hiram Abif under the Oblong Square floor compares also to the pyramid on the Great Seal found on the back of the one dollar bill. Take a look at the acacia growing in the foreground. (“1. At the foot of the pyramid is a twig of acacia wood from which the Arc of the Covenant was made that means the everlasting immortality of the soul.” * masonicgathering.net: MASONIC DOLLAR BILL) It's similar in meaning to the palm tree, which means to their exalted symbologist, victory over death. (By the way, have you ever seen the pagan altars where Easter is celebrated, which is preceded by Palm Sunday and Ash Wednesday, where the ashes used to mark foreheads are from burned phoenix palms?) Why do you suppose the acacia is there by the Great Seal's pyramid, which is associated openly with the ark of the covenant by the authors of the Masonic Gathering website? Connect the dots. The pyramid is a kind of temple that is geometrically very similar to the 3.4.5 triangle. (Not just generally in shape but in the count of features, as I've explained elsewhere.)

In the Occult gematria code where Z=1, the Roman numeral letters we generally interpret as the year 1776 (MDCCLXXVI) are a string that we convert and add up to 129, and 1+2+9=12. Time. TIME IS MONEY. Another feature is not unrelated. Suppressing the first third of each third of that date string, mDCcLXxVI, produces 666.

Consider how so many features on the back of the one dollar bill have counts of 13 elements. For one example, the shielded bird grips in its left claw 13 arrows. TIME flies like an arrow. Control of time. The pyramid itself has 13 levels, if you count the foundation stone. There are actually 12 courses of bricks, making it a Temple of TIME. (Is Matthew 24:1-3 coming to mind?) The eye of Osiris, as some know the all-seeing-eye of providence, would be the 14th part, the radiant golden phallus that Isis used to raise Osiris into Horus. Consider the construction of every legitimate obelisk, which is topped with the phoenix (American Eagle) resurrecting ben-ben pyramidal capstone, as the magickal seed emitting phallus of Osiris. Yet another time and time control layer of symbolism is linked to the obelisk through it's identification as a frozen serpent. Water freezes solid. A serpent represents a river as its path winding through the land. Water as time.

As it is often said, TIME IS MONEY - and so it is ritually emphasized with great repetition!

The back has four instances where the large numeral is superimposed with the word, ONE. Three letters, times four, the sum of the numerals, is 12, the time number. On each side, 1 over 1 opposite 1 over 1, or, 11 11, the signal appearance of the space-time pillar of Gemini and the Silver Gate. The opposing Golden Gate or 9th Gate is what seems to be signaled by the 9 fanned tail feathers on the shielded phoenix-eagle, between the two Gemini pillars of legs. That's where birds emit their streams of “Milky Way” as they fly in the heavens, of course.

Why has all this Occult imagery been chosen to decorate the lowly ONE dollar bill? Because it's so abundant, no doubt, but also, I believe, because of how important the Monas (exact equivalent to Monad) is in theurgy and alchemical philosophy. To the Pythagoreans it represented divinity and the first thing that came into existence, and thus all things springing forth from it. Even time itself.

M = 13
O = 15
N = 14
A = 1
D = 4
MONAD = 47

The Latin, E Pluribus Unum, translates to “One, out of many.” Thirteen letters. Monas. One - as union of lords of time.

The obvious appears large and central, only leaving it to be recognized that by, ONE, they mean, MONAS.

IN GOD WE TRUST
ONE

IN which GOD do “WE” TRUST? Clearly, they mean the Monas - the generative divinity declared in all the symbols - the one that is cryptically identified by the clockwise pointing hexagonal star, which is NOT the one true sovereign God of Abraham, Isaac and Jacob, the father of my Lord Y'shua.

When it comes to Occult demonstrations of money-as-time, The Penitent Man always comes to mind as a prime example. Money from the future played a role. Future money, $100 bills from the year 2065. Why 2065?

2+0+6+5 =13

The money was a sign validating a testimony about time travel. The traveler from the future gave it to himself, in his past. He was and was becoming a master of time. Thirteen!

Those Days of Great Tribulation are Probably not what you Think

During the last week or so, Aaron and I have been getting closure on many things that have great import. The Lord is being so kind in keeping us grounded, a necessary provision for keeping it real in a season that would otherwise seem quite surreal. You may be able to relate to an observation I expressed in a recent email about this intense season, that it's, almost like we're supernatural schizophrenics - bi-polar in the Lord because the contrasting emotions are strong - but yet with a sound mind and steadfast awareness of the Lord's comforting presence. There is, on one hand, a lightness and jubilation with a deep refreshing brought by the Lord, while alternately there is the feeling the Lord Himself also shares of the profound burdens for those on the other side of judgment. This breadth and depth of emotional connectness is a requirement for the work.

What I'm about to share in this post isn't going to be readily grasped by most folks. It should raise more questions than it answers. In the previous post, I introduced some insight about a time metaphor that was collateral to a key revelation insight about Matthew 24:22 that was granted a week ago yesterday. Through it, the Lord brought Aaron and I to a deeper understanding of the days that lie ahead. I've declared how The Open Scroll and Beyond The Veil is a Noah's Ark kind of work, appointed for salvation, and that comparison is more descriptive than you might suppose. While some have testified how it has already brought them to salvation in Y'shua, the core of the work is appointed for a very special season that is nearly upon us.

For several days in a row, Aaron had been obsessing over Matthew 24:22. He had been pressing in to discover why the Lord had fixated him on that, coming to the Lord's clear prompting of the question, “What days?”

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:21-22

We didn't know where this was going to go but we have learned that the Lord always prompts a question He intends to answer, then provides insight at the proper time. He has been engaging Aaron and I as a team, independently first, then together - a routine that is not at all unfamiliar. Clearly, we were missing something important. On March 15th, we reflected on an email exchange with a brother in the Lord named Paul, had some prayer and a season of discussion. The time had come. The Lord brought us to the short answer to the driving question: The days that will be cut short are those when the Devil has control over time. This conclusion brought some startling insight about the hidden meaning of verse 21's “great tribulation,” megas thlipsis in the Greek. We began to explore the immediate context of Matthew 24 with this in mind and then tracked the thread into related passages as the Lord shined the brighter Light. I can't say that this insight has invalidated everything we thought we knew about great tribulation, but this fresh insight and the validation that has followed is so compelling we find it irresistible.

While some declare that seven years are identified with great tribulation, and others, half that, there is a reality where it will only last for about a week. Bear with me, there's a lot of ground to be covered on this point. That week is this upcoming Feast of Pesah, also known as Hag haMatzot. This version or fulfillment of megas thlipsis will conclude on the last day, which is now known to be April 11, 2015. In a wider sense, the 9 days inclusive of the 13th to the 21st might even be considered megas thlipsis.

This span is measured according to one particular referencial system. If you consider what I noted in the previous post about Daniel 12:5-7, this measure is from the perspective of someone on one bank of the river of time. From another perspective and dimensional consideration, time itself will be in flux, disconnected and non-linear, until it is anchored once again and synchronized to the time-space domain on the other side of the river of time, so to speak. The Dragon is going to have control over time and be permitted to make some changes within appointed limits but not everyone and everything will be impacted and under his control. The Sovereign God's domain is exempt, of course, and those whom He has isolated and insulated, who are sealed as in a time-space bubble, an ark of salvation.

This is food served at the proper time. We've been blogging about an upcoming time mission for years. We recently saw it in connection with the last day of this coming Pesah, and now the Lord has shined a greater light on its context.

A simple illustration is provided by a classic film from 1960, The Time Machine.

The Time Machine (1960) -Time Differential



It's presented here as the man in the time machine traveling into the future. The principle involved is that a time-space referential system is separated from another when there is flux, a time differential, then they are rejoined with a potentially out of sync condition.

I could go on for months detailing and documenting these things, but there are only a couple weeks remaining so I won't be doing that - at least not on the blog or in this body as things are today. So, explore these things further, or not, as led. If it's for you, the Lord will open it to you and shine His spotlight. The Lord has diverse plans for the members of His Body, which at present includes His Bride people. All you personally need to get and give is just what He has for you, as an individual member. I note how some with Dr. Stephen Jones (author of Secrets of Time in Prophecy) have been planning for a well timed mission: Decree to Commission the Overcomers for Coronation (March 21, 2015). “Heavenly Father, at Your direction we DECREE the commissioning of Your Saints for their formal coronation in the United Kingdom of God at Passover 2015. ” We don't need to have an overview of everything the Lord is doing. We just need to mind our own business, whatever it happens to be, seeking the Lord's help to be attentive and faithful to the tasks at hand. We servants can trust that our Master has things well in hand.

What's about to manifest is a time war - turf war, where heavenly time-space domains are at stake. You fight fire with fire, as the expression goes, and you fight time with time. I know it sounds crazy, but this is what it looks like to Aaron and I, and we can't deny that what the Lord has been doing in this season makes it quite compelling. Since 2008, I've written about a pending anti-flood, describing the Adversary's avenging of his fallen angels with a prison break. He has to spring the time lock with a dam buster, releasing the reservoir of water-time to flood this realm. That can't come without the agent for such first getting hold of the key to unlock the abyss. Apollyon-Abaddon-Shiva-Horus is appointed as the Dragon's agent. He will succeed but only in part. See him as the sovereign God's agent, a servant with a mission, and also see time itself as a servant construct. The Lord God I serve is the Lord and master of time, and it is His will that is ultimately being fulfilled in all this. As inconceivable as a time mission might seem, the Lord has chosen to involve human agents in His plan. It's not really very different from what happened in Joshua's long day.

12 Then Joshua spoke to the Lord in the day when the Lord delivered up the Amorites before the sons of Israel, and he said in the sight of Israel, “O sun, stand still at Gibeon, and O moon in the valley of Aijalon.” 13 So the sun stood still, and the moon stopped, until the nation avenged themselves of their enemies. Is it not written in the book of Jashar? And the sun stopped in the middle of the sky and did not hasten to go down for about a whole day. 14 There was no day like that before it or after it, when the Lord listened to the voice of a man; for the Lord fought for Israel. ~ Joshua 10:12-14

Where else have we seen such a reference to the uniqeness of a situation with time manipulation in a war?

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:21-22

Have you read Jasher 6 and Genesis 7? When Noah went in the ark the Lord sealed it shut. Those inside were protected. Seven days later, the waters of a great flood brought destruction to those outside the ark. See the water as time. Those sealed inside were saved. Ruminate on that model. They were sealed inside a time-space ark. Compare the context of Jasher 6:18 to that of Luke 13:25.

Here's two more examples, primary models involving the first Pesah.

28 By faith he kept the Passover and the sprinkling of the blood, so that he who destroyed the firstborn would not touch them. 29 By faith they passed through the Red Sea as though they were passing through dry land; and the Egyptians, when they attempted it, were drowned. ~ Hebrews 11:28-29

Passover = pass over, the agent of destruction passes over the protected zone of people without touching those sealed in with the blood of the lamb. The blood on the doorpost and lintel sealed in the occupants during the plague of the firstborn. That kind of plague indicates a selection by sequence, by time - the firstborn, and a limit is established according to sequence and time. The water as time metaphor is seen in the passing through of the sealed and healed people on dry land through the midst of the sea. Waters stood in a heap as on the banks of a river, inverted. The wind was involved, spirit, and also the agency of Moses. Passing through time, which subsequently destroyed the pursuing army. Time wars - We're not making this stuff up! The people were sealed in with the blood applied on the 14th day of the first month. The firstborn were struck and the midnight cry went up on the 15th day. It is accepted that the crossing through the sea came with its salvation-destruction on the last day of the feast, the day with the numbering of the fullness of time, the 21st.

The passage from Hebrews 11 continues with another model, which begins shortly after the circumcision and first Pesah celebrated in the promised land.

By faith the walls of Jericho fell down after they had been encircled for seven days. ~ Hebrews 11:30

At the shouting and blowing of trumpets the walls fell flat. 1 Thessalonians 4 and 1 Corinthians 15 should come to mind.

Now, consider the word translated tribulation in Matthew 24:21.

Strongs Concordance G2347: “thlípsis” – properly, pressure (what constricts or rubs together), used of a narrow place that "hems someone in"; tribulation, especially internal pressure that causes someone to feel confined (restricted, "without options").

Thlipsis is used of a narrow place that hems someone in. Take it literally. Hemmed in a narrow place, as having passed through the narrow gate into a confined place of protection - sealed in like an ark.

22 And He was passing through from one city and village to another, teaching, and proceeding on His way to Jerusalem. 23 And someone said to Him, “Lord, are there just a few who are being saved?” And He said to them, 24 “Strive to enter through the narrow door; for many, I tell you, will seek to enter and will not be able. 25 Once the head of the house gets up and shuts the door, and you begin to stand outside and knock on the door, saying, ‘Lord, open up to us!’ then He will answer and say to you, ‘I do not know where you are from.’ 26 Then you will begin to say, ‘We ate and drank in Your presence, and You taught in our streets’; 27 and He will say, ‘I tell you, I do not know where you are from; depart from Me, all you evildoers.’ 28 In that place there will be weeping and gnashing of teeth when you see Abraham and Isaac and Jacob and all the prophets in the kingdom of God, but yourselves being thrown out. 29 And they will come from east and west and from north and south, and will recline at the table in the kingdom of God. 30 And behold, some are last who will be first and some are first who will be last.” ~ Luke 13:22-30

Within a couple weeks, we believe most will fall prey to a great hoax, not having received the love of the truth so as to be saved. Others, found trustworthy and therefore not needing to be written to about times and epochs, will not be taken by surprise. They will be sealed in, protected during megas thlipsis as having entered through the narrow door. I had previously concluded that the saints with soiled robes would find themselves locked out when the Bride is stolen away, but we see now that her separation comes earlier, when the living are sealed as in an ark. Some will die, as a blood sacrifice, martyred, but some will live and enter “The Time Machine,” in a sense, a pocket universe, a time-space ark. I have much more to convey about this.

The Lord drew my attention several years ago to a time pivot in the language of the passage in Matthew 24, and that led to Aaron's revelation insight when we met and discussed verse 22 in July-August of 2011. His attention was drawn to the word "sake," which is translated from the Greek preposition dia. What it really informs us about is the Lord's working through the agency of the elect so that all life or flesh will not be destroyed, but rather saved. How could that possibly be? Because a time war is that big of a threat.

Consider the time pivot, how the tense swings from before the fulcrum event to after it, then returns back again. It signals a time shift.

21 for there shall be then great tribulation, such as was not from the beginning of the world till now [the PAST], no, nor may be [the FUTURE]. 22 And if those days were not shortened, no flesh would have been saved [now looking back from the future into the past]; but because of the chosen, shall those days be shortened.[now looking ahead to the event]~ Matthew 24:21-22 (YLT)

The time shift is appointed for salvation, and the Lord involves His elect in this time war. The period of megas thlipsis, when Satan has control over time, will be truncated, specifically limited. The Bride together with 144k sons of Israel will be in a protected zone or zones. You might think I'm making this up, scripting a fanciful sci-fi adventure but I'm quite serious. There's scriptures that picture this in prophetic allegory, and it's been modeled over and over in literature and in multimedia presentations. Some will be sealed in a time machine of sorts, in a protective bubble, around which will flow the destroying influence of the time warp.

The following passage about the one who will be a star in the big show doesn't say that he will intend to make alterations in the measurement of times. There's a difference. He will be granted success.

25 He will speak out against the Most High and wear down the saints of the Highest One, and he will intend to make alterations in times and in law; and they will be given into his hand for a time, times, and half a time. 26 But the court will sit for judgment, and his dominion will be taken away, annihilated and destroyed forever. 27 Then the sovereignty, the dominion and the greatness of all the kingdoms under the whole heaven will be given to the people of the saints of the Highest One; His kingdom will be an everlasting kingdom, and all the dominions will serve and obey Him.’ 28 “At this point the revelation ended. As for me, Daniel, my thoughts were greatly alarming me and my face grew pale, but I kept the matter to myself.” ~ Daniel 7:25-27

There's the linguistic construct of “time, times and half a time” again, like in Daniel 12:7 and Revelation 12:14. Remember, the expression, “time, times and half a time” literally refers to time, multiplied time and fractional time. It's actually a cryptic description of a wormhole!

More to follow, Lord willing!

Part 1 - The Avengers - STARK Tower as Space-Time Ark - Fury Recruits Captain America

It's not at all rare to see the subject of time-space manipulation in the media these days because it's all over the news as well as entertainment productions. We watch and see what we see, according to the Lord's command for His saints in such as Mark 13:37. What's most interesting is when the space-time manipulation theme is embedded in the language of symbolism, like in The Avengers (2012). The theme is not only central to the plot, but two or more of the scenes are drenched in space-time symbolism. It's in the script, which is loaded with NLP, and it's in the visual imagery of the set and the action. This covert messaging is an expression of theurgy, an operation of mind-control programming, and ritual magick. For us, it provides a window of insight into the Adversary's intentions and how Bible prophecy is playing out in this amazing season.

The main point I want to make in this post is how the idea of a space-time ark is being promoted as central to an interdimensional war over humanity. What I've been writing about for the last few months and primarily showing from the text of the Bible is also the stuff of pop culture media, and it has been for a very long time. (Search this blog for time ark for more insight.) A reset of time itself is coming that will result in a time truncation. It will become necessary due to the consequences of an interdimensional war that will be (or, is being) fought with weapons of time-space manipulation. While this lengthy post was being written, the Lord provided some extremely interesting validation, which I will probably be writing about soon.

I'm assuming that you're already pretty familiar with the film that is the subject of this post. Briefly, the plot revolves around the Tesseract, a mysterious alien artifact that can function as a power source and a space-time portal. That higher-dimensional cube is activated very early to open a passage from the other side, through which the demigod Loki makes his entrance into this world and realm. The Tesseract is stolen from SHIELD and harnessed to open a dimensional portal through which alien invaders come, who wage war in an effort to destroy humanity. The portal opens right above the Stark Tower because the Tesseract was placed inside a device that was set up on the Tower's highest level.

It's fitting that the celestial Silver Gate is inherent in the location because the Stark Tower is in New York City, in Manhattan, replacing the MetLife building. There's a lot to explore in the film, including connections to the Grand Central Terminal and CERN's LHC.

Prior to the theft, the Tesseract was being studied inside a particle accelerator facility. It had been placed into the energy beam, and on the other side it was perceived as having been awakened. When the Tesseract was operated from the other side, that's when a blue beam shot out and Loki appeared as through a stargate. Links to CERN's LHC supercollider are unavoidable. When that controversial machine was fired up in the first run, strange beings appeared and were witnessed by many. Here's a sign from the film. Literally.

The Tesseract was being studied at a facility called Joint Dark Energy Station, Western Division. Project Pegasus. NASA Space Radiation Facility. S.H.I.E.L.D. Accelerator Test Facility. The entire time the sign is in view we see shadowy figures, most of them speeding by. Shadowy figures. Not unlike those seen in the SYMMETRY Dance-Opera film sponsored by CERN. They are the beings on the other side, waiting to come through to this space-time realm. (Web search project pegasus time travel montauk for insight into why The Avengers is making that connection.)

Here's another sign. The design of the owner's name on the Tower suggests that it's a space-time ark. It's subtle, but notice how the alignment of the letters and the shifted encircling line divides the word, STARK, into ST and ARK.

Comparing this design to the title graphic of Stitchers, the new series on the ABC Family network, the lengthened ascender of the letter A appears to be a slash character, and this might be a model for the Stitchers title. A slash is used as a separator. ST slash. Space-Time - separator. Space-time ark.

Here's a couple more observations about the Stitchers title. The slash is through two letters, TI. That's the standard designation for the metal titanium. It was named for the Titans of Greek mythology, the earliest class of gods. References to this metal can signal Code 47 (Osiris + Isis produces Horus) because the atomic mass of Titanium is 47.867. Because the shape cut off as the dot of an “i” suggests the triangle eye floating above the pyramid on the Great Seal of the USA, which is the all-seeing Eye of Horus, and it's called out as the “i” of Horus for yet another layer of redundancy.

I note with interest that the Occult gematria of STITCHERS is 121, and 122 where Z=1. Given our recent focus of attention on 12:21 and 21-22 combos that observation seems well worth noting here.

The Occult gematria of STARK is very significant. It's 19+20+1+18+11 = 69. That's what I consider to be the double digit number signaling the mark of the beast transformation, and I've noted plenty of related XO MOB imagery associated with the Tower. With Z=1 in the mirrored gematria, STARK calculates as 8+7+26+9+16 = 66. That's the number for the abyss, yes, the watery deep, and as you'll soon see this is a very fit identification. The Stark Tower is on Manhattan, an island. Man+Atun. Man god beast, surrounded by water-as-time, arising out of water-as-time.

In the film, the Tower doesn't function like The Time Machine of H. G. Wells, Dr. Who's phone booth or Mr. Peabody's Way Back Machine. Instead, it's represented as a modern Tower of Babel, a special platform where access is opened into the heavenly dimension. This connection between the two towers is made in ways that are cryptic but there's enough evidence to suggest that this is intended. The Tower is an independent operational interface between realms.

The scenes of primary interest happen early in the film, after the crisis has been introduced and while the Avengers team is being assembled. The Tower is introduced when Agent Coulson is about to recruit Tony Stark / Iron Man. Just before that, Nick Fury, Director of SHIELD, recruits Steve Rogers / Captain America while he's working out in a nostalgic looking boxing gym. I found a clip of this scene on YouTube. You'll probably want to watch it now and keep it open in another tab or window for reference.

The AVENGERS - Captain Rogers [America] HD

While Director Nick Fury is making a pitch to a council of overseers, we hear a councilman say, “War isn't won by sentiment, Director.” Fury responds with dramatic emphasis. “No. It's won by soldiers.” The scene cuts to a boxing ring where we see Captain Steve Rodgers working out with a heavy punching bag. Our first sign is the brand label on the boxing gloves. Everlast. Like, everlasting; it's a time reference. Flashbacks to the past reveal what's on his troubled mind, scenes of some battles he fought during WWII. Through the transition from scene to scene, the overt context is WAR! This is about space-time warfare!

At almost 21 minutes into the movie (not the clip), this is what we hear. “There's not enough time. I've got to put her in the water.” Okay, if you've been paying attention to this blog that should flag your attention and put you on the alert for symbols like water-as-time. Just before the scene transition, a glass of water (as time) is being used as a prop and occasionally given a central position on screen. This is done while Fury makes the urgency of the situation his main argument. Urgency has to do with the passage of time. What follows is an abundance of imagery echoing that same theme.

As the time counter on the video player ticks over to the 21 minute mark, and the number 21 means time, it's apparent that the airplane Steve is piloting is crashing into the water. (Backstory is from the film, Captain America, The First Avenger.) Very briefly we're shown the Tesseract, which an earlier scene had demonstrated to be a space-time portal. The Tesseract is with him when he crashes into the sea, but there's more going on here. When the airship and pilot would penetrate the surface of the water, that action represents the breaching of a time-space barrier.

We see the body of Captain America, partially encased in melting ice. Ice is frozen water, which is frozen or stopped time. From the time of the crash until he was thawed out, Cap was in a state of suspended animation like a deep sleep where the passage of time had no effect on him.

We hear someone exclaim, “Oh my god! This guy's still alive!” When someone on screen utters those words, they're usually telling you that there's a symbolic level where they have just encountered a god. That god was still alive. He was, is not and will be, it could be said. As from out of the past, he emerged from the sea like the beast of Revelation 13:1. Captain America. Amaru, aka Osiris, whose parts were collected from the Nile (the river of time) and regenerated by Isis to produce Horus. (similar sounds, Isis ~ ice) Cap's shield bears the pentacle that is the ancient sign of the celestial goddess of the sea, Venus, aka Isis. The patriotic shield's magical sigil that is the pentacle is also the Egyptian hieroglyph for the duat, the underworld.

Cap is worked up and he punches the bag so hard that it flies off the chain (theurgy - seirai) and slides over to the wall, ruptured, spilling out sand. The sands of time have spilled out of the bag, time uncontained, lost. Motion, ceased. When the bag and sand fly through the air, think, tempus fugit. It comes to rest under the water fountain. That's a WATER-as-time fountain, where no cool water happens to be flowing. Right behind the bag we see a radiator, and hidden inside may be flowing steam and hot water-as-time. Some of the shots of Steve punching the bag are lined up to show us the water fountain and radiator being occulted by the swinging bag of sand. Stacking or layering related symbols is an expression of theurgy.

Steve sends the bag flying with a powerful right cross. The bag is cylindrical so it has a circular cross section. He hit it with a right cross. Bam. Cross circle. Mark of the Beast! Lined up behind him is a rounded square column. Squared Circle. The boxing ring is known as a squared circle. Technically, things called rings are round, right? That has rich meaning, signaling ritual sodomy and mind control programming. That biological-spiritual mechanism is exploited to create supersoldiers, like Steve Rogers. The squared circle construction is also a geometrical representation of time-space and the exercise of control over it. A boxing ring ~ space-time war. When the bag is punched so hard that it goes flying through the air, the squared circle of the boxing ring is seen behind it. There's a prominent square shape cut into the floor. When the cylindrical bag flies by it, yet another layer of circle square imagery appears.

Right near Cap's head - at 21:12 film time, and 12 is another primary time number, we see a clock behind him on the wall being covered and uncovered by his head - as he turns around. (uhhhh, think, ELO - Fire on High - “The music is reversible, but time... turn back, turn back, turn back, turn back”) His head was occulting the timepiece as he turned around, at 21:12. You're familiar with what I've been writing about 12:21, right? A clock, of course, is for measuring and accounting the passage of time.

So, are the themes becoming really obvious?

Cap walks over and picks up another bag. It's one of six in a line so there are seven total, including the one at rest under the fountain. Seven bags of sand means seven units of time. The bags are the heavy-bag kind, and the brand is Everlast. Like the boxing gloves seen hanging on the ropes. Everlast. Think about it. An Everlast punching bag and boxing gloves. Time wars. The bags are probably the standard 70 pound kind. Daniel 9 famously describes sets of sevens, 7 and 62 and 1 and 70. Coincidence? Doubtful. At the 12:21-22 time marker, Steve hangs the second punching bag on the chain. Meaning: Time transition. I reflect on all the verses numbered 21-22 and other sets with that numbering that the Lord was highlighting to Aaron and I during this past Pesah, a transitional season.

So, the squared circle pairing is a space-time symbol combo and so is the practically identical cross circle or XO. Each heavy bag is attached with four chains. Seen from above, the form presented is the familiar XO. It's signaling space-time and also the mark of the beast. It's also the heart of the sigil of Nodens, the god of the watery abyss.

The many columns in the gym are symbolic objects with meaning that should be familiar. They are used in Illuminati trauma-based mind-control for what's called time travel programming. That's probably because of the assigned meaning that goes back to ancient times, where heaven and earth are seen as connected by columns, and transited also. The ones in the gym are padded, which speaks to the padded rooms of mental asylums for more trauma-based mind-control symbolism. The row of Xs in the stitching forms water glyphs, aligned vertically. The marking of dimensional gates (windows, doors, bridges, columns...) with X X is hugely popular in film and TV sets.

When Fury walks in, he asks, “Trouble sleeping?” Steve replies, “I slept for 70 years, sir, I think I've had my fill.” Right. 70 years. His fill is a full measure of time - 70 years. That's a fullness of time period like an Everlast heavy-bag filled with 70 pounds of sand. Fury's retort: “Then you should be out, celebrating, seeing the world.” The world. Space. Put it together. Time and Space. Daniel 9 refers to the full span of time that had been revealed to the prophet Jeremiah for the exile in Babylon: 70 years. I see an even far more compelling connection here with Enoch and a 70 generations long term of imprisonment, because those responsible for the flood of Noah's day want so badly to be released back into the world, to celebrate with the bringing of destruction. They are THE AVENGERS, with all the agents allied with them. One of the main objectives in the time war is to impact the countdown timer on the time-lock of their containment system, to set them free in a manipulated early release.

Steve responds, “When I went under the world was at war. When I wake up they say we won. They didn't say what we lost.” What did Steve lose but time? Seventy years got away from him. Gone. He makes reference to the passage of time, and war. When he went under, what was it that he went under? Water. Under time. Into the UNDERworld. Fury: “We've made some some mistakes along the way. Some very recently.” “Along the way.” “Very recently.” Emphasis: Through space and time.

Steve: “Are you here with a mission sir?” Aaron and I have been discussing a time mission for years, how Matthew 24:22 bears witness to such a thing. The elect saints will be engaged as the benefactors in a truncating of time relative to megas thlipsis. An ark is for salvation, the saving of flesh. The time ark concept. Fury's response to Steve's question is succinct. “I am.” Right. That's a coded reference to the identity of The One who commissioned Moses at the burning bush on Mount Sinai. Moses himself had been saved in an ark, spared certain death by being floated on the Nile to be found and raised by the Pharaoh's daughter. He was commissioned by I AM to save Israel by passing them safely through the Sea of Reeds, as by another kind of time ark, on dry land. Dry. Absence of water-as-time. Fury, a counterfeit I AM, has the eye patch, the darkened eye of Horus, of course, so he's an antichrist type like all the other characters. Steve: “Trying to get me back in the world?” Hmmm. NLP. “Get me back” hints of revenge, of avenging, but think on this: The mission is first to get the demigod Amaru back into this space-time domain. Fury: “Trying to save it.” Yeah, saving it requires a savior of the world, a messianic agent. There is a time ark mission that involves bringing the fraudulent savior into the world. We saw that already with Loki, but the modeling repeats in varied shadowy ways.

Fury hands Steve a dossier and we see the Tesseract featured. Steve says it's HYDRA's secret weapon. Let's take a closer look at that.

Everything HYDRA is related to water, like the word, hydro. Water-as-time.

“In Greek mythology, the Lernaean Hydra was an ancient serpent-like water monster with reptilian traits. It possessed many heads – the poets mention more heads than the vase-painters could paint – and for each head cut off it grew two more. It had poisonous breath and blood so virulent that even its scent was deadly. The Hydra of Lerna was killed by Heracles as the second of his Twelve Labours. Its lair was the lake of Lerna in the Argolid, though archaeology has borne out the myth that the sacred site was older even than the Mycenaean city of Argos, since Lerna was the site of the myth of the Danaids. Beneath the waters was an entrance to the Underworld, and the Hydra was its guardian.” (Wikipedia)

While the Marvel productions remind us regularly of HYDRA's growing of more heads to replace each one that is cut off, I don't recall hearing this beast's job mentioned. HYDRA's namesake is the legendary guardian of the entrance to the underworld that is beneath the waters. (Seen “Pacific Rim” lately?) This identification is key, and with Steve's observation that the Tesseract is HYDRA's secret weapon, we can interpret the realm accessed using the Tesseract to be the underworld. This actually involves some flip-flopping. The dimensional gateway opening has to do with water, or literally with time.

The HYDRA logo looks like an Octopus and totenkopf (Nazi SS) or a variant on the skull and bones. To call it an allusion to H. P. Lovecraft's Cthulhu mythos is no stretch. Leviathan? Yes, indeed. Decoding the logo, we only see 6 appendages, three on each side. Code 33. The curling tentacles present an obvious 666 on our left, and a mirror of it on the right. With 6 numbers 6 thus written out for us, the numbering of the watery abyss is signaled; 66. HYDRA - Water beast of the abyss. The encircling of the imagery adds another 6 (O ~ 15 ~ 1+5) to provide redundancy in support of the 666 read directly on the left and on the the mirrored side. The HYDRA brand is also an XO MOB symbol. Including the head, there are 7 appendages to this beast. We see that SHIELD has assigned this matter a Security Level 7. Seven. It's another time number.

Here's some bonus imagery. Nexxus. HydraLight

After Steve's comment about the Tesseract being HYDRA's secret weapon, Fury says, “Howard Stark fished it out of the ocean when he was looking for you. He thought what we think. The Tesseract could be the key to unlimited sustainable energy. That's something the world sorely needs.” He emphasizes the words, “fished it out,” and we immediately see the fishy octupus-like figure in the document held by Steve. I believe there's a messianic reference being implied in the emphasis on the fish. (We'll see this interpretation validated with a later reference.) Isis searched for and found Osiris and then fished the parts of her dead husband / brother out of the water, except for his phallus, because it had been eaten by a fish. Why bring up the phallus of Osiris? In last season's SHIELD TV series, the Macguffin was a mystical alien obelisk. An obelisk is the phallus of Osiris. The comment Fury made about the world sorely needing unlimited sustainable energy is another dose of green propaganda from the Big Green Propaganda Machine that drives the world today, but there's more to it than just that. For one thing, there's the coded NLP reference to space-time in the mention of the ocean and the world in the same snippet of dialog. We're going to hear Iron Man voicing the green mantra in the next scene.

Director Fury's last line in the gym is a question. “Is there anything you can tell us about the Tesseract that we ought to know now?” The word, now, is superfluous, linguistally, but repetition serves to strengthen the NLP with additional time word content. Steve responds, “You shoulda left it in the ocean.” In the ocean, where it was figuratively lost in time.

Before moving on we should give our attention to what Steve is doing as the scene ends. He is leaving the gym. He picks up one of the heavy-bags and throws it over his right shoulder. With his gym bag in his other hand, he walks out through a passageway built with secure looking chain-link fencing. Why would he remove a heavy-bag from the gym? It makes sense to bring a heavy-bag the other way, to the gym, because that's where you use them. The bag represents a large unit of time, probably heptadic. (I note that it's #3 of 7 in sequence, leaving 4 remaining on the floor.) We see him carry it out past the columns, representing time travel, passing through the steel or iron gate, the dimensional barrier. He removes it from the gym. A large unit of time was removed from the time-space domain. Time truncation. While he models to us the removal of a fixed amount of time from the closed system, his commentary gives us something to think about. “You shoulda left it in the ocean.” There's a dark agenda being served by the removal of time from the domain, and I'm not referring to the fictional Marvel universe. The Everlast bag filled with the sands of time wasn't the only thing Steve took. What was in the gym bag? Gym bags typically contain clothing, garments. A garment is a metaphor for a body that is fit to access and operate within a specific domain. Different domains require different kinds of garments. How could Steve leave the gym without changing his garments? Well, because he took the bag of sand with him. He has time, and control of time, for a fixed season, and that provides access to multiple domains.


To be continued, Lord willing.

The Pending Reset of Time

Update: This post was formerly offered as the essential guide and central resource to help you come to grips with the pending reset of time in the context of the unfolding revelation of the end times.  Now, we recommend a page that is much more streamlined and simple, so follow this link: The Pending Reset of Time

We now believe that we know when time is going to be reset! We're not claiming, thus saith the Lord, but, with the accountability of watchmen on the wall, we must give a faithful report.

In the middle of February 2021, I had an insight, and in less than a week, Aaron and I were brought to a level of confidence that's far beyond any previous time! Back in 2019, we didn't think we had any revelation insight or the kinds of signs that we needed to fully convince us. Although we were very, very hopeful that time would be reset in that season of the Fall holy days, we tried to temper our expectations accordingly. That was then. What we've witnessed recently has already convinced us that we've learned when time will be reset!

The insight simply had to do with what year the reset will happen. The basis for this involved drawing a logical conclusion. The validation involved many indicators, not the least of which was a word that Aaron received on Yom Teruah in 2019.

We were already convinced that time will be reset back when the lawless one will be in the midst of being revealed, interrupting that event. We believe that will happen on the 13th day of the 1st month (called by some Aviv or Nisan) on the Lord's calendar - in the year 2022. This day will most likely arrive around the full moon of April 16. As always, future dates are never known with exactness until the barley and new moon watches.

Why the Spring of 2022? The revealing of the lawless one is appointed for the third year of the shemitah of fulfillment. And so the pattern goes for any shemitah cycle in this period of the counting off from the celestial sign of 1991. This is according to theory and observation over many years, with shadows cast very distinctly into 2001, 2008, and 2015, which was duly witnessed and documented on The Open Scroll.

For more, see this video: When will time be reset? This is an announcement we've been looking forward to making for years!


First, if my expectations about dates throws up a red flag (date setter) for you, I invite you to challenge what you've been taught because what the Bible actually says about the subject stands in stark contrast to the popular theory. See: Will No One Know the Day?

He who gives an answer before he hears, It is folly and shame to him. ~ Proverbs 18:13

Some will know the times, even when the Lord comes for His Bride.

Jesus upbraided the crowds in Luke 12:56, saying,  "You hypocrites! You know how to interpret the appearance of earth and sky, but why do you not know how to interpret the present time?"

How about you and me? Where do we stand? The hour is late. Much has been revealed about the times but precious few are able to interpret the present time.  

The next big thing on the Lord's calendar is probably not what you think it is. Signs of the impending arrival of the beasts and the implementation of the mark of the beast abound. However, there's a twist in the plot, so to speak. While that prophesied scenario is to be watched for, the dangers are more like a dress rehearsal. "Showtime" is coming, but there's something that must come first. It's not "the rapture" but something that involves the fullness of the preparation for the season when the beasts will actually be revealed. 

How do we know? Profound insight into the scriptures providing specifics, like the celestial sign of 1991 and the Keystone Pattern.  Dreams and visions and revelations. Signs including the controversial phenomenon called the Mandela Effect. Testimonies of people involved in the enemy's work. Secrets divulged by the Occult Elite in media productions and entertainments. These are independent witnesses and they set forth a very consistent message. To most, there is no evidence whatsoever. To those of us whose eyes have been opened to see what's being revealed - this an incredibly exciting season!

Time itself is going to be reset back, and we believe we will find ourselves back in 2012. It's not "time travel," technically, but a literal reset of time itself. This return back to a former time has a precedent in the sign that was long ago given to King Hezekiah, when the shadow of the sun was made to go back 10 steps or degrees on the sundial of Ahaz. The reset will effectively terminate this "spurious timeline" that we recognize as our present reality. It will establish the biblical timeline as that which has been prophesied in the biblical text.  Only then will the appointed Harvests of the earth manifest! 

11 Who considers the power of your anger, and your wrath according to the fear of you? 12 So teach us to number our days that we may get a heart of wisdom. 13 Return, O Lord! How long? ~ Psalms 90:11-13a

8 I heard, but I did not understand. Then I said, “O my lord, what shall be the outcome of these things?” 9 He said, “Go your way, Daniel, for the words are shut up and sealed until the time of the end. 10 Many shall purify themselves and make themselves white and be refined, but the wicked shall act wickedly. And none of the wicked shall understand, but those who are wise shall understand. ~ Daniel 12:8-10

If you want to see some of the content we've published that might provide more insight, here's a short list.  

When will time be reset? Is this revealed in John 18?

"they drew back and fell to the ground" - John 17:1-18:9 Interactive

John 20:19-31 - Exploring Another Dramatic Keystone/Time Reset Scenario

Assassin 33 A.D. and the John 18 RESET

Making Time (2020) "Reset Complete. Timeline changed" / Assassin 33: Past and Future Son of Perdition

We have published extensively with posts to this blog and videos to our video channels and studies to our site, theopenscroll.com.  Back in 2019 we offered the following collection of resources to help you get a leg up. 

These are not matters of secondary importance. 

Here's that collection.

Got questions? You may find this post and brief video helpful: FAQ - Top Ten Questions About the Pending Reset of Time. However, the most essential questions are already quite adequately addressed in this video embedded here.


Here's a solid recommendation. Get familiar with these three:

When Cometh That Thief in the Night - Preface * The Unfolding Revelation of the Chronology of the End Times

Introduction and Summary Overview of, When Cometh That Thief in the Night

The Keystone Pattern, Extended Keystone, and the Reset of Time

We put together this video series of most of that collection of studies on TheOpenScroll.com called, When Cometh That Thief in the Night.

Signs in abundance have attended the outpouring of insight about the schedule of the pending reset. Some of these are absolutely remarkable! This video series tells some of that important story: Signs Attending the outpouring of insight about the schedule of the Reset of Time.

Because so few people are able to get hold of what we say in the video about one subject in particular, we're going to elaborate a little here.

What will you remember or take with you after time has been reset back to 2012? This is a concern but one that many are giving far too much of their attention. You cannot send a list of notes-to-self into the past, and it wouldn't help if you could. Is God unable to alert and inform you about what you need to know? Both now - and then? What is truly important in this season is what may be laid up in store that is of the eternal and not the temporal realm, of "the grain of salvation." The Lord is good and He cares more than you and I possibly could! He absolutely will manage with perfection the matter of every person's birth (and "un-birth"), of every person's death (and "undeath"), and every minute detail of what pertains to salvation. If you trust in that you can move ahead with peace of mind and a strategy that works toward the best outcome for you, personally, and for the body of Christ - even toward the ultimate restoration of all things in ages to come. What you do now does matter because this season serves an important purpose and you may well have an important part in it.

---

Here's a playlist of related videos: The Pending Reset of Time - making sense of how we know its coming and when

Post #1 - About the Schedule of the Pending Reset of Time - A brief review of some of the signs received in connection with the outpouring of insight about the schedule of the pending reset of time.

Post #2 - Featuring the devoured shemitah 860 and the devouring shemitah 861 from Exodus 7 (staff/serpent of Moses devours staffs/serpents of Pharaoh's magicians) and Genesis 41 (Joseph interprets Pharaoh's dreams about the 7 years of plenty followed by 7 years of famine.

Post #3 - Featuring the devoured shemitah 860 and the devouring shemitah 861 in Genesis 29 where Jacob labors 7 Years for Rachel twice under contract with Laban.

Post #4 - Featuring the miraculous sign attending Bob's hearing of Henry Gruver's Rabbi and gold dust story with Henry's 12 arrows in the quiver and 1 in the bow. Also featuring Daniel 3 and the repetition of the specially numbered Hebrew word for, furnace.

Post #5 - Continuing the theme of the shemitah-referencing of Strong's H860 and H861 plus the shemitah-referencing of Strong's G860 and G861.

Post #6 - More insights into key shemitah-numbered Strong's words (relating to a donkey) and the relationship with the scripture that declares the celestial sign of 1991.

Post #7 - Features the remarkable acrostic Psalm 119 as a highly ordered prophecy of the end of this timeline in 2019 and the branching off a new beginning. This presents an exhibit of the mastery of time with 11:11, menorah, and "Code 88" celestial themes.

Post #8 - Presenting the symmetrical special collection of 15 Psalms (1/10 of the book!) that are the "Songs of THE Degrees" (of the sundial sign to Hezekiah). These follow on the tail of Psalm 119 and support the "Hidden Prophecies in the Psalms" theory that Psalm 119-as-2019 functions as a hinge for the reset of time back into the past.

Post #9 - This begins with a report about the miracle sign of the clocks flashing 1:19 and some reflection on the miraculous sign from Yom Teruah 2014 of the fallen apple clock with an ejected battery that expires in 2019. Then, we continue with the acrostic Psalm 119's time-soaked "Mem" and 13th set and how it exhibits the Keystone pattern, discussing also the relevant linking to Revelation 10 and Psalm 19.

Post #10 - Proverbs 30 is featured with its sets of riddles exhibiting the Keystone pattern. This highly esoteric chapter also suggests the "reset" pattern of the shemitah, devoured and devouring. An interactive presentation is embedded here for your exploration and inspiration. Also featured is a signal event that was addressed when we last wrote about Proverbs 30, the Vancouver Winter Olympics pyramid cauldron glitch signs.

Post #11 - This post is all about a remarkable sign, highlighting the extended Keystone pattern. This involved tax voucher forms, American flag stamps and an uncanceled "Forever" stamp that completed "the mission"!

Post #12 - Job models the doubled shemitah with his doubled life. Beyond that the keystone pattern appears in the series of tragedies - and the extended keystone pattern appears in the series of those who lecture Job. There's a cryptic referencing of Job in Luke 22 and a profound reference to Job in James 5:7-12 (includes a presentation of thematic symmetry).

Post #13 - Featuring the extended keystone pattern encrypted into the travels of Joseph's brothers back and forth between Canaan and Egypt in the account spanning Genesis 42-46. This is a hugely significant passage of scripture that puts emphasis on the importance of the grain of salvation, a key metaphor. We also address the time-signaling combo of numbers 12 and 5, a time mission and the doubled shemitah.

Post #14 - The book of Esther pivots around the drama of evil Haman's plans for Mordecai and the Jews, and Esther the queen's role in turning around the fortunes of God's people. At the heart of the story, the extended keystone pattern appears in the three days of fasting followed by the two days of banqueting. A familiar time-reset model is evident in the book's structure.

Post #15 - When Joshua led Israel into the promised land the miraculous crossing of the Jordan River was prophetic. Many very significant things were done that may be recognized as space-time ritual. With nested keystone patterns (fractal) and time reset implications, the account recorded in the Joshua 3-5 has a lot to reveal about the pending reset of time. This study includes an interactive thematic presentation of the text of Joshua 3:1-5:1.

Post #16 - A sign attended the outpouring of insight about the keystone patterned moving of the stones at Israel's miraculous crossing of the Jordan River. This sign involved stone moving and plumbing-ceramic tank leaking or water and a stone fountain. The fountain's design illustrates the keystone pattern as it functions with a circulation of water-as-time. Also, we present the "We can ERASE time!" Groupon email promo of TIME TO ERASE TIME!

Post #17 - Picking up where we left off in Post #15, the action of the narrative is modeled in the structure of the text. Consider the ways of the crossings of the stones ritual and in the crossing over of the Jordan by the nation of Israel, and their nesting in space and time.

Post #18 - Picking up where we left off in Post #17, the circles of stones in the Jordan and at Gilgal are enormously significant. The wall around Jericho is a related circle of stone. The implication of connecting space-time rituals is awesome! Also addressed are the echoes through time into our near future.

SUPPLEMENTAL:

Israeli scientist, Saul Kullok, discovers significant evidence of the end coming in 2019! - An Israeli scientist discovers time-space formula (akin to David Flynn's) that points to 2019 as marking the final return of exiles into the promised land - fulfilling Hebrews chapters 3-4 on the basis of Joshua's crossing of the Jordan.

Secrets of The Crossing (ABC Network) - This is a highly recommended witness to the end of this timeline in 2019!

More suggestive "time reset" NLP from Target email ad
Update and another ad with time reset trend
7 years younger! Turn Back the Clock!
"Reset" trending in the news
The Arrow of Time and its Reversal

12:21 - Some Time Code Signaling and Signs Links (in chronological order) :

• Watching on the 14th Day
• Watching on the 15th Day (Israel time)
• Watching on the 21st day!
• A Time Sign! The Masked Model
• The 12:21 Time Code
• A Sign of the Space-Time Ark Mission (Not exactly a 12:21 sign - but related)
• The Time Code LU as 12:21
• Part 18 - About the Schedule of the Pending Reset of Time
• Another sign - a 12:21 reset - during Genesis

Part 3 - Code N.E.W.S. - Network (1976), the London 2012 Olympics and CERN

Since publishing part 2 I had another insight about the One Times Square Building. The glowing time ball and brilliantly lit building is the Eye of Horus - the illuminating capstone of the pyramid on the Great Seal. Look at the map. The Building is separated from the wedge shaped square. It's a match. The illuminated triangle eye appears on the One dollar bill. ONE Times Square - the Monad or Monas worshiped by the illumined elite. The dollar bill has features numbering 13 all over it. Time is money. Mastery of time. One Times Square is an ad revenue generating giant. Note how the news giant Thomson Reuters is adjacent to the former headquarters of the New York Times, keeping the N.E.W.S. ritual in play. On those quarter days when ManhattanHenge is celebrated, these kinds of rituals do add toward the sum, advancing the agendas of the illumined.

Some of the space-time symbolism of the news is rather subtle, but when it comes to the New York Times and Times Square, it's far less so. The space time ritual of the countdown sequence of the Opening Ceremony of the London 2012 Olympics has been given recent ink, and a lot of it was pretty subtle. What was done in London that was far less subtle came during the first segment of the Closing Ceremony. It was all about Code N.E.W.S., as you'll soon see.

First, here's some vintage Code N.E.W.S. - an influential and award winning film from 1976 titled, Network. Network is mostly about network news. Here's an inspiring clip from the news anchor of fictional UBS Evening News. Caveat: The language used is offensive.

Network - Peter Finch/Howard Beal's rant - I'm as Mad as Hell

The first thing you'll notice is the array of clocks and the bank of phones on the news set next to the anchorman. The clocks show the time in major cities around the globe. Space-Time. News. Is that set unusual? Not at all, As I recall, it was a familiar arrangement on network news broadcasts. I remember lots of clocks and maps.

On the camera in the studio, we see the station's logo. UBS, in a circle in a square. Square ~ space. Circle ~ time. In Occult gematria, UBS is 21+2+19= 42. That's the time number 21*2. When Z=1, UBS is 6+25+8=39. That's 13*3, or 13+13+13. The network saved by the news. Masters of time and space-time. Ritual. Magick.

When Howard Beale, played by Peter Finch, delivers his impassioned plea on live television, he encourages his audience to act now, in the moment.

“All I know is that first, you've got to get mad.... So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window, open it and stick your head out and yell, I'm as mad as hell and I'm not going to take this anymore!”

He uses the words, first, now, right now; time words that inspire action and increase emotion. This space-time ritual is driven with powerful emotionalism, generating and harnessing "psychic" energy, as some would call it, and this supernaturalism is an important feature of ceremonial and ritual magick. When witches cast a spell, they cast a magic circle and raise energy for the spell. When ready, they release it out into the universe. Consider what happens next in light of that observation.

Faye Dunaway's character asks a studio technician, “How many stations does this go out live to?” Again, space and time. His reply: “Sixty -seven stations. I know it goes out to Louisville and Atlanta- ” He's cut off, but consider the space-time symbolism of his brief response. The number 67 transforms to 13, as 6+7. The cities named provide us with an L and an A. L=12 and A=1. Thirteen. The broadcast signal goes out to many stations in many cities - space. The number 13 signals the mastery of time and space-time domains.

When the people have their heads stuck out the windows and are yelling, the thunder and lightning suggests that a downpour is imminent. An open window is like a door, a portal between space-time dimensions. The highrise apartment buildings present a grid, strengthening the symbolism of space. The threatening storm brings the idea of a heavy rain. Water as time.

One final observation about Code N.E.W.S. in Network. The film came out in '76. 7+6=13. Howard Beale inspired rebellion; the Spirit of 76, it may be said, in the year of America's bicentennial celebration. In magickal space-time ritual.

Another epic N.E.W.S. ritual was done in London during the closing ceremony of the XXX Olympiad. I wrote a post about the ceremony in 2012, and my commentary on the segment of interest was along the lines of Howard Beale's observations in Network. (Howard Beale: Turn off your TVs * Caveat: contains offensive language)

“A bold declaration was made by the Illuminati programmers about the state of London. The city was presented as a model with newspaper covering everything. Buildings, pavement, cars, trucks, bicycles and people were covered with it. The bustling activity of daily life was accompanied by hypnotic music, then becoming chaotic noise. It was then called rush hour. Traffic came quickly into grid lock, and “Churchill” began to yell STOP from his tower perch until it all came to a halt. It was a comedy sketch, but when you get the picture you might not think it's funny at all! Even though the picture was dignified by calling attention to the content of the newsprint as being from classic literature instead of London's famous tabloids, the statement actually being made in this dramatic and cryptic fashion should be taken as being far more offensive to Londoners than that. London is programmed. Everything there and everything done there is according to script. Mind control, exercised through print media. The sad truth is, the programmers are absolutely correct in their depiction. The joke is on the Londoners, especially those who participated in the farce, making a mockery of themselves in the sketch that must be acknowledged by those with a seeing eye as the insider's great satire. ”

(Part 40 - 2012 London Olympics - The Closing Ceremony and the Rise of the Phoenix )

Like with the film, Network, my primary interest here is in the space-time ritual of Code N.E.W.S. The Closing Ceremony began with a segment called, Rush Hour. A day in the life of the city of London was dramatized inside the stadium. Nearly every person and thing on the set was covered with newsprint.

London 2012 Olympics - Closing Ceremony

The commentator described it in these words. “And the show will begin with a journey to a day in the life of the city from the early morning rush hour to a glittering sunset.” A journey to a day. So, if we journey to a day in a literal sense it follows logically that our destination is not today but some other day. Time travel. His commentary uses space-time language. While he said that line, a singer and piano player appeared. Their stage was a flat bed truck covered in newsprint. The piano was covered in the same.

Emeli Sandé sang a verse and the chorus of "Read All About It, Pt. III". That's the classic line said by purveyors of the news. Space is wrapped in the N.E.W.S. From North to East to West to South. The headlines and columns celebrate the past. Time.

Another song performed during Rush Hour was, Because, a Beatles song sung by a choir called, Urban Voices Collective. Here's the lyrics of verses 1 and 3.

Ah, because the world is round, it turns me on
Because the world is round, ah

Love is old, love is new
Love is all, love is you

Again, SPACE and TIME. Code N.E.W.S.

The ceremony began rather like the Opening Ceremony had two weeks earlier with another countdown, first synchronized with a fly-over of the Thames-Isis by numbered places and then accompanied by the chiming of Big Ben and the chanting crowd. By starting at the stroke of 21:00 hours the schedule silently stamped the event with the time number that is the mirror of 12. The date was 8/12/12. Redundant 12. As seen in the video linked above, when the show begins we see a tranquil scene, the pre-dawn city. Dawn - TIME. The Sun rises in the East. We're going to go to “glittering sunset,” we are told, which happens in the West. Scale models of landmarks like Big Ben, the London Tower Bridge and the Gherkin are laid out on a 3D grid resembling the Union Jack. SPACE-TIME. The London Eye is positioned centrally.

The iconic structure that the stadium's version of the Eye was modeled on is actually revolving over the water at the bank of the Thames. The Thames-Isis was clearly established as the river of time during the Opening Ceremony. The London Eye is alternately known as the Millennium Wheel. Millennium, that's a span of time. The rotating London Eye resembles a kind of water wheel like what used to power mills or a paddle wheel that drives river boats. It's a water-as-time wheel. The real London Eye is supported by a structure that has the appearance of a compass, the kind used to draw circles. The Circle of Time. That circle was positioned on the spoked hub of the stadium's Union Jack to form the XO of space time (and the MOB, and 66 abyss, and to establish the celestial throne of the goddess of the Thames-Isis). The XO form was repeated as a fractal in the structure inside the model of the London Eye. There's another fractal of space in this design. The city of London has been laid out on the Union Jack. The flag of the UK represents the whole United Kingdom, so by superimposing the symbolic city over the symbolic flag both are represented in a fractal kind of arrangement. But there's another scale to this ritual SPACE fractal, a global kingdom, because the audience ringing around the stadium has assembled there from every nation around the globe. Because they ring around the crosses of the flag, there's an additional scale to the XO fractal that begins inside the Millennium Wheel and expands to include the wheel as the circle inside the flag's crossings. This is powerful space-time ritual! It's worth mentioning here that the stadium is very near to the Prime Meridian, and about 4 miles north of Greenwich, where time is accounted.

Winston Churchill (Timothy Spall) appears inside the top of Big Ben, which has folded open at its top in 4 opposing directions. The clock faces on Big Ben are visible. We will see how newsprint covers the tower, on which is the likeness of a weather map. North East West South. Code N.E.W.S.

Churchill. CHURCH-ill. in a bell tower or steeple. Its a biblical high place! While he recites Caliban's speech, the city begins to awaken and the light of dawn is simulated. Traffic circulates counter-CLOCKwise around the city. Spewing the words of the demigod beast Caliban, words of enchantment coded to the bell of Caliban and linked to the stone marker at Thames Head.

Rush hour is a high energy time and the scene quickly becomes chaotic, with tempers flaring. Traffic comes to a standstill. Churchill, from the space-time control tower of Big Ben shouts, Stop, three times, and the city goes quiet. We never make it past the morning rush hour. Time itself is stopped. It's continuing the space-time manipulation ritual I described a couple weeks ago in the series, The London 2012 Olympics: Revisited. For what reason has time been stopped? For Prince Harry's arrival, who is representing the Crown. He was introduced with a fanfare, and a kind of drum roll. Four newsprint covered jackhammers stood in for the drummers. The drumming jackhammers are doing what drummers do, keeping TIME. The jackhammers are making a rift in the pavement, opening up a rift in the dimensional barrier. Think about what they are showing us in this mega N.E.W.S. ritual. Time is stopped. Pavement is jackhammered to open a rift in space-time so that the royal son can be introduced. “Caliban.” Antichrist Beast. The half breed. Apollo, whom they openly worship. Horus.

I'm going to close out this brief series with an insight into connections between the Olympics and CERN's LHC. The jackhammers are percussion instruments, like the LHC collider at CERN is a percussion instrument. I've previously offered insight into how the LHC appears to be intended as a kind of time machine, which operates in parallel with the magick of time manipulation ritual.

Science+Magick in Space-Time Ritual. It has become quite apparent that their efforts are bearing fruit.

The bloggers at CERN posted this video of chaotic music that reminds me of the Rush Hour segment before Churchill commanded the stoppage.

Indie band Deerhoof experiment with sound at CERN

Four panels. Space-time. Deerhoof. Think - Cernunnos, the horned god of magic invoked still today by witches.

Science+Magick in Space-Time Ritual. Maybe this should terrify you. If you're not secure in the Lord Y'shua, it really should.