The sodomite gateway to the illumination with the dark light of Lucifer is signaled in so many clever ways. A spell is cast over the world through these seemingly innocent but very evil symbols. Here's more decoded examples with combinations of elements introduced in previous posts.
The Krispy Kreme brand was enormously popular when I lived near Sacramento during the 90s. I don't recall seeing the white on red double K logo but apparently it's been featured along with the familiar stylized wordmark for many years. The double K pictures a scene at the palace, with a pair of Royals (Part 17) engaging in ritual sodomy. The logo designed for the Krispy Kreme Challenge (the company's annual charity race) provides us with a key to interpreting their brand imagery.
A donut represents the head of a stick figure person. Isn't that what we're being shown? Apply this to the double K and the donuts dotting the Ks are the heads of victims being sodomized by the Royals.
Remember the Kudawara Pharmacy and A-Style brands with their stick figure head-dot victims? The Krispy Kreme Challenge logo pictures the victim on his hands and knees, held by the neck or shoulders while being sodomized. The gloss reflection suggests third eye illumination and the flashes of white seen during ritual sodomy.
The illuminated folks at Krispy Kreme obviously share something special in common with Dr John Dee, who served the Royals in England (Queen Elizabeth I). Dee's donut-head stick figure should be pretty familiar by now. Is the double K a tribute to the double 0 7? It's certainly giving the Royals something to smile about, representing triple-helix DNA white light bodies with illuminated "crown" chakras. The white on red signals the divine illuminated Adam-kind, with “Adam” meaning “red” or “red earth.”
The Monas Hieroglyphica presents Horus and Hermes as the sodomizers. In the Krispy Kreme variant, Horus is the one being sodomized. The double K ritual sodomy figures illustrate how to own Horus and aquire his power, which the Royals have done and continue to do.
Those Krispy Kreme folks know the slang meaning for donut ("In a prison setting, it is another inmate's anus.”) and the slang meaning of Kreme (semen). Their major competition does too!
In Part 19I featured Dunkin' Donuts and their MIB3 promotion, with the Undercover (think “between the sheets,” and covert, occulted) Black Cocoa Donut and Black Cocoa Creme Iced Coffee. Since I haven't addressed their logo before, I'll present it here.
UPDATE: Since learning about the secret signs of goddess worship, I note that the Krispy Kreme and Dunkin' Donut brands both fly her banner high.
Krispy Kreme's dominant color is the goddess red. The letter K is the 11th letter, so the featured KK presents an 11 11, which is the goddess pillar ideogram and a signaling of the fertile womb of the goddess. Each K presents a cross, a form with three lines intersecting. Placing them inside the oval (feminine - yonic shape) makes this image the union of the X and O, believed to establish the celestial throne of the goddess.
As for Duncan Donuts, the goddess is signaled through their Double D branding. Yes, that's a bra cup size for very large breasts, and they do put the DD on their cups - but there's more to it than just that. According to the Occultist's interpretation of the 47th Problem of Euclid, the union of Osiris and Isis that produces Horus is represented in the numbers 3, 4 and 5. The number 4 identifies Isis, the goddess. The 47th problem of Euclid involves the area of a square, and for Isis, this involves the side of 4 units in length. The numberings associated with Isis are the base 4, 42, 4x4, 4 and 4, 16 and even 44. With gematria and letter substitution, D and W and double D and double WW (when Z=1) are also used to signal the goddess.
The double D brand looks like a double Dee brand, as in John Dee. The pinkish purple rounded rectangle form that is the setting for the cup of coffee should be a familiar symbol of the sodomite gateway. What looks like steamy vapor rising from hot coffee compares to the curly hairs in the Wheel of Fortune imagery (from Part 40). When you see the cup of coffee as the cornucopia of Masonic imagery (which represents the alimentary tract that everyone wants to own towards the goal of acquiring everything one might want - Part 9), well, you're seeing what's really there. Any kind of appeal the name Dunkin' Donuts might have had is lost in the light of an awareness of the esoteric meaning.
The occult branding of Krispy Kreme and Dunkin' Donuts has nothing on Muscle Milk. Strange bottle, isn't it? Brown bottom. Brown phallic top. Connect the dots. Brown circle, ringed by stars. Yes, that muscle would be a sphincter, and the milk, well, yeah. "Drink. Evolve."Really? Uh - No Thanks!
Ritual sodomy evolves Adam-kind as a precursor to the mark of the Beast. It's the key to the serpent's age-old hijacking scheme, until the age-ending hookup finally arrives.
Popeyes Introduces Dip'n Chick'n to present us with yet another food related promotion of ritual sodomy. Whether you're dunkin' donuts in coffee or dip'n chick'n in Popeye's special “Blackened Ranch Dipping Sauce,” you can't escape the offensive imagery. The descender of the letter "p" is an arrow. Arrow = Phallus. P for Phallic Package. Here at the right side of their ad you see a copy I added, rotated into a more easily recognized alignment. The phallus points to the stylized letter “c,” which is a squared circle, a symbol of ritual sodomy. So is the other letter “C.” The square dot over the 2 letters “i” are also squared circles.
Popeye, aka Harmerty, Horus "who rules with two eyes." Is it just me, or does his jaw and chin always look like a butt? The cartoon character Popeye first appeared in 1929. Popeye was picked up in 1933 by Fleischer Studios and made into a series of Popeye the Sailor theatrical cartoon shorts. If that studio name sounds familiar, this was the studio responsible for “Bimbo's Initiation” (See Part 18). Popeye was known for saying, “I am what I am.” Hmmmmm. Was that him in the burning bush on Mt. Horeb when Moses was commissioned?
The yellow on red colors of the Popeye's Dip'n Chick'n promotion represent the yellow (Coldplay - Part 38) star light on red, or star/angel on (as in a superior position sexually) Adam-kind.
While we're on the subject of disquised yellow and red phallic packages, a friend in Australia sent me some photos of a toy fishing rod his wife had bought for one of their young boys. My friend was horrified when he recognized what his son was playing with, and quickly addressed the situation. This toy was not purchased from an “adult” toy store but from a regular store. It was innocently packaged and labeled for children. Examining it with an informed and wary eye it can hardly be mistaken for anything other than what it looks like. What do you suppose is being promoted with this object by targeting little boys? It must surely be marketed with a cloaking spell.
The worshipers of Horus have been actively recruiting you and I from even before birth. I'm so grateful the Lord Y'shua is able to save to the uttermost and that He is so generous with us today. I pray your eyes are being opened to the reality of our world to see with the Lord's own eyes. It matters.
Anything that follows Part 2 in this series is going to be rather anticlimactic, but yet there's more of value to be added. There's more goddess Queen Bee resurrection imagery, biblical modeling of celestial stargates and battles in the heavens, and I've hardly even introduced the Illuminati programming layer. The enemies of the Creator know plenty about what's coming, and in the usual way they put the plot on exhibit for the working of theurgistic ritual magick - concealing it in symbol yet revealing it to those who can interpret the meaning.
The theme of resurrection was highlighted in parts 1 and 2, with a focus on the modeling of the baptism of the lawless one. Baptism is itself a resurrection model. Occult writers claim the bee and hive symbolism suggests resurrection. It's about Isis raising Osiris into Horus. Emphasis is put on role of the fertile goddess as the Queen Bee, and also on the worker bees' role in the pollination that is essential for life on this planet, and also on the healing and embalming properties of honey. This is why we find subtle imagery of the bee as one of the prevailing themes, with other complementary references to the goddess who is worshiped by the producers of the video.
The queen rescued by the superhero is Venus. She is in the half-teacup filling with water, wearing the crown of five rays. Venus, Stella Maris, the star of the sea. The number five is silently signaled by Venus as the planet moves through the heavens. Her symbols appear in scenes as the moon and the sea from which she was birthed. When Chris uses the umbrella as a boat, allusion is made to the scallop shell as pictured in Botticelli's classic, The Birth of Venus. When Chris is swallowed by the sea monster. Before we see it as a fish it's recognized as a lion, as famously marking the approach to the Gate of Ishtar. It's actually a lion fish, strengthening the association further.
As described in the previous posts, inside the lion-fish goddess is a hat wearing fish, Dagon-Venus-Pope. The Star of Inanna is pictured in the manhole cover. The ceiling fan is another version of the star, and the "starfish" goddess symbol is made as the fish walks right under it. Liberty-Marianne appears as in the Delacroix painting.
The goddess Ariadne is referenced as the goddess who provides the exit for Chris to emerge from the pipe and stove-pipe hat. It's based upon the legend of Theseus as he kills the Minotaur. The success of that mission depended on Ariadne, who provided a way out of the labyrinth, which was represented in the video by the winding path of the plumbing. With an understanding of Illuminati programming, you should be able to identify the scene where Chris is peacefully sitting on the stove-pipe hat of Delacroix in the presence of Liberty, while she is leading the people in violent revolution. When a mind-controlled slave is sodomized with a crucifix it's called, The Peace of Mary.
When the superhero enters the cloud-castle and sneaks across the room, he passes a painting of the Mona Lisa. The name is a doubled reference to the goddess. Mona is derived from Madonna. Lisa is another name linked to the goddess. Leonardo da Vinci painted her with the famously ambiguous smile and with eyes that some experts claim are painted with a special stereo technique. They seem to follow you. He was an esoteric master, creating the Last Supper and the Vitruvian Man in addition to the Mona Lisa. He embedded secrets in his art. His patrons were significant, and he had relationships with agents of the Vatican. Mona Lisa is a tribute to the goddess.
Strawberry Swing's captive queen is the Queen Bee. The superhero is a bee. He falls to earth when the squirrel snips off his cape because his bee wings were cut off. He gets new wings, being regenerated when he rescues the Queen Bee and dons the membrane that held the water in her chamber. They fly off together, and her appearance is also bee-like, with bee-banded stockings. They land on the moon (goddess) and celebrate Liberty and Freedom together, performing the bent-elbow bee dance.
They kiss in the midst of butterflies. (Butterfly Kisses) (TomorrowWorld's logo, a Rose-Butterfly)
(source) “Another insect even more closely associated with Ariadne was the bee. She was in fact the survival of an extremely ancient Bee Goddess known all over the region. Sometimes called Melissa (Melitodes was also a title of Persephone) and representing the bee swarm that manifested the lifeforce of Nature, while also retaining the power of death in its stings. Bees were also thought to have been born from the carcass of a dead bull, and so represented the eternal lifeforce of the Bull God who went through cycles of life and death. Ariadne was thus the Shakti of Dionysos (who himself was identical with Shiva). The cymbal and drums of Rhea were also said to attract and dispel swarms of bees. More Dionysian, bees were the produces of honey the sacred nectar of the Goddess, which was fermented into the mead on which Ariadne’s devotees became intoxicated during their famous orgies. Long before wine was invented. The prototype of Dionysos was a Libyan mead god too. Honey was also used for embalming in Libya demonstrating the interelation of life and death. A honey rite was closely linked to the rising of Sirius, when initiates descended in underground caverns to find bees nests and take honey from them, which were then brought to the surface and fermented for forty days (and nights) to make mead (which they then became intoxicated on). Linguistically the Greek word To Ker related to the honeycomb, and also meant heart and breast, while E Ker meant death and fate and was associated with the Underworld Goddess.”
“The stylised bee also had the same form as the labrys, the double headed axe of the Goddess, which in turn was merged in art to the stylised form of the butterfly (another life – death motiff), the latter descending from an ancient Neolithic Butterfly Goddess (often accompanied by two winged dogs) representing regeneration. Artemis also descended from this archetype and was closely associated with Ariadne.”
Apollo and Artemis are suggested in the aerial battle scene's arrows, and the umbrella used a shield implies the protection of the goddess as Athena-Minerva. I'll expand on this shortly, but arrows are a reference to warriors. St. Louis de Montfort uses this language to describe the Marian agents in the classic work I referenced at the close of part 2, True Devotion to Mary. “They shall be "like sharp arrows in the hand of the powerful" Mary, to pierce Her enemies.” Arrows ~ bees with stingers. Both sides of that spiritual conflict have arrows.
The many clouds make reference to her identity as the wife of Odin, Frigga, goddess of the clouds. (CHAPTER XIX Friday--The Day of Freya) In the castle-fortress in the clouds, the acorn bomb makes reference to the oak and seed of the oak, Odin and Thor.
Instead of the rose imagery leveraged by Vida la Vida, this music video presents a much more subtle allusion to the goddess, through the strawberry. The flower of the strawberry presents the pentagram star. It compares to the rose as another flower drawn by the planetary motion, and to the apple. The title, Strawberry Swing, refers to the swinging of Venus through the heavens as it draws out the flower of the strawberry. I note how the strawberry depends heavily upon the bee. Do an image search for strawberry bee. Read this brochure, Bee pollination benefits for strawberry. The bee and strawberry are linked!
There are several ways the goddess is identified in connection with Lewis Carroll's Alice in Wonderland tales. The parallels exposed here could be explored at great length, even ignoring the central role it has on the mind-control programming layer. I'll just make a few observations that pertain to the goddess identity.
The crown wearing female inside the half teacup is Alice, at the Mad Hatter's tea party in Wonderland.
In, Alice in Wonderland, Disney's animated version from 1951, the Mad Hatter offers the March Hare some tea. In response, he slices a teacup in half and replies, “Just half a cup, if you don't mind.”
Across from the half teacup is a grandfather clock, on the other side of the giant squirrel. It leans against a column with the pendulum resting against the side of the cabinet. The clock has stopped, which is a metaphor for time standing still. This element supports the identification of the queen as Alice. In the Mad Hatter's tea party scene of Disney's Alice in Wonderland, the Mad Hatter reveals that they have tea all day because Time has punished him by eternally standing still at 6 pm (tea time).
Carroll's work wasn't nonsense. The March Hare and the White Rabbit picture Hermes, the psychopomp Anubis. The obsession with time is a tell. Rabbits are prolific breeders. His fantasy presents Alice in the role of the fertility goddess who is connected with the Easter bunny, Eastre, Oestre...
For another connection, in Through the Looking-Glass, in Chapter 7, "A Mad Tea-Party," Alice reveals that the date is "the fourth" and that the month is "May." Strawberry Swing's captive queen was tied to a pole, the spiral bound May pole, as the May Queen.
When you hear in the lyrics of Strawberry Swing, “such a perfect day,” it must be seen on one level as a reference to “the golden afternoon” when the Wonderland fantasy literature was inspired. Charles Dodgson was rowing on the river Isis in 1862 in the company of Alice Liddell, the introductory poem's Secunda, with her two sisters and the Reverend Robinson Duckworth. The Strawberry Swing's masked superhero was using a red paddle as he ascended to the princess in an Isis adventure.
By identifying the captive queen as Alice we can make another link to the goddess. Disney's Alice in Wonderland includes scenes taken from Through the Looking Glass (1871), the sequel to Alice's Adventures in Wonderland (1865). During the scenes with Tweedle Dee and Tweedle Dum and the Carpenter and Walrus and Dodo, she has a conversation with the White Rabbit, who is expressing some confusion about identity.
Alice: Now I wonder who lives here...
White Rabbit: Mary Ann! Drat that girl. Where did she put 'em? Mary Ann!
Alice: The rabbit!
White Rabbit: Mary Ann! No use, can't wait, I'm awfully late, oh me oh my oh me oh my!
Alice: Excuse me sir, but- but I've been trying to...
White Rabbit: Why, Mary Ann! What are you doing out here?
Alice: Mary Ann?
Consider the identification of Alice as Mary Ann. Mary - the blessed virgin of Rome. Ann - Inanna. Delacroix's Liberty Leading the People is Marianne, patroness of France.
“Liberty Leading the People,” pictured the revolution of 1870, and was painted in that same year. Alice Through the Looking Glass was published in 1871. I believe another period connection involves the literary giant and acclaimed artist, William Blake. ("And did those feet in ancient time") On the Wikipedia page for that poem is a section titled, Revolution, which describes him as a long time revolutionary who supported the Napoleonic wars and French Revolution.
Along with "The Red Flag", Parry's setting of Blake's classic poem to music as “Jerusalem” is sung each year at the closing of the annual Labour Party conference. See Our Lady of the Nations for why that's significant in connection with the goddess. The following facts should speak loudly to the work of the goddess, Liberty, Freedom, social activism in revolution led by “their rebellion,” Mary. “The song was used by the National Union of Women's Suffrage Societies (indeed it was their property until 1928, when they were wound up after women won the right to vote – see above in relation to Millicent Garret Fawcett). During the 1920s, many Women's Institutes (WI) started closing meetings by singing it, and this caught on nationally. Although it has never actually been adopted as the WI's official anthem, in practice it holds that position, and is an enduring element of the public image of the WI.”
The radical suffragettes were an army of militants.
Jerusalem was featured during the opening ceremony of the 2012 London Olympics. Strawberry Swing was performed during the closing ceremony, framing the ZION labeled (logo) games in that esoteric context.
Last night, I watched The Bee Movie, where the rebel protagonist, Barry B. Benson, closely followed Blake's revolutionary social action script. A true follower of the rebel Queen Bee.
The Strawberry Swing video is a deep esoteric work that is akin to the Viva la Vida videos. Goddess inspired, through and through.
Most of the world is in a trance-like state, under an antichrist delusion, which is in no small part due to the saturation of our environment with symbolic emblems and artifacts through which magickal spells are cast. The physical evidence of sodomy as pictured in these symbols testifies of a very real gateway to supernaturalism, one that is directly linked to fallen angelic beings, gods of the ancient past, present and future.
Here in this lengthy series of posts are answers to questions you may not have wanted to ask, but should have.
“...and as you join Freemasonry, initially they'll tell you that their G, the G in the square and compass, means God. But then as you go up through the levels, they'll tell you, 'Oh, this stands for Gnosis, knowledge.' But then when you get higher up it stands for the Generative principle, which means, buggering little boys. And I'm not saying that on my own authority. I spoke with the highest-ranking Freemason to defect to Christianity, Jim Shaw, and um, he was a 33rd degree Freemason, and I had a number of conversations over the phone with him about Freemasonry. And um, you know, I got it from the horse's mouth.” Fritz Springmeier on the Hagmann & Hagmann Report - 10/17/13
Mea Maxima Culpa: Silence in the House of God
This documentary highlights the story of five deaf men who spoke out about Father Lawrence Murphy, who molested more than 200 children between 1950 and 1974. Closes with an indictment of current Vatican authorities.
Deliver Us from Evil
This Oscar-nominated documentary investigates the life pedophile priest Oliver O'Grady and exposes corruption that allowed him to abuse countless children.
Continuing from Part 1, let's reflect back on a screenshot of the transit of Venus.
As the superhero Antichrist momentarily shines the light in our direction, the beam of starlight yellow (Coldplay - Yellow) suggests the illumination of mankind by Mary, which her apparitions declare is coming. The Vatican agents loudly attest to it. I'll be expanding on this shortly. That illumination is correctly represented in Strawberry Swing as attending the baptism of the lawless one, and the Bible gives an account of it that puts it in perspective.
8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false~ 2 Thessalonians 2
(Do you suspect the folks sponsoring the Starlight Parade during the annual Portland Rose Festival might be on to this, where the dragon chariot hauls their rose queens through the night?)
The moon is a goddess symbol pertaining to fertility, and it will be blood red in eclipse as menstrual or rather in labor, in the bringing forth of “her seed” (Genesis 3:15), a messianic son. The moon will be eclipsed in the constellation Virgo, the virgin goddess sign linked to Revelation 12:1, a passage that will be very pertinent.
It's a big deal that the timing is embedded in this potent signal vehicle of Strawberry Swing. The Adversary knows what time it is. “But as the days of Noah were, so shall also the coming of the Son of man be.” (Matthew 24:37) Noah knew when the flood was coming. Connect the dots. Do you yet know the times and seasons, or do you still need to be written to about them? Look around you with your eyes open. How much time do you think you have left to receive what has been written for you?
The video drops a hint to clue us in to the identity of the antichrist host when Chris is sat upon the top hat as the lawless one, revealed.
The self portrait of Delacroix bears more than a little resemblance to the bearded Abraham Lincoln who is remembered as wearing his iconic stove pipe hat. Compare them closely. By this, the raised Chris(t) as the lawless one is associated with the office of the Presidency.
That kind of association was illustrated in “I, Pet Goat II,” so here's another parallel like the dog walking described earlier. (See I, Pet Goat II - Fire and Ice, The Lotus President, Tear Jar, Psalm 23 -- Secrets of the Transition of the Ages - Hints of Romans 11 in I, Pet Goat II) In the classroom sequence, a frightened Obama puppet watched an apple blossom into a lotus. It pictured the revealing of the lawless one, in other words, Isis raising Osiris into Horus. The apple released by the girl in the trance rolled across the checkerboard floor and bumped into the shoe of Obama. Note, this is a witness to how the apple goddess Mary has our attention as she directs us to her son! When it bumped against Obama's shoe it straight away blossomed into the lotus, Horus. There's the association. Obama's silver tipped shoe was on a golden coin, which is very distinct celestial stargate imagery. You were paying attention when I described the celestial stargate imagery in Strawberry Swing's baptismal scene, right?
Both Strawberry Swing and “I, Pet Goat II” link the lawless one with the office of the Presidency.
Do you think I'm just imagining all these connections? Read the symbols for yourself. There's a message in this. I'm not playing pin the tail on the donkey-antichrist identity guessing game here. I'm making a point that all the details brought forth at the Lord's leading are important. Yet, even the sum of them is deficient in bringing one to an assurance against being deceived in the coming season if the essential knowledge of the times and seasons is lacking, which is evidence of having the Lord's confidence. 1 Thessalonians 5. Matthew 24. The ability to parrot dates or mark “possibilities” on a calendar is no substitute for legitimate relationship. Character, humility, obedience, love. If I've got your attention, I implore you - don't pass lightly over that.
Hey, we're in a bonus season. Take advantage of it today. Focus on what's most important.
What I'm going to share about now expands on what I introduced about the beaming starlight and speaks to the nature of the world's biggest hoax. We're about to be pranked, big time! This is what initially spoke so loudly to me as I watched the Strawberry Swing video for the first couple times. I was impressed upon by how the diverse presentation elements were woven into an enchanting messaging system, with even the street setting being leveraged for its symbolism. Since the insight I received during the Sochi Olympics (Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax), I've understood something of the complex nature of the hoax some refer to as the coming great deception. (The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)). What I've written in studies like the two I just linked is difficult to communicate effectively in brief. If you're not familiar with the scenario I'm laying out here, check those studies out and follow the links provided until the scenario really makes sense to you - including the timing.
Mary is drawing all the world to herself. This screenshot is from a scene that emphasizes how people follow the banner waving rose goddess in revolt. I believe the soldiers following her also represent a hoard of demons streaming through the opened stargate, but let's look at the manifestation on the physical plane. The title of the painting is, Liberty Leading the People. That's her role, quite simply! I believe she will be acting in the role of the revolutionary herald as the lawless one is about to be revealed. Like a squad of cheerleaders at a pep rally, her enchanting influence is building to a climax in that critical season when the big game is on.
The influential role of the goddess of the Marian apparition in that mission critical operation is evident in the video. Consider how folks watch the music video and don't have a clue about what is actually being conveyed. They are deceived. So it will be at the revealing of the lawless one. There are cover spells, and the masses can only see things how they are led to see them. Liberty Leading the People. Astray. Mary, goddess of magic, the sorceress Harlot of Mystery Babylon, consolidates worship, directing the world to identify her son as their savior, leading the world to accept her Vatican City agent, the Pope, as the High Priest and baptizer.
What will cause all but the very elect to be deceived will involve, “a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come,” according to 2 Thessalonians. The spirit of antichrist and of the goddess, the Marian apparition. The message, brought through the agency of the herald. The letter, produced by her authorized Vatican agents. As I've written elsewhere about the nature of the deception:
“It's going to have a logou, word, or message, which we know is to the effect that the day of the Lord has come - and gone, by implication. It's going to involve documentation that carries the weight of highest authority of the church, even of the early Apostles, which means it will be fully authorized as biblical canon. Together with the first component, spirit, it's a triple whammy, if you will. The potent combination will overwhelm any resistance to the message and result in a mass epiphany.”
According to many instances of complex modeling I've decoded in recent years (a fraction of which I've published to the blog) that each compare to Strawberry Swing, the deception will feature elements of a mixed media presentation sourced from this dimension and beyond, as ported through time itself. “Memories” of the ancient past will be universally witnessed, and those who are not adequately prepared will find the evidence overwhelming and undeniable.
Productions like Strawberry Swing have been implanting or embedding the imagery of what will be convincingly “remembered.” When we watch the video and witness the emergence of Chris(t) from the watery grave, healed from a deadly wound, that is evidence of the mass mind-control programming script. In the coming season of crisis, that will be supplemented by the softening up of the global populace by means of every facet of pharmakeia. How much influence does the Marian apparition have in the world already? Think about the NLP and effectual psi power demonstrations performed by Darren Brown and others. All that's just a playful prelude.
The mixed media show of the past beaming through the spirit time portal is demonstrated brilliantly through the clever blending of components in Strawberry Swing. Chris appears in the present, flying above a modern city, then he appears in the past, in the scene from 1830. We see him in the heavenlies, waging war and ultimately winning after dying and being raised. Then, after celebrating victory over his adversary, he no longer appears in stop-motion but in normal video, interacting with other people. Think about it. The superhero is presented as a photographic image, as a reality, and the pavement grounding the scene with its manhole cover and curbing likewise, but the setting that provides the context of interaction is artfully sketched in. It's artificial, synthetic, contrived, and that is the layer that provides the meaning. This models something of the grand hoax to us. There will be an engaging multidimensional multimedia show that will be entirely convincing, of a lie.
Remember Sochi's Olympic ceremonies and the technology of the projection on the floor of the stadium, within which the action unfolded in a very fanciful interpretation of the history of Russia? It has a parallel in Strawberry Swing where the projection represents an artificially contrived and fanciful interpretation of the past, present and future.
Have you noticed how the curbing at the bottom doesn't constrain the chalk art, which is superimposed over the image of the curbing as a separate layer? Why? The curbing is a boundary. Like a hedge in hedgewitchery, the curb is a metaphor representing the dimensional boundary. The artificially contrived context is projected on or across the dimensional boundary. It's transdimensional. Think about what you're looking at and see how the layers of presentation frame the content of the video. It's brilliant - evil genius.
If you think you're going to be smart enough to see through the deception in that day, you're going to be really disappointed. That's not going to happen. If you've grasped all this, but neglect to take 1 Thes. 5 and Mat. 24 seriously, you're going to be deceived. The knowledge of the times and seasons is the key.
I'm going to reference 2 Thessalonians once more. It should be sinking in how that the receiving the love of the truth is deeper than a merely academic experience. Note well how God himself will send a deluding influence.
8 Then that lawless one will be revealed ... 9 ...whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false~ 2 Thessalonians 2
Let's reflect back once more on a screenshot of the transit of Venus. A transit of Venus has been perceived by some as representing the Eye of Ra, with Venus as the pupil in the watchful eye. It represents the Eye of Horus, and the illumination of the Eye of Horus that is Luciferian gnosis and enlightenment, the knowledge of good and evil.
That finds support as we give two of the props some attention, the flashlight and the file cabinet. There's an enchanting signal pictured beaming from beyond into this realm. As I wrote earlier, when the Antichrist momentarily shines the starlight on us, it suggests the illumination of mankind by Mary, which her apparitions declare is coming.
The flashlight is the projection device, perhaps an ancient artifact (steampunk). It beams the illuminating starlight right at us as the fish passes by Chris. What's the content of the illuminating beam? A file cabinet contains files of records, historical documents that have value. Think, Akashic Records, the Hall of Records. Instead of being accessed intentionally by one or a small number of individuals, some device will actively port a live feed to a global audience through an opened dimensional portal. The content streamed will be artificial, contrived, a lie, telling a fanciful story like the chalk art of the video, yet, it will be experienced as a convincing reality. Deception will pour through a filtered spirit portal opened into the past and future. Universal, collective and cultural memories will be triggered or activated.
This is quite remarkably illustrated to us in the video at around the 1:44 mark! Listen to the words sung as the flashlight is switched on. “I remember.” Memories will be switched on, linked to the starlight beaming from beyond. As the flashlight turns on the hall tree and hat wearing fish are immediately illuminated. Those Marian Papal symbols are associated with the projection device and illuminating beam. It's the illumination of Mary I mentioned at the beginning of this post. The projection is linked to the goddess as her work. It will be perceived by some as the activated Eye of Horus. The spin version of reality will be understood as the herald Mary interprets it. One of the projected realities that will be so convincingly demonstrated will be to the effect that the resurrection is past, and the hope of attaining the promises of my Lord will, for the cocky over-confident saints, be shattered. Their faith will fail.
That offensive will be the first part of a two part maneuver, like in a boxing match when the first punch of a one-two combo is landed. It sends the opponent reeling, the setup for the knockout punch. I describe this as the segue to the revealing of the lawless one in The Sign for the Bride. The entire operation is bathed in the light of deception-delusion. The conclusion will bring an epiphany about the identity of the masked superhero. This is illustrated to us in the video as you watch the light beaming from the flashlight. As it's switched on by the Antichrist we see the Marian Papal baptizer. He's lit, and the illumination of Mary is apparent. “I remember.” Then as the illumination is beamed at the audience there's a transit of Venus signifying the baptism and anointing that reveals. Chris(t) seems to look right at us, making eye contact, breaching the theatrical "fourth wall." Watch this sequence as many times as necessary until you catch on to what we're being shown.
You can find another witness to the Marian projection of memories in a film titled, Anna (alternate title, Mindscape). Anna has the ability to project false memories into people to manipulate them. She preys on them and kills or ruins them without their awareness of it. The symbolism reveals that this innocent seeming girl is the goddess. Anna = Inanna.
A movie poster pictures her in a dress as a blood red rose. The opposing male and female faces are signaling the one eye, Eye of Horus. Her rose arms form the signal yonic “mouth of Isis” against the herringbone pattern concealing the W of the bent elbow Queen Bee.
We see the roses on the gates to her mansion (Rosette Seal of Inanna) and in gardens on the grounds. She has an artistic bent and is infatuated with the rose, covering her rooms walls with them.
You can extract something of the role of the Marian goddess from the following text, if you can read it through their Babylonian spin.
“It is Mary alone to Whom God has given the keys of the cellars of divine love, and the power to enter into the most sublime and secret ways of perfection; and the power likewise to make others enter in there also.”
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“I have said that this would come to pass, particularly at the end of the world and indeed presently, because the Most High with His holy Mother has to form for Himself great saints who shall surpass most of the other saints in sanctity, as much as the cedars of Lebanon outgrow the little shrubs; as has been revealed to a holy soul whose life has been written by M. de Renty.
These great souls, full of grace and zeal, shall be chosen to match themselves against the enemies of God, who shall rage on all sides; and they shall be singularly devout to Our Blessed Lady, illuminated by Her light, strengthened with Her nourishment, led by Her spirit, supported by Her arm and sheltered under Her protection, so that they shall fight with one hand and build with the other.
With the one hand they shall fight, overthrow and crush the heretics with their heresies, the schismatics with their schisms, the idolaters with their idolatries and the sinners with their impieties. With the other hand they shall build the temple of the true Solomon and the Mystical City of God; that is to say, the most Holy Virgin, called by the Fathers the Temple of Solomon, and the City of God. By their words and their examples they shall draw the whole world to true devotion to Mary. This shall bring upon them many enemies, but shall also bring many victories and much glory for God alone. This is what God revealed to St. Vincent Ferrer, the great apostle of his age, as he has sufficiently noted in one of his works.”
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“But in the second coming of Jesus Christ, Mary is to be made known and revealed by the Holy Ghost, in order that, through Her, Jesus Christ may be known, loved and served. ”
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“God, then, wishes to reveal and make known Mary, the masterpiece of His hands, in these latter times: ...As She is the dawn which precedes and reveals the Sun of Justice, Who is Jesus Christ, She must be seen and recognized in order that Jesus Christ may also be. ...Being the way by which Jesus came to us the first time, She will also be the way by which He will come the second time, though not in the same manner.”
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“These are the great men who are to come; but Mary is the One Who, by order of the Most High, shall fashion them for the purpose of extending His empire over that of the impious, the idolaters and the Mahometans. But when and how shall this be? God alone knows.”
- cough - cough. Try not to choke on that. What a setup. Well, My God does know how this unfolds, and so do those to whom He reveals His plans as He puts the Adversaries lies on display. “She is the dawn which precedes and reveals the Sun of Justice” Strawberry Swing's transit sequence illustrates that brilliantly. For redundancy, there's a dawn pictured at the end of the video as Chris(t) and his Queen approach their destination. She, Venus, is the dawn, the morning star whose rising immediately precedes the sunrise. There's a metaphor. This pair is Lucifer's dream team. The Dawn of the Aeon of Horus.
The sodomite gateway to the illumination with the dark light of Lucifer is signaled in so many clever ways. A spell is cast over the world through these seemingly innocent but very evil symbols. Here's more decoded examples with combinations of elements introduced in previous posts. 
The Krispy Kreme brand was enormously popular when I lived near Sacramento during the 90s. I don't recall seeing the white on red double K logo but apparently it's been featured along with the familiar stylized wordmark for many years. The double K pictures a scene at the palace, with a pair of Royals (Part 17) engaging in ritual sodomy. The logo designed for the Krispy Kreme Challenge (the company's annual charity race) provides us with a key to interpreting their brand imagery. 
Remember the Kudawara Pharmacy and A-Style brands with their stick figure head-dot victims? The Krispy Kreme Challenge logo pictures the victim on his hands and knees, held by the neck or shoulders while being sodomized. The gloss reflection suggests third eye illumination and the flashes of white seen during ritual sodomy. 
Is the double K a tribute to the double 0 7? It's certainly giving the Royals something to smile about, representing triple-helix DNA white light bodies with illuminated "crown" chakras. 
The white on red signals the divine illuminated Adam-kind, with “Adam” meaning “red” or “red earth.”
I featured Dunkin' Donuts and their MIB3 promotion, with the Undercover (think “between the sheets,” and covert, occulted) Black Cocoa Donut and Black Cocoa Creme Iced Coffee. Since I haven't addressed their logo before, I'll present it here. 
UPDATE: Since learning about the secret signs of goddess worship, I note that the Krispy Kreme and Dunkin' Donut brands both fly her banner high. 
The double D brand looks like a double Dee brand, as in John Dee. The pinkish purple rounded rectangle form that is the setting for the cup of coffee should be a familiar symbol of the sodomite gateway. What looks like steamy vapor rising from hot coffee compares to the curly hairs in the Wheel of Fortune imagery (from Part 40). When you see the cup of coffee as the cornucopia of Masonic imagery (which represents the alimentary tract that everyone wants to own towards the goal of acquiring everything one might want - Part 9), well, you're seeing what's really there. 
Any kind of appeal the name Dunkin' Donuts might have had is lost in the light of an awareness of the esoteric meaning. 
Popeyes Introduces Dip'n Chick'n to present us with yet another food related promotion of ritual sodomy. Whether you're dunkin' donuts in coffee or dip'n chick'n in Popeye's special “Blackened Ranch Dipping Sauce,” you can't escape the offensive imagery. The descender of the letter "p" is an arrow. Arrow = Phallus. P for Phallic Package. Here at the right side of their ad you see a copy I added, rotated into a more easily recognized alignment. The phallus points to the stylized letter “c,” which is a squared circle, a symbol of ritual sodomy. So is the other letter “C.” The square dot over the 2 letters “i” are also squared circles. 
Popeye, aka Harmerty, Horus "who rules with two eyes." Is it just me, or does his jaw and chin always look like a butt? The cartoon character Popeye first appeared in 1929. Popeye was picked up in 1933 by Fleischer Studios and made into a series of Popeye the Sailor theatrical cartoon shorts. If that studio name sounds familiar, this was the studio responsible for “Bimbo's Initiation” (See Part 18). Popeye was known for saying, “I am what I am.” Hmmmmm. Was that him in the burning bush on Mt. Horeb when Moses was commissioned?
The yellow on red colors of the Popeye's Dip'n Chick'n promotion represent the yellow (Coldplay - Part 38) star light on red, or star/angel on (as in a superior position sexually) Adam-kind. 
Coldplay - Strawberry Swing
Her symbols appear in scenes as the moon and the sea from which she was birthed. When Chris uses the umbrella as a boat, allusion is made to the scallop shell as pictured in Botticelli's classic, The Birth of Venus. When Chris is swallowed by the sea monster. Before we see it as a fish it's recognized as a lion, as famously marking the approach to the Gate of Ishtar. It's actually a lion fish, strengthening the association further. 
He gets new wings, being regenerated when he rescues the Queen Bee and dons the membrane that held the water in her chamber. They fly off together, and her appearance is also bee-like, with bee-banded stockings. They land on the moon (goddess) and celebrate Liberty and Freedom together, performing the bent-elbow bee dance. 
Pizza Esoterica - Pizzagate or The Pizza Gate? Pizza Code in Media (Series Playlist)
By this, the raised Chris(t) as the lawless one is associated with the office of the Presidency. 
You were paying attention when I described the celestial stargate imagery in Strawberry Swing's baptismal scene, right? 
I describe this as the segue to the revealing of the lawless one in 
A movie poster pictures her in a dress as a blood red rose. The opposing male and female faces are signaling the one eye, Eye of Horus. Her rose arms form the signal yonic “mouth of Isis” against the herringbone pattern concealing the W of the bent elbow Queen Bee. 