By Aaron Hermann
Late last night the Lord gave me the following Word. I feel this is important to deliver as soon as possible so I am forgoing any type of extra teaching or analysis. I pray you get from this all that the Lord intends.
"Tell my people they must fight to keep the ground they have gained and they must fight even harder to take the ground that yet remains. The enemy will look to seduce you to your destruction by appealing to your weakest points. The enemy seeks to open the doors and destroy you through legal right. Draw near to Me, repent of your sins and fleshly indulgences and take shelter under My wing of protection. To those of you in bondage because of sin now is the time, and I am the way, for your freedom.
Tell my people that the great storm is nearly upon them and unless they are firmly placed in Me and covered with My spirit they shall perish.
Do not allow your love to grow cold in this late hour as bitterness and strife are as fuel to the enemy and will be the downfall of many of My people. Do as I commanded you and love one another as you love yourselves. My love will overcome all of the hate of the enemy and My light will overcome the darkness that will soon engulf the world.
Hold fast to the faith and in Me you shall be overcomers."
By Aaron Hermann
Please feel free to contact me through my Gmail account. (theultimateplan@)
Friday, February 07, 2014
Wednesday, February 05, 2014
The Occult Messaging of Super Bowl XLVIII - Prepare for the Strike
The recent Super Bowl half time show was far less interesting than in previous years, by most accounts. 
There was no obvious Illuminati symbolism being paraded around that would raise any eyebrows. Now 2 days after the event, some bloggers have weighed in with their commentary, pointing out some elements of an Occult or suspicious nature. Aaron and I were reflecting on some things last night when he made an observation that exposed what is probably the most important message sent through the Occult ritual. The song performed with Bruno Mars by the Red Hot Chili Peppers was “Give it Away.” It was released in September of 1991. If that time seems familiar, it's probably because I've been blogging about it recently. That's when the Lord's return in judgment was marked by a celestial sign.
Part 36 - Celestial Stargates - The Secret of the Shemitah in “I, Pet Goat II”
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!
Looking back at the history of RHCP's hit song with its associated award winning music video and giving consideration to how it fits into the half time show, what comes to our minds is that it's a bridging of time. It links today with September 1991, when this season of judgment began. There is, in these connections noted, the imagery of ancient gods and opened celestial stargates, which strongly suggests that this public mass ritual at the Super Bowl had a literal bridging function. If the concept of a ritual time bridge is new to you, similar constructs linking times and places were noted in the season leading up to the London 2012 Olympics, which I blogged about in several posts, including these:
Part 4 - 2012 London Olympics - The Olympic “ZION” Park, the Subject of Ritual Magick from 1948
Part 9 - 2012 London Olympics - Quantum Entangled Zion and Fringe Science
Doug Hagmann made an important observation about the half time show, asking about the intro that gave attention to the word, prepare. Prepare for what? - By Douglas J. Hagmann. Good question! Prepare for what? The answer was subsequently provided for us via Occult messaging. Prepare for the execution of judgment that is coming in accordance with the symbolic ritual performance. Joseph Herrin made an observation on that line by connecting it to the new Maserati commercial on the common theme of “prepare,” which I'll elaborate on later, but the one word answer provided for us was, “strike.” This all comes in the context of the Final Countdown message, which must remain in mind, as well as the promise of another 911-style false flag. The Black Awakening is now less than 4 months away, according to the patterns I've documented previously. It's all very consistent messaging, and at this late hour, it's expected. The warnings must come, then the appointed strike will follow.
Let's decode the half time show. Some things are subtle, some are not. The Red Hot Chili Peppers single “Give it Away” appeared on their 5th studio album titled, Blood Sugar Sex Magik. Sex Magick is a term popularized by Aliester Crowley. For anyone willing to do their homework, that association is not subtle. We would reasonably identify “blood sugar” as an innocent medical reference to the concentration of glucose in the blood that is managed with insulin, but when you link it with Aliester Crowley, there's an unavoidable sinister side. A typical SRA practice that goes along with sex magik is ritual blood sacrifice and blood drinking.
Ke$ha has made the simulation of this practice part of her stage act when performing “Cannibal.” Blood sugar, salty sweet, like candy.
The album art shows a face in profile multiplied and arrayed around a rose. If you understand the secret of the rose, you get who they are.
Thorns. Those are thorns on the cover, aren't they, woven as into a kind of crown, making a messianic reference? Genesis 3:18 (Who is Cain's Father?) The tongues are serpentine and there is an Ouroboros kind of effect in the circular array.
I first heard it being reported that the inspiration for “Give it Away” involved an epiphany about the value of giving. “The philosophy behind the lyrics originated from a conversation Kiedis had with Nina Hagen, regarding selflessness and how insignificant material possessions were in his life. It, thus, gave birth to the song "Give It Away."” (Wikipedia) Nice story, right? Given the Bruno Mars song, Billionaire, which has a similar layer of interpretation (which I'll write more about shortly), that makes for a happy link to satisfy the gullible in the crowd about what the show's theme might be. However, you have to ignore and deny plenty to hold to that interpretation. “
During the verses, Kiedis departs from the idea of unselfishness and sings about a variety of topics including long-time friend River Phoenix, musician Bob Marley and various sexual themes including fertility and lust”. (Wikipedia) Baloney. Bunk. The artwork branding the single shows Hindu imagery with a child that you might identify as Harpocrates, Horus. I've decoded a lot of lyrics since I started catching on to the language of SRA Illuminati programming. The song has nothing to do with giving material possessions away. It's all about ritual illumination and opening the Horus Eye, passing it on to others through acts of ritual sodomy and that, most particularly, among family members. It's very, very common, and this is how trauma-based mind-control is expressed in programming media. I've decoded so many similar lyrics there should be no need to do so again. Web search this blog to find more examples.
The award winning music video made quite an impact on introduction.
Red Hot Chili Peppers - Give It Away [Official Music Video]
Visually, it's all about dancing around in the desert like savages acting out rituals, half naked, with metallic skin, clothing and horns. They are aboriginal, hearkening back to an early age when the gods were claimed to walk among men with gold and metallic bodies. For the video, the band members were painted with silver acrylic. They wore silver boots, gold horns, gold lipstick, metal mesh and mirror sequins. The horned one may be identified with Cernunnos, Baphomet, Taurus and the Silver Gate... One member waved an aluminum ribbon, and one played a silver Stratocaster guitar.
The guitar is seen being played here in a sequined tree that has scales like a dragon. It's the Tree of Knowledge of good and evil, in the Garden of Eden. The shining one, hissing, the Nachash. Some describe “that anointed cherub who covers” as the former worship leader of heaven.
The song lyrics and music video imagery match on the theme of Satan as a tribute to the sponsor of Satanic Ritual Abuse, the shining one who illuminates them, who is otherwise known as Lucifer. It's a reproductive ritual, not in the way of natural human reproduction but that of the serpent tree that replicates primarily through generations of sodomite enslavement.
This screenshot from the video pictures a mirrored pair of images of the horned band member. There's a Monarch programming facet but this also is a celestial Silver Gate image. The horned Taurus and the Twins of Gemini, the silver painted skin: It's pretty obvious what is meant by this set.
Historically, the song and video were influential. This influence came forth into the world when the Lion of the Tribe of Judah returned in judgment, precisely according to Jacob's deathbed prophecy in Genesis 49. I know it, and I'm not alone. Giving attention to the importance of this very season is why the Red Hot Chili Peppers performed this song with Bruno Mars at Super Bowl XLVIII. Now that you know what the song and video are about, the role it plays in the half time show will make sense. The song was recorded during April-June. I first recognized the celestial sign in May, while they were recording it. They released it officially on September 4, between the Magi “massing in Leo” sign and the sign marking Yom Teruah, September 10-11. The album Blood Sugar Sex Magik that featured the song was released on September 24th, just after the sign's window had passed. Those who follow “Marian” appearances like the Caritas of Birmingham don't put out an URGENT notice that there are nine days (9/13-9/21, 1991) for changing world history for no reason at all. The Soviet Union had just been dissolved, which was a very sudden and unexpected world changing event.Prominent and very significant Lubavitcher Rebbe Menachem Schneerson had just predicted the very day the Gulf war would end, based upon ancient prophesies. He followed that up with a declaration that the Messiah was about to come, naming Yom Teruah as the day, the very day I watched the celestial sign unfold. Bill Clinton's Presidential career was being launched in the very same season. The world changed. The pivot was very specific. The day of account and its meaning are known.
Bruno Mars and his band wore very distinctive gold outfits, and I believe that's a very important signal element.
The RHCP appeared half naked, like in their classic song's music video, but there was a big difference. Instead of being adorned with shimmering precious metals they sported tattoos, images of feathered serpents, Amaru, Quatzalcoatl, Cthulhu (H.P. Lovecraft), a demon headed scorpion. The shimmering metallic garments were worn instead by Bruno Mars and his band. Different band, same Nachash suit. Different day, same Nachash suit. The shimmering metallic garments represent the nature of the body, which is symbolism found in the Bible. The Devil knows these things, and knows well how most folks have absolutely no clue what's being illustrated in their mass ritual. Bruno's band donned the Nachash suits to establish the visual link. The link extends beyond the kind of body to the realm of time, linking the present with the past. In this linking are references to the ancient Nachash in the Garden and to September of 1991, both, notable transitions. The metallic suits are a bridge through the song from the present into the past.
The half time show began with children singing a verse from a song Bruno Mars made popular with Travie McCoy, Billionaire.
When they finished the word “prepare” was visible behind them. The actual song lyrics are, “Oh, I swear the world better prepare - For when I'm a billionaire” but the children simply repeat the word prepare, and offer no suggestion about what it is for which to be prepared. Doug Hagmann asks the question that is prompted, Prepare for what? It's ominous, an implied warning.
What the lyrics describe is the mental exercise called visualization. See in your mind what you want to manifest in the world. It's practiced widely. It's a mental discipline that is a form of witchcraft. There is a legitimate way to rehearse things and there is a demonic counterfeit. Cain is the builder of cities. The darkness rules the night. Lucifer is the one who masquerades as an angel of light. When the children raise their arms they frame their heads as the pupil of an eye, making a familiar sign. The Eye of Horus. The sun god is named twice in the word PREPARE, p-RE-pa-RE, with a third appearance in the mirror of AR as RA. This large eye adds to their own 2 as a third eye, one that sees into the past and future. Linking hands in a chain, they picture how things are done for the raising and amplification and projection of ritual energy. There are 12 children, a coven, minus one. Is Bruno himself perhaps the High Priest, drumming? Drumming is what is typically done during ceremonial ritual in the raising of energy. A psi-power operation is pictured, with the children as deadly agents. Make no mistake, many children of these ages are proficient at remote supernatural operations.
When the vision manifests and Lucifer's Beta-Delta agents are glorified in the cities of men, the world will be unprepared, taken by surprise. We have been warned, but who really perceives the warning and takes it seriously? The army of chosen ones are prepared and preparing. This Super Bowl half time ritual is one rehearsal among multiplied thousands. What's coming upon us has been planned for a very long time! The Sovereign God also has a plan, and although it will appear for a season that all is lost, it is not. This is just what the road to ultimate victory looks like for the Overcomers.
Before I address the Maserati commercial I want to present another car commercial with a similar message that played during the Super Bowl. I'm not talking about the Volkswagen commercial about angel butts and rainbows. I covered that here. The very notable Kia K900 ad features the character Morpheus from The Matrix.
"The Truth" | Official Kia K900 Morpheus Big Game Commercial 2014
“Let me tell you why you're here. It is the world of Luxury that has been pulled over your eyes to blind you from the truth.” He offers them the famous choice between the blue and the red, but these are car keys instead of pills. The shtick is comparing those who choose to buy a Kia K900 to those like Neo who choose to know the truth. Decoding that, “Neo Anderson” is the New Son of Man, translated. That's the counterfeit, an Antichrist identity. What do they really mean by Luxury? LUX = Light. Luxor Egypt, where the sun god was worshiped. Luxury equates to Lucifer, the Nachash, the Devil. This is evident from their marketing slogan, “Challenge the Luxury You Know™” This alludes to the oft quoted expression, “Better the devil you know than the devil you don't.” Connect the dots. What really speaks to me about the message made is when, at the end, the other cars on the street are all being swept up into the air in the wake of the Kia, with the city lights exploding all around. What appears then is the slogan, “Challenge the Luxury You Know™” followed by the word “introducing” over the chrome K900 badge, which then spins backwards and turns into the Kia logo badge. K900 is inverted, so flip it back: 009K. The letter K is the 11th, so this becomes 00911 or 9-11. The suggestion to reverse it is really pretty obvious. This is not really a difficult code to break. The meaning of what was being sung during the commercial, Nessun Dorma,can be interpreted as supporting that message.
Think about it. It's a redundant Occult message, folks, another warning of an impending false flag in the city. Recall what the children were singing.
Here's the Super Bowl commercial for the Maserati Ghibli.
Official Maserati Super Bowl Spot - Ghibli
Here's the transcript:
A car commercial. Really. This is a script for the Black Awakening, with little being hidden because it just doesn't have to be. Small fast and clever children will strike and overcome the sleepy giants who have become so big they can barely move. That's you and I. The 12 innocent looking children who were singing in front of the American flag are examples of what some of the deadly agents of chaos look like. If you think you can recognize the threats around you because they will be big and ugly and stupid, guess again.
I haven't mentioned it yet, but the name of Bruno Mars identifies the god of war. That's really the main label for the whole show. I read how RHCP was there with him at his own request.
What was sung by the children who opened the show was a verse from Billionaire, slightly modified. Here's the first verse of the song.
Is this really fit to be referenced by the innocent children? Is this really supporting the theme of altruism, like we have been told? No. Here's something else we're not going to be told. Oprah and the Queen. Why those two? Oprah is Harpo spelled backwards. Harpo is Harpocrates, aka the child Horus. The Queen of Heaven is Isis, his mother. Oprah and the Queen is a reference to the Madonna and child, Harpo and Isis.
Bruno Mars sung his big hit, Locked Out of Heaven. Here's a verse from that song that suggests a further agenda, what the Black Awakening and 911 false flag actions are leading the world into.
Paradise = the Garden of Eden. It was the sex in the Garden that brought the need for expulsion. The Nachash Serpent is bent on returning to that realm from which he was banned. He's been locked out of heaven, but he has a plan. He's been waiting a long time, too long, from his perspective.
The Black Awakening is going to pave the way for his return, and a false flag is going to come. Global pandemic will follow, which is already showing signs of beginning. The Final Countdown was observed as their messaging declared, with a delay of an unspecified duration following. That's all meaningless if there doesn't come the big event, the falling domino that topples the others. There is a schedule to keep. Before this coming May is over, major world changing events will have happened, according to the prophetic templates of Psalm 90:4 and related biblical prophecy.
Like the children sang, prepare, prepare, prepare. Whatever that means to you, according as you yourself are receiving it from the Lord Himself, take it seriously.
There was no obvious Illuminati symbolism being paraded around that would raise any eyebrows. Now 2 days after the event, some bloggers have weighed in with their commentary, pointing out some elements of an Occult or suspicious nature. Aaron and I were reflecting on some things last night when he made an observation that exposed what is probably the most important message sent through the Occult ritual. The song performed with Bruno Mars by the Red Hot Chili Peppers was “Give it Away.” It was released in September of 1991. If that time seems familiar, it's probably because I've been blogging about it recently. That's when the Lord's return in judgment was marked by a celestial sign. Part 36 - Celestial Stargates - The Secret of the Shemitah in “I, Pet Goat II”
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!
Looking back at the history of RHCP's hit song with its associated award winning music video and giving consideration to how it fits into the half time show, what comes to our minds is that it's a bridging of time. It links today with September 1991, when this season of judgment began. There is, in these connections noted, the imagery of ancient gods and opened celestial stargates, which strongly suggests that this public mass ritual at the Super Bowl had a literal bridging function. If the concept of a ritual time bridge is new to you, similar constructs linking times and places were noted in the season leading up to the London 2012 Olympics, which I blogged about in several posts, including these:
Part 4 - 2012 London Olympics - The Olympic “ZION” Park, the Subject of Ritual Magick from 1948
Part 9 - 2012 London Olympics - Quantum Entangled Zion and Fringe Science
Doug Hagmann made an important observation about the half time show, asking about the intro that gave attention to the word, prepare. Prepare for what? - By Douglas J. Hagmann. Good question! Prepare for what? The answer was subsequently provided for us via Occult messaging. Prepare for the execution of judgment that is coming in accordance with the symbolic ritual performance. Joseph Herrin made an observation on that line by connecting it to the new Maserati commercial on the common theme of “prepare,” which I'll elaborate on later, but the one word answer provided for us was, “strike.” This all comes in the context of the Final Countdown message, which must remain in mind, as well as the promise of another 911-style false flag. The Black Awakening is now less than 4 months away, according to the patterns I've documented previously. It's all very consistent messaging, and at this late hour, it's expected. The warnings must come, then the appointed strike will follow.
Let's decode the half time show. Some things are subtle, some are not. The Red Hot Chili Peppers single “Give it Away” appeared on their 5th studio album titled, Blood Sugar Sex Magik. Sex Magick is a term popularized by Aliester Crowley. For anyone willing to do their homework, that association is not subtle. We would reasonably identify “blood sugar” as an innocent medical reference to the concentration of glucose in the blood that is managed with insulin, but when you link it with Aliester Crowley, there's an unavoidable sinister side. A typical SRA practice that goes along with sex magik is ritual blood sacrifice and blood drinking.
Ke$ha has made the simulation of this practice part of her stage act when performing “Cannibal.” Blood sugar, salty sweet, like candy. The album art shows a face in profile multiplied and arrayed around a rose. If you understand the secret of the rose, you get who they are.
Thorns. Those are thorns on the cover, aren't they, woven as into a kind of crown, making a messianic reference? Genesis 3:18 (Who is Cain's Father?) The tongues are serpentine and there is an Ouroboros kind of effect in the circular array. I first heard it being reported that the inspiration for “Give it Away” involved an epiphany about the value of giving. “The philosophy behind the lyrics originated from a conversation Kiedis had with Nina Hagen, regarding selflessness and how insignificant material possessions were in his life. It, thus, gave birth to the song "Give It Away."” (Wikipedia) Nice story, right? Given the Bruno Mars song, Billionaire, which has a similar layer of interpretation (which I'll write more about shortly), that makes for a happy link to satisfy the gullible in the crowd about what the show's theme might be. However, you have to ignore and deny plenty to hold to that interpretation. “
During the verses, Kiedis departs from the idea of unselfishness and sings about a variety of topics including long-time friend River Phoenix, musician Bob Marley and various sexual themes including fertility and lust”. (Wikipedia) Baloney. Bunk. The artwork branding the single shows Hindu imagery with a child that you might identify as Harpocrates, Horus. I've decoded a lot of lyrics since I started catching on to the language of SRA Illuminati programming. The song has nothing to do with giving material possessions away. It's all about ritual illumination and opening the Horus Eye, passing it on to others through acts of ritual sodomy and that, most particularly, among family members. It's very, very common, and this is how trauma-based mind-control is expressed in programming media. I've decoded so many similar lyrics there should be no need to do so again. Web search this blog to find more examples. The award winning music video made quite an impact on introduction.
Red Hot Chili Peppers - Give It Away [Official Music Video]Visually, it's all about dancing around in the desert like savages acting out rituals, half naked, with metallic skin, clothing and horns. They are aboriginal, hearkening back to an early age when the gods were claimed to walk among men with gold and metallic bodies. For the video, the band members were painted with silver acrylic. They wore silver boots, gold horns, gold lipstick, metal mesh and mirror sequins. The horned one may be identified with Cernunnos, Baphomet, Taurus and the Silver Gate... One member waved an aluminum ribbon, and one played a silver Stratocaster guitar.
The guitar is seen being played here in a sequined tree that has scales like a dragon. It's the Tree of Knowledge of good and evil, in the Garden of Eden. The shining one, hissing, the Nachash. Some describe “that anointed cherub who covers” as the former worship leader of heaven.11 Again the word of the Lord came to me saying, 12 “Son of man, take up a lamentation over the king of Tyre and say to him, ‘Thus says the Lord God, “You had the seal of perfection, Full of wisdom and perfect in beauty. 13 “You were in Eden, the garden of God; Every precious stone was your covering: The ruby, the topaz and the diamond; The beryl, the onyx and the jasper; The lapis lazuli, the turquoise and the emerald; And the gold, the workmanship of your settings and sockets, Was in you. On the day that you were created They were prepared. 14 “You were the anointed cherub who covers, And I placed you there. You were on the holy mountain of God; You walked in the midst of the stones of fire. 15 “You were blameless in your ways From the day you were created Until unrighteousness was found in you. 16 “By the abundance of your trade You were internally filled with violence, And you sinned; Therefore I have cast you as profane From the mountain of God. And I have destroyed you, O covering cherub, From the midst of the stones of fire. 17 “Your heart was lifted up because of your beauty; You corrupted your wisdom by reason of your splendor. I cast you to the ground; I put you before kings, That they may see you. 18 “By the multitude of your iniquities, In the unrighteousness of your trade You profaned your sanctuaries. Therefore I have brought fire from the midst of you; It has consumed you, And I have turned you to ashes on the earth In the eyes of all who see you. 19 “All who know you among the peoples Are appalled at you; You have become terrified And you will cease to be forever.”’” ~ Ezekiel 28:11-19
The song lyrics and music video imagery match on the theme of Satan as a tribute to the sponsor of Satanic Ritual Abuse, the shining one who illuminates them, who is otherwise known as Lucifer. It's a reproductive ritual, not in the way of natural human reproduction but that of the serpent tree that replicates primarily through generations of sodomite enslavement.
This screenshot from the video pictures a mirrored pair of images of the horned band member. There's a Monarch programming facet but this also is a celestial Silver Gate image. The horned Taurus and the Twins of Gemini, the silver painted skin: It's pretty obvious what is meant by this set.
Historically, the song and video were influential. This influence came forth into the world when the Lion of the Tribe of Judah returned in judgment, precisely according to Jacob's deathbed prophecy in Genesis 49. I know it, and I'm not alone. Giving attention to the importance of this very season is why the Red Hot Chili Peppers performed this song with Bruno Mars at Super Bowl XLVIII. Now that you know what the song and video are about, the role it plays in the half time show will make sense. The song was recorded during April-June. I first recognized the celestial sign in May, while they were recording it. They released it officially on September 4, between the Magi “massing in Leo” sign and the sign marking Yom Teruah, September 10-11. The album Blood Sugar Sex Magik that featured the song was released on September 24th, just after the sign's window had passed. Those who follow “Marian” appearances like the Caritas of Birmingham don't put out an URGENT notice that there are nine days (9/13-9/21, 1991) for changing world history for no reason at all. The Soviet Union had just been dissolved, which was a very sudden and unexpected world changing event.
Prominent and very significant Lubavitcher Rebbe Menachem Schneerson had just predicted the very day the Gulf war would end, based upon ancient prophesies. He followed that up with a declaration that the Messiah was about to come, naming Yom Teruah as the day, the very day I watched the celestial sign unfold. Bill Clinton's Presidential career was being launched in the very same season. The world changed. The pivot was very specific. The day of account and its meaning are known. Bruno Mars and his band wore very distinctive gold outfits, and I believe that's a very important signal element.
The RHCP appeared half naked, like in their classic song's music video, but there was a big difference. Instead of being adorned with shimmering precious metals they sported tattoos, images of feathered serpents, Amaru, Quatzalcoatl, Cthulhu (H.P. Lovecraft), a demon headed scorpion. The shimmering metallic garments were worn instead by Bruno Mars and his band. Different band, same Nachash suit. Different day, same Nachash suit. The shimmering metallic garments represent the nature of the body, which is symbolism found in the Bible. The Devil knows these things, and knows well how most folks have absolutely no clue what's being illustrated in their mass ritual. Bruno's band donned the Nachash suits to establish the visual link. The link extends beyond the kind of body to the realm of time, linking the present with the past. In this linking are references to the ancient Nachash in the Garden and to September of 1991, both, notable transitions. The metallic suits are a bridge through the song from the present into the past. The half time show began with children singing a verse from a song Bruno Mars made popular with Travie McCoy, Billionaire.
Oh, every time I close my eyes
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.
When they finished the word “prepare” was visible behind them. The actual song lyrics are, “Oh, I swear the world better prepare - For when I'm a billionaire” but the children simply repeat the word prepare, and offer no suggestion about what it is for which to be prepared. Doug Hagmann asks the question that is prompted, Prepare for what? It's ominous, an implied warning.
What the lyrics describe is the mental exercise called visualization. See in your mind what you want to manifest in the world. It's practiced widely. It's a mental discipline that is a form of witchcraft. There is a legitimate way to rehearse things and there is a demonic counterfeit. Cain is the builder of cities. The darkness rules the night. Lucifer is the one who masquerades as an angel of light. When the children raise their arms they frame their heads as the pupil of an eye, making a familiar sign. The Eye of Horus. The sun god is named twice in the word PREPARE, p-RE-pa-RE, with a third appearance in the mirror of AR as RA. This large eye adds to their own 2 as a third eye, one that sees into the past and future. Linking hands in a chain, they picture how things are done for the raising and amplification and projection of ritual energy. There are 12 children, a coven, minus one. Is Bruno himself perhaps the High Priest, drumming? Drumming is what is typically done during ceremonial ritual in the raising of energy. A psi-power operation is pictured, with the children as deadly agents. Make no mistake, many children of these ages are proficient at remote supernatural operations.
When the vision manifests and Lucifer's Beta-Delta agents are glorified in the cities of men, the world will be unprepared, taken by surprise. We have been warned, but who really perceives the warning and takes it seriously? The army of chosen ones are prepared and preparing. This Super Bowl half time ritual is one rehearsal among multiplied thousands. What's coming upon us has been planned for a very long time! The Sovereign God also has a plan, and although it will appear for a season that all is lost, it is not. This is just what the road to ultimate victory looks like for the Overcomers.
Before I address the Maserati commercial I want to present another car commercial with a similar message that played during the Super Bowl. I'm not talking about the Volkswagen commercial about angel butts and rainbows. I covered that here. The very notable Kia K900 ad features the character Morpheus from The Matrix.
"The Truth" | Official Kia K900 Morpheus Big Game Commercial 2014
“Let me tell you why you're here. It is the world of Luxury that has been pulled over your eyes to blind you from the truth.” He offers them the famous choice between the blue and the red, but these are car keys instead of pills. The shtick is comparing those who choose to buy a Kia K900 to those like Neo who choose to know the truth. Decoding that, “Neo Anderson” is the New Son of Man, translated. That's the counterfeit, an Antichrist identity. What do they really mean by Luxury? LUX = Light. Luxor Egypt, where the sun god was worshiped. Luxury equates to Lucifer, the Nachash, the Devil. This is evident from their marketing slogan, “Challenge the Luxury You Know™” This alludes to the oft quoted expression, “Better the devil you know than the devil you don't.” Connect the dots. What really speaks to me about the message made is when, at the end, the other cars on the street are all being swept up into the air in the wake of the Kia, with the city lights exploding all around. What appears then is the slogan, “Challenge the Luxury You Know™” followed by the word “introducing” over the chrome K900 badge, which then spins backwards and turns into the Kia logo badge. K900 is inverted, so flip it back: 009K. The letter K is the 11th, so this becomes 00911 or 9-11. The suggestion to reverse it is really pretty obvious. This is not really a difficult code to break. The meaning of what was being sung during the commercial, Nessun Dorma,can be interpreted as supporting that message.
Think about it. It's a redundant Occult message, folks, another warning of an impending false flag in the city. Recall what the children were singing.
Oh, every time I close my eyes
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.
I see my name in shining lights
Yeah, a different city every night
Oh, I swear the world better prepare, prepare, prepare.
Here's the Super Bowl commercial for the Maserati Ghibli.
Official Maserati Super Bowl Spot - GhibliHere's the transcript:
“The world is full of giants
They have always been here
Lumbering in the schoolyards
Limping through the alleys
We had to learn how to deal with them
How to overcome them
We were small, but fast, remember?
We were like a wind appearing out of nowhere
We knew that being clever was more important than being the biggest kid in the neighborhood
As long as we keep our heads down
As long as we work hard
Trust what we feel in our guts, our hearts
Then, we’re ready
We wait until they get sleepy
Wait until they get so big they can barely move
Then we walk out of the shadows
Quietly walk out of the dark
And strike”
They have always been here
Lumbering in the schoolyards
Limping through the alleys
We had to learn how to deal with them
How to overcome them
We were small, but fast, remember?
We were like a wind appearing out of nowhere
We knew that being clever was more important than being the biggest kid in the neighborhood
As long as we keep our heads down
As long as we work hard
Trust what we feel in our guts, our hearts
Then, we’re ready
We wait until they get sleepy
Wait until they get so big they can barely move
Then we walk out of the shadows
Quietly walk out of the dark
And strike”
A car commercial. Really. This is a script for the Black Awakening, with little being hidden because it just doesn't have to be. Small fast and clever children will strike and overcome the sleepy giants who have become so big they can barely move. That's you and I. The 12 innocent looking children who were singing in front of the American flag are examples of what some of the deadly agents of chaos look like. If you think you can recognize the threats around you because they will be big and ugly and stupid, guess again.
I haven't mentioned it yet, but the name of Bruno Mars identifies the god of war. That's really the main label for the whole show. I read how RHCP was there with him at his own request.
What was sung by the children who opened the show was a verse from Billionaire, slightly modified. Here's the first verse of the song.
I wanna be a billionaire so f-in' bad
Buy all of the things I never had
I wanna be on the cover of Forbes magazine
Smiling next to Oprah and the Queen
Buy all of the things I never had
I wanna be on the cover of Forbes magazine
Smiling next to Oprah and the Queen
Is this really fit to be referenced by the innocent children? Is this really supporting the theme of altruism, like we have been told? No. Here's something else we're not going to be told. Oprah and the Queen. Why those two? Oprah is Harpo spelled backwards. Harpo is Harpocrates, aka the child Horus. The Queen of Heaven is Isis, his mother. Oprah and the Queen is a reference to the Madonna and child, Harpo and Isis.
Bruno Mars sung his big hit, Locked Out of Heaven. Here's a verse from that song that suggests a further agenda, what the Black Awakening and 911 false flag actions are leading the world into.
Cause your sex takes me to paradise
Yeah your sex takes me to paradise
And it shows, yeah, yeah, yeah
Cause you make feel like, I've been locked out of heaven
For too long, for too long
Yeah you make feel like, I've been locked out of heaven
For too long, for too long
Yeah your sex takes me to paradise
And it shows, yeah, yeah, yeah
Cause you make feel like, I've been locked out of heaven
For too long, for too long
Yeah you make feel like, I've been locked out of heaven
For too long, for too long
Paradise = the Garden of Eden. It was the sex in the Garden that brought the need for expulsion. The Nachash Serpent is bent on returning to that realm from which he was banned. He's been locked out of heaven, but he has a plan. He's been waiting a long time, too long, from his perspective.
The Black Awakening is going to pave the way for his return, and a false flag is going to come. Global pandemic will follow, which is already showing signs of beginning. The Final Countdown was observed as their messaging declared, with a delay of an unspecified duration following. That's all meaningless if there doesn't come the big event, the falling domino that topples the others. There is a schedule to keep. Before this coming May is over, major world changing events will have happened, according to the prophetic templates of Psalm 90:4 and related biblical prophecy.
Like the children sang, prepare, prepare, prepare. Whatever that means to you, according as you yourself are receiving it from the Lord Himself, take it seriously.
Saturday, February 01, 2014
Moving the Thunder
By Aaron Hermann
When the Lord first brought the Final Countdown signaling elements to my attention when they were presented during the kickoff special of the 2013 NFL season it quickly became apparent that there is some sort of special connection between Denver and New York City, so it is no real surprise that the first Super Bowl being hosted in New York City's history (technically East Rutherford, New Jersey) involves the Denver Broncos. Over the course of the last couple of weeks the Lord has been bringing the term "full circle" to mind, so the fact that Denver was involved in the first game of the season and the last game of the season certainly fits.
The occult term for this type of phenomenon is Sympathetic Magick, and while a detailed presentation on Sympathetic Magick falls outside the parameters of this post, it is a significant part of the strong connection between Denver and New York. What we are witnessing here is far beyond coincidence and goes much deeper than just the superficial happenings of professional sports.
In Part 3 of the NFL & The Final Countdown series I discussed the extraordinary measures the NFL took to move the game to Denver.
The NFL League offices are in New York City, and if you are familiar with this series than you are well aware that there was a weather delay before the first game in Denver last September and it was the NFL League office that had the power and authority to decide how long the delay would last, when play would resume, etc. This may seem like a trivial matter, but it is an important point to grasp as it is yet another connection point between Denver and New York City.
Denver and New York City have a history. On January 25, 1987 the Denver Broncos played the New York Giants in Super Bowl 21 at the Rose Bowl in Pasadena, California. On December 13, 1998 the heavily favored undefeated Denver Broncos with future Hall of Fame quarterback John Elway played the underdog Giants n New York at the old Meadowlands Stadium with journeyman quarterback Ken Graham leading the way the Giants beat Denver to ruin the Broncos hopes of an undefeated season. (It is worth noting that Denver would eventually win the Super Bowl that year.)
However, perhaps the most important connection between Denver and New York occurred on Monday night September 10, 2001 when the Denver Broncos played the New York Giants in the inaugural game at Invesco Field. In 2001 the Broncos moved out of the old Mile High Stadium into their new complex which was named Invesco Field until 2011 when it was changed to its current name of Sports Authority Field. The christening of the stadium was an important event, and in order to harness as much energy as possible the NFL granted Denver center stage with an appearance on Monday Night Football.
As many of you are aware, the Monday Night Football games are special because they are the only game being played which means it has the sole focus of the fans increasing the energy involved in the event. The extra energy was especially important in this case because before the game was played a ritual was carried out with the explicit intent to transfer the energy from the old stadium into the new venue. The Broncos organization brought back many storied players from its franchise to assist in raising the energy for this ritual that was officially called "Moving the Thunder."
Once again New York played an important role in the ritual with the Giants being involved in the event. Roughly 12 hours after the game began the infamous events that would forever change the nature of this country took place in Manhattan during the morning of September 11, 2001.
There is a connection between time and space that must be mentioned here, and Bob wrote of this when he discussed the events of September 10, 1991 and its relation and connection to the events of September 10th and 11th, 2001. This connection through time simply cannot be ignored.
Bob and I have been writing a great deal about the forthcoming second 9-11 event that is assured to take place in the near future. Keeping in mind that there was a "moving the thunder" ritual that took place involving the Denver Broncos and the city of New York 12 hours before the tragic events of September 11, 2001 I believe that the following piece of news is a rather ominous sign.
The NFL League offices, located in Manhattan, granted permission to the Denver Broncos to fly their 900 pound horse mascot, named Thunder, to the Super Bowl. So they are literally "moving the thunder" mascot to New York to take part in the Super Bowl.
I must point out the obvious connection here between the demonic blue horse, "Blucifer", at the Denver International Airport and the Satanic ritual that took place during the Grammy's when Katy Perry performed her song "Dark Horse." It is an obvious connection and many folks have noted. The Vigilant Citizen's The 2014 Grammy Awards: Still Pushing the Illuminati Agenda post and Joseph Herrin's False Gestures/Jesters of Peace post covered the connection and provided some excellent commentary on the event. It is also worth noting that in 2010 that the Statue of Anubis made its way past the Statue of Liberty in New York City as well as a prolonged stay at the Denver International Airport, so there's that connection as well.
If we are willing to go beyond the superficial and look at the events transpiring on Sunday, February 2nd for what they mean in the spiritual realm than we are left with a very serious and ominous set of events that are intentionally coordinated with the Satanic calendar to synchronize the effect of the energy harvesting which is achieved by the various rituals being carried out concurrently. Energy is being harvested and added to the sum of the total which will one day be released and will accomplish all that it is intended and permitted to accomplish.
By Aaron Hermann
Please feel free to contact me through my Gmail account. (theultimateplan@)
When the Lord first brought the Final Countdown signaling elements to my attention when they were presented during the kickoff special of the 2013 NFL season it quickly became apparent that there is some sort of special connection between Denver and New York City, so it is no real surprise that the first Super Bowl being hosted in New York City's history (technically East Rutherford, New Jersey) involves the Denver Broncos. Over the course of the last couple of weeks the Lord has been bringing the term "full circle" to mind, so the fact that Denver was involved in the first game of the season and the last game of the season certainly fits.The occult term for this type of phenomenon is Sympathetic Magick, and while a detailed presentation on Sympathetic Magick falls outside the parameters of this post, it is a significant part of the strong connection between Denver and New York. What we are witnessing here is far beyond coincidence and goes much deeper than just the superficial happenings of professional sports.
In Part 3 of the NFL & The Final Countdown series I discussed the extraordinary measures the NFL took to move the game to Denver.
“Since 2004 the annual NFL Kickoff game is played at the stadium of the defending Super Bowl champions as a reward for the team, city, and fans as the team is presented with their super Bowl rings and a championship banner is raised in the stadium. By all accounts the game should have been played in Baltimore, but instead the game was played in Denver.
The Baltimore Ravens share parking and other facilities with the Baltimore Orioles (a major league baseball team) and the explanation given as to why the game was moved to Denver was due to the fact that the Orioles refused to change their schedule to accommodate the Ravens and allow them to have their celebration game at home.
For anyone who follows sports on even a casual basis this story makes absolutely no sense, even with the superficial plausible deniability of the fact that the MLB schedule was in place before the Ravens won the Super Bowl. The Ravens won their first super Bowl in 12 years and the Orioles aren't willing to change one of 81 home games in an effort to accommodate their champion neighbors and pacify the most powerful professional sports organization in the country?
As powerful and popular as the NFL is we are supposed to believe they were unable to convince the decision makers of the MLB to move one game? Sorry, I'm not buying it. Those familiar with the workings of the Occult understand that location matters a great deal, and Denver was chosen for a specific purpose.”
Part 3 - NFL & The Final Countdown - Connections and Context of Complex Time Elements
The Baltimore Ravens share parking and other facilities with the Baltimore Orioles (a major league baseball team) and the explanation given as to why the game was moved to Denver was due to the fact that the Orioles refused to change their schedule to accommodate the Ravens and allow them to have their celebration game at home.
For anyone who follows sports on even a casual basis this story makes absolutely no sense, even with the superficial plausible deniability of the fact that the MLB schedule was in place before the Ravens won the Super Bowl. The Ravens won their first super Bowl in 12 years and the Orioles aren't willing to change one of 81 home games in an effort to accommodate their champion neighbors and pacify the most powerful professional sports organization in the country?
As powerful and popular as the NFL is we are supposed to believe they were unable to convince the decision makers of the MLB to move one game? Sorry, I'm not buying it. Those familiar with the workings of the Occult understand that location matters a great deal, and Denver was chosen for a specific purpose.”
Part 3 - NFL & The Final Countdown - Connections and Context of Complex Time Elements
The NFL League offices are in New York City, and if you are familiar with this series than you are well aware that there was a weather delay before the first game in Denver last September and it was the NFL League office that had the power and authority to decide how long the delay would last, when play would resume, etc. This may seem like a trivial matter, but it is an important point to grasp as it is yet another connection point between Denver and New York City.
Denver and New York City have a history. On January 25, 1987 the Denver Broncos played the New York Giants in Super Bowl 21 at the Rose Bowl in Pasadena, California. On December 13, 1998 the heavily favored undefeated Denver Broncos with future Hall of Fame quarterback John Elway played the underdog Giants n New York at the old Meadowlands Stadium with journeyman quarterback Ken Graham leading the way the Giants beat Denver to ruin the Broncos hopes of an undefeated season. (It is worth noting that Denver would eventually win the Super Bowl that year.)
However, perhaps the most important connection between Denver and New York occurred on Monday night September 10, 2001 when the Denver Broncos played the New York Giants in the inaugural game at Invesco Field. In 2001 the Broncos moved out of the old Mile High Stadium into their new complex which was named Invesco Field until 2011 when it was changed to its current name of Sports Authority Field. The christening of the stadium was an important event, and in order to harness as much energy as possible the NFL granted Denver center stage with an appearance on Monday Night Football.
As many of you are aware, the Monday Night Football games are special because they are the only game being played which means it has the sole focus of the fans increasing the energy involved in the event. The extra energy was especially important in this case because before the game was played a ritual was carried out with the explicit intent to transfer the energy from the old stadium into the new venue. The Broncos organization brought back many storied players from its franchise to assist in raising the energy for this ritual that was officially called "Moving the Thunder."
“On September 10, 2001, the stadium hosted its first regular season NFL game, in which the Denver Broncos defeated the New York Giants 31–20. In a pre-game ceremony, Broncos legends John Elway, Steve Atwater, Randy Gradishar, Haven Moses, Billy Thompson, Floyd Little, Dennis Smith, and Karl Mecklenburg helped to "Move the Thunder" from the old Mile High Stadium to the new home of the Broncos.”
Wikipedia - Sports Authority Field
Wikipedia - Sports Authority Field
Once again New York played an important role in the ritual with the Giants being involved in the event. Roughly 12 hours after the game began the infamous events that would forever change the nature of this country took place in Manhattan during the morning of September 11, 2001.
There is a connection between time and space that must be mentioned here, and Bob wrote of this when he discussed the events of September 10, 1991 and its relation and connection to the events of September 10th and 11th, 2001. This connection through time simply cannot be ignored.
Bob and I have been writing a great deal about the forthcoming second 9-11 event that is assured to take place in the near future. Keeping in mind that there was a "moving the thunder" ritual that took place involving the Denver Broncos and the city of New York 12 hours before the tragic events of September 11, 2001 I believe that the following piece of news is a rather ominous sign.
The NFL League offices, located in Manhattan, granted permission to the Denver Broncos to fly their 900 pound horse mascot, named Thunder, to the Super Bowl. So they are literally "moving the thunder" mascot to New York to take part in the Super Bowl.
“The Super Bowl will have the Seattle Seahawks and the Denver Broncos facing off to win the biggest game of the year. Thankfully Denver Broncos mascot “Thunder” will be there too. If you haven’t heard about the horse that runs Invesco Field in Denver, then the idea of having the horse at the sidelines might be a little foreign. Some NFL teams have mascots made out of costume figures, however Denver has a live horse. According to The Denver Post on Wednesday, the team has the permission of the NFL to fly the horse to MetLife Stadium in New Jersey.
Moving a horse is amazing pop culture trivia that gives people a glimpse at the massive logistics needed for the mascot Super Bowl team. Believe it or not, the 900-pound horse gets to the Super Bowl from Denver without driving. It’s quite simple actually, the horse will fly. He will not be flying first class, but in a cargo plane and the ride might be a new experience for Thunder. Assuming there are no new storms, the stadium seems to be ready to take in the stallion mascot.”
Denver Broncos mascot flying to Super Bowl? Live 900-pound horse takes a plane
Moving a horse is amazing pop culture trivia that gives people a glimpse at the massive logistics needed for the mascot Super Bowl team. Believe it or not, the 900-pound horse gets to the Super Bowl from Denver without driving. It’s quite simple actually, the horse will fly. He will not be flying first class, but in a cargo plane and the ride might be a new experience for Thunder. Assuming there are no new storms, the stadium seems to be ready to take in the stallion mascot.”
Denver Broncos mascot flying to Super Bowl? Live 900-pound horse takes a plane
I must point out the obvious connection here between the demonic blue horse, "Blucifer", at the Denver International Airport and the Satanic ritual that took place during the Grammy's when Katy Perry performed her song "Dark Horse." It is an obvious connection and many folks have noted. The Vigilant Citizen's The 2014 Grammy Awards: Still Pushing the Illuminati Agenda post and Joseph Herrin's False Gestures/Jesters of Peace post covered the connection and provided some excellent commentary on the event. It is also worth noting that in 2010 that the Statue of Anubis made its way past the Statue of Liberty in New York City as well as a prolonged stay at the Denver International Airport, so there's that connection as well.If we are willing to go beyond the superficial and look at the events transpiring on Sunday, February 2nd for what they mean in the spiritual realm than we are left with a very serious and ominous set of events that are intentionally coordinated with the Satanic calendar to synchronize the effect of the energy harvesting which is achieved by the various rituals being carried out concurrently. Energy is being harvested and added to the sum of the total which will one day be released and will accomplish all that it is intended and permitted to accomplish.
By Aaron Hermann
Please feel free to contact me through my Gmail account. (theultimateplan@)
Does Anybody Really Know What Time It Is?
Tomorrow is Super Bowl Sunday. For many people, it's one of the most celebrated days of the year. Some have questioned the choice of time and place for the event, which looks like a security exercise and multi-faceted Occult mass ritual, and the correct answers are not going to be found through the official channels. 
Super Bowl XLVIII is being held in New York City, a location that is pictured in many movies with Silver Gate symbolism. That's the ancient “back door of heaven” celestial stargate that is linked to both the incarnation of Horus and the receiving of souls into the Duat or underworld.
Super Bowl Sunday is February 2, Groundhog Day, which is a day that is already being widely celebrated - especially here in Western Pennsylvania where a small town nearby is home to the famous weather predicting rodent, Punxsutawney Phil. Thanks to another Phil, who is certainly more reliable and who keeps me informed about such things, it's also the day of the year numbered 33 from the beginning and 333 from the end, notable ritual numbers. Tonight at sunset the weekly Shabbat will transition into another significant day on the Lord's calendar, the 1st day of the 12th month. The Super Bowl will begin as we transition into the 2nd day, scheduled for just after sunset. On the Pagan Calendar, this Super Bowl Sunday in 2014 is a both a blood and sexual ritual day. It is Candlemas, a Pagan Shabbat that some will celebrate with animal and/or human sacrifice. It's also claimed to be a Satanic Revels on the SRA calendar, which is marked by sexual rituals involving female victims between the ages of 7 and 17. Apparently, this Super Bowl is being held on a potent ritual day in a potent ritual place.
There is expected to be a half time show featuring performances by Bruno Mars (Locked Out of Heaven) and Red Hot Chili Peppers. According to the recent history of Occult ritual signaling, this Super Bowl and show is not just your average sporting event ritual. In 2012, Madonna's show was widely recognized as a grand Illuminati Occult ritual. Moments after Beyonce finished her half time performance last year, the New Orleans Superdome went dark. That has not been forgotten. Aaron Hermann's blog series on the NFL & the Final Countdown watches the connections established between this NFL season's starting announcement of a Final Countdown and the previous Super Bowl. If you missed out on following that watch and and the reports of the thwarted false flag op that met the apparent schedule we were cryptically warned about, you missed some important prep for this season's ritual. If all this seems rather ominous, well, so it should.
But, this post isn't really about the Super Bowl so much as how it seems to fit within the greater context of what's really going on in the world.
During last week's Grammy Awards, I heard the classic rock band Chicago perform a medly of standards, joined by Robin Thicke. (TheBoomBox) Most folks were entirely distracted by the over-the-top Satanic Katy Perry 'Dark Horse' performance and the abomination of the 33 gender-mash-up weddings performed on stage by Queen Latifah. Chicago's segment puzzled me because the entire bit didn't seem to me like something that could be received as having entertainment value approaching that of the rest of the show. I grew up listening to Chicago on pop radio and I thought the style clash with Robin Thicke was pretty awful. It just occurred to me as I was starting to write this post that the message being sent is in their hit song from 1970, “Does Anybody Really Know What Time It Is?” They opened with that song. The wildly popular Robin Thicke gives it his attention to add the kind of energy needed from the crowd. I'll bring this up again later, but the point is made in the question asked: Does Anybody Really Know What Time It Is? The answer is, yes. And, that's thevery important matter that is being brought to the focus of attention!
So what time is it? It's not the hour and minute of the day that's really important but where we are on the cosmic clock, as some would put it, according to the schedule of the age? Where are on the Lord's calendar or schedule?
The big thing looming on the large scale are the nearly concurrent and connected Bride Theft and sealing of 144,000 sons of Israel events. These represent the crux move in the Lord's “play book.” I'm convinced that it's appointed for the 21st day of the 1st month on the Lord's calendar, according to the biblical modeling and prophecy. This is expected in the Spring of 2015. Related to that, the baptism and anointing that will reveal the lawless one precedes that by just over a week, coming up on the 13th day of the 1st month in 2015, which will probably be 4-4-15. That's also according to biblical patterns. Some dramatic transformational events must happen to prepare the world for receiving him. This change is what the esoteric public ritual we see today and the private ritual magick that attends it is bringing, and it drives all the exoteric action that will reset nations and cultures.
Does Anybody Really Know What Time It Is? Yes, yes they do.
Noah Knew And So Can You (Playlist - 6 parts)
I've been exposing evidence of varoius kinds that the Adversary also knows a few things about timing.
Back in 2008, massive ritual was evident in the ceremonies of the Summer Olympics in Beijing. I was led to devote many months of effort to the researching and reporting of what I learned about them. The world was changed during that season. A counterfeit Zion is intended to be brought from beyond into this dimension. Such Occult rituals have a public side and a private side. Since those Olympics I've given attention to each in sequence, Vancouver 2010, and London 2012. In a few more days, on the 7th, the Oympics are scheduled to begin in Sochi, which are claimed to be the most expensive in history. If they do begin, it will be launched with another dramatic ceremony, with more public symbol magick and secret Satanic ritual.
Each ritual adds to the sum as energy is being raised for the ultimate spell. (The apple producing the lotus flower in I, pet goat II) The Super Bowl ritual adds to the Grammy ritual, and the Sochi ritual, should it come, will add to all that, until we graduate to another kind of mass ritual that involves the public's literal blood sacrifice. There will be another 9-11, another false flag intended to transform the world. So it has been signaled, and so redundantly. There is coming a pandemic that will follow a false flag, according to a recent word the Lord gave Aaron. The pandemic will cause vaccines to be mandated where they had previously been optional. Both the viruses and vaccines are engineered to change DNA, softening up and preparing the population for further harvesting of bodies and souls toward the end of full integration into the beast body network.
Through official US channels it has recently been announced that Iran has nuclear weapon capability. Israel has threatened that it cannot permit Iran to have such a capability, and there should be no question that their existence is at stake and that they intend to survive. Saber rattling has gone on for many years, but this is coming to a head. We are about to be brought into conflict, and as I've written in the past, when America engages Iran they will go the way of Iraq. Then, boasting and basking in the glory of victory, America will be bounced.
I've written of the Black Awakening, the scheduled chaos planned to be brought by the mind-controlled slaves of Illuminati programmers and handlers. Mid-late May 2014 is now only a few short months away.
When I write about these things, I'm not kidding and I'm not divorced from reality. When I tell you to prepare to be found worthy as a sacrifice, I'm not being poetic. This life is a form of currency. Invest it wisely. For those who do, the future is bright indeed! The Lord is faithful, who has promised. Romans 4:21
As promised earlier, here's more about Chicago's song, “Does anybody really know what time it is?” Here's the chorus.
We've all got time enough to cry. What do you think they mean by that? Are they about to unleash misery and trauma?
The song ends with these words.
When that was written in 1969, the care free hippy attitude had been widely promoted. Note the Golden and Silver Gate locations in the following exerpt from Wikipedia.
Chicago's hit song resonated with the "Get stoned and abandon all constructive activity" mindset.
But there was something deeper going on. Timothy Leary said: “I’ve been an admirer of Aleister Crowley. I think that I’m carrying on much of the work that he started over a hundred years ago … He was in favor of finding yourself, and ‘Do what thou wilt shall be the whole of the law’ under love. It was a very powerful statement. I’m sorry he isn’t around now to appreciate the glories he started” (Late Night America, Public Broadcasting Network) You do know who Aliester Crowley was, right?
I believe the Occult messaging of the Grammy performance of Chicago and Robin Thicke has to do with a continuation of and even a fulfillment of Crowley's work, and the Aeon of Horus. Its a work that began a very, very long time ago with the hissing Nachash in the Garden of Eden. Chicago's performance was mated to Robin Thicke's hit “Blurred Lines,” and that Grammy performance was actually the third ceremonial public performance of the joint effort. Here's the foul third verse. Warning: graphic.
You've caught on to the sodomite gateway bit, right? You understand the role ritual sodomy plays in paving the way for the coming beast and his mark right? Do you understand about the Beta + Delta programmed alter bit and the extreme brutal violence and untempered anger of the agents of the Black Awakening? Does anybody really know what time it is? Blurred Lines. The lines of the two competing trees in the garden are being blurred. Do you really know what time it is? Do you really care? You should!
1 Thessalonians 5 is no joke.
Super Bowl XLVIII is being held in New York City, a location that is pictured in many movies with Silver Gate symbolism. That's the ancient “back door of heaven” celestial stargate that is linked to both the incarnation of Horus and the receiving of souls into the Duat or underworld.
Super Bowl Sunday is February 2, Groundhog Day, which is a day that is already being widely celebrated - especially here in Western Pennsylvania where a small town nearby is home to the famous weather predicting rodent, Punxsutawney Phil. Thanks to another Phil, who is certainly more reliable and who keeps me informed about such things, it's also the day of the year numbered 33 from the beginning and 333 from the end, notable ritual numbers. Tonight at sunset the weekly Shabbat will transition into another significant day on the Lord's calendar, the 1st day of the 12th month. The Super Bowl will begin as we transition into the 2nd day, scheduled for just after sunset. On the Pagan Calendar, this Super Bowl Sunday in 2014 is a both a blood and sexual ritual day. It is Candlemas, a Pagan Shabbat that some will celebrate with animal and/or human sacrifice. It's also claimed to be a Satanic Revels on the SRA calendar, which is marked by sexual rituals involving female victims between the ages of 7 and 17. Apparently, this Super Bowl is being held on a potent ritual day in a potent ritual place.
There is expected to be a half time show featuring performances by Bruno Mars (Locked Out of Heaven) and Red Hot Chili Peppers. According to the recent history of Occult ritual signaling, this Super Bowl and show is not just your average sporting event ritual. In 2012, Madonna's show was widely recognized as a grand Illuminati Occult ritual. Moments after Beyonce finished her half time performance last year, the New Orleans Superdome went dark. That has not been forgotten. Aaron Hermann's blog series on the NFL & the Final Countdown watches the connections established between this NFL season's starting announcement of a Final Countdown and the previous Super Bowl. If you missed out on following that watch and and the reports of the thwarted false flag op that met the apparent schedule we were cryptically warned about, you missed some important prep for this season's ritual. If all this seems rather ominous, well, so it should.
But, this post isn't really about the Super Bowl so much as how it seems to fit within the greater context of what's really going on in the world.
During last week's Grammy Awards, I heard the classic rock band Chicago perform a medly of standards, joined by Robin Thicke. (TheBoomBox) Most folks were entirely distracted by the over-the-top Satanic Katy Perry 'Dark Horse' performance and the abomination of the 33 gender-mash-up weddings performed on stage by Queen Latifah. Chicago's segment puzzled me because the entire bit didn't seem to me like something that could be received as having entertainment value approaching that of the rest of the show. I grew up listening to Chicago on pop radio and I thought the style clash with Robin Thicke was pretty awful. It just occurred to me as I was starting to write this post that the message being sent is in their hit song from 1970, “Does Anybody Really Know What Time It Is?” They opened with that song. The wildly popular Robin Thicke gives it his attention to add the kind of energy needed from the crowd. I'll bring this up again later, but the point is made in the question asked: Does Anybody Really Know What Time It Is? The answer is, yes. And, that's thevery important matter that is being brought to the focus of attention!
So what time is it? It's not the hour and minute of the day that's really important but where we are on the cosmic clock, as some would put it, according to the schedule of the age? Where are on the Lord's calendar or schedule?
The big thing looming on the large scale are the nearly concurrent and connected Bride Theft and sealing of 144,000 sons of Israel events. These represent the crux move in the Lord's “play book.” I'm convinced that it's appointed for the 21st day of the 1st month on the Lord's calendar, according to the biblical modeling and prophecy. This is expected in the Spring of 2015. Related to that, the baptism and anointing that will reveal the lawless one precedes that by just over a week, coming up on the 13th day of the 1st month in 2015, which will probably be 4-4-15. That's also according to biblical patterns. Some dramatic transformational events must happen to prepare the world for receiving him. This change is what the esoteric public ritual we see today and the private ritual magick that attends it is bringing, and it drives all the exoteric action that will reset nations and cultures.
Does Anybody Really Know What Time It Is? Yes, yes they do.
Surely the Lord God does nothing unless He reveals His secret counsel to His servants the prophets. ~ Amos 3:7
Noah Knew And So Can You (Playlist - 6 parts)I've been exposing evidence of varoius kinds that the Adversary also knows a few things about timing.
Back in 2008, massive ritual was evident in the ceremonies of the Summer Olympics in Beijing. I was led to devote many months of effort to the researching and reporting of what I learned about them. The world was changed during that season. A counterfeit Zion is intended to be brought from beyond into this dimension. Such Occult rituals have a public side and a private side. Since those Olympics I've given attention to each in sequence, Vancouver 2010, and London 2012. In a few more days, on the 7th, the Oympics are scheduled to begin in Sochi, which are claimed to be the most expensive in history. If they do begin, it will be launched with another dramatic ceremony, with more public symbol magick and secret Satanic ritual.
Each ritual adds to the sum as energy is being raised for the ultimate spell. (The apple producing the lotus flower in I, pet goat II) The Super Bowl ritual adds to the Grammy ritual, and the Sochi ritual, should it come, will add to all that, until we graduate to another kind of mass ritual that involves the public's literal blood sacrifice. There will be another 9-11, another false flag intended to transform the world. So it has been signaled, and so redundantly. There is coming a pandemic that will follow a false flag, according to a recent word the Lord gave Aaron. The pandemic will cause vaccines to be mandated where they had previously been optional. Both the viruses and vaccines are engineered to change DNA, softening up and preparing the population for further harvesting of bodies and souls toward the end of full integration into the beast body network.
Through official US channels it has recently been announced that Iran has nuclear weapon capability. Israel has threatened that it cannot permit Iran to have such a capability, and there should be no question that their existence is at stake and that they intend to survive. Saber rattling has gone on for many years, but this is coming to a head. We are about to be brought into conflict, and as I've written in the past, when America engages Iran they will go the way of Iraq. Then, boasting and basking in the glory of victory, America will be bounced.
I've written of the Black Awakening, the scheduled chaos planned to be brought by the mind-controlled slaves of Illuminati programmers and handlers. Mid-late May 2014 is now only a few short months away.
When I write about these things, I'm not kidding and I'm not divorced from reality. When I tell you to prepare to be found worthy as a sacrifice, I'm not being poetic. This life is a form of currency. Invest it wisely. For those who do, the future is bright indeed! The Lord is faithful, who has promised. Romans 4:21
As promised earlier, here's more about Chicago's song, “Does anybody really know what time it is?” Here's the chorus.
“Does anybody really know what time it is?
Does anybody really care?
If so I can't imagine why
We've all got time enough to cry”
Does anybody really care?
If so I can't imagine why
We've all got time enough to cry”
We've all got time enough to cry. What do you think they mean by that? Are they about to unleash misery and trauma?
The song ends with these words.
“Everybody's working
I don't care about time
I don't care”
I don't care about time
I don't care”
When that was written in 1969, the care free hippy attitude had been widely promoted. Note the Golden and Silver Gate locations in the following exerpt from Wikipedia.
"Turn on, tune in, drop out" is a counterculture-era phrase popularized by Timothy Leary in 1967. Leary spoke at the Human Be-In, a gathering of 30,000 hippies in Golden Gate Park in San Francisco and uttered the famous phrase, "Turn on, tune in, drop out". In a 1988 interview with Neil Strauss, Leary stated that slogan was "given to him" by Marshall McLuhan during a lunch in New York City. Leary added that McLuhan "was very much interested in ideas and marketing, and he started singing something like, 'Psychedelics hit the spot / Five hundred micrograms, that's a lot,' to the tune of a Pepsi commercial of the time. Then he started going, 'Tune in, turn on, and drop out.'". The phrase was used by Leary in a speech he delivered at the opening of a press conference in New York City on September 19, 1966. It urged people to embrace cultural changes through the use of psychedelics and by detaching themselves from the existing conventions and hierarchies in society. It was also the motto of his League for Spiritual Discovery. The phrase was derided by more conservative critics.
In his speech, Leary stated: “Like every great religion of the past we seek to find the divinity within and to express this revelation in a life of glorification and the worship of God. These ancient goals we define in the metaphor of the present — turn on, tune in, drop out.”
Leary later explained in his 1983 autobiography Flashbacks: “"Turn on" meant go within to activate your neural and genetic equipment. Become sensitive to the many and various levels of consciousness and the specific triggers that engage them. Drugs were one way to accomplish this end. "Tune in" meant interact harmoniously with the world around you - externalize, materialize, express your new internal perspectives. "Drop out" suggested an active, selective, graceful process of detachment from involuntary or unconscious commitments. "Drop Out" meant self-reliance, a discovery of one's singularity, a commitment to mobility, choice, and change. Unhappily my explanations of this sequence of personal development were often misinterpreted to mean "Get stoned and abandon all constructive activity". ”
In his speech, Leary stated: “Like every great religion of the past we seek to find the divinity within and to express this revelation in a life of glorification and the worship of God. These ancient goals we define in the metaphor of the present — turn on, tune in, drop out.”
Leary later explained in his 1983 autobiography Flashbacks: “"Turn on" meant go within to activate your neural and genetic equipment. Become sensitive to the many and various levels of consciousness and the specific triggers that engage them. Drugs were one way to accomplish this end. "Tune in" meant interact harmoniously with the world around you - externalize, materialize, express your new internal perspectives. "Drop out" suggested an active, selective, graceful process of detachment from involuntary or unconscious commitments. "Drop Out" meant self-reliance, a discovery of one's singularity, a commitment to mobility, choice, and change. Unhappily my explanations of this sequence of personal development were often misinterpreted to mean "Get stoned and abandon all constructive activity". ”
Chicago's hit song resonated with the "Get stoned and abandon all constructive activity" mindset.
“Everybody's working
I don't care about time
I don't care”
I don't care about time
I don't care”
But there was something deeper going on. Timothy Leary said: “I’ve been an admirer of Aleister Crowley. I think that I’m carrying on much of the work that he started over a hundred years ago … He was in favor of finding yourself, and ‘Do what thou wilt shall be the whole of the law’ under love. It was a very powerful statement. I’m sorry he isn’t around now to appreciate the glories he started” (Late Night America, Public Broadcasting Network) You do know who Aliester Crowley was, right?
I believe the Occult messaging of the Grammy performance of Chicago and Robin Thicke has to do with a continuation of and even a fulfillment of Crowley's work, and the Aeon of Horus. Its a work that began a very, very long time ago with the hissing Nachash in the Garden of Eden. Chicago's performance was mated to Robin Thicke's hit “Blurred Lines,” and that Grammy performance was actually the third ceremonial public performance of the joint effort. Here's the foul third verse. Warning: graphic.
[Verse 3: T.I.]
One thing I ask you
Let me be the one you back that *ss into
Yo, from Malibu, to Paribu
Yeah, had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your *ss in two
Swag on, even when you dress casual
I mean it's almost unbearable
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that *ss and pull your hair like that
So I jail watch, hand wave for you to salute
But you didn't pick
Not many women can refuse this pimpin'
I'm a nice guy but don't get it confused
One thing I ask you
Let me be the one you back that *ss into
Yo, from Malibu, to Paribu
Yeah, had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your *ss in two
Swag on, even when you dress casual
I mean it's almost unbearable
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that *ss and pull your hair like that
So I jail watch, hand wave for you to salute
But you didn't pick
Not many women can refuse this pimpin'
I'm a nice guy but don't get it confused
You've caught on to the sodomite gateway bit, right? You understand the role ritual sodomy plays in paving the way for the coming beast and his mark right? Do you understand about the Beta + Delta programmed alter bit and the extreme brutal violence and untempered anger of the agents of the Black Awakening? Does anybody really know what time it is? Blurred Lines. The lines of the two competing trees in the garden are being blurred. Do you really know what time it is? Do you really care? You should!
1 Thessalonians 5 is no joke.
Friday, January 31, 2014
Part 2 - Code MOB - Triple Vav Volkswagen
It may have come as something of a bombshell when you learned from Part 1 how the Greek text of Revelation 13:18 is an anagram of SEX. If you gave that some thought, it may have opened some insight into the development of the English language and strengthened in your mind the revelation of 1 John 5:19, that “the whole world lies in the power of the evil one.”
Symbols of the beast and his mark have been embedded in many clever ways that are snares to the unwary. I'm not starting out with the easy and obvious in this series, there's really very little time for such an approach at this late hour. If this kind of symbol deconstruction is new to you, the Code 33 series is a great place to start catching up.
I'm going to begin with more explanation of the examples I just posted in the Miley Cyrus music video for “We Can't Stop.” Several clever and subtle symbols of 666 were pointed out, two of which represented combinations of different classes that produced a trio of sixes. Let's break them down and identify the classes.
The skull's Code MOB required first a proper identification of the objects. The skull was constructed of French Fries. The hand had Fingers. See how the non-finger parts are blurred.
To realize that the objects are signaling 666 you have to see them as supplying their first letters, F, and recognize that letter as the 6th. French Fries and Fingers ~ FFF ~ 666. The process of transformation requires a few steps but that kind of subtle concealment produces a powerful symbol. Symbols like this are always strengthened by complementary layers that are embedded in the context.
The final scene also produced a trio of obfuscated sixes for a Code MOB. Like the skull scene it required an identification of the elements supplying the letters that transform to 6. The peace sign is a hand signal flashing the letter V. The V transforms to a 6 as the expression of the 6th Hebrew letter, vav. The other 6 is produced by her hat, which first has to be recognized as a veil. Then, the first letter V can be perceived as the same thing she's hand signaling. There's that trio; VVV or 666. It's obfuscated, veiled. Clever Devil.
The Code MOB triple vav was leveraged throughout “We Can't Stop” in the most prominent of Miley's necklaces. Think about it. The MOB sign was hung around her neck. That's quite fitting, since that's a figure used to imply accountability, judgment and death. She's marked for death. 
One of the big triple vav brands today is Monster Energy drink, whose logo is a near match to Miley's necklace. Beyond the 666, the M itself is a beast symbol. Monster ~ beast. The symbol itself is literally beast energy, projecting through a portal. The M is the 13th letter, which has the associations of the rebel lord beast. As you may recall, Madame Blavatsky named it as the most sacred of all, identifying it as an androgyne. It's the sign of the watery abyss. The abyss Monster is Leviathan. The beast and his mark represent Monster Energy, supernatural dragon power. The Horus identity is lurking in the midst of all this. The triple vav M is a brilliant symbol. Evil genius.
The Code MOB class of the triple V has long been leveraged in the classic Volkswagen logo. In a simple roundel badge, the V set on top of a W provides a strong brand identity for Volks+Wagen. As an Occult symbol, the mark of the beast is being signaled in two potent ways. Plus, the ritual sodomy that is so closely aligned with the mark is graphically pictured, a subtle signal that is consistently emphasized in marketing campaigns - including their new ad targeted for this Sunday's Super Bowl. (Volkswagen Super Bowl XLVIII 2014 Ad : "Wings")VW's letter W is a double V, which combines with the top V to produce the triple V or vav or 666. If you compare this logo with the last scene of Miley's We Can't Stop, it looks like she's promoting VW.
This blog's long running sodomite gateway series provides plenty of documentation to support the identification of VW's logo as a sodomite graphic. The reflected version is perhaps easier to identify, which is not unlike Dr John Dee's alchemical monas hieroglyphica in how two stick figures are pictured engaging in sodomy. The demonic enslavement and control mechanism established by means of this ritual should be seen as the precursor to the mark of the beast, by reason of what it directly achieves for the thorn and thistle heritage of the Serpent Tree and because of how the world is prepared through that programmer-handler-slave operation to receive the beast and his mark. 
While it is possible to get free of the precursor, it will not be so of the beast's mark. VW's marketing campaigns have long supplemented their logo's ritual sodomy symbolism through the link between gas as a fuel and gas produced in the gastrointestinal tract. Gas pains. Gastrointestinal distress. Better fuel economy was the obvious implication, the relief of the pain of higher fuel costs paid at the pump. The ad featuring their logo on a pill in a glass of fizzy water made it akin to Alka Seltzer, which was a popular remedy for indigestion and gas that was seen in ads of the era. References to the GI tract are a popular means of signaling ritual sodomy. Miley's open mouth and hidden eye-Horus Eye pictured above in connection with the triple V sign sure smacks of a VW ad.
The reference to gas in their latest offering isn't suggesting better fuel economy. Expected to air during this Sunday's televised Super Bowl, this Volkswagen commercial is promoting the longevity of their cars through marking milestones. Volkswagen Super Bowl XLVIII 2014 Ad : "Wings"They are spilling beans about the MOB plan, including timing because of the milestones.
It goes like this. A father and his daughter are riding in a Volkswagen. The father is noting how the car is reaching a milestone that had once been a big deal, when cars didn't last nearly as long. “What if I told you that every time a Volkswagen hits 100,000 miles a German engineer gets his wings?” They cut to a comedic sequence of engineers at a VW factory suddenly sprouting pairs of wings of the kind commonly identified with angels.
They cut back to the scene in the car, where the daughter replies, “Yeah Dad, and I'm sure at 200,000 miles, rainbows shoot out of their butts.” This screenshot is what follows. An engineer who had gotten his wings at the first milestone has rainbows shoot out of his butt at the next milestone. The illustration links the rainbow to flatulence. Such jokes are popular these days but it's typically far more than just innocent fun for the juvenile, as it is in this VW commercial. In Sodom, shortly before it was destroyed by fire and brimstone, all the men of the city wanted nothing more than to sodomize two angels that had visited Lot in the form of men. See Genesis 19. That preceded the destruction that was an expression of the sovereign God's judgment. That event, which has to do with angel butts, is one of two of the most famous judgments in history, the other of which is connected to the rainbow. The rainbow is a memorial of a promise God made to all creatures and the earth itself that relates specifically to what happened when He purged the face of the earth with a great flood. Genesis 9. That was due to fallen angels, the sons of god of Genesis 6, who famously practiced sodomy in their corruption of the earth and bringing of the pure race of Adamic men to near extinction.
VW. 666. Code MOB. Engineers sprouting wings. Rainbows coming out of their butts. At work in a factory building vehicles. If you listen to the happy song being sung you'll hear “Dooby Dooby DOOM.” DOOM! Judgment and destruction. They're singing a happy little ditty about doom as they present symbols of the days of Noah and the days of Lot.
26 And just as it happened in the days of Noah, so it will be also in the days of the Son of Man: 27 they were eating, they were drinking, they were marrying, they were being given in marriage, until the day that Noah entered the ark, and the flood came and destroyed them all. 28 It was the same as happened in the days of Lot: they were eating, they were drinking, they were buying, they were selling, they were planting, they were building; 29 but on the day that Lot went out from Sodom it rained fire and brimstone from heaven and destroyed them all. 30 It will be just the same on the day that the Son of Man is revealed. ~ Luke 17:26-30
Volkswagen was originally founded in 1937 by the Nazi trade union. In German, “Volkswagen” means “people's car.” The mark of the beast is a “car” for the people. It's a vehicle that will transport them into another dimension - and for their soul there's no coming back. It's a one way trip. Destination: Lake of Fire. While there will eventually be a restoration of all things, that's not the route you want to take.
The bell is a sonic device that is associated with a dimensional transit. See Bells - Supernatural Enchantment and a Biblical Perspective The Dad's line in the VW commercial is a play on the classic film, “It's a Wonderful Life.” There, the line was, “Every time a bell rings, an angel gets its wings.” Listen closely in the scene where the rainbow shoots out of the angel engineer's butt. Do you hear the tinkling? The rainbow bridge or Bifröst is the biblical mecillah, the kingdom viaduct or stargate construct, the highway to and from the heavens. Is there an obscure reference here to the Nazi bell, die glocke, which some believe was used as a vehicle to travel through space and time?
The VW commercial is so rich with complementary symbols at least some of them deserve mention.
At 4 seconds in, we see the first milestone. Let's consider the numbers. There are nines or inverted sixes in the odometer figure, which is having attention called to it as incrementing to a six digit number. The odometer ticks over from 99,999 to 100,000 miles but the trip odometer does not, holding at 41.9. When it does iterate, which we're anticipating, it will show 42, which is 6+(6*6) or another 666 signal. The number 42 is identified with the trip duration of the beast in Revelation 13:5, identifying how long his authority will last in months. One odometer has 6 digits. The other odometer has 3. Three sixes are 666. The temperature is 75 degrees. It's a covert naming of the sun god, Re, or Ra. On the periodic table of elements, Re or Rhenium has the atomic number of 75. The sun is hot, with lots of degrees of temperature!
Darcy, the daughter, wears dark and light stripes, a symbol of the knowledge of good and evil. The name, “Darcy,” means, “Dark.”
At 15 seconds, we see the factory floor with engineers flanking a vehicle assembly. There are 3 on one side and 3 on the other. Code 33.
At 22 seconds, an engineer's wings sprout to emerge up out of an opening in the car's roof. The wings emerge through the portal, and wings represent what has the ability to traverse dimensions. The portal is a sunroof, or moonroof, evoking the celestial context. Sun and Moon ~ Bridegroom and Bride, and according to the way of symbols (2nd commandment of the 10), it's only ever the false versions in view. The triple bands of light in the fixtures remind me of what are found in the temples of Freemasonry, where there are three Great Lights, and three pillars, the three movable jewels, the three immovable jewels...
At 25 seconds we're in an elevator shaft, and we see the elevator approaching us, ascending or descending. It's a stargate transit. We see an engineer sprout wings inside the elevator. He gooses the female engineer in the butt. Ritual sodomy by an angel. He didn't mean it but she slaps him in the face. Ritual abuse of the innocent. He wears a tie, as many of them do. Ritual sodomy is the binding tie.
At 33 seconds, two engineers are using urinals in the men's room. The one with small wings looks at the one with big wings like he's intimidated. It's a joke about penis size, which adds that element that is implicit with ritual sodomy. The book of Enoch mentions the fallen ones having privy members like horses. The wall is tiled, Masonry's calling card.
I can't help but see the square and compass of Freemasonry lurking within VW's logo. At 34 seconds, an engineer sprouts wings inside a wind tunnel. Think of the GI tract. (Part 110 - The Sodomite Gateway - Wind Tunnel; a Metaphor) The fan in the tunnel is a sun-anus and a circled X: Code MOB and ritual Horus Eye sodomy. An engineer's head appears in front of it like it's his dark halo, with his head up the butt.
At 41 seconds, an engineer with wings hovers near the ceiling, and the place is ringed around with windows. Another stargate transit is pictured with a column at the junction of a T. He's in the middle of an X or plus sign cross of 4 lights. You can tell from one of those lights that's it's a circled X. Code MOB.
At 50 seconds, we see the winged engineer who's about to have rainbows shoot out of his butt. He's ascended to the top of a pyramid ladder, the stairway to heaven where he's working with an elevated car shell, a heavenly vehicle.
In their closing sequence they feature an odometer display rolling over from 099,999 to 100,000. You can't miss the inverted 666.
That scene rolls over to display their logo. Triple V. Circled X. Sodomy. Das Auto. “That's the power of German Engineering.” Yikes. If they intended to signal the pattern of 3 things and then a 4th by giving special attention to a 100k span and following that by giving attention to a 200k span, that would not seem out of place. This is the season in which they hope to reach their suggested milestone. And, reach it, they will.
Wednesday, January 29, 2014
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!
Continuing from the previous post in series, the music video of
Miley Cyrus - We Can't Stop contains Silver Gate imagery that shows the emergence of Horus from the Duat. 
A scene later in the video contains another celestial reference, to a very obscure but vitally important sign. The celestial sign of 1991 is cleverly encoded. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age.At 2:07 into the video we see a young man with a large tattoo. He sucks his thumb like a little baby and rests his head on a young woman's belly. To most, it's just non sequitur nonsense. To those have a grasp of the celestial theme of the video and understand the celestial signs of our times, it is far from that! It's a picture of the celestial sign of 1991.
On his tattoo you can plainly read, 1991. The rest of it is a little hard to make out. I believe 2 interpretations are suggested.
If we see it as “est. 1991,” with “est” being the abbreviation for “established,” that fits the scene pretty well. His head is on the girl's womb and he's like the little baby in her womb. The attention given to the girl's diminutive breasts suggests that she's not a nursing mother, that her milk hasn't come in yet, that her son is just being born. I've likened the sign of the Lord's return in judgment in 1991 to the sign of the His birth because there are many similarities. One comparison that should be drawn is how years must pass before the season reaches maturity and the evidence of the reality begins to manifest openly.
If we see the tattoo as a stylized striped cat like a tiger, it becomes more likely that it reads “cat 1991.” This is obviously one of the video's many sex kitten Beta programming symbols, but let's focus on the sign of the time. That wasn't the Year of the Cat but the Year of the Goat, on the Chinese calendar. The calendar of interest here is the Lord's own calendar! I've adequately demonstrated how the circle of the Zodiac and Virgo and Leo was presented in the stargate sequence. The stuffed cat was Leo. This tattoo is also to be interpreted in the celestial context, picturing the sign of the cat. The sign of Leo in 1991 is familiar to me because it represented my own personal point of entry into this realm of unfolding prophecy!
It was in May of 1991 that my attention was drawn to a rare and dramatic celestial event that was beginning to unfold. It would develop in the constellation Leo, which you see in this Stellarium screenshot of sunset on the 11th of August. That was probably Rosh Chodesh, the first day of the 6th month. I came to recognize this massing of four planets as the very sign that some attentive students of history claimed was that which prompted the Magi to begin their famed journey. They found and worshiped the child born King in Israel. With that observation, further study immediately led me to discover the stunning sign of the Lord's return in judgment. I saw it in a simulation beforehand as I animated the display on my pc, then was privileged to witness it live as it appeared in the heavens. I wondered then if it could be possible that I was the only one who really knew what it meant. A few years later I obtained evidence that others had noted the significance of that pivotal season, which was coming from the Adversary's camp with a spin on it. Since then, I've found plenty of evidence that implies it, (the 3 things and then a 4th pattern), but not much that I recall could be considered direct evidence. Until now.
The Adversary conceals and reveals the sign in cryptic fashion that is according to the manner of revelation in the scriptural record. It's all sealed for protection. The following is the account of the patriarch Jacob's deathbed prophecy. It pertains to “the latter end of the days.” (YLT) The KJV reads, “in the last days.” Bullinger notes in “Witness of the Stars” that Judah is identified with the constellation Leo, the lion. It was in his making of that connection that I read the passage below, in which I recognized the coded description of the celestial sign that had made my jaw drop on seeing it form on my computer screen. The first part of verse 10 describes the action of the sign that occurred in Leo, and the second part gives the meaning.
1 Then Jacob summoned his sons and said, “Assemble yourselves that I may tell you what will befall you in the days to come.
...
8 “Judah, your brothers shall praise you; Your hand shall be on the neck of your enemies; Your father’s sons shall bow down to you. 9 “Judah is a lion’s whelp; From the prey, my son, you have gone up. He couches, he lies down as a lion, and as a lion, who dares rouse him up? 10 “The scepter shall not depart from Judah, nor the ruler’s staff from between his feet, until Shiloh comes, and to him shall be the obedience of the peoples. ~ Genesis 49:1, 8-10
...
8 “Judah, your brothers shall praise you; Your hand shall be on the neck of your enemies; Your father’s sons shall bow down to you. 9 “Judah is a lion’s whelp; From the prey, my son, you have gone up. He couches, he lies down as a lion, and as a lion, who dares rouse him up? 10 “The scepter shall not depart from Judah, nor the ruler’s staff from between his feet, until Shiloh comes, and to him shall be the obedience of the peoples. ~ Genesis 49:1, 8-10
and one of the elders said to me, “Stop weeping; behold, the Lion that is from the tribe of Judah, the Root of David, has overcome so as to open the book and its seven seals.” ~ Revelation 5:5
“Simply put, the celestial interpretation of the verse is as follows: "Jupiter will not depart from Leo nor Mercury from between the feet until Y'shua comes in judgment." On September 10, 1991, Mercury met Jupiter at Regulus in Leo. Jupiter remained in Leo, moving slowly, while Mercury rapidly moved "eastwardly," exiting from between the feet of the lion by the 27th of September. By then, the prophecy of the coming of the Judge had been fulfilled!” (The Year of His Coming: 1991 - Part I)
The coming of the Lion of the Tribe of Judah in judgment began on Yom Teruah, which was September 10-11, from sunset to sunset, in 1991. I seldom mention this fact but it begs mention here. That sign of judgment occurred exactly 10 years to the day before 9-11-01. To the very day. There's a harbinger.
Take a step back for a moment. Pause to reflect on what's really going on here. Am I just making stuff up? Am I stretching the facts and fudging data to fit my own pet hypothesis? Either this is the stuff of my own invention or it's not. Place your bets.
So, the tattoo of “cat 1991” and/or “est. 1991” references the celestial sign. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this as the appointed season for the fulfillment of prophecy about the end of the age. It marked the birth of this appointed season of judgment. Previously in the video, the ratty stuffed bobcat was the sign of Leo. The tattoo of the suckling male is another. They are related. The revelation of the schedule of when the messianic beast will be revealed, with Horus incarnating through the Silver Gate is established by the cat sign, the sign of Leo and the Lion of the tribe of Judah. There may be more suggested by that relation. According to PBS Frontline, about 3 weeks after that sign, on October 2, 1991, Arkansas Governor Bill Clinton announced that he will run for president. According to the Huffington Post, his candidacy was announced in July, according to an article dated May of 2013 that reflects back on a memorable speech he gave back in May of 1991, while I was discovering the sign. Bill Clinton's Clinic: Passionate 1991 Speech Could Show GOP How To Revitalize A Party In Decline - huffingtonpost.com The Lord has me watching Bill when I track the key dates.
I see retrograde motion as a connecting link between the two celestial cat scenes, the bobcat and the tattoo. The two events identified in them are very directly connected because one follows after the other by a numbered season. The Horus transit that reveals the beast is fixed on the schedule within the 4th Shemitah of the count. During the dynamic sign of 1991, Venus was still tracing out its retrograde loop when Mercury was completing it's own, meeting Jupiter at Regulus in Leo. The Sun was very close by, which you can see in this simulation.
That's all implicit in the tattoo symbol because that's the celestial sign it represents. In the previous post, when I described the sequence of the doe, then the bobcat, then Miley and the doe again, I pointed out how that could be interpreted as a positional looping, like the trace of a planet undergoing retrograde motion. When I look at the scene where Miley carries the doe, I see the Sun, Mercury and Venus, and those are the two planets that were looping in retrograde in the sign of 1991. The sunglasses are on the head of the doe to represent the Sun. The doe is Mercury, the planet closest to the Sun and Miley is Venus, the next in line. She's Venus, the goddess of love who is sexing it up with everyone at the party. The dead and stuffed doe is embalmed, and the embalmer is Anubis, god of the dead, who is also known as Hermes and Mercury. Read Genesis 49:9 and meditate on a comparison with that bobcat. In moving out from the Sun, there's Mercury, then Venus, then the Earth. The Sun-glasses, Mercury-doe, Venus-Miley (Venus de Milo) and then there's the bobcat, the beast, coming to Earth. He'll be transiting the Silver Gate, departing the underworld to be welcomed on Earth right on schedule.
By all accounts, when the Moon is full on the 13th day of the 1st month in the Spring of 2015, a man will stand before the Pope to be baptized and anointed. The ancient king will be received by nearly everyone. He will have impeccable credentials of the most convincing kinds, but he will be an impostor. Proof will have been offered that the gathering to the Lord had already happened, and no refutation of the claim will seem reasonable. Yet, it will be a lie, and some will know it, having evidence of another kind.
As I wrap this up, there are a few more symbols I want to identify.
Perhaps the first dimensional breach modeled in the video was when folks were seen emerging through the hedge. As hedge witches know well, the hedge represents the dimensional border.
Some of the scenes feature sliced bread, white bread. Miley herself is “white bread” according to the racial metaphor. At 0:26 a black male is eating white bread, which suggests eating or having oral sex with Miley. Since the video is filled with crude sexual gestures and innuendo, that interpretation is unavoidable. Since cannibalism is part of the SRA routine, that is also underlying the symbolic act.
The bread he's eating is actually a paper money sandwich, with large denominations, suggesting the attitude of the elite that it is consumed like it has little value. At 3:11 we see a huge pile of sliced white bread on the kitchen counter, and nobody's giving it much attention. Projected on the kitchen scene like a movie screen are what looks like coins, once more associating the bread with money, mammon. “Bread” is a metaphor for “money.”
There's another scene with white bread at 2:27, where a man lies down with his head on a pile of sliced white bread, and he's stuffing a slice into his mouth and chewing like he's in a stupor. I see a few statements being made that are consistent with the rest of the video's messages. It's leavened bread, and bread is a metaphor for the body and leaven for sin. Bread and dough are metaphors for money. The love of money is the root of all evil - 1 Timothy 6:10. They love money. They love sin. They love evil. They indulge themselves with leavened bread. The scene at 2:27 bears witness to their rejection of every word that proceeds out of the mouth of God and a dedication to embracing a living that is as if it is on bread alone, in defiance.
3 And the tempter came and said to Him, “If You are the Son of God, command that these stones become bread.” 4 But He answered and said, “It is written, ‘Man shall not live on bread alone, but on every word that proceeds out of the mouth of God.’” ~ Matthew 4:3-4
The scene speaks to me most loudly about the heavenly Father's provision.
2 And He said to them, “When you pray, say: ‘Father, hallowed be Your name. Your kingdom come. 3 ‘Give us each day our daily bread. 4 ‘And forgive us our sins, For we ourselves also forgive everyone who is indebted to us. And lead us not into temptation.’” ~ Luke 11:2-4
Our provision from the Lord comes as daily bread, like how manna was provided in the wilderness wandering, like one slice of bread for one day. By gorging himself on the pile of bread slices the man in the video is thumbing his nose at the Lord's manner of provision. What speaks even more loudly to me is in the context of the Black Awakening! Illuminati programming media like this music video reinforces their Delta alter and mission programming. The operations that will bring chaos will require their sacrifice. They are consumables. Their pile of daily bread representing their futures and all their days will be consumed at once.
That anti-bride army created through ritual sodomy and trauma is also a foil for the genuine Bride of Mashiach, who is the true Bread from Heaven.
Pop quiz. Who this is?
Mr. Potato Head? Try again. The skull is a popular symbol of the Beast. Like the capstone that floats above the pyramid, so is the decapitated head. He's made of french fries, and that's a clue to further define him as the agents of the Black Awakening themselves, who compose his beast kingdom body. French Fries. Double f ~ 66. Fast Food. Double f. The number 66 represents the abyss and kingdom of the beast. When the skull gets stomped on and kicked, that speaks to me of their bringing of death and of their expendability as a consumable. Freeman has written about the Occult meanings of 66, connecting it with Kabbala and the shells or shades of the dead, like what I identified with the symbolic sunglasses.
“Qliphoth/Qlippoth: “Lit. “shells” (singular: qliphah). Shades of the dead whose names appear in the books of Dyzan or Thoth, or the Book of the Law (AL). They may contain formulae of magical powers. ... The Qliphoth are separation or “excrement” or negative representations of Divinity: Samael, Beelzebub, Lillie. In Kabbalistic magic, the Qliphoth are represented by the number 66”” (Freeman - MOB-666-Celebrity Mind Control)
With the skull made of french fries, we see fingers. Fingers and French Fries. FFF = 666.
Miley wears a shirt with the words “West Coast” emblazoned on the front. She's not just being trendy. With all the Silver Gate imagery present, the West Coast represents the Golden Gate. The acronym WC provides a Code 33 and a 23*3 triple helix DNA signal that identifies the composition of the beast flesh. To get to the West Coast you go west, young man, taking the left hand path until you reach your goal. It is a figure of speech that indicates a conversion from the practice of heterosexuality to homosexuality. You can see the M on the chain around her neck. It's for Miley, of course, but that's not all. It is an emblem of a merging of the genders and natures and another sign of the abyss.
“The most sacred of all is the letter M. It is both feminine and masculine, or androgyne, and is made to symbolize water, the great deep, in its origin. It is mystic in all the languages, Eastern and Western, and stands as a glyph for the waves, thus: 
” ( H. P. Blavatsky - The Secret Doctrine (Vol. 1, Page 384))
” ( H. P. Blavatsky - The Secret Doctrine (Vol. 1, Page 384)) The M is constructed with three Hebrew letters, vav, the sixth letter. 666. Mark of the beast, the beast of the abyss. The cross she wears with it does not mean she's a Christian. It represents the union of the sons of god (vertical) with the daughters of men (horizontal), a message consistent with everything else we're being shown.
In this scene Miley is with the exercise bike. The Baphomet hand sign made by the hat wearing man is also a sign of the magickal production of Horus. The fingers 3 and 4 are held together. Osiris 3-union Isis-4 produces Horus-5. On his shirt appears an obfuscated symbol of a cross inside a circle, a slightly rotated X inside a circle, the symbol of the mark of the beast. The decorative panel on the left has some framed pictures hanging on it. It's a picture of the beast kingdom composed of those who have received the mark of the beast. Focus on each framed image. They are obfuscated pyramids, the X in a box type. Divided diagonally, a pair of mirrored 3s appear: Code 33. The arrangement of 4 partial circles inside a square is a sodomite squaring of the circles. It's a form of the witch's magic quartered circle. I see this same sign ringed about the Third Presbyterian Church at 5th and S. Negley in Pittsburgh. It marks the posts of the enclosing wall as a dimensional barrier and gateway symbol. A large quartered circle or mark of the beast symbol appears on one of the main windows of the cathedral style edifice as a complement. The videos final scene is one last coded image of the mark of the beast. She does her trademark closing of the left eye to give us the hidden eye signal of the Eye of Horus. The opened mouth supplements that as she calls attention to her GI track, with the anal Horus eye and sodomite gateway at the hidden end. She wears a hat with a veil and flashes two peace signs. Those feature the fingers 3 and 4 again to signal the production of Horus, and the V formed is the Roman numeral for 5 (Horus). The pair of hand signs with V for vav signals a pair of sixes. Again, 66 is the abyss and the kingdom of the beast. If we see the veil as providing another V, we're shown a VVV or vav vav vav: 666. The addition of the veil to the pair of Vs to signal 666 is the same trick they used when adding the F-ingers to the F-rench F-ries in the skull scene.I believe a peculiar line heard in the lyrics of the song is actually, "Can't you see it's we who bound that life." That fits.
Pause to give due consideration to these things your seeing unfold here and in the world around you. Time is short for getting what you need while it's easy to get and for doing what some of you need to do. Soon, and very soon, access will be denied to the Internet. But it's not so much about doing as being. Are you still waiting for something, for the sky to fall on your head perhaps, for when it's too late to matter? Am I being too subtle here? People, wake up. It's time to commit. Seize the opportunity to opt in to whatever the Lord has appointed for you. Or, forfeit. Set aside all that is ultimately of little consequence and press in to the Lord for all you're worth, holding back nothing. Humble yourself before the Lord Y'shua. Allow Him to expose your idols and deal with them. He is worthy of every sacrifice.
Tuesday, January 28, 2014
Grammy Awards Abomination - America will reap what it sows
These videos are from the recent Grammy Awards ceremonies.
America will reap what it sows. God will not be mocked. Limits have been set.
The 2014 Grammy Awards: Still Pushing the Illuminati Agenda
Grammys: Macklemore and Madonna Perform 'Same Love' As 33 Couples Wed Live on Air (hollywoodreporter.com)
M and M ~ 33
33 couples
Code 33.
America will reap what it sows. God will not be mocked. Limits have been set.
The 2014 Grammy Awards: Still Pushing the Illuminati Agenda
Grammys: Macklemore and Madonna Perform 'Same Love' As 33 Couples Wed Live on Air (hollywoodreporter.com)
M and M ~ 33
33 couples
Code 33.
Monday, January 27, 2014
Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate
The Silver Gate transit of Horus is sometimes pictured in some creative and pretty bizarre ways. So are the symbols concealing and revealing the secrets of the timing of the end of the age.
The music video for “We Can't Stop” by Miley Cyrus provides such content, and more! Accompanying this music video's Silver Gate imagery is a reference to the pivotal celestial sign of 1991. That's the anchor point for the Shemitah count (3 things then a 4th) that identifies this very time as the appointed season for the fulfillment of prophecy about the end of the age. I can't cover this all in a single post, so there will be more to follow, Lord willing!Miley Cyrus is the current edition of the “former Disney girl-gone-bad” collection. She has made headlines in recent months for her obscene stage performances. While this post was being written, she performed at Clive Davis' annual pre-Grammy gala at the Beverly Hilton Hotel. Despite her embarrassing public behavior, she continues to be involved in media ritual.
Here's the official music video this post is focused upon, although I recommend not watching it. There's no nudity but be forewarned that it is indecent and very offensive. If the production seems cheaply done, don't be fooled into thinking it's amateurish. Like with “Crazy Kids” by Ke$ha, the apparent lack of sophistication and budget belies the evil genius behind the effort.
Miley Cyrus - We Can't Stop The general content has become standard fare for the industry. The celestial stargate transit imagery I'm going to point out shortly is attended by Monarch programming symbolism, including plenty of Beta sex kitten programming. The drug theme is prominent, and the imagery of bondage, abuse, homosexuality, sodomy, incest and pedophelia is pervasive. The lyrical theme might seem like it's just a bunch of spoiled bratty kids but it's really more than that. You might take it as a sign of the routine Illuminati programming of children at 3 years old having frozen them in that stage of development, and yet, there's still more to it.
It's our party we can do what we want
It's our party we can say what we want
It's our party we can love who we want
We can kiss who we want
We can live how we want
It's our party we can say what we want
It's our party we can love who we want
We can kiss who we want
We can live how we want
This defiant youth, rebel, anarchist, lawless shtick is what some call a “care free attitude.” That's a bit mild. They actually care very deeply about unrestrained evil. It's an exhibition of Aliester Crowley's Thelema motto, “Do what thou wilt shall be the whole of the law,” which he claimed was not really about the unrestrained expression of the individual's own will. It's about the full and unrestrained expression of the will of their god. By one name, that god is Horus. “Thou,” in “Do what Thou wilt,” is not the individual but Horus. This has been a major theme on this blog and this is the most basic meaning of the video.
Miley's wild house party is celebrating the coming incarnation of Horus. This is the familiar pep rally for the agents of the chaos that has been called the Black Awakening, the action that will usher in the social order being prepared for the returning ancient king's welcome.
So la da di da di, we like to party
Dancing with Molly [party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things
Things don’t run we
We don't take nothing from nobody
Dancing with Molly [party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things
Things don’t run we
We don't take nothing from nobody
Again, the song and video are programming the expendable agents whose role it is to forge this age into the one in which the incarnating Horus will be received. At 1:38 into the video, the modeling of a Silver Gate transit begins to unfold. This sequence begins with a collection of ratty stuffed does arrayed in a circle. They appear to be cloned like as if in a kaleidoscope that multiplies a radial section by reflecting it in adjacent mirrors. You have to point a kaleidoscope at the light. The little doe clones all face in and wear sun glasses, with their shadows radiating outward.
This scene represents the Zodiac, which rings around the Earth. A deer with sunglasses has features of both people and animals, and the Zodiac is populated with the forms of people and animals. You can draw a circle through the sunglasses, which represents the path of the sun through the heavens, the ecliptic. Generally, sunglasses signal the worship of the sun god. As filtering the light into the eyes, the sunglasses represent the blinds of Occult obfuscation. There's a concealing and a revealing at hand. As sunglasses are known as shades, there is in this scene a witness to those spirits so called. A bhuta or a kama-rupa is a ghostly astral copy of a man that was. Shades are considered to be decaying astral corpses. Biblically, think Rephaim and the spirits of the dead that are appointed for another incarnation for the purposes of judgment. The decrepit stuffed critters in the celestial setting of the Zodiac are such shades, and we will see their vision of the dead Osiris coming out from among them as resurrecting into Horus.
Count the deer. There are 11, and yes there are actually 12 signs in the Zodiac. Where's the missing sign?
I'll describe another layer of symbolism later, but first consider the 12th sign pictured as this other doe clone. It appears next in sequence after the Zodiac set, flashed briefly just before we see the stuffed bobcat-like critter being pulled across the floor. We get a better view of the sign when we see Miley wearing a fur coat and carrying little “Bambi.” The deer is wearing Miley's sunglasses. This is the 12th doe, the circle's missing constellation that is actually the first in the sequence: Virgo. Miley and the doe are Virgo. The doe has a fur coat, and so does Miley. The doe is wearing Miley's sun glasses. Miley gives us an unblinking stare that might well be her best impression of a “deer in the headlights.” In the circle of the Zodiac, Virgo is at the head and Leo is at the end. This is implied by the design of the Sphinx. This is familiar, right? This mystery of the Sphinx is demonstrated by Miley as she pulls the bobcat behind her. The bobcat is a big cat representing Leo, the lion. She is Virgo, and the golden chain in her hand that is Leo's assumed leash implies the other constellations.
We don't see the entire chain at once, which must be, in part, to make allowance for the unseen links in the Zodiacal chain connecting Virgo with Leo. Woven into this symbolism is the transit of Horus through the celestial Silver Gate. The strange looking bobcat being slid across the floor is a fierce beast. It's Horus, of course! He's poised to pounce, a predator and lion king sun god who is springing forth into our dimension. He is stuffed, mummified, that long dead Osiris who is about to spring into life in the resurrected Horus. The count of deer in the stylized Zodiac presents the 11 that is a simple Twin graphic to signal Gemini, the Twins. The doe clones are all twins; again, Gemini. The white color that dominates the set is equivalent to silver in heraldry, and these are also represented by the same Egyptian hieroglyph. Yes, it's another cryptic vignette of Horus transiting the Silver Gate.
A waveform appears at the bottom of the curtain that speaks to me of the repeating cycle of the sun crossing over the equator, a testimony of the sun god's manifestation in the earth. It also suggests to me the hieroglyph for the watery abyss, which is being traversed.
Isis and Anubis are also present and active. Virgo is Isis, and so we see Miley with the little doe towing the beast by his golden leash. It's through the magick of Isis that Osiris resurrects into Horus. The psychopomp Anubis leads the way in this passage out of the underworld Duat in the guise of the little stuffed doe. Anubis is the god of embalming, of mummification, the taxidermist's trade.
The stuffed animals all bear witness to his identity and presence in the scene. Miley's fur coat is another witness, which has been processed by the tanner to accomplish the same purpose of the preservation of select portions of the body of the dead.
Notice how there's no slack in the chain that pulls the beast. It doesn't droop, it's perfectly straight. Together with the horizontal and vertical edges of the video frame, a right triangle is suggested. That chain is the hypotenuse. This evokes the formula of the 47th Problem of Euclid. The hypotenuse represents Horus, as produced through the union of Osiris and Isis. That golden chain is the golden Apollo, Horus. This is a fitting picture with Isis as Miley standing upright and vertical, and with Osiris as the beast on the perpendicular horizontal base.
Early in this series and while addressing Ke$ha's “Crazy Kids” video, the chains seen around the necks of people and animals were identified with the Theurgists concept of the Great Chain of Being. This is in play here. Some of these chains are the utility kind that has toroidal links. The twinned torus speaks of The Twins and Taurus, the celestial Silver Gate.
“By the Principle of Continuity we can see that there must be a connection between the "highest" and "lowest" realms, between the One and Matter, and connecting all things in between. These are the divine Seirai (Chords, Chains, "Processions"), which unite the Orders of Being. Thus we have connections with the Celestial Bodies and are influenced by Them, who in turn convey influences from the Gods; this is the basis of astrology. We are all connected in the 'Great Chain of Being.'” (source)
The scenes that immediately follow that bizarre Silver Gate sequence repeat the message in a different way to give us the validating redundancy.
According to legend, Apollo, son of Zeus, was born on the floating island of Delos. Leto gave birth to him under a palm tree. This is dramatized for us by Miley as she floats in the water wearing a suit with palm trees on her breasts.
“And as soon as Eileithyia the goddess of sore travail set foot on Delos, the pains of birth seized Leto, and she longed to bring forth; so she cast her arms about a palm tree and kneeled on the soft meadow while the earth [of Delos] laughed for joy beneath. Then the child [Apollo] leaped forth to the light, and all the goddesses raised a cry. Straightway, great Phoibos, the goddesses washed you purely and cleanly with sweet water, and swathed you in a white garment of fine texture, new-woven, and fastened a golden band about you.” (Homeric Hymn 3 to Delian Apollon 2 - 148 (trans. Evelyn-White) (Greek epic C7th to 4th B.C.))
The video producers present the bobcat beast leaping forth into the light with a golden band or chain around him as the newly born son of Leto, adorned by the Phoibos.
There is a celestial aspect to this. According to Greek legend, Asteria (root meaning of “star”) was a Titan goddess of astrology. After fleeing the advances of Zeus she leapt into the sea and became the island of Asteria, also called Delos. The censored sign over her mouth with golden chains connecting it to the sunglasses bears further witness to the bringing forth of the sun god, Apollo.
Leto was restricted in where she might give birth. She gave birth on the floating Asteria because Hera, Zeus' wife who was known for her morality, banned her from giving birth on a mainland or a normal island. Leto was censored. So it is that we see the sign on Miley attached to her sunglasses reading, “CENSORED.” Miley represents Leto, famously censored by Hera.When you see Miley in the pool with a doll dressed exactly like her, it speaks of the birth of Artemis to Leto, Apollo's twin.
“It is remarkable that Leto brought forth Artemis, the elder twin, without travail, as Callimachus wrote, as if she were merely revealing another manifestation of herself.” (Wikipedia)
The doll is Artemis, “another manifestation of herself”; Miley-Leto.
The doll obviously speaks of Gemini, the Twins, to add even more Silver Gate imagery.
Miley and the doll also symbolize the twinning of Illuminati trauma-based mind-control programming. Much, much more could be written about all that layering, because the video is just smothered in it.
It should be noted that the palm tree is the phoenix palm, the familiar Occult symbol of victory over death. The birth of Apollo to Leto is equivalent in symbol to the resurrection of Osiris into Horus as wrought by Isis, the long sought manifestation of victory over death.
Before we get into the very special time element embedded in this video, let's return to the vignette where Miley-Isis-Anubis was towing the beast to get more of what's there for us.
I had previously identified Miley and the doe clone she was carrying as the 12th sign of the Zodiac, Virgo, noting how there was another layer of symbolism evident. On this level, the sign missing from the 11 remaining in the Zodiac is Leo, the big cat, who is being dragged away. See the celestial realm as containing star-angel beings and not just physical lights. This beast poised to pounce is going to spring through the Silver Gate into our earthly dimension. It has to leave there to get here. The 11 stuffed and scruffy shade critters are left behind after the Horus entity has left that habitat, which is the Duat, underworld abyss, the place of the dead. At present, in reality, the antichrist entity referenced as Horus is among others of like kind, but it soon will depart from among them to become separate. This is literally what the following passage declares, with a literal rendering of “taken out of the way” being, “gone from among.”
7 For the mystery of lawlessness is already at work; only he who now restrains will do so until he is taken out of the way. 8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. ~ 2 Thessalonians 2:7-10
This is the “apostasia” of verse 3, the “standing away from,” pictured in a very elegant but bizarre way in this brief video sequence. It is not meaning “apostasy” as we know the word! (See The Sign for the Bride - Part 1)
Let no one in any way deceive you, for it will not come unless the * apostasy * comes first, and the man of lawlessness is revealed, the son of destruction ~ 2 Thessalonians 2:3
This departure and the separation created thereby is a key aspect of the transit of Horus through the celestial Silver Gate into our earthly realm.
This pillar or bridge or viaduct being traveled is named in the second chapter of Joel, where we find an explanation for more of the video's imagery. This is synchronized with the song lyrics on the audio track.
The dimensional bridge is identified as the mecillah in the Hebrew Bible. I already shared these versions of the verse in Part 15 - Celestial Stargates - Operative Black Magick but I'm going to repeat them here.
They do not crowd each other, they march everyone in his path [mecillah]; When they burst through the defenses, they do not break ranks. ~ Joel 2:8 (NASB)
“In his path” is the Hebrew word “mecillah.” It's the viaduct or way of ascending and descending between the realms, a stargate.
And each his brother they press not, Each in his way they go on, If by the missile they fall, they are not cut off. ~ Joel 2:8 (Youngs Literal Translation)
They do not push each other; each man proceeds on his own path. They dodge the arrows, never stopping. ~ Joel 2:8 (Holman Christian Standard Bible)
No one shall press upon his brother: they shall walk every one in his path: yea, and they shall fall through the windows, and shall take no harm. ~ Joel 2:8 (Douay-Rheims Bible)
This traversal is very often (and I mean VERY often) pictured in symbol by a train on railroad tracks with the individual cars all linked together and traveling in a line. No recognizable train is in sight in this video, but the long narrow silver vents on the floor between the beast and the drapery speak to me of the train tracks. The sled the beast slides along on is as a car in the train. It's Leo, the caboose on the golden Zodiac chain led by Virgo, right? It's the orderly procession where everyone marches along in line.This sliding of the beast along the mecillah is synchronized with the lyric, “And everyone in line,” and now you know why!
Here's what's being sung while this prophetic drama unfolds on screen. This verse is about finding a private place while you're out clubbing to do illicit drugs and get high, but only superficially. This segment begins with a twerking scene then cuts right into the celestial stargate transit sequence.
To my home girl here with the big butt
Shaking it like we at a strip club
Remember only God could judge us
forget the haters cause somebody loves ya
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah
Shaking it like we at a strip club
Remember only God could judge us
forget the haters cause somebody loves ya
And everyone in line in the bathroom
trying to get a line in the bathroom
we all so turned up here
getting turned up yeah, yeah
Have you ever “turned up” somewhere? You went there and upon your arrival you were found present in that location. It's the encoding of the Silver Gate transit described in Joel 2:8 (above). Read the whole chapter. It's about God's judgment, which is why that's in the verse of the song, evoking the theme to set the context for us! In the execution of God's judgment, these appointed agents will transit the mecillah in single file, like the cars of a train along their track. They will be “all so turned up here.” The producers of “We Can't Stop” know it. We are going to get “freight trained” and it won't be stopped. Judgment is even now arriving, and those agents will be “getting turned up” right on schedule.
This message of “We Can't Stop” compares to what you will find in the music video by A-Jax, “Insane.” (See Parts 8 and 9 among others.) In both of the Silver Gate transit sequences where the cat jumps off the pillar and the candlestick-hourglass falls, it ends with the Anubis guy wearing keys around his neck and the words, “I can't hold it in, you can't stop me.” When Horus' is triggered, the transit will not be stopped.
One of the features of Silver Gate modeling involves time. The activation of the celestial stargate is presented in the context of a manipulation of the continuity of time through a truncation or reset action. Time keeping pieces like clocks and timers are some of the more obvious symbols used but sometimes a reset is suggested by the way scenes are sequenced. The stargate sequence in “We Can't Stop” begins with the 11 doe Zodiac. It's followed by the doe carried by Miley, then the bobcat beast, then Miley and the doe. I see a reset in the cutting of scenes from the doe to the cat and back to the doe. Virgo appears then Leo and then it's back to Virgo. In the context of the Zodiac you can see this as a time loop that implies a reset.
You can also interpret that as a positional looping, like the trace of a planet undergoing retrograde motion in that region of the sky. What leads me to that observation is a later scene that references a very special celestial sign, the sign of Yom Teruah, 1991, which involved just such a motion!
The referencing of this sign is a big deal because it is the sign of the Lord's coming in judgment and the basis for the count of Shemitah that identifies to us that it is truly this present Shemitah that is the one appointed for the conclusion of this age! If you're not familiar enough with the sign to have confidence in what it means, well, you've really got some catching up to do on some very important matters, critical matters, it must be said.
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