The Bicycle as an Occult Symbol

I recently demonstrated how the bicycle is one of the objects used in Occult signaling media to represent heaven's vehicles, which are interdimensional transports for entities that generally appear in bodily forms. I'll be making reference to that post with the assumption that it is fresh in your mind: Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators

The bicycle can be used as a symbol in a biological or metaphysical context where demonic spirit enters or exits a body, where it represents the mechanism or mechanisms of opening the dimensional portals or stargates in the mind. Entheogenic drugs, sexual ritual, trauma inducing or brain wave disrupting stimuli, these are combined in systematic methodologies to bring a person into a dissociative or susceptible trance state. Because that kind of stargate transport mechanism may also be represented by a bicycle, it compares to the symbol of the pine cone or the pineapple that represents the activation of the pineal gland. They signal the bringing of illumination with the knowledge of good and evil.

In the first example, an E.T. movie poster, the imagery attending the flying bicycle supplements and extends the symbolism of the bicycle. The moon is a goddess symbol, and her presence is really necessary for proper theurgic ritual. The feminine connection is easily seen in the word, menstrual, which describes the lunar cycle but is most frequently used with reference to the woman's fertility cycle. The huge full moon provides illumination, and that's symbolic. The pine trees also present both fertility and illumination symbolism. Pine trees bear pine cones, which are the seed. The pine cones are implicit in the picture even though they're not illustrated.

And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth: and it was so. ~ Genesis 1:11

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on. If you're new to this blog, welcome! You may want to explore this series to get a foundation of understanding about The Sodomite Gateway.

In relationship with the fertile female moon, the pine tree is the fertile seed producing male. The pine tree has the phallic form. Ritual celestial sex is pictured by the pine tree touching the moon. There's another key aspect in view. Given that we're being “mooned,” sodomite gateway imagery is evoked as a major mechanism of illumination. While the illumination aspect of the full moon is obvious, in the pine tree symbol it's hidden. It's only revealed when you grasp how the pine cone represent the pineal gland. The full moon and pine tree illumination is emphasized by making them touch because of the added layer of kundalini-pineal illumination. Now, what we're going to discover is how the bicycle symbol compares to that with matching sexual, regenerative and illumination symbolism. We'll see that there's more symbolism involved. The moon is a celestial body, with angelic body connotations, and the pine tree is an evergreen, a symbol of eternal life or immortality. The bodily transformation aspect is also inherent in the symbolic bicycle.

In The Wizard of Oz, as the bicycle turns into a broom, Miss Gulch turns into the Wicked Witch of the West. Bodily transformation occurs, which is a change of garments in code language.

The broomstick-bicycle ridden by the witch has a history in pharmakeia. Witches would and perhaps still do smear entheogenic flight-inducing ointment on a broomstick to use it as an applicator. It is then ridden, as you see in these images. The broom is also used as a ritual phallus for sodomizing, where the broom is “ridden” with or without the “benefit” of pharmakeia. SRA handlers use certain kinds of drugs to encourage dissociation. They also use many kinds of instruments when sodomizing slaves to induce them to “go over the rainbow.” That's the expression Illuminati programmers use to make reference to bringing a slave into a trance state for programming. Technically, that's how Miss Gulch got to Oz on her bicycle, becoming the Wicked Witch of the West. The bicycle is equivalent to the broom.

On one level, see Miss Gulch as the Illuminated and illuminating slave-handler, who operates transdimensional magick as she traumatizes Dorothy. She held Toto captive and was taking him to be destroyed. She used a bicycle-broom to bring trauma - and Dorothy subsequently went over the rainbow. Watch the film and see it unfold from this perspective.

This bicycle-as-broom and as the mechanism of bringing dissociation explains the controversial music video that Queen made for their song, Bicycle Race, from their Jazz album, 1978. “The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was edited or even banned in several countries.” (Wikipedia) The video is suggestive that riding a bicycle is a euphemism for sexual intercourse, but there's a layering that is more esoteric. A sequence is featured where the bicycles are lined up at the starting line and the racers ring their bicycle bells. The bell ringing is a dimensional transit signal that complements that of the bicycle-seat-as-broom applicator of the flying ointment.

The song was written by the band's flamboyant frontman, who went by the name, Freddy Mercury. Mercury = Hermes = Anubis. Wimbledon Stadium is primarily a greyhound racing facility. Fast dogs, like Mercury-Anubis. The music video combines the imagery of the goddess and the psychopomp, leveraging the bicycle-seat-as-broomstick-applicator and flight symbolism. Historically, a stadium (Greek) is where the gods are worshiped with sporting contests. It's a kind of temple, just like with the Olympics. The lyrics are a lot of nonsense unless you interpret them with this understanding.

Here's the lyrics with commentary. The style feature of word association is a simple way to mix and match the symbols without any need for it to make sense to the listener. The themes (even linking 2x the beast with the office of the American Presidency) identify this popular song as a pretty high level bean spilling Illuminati vehicle.

Bicycle Race - Queen

Bicycle bicycle bicycle...
I want to ride my bicycle
I want to ride it where I like [expressing the basic tenet of Aliester Crowley and principle of Thelema - “Do what thou wilt shall be the whole of the Law”]

You say black I say white [knowledge of good and evil - the bicycle riding is how one gets into that illuminated state]
You say bark I say bite [“a dog's bark is worse than his bite” - reference to the dog star Anubis-Sirius - making a greyhound race connection in the music video]
You say shark I say hey man
Jaws was never my scene [flip it - being a predator is his scene]
And I don't like Star Wars [angel wars is his scene]
You say Rolls I say Royce [vehicles driven by the elite, Illuminati - also, their engines powered British aircraft in war time - - angel wars. Their engine names are symbols of the gods: Eagle, Falcon, Hawk, Kestrel (Falcon), Peregrine (Falcon), Goshawk, Buzzard, Vulture. Then, there's the Merlin and Griffon. ]
You say God give me a choice
You say Lord I say Christ [Here's the key. The choice he wanted and promoted is another lord and christ that is not mine. ]
I don't believe in Peter Pan [implying that my Lord is merely fictional]
Frankenstein or Superman [in those classics of fantasy literature may be found the alternate he chose]
All I wanna do is
Bicycle bicycle bicycle...

Bicycle races are coming your way
So forget all your duties oh yeah! [duties = doodys - scatological-defecation - ritual trauma and sodomy bringing dissociation, which makes you forget as you go into trance. The bicycle races are code for the programming rituals.]
Fat bottomed girls they'll be riding today [butt reference]
So look out for those beauties oh yeah
On your marks get set go [marks = the ritual's targeted victims]

Bicycle race bicycle ...

You say coke I say caine [cocaine - pharmakeia - and a naming of the offspring of Eve and the Nachash - Cain is related to his Choice.]
You say John I say Wayne [reference to the baptizer beast, the Papal high priest. John WANE - John 3:30: “He (Jesus) must increase, but I (John the Baptist) must decrease.”]
Hot dog I say cool it man [Enthusiasm for the coming baptism/anointing - phallus of Osiris involved in the regeneration-transit event]
I don't wanna be the President of America [associating the beast with the office of the Presidency]
You say smile I say cheese [wear an insincere face - false identity]
Cartier I say please [Jewelry (Jew-Israel) and timepieces - the time element that is key to the transit!]
Income tax I say Jesus [reference to Judas Iscariot, who was responsible for the finances]
I don't wanna be a candidate
For Vietnam or Watergate [V(ietnam) W(atergate) ~ V W = VVV=666 because V=vav, the 6th letter of the Hebrew alphabet. The signal of the beast and his mark is once more being associated with America and the office of the President.]
Cos all I want to do is
Bicycle ...I want to ride it where I like

The bicycle is featured briefly in Coldplay's “Strawberry Swing” video (@2:09). It appears during a dimensional transit sequence in the context of Illuminati mind control as well as in the baptism of the lawless one. The superhero models an exit from the underworld. He passes by 2 skulls and then a bicycle on his way out. Heads without bodies signal dissociation.

Skulls, like his colorless garment, indicate that he's in the underworld, the place of the dead. It's a resurrection sequence that draws upon the lion-fish as the sea creature that swallowed Jonah, signaling the sign of Jonah. In trauma-based mind control programming, children are bonded to dolls and teddy bears, which (and sometimes pets and people) are then dismembered to create trauma. Mickey Mouse ears are a very common symbol of Illuminati programming. He's inside the GI tract sewer drain pipe and emerges from the man's top hat, which is sodomite gateway imagery. The bicycle symbol has to be interpreted in this context. It's a vehicle for dissociation, for “going over the rainbow.” Related to the broom, it has distinct sexual “ram”-ifications.

Another music video where the bicycle is a dual symbol is Miley Cyrus - We Can't Stop. The exercise bike is leveraged like a regular wheeled bicycle, for dimensional transit and as the dissociative mechanism.

The entheogenic element is obvious as Miley sings these lyrics.

So la da di da di, we like to party
Dancing with Molly [party drug MDMA - “Mandy” - “ecstasy”]
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop

The expression of Thelema appears like in Queen's Bicycle Race, “I want to ride my bicycle - I want to ride it where I like.”

The obvious pretext of the bicycling is to enlarge her butt for twerking, but it really just accents the ritual sodomy aspect. The illumination wrought is emphasized by comparing her companion's appearance to hers. She is white on white and he is black on black. That's the signal of the knowledge of good and evil - the illumination. He hand signals the Baphomet and wears the logo for Astrid Andersen clothing on his shirt. Astrid ~ Astre or Aster, star. Star = angel. The name, Astrid, means, beautiful or beloved god, divine strength - power of god. The name, Anderson, decodes to son of man. The scene in the exercise room is pretty rich. In the first image, we see Miley, ridding the bicycle as from one dimension (grid) into another (window).

For more decoding of the video, see the following, or search this blog for Miley Cyrus.
Part 37 - Celestial Stargates - "We Can't Stop" Horus Transiting the Silver Gate
Part 38 - Celestial Stargates - "We Can't Stop" Spilling the Beans about Celestial Signs!

A psychedelic song from a 1968 is about a white bicycle. More of the same. White = divine illumination. The band? Tomorrow. The future, time code. The psychedelic implies the entheogenic, the shamanic journey. The cover art illustrates the kundalini activation enlightenment.

Tomorrow (1968) 'My White Bicycle'

Riding all around the street
Four o'clock and they're all asleep
I'm not tired and it's so late
Moving fast everything looks great. [The ritual is past, ending typically at 3 AM to leverage the 60+60+60 or 666. Everyone has cleaned up and heads for home - but the high persists]

See that man, he's all alone
Looks so happy but he's far from home [Dissociated - the core persona is sad and isolated, trapped, but there's a happy face front alter]
I ring my bell, smile at him [The handler's voice - dimensional transit - gone to that happy place over the rainbow]
Then I kick over his garbage bin [butt trauma - ritual sodomy]

The rain comes down but I don't care [the rain man - the sodomizer]
The wind is blowing in my hair
Seagulls flying in the air [Dissociated, in the trance state. Wind = spirit and seagulls are unclean birds, demons.]

The lamppost hangs, his hand in space
shines no light upon my face [The face behind the mask of the front alter is buried within.]
Through the darkness we still see
My white bicycle and me [The third eye, inner vision, astral projection and remote viewing]

Policeman shouts but I don't see him
They're one thing I don't believe in [another authority has control]
He'll find some charge but it's not theivin' [in the context of the ritual, “charged” objects have resident spirit empowering them, like the slave.]

The lyrics naming the lamppost and policeman allude to a familiar classic. “Daisy Bell” is obviously code for the goddess of love who fires the darts. The bicycle built for two is the sexual vehicle that facilitates ascent into the realm of the half-crazy.

Bicycle Built For Two

There is a flower
Within my heart,
Daisy, Daisy!
Planted one day
By a glancing dart,
Planted by Daisy Bell!
Whether she loves me
Or loves me not,
Sometimes it's hard to tell;
Yet I am longing to share the lot -
Of beautiful Daisy Bell!

Daisy, Daisy,
Give me your answer do.
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle built for two.

We will go 'tandem'
As man and wife,
Daisy, Daisy!
'Peddling' away
Down the road of life,
I and my Daisy Bell!
When the road's dark
We can both despise
P'licemen and 'lamps' as well;
There are 'bright lights'
In the dazzling eyes
Of beautiful Daisy Bell!

Daisy, Daisy,
Give me your answer do!
I'm half crazy,
All for the love of you!
It won't be a stylish marriage,
I can't afford a carriage
But you'll look sweet upon the seat
Of a bicycle made for two.

I will stand by you
In 'wheel' or woe,
Daisy, Daisy!
You'll be the bell(e)
Which I'll ring you know!
Sweet little Daisy Bell!
You'll take the 'lead'
In each 'trip' we take,
Then if I don't do well,
I will permit you to
Use the brake,
My beautiful Daisy Bell!

Queen's Freddy Mercury was illuminated. He knew things, making reference to the classics to leverage and extend their Occult imagery. It's theurgy. Yes, all this has been going on for a very long time - certainly predating the invention of the bicycle.

When the subject of bicycle races comes up, sooner or later the most famous one will probably be mentioned: The Tour de France. The organizer's logo makes it evident that they're on to the plot. The stylized title pictures a bicycle being raced. The wheels are sun wheels. It's Apollo's sky chariot being ridden across the sky. One wheel is the ancient dot in circle symbol of the sun, which is also a male-inside-female reproductive symbol. The other is the orange circle. The circumference crosses the R, making it an Rx or eye of Horus and prescription or pharmakeia symbol. The big controversy about the race usually involves doping. There's a theme. Opposite the R and connected through the circle of the orange sun is the letter e. The sun god is Re. The centennial anniversary poster shows the bicycle racing through time, in a Fibonacci goddess spiral.

Part 8 - Decoding The Penitent Man (2010) - Heaven's vehicles: Bicycles and Baskets ...Gondolas, Elevators

Series Links: Decoding “The Penitent Man”

Bicycle and basket symbolism is pretty well established in the media industry. Bicycles represent heaven's vehicles, UFO craft, and also the ritual sexual activity of trauma-based mind control programming. Those at the scene of the Pretty Parlor picture heaven's vehicles, which are used to traverse between dimensions. Baskets are related, representing transport containers, for both crew and cargo. You'll find a good foundation for understanding their role in these last days in this study, Heaven's Vehicles.

This movie poster features the iconic getaway scene from E.T. the Extra-Terrestrial (1982). The alien is inside the basket as the boy pedals the bicycle through the heavens. The audience understands that the E.T. inside the basket is providing the magic or mentally influencing the physics that enables the bicycle's flight. He's the acting psychopomp. The presence of the facilitating goddess appears as the symbolic identity of the moon. It's given plenty of emphasis, and her light bathes the scene.

The symbols in E.T. probably borrow from The Wizard of Oz, a film that is well referenced in this scene from The Penitent Man. The antagonist, Miss Gulch, rides a bicycle with a basket on it. In this sequence of screenshots we can see her outside the window of Dorothy's bedroom as she and Toto are whisked away to Oz. The house is inside a cyclone in a scene I decode here as the transiting of the celestial Silver Gate: Part 10 - Celestial Stargates - 11:11 Ritual.

Miss Gulch turns into the Wicked Witch of the West. Notice how the bicycle becomes the witch's broom. These are used to fly through the heavens. Combined with the whirlwind, this is potent imagery.

The basket on Miss Gulch's bicycle represents a dimensional container, a special compartment that is used for transport. Think Zechariah 5, where the woman was carried in an ephah-basket.

5 Then the angel who was speaking to me came forward and said to me, “Look up and see what is appearing.” 6 I asked, “What is it?” He replied, “It is a basket.” And he added, “This is the iniquity of the people throughout the land.” 7 Then the cover of lead was raised, and there in the basket sat a woman! 8 He said, “This is wickedness,” and he pushed her back into the basket and pushed its lead cover down on it. 9 Then I looked up—and there before me were two women, with the wind in their wings! They had wings like those of a stork, and they lifted up the basket between heaven and earth. 10 “Where are they taking the basket?” I asked the angel who was speaking to me. 11 He replied, “To the country of Babylonia to build a house for it. When the house is ready, the basket will be set there in its place.” ~ Zechariah 5:5-11 (NIV)

I referenced that passage earlier when I described the baskets of vintage clothing on the Pretty Parlor's patio table. The vintage clothing represents beings in other-dimensional bodies. They are contained within the baskets for transport. Dorothy's dog Toto was put inside Miss Gulch's basket. When she put the basket with Toto inside on her bicycle and rode away, a theurgic ritual manifested, one that was recreated for E.T.'s iconic scene. Toto, the E.T. alien Anubis, who facilitates the flying bicycle stargate transit. Note the hoop-arch dimensional portal form of the handle - and of the lid or door.

During the Wizard of Oz, Toto is seen to leap from three different baskets, and in each case, that action signals a stargate transit. The first instance is when he leaps out of the basket to the ground while Miss Gulch is riding her bicycle down the road. The exit is related to the leaping or falling off of a pedestal, where gravity acting over a distance appears to be the stargate imagery of significance. We next see Toto leap from a basket and off a pedestal when he escapes from the Witch's castle.

In the third instance, Toto is with Dorothy and the wizard in the basket of his hot air balloon. Toto isn't inside a picnic basket this time but he is inside the balloon's basket. He growls at a Siamese cat held nearby and leaps out of the basket and off the raised platform-pedestal, to signal another transit event. (Siamese - Twins - Gemini - Silver Gate) Dorothy follows, joining him in transit. The wizard then ascends in the basket of the balloon, making yet another dimensional transit because he's heading for home, and that's how he got to Oz in the first place.

Hot air balloons that are used as unpowered airships have baskets called gondolas. Powered airships like blimps and zeppelins also convey their crew and cargo inside gondolas. These constructs are sometimes featured in media where they represent transdimensional vehicles. In the TV series, Fringe, airships with gondolas fill the skies of the alternate universe. That imagery was used to alert the viewer that the scene has changed from taking place in our universe to the alternate. A zeppelin is featured in the film, Sky Captain and the World of Tomorrow (2004). This CosmicCatacombs reviewer called the style of the film, retrofuturism. Retrofuturism is a bridging of time-space that joins the past and future together in the present. In the “real world,” this gondola symbolism is leveraged by the Hermes-Mercury-Anubis branded Goodyear blimp, which is a very familiar sight to most of us. The reason for that is the ritual magick that involves the eye-mazing wand, the caduceus. Other gondolas, including the Venetian rowing boats themselves, are also used to represent the crew and cargo containers of transdimensional vehicles. The London Eye, like all Ferris wheels, has gondolas, and note well that the iconic ride is set upon the bank of the Thames-Isis.

Elevators are like gondolas that ascend and descend. The one in The Penitent Man's lobby at the Biltmore signaled another stargate transit, and the elevator is used in many films and TV shows in the same way. Are you familiar with Willy Wonka & the Chocolate Factory? Willy Wonka said, “An elevator can only go up and down, but a Wonkavator goes sideways and slantways and longways and backways and frontways and squareways and any other ways that you can think of...” A similar dimensional compartment transport is leveraged in this Heineken commercial, The City. The, “Eve,” closing scene with the star-red star goddess transition is priceless.

Trains, cable cars, buses, bicycles, baskets, gondolas, whirlwinds, elevators, phone booths, terrariums... Sometimes, the industry presents the “alien” vehicles openly in the form of flying saucers and such, but the role of their own vehicles is far too important to neglect using secret symbols to advance their Occult scheme.

What is it about the bicycle in particular that makes it such a fit symbol? Many have bells on them, which, like those on the fringe of the High Priest of Israel's garment, are for entering into the presence of the divine. Their spoked wheels present us with the ancient rayed symbol of the sun and sun god, and the medicine wheel and calendar wheel, a circle of time. The spoked wheel may be used to complement other layers of symbolsim by signaling pi or the Star of Ishtar or the sodomite gateway (like tires of every kind). Because of how transiting vehicles are often pictured as vogue, being rowing, sailed or paddled, the fact that pedaling provides the motive power probably factors in. Perhaps the main reason why bicycles are such a fit symbol for heaven's vehicles is because they have 2 wheels. The vehicle throne of God that is described in Ezekiel features 4 “bicycles,” after a fashion.

15 Now as I looked at the living beings, behold, there was one wheel on the earth beside the living beings, for each of the four of them. 16 The appearance of the wheels and their workmanship was like sparkling beryl, and all four of them had the same form, their appearance and workmanship being as if one wheel were within another. 17 Whenever they moved, they moved in any of their four directions without turning as they moved. ~ Ezekiel 1:15-17

A wheel within a wheel is a 2 wheeled construct, technically, a bicycle, even though the wheels of the throne vehicle aren't configured in the familiar way. The cover art for “The Time Machine” edition of Classics Illustrated (1956) obviously grasped the concept. The folks who designed the vehicles you see in the poster for MIB3 illustrate another version.

The time travel that took place during the MIB3 film wasn't done using these vehicles, but in another scene they demonstrate their understanding of the wheel-within-a-wheel celestial chariot concept to us as the MIB ride around a special globe at night. The globe features rings representing the paths of orbiting celestial bodies.

With the water of the fountain, allusion is made to the waters that are above and below the expanse called heaven (Genesis 1:6-10). The wheel-within-a-wheel “bicycle” is used to navigate the heavens. It's a space ship, a flying saucer, one of heaven's vehicles akin to the throne of god, a chariot of the gods.

That style of bicycle has been used for mass ceremonial entertainments, like during the opening and closing of recent Olympic Games. Here's a picture of one from Beijing, 2008. The vehicle was used to represent an egg in a massive scale fertility ritual. Eight eggs were fertilized in a conception scene, set within a celestial-supernatural context that centered on the baptism and anointing of the lawless one. That scene was very personally significant because the Lord used it to lead me down this path of interpreting symbolism on a greatly expanded scale.

During Beijing's London Ceremony, three ordinary bicycles were ridden alongside a different kind of vehicle, a red bus, which had a key symbolic role as a heavenly throne. The ordinary bicycles traveled with the celestial throne vehicle so they were obviously passing through the heavens in the same manner. London's iconic double-decker bus was used to convey the gods and goddesses who were involved with the revealing of the lawless one, and very specific sequences were presented to model their ascent and descent. When the bus stopped at the bus stop, the bicyclists rode through without stopping.

The bus was labeled, London 2012, and we saw it arrive in Beijing in 2008. It ritually traversed time-space, arriving as from the future, then returning home after its mission had been accomplished. “To London - 2012,” the bus stop sign reads. A place. And, a time. The bus stop sign features a simple image of the classic flying saucer. The three bicycles that attended its arrival were following a star, according to the very subtle clues provided during that incredibly richly layered Occult ritual. (Olympic Ceremony Symbolism - Part Three)

Before moving on to more bicycle imagery I should make a few more observations from the scene of the transits at the Pretty Parlor. (No, I really wasn't done yet. ;)) I should mention some other shows like The Matrix that use the phone booth for dimensional travel or transformation: Dr Who (the Time Lord), Bill & Ted's Excellent Adventure (1989) and Superman.

The red octagonal “goddess” stop sign is used for traffic control. In the context, its for regulating interdimensional traffic, of course. There's another kind of vehicle in the stargate alignments that I neglected to mention, a car that travels the streets where vehicular traffic is symbolically controlled by the goddess.

At the Pretty Parlor, there are three bicycles, just like how there were three in Beijing's London Ceremony. In this screenshot, all three overlap. There's a vesica piscis included in the stargate transit alignments described in the previous post, which adds another notable layer of Osiris+Isis=Horus imagery. All three bicycles actually overlap inside that vesica piscis, creating an asymmetrical triquetra from the wheels involved. Triple goddess, maiden, mother crone? Triple helix DNA? Probably, yes, and yes.

See the curbing at the edge of the street? Like a hedgerow to a hedgewitch, the curb represents a dimensional barrier in the context of being traversed. Both Pyatt and Darnell hop the curb and cross the street in this sequence.

Remember Coldplay's video of Strawberry Swing? The curbing at the Pretty Parlor compares to the curbing at the bottom of the pavement layer of that stage set. In this screenshot, Chris Martin, the superhero, passes a bicycle as he models a dimensional transit. He makes crawling poses that look like he's racing a bicycle when he makes his exit through the underworld pipe. It looks like he's riding at night with the headlight on. He had already passed by two other objects, a skull and then another skull with Mickey Mouse ears. These three objects are actually related to each other as mind-control imagery, which I'll be addressing shortly.

Beyond that of the bicycle are other symbols shared between Strawberry Swing and the whirlwind transit scene of the Wizard of Oz. In the heavenly abode of the sky-god-squirrel, Chris sneaks past a rocking chair. Auntie Em flies by in the twister in her rocking chair. How vogue! Vogue, also means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Two farm hands can be seen sailing along in the whirlwind, rowing a boat across the sky. Chris Martin paddles a cloud up to the sky castle. Same difference. Some goddess symbols appear separately: A complete tree with roots included; the rooster with the henhouse pyramid (herald of the dawn of the sun god - a showy keeper of time); a dairy cow. Broken pieces of fencing are see flying by because the dimensional boundary is being breached.

Another film that presents the bicycle in a conspicuous way is all about breaching time-space. The plot device in the film, Supercollider (2013), involves the opening of a time portal with a supercollider that is obviously based on the CERN LHC. The opening scene is set at a stepped temple kind of area where the rider of a purple rimmed bicycle leaps into the air.

Signs of dimensional transits appear scattered throughout the film, howbeit not very expertly. A picture of Kiev is featured with a bridge that speaks to me of the kingdom viaduct, the mecillah and stargate. Inside the supercollider's control room, we see the sign, Zero Point, which makes reference to the energy that the collider research is intending to produce. Zero point energy is connected with propulsion systems that derive their energy as from another dimension. Near the sign we see a stuffed dog, signaling Anubis, the dog star, and nearby there is a flower in a vase shown to signal the requisite presence of the goddess. The youth gathered at the “step-temple” where the stunt bike riding is done seem to be doing what unsupervised youth do when they congregate, with hints of substance abuse / entheogenic activity.

With that, I close here with the intent to present examples in another post of the bicycle as a symbol of how the dimensional barrier is breached by other means.

Decoding Flo's Dream - Miscreant Squirrel on a Cloud

Progressive Commercial: Flo's Dream



Miscreant squirrel. Obsessed with acorn. Captivity. Cloud-nest. Goddess and Silver Gate and mind control programming symbols. This all seems so familiar. Oh yeah! Coldplay's Strawberry Swing! I just published a post covering these same subjects. Progressive's marketing dept - Coldplay fans? Have the producers gone to the same school or are they just drawing from the same well of inspiration? What matters is the result, which advances the agenda of the dark side powers.

Flo's bedroom scene is Progressive's comical take on the Vogue. Flo, who lives to sell insurance, is iterating through the kinds of policies offered instead of counting sheep. It takes a turn when she has obviously succeeded in her effort to help her fall asleep.

Chipmunk family reunion.
Someone stole the nuts.
Squirrel Jail.
Justice!

Most would think it crazy to say so, but Flo's dream is a swipe at the true God's character. It's the dream of the Adversary to bind the Creator and seize the spoils. It's supported by the ancient rebellion leading goddess. The victorious chipmunk holding the acorn at the end is Lady Justice. The flower gives it away.

The video opens with some Illuminati mind-control programming symbolism. The carousel - carousel programming. The music box music. The unicorn - magickal androgyne. On the padded headboard are diamonds, symbols of Chosen Ones, Illuminati programmed multiples. Flo puts herself into a dream state with the trigger sequence of policies, with the enchanting music, into a trance state for programming.

There's a Jezebel jab, with the flipped theme of stealing the nuts. The female robs the male of masculinity by usurping his authority.

Goddess imagery abounds. Lady Justice, the chipmunk. The white picket fence looks like a scallop shell - Venus, on the sea foam cloud. Piggy bank - pig-boar symbol of Inanna-Ishtar. Flo's pillow forms an angel wing. Her bed is a vehicle. FloW - Vogue. To go, transport in a vehicle. Progressive, advancing, going forward.

On the hood of Flo's bed-car, the P (Progressive) is the 11th letter from the end (RAS - where Z=1), the pillar and Gemini twins number, set between the racing stripes that are a pillar. The white of the car is argent, in heraldry, the equivalent of silver. She is the goddess and the Silver Gate transiting vehicle is seen with the cloud. On the padded headboard you can see the line of XXXX that conceals the W of the Goddess, the M of the beast, the Masonic square and compass... Just because it's common and subtle doesn't mean its not legitimate. Symbols are deeply layered.

The closing scene is a Progressive nightlight. Nice touch. The Night Light in the sky is the moon, a goddess symbol. Re is the sun god. progREssive, with Re right over the plug.

I found this Code 33 collage in my inventory of previously unpublished stuff. The Certified Snapshot Agency Code 33 Royal Arse-Arch.

The life preserver is the sodomite orange with divine white squared circle, the sodomite gateway. The I "heart" insurance button adds a bonus feature - the heart butt for the goddess of "heart." The life preserver is a Mark of the Beast circle X. Think about it. Folks will take it as a life preserver, but it will actually cause it to end as they trade it in for an epic loss. Note the subtle bent elbow W pose.

The North American Demo Boat Show has the 8 point Star of Inanna and compass Rose goddess symbols, plus the Azazel-Horus red cross.

The Progressive sponsored Boat Show ads feature suns and the red spiral of life to celebrate the sun god and his goddess.

progressive = 16+18+15+7+18+5+19+19+9+22+5 = 153

The 153 is a resurrection number. See John 21, with 153 fish caught in the net. Could that be why Progressive sponsors boat shows and not car shows? Vogue: to sail or row, to sway or rock, water in motion. Progressive Flo. Goddess. Stargates. Raising Horus from Osiris from out of the Milky Way.

Ode to Flo -- Progressive Insurance Commercial

Part 6 - Decoding Coldplay's Strawberry Swing - Vogue Interdimensional

Some of the notable stargate transit imagery in the official video for Coldplay's Strawberry Swing was already brought to light, but there's more, and there's still value in giving it some attention, even in this late hour.

Again, here's the official video, Coldplay - Strawberry Swing.



While these words are heard, “People moving all the time Inside a perfectly straight line,” Chris makes his vertical ascent in the pipe to emerge from the stove pipe hat. It's perfectly timed. While the rest of the verse is heard (Part 5), Chris ascends up to the sky castle on a cloud. I described this ascent as being on the kingdom viaduct, the mecillah. It's a time-space bridge that opens a lane for vehicular traffic. Upon reaching the sky castle on a cloud, a battle ensues.

From the heavens the stars fought, from their courses [mecillah] they fought against Sisera. ~ Judges 5:20

The cloud the superhero rides is a proper vehicle for ascent into the abodes of the gods.

As we read in Isaiah 19:1, “Behold, the Lord is riding on a swift cloud...” The superhero rides the cloud, like the Lord he imitates.

We see the miscreant squirrel-god's abode is with a cloud, not unlike the throne vehicle with the presence of the Lord God described by Ezekiel. He even wears a kind of rainbow suit.

4 As I looked, behold, a storm wind was coming from the north, a great cloud with fire flashing forth continually and a bright light around it, and in its midst something like glowing metal in the midst of the fire
...
27 Then I noticed from the appearance of His loins and upward something like glowing metal that looked like fire all around within it, and from the appearance of His loins and downward I saw something like fire; and there was a radiance around Him. 28 As the appearance of the rainbow in the clouds on a rainy day, so was the appearance of the surrounding radiance. Such was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell on my face and heard a voice speaking. ~ Ezekiel 1:4, 27-28

The tent of the Tabernacle in Deuteronomy is a model of what is in Heaven.

The Lord appeared in the tent in a pillar of cloud, and the pillar of cloud stood at the doorway of the tent. ~ Deuteronomy 31:15

So we see cloud pictured in the squirrel's sky castle that covers the threshold. The cloud castle is a clever and fanciful representation of what the tabernacle and temples were truly modeled on.

See this study (just updated and expanded), Heaven's Vehicles - UFOs - Fake and Genuine, for more insight.

Vogue

In Part 5, I presented the pitcher falling off the pedestal as a dimensional transit symbol that Strawberry Swing has in common with A-jax's “Insane” music video. They have another in common, the mode of propulsion. The superhero rides a smoke cloud that sails on the wind, paddling like he's in a boat on the water. This transport may be aptly described as, vogue. Vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.” It's a popular symbol!

From The American Heritage® Dictionary of the English Language: “vogue: “[French, from Old French, probably from voguer, to sail, row, of Germanic origin; see wegh- in Indo-European roots.] ... The Indo-European root of vogue is wegh-, meaning "" Among many other forms derived from this root was the Germanic stem wga-, "water in motion." From this stem came the Old Low German verb wogn, meaning "to sway, rock." This verb passed into Old French as voguer, which meant "to sail, row." The Old French word yielded the noun vogue, which probably literally meant "a rowing," and so by extension "a course," and figuratively "reputation" and later "reputation of fashionable things" or "prevailing fashion."”

The “Insane” character with the Vogue hat wears a shirt with twin dogs that look like Anubis, with the twins referencing Gemini and the celestial Silver Gate. The utility chain of twinned torus (Taurus) construction presents a redundant witness, with keys suggesting his access to the locked gates. He makes with his crossed hands a winged figure. He's the psychopomp, able to traverse dimensions. He's Vogue, like Chris Martin who paddles the cloud vehicle because he's going, sailing on the wind and rowing, being transported in/on a vehicle.

Vogue, is signaled inside the cloud castle when we see Chris tiptoe past the rocking horse. Vogue: “to sway, rock -- to go, transport in a vehicle.” The rocking horse. A horse is most commonly ridden or used to pull a vehicle, even heavenly vehicles. See 2 Kings 6:17 and Isaiah 5:28. Consider Apollo's quadriga.

Vogue. It's a popular symbol! During the opening ceremony of the Sochi Olympics, the celestial transport with Horus at the mast (as sailing) moved across the sky under the stargate-signaling rods as the psychopomp rowed at the oars. Lobov, love, was within, the “feminine soul of Russia” - Mother Russia, the goddess of love, Venus, Mary.

The Queen of Pop, Madonna, had a hit song titled, Vogue, released in 1990. “Commercially, the song remains one of Madonna's biggest international hits, topping the charts in over 30 countries, including Australia, Canada, Japan, the United Kingdom and the United States. It became the world's best-selling single of 1990, selling over six million copies.” “ The video has been ranked as one of the greatest of all times in different critic lists and polls, and won three awards at the 1990 MTV Video Music Awards out of a total of nine nominations.” “Before Madonna popularized the dance, Vogue was performed mostly in bars and disco of New York City on the underground gay scene.”(Wikipedia)

(On that topic, the VMA awards are on tonight, and more mass ritual public performance magick will be attended privately by the undergrounders. There's extra attention now because of the celebrity shootings during a pre-party.)

The music video demonstrates Vogue to us as both the “Material Girl” icon of fashion and as the mother goddess involved with stargate transit.

Madonna - Vogue

The pedestals aren't there just to add a touch of class. You see goddess statues on pedestals, and a cat on the pedestal, like in A-Jax Insane - the cat goddess Bastet. It's the stargate symbol. The use of the black and white format does more than make homage to the early days of film. The Lord revealed to me that the Occult black and white motif is a reference to the tree of knowledge of good and evil. It's signaled with checkerboards and sometimes in film style.

The lyrics are all about the dimensional transit! Again, vogue, means, “to sail or row -- to go, transport in a vehicle -- to sway, rock -- water in motion -- a rowing, a course.”

Lyrics - Madonna - Vogue

“I know a place where you can get away

Chorus
Come on, vogue Let your body go with the flow (go with the flow)

If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it

Oooh, you've got to
Let your body move to the music
Oooh, you've got to just
Let your body go with the flow
Oooh, you've got to
Vogue”

A dimensional transit is implicit in what is meant by this ritual sodomy euphemism whereby one aquires gnosis and illumination.

“If the music's pumping it will give you new life
You're a superstar, yes, that's what you are, you know it”

The illumined refer to the initiation as the new birth. (It's the Adversary's counterpart) The mechanism may be described as the installation of demons. Superstar = Chosen One.

The Mona Lisa painting is pretty Vogue. Chris tiptoed past the painting right before coming to the Vogue rocking horse. Mona = Madonna, and Lisa (derived from Elizabeth) is not unlike Melissa, the honeybee goddess. Remember from previous posts how that, in Strawberry Swing, the captive is the Queen Bee and the superhero is a bee.

In the goddess exalting and bean spilling animated feature, The Bee Movie, you'll find two scenes where a Vogue magazine is used to threaten the bee. Specifically, it's the large Italian Vogue. Italy, means, “calf-land or land of cattle” (same root as the Latin vitulus, a 1 year old calf). Consider how the offspring of Hesat (The divine cow goddess Hathor in earthly form) and Mnevis (the earthly bull form of Ra) is Anubis, the psychopomp.

The following screenshot reveals how Vogue is being used as an Occult reference. The fashionable art of the poster features his idol, the Virgin Mary and Madonna, the Killer Queen. She poses as the pinup girl with her vehicle. Vogue. The worker bee has one on his bookshelf just like it. Vogue. He's seen here about to sharpen his stinger as he gets ready to go.

A scene from a TomorrowLand festival pictures a young attendee wearing the fashionable goddess Vogue. Water in motion: Flow. (Also, wolf, backwards)

Progressive Insurance is Vogue. They are Progressive, advancing, going forward. Their iconic spokesperson is named Flo. Flow.

Progressive Insurance Commercial - Flowing with Flo at the Marina



Flomotion...Floin' With My Homies...Ebb n Flo... Listen for the music reminiscent of Venice with its gondolas. (I, pet goat II - Anubis) Watch for the part at the end where the goddess operates the “throttle of Osiris” on that vintage boat. Code 33: Flo ~ 6+12+15=33

Trending... Vogue.