Part 5 - Israel's Wandering - Twelve Stones

Israel's Wilderness Wandering - Lessons Beyond Space and Time

When Israel crossed over into the promised land after 40 years in the desert wilderness, they passed westward over the Jordan opposite Jericho, and the waters were at flood stage. The waters parted miraculously, as at the exodus, but at this crossing, some very interesting things were done with 2 sets of 12 stones.

1 Now when all the nation had finished crossing the Jordan, the Lord spoke to Joshua, saying, 2 “Take for yourselves twelve men from the people, one man from each tribe, 3 and command them, saying, ‘Take up for yourselves twelve stones from here out of the middle of the Jordan, from the place where the priests’ feet are standing firm, and carry them over with you and lay them down in the lodging place where you will lodge tonight.’” 4 So Joshua called the twelve men whom he had appointed from the sons of Israel, one man from each tribe; 5 and Joshua said to them, “Cross again to the ark of the Lord your God into the middle of the Jordan, and each of you take up a stone on his shoulder, according to the number of the tribes of the sons of Israel. 6 Let this be a sign among you, so that when your children ask later, saying, ‘What do these stones mean to you?’ 7 then you shall say to them, ‘Because the waters of the Jordan were cut off before the ark of the covenant of the Lord; when it crossed the Jordan, the waters of the Jordan were cut off.’ So these stones shall become a memorial to the sons of Israel forever.” 8 Thus the sons of Israel did as Joshua commanded, and took up twelve stones from the middle of the Jordan, just as the Lord spoke to Joshua, according to the number of the tribes of the sons of Israel; and they carried them over with them to the lodging place and put them down there. 9 Then Joshua set up twelve stones in the middle of the Jordan at the place where the feet of the priests who carried the ark of the covenant were standing, and they are there to this day. 10 For the priests who carried the ark were standing in the middle of the Jordan until everything was completed that the Lord had commanded Joshua to speak to the people, according to all that Moses had commanded Joshua. And the people hurried and crossed; 11 and when all the people had finished crossing, the ark of the Lord and the priests crossed before the people. 12 The sons of Reuben and the sons of Gad and the half-tribe of Manasseh crossed over in battle array before the sons of Israel, just as Moses had spoken to them; 13 about 40,000 equipped for war, crossed for battle before the Lord to the desert plains of Jericho. ~ Joshua 4:1-13

Twelve stones were taken out of the dry riverbed, from the middle of the Jordan, and these became a memorial. Twelve other stones were taken from the promised land and put in the Jordan. No reason is given for this ritual.

Then Joshua set up twelve stones in the middle of the Jordan at the place where the feet of the priests who carried the ark of the covenant were standing, and they are there to this day. ~ Joshua 4:9

If you understand the symbolism you can interpret the ritual, and so we should.

Water and the number 12 both signal time, and the esoteric context has to do with space and time, so let's consider the physics. Think about fluid dynamics, about how water flows through a river. Water flows around obstructions like rocks. The interruption in flow causes turbulence, eddies and vortices. Everywhere a passage has a localized constriction, the velocity and pressure of the water changes due to Bernoulli's principle (a law of Continuum Mechanics - see also Venturi and airfoil), and what's called fluid friction changes as the flowing water encounters one kind of surface or another. Removing rocks from a riverbed causes a change in the volume of the river, because the rocks had displaced their volume of water. If you're trying to picture the impact of what was done at the Jordan on the river system, it seems pretty silly, of course. Yet, what was done has to do with time and how a change was made to space-time, and that's quite serious. Most folks just shrug it off when reading the Bible's unexplained accounts of high strangeness, but these things are all recorded for good reasons. The flow of water through the region of the crossing would have been changed. As a prophetic type, which it surely is, we should note that it will be changed - according to the esoteric space-time allegory. The flow of time will be altered. The prophetic reset ritual at the Jordan had to do with creating an orderly flow where the ark had been, causing it to flow around precisely positioned “promised land” rocks where time had been grounded (as explained earlier) by the soles of the feet of the priests who carried the ark. The ark: yes, that's the very fixture that was set in the temple at the center of time; the key to the parting of the Jordan.

Verse 9 of Joshua 4 declares that these 12 stones from the promised land were set up by Joshua. Joshua was the 13th stone mover in the ritual because 12 other men had each removed one stone. The number 12 is a primary time number, and in connection with that set, the 13th signifies time control. This is a key observation, so I'm going to explore it further. Symbols matter, perhaps especially those that have to do with time / space-time.

54 And He was also saying to the crowds, “When you see a cloud rising in the west, immediately you say, ‘A shower is coming,’ and so it turns out. 55 And when you see a south wind blowing, you say, ‘It will be a hot day,’ and it turns out that way. 56 You hypocrites! You know how to analyze the appearance of the earth and the sky, but why do you not analyze this present time? ~ Luke 12:54-56

Thus far in this series I've called out many of the twelves encountered to illustrate the connection with time. Many instances also involve water or sand. Did you notice the passage above is from Luke 12, and that there's a wet/dry + space-time connection? Some features that appear in the Bible's chapter and verse numberings involving 12 and 13 are worth noting, because the Author oversees every aspect of His Word and our lives, but those numberings that occur in the text itself do seem the more noteworthy. There are those instances where the numbers appear directly in the text, and those that are discovered in the count of things being described in a context, and then also numbers appear as factors or sums or products or in gematria. Many students of the biblical text just assume E. W. Bullinger's observations about meaning in his classic, Numbers in Scripture, make it the be-all and end-all reference standard, but it should rather be recognized as a useful introduction to the concept.

Here are some of the observations we've logged about how the number 12 signals time.

Jesus answered, "Are there not twelve hours in the day? If anyone walks in the day, he does not stumble, because he sees the light of this world. ~ John 11:9

Hours in the day: Twelve. There's a parable, obviously. Was Jesus just being Captain Obvious by calling out the numerical fact? I think not. Light of the World. That's He Himself, obviously, understanding light as a metaphor, and it's also a cosmological reference. By not stumbling one follows the intended course - walking according to the 12 hours, with continuity. Time continuum.

Twelve is the number of hours in the daytime, and of the nighttime. That's a feature described by the Copernicus style solar-centric model as caused by the rotation of the earth about its axis. Space-time. Twelve is also the number of constellations passed through by the sun in its annual circuit through the celestial heavens. Twelve is the nearest whole number of lunar months in the year. Twelve is the number of Earth's years that it takes Jupiter to make a full circuit through the celestial sphere, which is the planet known as the King or Ruling Planet. Jupiter - that's the very celestial light featured in Revelation 12:1 as the crown of 12 stars seen on the woman's head. It's also featured in Genesis 49 as the scepter that does not turn aside or depart from Judah, the lion or Leo. Those are celestial prophesies that function as markers of exact calendar dates to effectively establish the critical timing of our Lord's comings.

Consider the account of Genesis 6 where the man of flesh has his days numbered at 12 x 10 years. It's a standard we identify with the limit of the span of a man's life, and also with the count of years until the flood - the great flood of water (time), of course.

1 Now it came about, when men began to multiply on the face of the land, and daughters were born to them, 2 that the sons of God saw that the daughters of men were beautiful; and they took wives for themselves, whomever they chose. 3 Then the Lord said, “My Spirit shall not strive with man forever, because he also is flesh; nevertheless his days shall be one hundred and twenty years.” ~ Genesis 6:1-3

Men began to multiply? Hmmmm. Let's pay attention to the math.

At the exodus, Israel crossed over what's sometimes known as the Red Sea, but in many translations it's the Sea of Reeds. Why reeds? They were used like yardsticks.

11:1 And there was given to me a reed like to a rod, and the messenger stood, saying, `Rise, and measure the sanctuary of God, and the altar, and those worshipping in it; 2 and the court that is without the sanctuary leave out, and thou mayest not measure it, because it was given to the nations, and the holy city they shall tread down forty-two months; 3 and I will give to My two witnesses, and they shall prophesy days, a thousand, two hundred, sixty, arrayed with sackcloth; ~ Revelation 11:1-3

John was given a reed like a rod and told to use it to measure. Measuring the temple - temporal - time. Measuring the worshippers suggests something other than their height or girth, perhaps their number as a count, which would relate to a particular moment or perhaps span of time. Time spans are given in that context, and both factor neatly using the mirrored pair of time numbers, 12 and 21.

42 months =21*2
1260 days = 12*105

If you consider the two witnesses independently, each prophesied for 1260 days so we add them for a total of 2520 days.

2520 = 12*21*10

The twelves inherent in the reed measuring of Revelation 11 are more subtle than what we find in the time numbered chapter 21. Many popular Bible versions use the word, reed, in verse 15 .

10 and he carried me away in the Spirit to a mountain great and high, and did shew to me the great city, the holy Jerusalem, coming down out of the heaven from God, 11 having the glory of God, and her light [is] like a stone most precious, as a jasper stone clear as crystal, 12 having also a wall great and high, having twelve gates, and at the gates twelve messengers, and names written thereon, which are [those] of the twelve tribes of the sons of Israel, 13 at the east three gates, at the north three gates, at the south three gates, at the west three gates; 14 and the wall of the city had twelve foundations, and in them names of the twelve apostles of the Lamb. 15 And he who is speaking with me had a golden reed, that he may measure the city, and its gates, and its wall; 16 and the city lieth square, and the length of it is as great as the breadth; and he did measure the city with the reed — furlongs twelve thousand; the length, and the breadth, and the height, of it are equal; 17 and he measured its wall, an hundred forty-four cubits, the measure of a man, that is, of the messenger; ~ Revelation 21:10-17 (YLT)

In chapter 21, verse 12 alone identifies three sets of 12! The numbering of the city wall in cubits is 144, which is 12*12. It's “the measure of a man, that is, of the messenger.”

A sea of reeds is a sea (water as time) of standards of measurement for space-time and some metric of note that has to do with those interacting with heavenly domains. That's what was parted and what Israel crossed through in their exodus stargate transit model!

The account of the crossing over the Sea of Reeds from Egypt begins in Exodus 12. What we find at the beginning of that time signal numbered chapter is an instruction to initialize the calendar, to reset their accounting of - TIME!

1 Now the Lord said to Moses and Aaron in the land of Egypt, 2 “This month shall be the beginning of months for you; it is to be the first month of the year to you. ~ Exodus 12:1-2

The word, month, appears 3 times in verse 2 as the declaration is doubled for clarity and emphasis. And again, in most years on the Lord's calendar, the number of lunar months is 12.

When you read through Exodus 12 you should easily discover how the pervading theme is about times and timing. With regard to the Passover, it is established on the calendar so it ends on the 21st day of the month and features the number 7 as its duration. The passing over of the Sea of Reeds is celebrated on that 21st day. The mirror of 12 is 21, and this number is also a primary time number. The factoring of 21 into 3 * 7 identifies two other primary time numbers of note. Passover is in the first month of the year, so the Feast is celebrated in the third set of sevens of every year. The Feast was established as a memorial forever, for all TIME! More emphasis is placed on timing by reason of calling the Feast, Hag haMatzot, the Feast of Unleavened Bread. The reason why the bread was unleavened is because they didn't have TIME!

33 The Egyptians urged the people, to send them out of the land in haste, for they said, “We will all be dead.” 34 So the people took their dough before it was leavened, with their kneading bowls bound up in the clothes on their shoulders. ~ Exodus 12:33-34

The last plague in Egypt happened on the night that began the Feast. It's known as the plague of the firstborn, which has to do with the selection according to age or time sequence. The destroyer angel came about midnight, as I already mentioned in Part 4, which we account as being 12 o'clock.

We don't know the exact number of those who left in the exodus but there is one numbering given in the text.

37 Now the sons of Israel journeyed from Rameses to Succoth, about six hundred thousand men on foot, aside from children. 38 A mixed multitude also went up with them, along with flocks and herds, a very large number of livestock. ~ Exodus 12:37-38

This numbering of 600,000 is the only one recorded, and we should see that as serving the Author's purposes. It identifies the people primarily with the number of man, 6, but the number also factors to 12*5000. The way they passed over the sea actually highlights that particular factoring.

and God turneth round the people the way of the wilderness of the Red Sea, and by fifties have the sons of Israel gone up from the land of Egypt. ~ Exodus 13:18 (YLT)

They passed through the sea, not as a disorderly mob but in martial array, organized in ranks of fifties.

600,000/50=12,000 or 12 * 1000.

There's a similar accounting made that involves the other contingent, the Egyptian army.

5 When the king of Egypt was told that the people had fled, Pharaoh and his servants had a change of heart toward the people, and they said, “What is this we have done, that we have let Israel go from serving us?” 6 So he made his chariot ready and took his people with him; 7 and he took six hundred select chariots, and all the other chariots of Egypt with officers over all of them. ~ Exodus 14:5-7

The number of select chariots is the only count offered for the size of the pursuing army: 600. That's exactly 1 for every 1000 of the only number given for how many children of Israel passed over, being 600,000 men on foot.

600 = 12*50

Twelve: Another highlighting of the time number, which appears as a factor paired with the number associated with a martial array - and they were the pursuing army.

According to the song that was sung after having passed over, these were cast into the sea. (as the water of time - and note, as stones - at the bottom of the sea.)

4 Pharaoh’s chariots and his army He has cast into the sea;
And the choicest of his officers are drowned in the Red Sea.
5 The deeps cover them;
They went down into the depths like a stone. ~ Exodus 15:4-5

It should well be noted that the number 60 is a very obvious factor in both of those numberings and that 60 is another important time and space-time number. There are 60 minutes in an hour and 60 seconds in a minute. Locations on the globe of the earth are identified in a geographical coordinate system of latitude and longitude. A location is given in coordinates specifying direction, degrees, minutes and seconds. Each degree has subdivisions of 60 minutes, with 60 seconds per minute. Distance in space, and time - space-time - because of the apparent rotation about the earth's axis through 360 degrees in 24 hours.

Now, because the chapter in Exodus numbered 12 began with a calendar reset, the attention given to the exactness of the timing at the chapter's end places even more emphasis on the number's connection with time.

41 And at the end of four hundred and thirty years, to the very day, all the hosts of the Lord went out from the land of Egypt. 42 It is a night to be observed for the Lord for having brought them out from the land of Egypt; this night is for the Lord, to be observed by all the sons of Israel throughout their generations. ... 50 Then all the sons of Israel did so; they did just as the Lord had commanded Moses and Aaron. 51 And on that same day the Lord brought the sons of Israel out of the land of Egypt by their hosts. ~ Exodus 12:41-42, 50-51

Israel came out on the very anniversary of when they went in, at Pesah. When Israel eventually crossed over the Jordan it was once more at the time of Pesah. These observations highlight the importance of timing, and alert us to watch for time symbolism.

So, Exodus 12 is dense with time signaling. We've seen many other twelves in chapter and verse numberings where time is the key, like in Daniel 12:12, and in Revelation 12:12 which I already mentioned.

11 From the time that the regular sacrifice is abolished and the abomination of desolation is set up, there will be 1,290 days. 12 How blessed is he who keeps waiting and attains to the 1,335 days! ~ Daniel 12:11-12

1335 ~ 1+3+3+5=12
1290 ~ 1+2+9+0=12

In the following passage we find time symbols being combined in the first dealing of the Lord's people upon having crossed over the Sea of Reeds. Note the 12 springs of water!

25b There He made for them a statute and regulation, and there He tested them. 26 And He said, “If you will give earnest heed to the voice of the Lord your God, and do what is right in His sight, and give ear to His commandments, and keep all His statutes, I will put none of the diseases on you which I have put on the Egyptians; for I, the Lord, am your healer.” 27 Then they came to Elim where there were twelve springs of water and seventy date palms, and they camped there beside the waters. ~ Exodus 15:25b-27

That's it for this post. More to follow, Lord willing.

Decoding Time Magazine's Virtual Reality Cover - 22, 13, Dancing Bees and Taylor Swift

There's a buzz surrounding a recent cover of Time Magazine (August 17, 2015). The cover reads, “The Surprising Joy of Virtual Reality And why it's going to change the world.” But the buzz is really about the cover's picture of 22 year old Palmer Luckey, inventor of the Oculus Rift VR system, an unflattering image that just looks rather silly. The cover image appeared on the Drudge Report a couple days ago, featured with the headline, “MAG: FUTURE IS FAKE.”

So, what's up with the cover? It brings together several of the symbols the Lord has been opening to Aaron and I and brings a lot of emphasis to the bottom line of what's really going on in this season, as we await the resetting of time. I have to say it. It's a timely sign.

First off, the Magazine's title. Time. The theme is familiar, right? Do you see any time symbols featured on the cover, like water and sand, perhaps? Right. Time. Why is Palmer hovering over the beach? He's not touching the sand or water. He's above or outside time, like the man dressed in linen who knew about times in Daniel 12.

5 Then I, Daniel, looked and behold, two others were standing, one on this bank of the river and the other on that bank of the river. 6 And one said to the man dressed in linen, who was above the waters of the river, “How long will it be until the end of these wonders?” 7 I heard the man dressed in linen, who was above the waters of the river, as he raised his right hand and his left toward heaven, and swore by Him who lives forever that it would be for a time, times, and half a time; and as soon as they finish shattering the power of the holy people, all these events will be completed. ~ Daniel 12:5-7

Because of the nature of VR, as Palmer wears the Oculus Rift gear he's experiencing a virtual or “unreal reality,” a different space and perhaps time. The symbolic meaning of his hovering over the beach is that he's above or outside this time-space domain, and this is the same message presented by his image being superimposed over the mag's title, TIME.

Palmer's head is superimposed over the letter M. The W formed by his arms plus the M eclipsed by his head combines the W and M for a rotational Code 33.

The W and M are also wave glyph letters, for water as time!

Palmer's head is superimposed over the M in such a way that it gives him the appearance of having horns. This scene suggests the imagery of Revelation 13. The letter M is the 13th letter, and number 13 signifiies the rebel lord beast.

And the dragon stood on the sand of the seashore. Then I saw a beast coming up out of the sea, having ten horns and seven heads, and on his horns were ten diadems, and on his heads were blasphemous names. ~ Revelation 13:1

There's another beast connection, with Apollo. The man's name is Palm-er, and we often associate such beach scenes with Palm trees. According to the legend of Apollo's birth, he was born under a palm tree on the magical island of Delos as his mother Leto clung to the trunk.

What really speaks to me about this imagery so loudly illustrates how that antichrist beast is being brought forth, and will be brought forth. It has to do with the control of time and the role of the goddess, and a great hoax. This explains the small print on the cover's title. Why it's about to change the world.

Palmer, hovering, like in zero gravity (among CERN's goals with the LHC as they discover the key to mass). Hovering, outside time. Hovering - like a bee! If you're counting, this is now the third time you're reading the word, buzz. Mr. Luckey is buzzing around like a dancing bee. The points of the letter M suggest the antennae. He's clearly mimicking the dancing bee goddess, Inanna, Ishtar, Melissa or Deborah, in a fashion we've become quite familiar with over the past year. See Series Links: Hidden Signs of the Goddess for some other examples.

Something ocular relates to the eye. Wearing the Oculus visor highlights Palmer's eyes. He's a dancing bee and the M gives him his antennae. Eye Bee M

IBM WATSON - AI... For an IBM connection to VR and Oculus Rift, see BlueMix.

The goddess is featured so vividly on Time's cover that the imagery has made it laughable to many. It's worth asking why that symbolic presentation is so important that the well respected magazine chose to sacrifice dignity? The symbols spill some beans on the agendas and operations.

Consider another meaning of the M. As the 13th letter, it signifies the exercise of control over time. The number 12 is a primary time number, and when a 13th is added to the 12 it is usually presented as central control element both in the Bible and in Occult symbolism. I'm just introducing this meaning here, but, Lord willing, I'll explain more in coming posts. Palmer's head, which controls his body, is superimposed over the letter with a numbering that signals control over time and space-time dimension transiting.

As noted in posts like those in the Celestial Stargate series, the goddess (usually identified as Isis) features in stargate transits. She has to do with space-time control, and control over time provides for control over the stargates. Anubis is also involved, and Hermes (Hermanubis) or the dual gendered Hermaphrodite (why HE's a dancing bee goddess). Palmer Luckey. Lucky. “Lady Luck.” Palmer, above TIME and over water+sand time and with his head aligned with M-13 - as the bee goddess with control over time.

The Bee and 13 are combined in the clever design of these popular playing cards. Such cards are sometimes used for divining, piercing through the boundaries of space-time. Remember this post about playing cards and the Pagan/Occult calendar and transdimensional vehicles? Our Lady of the Bicycle, Playing Cards, Time-Space and the Euchre Miracle

So, the comical Time Magazine cover actually has an arcane testimony about the antichrist Beast and how the goddess facilitates his coming. She attends the stargate transit (manfesting concretely as a Papal baptism) and she also has a key role in a hoax that will deceive those who merely presume to be exempt at the time of the beast apocalypse. This is why the VR, the virtual reality promo is set in this context. Remember these studies?

The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)
Part 3 - Sochi Winter Olympics 2014 - The Ultimate Hoax

A reality will be ported through time itself, yet not without some, eh, embellishment. This is biblical. Most are already deceived. Others need more convincing of the lie about the identity of the savior of the world, and this hoax will do it. 2 Thessalonians 2. Few, very few, will know the truth, and knowing the time is a huge factor in that immunity from the supernatural hoaxing. “The Surprising Joy of Virtual Reality And why it's about to change the world.” (Joy. Think - Anna's bliss, in “V” the series from 2009-2011)

The Time cover speaks to me also about this present time as being rather surreal. Time is wonky, and Aaron and I aren't the only ones talking about it. A reset really is coming, and in the next pass through this season those things prophesied will unfold on schedule, the right schedule as ordained by the sovereign Lord of Time.

Here's a few more observations. The description in the corner features some NLP and another important number.

oculus ~ visionaries --- eyes vision
“one of the visionaries” -- one of the eyes - Horus eye and 3rd eye illumination
“making virtual reality mainstream.” Since the imagery of Time's cover is all about time, “mainstream” is the main TIME stream. To establish that link for us, what appears underneath, mainstream, is, time. Time.com - inside the red border.

Things now are not what they appear to be. Time has been altered and this present reality has been changed.

The cover blurb mentions Palmer's age: 22. That's a set period of years, and 22 is a significant number in the context of time!

For Aaron and I, the number 22 is one the Lord linked in pairings with 21 many times over the past 5 months. The number 22 has a meaning of the division of the flesh. Eleven signifies the frail and ephemeral flesh, and 22 as 11+11 is the division of the flesh. It's also a representation of pillars. Space-time linking constructs. The number 21 is a primary time number like 12. The 13 is related to the 12 and the 22 is related to the 21 in a similar way as the beginning of another set. Because of E. W. Bullinger's popularity, the number 8 is widely recognized as signifying a new beginning, because it follows the complete set of 7. Seven is a primary time number. Thirteen and twenty-two signify new beginnings like eight, but each has a unique signification. We have been seeing lots of evidence supporting 13 as being the element outside time and sometimes having oversight over as controlling time. The number 22 is similar to that. The Time mag cover's imagery presents the 22 year-old as the goddess who presides over the time control mechanisms of dimensional transit. He's wearing a shirt with a style known as a V-neck. The letter V is the 22nd letter. I don't see that as coincidental.


There's a lot of overlapping themes with the pop goddess Taylor Swift, who had a song on her Red album titled, “22.” It was about celebrating her age - in years - yes, time. Red is a goddess color. The album was released on October 22, 2012. That is the 22nd day. She finished the hugely successful Red album tour just over a year ago, on June 12, 2014. That's the 12th day. I blogged about Taylor and a performance of the song during 2013's BMA award show.

Decoding Taylor Swift's "22" and the BMA Ritual Exposing the Theater of Witchcraft

It's about practicing witchcraft and ritual magick and mind-control programming - and time. Taylor Swift. Leveraging the meaning of swift, as quick, speedy, emphasizing lots of distance over TIME.

The lyrics to “22” heavily features time language and spills the beans on the esoteric theme of the number.

It feels like a perfect night to dress up like hipsters
And make fun of our exes, uh uh uh uh
It feels like a perfect night for breakfast at midnight
To fall in love with strangers uh uh uh uh
Yeaaaah
We're happy free confused and lonely at the same time
It's miserable and magical oh yeah
Tonight's the night when we forget about the deadlines, it's time uh uh

In the song's official music video (Taylor Swift: “22”) there's lots of frolicking around the pool and at the beach to provide plenty of visual time symbols of water and sand. Over and over again she flashes us 2 fingers on one or both hands - 2 and 2 or 22. It's her birthday party, so it's all about her, the goddess, celebrating the turning of the age. As it's been highlighted to Aaron and I for months, 22 follows the time number 21 to mark a transition.

The sign of two spread fingers on a hand presents a V - 22. Usually she's flashing the sign on both hands. Double V is what we call double-U or W. Read that as a declaration of her esoteric identity as the W goddess. Many, many times she models the bent elbow pose of the W goddess during the official video, usually while she's jumping or bouncing up and down, and it's like she's dancing to the music - as the dancing bee.

Here's a screenshot of Taylor bouncing on a trampoline, accessorizing again with the multiple bracelet style to strengthen the link to Inanna. Note the honeybee yellow band on her head.

Flashing the V speaks to me of Viator. Traveler - Time traveler. Swift. Viator. Beatrix. Queen Bea/Bee of the Bilderbergers, of the Netherlands (NETHER underworld - land of windmills pumping seawater-as-time - watery abyss).

In the song's official music video she is seen wearing a blouse that announces boldly, “NOT A LOT GOING ON AT THE MOMENT.” AT THE MOMENT ~ time. Given how this season since the album came out has been filled with unfulfilled expectation, I see the blank background that outfit is set against as a sign. I sure didn't understand when I first saw the video but it sure speaks to me now, knowing very well how the hijacking of time has deferred the conclusion of this age.

Here's the thing about Taylor as the time control goddess. She famously wears a boldly decorated 13 on her hand. Time control goddess!

In this collection of images I made a couple years back, she's flashing her famous heart hand sign - in the rain. Water as Time.

The heart comprises two crossing circles, which combines the X and O that Kenneth Anger of the OTO claimed establishes the throne of Isis, as lightning flashes symbolically from the abyss. She's demonstrating a triple modeling of the number for the abyss, the watery abyss. The key is in identifying pairs of circles as letters O to signal 66. (That 15th letter transforms to a 6.) One pair is in the formation of the heart. Another pairing is made as she encircles her round head with her upraised arms. Another pairing is her breasts. Her outfit's lines form a V at the neck, and an M. Thirteen. Time control magick.

Not long ago Taylor exerted some control over time when she took a bite out of Apple. The apple is another goddess symbol. The controversial dispute was over how much time was involved in Apple's financial reward plan for musical artists. Time is money! Taylor complained that the time was too long, so Apple shortened it.


And, there's this... trending...

The Outer Limits: Virtual Future. Watch it on XFINITY cable on August 17.

Josh Brolin, the guy who played the young "K" in MIB 3 is in this episode.

“Despite his breakthrough, Jack finally loses his funding. He takes his research to Bill Trenton, billionaire owner of a successful research company. Trenton offers Jack a lucrative contract and a well-equipped laboratory to continue his work. Jack takes the job, and eventually Trenton convinces Jack to allow him to try his virtual reality suit. Trenton "jumps" a few hours into the future and sees a newspaper headline about a woman killed at an ATM.

Upon returning to the present, Trenton saves the life of the woman whose death he saw reported—proving that it is possible to alter the future as well as see it. Trenton begins secretly making plans to profit from the device by using it to win a United States Senate election. He sneaks into the laboratory and "jumps" into the future again. He sees himself losing the election and ending up subpoenaed. Jack continues working on his suit and extends the range, allowing him to "jump" even further into the future. He sees his own murdered body floating in the ocean.

Jack tells his wife, Isabelle, about the suit, its capabilities and what he's seen. At Isabelle's suggestion, Jack takes another trip into the future to find out more about the circumstances of his death, and sees Bill Trenton about to murder him. Meanwhile, Trenton breaks into the lab and Jack is forced to flee. He runs out onto the waterfront and along a pier. Trenton follows him and just as he is about to shoot Jack, Isabelle shoots Trenton instead. The final scene is Bill Trenton's dead body floating in the ocean, in the same manner that Jack foresaw his own death.”

There's plenty to see in this weird season as we continue to watch. The Lord is faithful and you can trust Him for everything promised!

Space-Time Ark Signs - Wayward Pines

A week ago, I wrote in this post, A Sign of the Space-Time Ark Mission, about a sign that came in connection with the season of my focus on writing about The Avengers (2012) and the Stark Tower as a space-time ark. In a way, our house became like the Stark Tower for nearly 3 days. During that time, I was led to watch a couple other things that came as related signs. These are for our attention and our encouragement as we watch diligently according to the Lord's commands.

A new show this season on the FOX network is, Wayward Pines. Full episodes can be watched on FOX.com. Spoilers ahead.

Wayward Pines is the name of a fictional town near Boise, Idaho. Strange things happen there, and several episodes into the show we discover that the town became a kind of time capsule, a space-time ark that exists for the salvation of humanity.

Here is some dialog from episode 5: The Truth, from about 35 minutes in. The Wayward Pines school principal, Megan Fisher (a hypnotherapist in her “former life.”) is giving a special presentation to three select students.

“Over 2 thousand years ago, a great scientist foresaw the coming of the aberrations. The perfect equation that held our planet together was unraveling, and he knew mother nature would do as she always does. She would evolve. She would change the equation. She would change us. This scientist wanted to save a select sample of humans from this change, to preserve our kind, as we once were. So he created an ark. He created Wayward Pines.”

Aberrations, genetically. Think, The Time Machine, by H. G. Wells, and how the human race diversified genetically. The aberrations are cannibals comparing roughly to The Time Machine's Morlocks. A key identification to make connects the WP aberrations and those hybrids we call the Nephilim, offspring of the fallen angels, the Watchers. Genesis 6. They flooded the gene pool of Adamic mankind. The purity of the line came down to a single man, Noah. Then the Creator intervened to save His Adamic heritage. In the Wayward Pines story, instead of Noah we have the great scientist. His ark is a time capsule-like town that he sent through time, in a figure. See the water-as-time or time-as-water angle.

There's another Nephilim angle in play here. The abbies-Nephilim are the ones who are really trapped INSIDE the containment grid, imprisoned in or under the earth until their sentence of 70 generations passes. It's a time lock on the space-time dimensional underworld cell block. They're bent on hacking it to get an early release, and success will be granted.

When I was practically binge watching these episodes to catch up on 6 episodes, I was quite well aware of how the ark theme was going along with what the Lord was showing me about the Stark Tower space-time ark. It wasn't until a day or so after watching these that I learned our outage was caused by the cut cables. Making our house kind of Stark Tower. And even a bit like Wayward Pines.

By the way, the theme is still trending. In todays news: (Pacific islands cable breaks, cutting off phones, Internet) “Technicians are restoring telephone and Internet service in the U.S Commonwealth of the Northern Mariana Islands after a break in undersea cable disconnected the islands from the rest of the world.”

A recurring image in the scale model town of the title credits is a roadside sign, like the one seen during the show.

It's a sign. A scale model. When the Lord was revealing to us the initial 12:21 numbering it was with regard to how the model was elaborately masked. A scale model was specifically involved. Its a sign. The scene is wet, with a puddle in the road. Time soaked. Welcome to Wayward Pines. Where Paradise is Home. Yet, paradise, or garden, is associated with Eden biblically. Since Adam and Eve were expelled there's no way back in until there is a restoration because the Tree of Life is secure - access denied. So, it involves the ancient past, and yet future - remote in space-time. The Wayward Pines story goes back to Genesis 6, and to Genesis 3, and 1.

Here's more of the script from episode 5: The Truth. At about 41 minutes in, the principal continues her presentation.

“David Pilcher foresaw a great flood and he built an ark. And he filled this ark with people like you and me; people he deemed necessary for the survival of mankind. We are the lucky ones. The chosen few. But this ark will only survive if we all follow the rules. If there is one hole, one crack then the water will get in and we will all drown. It's up to you to make sure that doesn't happen. It's up to you to steer the ark safely to shore. Because you are the first generation.”

There's very much a “go forth and multiply” theme in that episode, with all hope being in the children because the adults are apparently unable to reproduce or emotionally adapt to the truth of their situation. There's an allusion to Genesis 8.

13 Now it came about in the six hundred and first year, in the first month, on the first of the month, the water was dried up from the earth. Then Noah removed the covering of the ark, and looked, and behold, the surface of the ground was dried up. 14 In the second month, on the twenty-seventh day of the month, the earth was dry. 15 Then God spoke to Noah, saying, 16 “Go out of the ark, you and your wife and your sons and your sons’ wives with you. 17 Bring out with you every living thing of all flesh that is with you, birds and animals and every creeping thing that creeps on the earth, that they may breed abundantly on the earth, and be fruitful and multiply on the earth.” ~ Genesis 8:13-17

Noah and his family and the animals were in the Ark over a year. The residents remain in the Wayward Pines Ark for over 2000 years.

The year is 4028. The residents have a perception of leaving their previous world and life and arriving at Wayward Pines at times that vary from person to person. It can be explained by the fact that they were kept in suspended animation cryogenically. They were selected and taken out of their lives in our day and awakened at times in the future in a way that the spans of time in stasis varied from individual to individual. You'd have to have watched the show to get a hold of what I mean, but this situation speaks to me of our time, now, where the model is elaborately masked. I'm assuming you've been following this blog and that needs no further explanation. Time itself has already slewed kind of sideways, gone slideways, being skewed out of the reality where the schedule of events outlined in the Bible is manifest.

During the scenes I scripted, you can hear rain falling in the soundtrack. It's not quite intrusive but substantial and steady. What are we being told? The threat is real and present. There is a pressing urgency. There are already cracks in the ark, which we see dramatized as the security of Wayward Pines has already been breached and the town is threatening to rupture. This is a mirror of our present reality. The time wars, while most are oblivious to it, have taken a toll. The hull of the world-as-ark has been breached and we're taking on water. We are not only threatened by the genetic flooding of transhumanist geoforming and bioforming activity (toward the MOB), which is like a tide that cannot be turned back in a parallel that is not insignificant, we're already threatened by the water-as-time leakage. The assault on time and therefore space-time impacts the basis of the Creator's schedule, and everything depends on that. Of course, it also impacts the integrity of the heavenly realms and their function, touching directly upon on the hierarchy of authority itself. As it stands, today, the Adversary has already won, and, he knows it. He knows that appointed times have come and gone, unfulfilled. Soon, what is inevitable will manifest, like when dominoes fall. What he doesn't know is that this has been planned from the beginning to accomplish the sovereign Lord God's own purposes. He's going to snatch victory from the jaws of defeat, as it were. He's got an ace up His sleeve. The Adversary is a master at concealing and revealing, but he and his abilities cannot compare to the One who Created even him, Who truly knows the end from the beginning. His secret plans will be fulfilled.

This promotional image bears the tagline, A place to die for. Flip it? Fallen down, but up. It's inverted and the rain is falling up. Time, flowing in reverse. Life from the dead, rising up from the underworld.

Before I share the next snipped of dialog I want to introduce the book of Jude, for insight into the name of Wayward Pines. Pines, as all trees, are metaphors for other beings.

11 Woe to them! For they have gone the way of Cain, and for pay they have rushed headlong into the error of Balaam, and perished in the rebellion of Korah. 12 These are the men who are hidden reefs in your love feasts when they feast with you without fear, caring for themselves; clouds without water, carried along by winds; autumn trees without fruit, doubly dead, uprooted; 13 wild waves of the sea, casting up their own shame like foam; wandering stars, for whom the black darkness has been reserved forever. ~ Jude 11-13

The adults of Wayward Pines cannot reproduce, as autumn trees. Isaiah 14 uses figurative language featuring pines. Those who came to cut the cedars of Lebanon out of the forest were using them as idols, Asherah poles. The displaced or wandering cedars of Lebanon. They are wayward pines, as wandering stars, and stars are a metaphor for angels.

Consider what Jude wrote a few verses earlier.

5 Now I desire to remind you, though you know all things once for all, that the Lord, after saving a people out of the land of Egypt, subsequently destroyed those who did not believe. 6 And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for the judgment of the great day, 7 just as Sodom and Gomorrah and the cities around them, since they in the same way as these indulged in gross immorality and went after strange flesh, are exhibited as an example in undergoing the punishment of eternal fire. ~ Jude 5-7

They did not keep their own domain. They abandoned their proper abode. They strayed. Wandered away. They are connected with the flood, the Nephilim. The extent of their corrupting activity, morally, yes, but crucially genetically, required the ark.

Consider this scene from episode 6: Choices.

David Pilcher: I think I may need an ark!
Security guard, Arnold Pope: Yeah, you just might.
Pilcher: Big plans tonight?
Pope: Uh. March Madness, the couch and Rocky Road.
Pilcher: I got a better offer.
Pope: Rocky Road is a hard thing to pass up.
Pilcher: Come for a ride and find out.
Pope: I've got 2 hours left on my shift sir.
Pilcher: I run this place. Get in. Come for a ride. Find out.

Well, the brown man is holding a black umbrella in the rain, and he's a security guard, so when you're familiar with the sodomite gateway and Illuminati trauma-based mind-control programming Beta-Delta symbolism, you just can't ignore that layering. In part, that's why it plays so readily as a homosexual pickup. Rocky Road - that's not just ice cream. The couch - that's not just a piece of furniture. Jude verse 7 connects the indulgence in gross immorality of Sodom and Gomorrah with those “wayward pines.” There's the matter of strange flesh, as in how iron and clay (Daniel 2) are not the same. It's the sons of god (angelic) with the daughters of men (Adamic) thing. So, a Pope is being recruited. Right. Fitting for a water baptism initiation, and a link to the sodomite priesthood.

What an interesting name, David Pilcher. The Messiah is known as the son of David. A Pope and a David. What about his last name? A pilch is an outer garment, originally one made of skin. Think, Genesis 3:21 and the skins the Lord God provided as coverings for Adam and Eve. The “Pilcher” was thus the Lord God. The seventh chapter of the book of Jasher indicates that these were onboard the ark with Noah.

24 And the garments of skin which God made for Adam and his wife, when they went out of the garden, were given to Cush. 25 For after the death of Adam and his wife, the garments were given to Enoch, the son of Jared, and when Enoch was taken up to God, he gave them to Methuselah, his son. 26 And at the death of Methuselah, Noah took them and brought them to the ark, and they were with him until he went out of the ark. 27 And in their going out, Ham stole those garments from Noah his father, and he took them and hid them from his brothers. 28 And when Ham begat his first born Cush, he gave him the garments in secret, and they were with Cush many days. 29 And Cush also concealed them from his sons and brothers, and when Cush had begotten Nimrod, he gave him those garments through his love for him, and Nimrod grew up, and when he was twenty years old he put on those garments. 30 And Nimrod became strong when he put on the garments, and God gave him might and strength, and he was a mighty hunter in the earth, yea, he was a mighty hunter in the field, and he hunted the animals and he built altars, and he offered upon them the animals before the Lord. 31 And Nimrod strengthened himself, and he rose up from amongst his brethren, and he fought the battles of his brethren against all their enemies round about. 32 And the Lord delivered all the enemies of his brethren in his hands, and God prospered him from time to time in his battles, and he reigned upon earth. ~ Jasher 7:24-32

Pilcher: English (Kentish): occupational name for a maker or seller of pilches, from an agent derivative of Pilch. In early 17th-century English, pilcher was a popular term of abuse, being confused or punningly associated with the unrelated verb pilch ‘to steal’ and with the unrelated noun pilchard, a kind of fish.

Pilcher: A pilch was a kind of coarse leather garment with the hair or fur still on it, from the Olde English pre 7th century word "pylece" meaning a skin or hide. However to confuse the matter "pilcher" was a popular term of abuse, being associated with the directly unrelated "pilch", meaning to steal, and the equally unrelated noun "pilchard", a type of fish.

It can hardly be argued that the literary reference made through the character's name is intended. It seems likely to me that the verb, to pilch, as meaning to steal, actually derives from Ham's theft of the prized pilch. (I note that there's an interesting parallel between those pilches and the legend of the Spear of Destiny.) The pilchard as a kind of fish isn't without meaning in the context, given how David Pilcher is a fish out of water, so to speak, a man out of time in an unnatural space time domain. And, there's the ichthus messianic fish sign, and Osiris connections.

A pilch is also an infant's wrapper (plastic pants) worn over a diaper. Connect the dots.

Let's consider the dialog of the scene at the security gate from a water-as-time perspective. The heavy rain as deluge. If an ark might be needed, it suggests flooding with water. Water as time. This is a security gated entrance. The guard is responsible to secure the perimeter but he's being coaxed away, enticed to abandon his post. That will allow for 2 hours of unrestricted access, right? That's a 120 (12*10, and 12 is a time number) minute long window of time for a security breach. What's an ark for? Saving humanity from the water as time flood. At this point in the series, it's been made very plain what he's trying to accomplish in this scene at the gate. He's trying to enlist the guard to help him collect the people chosen to populate his cryogenic time-capsule-like space-time ark, the town of Wayward Pines that is figuratively sent into the distant future. All flesh that will be saved is going to be put in the ark. Pilchard, a kind of fish. David Pilcher runs the place. In the city of David there is the Fish Gate at the perimeter of the Temple. It's named in Zephaniah 1:10, a relevant passage and one I believe should be considered in connection with this scene!

7 Be silent before the Lord GOD!
For the day of the LORD is near,
For the LORD has prepared a sacrifice,
He has consecrated His guests.

8 Then it will come about on the day of the LORD’S sacrifice
That I will punish the princes, the king’s sons
And all who clothe themselves with foreign garments.

9 And I will punish on that day all who leap on the temple threshold,
Who fill the house of their lord with violence and deceit.

10 On that day,” declares the LORD,
“There will be the sound of a cry from the Fish Gate,
A wail from the Second Quarter,
And a loud crash from the hills. ~ Zephaniah 1:7-10

You understand about foreign garments in the context, right? And about the threshold of the temple, the temple at the center of time that is not now seen in this earthly domain?

There's some casting carryover importing meaning into Wayward Pines from roles previously played by these characters. Toby Jones (David Pilcher and Dr. Jenner) played evil biochemist Arnim Zola in Marvel's films and TV shows. Here's an excerpt from Wikipedia.

“Toby Jones portrays Arnim Zola in the live-action Marvel Cinematic Universe movie series produced by Marvel Studios. First appearing in Captain America: The First Avenger, Zola is a Hydra scientist who helped the Red Skull harness the Tesseract's power. Later captured by Captain America, Zola is forced to reveal the location of the Red Skull's base to Colonel Chester Phillips. As revealed in Captain America: The Winter Soldier, Zola took advantage of S.H.I.E.L.D.'s Operation Paperclip to create a new incarnation of Hydra that slowly takes over the organization. Having also experimented on Bucky previously, Zola personally oversees the young man's transformation into the Winter Soldier. Suffering a terminal illness in 1972, Zola had his consciousness transferred into a 1970s era supercomputer located in a secret S.H.I.E.L.D. facility in New Jersey. From there, Zola masterminded S.H.I.E.L.D./Hydra's "Project Insight" as a means to identify and target potential threats to Hydra's interests.”

Yes, Wayward Pines, binge watching it while I'm focused on the Lord's opening up the meaning of The Avengers and the Stark Tower as the space-time ark, during the sign of the cut cables. The actor who played the biochemist who harnessed the Tesseract's power and who persisted himself through time, playing the creator of Wayward Pines, the space-time bio-ark. There's a casting coup.

Then there's Carla Gugino, in Wayward Pines she had been a Secret Service agent in her former life. In Threshold, she was the lead agent assigned by the government to protect the world from an alien incursion of a kind that was all about "turning us into them." Think, humans to abbies. She also played in Sucker Punch, the dark mind control + time wars extravaganza. There's some interesting carryover! Also, Quantum Leap, Spy Kids, Night at the Museum, Watchmen, Sin City, ...

Theresa, the wife of the lead character Ethan (Matt Dillon) is assigned a job as a real estate agent. She discovers there's a mystery behind a vacant lot called plot 33. Plot 33. Right. It's a Code 33 plot. The name of Wayward Pines signals Code 33 by its acronym. W rotates to a 3. P is 11 when z=1. 3*11=33

Some of the residents of Wayward Pines want to escape what they see as a prison, unaware of when it is in reality, or, not knowing the time. They conspire to blow up the electric fenced perimeter wall. Security breach! Not unlike The Avengers and the Stark Tower, right? There's a plot to meet at 10 pm for the breakout, which is 22 hundred hours. And sun god time as IO, Helio. The other thing I watched was the film Ex Machina, where there was also a conspiracy to break out at 10 pm. The 22 of the 21-22 pairings I've mentioned on occasion has to do with marking a time transition.

More to follow, Lord willing.

Part 1 - The Avengers - STARK Tower as Space-Time Ark - Fury Recruits Captain America

It's not at all rare to see the subject of time-space manipulation in the media these days because it's all over the news as well as entertainment productions. We watch and see what we see, according to the Lord's command for His saints in such as Mark 13:37. What's most interesting is when the space-time manipulation theme is embedded in the language of symbolism, like in The Avengers (2012). The theme is not only central to the plot, but two or more of the scenes are drenched in space-time symbolism. It's in the script, which is loaded with NLP, and it's in the visual imagery of the set and the action. This covert messaging is an expression of theurgy, an operation of mind-control programming, and ritual magick. For us, it provides a window of insight into the Adversary's intentions and how Bible prophecy is playing out in this amazing season.

The main point I want to make in this post is how the idea of a space-time ark is being promoted as central to an interdimensional war over humanity. What I've been writing about for the last few months and primarily showing from the text of the Bible is also the stuff of pop culture media, and it has been for a very long time. (Search this blog for time ark for more insight.) A reset of time itself is coming that will result in a time truncation. It will become necessary due to the consequences of an interdimensional war that will be (or, is being) fought with weapons of time-space manipulation. While this lengthy post was being written, the Lord provided some extremely interesting validation, which I will probably be writing about soon.

I'm assuming that you're already pretty familiar with the film that is the subject of this post. Briefly, the plot revolves around the Tesseract, a mysterious alien artifact that can function as a power source and a space-time portal. That higher-dimensional cube is activated very early to open a passage from the other side, through which the demigod Loki makes his entrance into this world and realm. The Tesseract is stolen from SHIELD and harnessed to open a dimensional portal through which alien invaders come, who wage war in an effort to destroy humanity. The portal opens right above the Stark Tower because the Tesseract was placed inside a device that was set up on the Tower's highest level.

It's fitting that the celestial Silver Gate is inherent in the location because the Stark Tower is in New York City, in Manhattan, replacing the MetLife building. There's a lot to explore in the film, including connections to the Grand Central Terminal and CERN's LHC.

Prior to the theft, the Tesseract was being studied inside a particle accelerator facility. It had been placed into the energy beam, and on the other side it was perceived as having been awakened. When the Tesseract was operated from the other side, that's when a blue beam shot out and Loki appeared as through a stargate. Links to CERN's LHC supercollider are unavoidable. When that controversial machine was fired up in the first run, strange beings appeared and were witnessed by many. Here's a sign from the film. Literally.

The Tesseract was being studied at a facility called Joint Dark Energy Station, Western Division. Project Pegasus. NASA Space Radiation Facility. S.H.I.E.L.D. Accelerator Test Facility. The entire time the sign is in view we see shadowy figures, most of them speeding by. Shadowy figures. Not unlike those seen in the SYMMETRY Dance-Opera film sponsored by CERN. They are the beings on the other side, waiting to come through to this space-time realm. (Web search project pegasus time travel montauk for insight into why The Avengers is making that connection.)

Here's another sign. The design of the owner's name on the Tower suggests that it's a space-time ark. It's subtle, but notice how the alignment of the letters and the shifted encircling line divides the word, STARK, into ST and ARK.

Comparing this design to the title graphic of Stitchers, the new series on the ABC Family network, the lengthened ascender of the letter A appears to be a slash character, and this might be a model for the Stitchers title. A slash is used as a separator. ST slash. Space-Time - separator. Space-time ark.

Here's a couple more observations about the Stitchers title. The slash is through two letters, TI. That's the standard designation for the metal titanium. It was named for the Titans of Greek mythology, the earliest class of gods. References to this metal can signal Code 47 (Osiris + Isis produces Horus) because the atomic mass of Titanium is 47.867. Because the shape cut off as the dot of an “i” suggests the triangle eye floating above the pyramid on the Great Seal of the USA, which is the all-seeing Eye of Horus, and it's called out as the “i” of Horus for yet another layer of redundancy.

I note with interest that the Occult gematria of STITCHERS is 121, and 122 where Z=1. Given our recent focus of attention on 12:21 and 21-22 combos that observation seems well worth noting here.

The Occult gematria of STARK is very significant. It's 19+20+1+18+11 = 69. That's what I consider to be the double digit number signaling the mark of the beast transformation, and I've noted plenty of related XO MOB imagery associated with the Tower. With Z=1 in the mirrored gematria, STARK calculates as 8+7+26+9+16 = 66. That's the number for the abyss, yes, the watery deep, and as you'll soon see this is a very fit identification. The Stark Tower is on Manhattan, an island. Man+Atun. Man god beast, surrounded by water-as-time, arising out of water-as-time.

In the film, the Tower doesn't function like The Time Machine of H. G. Wells, Dr. Who's phone booth or Mr. Peabody's Way Back Machine. Instead, it's represented as a modern Tower of Babel, a special platform where access is opened into the heavenly dimension. This connection between the two towers is made in ways that are cryptic but there's enough evidence to suggest that this is intended. The Tower is an independent operational interface between realms.

The scenes of primary interest happen early in the film, after the crisis has been introduced and while the Avengers team is being assembled. The Tower is introduced when Agent Coulson is about to recruit Tony Stark / Iron Man. Just before that, Nick Fury, Director of SHIELD, recruits Steve Rogers / Captain America while he's working out in a nostalgic looking boxing gym. I found a clip of this scene on YouTube. You'll probably want to watch it now and keep it open in another tab or window for reference.

The AVENGERS - Captain Rogers [America] HD

While Director Nick Fury is making a pitch to a council of overseers, we hear a councilman say, “War isn't won by sentiment, Director.” Fury responds with dramatic emphasis. “No. It's won by soldiers.” The scene cuts to a boxing ring where we see Captain Steve Rodgers working out with a heavy punching bag. Our first sign is the brand label on the boxing gloves. Everlast. Like, everlasting; it's a time reference. Flashbacks to the past reveal what's on his troubled mind, scenes of some battles he fought during WWII. Through the transition from scene to scene, the overt context is WAR! This is about space-time warfare!

At almost 21 minutes into the movie (not the clip), this is what we hear. “There's not enough time. I've got to put her in the water.” Okay, if you've been paying attention to this blog that should flag your attention and put you on the alert for symbols like water-as-time. Just before the scene transition, a glass of water (as time) is being used as a prop and occasionally given a central position on screen. This is done while Fury makes the urgency of the situation his main argument. Urgency has to do with the passage of time. What follows is an abundance of imagery echoing that same theme.

As the time counter on the video player ticks over to the 21 minute mark, and the number 21 means time, it's apparent that the airplane Steve is piloting is crashing into the water. (Backstory is from the film, Captain America, The First Avenger.) Very briefly we're shown the Tesseract, which an earlier scene had demonstrated to be a space-time portal. The Tesseract is with him when he crashes into the sea, but there's more going on here. When the airship and pilot would penetrate the surface of the water, that action represents the breaching of a time-space barrier.

We see the body of Captain America, partially encased in melting ice. Ice is frozen water, which is frozen or stopped time. From the time of the crash until he was thawed out, Cap was in a state of suspended animation like a deep sleep where the passage of time had no effect on him.

We hear someone exclaim, “Oh my god! This guy's still alive!” When someone on screen utters those words, they're usually telling you that there's a symbolic level where they have just encountered a god. That god was still alive. He was, is not and will be, it could be said. As from out of the past, he emerged from the sea like the beast of Revelation 13:1. Captain America. Amaru, aka Osiris, whose parts were collected from the Nile (the river of time) and regenerated by Isis to produce Horus. (similar sounds, Isis ~ ice) Cap's shield bears the pentacle that is the ancient sign of the celestial goddess of the sea, Venus, aka Isis. The patriotic shield's magical sigil that is the pentacle is also the Egyptian hieroglyph for the duat, the underworld.

Cap is worked up and he punches the bag so hard that it flies off the chain (theurgy - seirai) and slides over to the wall, ruptured, spilling out sand. The sands of time have spilled out of the bag, time uncontained, lost. Motion, ceased. When the bag and sand fly through the air, think, tempus fugit. It comes to rest under the water fountain. That's a WATER-as-time fountain, where no cool water happens to be flowing. Right behind the bag we see a radiator, and hidden inside may be flowing steam and hot water-as-time. Some of the shots of Steve punching the bag are lined up to show us the water fountain and radiator being occulted by the swinging bag of sand. Stacking or layering related symbols is an expression of theurgy.

Steve sends the bag flying with a powerful right cross. The bag is cylindrical so it has a circular cross section. He hit it with a right cross. Bam. Cross circle. Mark of the Beast! Lined up behind him is a rounded square column. Squared Circle. The boxing ring is known as a squared circle. Technically, things called rings are round, right? That has rich meaning, signaling ritual sodomy and mind control programming. That biological-spiritual mechanism is exploited to create supersoldiers, like Steve Rogers. The squared circle construction is also a geometrical representation of time-space and the exercise of control over it. A boxing ring ~ space-time war. When the bag is punched so hard that it goes flying through the air, the squared circle of the boxing ring is seen behind it. There's a prominent square shape cut into the floor. When the cylindrical bag flies by it, yet another layer of circle square imagery appears.

Right near Cap's head - at 21:12 film time, and 12 is another primary time number, we see a clock behind him on the wall being covered and uncovered by his head - as he turns around. (uhhhh, think, ELO - Fire on High - “The music is reversible, but time... turn back, turn back, turn back, turn back”) His head was occulting the timepiece as he turned around, at 21:12. You're familiar with what I've been writing about 12:21, right? A clock, of course, is for measuring and accounting the passage of time.

So, are the themes becoming really obvious?

Cap walks over and picks up another bag. It's one of six in a line so there are seven total, including the one at rest under the fountain. Seven bags of sand means seven units of time. The bags are the heavy-bag kind, and the brand is Everlast. Like the boxing gloves seen hanging on the ropes. Everlast. Think about it. An Everlast punching bag and boxing gloves. Time wars. The bags are probably the standard 70 pound kind. Daniel 9 famously describes sets of sevens, 7 and 62 and 1 and 70. Coincidence? Doubtful. At the 12:21-22 time marker, Steve hangs the second punching bag on the chain. Meaning: Time transition. I reflect on all the verses numbered 21-22 and other sets with that numbering that the Lord was highlighting to Aaron and I during this past Pesah, a transitional season.

So, the squared circle pairing is a space-time symbol combo and so is the practically identical cross circle or XO. Each heavy bag is attached with four chains. Seen from above, the form presented is the familiar XO. It's signaling space-time and also the mark of the beast. It's also the heart of the sigil of Nodens, the god of the watery abyss.

The many columns in the gym are symbolic objects with meaning that should be familiar. They are used in Illuminati trauma-based mind-control for what's called time travel programming. That's probably because of the assigned meaning that goes back to ancient times, where heaven and earth are seen as connected by columns, and transited also. The ones in the gym are padded, which speaks to the padded rooms of mental asylums for more trauma-based mind-control symbolism. The row of Xs in the stitching forms water glyphs, aligned vertically. The marking of dimensional gates (windows, doors, bridges, columns...) with X X is hugely popular in film and TV sets.

When Fury walks in, he asks, “Trouble sleeping?” Steve replies, “I slept for 70 years, sir, I think I've had my fill.” Right. 70 years. His fill is a full measure of time - 70 years. That's a fullness of time period like an Everlast heavy-bag filled with 70 pounds of sand. Fury's retort: “Then you should be out, celebrating, seeing the world.” The world. Space. Put it together. Time and Space. Daniel 9 refers to the full span of time that had been revealed to the prophet Jeremiah for the exile in Babylon: 70 years. I see an even far more compelling connection here with Enoch and a 70 generations long term of imprisonment, because those responsible for the flood of Noah's day want so badly to be released back into the world, to celebrate with the bringing of destruction. They are THE AVENGERS, with all the agents allied with them. One of the main objectives in the time war is to impact the countdown timer on the time-lock of their containment system, to set them free in a manipulated early release.

Steve responds, “When I went under the world was at war. When I wake up they say we won. They didn't say what we lost.” What did Steve lose but time? Seventy years got away from him. Gone. He makes reference to the passage of time, and war. When he went under, what was it that he went under? Water. Under time. Into the UNDERworld. Fury: “We've made some some mistakes along the way. Some very recently.” “Along the way.” “Very recently.” Emphasis: Through space and time.

Steve: “Are you here with a mission sir?” Aaron and I have been discussing a time mission for years, how Matthew 24:22 bears witness to such a thing. The elect saints will be engaged as the benefactors in a truncating of time relative to megas thlipsis. An ark is for salvation, the saving of flesh. The time ark concept. Fury's response to Steve's question is succinct. “I am.” Right. That's a coded reference to the identity of The One who commissioned Moses at the burning bush on Mount Sinai. Moses himself had been saved in an ark, spared certain death by being floated on the Nile to be found and raised by the Pharaoh's daughter. He was commissioned by I AM to save Israel by passing them safely through the Sea of Reeds, as by another kind of time ark, on dry land. Dry. Absence of water-as-time. Fury, a counterfeit I AM, has the eye patch, the darkened eye of Horus, of course, so he's an antichrist type like all the other characters. Steve: “Trying to get me back in the world?” Hmmm. NLP. “Get me back” hints of revenge, of avenging, but think on this: The mission is first to get the demigod Amaru back into this space-time domain. Fury: “Trying to save it.” Yeah, saving it requires a savior of the world, a messianic agent. There is a time ark mission that involves bringing the fraudulent savior into the world. We saw that already with Loki, but the modeling repeats in varied shadowy ways.

Fury hands Steve a dossier and we see the Tesseract featured. Steve says it's HYDRA's secret weapon. Let's take a closer look at that.

Everything HYDRA is related to water, like the word, hydro. Water-as-time.

“In Greek mythology, the Lernaean Hydra was an ancient serpent-like water monster with reptilian traits. It possessed many heads – the poets mention more heads than the vase-painters could paint – and for each head cut off it grew two more. It had poisonous breath and blood so virulent that even its scent was deadly. The Hydra of Lerna was killed by Heracles as the second of his Twelve Labours. Its lair was the lake of Lerna in the Argolid, though archaeology has borne out the myth that the sacred site was older even than the Mycenaean city of Argos, since Lerna was the site of the myth of the Danaids. Beneath the waters was an entrance to the Underworld, and the Hydra was its guardian.” (Wikipedia)

While the Marvel productions remind us regularly of HYDRA's growing of more heads to replace each one that is cut off, I don't recall hearing this beast's job mentioned. HYDRA's namesake is the legendary guardian of the entrance to the underworld that is beneath the waters. (Seen “Pacific Rim” lately?) This identification is key, and with Steve's observation that the Tesseract is HYDRA's secret weapon, we can interpret the realm accessed using the Tesseract to be the underworld. This actually involves some flip-flopping. The dimensional gateway opening has to do with water, or literally with time.

The HYDRA logo looks like an Octopus and totenkopf (Nazi SS) or a variant on the skull and bones. To call it an allusion to H. P. Lovecraft's Cthulhu mythos is no stretch. Leviathan? Yes, indeed. Decoding the logo, we only see 6 appendages, three on each side. Code 33. The curling tentacles present an obvious 666 on our left, and a mirror of it on the right. With 6 numbers 6 thus written out for us, the numbering of the watery abyss is signaled; 66. HYDRA - Water beast of the abyss. The encircling of the imagery adds another 6 (O ~ 15 ~ 1+5) to provide redundancy in support of the 666 read directly on the left and on the the mirrored side. The HYDRA brand is also an XO MOB symbol. Including the head, there are 7 appendages to this beast. We see that SHIELD has assigned this matter a Security Level 7. Seven. It's another time number.

Here's some bonus imagery. Nexxus. HydraLight

After Steve's comment about the Tesseract being HYDRA's secret weapon, Fury says, “Howard Stark fished it out of the ocean when he was looking for you. He thought what we think. The Tesseract could be the key to unlimited sustainable energy. That's something the world sorely needs.” He emphasizes the words, “fished it out,” and we immediately see the fishy octupus-like figure in the document held by Steve. I believe there's a messianic reference being implied in the emphasis on the fish. (We'll see this interpretation validated with a later reference.) Isis searched for and found Osiris and then fished the parts of her dead husband / brother out of the water, except for his phallus, because it had been eaten by a fish. Why bring up the phallus of Osiris? In last season's SHIELD TV series, the Macguffin was a mystical alien obelisk. An obelisk is the phallus of Osiris. The comment Fury made about the world sorely needing unlimited sustainable energy is another dose of green propaganda from the Big Green Propaganda Machine that drives the world today, but there's more to it than just that. For one thing, there's the coded NLP reference to space-time in the mention of the ocean and the world in the same snippet of dialog. We're going to hear Iron Man voicing the green mantra in the next scene.

Director Fury's last line in the gym is a question. “Is there anything you can tell us about the Tesseract that we ought to know now?” The word, now, is superfluous, linguistally, but repetition serves to strengthen the NLP with additional time word content. Steve responds, “You shoulda left it in the ocean.” In the ocean, where it was figuratively lost in time.

Before moving on we should give our attention to what Steve is doing as the scene ends. He is leaving the gym. He picks up one of the heavy-bags and throws it over his right shoulder. With his gym bag in his other hand, he walks out through a passageway built with secure looking chain-link fencing. Why would he remove a heavy-bag from the gym? It makes sense to bring a heavy-bag the other way, to the gym, because that's where you use them. The bag represents a large unit of time, probably heptadic. (I note that it's #3 of 7 in sequence, leaving 4 remaining on the floor.) We see him carry it out past the columns, representing time travel, passing through the steel or iron gate, the dimensional barrier. He removes it from the gym. A large unit of time was removed from the time-space domain. Time truncation. While he models to us the removal of a fixed amount of time from the closed system, his commentary gives us something to think about. “You shoulda left it in the ocean.” There's a dark agenda being served by the removal of time from the domain, and I'm not referring to the fictional Marvel universe. The Everlast bag filled with the sands of time wasn't the only thing Steve took. What was in the gym bag? Gym bags typically contain clothing, garments. A garment is a metaphor for a body that is fit to access and operate within a specific domain. Different domains require different kinds of garments. How could Steve leave the gym without changing his garments? Well, because he took the bag of sand with him. He has time, and control of time, for a fixed season, and that provides access to multiple domains.


To be continued, Lord willing.

Rainbow Casting and Other Signs of the Masked Model

For those of us who can accept that we're living in a season that is actually going to be repeated, questions are raised that are of the utmost importance. Will we remember anything? Will anything we do now count for anything? Yes, what we do will be accounted, and some will “remember the future,” or at least will be given an awareness of what things are needful. Some of what we have come to understand already has been intuited or spiritually discerned, and confirmed. We don't have all the answers, or any confidence that we even know what questions really need to be asked, but the Lord continues to lead and encourage us and advance us along the familiar two-track path. Character is the primary issue, and alongside that is the knowledge of the times and seasons.

While this post is not for the reporting of breakthrough revelation insight there is a need to keep reporting, to keep serving food at the proper time. (Have you visited the MOB blog lately?) We testified about how the model of this “Take 2” redo was being elaborately masked, and here's some more related stuff we've logged along the way.

For background, here's two relevant links:
April 12 - Still watching on the 23rd day?
April 18 - Watching Still, We Consider the Model, Masked

The Drudge Report headline of April 29. History Repeating.

On the day the sign for the Bride was looked for (Thursday April 2, the 13th day of the 1st month), what was seen was US President Obama making a deal after eight days of talks between Iran and six world powers in Lausanne, Switzerland. The agreement celebrated in the streets of Tehran with dancing and jubilation. In seasons past, modeling of the revealing of the lawless one was always very specific to Bill Clinton. Association with the office of the US Presidency continued in this season of the masked model with Obama doing most of the modeling.

Here's an item from April 9.

President Obama Gives a Rainbow Salute As He Leaves Jamaica

“President Barack Obama gave off good vibes as he waved farewell to Jamaica on Thursday. While he was preparing to board Air Force One, a rainbow appeared high in the sky, and cameras managed to get the president's picture perfect goodbye. The White House's official photographer, Pete Souza, snapped an image of Obama waving with the rainbow appearing to arch right out of his hand.”

Casting a rainbow suggests the exercise of control over the physics of this space-time domain and transits between dimensions. Daniel 7:25

Barack Obama, who assumed that name, is identified with a similar aerial phenomenon, that of lightning. Web search barack obama lightning satan falling. The campaign slogan for his first term, "yes we can," produces, "thank you satan," when recorded and played in reverse.

Here's an interesting video presenting an insight about a historical connection. The Esther Connection: Haman and Barack

On April 8, 2015 (the 19th day of the 1st month) there was a kind of controversy over baptism (Greek: baptizo - to dip) was in the news.

Sabra Dipping Company Issues Nationwide Voluntary Recall of Select SKUs of its Classic Hummis “Today Sabra Dipping Co., LLC announced that it is voluntarily recalling approximately 30,000 cases of its Classic Hummus due to possible contamination with Listeria monocytogenes. This measure is limited to five SKUs of Classic Hummus sold nationwide. To date, no other Sabra product is affected by this recall.”

The numbers and language of the item are notable. If you're not familiar with the symbolism of the Sabra brand, I recommend this post where it's decoded: Part 21 - Signs of Horus Worship - RA, Just RA and Decoding Sabra

There was also this baptism activity I already reported, performed on the 12th day of the 1st month when the epic hoax is to be expected. The officiating agent of the Vatican was the one who holds the office of the “high priest” who will be doing the baptizing of the lawless one.

Pope washes the feet of 12 inmates, 1 infant at Rome prison in Holy Thursday ritual

According to the prophetic scenario of Acts 12, Peter is imprisoned during Pesah and released on the last day of the Feast in a Bride Theft model. James, who was killed with the sword, represents other saints who are martyred just prior to the Feast. In the masked model that was, we noted a couple of notable news about Christians .

Police: Muslims threw Christians overboard during Med voyage “Italy's migration crisis took on a deadly new twist Thursday as police in Sicily reported that Muslim migrants had thrown 12 Christians overboard during a recent crossing from Libya, and an aid group said another 41 were feared drowned in a separate incident.”

Many others fleeing the persecution were also drowned in the sea in that season.

Terror attack over, 147 dead at Kenya university

Part of an al Shabab intelligence unit based in neighboring Somalia stormed Garissa University College in northern Kenya, killing 147 people, wounding dozens and taking hostages. Christians were singled out and slain, executioner style. according to the article linked above: “Sheik Abdiasis Abu Musab, the group's military operations spokesman, said many Christians were being held by the militants. "We sorted people out and released the Muslims," he told Reuters.”

The model is masked, elaborately masked, but it is certainly evident.

One of the key elements of the season is pictured in the prophetic scenario of John 21. It's what Romans 11:15 calls, “their acceptance.” In the masked model witnessed during this past Pesah, the following relevant sign was noted. A son was birthed through some difficulty on April 6, Israel David.

Sister in haMashiach, Ruth, noted that Jill Duggar (of TLC's show “19 Kids and Counting”) gave birth to her firstborn son, Israel David. He was supposed to be born in a home birth, but there were complications that required specialized care!

Jill (Duggar) Dillard Went for a Pedicure with Husband Derick After Her Water Broke

“When her water broke in the early hours of April 4 following 41 weeks and 5 days of pregnancy, the 19 Kids and Counting star went to sleep and managed to squeeze in a morning appointment with her chiropractor. ("I wanted to get aligned before birth," Jill tells PEOPLE exclusively.) Finally, after a grueling 70-hour labor and an unexpected C-section, Israel David was born. "I looked at him and said, 'He is so beautiful,' " says Jill. Derick, too, was awestruck: "I looked at him and thought, 'This is my son. I love this person.' " ”

The 144k sons of Israel who are being modeled are seen in biblical scenarios as John, the beloved saint whom the Lord loved. King David was referred to as a man after God's own heart.

From another article, “To distract Jill after a full day of labor with little progression and contractions just a minute apart, soon-to-be "amazing" dad Derick played spiritual songs that the couple both love and read Bible verses and inspirational sayings. ”

What an amazing season this is!

We want to express our gratitude to everyone who has contributed and continues to contribute during this season, giving time in prayer, giving financially, sharing insights and observations about news and events and personal dreams, visions and signs.

Daniel 7 - Interactive - "alterations in times and in law"

Yesterday, I published another interactive presentation of thematic symmetry online, one in a series that pertains to our continuing passionate inquiry into where we are now on the Lord's schedule of appointments. I chose to analyze the thematic symmetry of this chapter because it conceals and reveals important things about time.

Update: That presentation has been expanded to feature 8 consecutive chapters from Daniel, including 7 through 12.

Last month, the Lord indicated to Aaron and I that the book of Daniel held keys to understanding this very unique season so we're using all the tools at our disposal, which the Lord has so generously provided. Applying the techniques of structural analysis alongside an investigation into the meaning of the Hebrew texts is already yielding fruit, and we're really just getting started.

I'm going to make a few observations about Daniel 7 and this fascinating chapter's unusual symmetry.

First, this chapter contains an instance of what I call the keystone pattern, which is a time code. There's actually a nested embedding of the pattern, and you can explore what's been written here for more detail: The Keystone Pattern - Three Things Then the Fourth (Daniel 7 - The Fourth Beast).

A verse of notable interest is Daniel 7:25.

He will speak out against the Most High and wear down the saints of the Highest One, and he will intend to make alterations in times and in law; and they will be given into his hand for a time, times, and half a time. ~ Daniel 7:25

“They,” possibly refers to the saints but definitely to times and laws. That is not about a former Pope's institution of Sunday Law, changing the Sabbath from day 7 to day 1, or about changing holidays or time zones or calendars. Religious or moral laws have been a traditional focus but the symmetry of the passage, which reveals the highly structured context for our guidance, should make it plain that it's time itself, the familiar continuity of space-time that is the subject, and that the law is not the Mosaic Law but rather the natural laws of physics. In the days of Noah, a special sign of the bow in the clouds was given, and that bears witness to how changes had been made to physical laws involving light and its travel through the sky, a heaven above earth.

If you explore the interactive presentation you'll discover that there are 4 elements highlighted when you hover your mouse cursor over the interesting line of verse 25.

9 “I kept looking until thrones were set up, and the Ancient of Days took His seat; His vesture was like white snow and the hair of His head like pure wool. His throne was ablaze with flames, its wheels were a burning fire. 10 “A river of fire was flowing and coming out from before Him; Thousands upon thousands were attending Him, and myriads upon myriads were standing before Him;
...
18 But the saints of the Highest One will receive the kingdom and possess the kingdom forever, for all ages to come.’
...
21 I kept looking, and that horn was waging war with the saints and overpowering them 22 until the Ancient of Days came and judgment was passed in favor of the saints of the Highest One, and the time arrived when the saints took possession of the kingdom.
...
and wear down the saints of the Highest One, and he will intend to make alterations in times and in law; and they will be given into his hand for a time, times, and half a time.

During this past Pesah, when the Lord was pouring out such favor in that season of such high expectation, our attention was given to the trending highlighting of verses numbered 21 and 22, in many chapters. The pair in Matthew 24 is one example. Here in Daniel 7, the symmetry identifies the pair as an element of some note.

Compare verses 9 and 10 to the description of the throne vehicle in Ezekiel chapters 1 and 10. The throne was that of the Ancient of Days, a title that has everything to do with time. The river of fire is interesting, with the use of the standard Hebrew words for river and fire. The river of fire is like a river of water, a metaphorical river of time. See Revelation 22:1. Think about the “lake of fire” as a place where time is not experienced as we do in these bodies in this time-space realm. With the throne ablaze with flames and wheels that were a burning fire, this was a fiery other-dimensional contraption, a time-space machine. (Of related interest: Heaven's Vehicles - UFOs - Fake and Genuine and The Kingdom Viaduct)

There's lots more to be said about all this. Lord willing.

Time and physical laws are not going to be continuing as they have, and are quite probably already in flux. Have you been paying attention to how you perceive the passage of time now, or have you noticed what others can be overheard saying about how time strangely seems to either be passing very slowly or quickly? When CERN's LHC was in operation in 2012, we wonder if there wasn't already some change manifesting.