By the time the video portion of the opening dream sequence concludes several scenes of transiting the Silver Gate have already been introduced. Following the video portion, a countdown featuring the 666 (mark of the beast) and 5 (Horus) (Part 2) marks the transition into the live action portion of the dream sequence. Another Silver Gate transit unfolds on the grand stage as the dreaming girl ascends with a kite in the spectacular setting of the underworld duat. Looking beyond the trauma-based mind-control symbolism present, which I may cover in other postings, we see the Dreamer in this screenshot flying a kite, which seems to be ascending her up into the heavens.
The kite has streamers for a tail that are the colors of the rainbow. Allusion is made by those colorful streamers to the rainbow bridge, the Bifröst that bridges Asgard, the realm of the gods, and Midgard, the earthly realm. The direction of the Dreamer's journey to Asgard is actually downward, into the underworld Duat (Part 5) via the celestial Silver Gate. The moon is a very popular image used in scenes signaling a Silver Gate transit, and the Dreamer was ascended to the moon. The way the directors and choreographers and videographers composed and edited the footage for broadcast provides for the proper associations of the key symbolic elements. Here's a screenshot of a transition where we see the kite lined up right in front of the moon, fading into a zoomed-in shot of the floating Dreamer holding the kite string.
About 4 seconds later, we see the transition pictured in this screenshot. Her head is superimposed over the moon.
Heliofant's viral video “I, pet goat II” is familiar to many of us. Compare this screenshot of the whirling Sufi Dervish ascending into the air toward the moon. This is just one of many of that video's Silver Gate transit scenes.
We're told at the beginning that she's an 11 year old, which is a signal Silver Gate number as the digits 1 and 1 are twins (Gemini - The Twins) and the numeral forms a graphical pillar or pair of pillars. The Dreamer is like Apollo 11, which we are told went to the moon. This live action part of the dream sequence is obviously connected with the earlier video, focused upon the Silver Gate transit into the underworld.
We're also told that she's in the 5th grade, signaling the basic number of Horus. During this scene we hear “5 1/2 hours” mentioned in the NLP-laden commentary, a very distinctive 5-Horus identification where “hours” is an anagram of “Horus.”
Horus is being implied in the audio but where is he in the visual? He's the kite! The kind of kite being flown in the ceremony is a traditional diamond kite. The frame is in the form of a cross, a messianic symbol. The X is the sun god's mark. An “X in a box” is a pyramid, as seen from some angle looking down. “Kite” is a common name for birds of the family Accipitridae, like hawks, eagles, osprey and Old World vultures. Such birds as these are identified with the sun god, Horus, as Amaru and other phoenix and feathered serpent alias identities. The kite is also associated with the mother of Horus as she brings him forth from Osiris. “Isis is said in Ancient Egyptian mythology to have taken the form of a kite in various situations in order to resurrect the dead.” (wikipedia.org/wiki/Kite_(bird)) Isis is the mother of Horus.
Kites ring the shaft of the ancient Egyptian obelisk in St Peter's Square at the Vatican.
To really grasp what is meant in context let's reflect upon what has already been established. The context of the show was laid out for us in the clever introduction (Part 3), in typical Occult fashion. This show is about the time when their champion Apollo is revealed, the one whom the Bible labels the Antichrist beast. See the moon featured in the ritual not as a common crescent but as a full moon in partial eclipse. Compare it with the moon in I, pet goat II explored in these two very important posts, Part 26 - Celestial Stargates - The Black Magick Baptist
and Part 27 - Celestial Stargates - The Black Magick Anointing. What's happening on stage is the featuring of a very specific Silver Gate transit, the one on the 13th day of the 1st month in 2015.
As I wrote in Part 3 of this series, there is a distinct focus of attention on a great hoax that will be perpetrated in connection with Apollo's appearance, which seems to me very likely to serve as introductory to his baptism and anointing by the Papal false prophet.
The thrust of the message, as you may recall, is described in the following verses.
1 Now we request you, brethren, with regard to the coming of our Lord Jesus Christ and our gathering together to Him, 2 that you not be quickly shaken from your composure or be disturbed either by a spirit or a message or a letter as if from us, to the effect that the day of the Lord has come. ~ 2 Thessalonians 2:1-2
I believe that message will come as a demonstrative multimedia projection that is multidimensional, with supernatural components spanning the time dimension, and that it will be effectually painted upon the prepared canvas of the global population. Most would consider this all to be highly speculative, but what I'm telling you is not without substance, which many of you who have been following the blog closely know very well.
When the Dreamer and kite are flown up to the moon in the live action sequence that Silver Gate transit matches to those modelings present in the video portion. Symmetry, with the pivot on the countdown; the essential balance. The two ways of presenting this imagery are thus combined, video and live action together, to illustrate the nature of the hoax. That might not sound very impressive but it will be. In recent years, technologies overlaying reality with virtual reality have been developed and many kinds of devices on this line have been produced, but these are merely suggesting the level of engagement that is coming. The Devil is not going to leave anything on the table.
During the live action Dream ritual, the audio supplements the visual imagery with more coded commentary that is synchronized with the imagery seen in the screenshots above.
“David, this is a chance for the Russians to talk about the vast size of their country. If you get in a plane in New York and fly to Los Angeles it's 5 1/2 hours, 3 time zones, here it's 9 time zones. [David:] Nine time zones and maybe a ten hour flight from end to end. And the vastness of the country is part of the character of the country; it's part of the politics of the country. It's always been the justification for why an iron hand is needed in Moscow. That's why Putin thinks that central authority is so important, partly the size of Russia. ”
Ignore the pretext about Putin and Russia and the size of their country. The real story here is about when the beast is being revealed, when Horus is emerging through the Silver Gate and incarnating in a way that transforms some notable man, someone connected with “the politics of the country,” perhaps. The scale here really extends beyond the national to the global. Another expression dropped on us was this gem, “an iron hand is needed.” The iron kingdom with the mixture of clay was prophesied in Daniel 2. There is the matter of a rule with a rod or scepter of iron that probably sticks in the Devil's craw. (Revelation 19:15, Psalm 2:9, Revelation 2:27)
Right after that, “central authority is so important” is heard. Here's a relevant passage about central authority.
12 The ten horns which you saw are ten kings who have not yet received a kingdom, but they receive authority as kings with the beast for one hour. 13 These have one purpose, and they give their power and authority to the beast. ~ Revelation 17:12-13
When they talk about the size of the country they avoid using terms of distance measurement like miles or kilometers. They conceptualize it in terms of time zones and the length of time it takes to traverse it in a plane. “If you get in a plane in New York and fly to Los Angeles it's 5 1/2 hours, 3 time zones, here it's 9 time zones. [David:] Nine time zones and maybe a ten hour flight from end to end.” Space and time, space-time dimensionality. Time, as I demonstrate in the Celestial Stargates series, is very often referenced in the context of stargate transit signaling. In Sochi's opener, here it is yet again! The flight from end to end that is really meant is not one spanning Russia but rather heaven and earth, or rather the pictured underworld Duat and the earth.
On the subject of time, let's return to the transcript of the introduction to the Dream segment.
“...Lester Holt is with us, as is Apolo Ohno, and after waiting seven years to bring these games to Sochi, the Russians are going to start things off tonight with a video that's going to touch on some of their favorite moments, their proudest achievements, their most iconic people, all connected to a letter of the Cyrillic Alphabet and then Meredith will recite the Cyrillic alphabet in just a second.”
We really can't just dismiss the final bit as being just a comedic element with a figure of speech. Imagine Meredith reciting “the Cyrillic alphabet in just a second,” literally, in a single second of time. There are 33 letters in that alphabet. That's some fast talking! That impossibly fast. It's an expression of the kind of time control and compression I've been blogging about in connection with the opening of stargates.
It should be noted that Code 33 is evident in this commentary. To recite the 33 letter alphabet in one second of time is to encapsulate 33 into a single unit, which is a kind of feature I've called out several times in the Code 33 series. To lavish attention on the 33 letter alphabet in an elaborate exhibition of “their favorite moments, their proudest achievements, their most iconic people” in the Occult signaling way they did is definitely Code 33!
Their clever commentary contains the allusion to 5-Horus in “5 1/5 hours,” which I mentioned earlier, plus there's a couple more very significant numbers relating to the transit. What “3 time zones,” and “9 time zones” says to me is about the celestial zones or constellations which also span time in relationship with the earth. I've written on more than one occasion about how the “9th gate” is a reference to Taurus, the 9th sign of the Zodiac, and the Silver Gate. The 3rd sign is Scorpio, which is involved with Sagittarius in flanking the Golden Gate. When the commentator connects New York and Los Angeles he identifies locations that are frequently connected with the Silver and Golden Gates. The city of Los Angeles is a city of “the angels,” a fact that should not be overlooked for what it also brings to the NLP recipe.
When I watch the live action Dream sequence and consider what the commentator said, “If you get in a plane in New York,” with the full moon in eclipse, what comes vividly to mind is a scene I blogged about back in 2009. This was the 4th of a 5 part sequence that appeared on the home page of NCR.com. 
If that's not familiar, I highly recommend giving it some attention because there's some amazing insight to be gleaned. When I wrote it, I didn't know about the Silver Gate, but that's what's being signaled as she's on her way to the counterfeit ZION. NYC is pictured, and the full moon, and a plane appears. See the toroidal bracelet she wears? Torus ~ Taurus! As the floating islands begin to come to our attention in Sochi's opening Dream sequence, we hear a haunting song being sung, a Russian classic from Alexander Borodin's long opera Prince Igor.
It's a piece called "Fly away on the wings of the wind" from the "Gliding Dance of the Maidens." (Polovtsian Dances). You can read the lyrics here on Wikipedia. More than simply pretext, it seems well adapted to the esoteric scenario I've described.In this screenshot from the NBC broadcast you see the underworld's dimensional vehicle cloud in the midst of the celestial Silver Gate imagery, between the girl and the kite, and partially eclipsing the silvery moon.
We were told during the ceremonies that the Russians enlisted the help of others from around the world to make this production happen. It's a supranational effort with supranational goals. This transends the presentation of games and flames. Apollo is about to be welcomed back into this realm. The world cries out for him to present himself. His arrival and what surrounds it is being ritually enacted on stages of every kind, and supported off-stage by blood and sex magick ritual. Are you ready to play your part in the drama, as a sacrifice? Prepare, prepare, prepare, as we were warned at the recent Super Bowl half-time show. Take all this messaging seriously. Your enemies are not joking about this. They know what time it is, and they are well prepared to do what must be done.
This matter of opening portals though symbol magick was given lots of attention very early in the opening ceremony, ritually opening access to the underworld realm and agencies for what would follow. One of the primary constructs bridging the underworld and this world is the celestial Silver Gate. I'm going to present some of the images involved in their elaborate Silver Gate modeling. I already gave attention to a major Silver Gate transit scene in Part 2 (giant white horses and a toroidal sun) and if you're familiar with the Celestial Stargates series, much of this should be familiar. Before we launch into all that let's give the clouds themselves the attention these ubiquitous symbols deserve, which were also featured during the opening ceremonies in London.
The pillars that span and bridge heaven and earth are set in this ritual enactment upon the periodic table that represents the elements of this material earthly realm. 
One stuffed rabbit appeared on the window seat, and others could be seen populating her bedroom. 
Is the H7N9 Bird Flu a Gene-Specific Bioweapon?
Regarding the ceremonies in Beijing, 2008, I devoted hundreds of hours to 
Whatever the official explanation is for the Pyeongchang 2008 logo, the astrological glyph for Gemini and the Egyptian hieroglyph for a star are easily discerned. This pictures a transit of the celestial Silver Gate. You're familiar with the Celestial Stargates series, right? Could the Silver Gate transit symbol be more plain? 
This image found in Luxor, Egypt (or perhaps in the Karnak complex) was featured in 
If you recall the coverage I gave the band 
Apollo is required, because he's at the center of this scheme. He's the kingpin, and his transit is the key to their Zion. Have you seen 
Almost two weeks ago the Lord prompted me to compile the words He has given me to share over the course of the last year. I spent a significant amount of time going over those words and meditating on them and reflecting on how they have impacted my life. The Lord has laid it very heavily upon my heart that these Words from Him are for all of us who are truly His people. Quite often He will deliver a word and all that the Lord intended to teach with the Word will not be understood until I have gone through a crisis experience.
This is all an engaging mass public ritual that expertly weaves together the themes of trauma-based mind control programming, the revealing of the beast, his incarnation as coming through the celestial Silver Gate, his transforming mark, the release of the agents of destruction from the abyss, the chaos of the Black Awakening and the campaign of Armageddon. I've given those themes plenty of attention on this blog over the past few years. It may be that there is nothing of notable novelty in this content, I can't yet say I know, but what I do know is this, that what is most urgent and necessary pertains to a big trick that the Enemy's going to play in a critical hour like an ace hidden up his sleeve. 
It's a gag where he appears as a figure skater performing at the Olympics. The 4 judges award him the scores of 6 6 6 on signs like in years past, and then after cutting away and back again, a 5.9. That presents a 666 and the 5.9 creates a certain expectancy, the dynamic of anticipation. That last judge then changes the 5.9 to a 6, saying, “I was just messing with you.” We're being set up, folks. That commercial was also another ritual presentation of the pattern, “3 things and then a 4th.” Jimmy Fallon - FALLEN! 
(Transmission of Matter Through Interstitial Time) There is something of this projection simulation in the award winning film, Hugo. 
In this image from the final episode, Peter Bishop is holding up the video tape he has just freed from the amber that froze it in time, in 2015. According to Roman Catholic claims, the Apostle Peter became the first bishop of Rome. The authority of the Papal line derives from him. "Peter Bishop ~ The Pope. With Peter wearing the goggles, the Pope has vision that sees through time itself (translucent amber), and he holds in his hand the artifact of documention. 
The commentators tell us this red ring is the sun, but that's not all it is. The commentators are very important cast members in the show, who by their craft bring forth the NLP that supports the symbols and the ritual. They tell us a mix of truth and lies, shuffling and dealing it out with the confidence of card sharks using a well stacked deck.
If you've been paying attention to the Celestial Stargates series you know this modeling is in the context of the incarnation of Horus as the Antichrist Beast, and that's the subject of another layer of symbolism in this scene! That there are more than two horses representing the Twins doesn't change the symbolism, like with a utility chain. 
Many ancient cultures have legends about horses pulling the sun like a chariot across the heavens. The commentators spoke of gentry and a sleigh being pulled across the snow. What's the context here? This is a stadium where Zeus and Apollo are worshiped. Look up the Olympic Hymn. Find what was said and done when the torch was lit at the temple of Hera, the wife of Zeus, on Mt. Olympus a few months ago. This scene features Apollo's quadriga. This is the coming of Apollo as the Antichrist Beast in the context of the Silver Gate transit. 
You may have noticed how the display featured three objects that were of like kind, horses. Then a forth object followed in sequence that was like the first three as another prop in the same group moving across the stadium, but it was different. It's the familiar and very noteworthy pattern of 3 things and then a 4th. The 4th is the sun, the presence of Apollo! Over and over this pattern appears. This one is in the heavens with the great star of the sun as a celestial sign, with Gemini and Taurus. Connect the dots. This Shemitah is the 4th as counted off from the celestial sign of 1991. This is when the Olympian is coming as their golden champion.
The magickal furnishing of the missing Horus ring is what the entire logo symbol is about, as I explain in this series titled, “